1.
Copyright
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Copyright is a legal right created by the law of a country that grants the creator of an original work exclusive rights for its use and distribution. This is usually only for a limited time, the exclusive rights are not absolute but limited by limitations and exceptions to copyright law, including fair use. A major limitation on copyright is that copyright protects only the expression of ideas. Copyright is a form of property, applicable to certain forms of creative work. Some, but not all jurisdictions require fixing copyrighted works in a tangible form and it is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, copyrights are considered territorial rights, which means that they do not extend beyond the territory of a specific jurisdiction. While many aspects of copyright laws have been standardized through international copyright agreements. Typically, the duration of a copyright spans the authors life plus 50 to 100 years, some countries require certain copyright formalities to establishing copyright, but most recognize copyright in any completed work, without formal registration. Generally, copyright is enforced as a matter, though some jurisdictions do apply criminal sanctions. Most jurisdictions recognize copyright limitations, allowing fair exceptions to the exclusivity of copyright. Copyright came about with the invention of the press and with wider literacy. As a legal concept, its origins in Britain were from a reaction to printers monopolies at the beginning of the 18th century, Copyright laws allow products of creative human activities, such as literary and artistic production, to be preferentially exploited and thus incentivized. Different cultural attitudes, social organizations, economic models and legal frameworks are seen to account for why copyright emerged in Europe and not, for example, however, with copyright laws, intellectual production comes to be seen as a product of an individual, with attendant rights. The most significant point is that patent and copyright laws support the expansion of the range of human activities that can be commodified. This parallels the ways in which led to the commodification of many aspects of social life that earlier had no monetary or economic value per se. Often seen as the first real copyright law, the 1709 British Statute of Anne gave the rights for a fixed period. The act also alluded to individual rights of the artist and it began, Whereas Printers, Booksellers, and other Persons, have of late frequently taken the Liberty of Printing. Books, and other Writings, without the Consent of the Authors. to their very great Detriment, and too often to the Ruin of them and their Families
2.
Incunable
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An incunable, or sometimes incunabulum, is a book, pamphlet, or broadside that was printed—not handwritten—before the year 1501 in Europe. Incunable is the singular form of incunabula, Latin for swaddling clothes or cradle. A former term for incunable is fifteener, referring to the 15th century, but since 2009 we know that this lexical invention should no more be assigned to Mallinckrodt, dated 1569, it has to be credited to the Dutch Physician Hadrianus Junius. The term came to denote the printed books themselves in the late 17th century, post-incunable typically refers to books printed after 1500 up to another arbitrary end date such as 1520 or 1540. As of 2014, there are about 30,000 distinct incunable editions known to be extant, many authors reserve the term incunabula for the typographic ones only. The spread of printing to cities both in the north and in Italy ensured that there was great variety in the chosen for printing. Printers congregated in urban centres where there were scholars, ecclesiastics, lawyers, nobles, standard works in Latin inherited from the medieval tradition formed the bulk of the earliest printing, but as books became cheaper, works in the various local vernaculars began to appear. Other printers of incunabula were Günther Zainer of Augsburg, Johannes Mentelin and Heinrich Eggestein of Strasbourg, Heinrich Gran of Haguenau and William Caxton of Bruges, the first incunable to have woodcut illustrations was Ulrich Boners Der Edelstein, printed by Albrecht Pfister in Bamberg in 1461. The data in this section were derived from the Incunabula Short-Title Catalogue, printing towns, The number of printing towns and cities stands at 282. These are situated in some 18 countries in terms of present-day boundaries, illustrations, Only about one edition in ten has any illustrations, woodcuts or metalcuts. Survival, The commonest incunable is Schedels Nuremberg Chronicle of 1493, very many incunabula are unique, but on average about 18 copies survive of each. This makes the Gutenberg Bible, at 48 or 49 known copies, a complete incunable may consist of a slip, or up to ten volumes. Formats, In terms of format, the 29, 000-odd editions comprise,2,000 broadsides,9,000 folios,15,000 quartos,3,000 octavos,18 12mos,230 16mos,20 32mos, and 3 64mos. Caxton, ISTC at present cites 528 extant copies of books printed by Caxton, dispersal, Apart from migration to mainly North American and Japanese universities, there has been remarkably little movement of incunabula in the last five centuries. None were printed in the Southern Hemisphere, and the latter appears to less than 2,000 copies – i. e. about 97. 75% remain north of the equator. However many incunabula are sold at auction or through the book trade every year. The British Librarys Incunabula Short Title Catalogue now records over 29,000 titles, studies of incunabula began in the 17th century. Hain was expanded in subsequent editions, by Walter A, North American holdings were listed by Frederick R. Goff and a worldwide union catalogue is provided by the Incunabula Short Title Catalogue
3.
Essay
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An essay is, generally, a piece of writing that gives the authors own argument — but the definition is vague, overlapping with those of an article, a pamphlet, and a short story. Essays have traditionally been sub-classified as formal and informal, Essays are commonly used as literary criticism, political manifestos, learned arguments, observations of daily life, recollections, and reflections of the author. Almost all modern essays are written in prose, but works in verse have been dubbed essays, while brevity usually defines an essay, voluminous works like John Lockes An Essay Concerning Human Understanding and Thomas Malthuss An Essay on the Principle of Population are counterexamples. In some countries, essays have become a part of formal education. The concept of an essay has been extended to other mediums beyond writing, a film essay is a movie that often incorporates documentary filmmaking styles, and focuses more on the evolution of a theme or idea. A photographic essay covers a topic with a series of photographs that may have accompanying text or captions. An essay has been defined in a variety of ways, one definition is a prose composition with a focused subject of discussion or a long, systematic discourse. It is difficult to define the genre into which essays fall, aldous Huxley, a leading essayist, gives guidance on the subject. He notes that the essay is a device for saying almost everything about almost anything, and adds that by tradition, almost by definition. Furthermore, Huxley argues that essays belong to a species whose extreme variability can be studied most effectively within a three-poled frame of reference. Their art consists of setting forth, passing judgment upon, the abstract-universal, In this pole we find those essayists who do their work in the world of high abstractions, who are never personal and who seldom mention the particular facts of experience. Huxley adds that the most satisfying essays. make the best not of one, the word essay derives from the French infinitive essayer, to try or to attempt. In English essay first meant a trial or an attempt, for the rest of his life, he continued revising previously published essays and composing new ones. Francis Bacons essays, published in form in 1597,1612. Ben Jonson first used the word essayist in English in 1609, English essayists included Robert Burton and Sir Thomas Browne. In France, Michel de Montaignes three volume Essais in the mid 1500s contain over 100 examples widely regarded as the predecessor of the modern essay, in Italy, Baldassare Castiglione wrote about courtly manners in his essay Il Libro del oregano. In the 17th century, the Jesuit Baltasar Gracián wrote about the theme of wisdom, in the 18th and 19th centuries, Edmund Burke and Samuel Taylor Coleridge wrote essays for the general public. In the 20th century, a number of essayists tried to explain the new movements in art, whereas some essayists used essays for strident political themes, Robert Louis Stevenson and Willa Cather wrote lighter essays
4.
Professor
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Professor is an academic rank at universities and other post-secondary education and research institutions in most countries. Literally, professor derives from Latin as a person who professes being usually an expert in arts or sciences, in much of the world, the unqualified word professor is used formally to indicate the highest academic rank, informally known as full professor. Professors conduct original research and commonly teach undergraduate, graduate, or professional courses in their fields of expertise, in universities with graduate schools, professors may mentor and supervise graduate students conducting research for a thesis or dissertation. Professors typically hold a Ph. D. another doctorate or a different terminal degree, some professors hold a masters degree or a professional degree, such as an M. D. as their highest degree. The term professor was first used in the late 14th century to one who teaches a branch of knowledge. As a title that is prefixed to a name, it dates from 1706, the hort form prof is recorded from 1838. The term professor is used with a different meaning, ne professing religion. This canting use of the word comes down from the Elizabethan period, a professor is an accomplished and recognized academic. In most Commonwealth nations, as well as northern Europe, the professor is the highest academic rank at a university. In the United States and Canada, the title of professor is also the highest rank, in these areas, professors are scholars with doctorate degrees or equivalent qualifications who teach in four-year colleges and universities. An emeritus professor is a given to selected retired professors with whom the university wishes to continue to be associated due to their stature. Emeritus professors do not receive a salary, but they are often given office or lab space, and use of libraries, labs, the term professor is also used in the titles assistant professor and associate professor, which are not considered professor-level positions in some European countries. In Australia, the associate professor is used in place of reader, ranking above senior lecturer. However, such professors usually do not undertake academic work for the granting institution, in general, the title of professor is strictly used for academic positions rather than for those holding it on honorary basis. Other roles of professorial tasks depend on the institution, its legacy, protocols, place, a professor typically earns a base salary and a range of benefits. In addition, a professor who undertakes additional roles in her institution earns additional income, some professors also earn additional income by moonlighting in other jobs, such as consulting, publishing academic or popular press books, or giving speeches or coaching executives. Some fields give professors more opportunities for outside work, the anticipated average earnings with performance-related bonuses for a German professor is €71,500. The salaries of civil servant professors in Spain are fixed in a basis, but there are some bonus related to performance and seniority
5.
Information
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In other words, it is the answer to a question of some kind. It is thus related to data and knowledge, as data represents values attributed to parameters, as it regards data, the informations existence is not necessarily coupled to an observer, while in the case of knowledge, the information requires a cognitive observer. At its most fundamental, information is any propagation of cause, Information can be encoded into various forms for transmission and interpretation. It can also be encrypted for safe storage and communication, the uncertainty of an event is measured by its probability of occurrence and is inversely proportional to that. The more uncertain an event, the information is required to resolve uncertainty of that event. The bit is a unit of information, but other units such as the nat may be used. Example, information in one fair coin flip, log2 =1 bit, the concept that information is the message has different meanings in different contexts. The English word was derived from the Latin stem of the nominative. Inform itself comes from the Latin verb informare, which means to give form, eidos can also be associated with thought, proposition, or even concept. The ancient Greek word for information is πληροφορία, which transliterates from πλήρης fully and it literally means fully bears or conveys fully. In modern Greek language the word Πληροφορία is still in use and has the same meaning as the word information in English. In addition to its meaning, the word Πληροφορία as a symbol has deep roots in Aristotles semiotic triangle. In this regard it can be interpreted to communicate information to the one decoding that specific type of sign, from the stance of information theory, information is taken as an ordered sequence of symbols from an alphabet, say an input alphabet χ, and an output alphabet ϒ. Information processing consists of a function that maps any input sequence from χ into an output sequence from ϒ. The mapping may be probabilistic or deterministic and it may have memory or be memoryless. Often information can be viewed as a type of input to an organism or system, inputs are of two kinds, some inputs are important to the function of the organism or system by themselves. In his book Sensory Ecology Dusenbery called these causal inputs, other inputs are important only because they are associated with causal inputs and can be used to predict the occurrence of a causal input at a later time. Some information is important because of association with information but eventually there must be a connection to a causal input
6.
Typography
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Typography is the art and technique of arranging type to make written language legible, readable, and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing, and letter-spacing, the term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography, most typographers do not design typefaces, Typography also may be used as a decorative device, unrelated to communication of information. Until the Digital Age, typography was a specialized occupation, as the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished. Babylonian cylinder seals were used to create an impression on a surface by rolling the seal on wet clay, Typography also was implemented in the Phaistos Disc, an enigmatic Minoan printed item from Crete, which dates to between 1850 and 1600 B. C. It has been proposed that Roman lead pipe inscriptions were created with movable type printing, the essential criterion of type identity was met by medieval print artifacts such as the Latin Pruefening Abbey inscription of 1119 that was created by the same technique as the Phaistos Disc. The silver altarpiece of patriarch Pellegrinus II in the cathedral of Cividale was printed with individual letter punches, apparently, the same printing technique may be found in tenth to twelfth century Byzantine reliquaries. Other early examples include individual letter tiles where the words are formed by assembling single letter tiles in the desired order, Typography with movable type was invented during the eleventh-century Song dynasty in China by Bi Sheng. His movable type system was manufactured from ceramic materials, and clay type printing continued to be practiced in China until the Qing Dynasty, wang Zhen was one of the pioneers of wooden movable type. Although the wooden type was more durable under the mechanical rigors of handling, repeated printing wore the character faces down, metal movable type was first invented in Korea during the Goryeo Dynasty, approximately 1230. Hua Sui introduced bronze type printing to China in 1490 AD, the diffusion of both movable-type systems was limited and the technology did not spread beyond East and Central Asia, however. Modern lead-based movable type, along with the printing press, is most often attributed to the goldsmith Johannes Gutenberg in 1439. His type pieces, made from an alloy, suited printing purposes so well that the alloy is still used today. Gutenberg developed specialized techniques for casting and combining cheap copies of letter punches in the vast quantities required to print multiple copies of texts and this technical breakthrough was instrumental in starting the Printing Revolution and the first book printed with lead-based movable type was the Gutenberg Bible. Rapidly advancing technology revolutionized typography in the twentieth century. During the 1960s some camera-ready typesetting could be produced in any office or workshop with stand-alone machines such as introduced by IBM. During the mid-1980s personal computers such as the Macintosh allowed type designers to create typefaces digitally using commercial graphic design software, Digital technology also enabled designers to create more experimental typefaces as well as the practical typefaces of traditional typography. Designs for typefaces could be created faster with the new technology, the cost for developing typefaces was drastically lowered, becoming widely available to the masses
7.
Leather
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Leather is a durable and flexible material created by tanning animal rawhide and skin, often cattle hide. It can be produced at manufacturing scales ranging from cottage industry to heavy industry, people use leather to make various goods—including clothing, bookbinding, leather wallpaper, and as a furniture covering. It is produced in a variety of types and styles. Several tanning processes transform hides and skins into leather, Chrome-tanned leather, invented in 1858, is tanned using chromium sulfate and it is more supple and pliable than vegetable-tanned leather and does not discolor or lose shape as drastically in water as vegetable-tanned. It is also known as wet-blue for its color derived from the chromium, more exotic colors are possible when using chrome tanning. The chrome tanning method usually only takes a day to finish, and it is reported that chrome-tanned leather adds up to 80% of the global leather supply. Vegetable-tanned leather is tanned using tannins and other found in different vegetable matter, such as tree bark prepared in bark mills, wood, leaves, fruits. It is supple and brown in color, with the exact shade depending on the mix of chemicals and it is the only form of leather suitable for use in leather carving or stamping. Vegetable-tanned leather is not stable in water, it tends to discolor, so if left to soak and then dried it shrinks, in hot water, it shrinks drastically and partly congeals—becoming rigid, and eventually brittle. Boiled leather is an example of this, where the leather has been hardened by being immersed in hot water, historically, it was occasionally used as armour after hardening, and it has also been used for book binding. Aldehyde-tanned leather is tanned using glutaraldehyde or oxazolidine compounds and this is the leather that most tanners refer to as wet-white leather due to its pale cream or white color. It is the type of chrome-free leather, often seen in shoes for infants. Formaldehyde tanning is another aldehyde tanning method, brain-tanned leathers fall into this category, and are exceptionally water absorbent. Brain tanned leathers are made by a process that uses emulsified oils, often those of animal brains such as deer, cattle. They are known for their softness and washability. Chamois leather also falls into the category of aldehyde tanning, and like brain tanning, produces a porous, chamois leather is made using marine oils that oxidize easily to produce the aldehydes that tan the leather to color it. Rose-tanned leather is a variation of oil tanning and brain tanning. Rose-tanned leather tanned leaves a powerful rose fragrance even years from when it is manufactured and it has been called the most valuable leather on earth, but this is mostly due to the high cost of rose otto and its labor-intensive tanning process
8.
Treasure binding
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The actual bookbinding technique is the same as for other medieval books, with the folios, normally of vellum, stitched together and bound to wooden cover boards. The metal framework of the binding is then fixed, normally by tacks. Treasure bindings appear to have existed from at least Late Antiquity, though there are no surviving examples from so early, and Early Medieval examples are very rare. They were less used by the end of the Middle Ages, but a few continued to be produced in the West even up to the present day, and many more in areas where Eastern Orthodoxy predominated. The bindings were used on grand illuminated manuscripts, especially Gospel books designed for the altar and use in church services. The vast majority of these bookbindings were later destroyed as their gold and jewels were removed by looters. Others survive without their jewels, and many are no longer attached to a book. Some survive in major libraries - for example the Morgan Library in New York City, the John Rylands Library in Manchester, the British Library in London and the Bibliothèque Nationale in Paris. As the carved ivory reliefs often used could not usually be recycled, other examples are recorded in documentary sources but though the books survive the covers do not. The Book of Kells lost its binding after a robbery, in the Eastern Orthodox churches treasure bindings have continued to be produced, mainly for liturgical Gospel books, up to the present day, and exist in many different artistic styles. Other styles of binding using gems, and typically pearls, have a covering of velvet or other textile, to which the gems are sewn or otherwise fixed. These were more likely to be for the books of a grand person, especially the prayer books and books of hours of female royalty. The techniques for producing jewelled bookbinding have evolved over the course of history with the technologies and these thongs then came to be laced into the boards and covered entirely by leather. Boards afforded the opportunity for decorative ornamentation, with metal casings set into the wood for the installation of precious gems, stones, the cover material would then be laid over the casings by hand and cut around the rim of the casings to reveal the jewels. The books typically bound were Gospels and other religious books made for use within the church, decorative book clasps or straps were made with jewels or repoussé metal from the 12th century onward, particularly in Holland and Germany. These were even carried into battle as a kind of standard, jewelled slipcases or boxes were also used to house small editions of the Qur’an during this time period. These pieces can be seen in portraits from the period and records of jewels from the reigns of Henry VIII, some bindings were created to contain relics of saints, and these large books were sometimes seen suspended from golden rods and carried in the public processions of Byzantine emperors. Byzantine and Western medieval treasure bindings are not entirely unified in style
9.
Paper marbling
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Paper marbling is a method of aqueous surface design, which can produce patterns similar to smooth marble or other kinds of stone. The patterns are the result of color floated on either water or a viscous solution known as size. Through several centuries, people have applied marbled materials to a variety of surfaces and it is often employed as a writing surface for calligraphy, and especially book covers and endpapers in bookbinding and stationery. Part of its appeal is that each print is a unique monotype, there are several methods for making marbled papers. A shallow tray is filled with water, and various kinds of ink or paint colors are applied to the surface with an ink brush. Various additives or surfactant chemicals are used to float the colors. A drop of color made of plain water with the addition of surfactant is used to drive the drop of color into a ring. The process is repeated until the surface of the water is covered with concentric rings, the floating colors are then carefully manipulated either by blowing on them directly or through a straw, fanning the colors, or carefully using a human hair to stir the colors. In the 19th century, Tokutaro Yagi, the Kyoto master of Japanese marbling, developed a method that uses a piece of bamboo to gently stir the colors. A sheet of paper is then carefully laid onto the water surface to capture the floating design. The paper, which is made of kozo, must be unsized. Another method of marbling more familiar to Europeans and Americans is made on the surface of a viscous mucilage, the term Turkish was most likely used as a reference to the fact that many Europeans first encountered the art in Istanbul. Since the late 19th century, an extract of the carrageenan-rich alga known as Irish moss, has been employed for sizing. Today, many marblers use powdered carrageenan extracted from various seaweeds, another plant-derived mucilage is made from sodium alginate. In recent years, a size made from hydroxypropyl methylcellulose. In the size-based method, colors made from pigments are mixed with a surfactant such as ox gall, sometimes, oil or turpentine may be added to a color, to achieve special effects. The colors are then spattered or dropped onto the size, one color after another, straw from the broom corn was used to make a kind of whisk for sprinkling the paint, or horsehair to create a kind of drop-brush. Each successive layer of pigment spreads slightly less than the last, once the colors are laid down, various tools and implements such as rakes, combs and styluses are often used in a series of movements to create more intricate designs
10.
Book
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A book is a set of written, printed, illustrated, or blank sheets, made of paper, parchment, or other materials, fastened together to hinge at one side, with text and/or images printed in ink. A single sheet within a book is a leaf, and each side of a leaf is a page, a set of text-filled or illustrated pages produced in electronic format for reading on a computer screen, smartphone or e-reader device is known as an electronic book, or e-book. The term books may refer the body of works of literature. In library and information science, a book is called a monograph, to distinguish it from serial periodicals such as magazines, journals, in novels and sometimes other types of books, a book may be divided into several large sections, also called books. An avid reader or collector of books or a lover is a bibliophile or colloquially. A shop where books are bought and sold is a bookshop or bookstore, Books are also sold in some department stores, drugstores and newspaper vendors. Books can also be borrowed from libraries, google has estimated that as of 2010, approximately 130,000,000 distinct titles had been published. In some wealthier nations, printed books are giving way to the usage of electronic or e-books, the word book comes from Old English bōc, which in turn comes from the Germanic root *bōk-, cognate to beech. Similarly, in Slavic languages буква is cognate with beech, in Russian and in Serbian and Macedonian, the word букварь or буквар refers specifically to a primary school textbook that helps young children master the techniques of reading and writing. It is thus conjectured that the earliest Indo-European writings may have been carved on beech wood, similarly, the Latin word codex, meaning a book in the modern sense, originally meant block of wood. When writing systems were created in ancient civilizations, a variety of objects, such as stone, clay, tree bark, metal sheets, the study of such inscriptions forms a major part of history. The study of inscriptions is known as epigraphy, the Ancient Egyptians would often write on papyrus, a plant grown along the Nile River. At first the words were not separated from other and there was no punctuation. Texts were written right to left, left to right. The technical term for that last type of writing is boustrophedon, a tablet might be defined as a physically robust writing medium, suitable for casual transport and writing. See also stylus, the instrument used to write on a tablet, clay tablets were flattened and mostly dry pieces of clay that could be easily carried, and impressed with a stylus. They were used as a medium, especially for writing in cuneiform, throughout the Bronze Age. Tablets were used by traders to record sales of such as bushels of grain
11.
Book design
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Book design is the art of incorporating the content, style, format, design, and sequence of the various components and elements of a book into a coherent whole. In the words of Swiss typographer Jan Tschichold, book design, though largely forgotten today, methods, to produce perfect books, these rules have to be brought back to life and applied. Richard Hendel describes book design as a subject, and refers to the need for a context to understand what that means. Front matter, or preliminaries, is the first section of a book, the pages are numbered in lower-case Roman numerals. Each page is counted, but no folio or page number is expressed, or printed, front matter generally only appears in the first volume in a multi-volume work, although some elements may appear in each volume. The following table will help distinguish some of the different types of front matter, The structure of a work is often described hierarchically. Volumes A volume is a set of leaves that are bound together, thus each work is either a volume, or is divided into volumes. Books and parts A single volume may embody either a part of a book or the whole of a book, in works, parts include multiple books. Chapters and sections A chapter or section may be contained within a part and/or a book, when both chapters and sections are used in the same work, the sections are more often contained within chapters than the reverse. Modules and units In some books the chapters are grouped into bigger parts, the numbering of the chapters can begin again at the start of every module. In educational books, especially, the chapters are often called units, the first page of the actual text of a book is the opening page, which often incorporates special design features, such as initials. The following are two examples, The Lord of the Rings has three parts, with each part containing two books, each containing, in turn, multiple chapters. The front cover contains at least the title and/or author. On the inside of the page, extending to the facing page is the front endpaper sometimes referred as FEP. The free half of the end paper is called a flyleaf, traditionally, in hand-bound books, the endpaper was just a sheet of blank or ornamented paper physically masking and reinforcing the connection between the cover and the body of the book. These books have an audience and traditions of their own where the design and immediacy is especially important and publishing tradition. The spine is the edge of a book as it normally stands on a bookshelf. It is customary for it to have printed text on it, in books from continental Europe, vertical spine text traditionally runs from the bottom up, though this convention has been changing lately
12.
Book frontispiece
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A frontispiece in books generally refers to a decorative or informative illustration facing a books title page, being the verso opposite the recto title page. While some books depict thematic elements, other books feature the portrait as the frontispiece. In medieval illuminated manuscripts, a miniature showing the book or text being presented was often used as a frontispiece. The word comes from the French frontispice, or the late Latin frontispicium, from the Latin frons, in English, it was originally used as an architectural term, referring to the decorative facade of a building. By then, the English spelling had also morphed, by way of folk etymology, book design Prints & People, A Social History of Printed Pictures, an exhibition catalog from The Metropolitan Museum of Art, which contains material on book frontispieces
