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Uruk
Devotional scene to Inanna, Warka Vase, c. 3200–3000 BC, Uruk. This is one of the earliest surviving works of narrative relief sculpture.
Devotional scene to Inanna, Warka Vase, c. 3200–3000 BC, Uruk. This is one of the earliest surviving works of narrative relief sculpture.
Clay impression of a cylinder seal with monstrous lions and lion-headed eagles, Mesopotamia, Uruk Period (4100–3000 BC). Louvre Museum.
Clay impression of a cylinder seal with monstrous lions and lion-headed eagles, Mesopotamia, Uruk Period (4100–3000 BC). Louvre Museum.
Foundation peg of Lugal-kisalsi, king of Uruk, Ur and Kish, circa 2380 BC. The inscription reads "For (the goddess) Namma, wife of (the god) An, Lugal
Foundation peg of Lugal-kisalsi, king of Uruk, Ur and Kish, circa 2380 BC. The inscription reads "For (the goddess) Namma, wife of (the god) An, Lugalkisalsi, King of Uruk, King of Ur, erected this temple of Namma". Pergamon Museum VA 4855.
Dedication tablet of Sîn-gāmil, ruler of Uruk, 18th century BC
Dedication tablet of Sîn-gāmil, ruler of Uruk, 18th century BC
The Deluge tablet of the Gilgamesh epic in Akkadian
The Deluge tablet of the Gilgamesh epic in Akkadian
Ancient Assyrian statue currently in the Louvre, possibly representing Gilgamesh
Ancient Assyrian statue currently in the Louvre, possibly representing Gilgamesh
Enkidu, Gilgamesh's friend. From Ur, Iraq, 2027–1763 BC, Iraq Museum
Enkidu, Gilgamesh's friend. From Ur, Iraq, 2027–1763 BC, Iraq Museum
The Gilgamesh Dream tablet. From Iraq. Middle Babylonian Period, First Sealand Dynasty, 1732–1460 BCE. Iraq Museum, Baghdad. This dream tablet recount
The Gilgamesh Dream tablet. From Iraq. Middle Babylonian Period, First Sealand Dynasty, 1732–1460 BCE. Iraq Museum, Baghdad. This dream tablet recounts a part of the epic of Gilgamesh in which the hero (Gilgamesh) describes his dreams to his mother (the goddess Ninsun), who interprets them as announcing the arrival of a new friend, who will become his companion.