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Jain miniature painting of 24 Jain Tirthankaras, Jaipur, c. 1850
Jain miniature painting of 24 Jain Tirthankaras, Jaipur, c. 1850
The 24 Tirthankaras forming the tantric meditative syllable Hrim, painting on cloth, Gujarat, c. 1800
The 24 Tirthankaras forming the tantric meditative syllable Hrim, painting on cloth, Gujarat, c. 1800
Tirthankara images at Siddhachal Caves inside Gwalior Fort.
Tirthankara images at Siddhachal Caves inside Gwalior Fort.
Auspicious 14 dreams seen by a tirthankara's mother during pregnancy as an ornamentation on cover of 19th-century manuscript
Auspicious 14 dreams seen by a tirthankara's mother during pregnancy as an ornamentation on cover of 19th-century manuscript
Stella depicting Pañca-Parameṣṭhi (five supreme beings) worthy of veneration as per Jainism
Stella depicting Pañca-Parameṣṭhi (five supreme beings) worthy of veneration as per Jainism
Image of Vardhamana Mahavira, the 24th and last Tirthankara (Photo:Samanar Hills)
Image of Vardhamana Mahavira, the 24th and last Tirthankara (Photo:Samanar Hills)
Although the siddhas (the liberated beings) are formless and without a body, this is how the Jain temples often depict them.
Although the siddhas (the liberated beings) are formless and without a body, this is how the Jain temples often depict them.
Idol of Padmāvatī devī, śāsanadevī of Lord Parshvanatha at Walkeshwar Temple. According to Digambar Terapanth, worship of such deities is considered a
Idol of Padmāvatī devī, śāsanadevī of Lord Parshvanatha at Walkeshwar Temple. According to Digambar Terapanth, worship of such deities is considered as mithyātva or wrong belief. However, in the Bispanthi Digambar tradition and the Shwetambar tradition, Padmavati is a popular Jain goddess.