Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen. Underglaze decoration uses pigments derived from oxides which fuse with the glaze when the piece is fired in a kiln. It is also a cheaper method, as only a single firing is needed, whereas overglaze decoration requires a second firing at a lower temperature.
Japanese porcelain Hirado ware paperweight with chrysanthemums and plum blossoms, underglaze blue and brown, 19th-century
Dish with cypress, Turkey, Iznik, c. 1575, underglaze-painted stonepaste – Royal Ontario Museum – DSC04735
Chinese porcelain dish with the typical Ming underglaze blue on white porcelain, Xuande Reign 1426–1435, Ming
Transfer printed plate using two transfers, puce and green, c. 1830, Staffordshire pottery, Enoch Wood & Co.
Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing "enamelled" decoration. The colours fuse on to the glaze, so the decoration becomes durable. This decorative firing is usually done at a lower temperature which allows for a more varied and vivid palette of colours, using pigments which will not colour correctly at the high temperature necessary to fire the porcelain body. Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied before glazing, notably the cobalt blue of blue and white porcelain.
Nabeshima ware plate with floral design, Arita, Japan, late 17th century, Edo period.
Chelsea porcelain factory, The Music Lesson, gold anchor, c. 1765, with bocage background. 15 3/8 × 12 1/4 × 8 3/4 inches, 22 lb. (39.1 × 31.1 × 22.2 cm, 10 kg). different version, different angle.