In cinematography, a tracking shot is any shot where the camera follows backward, forward or moves alongside the subject being recorded. Mostly the camera’s position is parallel to the character, creating a sideway motion, tracking the character. Tracking shots differ in motion from dolly shots, where the camera follows behind or before the character resulting in either an inward or an outward movement. Often the camera is mounted on a camera dolly which rides on rails similar to a railroad track; in this case, the shot is referred to as a dolly shot. A handheld steadycam or gimbal may also be used for smaller scale productions. The camera is then pushed along the track while the scene is being filmed, or moved manually when using a handheld rig. The effect can be used to create a sense of movement, to follow a character or object, or a sense of immersion to draw the viewer into the action.
During filming of The Alamo, a tracking shot was used during a battle scene
Creating long steady tracking shots with a remote controlled film camera on a Newton stabilized head and a Flowcine Black arm.
Cinematography is the art of motion picture photography.
Arri Alexa, a digital movie camera
Georges Méliès (left) painting a backdrop in his studio
Live recording for TV on a camera with a Fujinon optical lens.
A deep focus shot from Citizen Kane (1941): everything, including the hat in the foreground and the boy (young Charles Foster Kane) in the distance, is in sharp focus.