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Uluru
Uluru
ULURU
ULURU
View of Uluru from the ISS
View of Uluru from the ISS
Petroglyphs on Uluru
Petroglyphs on Uluru
Driving on the A4 Lasseter Highway from Uluṟu-Kata Tjuṯa National Park, April 2007
Driving on the A4 Lasseter Highway from Uluṟu-Kata Tjuṯa National Park, April 2007
Stencil art at Carnarvon Gorge. The collective works of the Bidjara, Karingbal (or Garingbal), Ghungalu (or Gangulu), Gunggari, Gayiri (or Kairi), Ngu
Stencil art at Carnarvon Gorge. The collective works of the Bidjara, Karingbal (or Garingbal), Ghungalu (or Gangulu), Gunggari, Gayiri (or Kairi), Nguri, Gungabula, Yiman, Wadja, Kara Kara, and Butchulla peoples (Aboriginal groups that have created the myriad of stencil art sites that exist at Carnarvon Gorge) encompass many critical aspects of early and recent Aboriginal society. They include, but are not limited to, insights on memorial practices, appeals to totemic ancestors or varying interpretative records of Dreaming stories, and provide direct documentation on the daily lives of said groups ~19,500–3,500 years ago.
The Milky Way over Uluru. In Carl Strehlow's 1908 study known as Die Aranda, the Arrente people of Central Australia near Uluru, envisioned the Milky
The Milky Way over Uluru. In Carl Strehlow's 1908 study known as Die Aranda, the Arrente people of Central Australia near Uluru, envisioned the Milky way as a free flowing "river of blood", a celestial waterway into the sky realm of the Dreamtime that leads directly to the dwelling of Altjira (an eternal Creator Deity). Do note that while Strehlow's views provided an early, detailed account of Arrente cosmology; it is often compounded with other early, controversial interpretation of Aboriginal spirituality.
Ku-ring-gai Chase-petroglyph, depicting Baiame, the Creator God and Sky Father, in the dreaming of several Aboriginal language groups. The petroglyph
Ku-ring-gai Chase-petroglyph, depicting Baiame, the Creator God and Sky Father, in the dreaming of several Aboriginal language groups. The petroglyph is carved into Hawkesbury Sandstone on the Waratah Track, and is approximately 1.7 meters (5.6 feet) long. Unique artistic features of the petroglyph include a significantly swollen leg and the complete absence of a neck.
Waugals (yellow triangles with a black snake in the centre) are the official Bibbulmun Track trailmarkers between Kalamunda and Albany in Western Aust
Waugals (yellow triangles with a black snake in the centre) are the official Bibbulmun Track trailmarkers between Kalamunda and Albany in Western Australia. The Waugal symbol was adopted in 1987/88 during a major overhaul of the Track by the Department of Conservation and Land Management (CALM). The symbol was deemed appropriate to recognize the rich indigenous (Noongar) history of the region. The Noongar believe that the Waugal meandered across the land, carving out the Swan River (Derbal Yerrigan) and the Canning River (Djarlgarro Beelier) on its journey to the ocean (likely the Indian ocean). It is represented by the Darling scarp. The Darling Scarp is a "320 kilometer long fault formed escarpment" running north to south and forming the eastern edge of the Swan Coastal Plain in Western Australia. It is believed to represent the body of a resting Waugal. Its scales are said to have become forests, while its droppings are noted to be represented by large piles of rock. In Noongar tradition, the Waugal is a guardian of fresh water. When the water in a river is dark and murky, it is believed that the Waugal is swimming, and people should not enter the water.