Ulla Winblad is a semi-fictional character in many of Carl Michael Bellman's musical works. She is at once an idealised rococo goddess and a tavern prostitute, and a key figure in Bellman's songs of Fredman's Epistles. The juxtaposition of elegant and low life is humorous, while allowing Bellman to convey a range of emotions. Ulla Winblad has been called "one of the really great female figures in Swedish literature". The character was partly inspired by Maria Kristina Kiellström (1744–1798).
Detail from etching "The steps on Skeppsbro" depicting a scene in Stockholm's harbour by Elias Martin, 1800. The central figure is popularly supposed to represent Ulla Winblad.
Carl Michael Bellman sang of Ulla Winblad in Fredman's Epistle 25, which seems to depict a Rococo scene like François Boucher's 1740 Birth of Venus, which then hung in Drottningholm Palace, near Stockholm
Illustration for "Ulla Winblad kära syster. Du är eldig, qvick och yster...". Fredman's Epistle No. 3, by Carl Wahlbom (d. 1858)
"Ulla dansar menuett": Ulla Winblad dances a minuet. Lithograph by Wilhelm Wallander [sv] (d. 1888)
Carl Michael Bellman was a Swedish songwriter, composer, musician, poet, and entertainer. He is a central figure in the Swedish song tradition and remains a powerful influence in Swedish music, as well as in Scandinavian literature, to this day. He has been compared to Shakespeare, Beethoven, Mozart, and Hogarth, but his gift, using elegantly rococo classical references in comic contrast to sordid drinking and prostitution—at once regretted and celebrated in song—is unique.
Bellman playing the cittern, in a portrait by Per Krafft, 1779
Bellman's signature
Bellman's birthplace, the Stora Daurerska house in Södermalm, Stockholm. Carl Svante Hallbeck, 1861
Bellman by Elias Martin, 18th century