Pablo Rodríguez Lozada, better known as Tito Rodríguez, was a Puerto Rican singer and bandleader. He started his career singing under the tutelage of his brother, Johnny Rodríguez. In the 1940s, both moved to New York, where Tito worked as a percussionist in several popular rhumba ensembles, before directing his own group to great success during the 1950s. His most prolific years coincided with the peak of the mambo and cha-cha-cha dance craze. He also recorded boleros, sones, guarachas and pachangas.
Tito Rodríguez
Bongos are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger hembra and the smaller macho, which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands.
Bongo drum
Grupo Changüí de Guantánamo in 1962. The bongosero (left) is playing bongó de monte, which is much taller than the standard bongó.
Desi Arnaz playing a bokú in the 1940s. His father had banned the bongos 20 years earlier. The bokú is the most likely ancestor of the bongos.
Sexteto Habanero in 1925. First on the left is Agustín Gutiérrez, the bongosero. His tuning lamp is on the ground (circled).