1.
Memphis, Egypt
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Memphis was the ancient capital of Aneb-Hetch, the first nome of Lower Egypt. Its ruins are located near the town of Mit Rahina,20 km south of Giza, according to legend related by Manetho, the city was founded by the pharaoh Menes. Capital of Egypt during the Old Kingdom, it remained an important city throughout ancient Mediterranean history and it occupied a strategic position at the mouth of the Nile delta, and was home to feverish activity. Its principal port, Peru-nefer, harboured a high density of workshops, factories, during its golden age, Memphis thrived as a regional centre for commerce, trade, and religion. Memphis was believed to be under the protection of the god Ptah and its great temple, Hut-ka-Ptah, was one of the most prominent structures in the city. The name of temple, rendered in Greek as Aί γυ πτoς by the historian Manetho, is believed to be the etymological origin of the modern English name Egypt. The history of Memphis is closely linked to that of the country itself and its eventual downfall is believed to be due to the loss of its economic significance in late antiquity, following the rise of coastal Alexandria. Its religious significance also diminished after the abandonment of the ancient religion following the Edict of Thessalonica, the ruins of the former capital today offer fragmented evidence of its past. They have been preserved, along with the complex at Giza. The site is open to the public as an open-air museum, Memphis has had several names during its history of almost four millennia. Its Ancient Egyptian name was Inbu-Hedj, because of its size, the city also came to be known by various other names that were actually the names of neighbourhoods or districts that enjoyed considerable prominence at one time or another. For example, according to a text of the First Intermediate Period, it was known as Djed-Sut, the city was also at one point referred to as Ankh-Tawy, stressing the strategic position of the city between Upper and Lower Egypt. This name appears to date from the Middle Kingdom, and is found in ancient Egyptian texts. At the beginning of the New Kingdom, the city known as Men-nefer. The name Memphis is the Greek adaptation of this name, which was originally the name of the pyramid of Pepi I, in the Bible, Memphis is called Moph or Noph. The city of Memphis is 20 km south of Cairo, on the west bank of the Nile. The modern cities and towns of Mit Rahina, Dahshur, Abusir, Abu Gorab, the city was also the place that marked the boundary between Upper and Lower Egypt. The island of the city is today uninhabited, the closest settlement is the town of Mit Rahina
2.
Louvre-Lens
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The Louvre-Lens is an art museum located in Lens, Pas-de-Calais, Northern France, approximately 200 kilometers north of Paris. It displays objects from the collections of the Musée du Louvre that are lent to the gallery on a medium- or long-term basis, the Louvre-Lens annex is part of an effort to provide access to French cultural institutions for people who live outside of Paris. Though the museum maintains close links with the Louvre, it is primarily funded by the Nord-Pas-de-Calais region. Only the Nord pas de Calais applied for the museum and proposed six cities, Lille, Lens, Valenciennes, Calais, Béthune, in 2004, Jean-Pierre Raffarin, then French Prime Minister, announced Lens as the recipient city. The last mine in Lens closed in 1986, which caused the unemployment rate to well above the French national average. France abandoned us when the coal stopped, and we became a ghost town, other critics pointed out that the museum makes no attempt to address Lens turbulent history or its current economic difficulties. The construction company Eiffage was chosen to construct the Lens-based Louvre branch, the Louvre-Lens Museum, SANAA + Imrey Culberts first building in France, was awarded the Prix darchitecture de lEquerre dArgent for 2013. The French government hopes that the location near the border of France will be a draw for English, Belgian. In addition, the Louvre-Lens is near several World War memorials, including the Canadian National Vimy Memorial in Vimy, the museum is built on a 20-hectare mining site that closed in the 1960s. The area is elevated due to filling in of the mine. Altogether, the museum is 360 m long and contains 28,000 m2 of exhibition space, the design of a central building flanked by two wings mimics the Paris Louvre. The square, central building is the reception area. It contains several curved glass rooms that contain a cafeteria, bookstore, to the east of the entry hall is the 3,000 m2 Galerie du Temps which houses approximately 200 items from the Paris Louvre collection. The items in the large, open hall are arranged chronologically, from 3,500 BC to mid-19th century, beyond the Galerie du Temps is the Pavillon de Verre which exhibits works from neighboring museums. The building to the west of the hall is a gallery for temporary exhibits and, beyond that. The Exhibitions Temporaires is dedicated to exhibits which last 3 months, the first exhibition, titled Renaissance, included Leonardo da Vincis recently-restored The Virgin and Child with St. Anne. The second exhibit was dedicated to Rubens and included 170 of his works, the following weekend, the museum welcomed its first visitors, three weeks after the opening, the museum welcomed its 100, 000th visitor. On May 2013, during Long Night of Museums 2013,500,000 visitors viewed the masterpieces displayed in the Louvre-Lens Museum, while 700,000 visitors were anticipated for the first year, the years final tally was approximately 900,000
3.
British Museum
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The British Museum is dedicated to human history, art and culture, and is located in the Bloomsbury area of London. The British Museum was established in 1753, largely based on the collections of the physician, the museum first opened to the public on 15 January 1759, in Montagu House, on the site of the current building. Although today principally a museum of art objects and antiquities. Its foundations lie in the will of the Irish-born British physician, on 7 June 1753, King George II gave his formal assent to the Act of Parliament which established the British Museum. They were joined in 1757 by the Old Royal Library, now the Royal manuscripts, together these four foundation collections included many of the most treasured books now in the British Library including the Lindisfarne Gospels and the sole surviving copy of Beowulf. The British Museum was the first of a new kind of museum – national, belonging to neither church nor king, freely open to the public, sloanes collection, while including a vast miscellany of objects, tended to reflect his scientific interests. The addition of the Cotton and Harley manuscripts introduced a literary, the body of trustees decided on a converted 17th-century mansion, Montagu House, as a location for the museum, which it bought from the Montagu family for £20,000. The Trustees rejected Buckingham House, on the now occupied by Buckingham Palace, on the grounds of cost. With the acquisition of Montagu House the first exhibition galleries and reading room for scholars opened on 15 January 1759. During the few years after its foundation the British Museum received several gifts, including the Thomason Collection of Civil War Tracts. A list of donations to the Museum, dated 31 January 1784, in the early 19th century the foundations for the extensive collection of sculpture began to be laid and Greek, Roman and Egyptian artefacts dominated the antiquities displays. Gifts and purchases from Henry Salt, British consul general in Egypt, beginning with the Colossal bust of Ramesses II in 1818, many Greek sculptures followed, notably the first purpose-built exhibition space, the Charles Towneley collection, much of it Roman Sculpture, in 1805. In 1816 these masterpieces of art, were acquired by The British Museum by Act of Parliament. The collections were supplemented by the Bassae frieze from Phigaleia, Greece in 1815, the Ancient Near Eastern collection also had its beginnings in 1825 with the purchase of Assyrian and Babylonian antiquities from the widow of Claudius James Rich. The neoclassical architect, Sir Robert Smirke, was asked to draw up plans for an extension to the Museum. For the reception of the Royal Library, and a Picture Gallery over it, and put forward plans for todays quadrangular building, much of which can be seen today. The dilapidated Old Montagu House was demolished and work on the Kings Library Gallery began in 1823, the extension, the East Wing, was completed by 1831. The Museum became a site as Sir Robert Smirkes grand neo-classical building gradually arose
4.
Funeral
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A funeral is a ceremony connected with the burial, cremation, etc. of the body of a dead person, or the burial with the attendant observances. Customs vary widely both between cultures and between groups and denominations within cultures. Common secular motivations for funerals include mourning the deceased, celebrating their life, additionally, funerals often have religious aspects which are intended to help the soul of the deceased reach the afterlife, resurrection or reincarnation. The funeral usually includes a ritual through which the corpse of the deceased is given up, depending on culture and religion, these can involve either the destruction of the body or its preservation. Differing beliefs about cleanliness and the relationship between body and soul are reflected in funerary practices, when a funerary ceremony is performed but the body of the deceased is not available, it is usually called a memorial service. The word funeral comes from the Latin funus, which had a variety of meanings, including the corpse, Funerary art is art produced in connection with burials, including many kinds of tombs, and objects specially made for burial with a corpse. Funeral rites are as old as human culture itself, pre-dating modern Homo sapiens, substantial cross-cultural and historical research document funeral customs as a highly predictable, stable force in communities. Funeral customs tend to be characterized by five anchors, significant symbols, gathered community, ritual action, cultural heritage, and transition of the dead body. The Baháí funeral service also contains the only prayer thats permitted to be read as a group - congregational prayer, the Baháí decedent often controls some aspects of the Baháí funeral service, since leaving a will and testament is a requirement for Baháís. Since there is no Baháí clergy, services are conducted under the guise, or with the assistance of. A Buddhist funeral marks the transition from one life to the next for the deceased and it also reminds the living of their own mortality. Christian burials typically occur on consecrated ground, burial, rather than a destructive process such as cremation, was the traditional practice amongst Christians, because of the belief in the resurrection of the body. Cremations later came into use, although some denominations forbid them. Congregations of varied denominations perform different ceremonies, but most involve offering prayers, scripture reading from the Bible, a sermon, homily, or eulogy, and music. One issue of concern as the 21st century began was with the use of music at Christian funerals. Antyesti, literally last rites or last sacrifice, refers to the rituals associated with a funeral in Hinduism. It is sometimes referred to as Antima Samskaram, Antya-kriya, Anvarohanyya, a dead adult Hindu is cremated, while a dead child is typically buried. The rite of passage is said to be performed in harmony with the premise that the microcosm of all living beings is a reflection of a macrocosm of the universe
5.
Ancient Egypt
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Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
6.
Grave goods
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Grave goods, in archaeology and anthropology, are the items buried along with the body. They are usually personal possessions, supplies to smooth the journey into the afterlife or offerings to the gods. Grave goods may be classed as a type of votive deposit, most grave goods recovered by archaeologists consist of inorganic objects such as pottery and stone and metal tools but organic objects that have since decayed were also placed in ancient tombs. Funerary art is a term but generally means artworks made specifically to decorate a burial place. Where grave goods appear, grave robbery is a potential problem, etruscans would scratch the word śuθina, Etruscan for from a tomb, on grave goods buried with the dead to discourage their reuse by the living. The tomb of pharaoh Tutankhamun is famous because it was one of the few Egyptian tombs that was not thoroughly looted in ancient times, Grave goods can be regarded as a sacrifice intended for the benefit of the deceased in the afterlife. Closely related are customs of worship and offerings to the dead, in modern western culture related to All Souls Day, in East Asia the hell bank note. Also closely related is the custom of retainer sacrifice, where servants or wives of a deceased chieftain are interred with the body, evidence for intentional burial is found in Neanderthal sites from 130,000 years ago or earlier. In Homo sapiens burials beginning about 100,000 years ago, the body of the deceased was sprinkled with red ochre, and offerings of food, tools, and fresh flowers may have been deposited in the grave. Beads made of basalt deposited in graves in the Fertile Crescent date to the end of the Upper Paleolithic, the distribution of grave goods are a potential indicator of the social stratification of a society. It is also possible that burial goods indicate a level of concern and consciousness in regard to an afterlife, the expression of social status in rich graves is taken to extremes in the royal graves of the Bronze Age. In the Theban Necropolis in Ancient Egypt, the pyramids and the graves in the Valley of the Kings are among the most elaborate burials in human history. This trend is continued into the Iron Age, an example of an extremely rich royal grave of the Iron Age is the Terracotta Army of Qin Shi Huang. In the sphere of the Roman Empire, early Christian graves lack grave goods, in the Christian Middle Ages, high-status graves are marked on the exterior, with tomb effigies or expensive tomb stones rather than by the presence of grave goods. The importance of goods, from the simple behavioural and technical to the metaphysical. However, care must be taken to avoid naive interpretation of grave goods as a sample of artefacts in use in a culture. Because of their context, grave goods may represent a special class of artifacts. Burial Grave field Necropolis Mingqi, the traditional Chinese burial goods The Earliest Beads, Treasures From the Ancient World, Museum of Ancient and Modern Art, at muma. org
7.
Old Kingdom of Egypt
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The term itself was coined by eighteenth-century historians and the distinction between the Old Kingdom and the Early Dynastic Period is not one which would have been recognized by Ancient Egyptians. The Old Kingdom is most commonly regarded as the period from the Third Dynasty through to the Sixth Dynasty, many Egyptologists also include the Memphite Seventh and Eighth Dynasties in the Old Kingdom as a continuation of the administration centralized at Memphis. During the Old Kingdom, the king of Egypt became a god who ruled absolutely and could demand the services. Under King Djoser, the first king of the Third Dynasty of the Old Kingdom, the capital of Egypt was moved to Memphis. A new era of building was initiated at Saqqara under his reign, King Djosers architect, Imhotep is credited with the development of building with stone and with the conception of the new architectural form—the Step Pyramid. Indeed, the Old Kingdom is perhaps best known for the number of pyramids constructed at this time as burial places for Egypts kings. For this reason, the Old Kingdom is frequently referred to as the Age of the Pyramids, the first king of the Old Kingdom was Djoser of the third dynasty, who ordered the construction of a pyramid in Memphis necropolis, Saqqara. An important person during the reign of Djoser was his vizier and it was in this era that formerly independent ancient Egyptian states became known as nomes, under the rule of the king. The former rulers were forced to assume the role of governors or otherwise work in tax collection, Egyptians in this era worshipped their king as a god, believing that he ensured the annual flooding of the Nile that was necessary for their crops. Egyptian views on the nature of time during this period held that the worked in cycles. They also perceived themselves as a specially selected people, the Old Kingdom and its royal power reached a zenith under the Fourth Dynasty, which began with Sneferu. Using more stones than any king, he built three pyramids, a now collapsed pyramid in Meidum, the Bent Pyramid at Dahshur. However, the development of the pyramid style of building was reached not at Saqqara. Sneferu was succeeded by his son, Khufu who built the Great Pyramid of Giza, after Khufus death, his sons Djedefra and Khafra may have quarrelled. The latter built the pyramid and the Sphinx in Giza. Recent reexamination of evidence has led Egyptologist Vassil Dobrev to propose that the Sphinx had been built by Djedefra as a monument to his father Khufu, alternatively, the Sphinx has been proposed to be the work of Khafra and Khufu himself. There were military expeditions into Canaan and Nubia, with Egyptian influence reaching up the Nile into what is today the Sudan, the later kings of the Fourth Dynasty were king Menkaure, who built the smallest pyramid in Giza, Shepseskaf and, perhaps, Djedefptah. The Fifth Dynasty began with Userkaf and was marked by the importance of the cult of sun god Ra
8.
Scarab (artifact)
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Scarabs were popular amulets and impression seals in Ancient Egypt. They survive in numbers and, through their inscriptions and typology, they are an important source of information for archaeologists. They also represent a significant body of ancient art, during that long period the function of scarabs repeatedly changed. Primarily amulets, they were inscribed for use as personal or administrative seals or were incorporated into jewelry. Some scarabs were apparently created for political or diplomatic purposes to commemorate or advertise royal achievements, by the early New Kingdom, heart scarabs had become part of the battery of amulets protecting mummies. From the middle Bronze Age, other ancient peoples of the Mediterranean, Scarabs were produced in vast numbers for many centuries and many thousands have survived. They were generally intended to be worn or carried by the living and they were typically carved or moulded in the form of a scarab beetle with varying degrees of naturalism but usually at least indicating the head, wing case and legs but with a flat base. The base was inscribed with designs and/or hieroglyphs to form an impression seal. Scarabs were usually drilled from end to end to them to be strung on a thread or incorporated into a swivel ring. The most common of sizes for scarabs is from 6mm to 4 cm, larger scarabs were made from time to time for particular purposes. Heart scarabs were made for a funerary purpose and should be considered separately. Scarabs were generally carved from stone or moulded from Egyptian faience. Once carved, they would typically be glazed blue or green and then fired, the most common stone used for scarabs was a form of steatite, a soft stone which becomes hard when fired. Hardstone scarabs were made and the stones most commonly used were green jasper, amethyst. In ancient Egyptian religion, the sun god Ra is seen to roll across the sky each day, transforming bodies and souls. Beetles of the Scarabaeidae family roll dung into a ball as food and as a chamber in which to lay eggs, this way. For these reasons the scarab was seen as a symbol of this heavenly cycle, the Egyptian god Khepri, Ra as the rising sun, was often depicted as a scarab beetle or as a scarab beetle-headed man. The ancient Egyptians believed that Khepri renewed the sun every day before rolling it above the horizon, then carried it through the world after sunset, only to renew it, again
9.
Twenty-first Dynasty of Egypt
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The Twenty-First, Twenty-Second, Twenty-Third, Twenty-Fourth, and Twenty-Fifth Dynasties of ancient Egypt are often combined under the group title, Third Intermediate Period. The known rulers, in the History of Egypt, for the Twenty-First Dynasty are as follows, After the reign of Ramesses III, the pharaohs of the Twenty-First Dynasty ruled from Tanis, but were mostly active only in Lower Egypt which they controlled. This dynasty is described as Tanite because its capital was based at Tanis. Meanwhile, the High Priests of Amun at Thebes effectively ruled Middle and Upper Egypt in all, the later Egyptian Priest Manetho of Sebennytos states in his Epitome on Egyptian royal history that the 21st Dynasty of Egypt lasted for 130 years. Jaroslav Černý, Studies in the Chronology of the Twenty-First Dynasty, JEA32, 24-30 Twenty-first dynasty of Egypt Family Tree High Priests of Amun at Thebes
10.
Book of the Dead
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The Book of the Dead is an ancient Egyptian funerary text, used from the beginning of the New Kingdom to around 50 BCE. The original Egyptian name for the text, transliterated rw nw prt m hrw is translated as Book of Coming Forth by Day, another translation would be Book of Emerging Forth into the Light. The Book of the Dead was part of a tradition of texts which includes the earlier Pyramid Texts and Coffin Texts. Some of the spells included were drawn from older works. Other spells were composed later in Egyptian history, dating to the Third Intermediate Period, a number of the spells which made up the Book continued to be inscribed on tomb walls and sarcophagi, as had always been the spells from which they originated. The Book of the Dead was placed in the coffin or burial chamber of the deceased, there was no single or canonical Book of the Dead. The surviving papyri contain a selection of religious and magical texts. Some people seem to have commissioned their own copies of the Book of the Dead, the Book of the Dead developed from a tradition of funerary manuscripts dating back to the Egyptian Old Kingdom. The first funerary texts were the Pyramid Texts, first used in the Pyramid of King Unas of the 5th dynasty and these texts were written on the walls of the burial chambers within pyramids, and were exclusively for the use of the Pharaoh. Towards the end of the Old Kingdom, the Pyramid Texts ceased to be a royal privilege. In the Middle Kingdom, a new funerary text emerged, the Coffin Texts, the Coffin Texts used a newer version of the language, new spells, and included illustrations for the first time. The Coffin Texts were most commonly written on the surfaces of coffins. The Book of the Dead first developed in Thebes towards the beginning of the Second Intermediate Period, by the 17th dynasty, the Book of the Dead had become widespread not only for members of the royal family, but courtiers and other officials as well. At this stage, the spells were typically inscribed on linen shrouds wrapped around the dead, the New Kingdom saw the Book of the Dead develop and spread further. The famous Spell 125, the Weighing of the Heart, is first known from the reign of Hatshepsut and Thutmose III, from this period onward the Book of the Dead was typically written on a papyrus scroll, and the text illustrated with vignettes. During the 19th dynasty in particular, the vignettes tended to be lavish, in the Third Intermediate Period, the Book of the Dead started to appear in hieratic script, as well as in the traditional hieroglyphics. The hieratic scrolls were a version, lacking illustration apart from a single vignette at the beginning. At the same time, many burials used additional funerary texts, during the 25th and 26th dynasties, the Book of the Dead was updated, revised and standardised
11.
Thebes, Egypt
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Thebes, known to the ancient Egyptians as Waset, was an ancient Egyptian city located east of the Nile about 800 kilometers south of the Mediterranean. Its ruins lie within the modern Egyptian city of Luxor, Thebes was the main city of the fourth Upper Egyptian nome. It was close to Nubia and the desert, with their valuable mineral resources. It was a center and the wealthiest city of ancient Egypt at its heyday. The Ancient Egyptians originally knew Thebes as Wose or Wase A was was the scepter of the pharaohs, a staff with an animals head. Thebes is the Latinized form of the Greek Thebai, the form of the Demotic Egyptian Ta-pe. This was the name not for the city itself but for the Karnak temple complex on the northern east bank of the city. As early as Homers Iliad, the Greeks distinguished the Egyptian Thebes as Thebes of the Hundred Gates, as opposed to the Thebes of the Seven Gates in Boeotia, from the end of the New Kingdom, Thebes was known in Egyptian as Niwt-Imn, the City of Amun. Amun was the chief of the Theban Triad of gods whose other members were Mut and this name appears in the Bible as the Nōʼ ʼĀmôn of the Book of Nahum and probably also as the No mentioned in Ezekiel and Jeremiah. In the interpretatio graeca, Amun was seen as a form of Zeus, the name was therefore translated into Greek as Diospolis, the City of Zeus. To distinguish it from the other cities by this name. The Greek names came into use after the conquest of Egypt by Alexander the Great. Thebes was located along the banks of the Nile River in the part of Upper Egypt about 800 km from the Delta. It was built largely on the plains of the Nile Valley which follows a great bend of the Nile. As a natural consequence, the city was laid in a northeast-southwest axis parallel to the river channel. Thebes had an area of 93 km2 which included parts of the Theban Hills in the west that culminates at the sacred 420-meter al-Qurn, in the east lies the mountainous Eastern Desert with its wadis draining into the valley. Significant of these wadis is Wadi Hammamat near Thebes and it was used as an overland trade route going to the Red Sea coast. In the fourth Upper Egyptian nome, Thebes was found to have neighboring towns such as Per-Hathor, Madu, Djerty, Iuny, Sumenu, according to George Modelski, Thebes had about 40,000 inhabitants in 2000 BC
12.
New Kingdom of Egypt
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Radiocarbon dating places the exact beginning of the New Kingdom between 1570–1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period and it was Egypt’s most prosperous time and marked the peak of its power. The later part of period, under the Nineteenth and Twentieth Dynasties is also known as the Ramesside period. It is named after the pharaohs that took the name of Ramesses I. Egyptian armies fought Hittite armies for control of modern-day Syria, the Eighteenth Dynasty contained some of Egypts most famous Pharaohs, including Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. Queen Hatshepsut concentrated on expanding Egypts external trade by sending an expedition to the land of Punt. Thutmose III expanded Egypts army and wielded it with success to consolidate the empire created by his predecessors. This resulted in a peak in Egypts power and wealth during the reign of Amenhotep III, during the reign of Thutmose III, Pharaoh, originally referring to the kings palace, became a form of address for the person who was king. Akhenatens religious fervor is cited as the reason why he was written out of Egyptian history. Under his reign, in the 14th century BC, Egyptian art flourished and attained a level of realism. Towards the end of the 18th Dynasty, the situation had changed radically, Ramesses II sought to recover territories in the Levant that had been held by the 18th Dynasty. His campaigns of reconquest culminated in the Battle of Kadesh, where he led Egyptian armies against those of the Hittite king Muwatalli II. Ramesses was caught in historys first recorded military ambush, although he was able to rally his troops, the outcome of the battle was undecided with both sides claiming victory at their home front, ultimately resulting in a peace treaty between the two nations. The last great pharaoh from the New Kingdom is widely considered to be Ramesses III, in the eighth year of his reign the Sea Peoples invaded Egypt by land and sea. Ramesses III defeated them in two great land and sea battles and he incorporated them as subject peoples and settled them in Southern Canaan although there is evidence that they forced their way into Canaan. Their presence in Canaan may have contributed to the formation of new states, such as Philistia and he was also compelled to fight invading Libyan tribesmen in two major campaigns in Egypts Western Delta in his sixth year and eleventh year respectively. The heavy cost of this warfare slowly drained Egypts treasury and contributed to the decline of the Egyptian Empire in Asia. Something in the air prevented much sunlight from reaching the ground, one proposed cause is the Hekla 3 eruption of the Hekla volcano in Iceland but the dating of this remains disputed
13.
Ptolemaic Kingdom
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The Ptolemaic Kingdom was a Hellenistic kingdom based in Egypt. Alexandria became the city and a major center of Greek culture. To gain recognition by the native Egyptian populace, they named themselves the successors to the Pharaohs, the later Ptolemies took on Egyptian traditions by marrying their siblings, had themselves portrayed on public monuments in Egyptian style and dress, and participated in Egyptian religious life. The Ptolemies had to fight native rebellions and were involved in foreign and civil wars led to the decline of the kingdom. Hellenistic culture continued to thrive in Egypt throughout the Roman and Byzantine periods until the Muslim conquest. The era of Ptolemaic reign in Egypt is one of the most well documented periods of the Hellenistic Era. In 332 BC, Alexander the Great, King of Macedon invaded the Achaemenid satrapy of Egypt and he visited Memphis, and traveled to the oracle of Amun at the Oasis of Siwa. The oracle declared him to be the son of Amun, the wealth of Egypt could now be harnessed for Alexanders conquest of the rest of the Persian Empire. Early in 331 BC he was ready to depart, and led his forces away to Phoenicia and he left Cleomenes as the ruling nomarch to control Egypt in his absence. Following Alexanders death in Babylon in 323 BC, a crisis erupted among his generals. Perdiccas appointed Ptolemy, one of Alexanders closest companions, to be satrap of Egypt, Ptolemy ruled Egypt from 323 BC, nominally in the name of the joint kings Philip III and Alexander IV. However, as Alexander the Greats empire disintegrated, Ptolemy soon established himself as ruler in his own right, Ptolemy successfully defended Egypt against an invasion by Perdiccas in 321 BC, and consolidated his position in Egypt and the surrounding areas during the Wars of the Diadochi. In 305 BC, Ptolemy took the title of King, as Ptolemy I Soter, he founded the Ptolemaic dynasty that was to rule Egypt for nearly 300 years. All the male rulers of the dynasty took the name Ptolemy, while princesses and queens preferred the names Cleopatra, Arsinoe and Berenice. Because the Ptolemaic kings adopted the Egyptian custom of marrying their sisters, many of the kings ruled jointly with their spouses and this custom made Ptolemaic politics confusingly incestuous, and the later Ptolemies were increasingly feeble. The only Ptolemaic Queens to officially rule on their own were Berenice III, Cleopatra V did co-rule, but it was with another female, Berenice IV. Cleopatra VII officially co-ruled with Ptolemy XIII Theos Philopator, Ptolemy XIV, and Ptolemy XV, upper Egypt, farthest from the centre of government, was less immediately affected, even though Ptolemy I established the Greek colony of Ptolemais Hermiou to be its capital. But within a century Greek influence had spread through the country, nevertheless, the Greeks always remained a privileged minority in Ptolemaic Egypt
14.
Eleventh Dynasty of Egypt
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However, his testimony that this dynasty was based at Thebes is verified by the contemporary evidence. It was during this dynasty that all of ancient Egypt was united under the Middle Kingdom and this dynasty traces its origins to a nomarch of Thebes, Intef the Great, son of Iku, who is mentioned in a number of contemporary inscriptions. However, his immediate successor Mentuhotep I is considered the first king of this dynasty, Intef undertook several campaigns northwards, and captured the important nome of Abydos. The rulers of Dynasty XI reasserted Egypts influence over her neighbors in Africa, Mentuhotep II sent renewed expeditions to Phoenicia to obtain cedar. Sankhkara Mentuhotep III sent an expedition from Coptos south to the land of Punt, the reign of its last king, and thus the end of this dynasty, is something of a mystery. Contemporary records refer to seven empty years following the death of Mentuhotep III, modern scholars identify his vizier Amenemhat with Amenemhat I, the first king of Dynasty XII, as part of a theory that Amenemhat became king as part of a palace coup. The only certain details of Mentuhoteps reign was that two remarkable omens were witnessed at the quarry of Wadi Hammamat by the vizier Amenemhat, eleventh Dynasty of Egypt family tree Media related to 11th dynasty of Egypt at Wikimedia Commons
15.
Eighteenth Dynasty of Egypt
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The eighteenth dynasty of ancient Egypt is the best known ancient Egyptian dynasty. It boasts several of Egypts most famous pharaohs, including Tutankhamun, the dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmosis. Famous pharaohs of Dynasty XVIII include Hatshepsut, longest-reigning woman-pharaoh of a dynasty, and Akhenaten. Dynasty XVIII is the first of the three dynasties of the Egyptian New Kingdom, the period in which ancient Egypt reached the peak of its power, radiocarbon dating suggests that Dynasty XVIII may have started a few years earlier than the conventional date of 1550 BC. The radiocarbon date range for its beginning is 1570–1544 BC, the point of which is 1557 BC. The pharaohs of Dynasty XVIII ruled for two hundred and fifty years. The dates and names in the table are taken from Dodson and Hilton, many of the pharaohs were buried in the Valley of the Kings in Thebes. More information can be found on the Theban Mapping Project website, several diplomatic marriages are known for the New Kingdom. These daughters of kings are often only mentioned in cuneiform texts and are not known from other sources. The marriages were likely a way to confirm good relations between these states, Dynasty XVIII was founded by Ahmose I, the brother or son of Kamose, the last ruler of the Dynasty XVII. Ahmose finished the campaign to expel the Hyksos rulers and his reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful, Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign the borders of Egypts empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates, Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut. Thutmose III who later became known as the greatest military pharaoh ever and he had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, the reign of Amenhotep III is seen as a high point in this dynasty. Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV, there is much debate about this proposed co-regency. Some experts believe there was a lengthy co-regency, while others prefer to see a short one, there are also many experts who believe no such co-regency existed at all
16.
Ramesses IV
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Heqamaatre Ramesses IV was the third pharaoh of the Twentieth Dynasty of the New Kingdom of Ancient Egypt. His name prior to assuming the crown was Amonhirkhopshef and he was the fifth son of Ramesses III and was appointed to the position of crown prince by the twenty-second year of his fathers reign when all four of his elder brothers predeceased him. His promotion to crown prince, is suggested by his appearance in a scene of the festival of Min at the Ramesses III temple at Karnak, amenemopes Theban tomb also accords prince Ramesses all three of his aforementioned sets of royal titles. Due to the three decade long rule of Ramesses III, Ramesses IV is believed to have been a man in his forties when he took the throne and his rule has been dated to either 1151 to 1145 BC or 1155 to 1149 BC. It is now believed that Ramesses IVs mother was most likely Queen Tyti from recently discovered notes published in the 2010 issue of the Journal of Egyptian Archaeology. They reveal that Tyti—who was both a daughter, a kings wife and a kings mother in her own right—was identified in Papyrus BM EA10052 to be a queen of Ramesses III. This leaves Ramesses IV as the only credible primary subject of the title in the tomb. Thus, the identity of Ramesses IVs mother has been resolved in favour of Queen Tyti who was erroneously thought to be the mother of another king in the mid-1980s. Ramesses IV was succeeded to the throne by his son Ramesses V. Ramesses came to the throne in difficult circumstances. A plot by one of his fathers wives, Tiye, to establish her own son, Pentawer. The king was wounded, and died soon after. Ramesses IV, however, was able to secure himself on the throne, the scribes who composed the text also noted that this figure included 900 men who are dead and omitted from this list. 7%. Some of the stones which were dragged 60 miles to the Nile from Wadi Hammamat weighed 40 tons or more, other Egyptian quarries including Aswan were located much closer to the Nile which enabled them to use barges to transport stones long distances. Part of the program included the extensive enlargement of his fathers Temple of Khonsu at Karnak. Ramesses IV also sent several expeditions to the mines the Sinai. The Serabit el-Khadim stela of the Royal Butler Sobekhotep states, Year 3, panufer states that this expeditions mission was both to procure turquoise and to establish a cult chapel of king Ramesses IV at the Hathor temple of Serabit el-Khadim. The stela reads, Year 5, second month of Shomu, surviving a march in this inhospitable land would have presented formidable logistical obstacles, perhaps forcing an alternative route to be adopted. This would involve a departure from the Delta to a site near the port of Suez
17.
Twentieth Dynasty of Egypt
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The Eighteenth, Nineteenth and Twentieth Dynasties of Ancient Egypt collectively mark the New Kingdom. The latter two dynasties constitute an era known as the Ramesside period, the Twentieth Dynasty is considered to be the last one of the New Kingdom of Egypt, and was followed by the Third Intermediate Period. The Pharaohs of the 20th dynasty ruled for approximately 120 years, the dates and names in the table are mostly taken from Chronological Table for the Dynastic Period in Erik Hornung, Rolf Krauss & David Warburton, Ancient Egyptian Chronology, Brill,2006. Many of the pharaohs were buried in the Valley of the Kings in Thebes, more information can be found on the Theban Mapping Project website. Pharaoh Setnakhte was likely already middle aged when he took the throne after Queen Twosret and he ruled for only around 4 years when he was succeeded by his son Ramesses III. Egypt was threatened by the Sea Peoples during this time period, the king is also known for a harem conspiracy in which Queen Tiye attempted to assassinate the king and put her son Pentawere on the throne. The coup was not successful in the end, the king may have died from the attempt on his life, but it was his legitimate heir Ramesses IV who succeeded him to the throne. After this a succession of kings named Ramesses take the throne, the period of these rulers is notable for the beginning of the systematic robbing of the royal tombs. Many surviving administrative documents from this period are records of investigations and punishment for crimes, especially in the reigns of Ramses IX. As happened under the earlier Nineteenth Dynasty, this group struggled under the effects of the bickering between the heirs of Ramesses III, for instance, three different sons of Ramesses III are known to have assumed power as Ramesses IV, Ramesses VI and Ramesses VIII respectively. Smendes would eventually found the Twenty-First dynasty at Tanis, the Twentieth dynasty of Egypt was the last of the New Kingdom of Egypt. The familial relationships are unclear, especially towards the end of the dynasty, pharaoh is a historical novel by Bolesław Prus, set in Egypt at the end of the Twentieth Dynasty, which adds two fictional rulers, Ramesses XII and Ramesses XIII. It has been adapted into a film of the same title
18.
Taharqa
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Taharqa, also spelled Taharka or Taharqo, was a pharaoh of ancient Egypt of the Twenty-fifth Dynasty and qore of the Kingdom of Kush. Taharqa was the son of Piye, the Nubian king of Napata who had first conquered Egypt, Taharqa was also the cousin and successor of Shebitku. The successful campaigns of Piye and Shabaka paved the way for a prosperous reign by Taharqa, Taharqas reign can be dated from 690 BC to 664 BC. Evidence for the dates of his reign is derived from the Serapeum stela and this stela records that an Apis bull born and installed in Year 26 of Taharqa died in Year 20 of Psammetichus I, having lived 21 years. This would give Taharqa a reign of 26 years and a fraction, Taharqa explicitly states in Kawa Stela V, line 15, that he succeeded his predecessor after the latters death with this statement, I received the Crown in Memphis after the Falcon flew to heaven. Although Taharqas reign was filled with conflict with the Assyrians, it was also a prosperous period in Egypt. When Taharqa was about 20 years old, he participated in a battle with the Assyrian emperor Sennacherib at Eltekeh. The might of Taharqas military forces was established at Eltekeh, leading to a period of peace in Egypt, during this period of peace and prosperity, the empire flourished. In the sixth year of Taharqas reign, prosperity was also aided by abundant rainfall, Taharqa took full advantage of the lull in fighting and abundant harvest. He restored existing temples, built new ones, and built the largest pyramid in the Napatan region, particularly impressive were his additions to the Temple at Karnak, new temple at Kawa, and temple at Jebel Barkal. Scholars have identified Taharqa with Tirhakah, king of Ethiopia, who waged war against Sennacherib during the reign of King Hezekiah of Judah, the events in the Biblical account are believed to have taken place in 701 BC, whereas Taharqa came to the throne some ten years later. Herodotus, the Greek historian who wrote his Histories ca.450 BC, speaks of a divinely-appointed disaster destroying an army of Sennacherib, which was defeated by Sethos after praying to the gods. The gods sent a multitude of field-mice, which devoured all the quivers and bowstrings of the enemy, and ate the thongs by which they managed their shields. This is commemorated in a statue of Sethos, with a mouse in his hand, and an inscription to this effect Look on me. While Taharqa was still in the neighbourhood of Pelusium, some unexpected disaster may have befallen the Assyrian host on the borders of Palestine, the two snakes in the crown of pharaoh Taharqa show that he was the king of both the lands of Egypt and Nubia. It was during his reign that Egypts enemy Assyria at last invaded Egypt, Esarhaddon led several campaigns against Taharqa, which he recorded on several monuments. His first attack in 677 BC, aimed at pacifying Arab tribes around the Dead Sea, Esarhaddon then proceeded to invade Egypt proper in Taharqas 17th regnal year, after Esarhaddon had settled a revolt at Ashkelon. Taharqa defeated the Assyrians on that occasion, three years later in 671 BC the Assyrian king captured and sacked Memphis, where he captured numerous members of the royal family
19.
Twenty-fifth Dynasty of Egypt
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The Twenty-fifth Dynasty of Egypt, also known as the Nubian Dynasty or the Kushite Empire, was the last dynasty of the Third Intermediate Period of Ancient Egypt. The 25th dynasty was a line of rulers originating in the Nubian Kingdom of Kush – in present-day northern Sudan and southern Egypt – and they reigned in part or all of Ancient Egypt from 760 BCE to 656 BCE. The dynasty began with Kashtas invasion of Upper Egypt and culminated in several years of successful and unsuccessful war with the Mesopotamian based Assyrian Empire. The 25th Dynastys reunification of Lower Egypt, Upper Egypt, and they assimilated into society by reaffirming Ancient Egyptian religious traditions, temples, and artistic forms, while introducing some unique aspects of Kushite culture. It was during the 25th dynasty that the Nile valley saw the first widespread construction of pyramids since the Middle Kingdom, war with Assyria resulted in the end of Kushite power in Northern Egypt and the conquest of Egypt by Assyria. They were succeeded by the Twenty-sixth dynasty of Egypt, initially a puppet dynasty installed by and vassals of the Assyrians, the last native dynasty to rule Egypt before the Persian conquest. The known rulers, in the History of Egypt, for the dynasty are the following, The period starting with Kashta. The later Kings from the dynasty ruled over Napata, Meroe. The seat of government and the palace were in Napata during this period. The kings and queens were buried in El-Kurru and Nuri, alara, the first known Nubian king and predecessor of Kashta was not a 25th dynasty king since he did not control any region of Egypt during his reign. While Piye is viewed as the founder of the 25th dynasty, the twenty-fifth dynasty originated in Kush, or, which is presently in Northern Sudan. The city-state of Napata was the capital and it was from there that Piye invaded. Piye personally led the attack on Egypt and recorded his victory in a lengthy hieroglyphic filled stele called the Stele of Victory, Piye revived one of the greatest features of the Old and Middle Kingdoms, pyramid construction. An energetic builder, he constructed the oldest known pyramid at the burial site of El-Kurru. Although Manetho does not mention the first king, Piye, mainstream Egyptologists consider him the first Pharaoh of the 25th dynasty, Manetho also does not mention the last king, Tantamani, although inscriptions exist to attest to the existence of both Piye and Tantamani. Piye made various attempts to extend Egyptian influence in the Near East. In 720 BC he sent an army in support of a rebellion against Assyria in Philistia and Gaza, however Piye was defeated by Sargon II, Shabaka conquered the entire Nile valley, including Upper and Lower Egypt, around 710 BC. Shabaka had Bocchoris of the preceding Sais dynasty burned to death for resisting him, after conquering Lower Egypt, Shabaka transferred the capital to Memphis
20.
Thirtieth Dynasty of Egypt
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The Thirtieth Dynasty of Egypt is usually classified as the fifth Dynasty of the Ancient Egyptian Late Period. It was founded after the overthrow of Nefaarud II in 380 BC by Nectanebo I, Nectanebo I had gained control of all of Egypt by November of 380 BC, but spent much of his reign defending his kingdom from Persian reconquest with the occasional help of Sparta or Athens. In 365 BC, Nectanebo made his son Teos co-king and heir, tjahepimu took advantage of Teos unpopularity within Egypt by declaring his son—and Teos nephew, Nectanebo II—king. The Egyptian army rallied around Nectanebo which forced Teos to flee to the court of the king of Persia, Nectanebo IIs reign was dominated by the efforts of the Persian rulers to reconquer Egypt, which they considered a satrapy in revolt. For the first ten years, Nectanebo avoided the Persian reconquest because Artaxerxes III was forced to consolidate his control of the realm. Artaxerxes then attempted an invasion of Egypt in the winter of 351/350 BC, the repercussions of his defeat prompted revolts in Cyprus, Phoenicia. Although Nectanebo gave support to these revolts, Artaxerxes would eventually suppress these rebellions and was again able to invade Egypt in 343 BC. This second invasion proved successful, and Nectanebo was forced to withdraw from his defenses in the Nile Delta to Memphis and he thereupon fled south to Nubia, where he is assumed to have found refuge at the court of King Nastasen of Napata. Nectanebo, however, may have managed to some form of independent rule in the south of Egypt for 2 more years since a document from Edfu is dated to his eighteenth year. Although a shadowy figure named Khababash proclaimed himself king and led a rebellion against the Persians from about 338 to 335 BC and his flight marked the end of Egypt as an independent entity
21.
Deir El Bersha
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For the communities in Dubai, see Al Barsha. Deir El Bersha is a Coptic village in Middle Egypt and it is located on the east bank of the Nile in the Minya Governorate, to the south of Antinopolis and almost opposite the city of Mallawi. During the Middle Kingdom it was the cemetery of the governors of the 15th Upper Egyptian Nome. The most spectacular of the tombs is that of the Great Overlord of the Hare Nome called Djehutihotep and he lived during the reigns of Amenemhat II, Senusret II and Senusret III. In the spring of 1915, the Harvard University-Museum of Fine Arts and they excavated a tomb that belonged to an early Middle Kingdom nomarch named Djehutynakht. The tomb had been looted, but a collection of wooden models representing scenes of daily life. The tomb also contained the extraordinary painted coffins of Djehutynakht and his wife, the grave goods are now in the collection of the Museum of Fine Arts, Boston. Deir El Bersha necropolis is near the Nile valley town of Minya,225 km south of Cairo, in 2007, the tomb of an Egyptian courtier was found. The tomb belonged to Henu, a manager and high-ranking official during the First Intermediate Period. The archaeologists found Henus mummy wrapped in linen in a wooden coffin. The tomb contained well-preserved painted wooden statuettes of workers making bricks, women making beer and pounding cereal, and a model of a boat with rowers, Egyptian media said
22.
Coffin Texts
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The Coffin Texts are a collection of ancient Egyptian funerary spells written on coffins beginning in the First Intermediate Period. Ordinary Egyptians who could afford a coffin had access to these funerary spells, as the modern name of this collection of some 1,185 spells implies, they were mostly inscribed on Middle Kingdom coffins. They were also written on tomb walls, stelae, canopic chests, papyri. Due to the limited writing surfaces of some of these objects, in contrast to the Pyramid Texts which focus on the celestial realm, the coffin texts emphasize the subterranean elements of the afterlife ruled by the deity Osiris, in a place called the Duat. An Osirian afterlife is offered to everyone, and the deceased is even referred to as the Osiris- and this subterranean realm is described as being filled with threatening beings, traps, and snares with which the deceased must contend. The spells in the Coffin Texts allow the deceased to protect themselves against these dangers, a new theme recorded in the coffin texts is the notion that all people will be judged by Osiris and his council according to their deeds in life. The texts allude to the use of a balance, which became the moment of judgment in the later Book of the Dead. The texts address common fears of the living, such as having to do manual labor and they combine ritual actions intended as protection, expressions of aspiration for a blessed existence after death and of the transformations and transmigrations of the ba and akh and so on. In addition there are descriptions of the land of the dead, its landscape and these include the Sekhet Hotep, the paths of Rostau and the abode of Osiris. Coffin text 1130 is a speech by the sun god Ra, I repeat to you the good deeds which my own heart did for me from within the serpent-coil, in order to silence strife. I made the four winds, that man might breathe in his time. I made the great inundation, that the humble might benefit by it like the great, I made every man like his fellow, and I did not command that they do wrong. It is their hearts which disobey what I have said, I have created the gods from my sweat, and the people from the tears of my eye. Coffin text 1031 is spoken by the deceased, who says, I shall sail rightly in my bark, I am not afraid in my limbs, for Hu and Hike overthrow for me that evil being. I shall see light-land, I shall dwell in it, make way for me, that I may see Nun and Amun. For I am that Akh who passes by the guards, I am equipped and effective in opening his portal. As for any person who knows this spell, he will be like Re in the eastern sky and he will go down to the circle of fire, without the flame touching him ever. This collection, called the Book of Two Ways, was the first example of an Ancient Egyptian map of the underworld
23.
Rosicrucian Egyptian Museum
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The Rosicrucian Egyptian Museum is a theosophical museum devoted to Ancient Egypt, located at the Rosicrucian Park in the Rose Garden neighborhood of San Jose, California, United States. It was founded by the Ancient Mystical Order Rosae Crucis, the Rosicrucian Order continues to support and expand the museum and its educational and scientific activities. The founder of AMORC, Dr. Harvey Spencer Lewis, was a collector of artifacts with mystical symbolism. His very first artifact was a small Sekhmet statue, in 1921 he contributed financially to the archaeological excavations at Tel el Amarna of the Egypt Explorations Society of Boston by receiving donations from AMORC members. In return, the Egypt Explorations Society donated several Egyptian antiquities to AMORC, in 1928, he presented to the public a collection named The Rosicrucian Egyptian Oriental Museum, located at the administration buildings of AMORC at San Jose, California. After Lewis tour in Egypt in 1929, AMORC received many more artifacts and donations and as a result the collection grew significantly, the second Imperator of AMORC, Ralph Maxwell Lewis, son of H. Spencer Lewis, decided to build new buildings for the museum, the new museum buildings opened in November 1966. By that time the museum managed to become unique by, Having the largest exhibition of Ancient Egyptian antiquities in the Western US, being the only such museum in the world with buildings constructed in Ancient Egyptian architectural style. Having a purpose-built planetarium adjacent to the museum, the Planetarium was the 5th opened in the United States, and the first with a Star Projector built in the country, constructed by H. Having its buildings set in an Egyptian revival park, in 1995, Julie Scott, M. A. S. R. C. moved to San Jose and became Director of the Rosicrucian Egyptian Museum. A notable activity took place in 1999 when the Rosicrucian Egyptian Museum started the traveling exhibition Women of the Nile accompanied by many lectures, Women of the Nile travelled across the United States of America and Canada, and continued until 2001. In 2000–2002, a figure of Cleopatra VII from the collection was displayed in Rome, London. The results were released at the 75th Anniversary of the Museum on August 6,2005, with detailed scans, one of the scanning images won the 2006 Science and Engineering Visualization Challenge 2006 co-sponsored by the National Science Foundation and Science. Below are photographs of the interior of the tomb, largely containing scenes from the Book of the Dead. The dark interior of the replica is evident
24.
Osiris
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Osiris was an Egyptian god, usually identified as the god of the afterlife, the underworld, and the dead, but more appropriately as the god of transition, resurrection, and regeneration. He was also associated with the epithet Khenti-Amentiu, meaning Foremost of the Westerners, as ruler of the dead, Osiris was also sometimes called king of the living, ancient Egyptians considered the blessed dead the living ones. Osiris was considered the brother of Isis, Set, Nephthys, and Horus the Elder and he was described as the Lord of love, He Who is Permanently Benign and Youthful and the Lord of Silence. The Kings of Egypt were associated with Osiris in death – as Osiris rose from the dead they would, in union with him, inherit eternal life through a process of imitative magic. By the New Kingdom all people, not just pharaohs, were believed to be associated with Osiris at death, Osiris was widely worshipped as Lord of the Dead until the suppression of the Egyptian religion during the rise of Christianity in the Roman Empire. Osiris is a Latin transliteration of the Ancient Greek Ὄσιρις IPA, in Egyptian hieroglyphs the name is appears as wsjr or jsjrt. Since hieroglyphic writing lacks vowels, Egyptologists have vocalized the name in various ways as Asar, Yasar, Aser, Asaru, Ausar, Ausir, Wesir, Usir, several proposals have been made for the etymology and meaning of the original name wsjr. John Gwyn Griffiths proposed a derivation from wsr signifying the powerful, moreover, one of the oldest attestations of the god Osiris appears in the mastaba of the deceased Netjer-wser. David Lorton proposed that Wsjr is composed by the morphemes set-jret signifying ritual activity, wolfhart Westendorf proposed an etymology from Waset-jret she who bears the eye. He also carries the crook and flail, the crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk and he was commonly depicted as a pharaoh with a complexion of either green or black in mummiform. The Pyramid Texts describe early conceptions of an afterlife in terms of travelling with the sun god amongst the stars. Amongst these mortuary texts, at the beginning of the 4th dynasty, is found, An offering the king gives, by the end of the 5th dynasty, the formula in all tombs becomes An offering the king gives and Osiris. Osiris is the father of the god Horus, whose conception is described in the Osiris myth. The myth described Osiris as having been killed by his brother Set, Isis joined the fragmented pieces of Osiris, but the only body part missing was the phallus. Isis fashioned a golden phallus, and briefly brought Osiris back to life by use of a spell that she learned from her father and this spell gave her time to become pregnant by Osiris before he again died. Isis later gave birth to Horus, as such, since Horus was born after Osiris resurrection, Horus became thought of as a representation of new beginnings and the vanquisher of the evil Set. Ptah-Seker thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris, Osiris soul, or rather his Ba, was occasionally worshipped in its own right, almost as if it were a distinct god, especially in the Delta city of Mendes
25.
Third Intermediate Period
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The Third Intermediate Period of Ancient Egypt began with the death of Pharaoh Ramesses XI in 1070 BC, ending the New Kingdom, and was eventually followed by the Late Period. The period was one of decline and political instability, coinciding with the Late Bronze Age collapse of civilizations in the Near East and it marked by division of the state for much of the period and conquest and rule by foreigners. But many aspects of life for ordinary Egyptians changed relatively little, the period of the Twenty-First Dynasty is characterized by the countrys fracturing kingship. Even in Ramesses XIs day, the Twentieth dynasty of Egypt was losing its grip on power in the city of Thebes, after his death, his successor Smendes I ruled from the city of Tanis, but was mostly active only in Lower Egypt which they controlled. Meanwhile, the High Priests of Amun at Thebes effectively ruled Middle and Upper Egypt in all, however, this division was less significant than it seems, since both priests and pharaohs came from the same family. The country was reunited by the Twenty-Second Dynasty founded by Shoshenq I in 945 BC. In Thebes, a civil war engulfed the city between the forces of Pedubast I, who had proclaimed himself Pharaoh versus the existing line of Takelot II/Osorkon B. These two factions squabbled consistently and the conflict was resolved in Year 39 of Shoshenq III when Osorkon B comprehensively defeated his enemies. The Nubian kingdom to the south took full advantage of this division, piye established the Twenty-Fifth Dynasty and appointed the defeated rulers as his provincial governors. He was succeeded first by his brother, Shabaka, and then by his two sons Shebitku and Taharqa respectively, the reunited Nile valley empire of the 25th dynasty was as large as it had been since the New Kingdom. Pharaohs, such as Taharqa, built or restored temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, Jebel Barkal, the 25th dynasty ended with its rulers retreating to their spiritual homeland at Napata. It was there that all 25th dynasty pharaohs are buried under the first pyramids to be constructed in the Nile valley in millennia, the Napatan dynasty led to the Kingdom of Kush, which flourished in Napata and Meroe until at least the 2nd century AD. The international prestige of Egypt had declined considerably by this time, the countrys international allies had fallen firmly into the sphere of influence of Assyria and from about 700 BC the question became when, not if, there would be war between the two states. This disparity became critical during the Assyrian invasion of Egypt in 670 BC, consequently, Pharaoh Taharqas reign, and that of his successor and cousin Tantamani, were filled with constant conflict with the Assyrians. In 664 BC the Assyrians delivered a blow, sacking Thebes. In 656 BC Psamtik I occupied Thebes and became Pharaoh, the King of Upper and Lower Egypt, four successive Saite kings continued guiding Egypt into another period of peace and prosperity from 610 to 525 BC. Unfortunately for this dynasty, a new power was growing in the Near East – Persia, Pharaoh Psamtik III had succeeded his father Ahmose II for only 6 months before he had to face the Persian Empire at Pelusium. The Persians had already taken Babylon and Egypt was no match, the historiography of this period is disputed for a variety of reasons
26.
Tutankhamun
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Tutankhamun was an Egyptian pharaoh of the 18th dynasty, during the period of Egyptian history known as the New Kingdom or sometimes the New Empire Period. He has, since his discovery, been referred to as King Tut. His original name, Tutankhaten, means Living Image of Aten, in hieroglyphs, the name Tutankhamun was typically written Amen-tut-ankh, because of a scribal custom that placed a divine name at the beginning of a phrase to show appropriate reverence. The 1922 discovery by Howard Carter and Lord Carnarvon of Tutankhamuns nearly intact tomb received worldwide press coverage and it sparked a renewed public interest in ancient Egypt, for which Tutankhamuns mask, now in the Egyptian Museum, remains the popular symbol. Exhibits of artifacts from his tomb have toured the world, in February 2010, the results of DNA tests confirmed that he was the son of Akhenaten. His mother was Akhenatens sister and wife, whose name is unknown, the mysterious deaths of a few of those who excavated Tutankhamuns tomb has been popularly attributed to the curse of the pharaohs. Tutankhamun was the son of Akhenaten and one of Akhenatens sisters, as a prince, he was known as Tutankhaten. He ascended to the throne in 1333 BC, at the age of nine or ten and his wet nurse was a woman called Maia, known from her tomb at Saqqara. His teacher was most likely Sennedjem, when he became king, he married his half-sister, Ankhesenpaaten, who later changed her name to Ankhesenamun. They had two daughters, both stillborn, computed tomography studies released in 2011 revealed that one daughter died at 5–6 months of pregnancy and the other at 9 months of pregnancy. No evidence was found in either mummy of congenital anomalies or an apparent cause of death, given his age, the king probably had very powerful advisers, presumably including General Horemheb and Grand Vizier Ay. Horemheb records that the king appointed him lord of the land as hereditary prince to maintain law and he also noted his ability to calm the young king when his temper flared. In his third year, under the influence of his advisors. He ended the worship of the god Aten and restored the god Amun to supremacy, the ban on the cult of Amun was lifted and traditional privileges were restored to its priesthood. The capital was moved back to Thebes and the city of Akhetaten abandoned and this is when he changed his name to Tutankhamun, Living image of Amun, reinforcing the restoration of Amun. As part of his restoration, the king initiated building projects, in particular at Karnak in Thebes, many monuments were erected, and an inscription on his tomb door declares the king had spent his life in fashioning the images of the gods. The traditional festivals were now celebrated again, including those related to the Apis Bull, Horemakhet and his restoration stela says, The temples of the gods and goddesses. Their shrines were deserted and overgrown and their sanctuaries were as non-existent and their courts were used as roads
27.
Faience
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Faience or faïence is the conventional name in English for fine tin-glazed pottery on a delicate pale buff earthenware body. It is originally associated by French speakers with wares exported from Faenza in northern Italy. The invention of a white pottery glaze suitable for painted decoration, the invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding 1,000 °C was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a variety of pottery from several parts of the world, including many types of European painted wares. Technically, lead-glazed earthenware, such as the French sixteenth-century Saint-Porchaire ware, does not properly qualify as faience, semi-vitreous stoneware may be glazed like faience. However, this material is not pottery at all, containing no clay, the Metropolitan Museum of Art displays a faience hippopotamus from Meir, Egypt, dated to Dynasty 12, ca. Examples of ancient faience are also found in Minoan Crete, which was influenced by Egyptian culture. Faience material, for instance, has recovered from the Knossos archaeological site. The Moors brought the technique of tin-glazed earthenware to Al-Andalus, where the art of lustreware with metallic glazes was perfected, from Málaga in Andalusia and later Valencia these Hispano-Moresque wares were exported, either directly or via the Balearic Islands to Italy and the rest of Europe. This type of Spanish pottery owed much to its Moorish inheritance, in Italy, locally produced tin-glazed earthenwares, initiated in the fourteenth century, reached a peak in the late fifteenth and early sixteenth centuries. The first northerners to imitate the tin-glazed earthenwares being imported from Italy were the Dutch, English Delftware produced in Lambeth, London, and at other centers, from the late sixteenth century, provided apothecaries with jars for wet and dry drugs. Many of the potters in London were Flemish. By about 1600, blue-and-white wares were being produced, labelling the contents within decorative borders, the production was slowly superseded in the second half of the eighteenth century with the introduction of cheap creamware. Dutch potters in northern Germany established German centres of faience, the first manufactories in Germany were opened at Hanau and Heusenstamm, in Switzerland, Zunfthaus zur Meisen near Fraumünster church houses the porcelain and faience collection of the Swiss National Museum in Zurich. Faïence parlante bears mottoes often on decorative labels or banners, wares for apothecaries, including albarello, can bear the names of their intended contents, generally in Latin and often so abbreviated to be unrecognizable to the untutored eye. Mottoes of fellowships and associations became popular in the 18th century, at the low end of the market, local manufactories continued to supply regional markets with coarse and simple wares. These so-called majolica wares were also made by Wedgwood and numerous smaller Staffordshire potteries round Burslem
28.
Thutmose IV
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Thutmose IV was the 8th Pharaoh of the 18th dynasty of Egypt, who ruled in approximately the 14th century BC. His prenomen or royal name, Menkheperure, means Established in forms is Re, Thutmose IV was born to Amenhotep II and Tiaa but was not actually the crown prince and Amenhotep IIs chosen successor to the throne. Some scholars speculate that Thutmose ousted his brother in order to usurp power. Thutmoses most celebrated accomplishment was the restoration of the Sphinx at Giza and subsequent commission of the Dream Stele. According to Thutmoses account on the Dream Stele, while the prince was out on a hunting trip, he stopped to rest under the head of the Sphinx. He soon fell asleep and had a dream in which the Sphinx told him if he cleared away the sand. Little is known about his brief ten-year rule and he suppressed a minor uprising in Nubia in his 8th year around 1393 BC and was referred to in a stela as the Conqueror of Syria, but little else has been pieced together about his military exploits. Thutmose IVs rule is significant because he established relations with Mitanni. Thutmoses grandfather Thutmose III almost certainly acceded the throne in either 1504 or 1479 and his successor Amenhotep II, Thutmose IVs father, took the throne and ruled for at least 26 years but has been assigned up to 35 years in some chronological reconstructions. The currently preferred reconstruction, after analyzing all this evidence, usually comes to a date around 1401 BC or 1400 BC for the beginning of Thutmose IVs reign. The length of his reign is not as clear as one would wish and he is usually given about nine or ten years of reign. Manetho credits him a reign of 9 years and 8 months, however, Manethos other figures for the 18th dynasty are frequently assigned to the wrong kings or simply incorrect, so monumental evidence is also used to determine his reign length. Of all of Thutmose IVs dated monuments, three date to his first regnal year, one to his fourth, possibly one to his fifth, one to his sixth, two to his seventh, and one to his eighth. Two possible other dated objects, one dated to a Year 19 and another year 20, have suggested as belonging to him. The reading of the king in these dates are accepted as referring to the prenomen of Thutmose III—Menkheperre—and not Menkhepere Thutmose IV himself. Due to the absence of higher dates for Thutmose IV after his Year 8 Konosso stela, there were once chronological reconstructions which gave him a reign as long as 34–35 years. Today, however, most scholars ascribe him a 10-year reign from 1401 to 1391 BC, like most of the Thutmoside kings, he built on a grand scale. Thutmose IV completed the eastern obelisk first started by Thutmose III, Thutmose IV called it the tekhen waty or unique obelisk
29.
Wax
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Waxes are a diverse class of organic compounds that are hydrophobic, malleable solids near ambient temperatures. They include higher alkanes and lipids, typically with melting points above about 40 °C, waxes are insoluble in water but soluble in organic, nonpolar solvents. Natural waxes of different types are produced by plants and animals, waxes are organic compounds that characteristically consist of long alkyl chains. They may also include various groups such as fatty acids, primary and secondary long chain alcohols, unsaturated bonds, aromatics, amides, ketones. They frequently contain fatty acid esters as well, synthetic waxes are often long-chain hydrocarbons that lack functional groups. Waxes are synthesized by plants and animals. Those of animal origin typically consist of wax esters derived from a variety of carboxylic acids, in waxes of plant origin characteristic mixtures of unesterified hydrocarbons may predominate over esters. The composition depends not only on species, but also on location of the organism. The most commonly known animal wax is beeswax, but other insects secrete waxes, a major component of the beeswax used in constructing honeycombs is the ester myricyl palmitate which is an ester of triacontanol and palmitic acid. Its melting point is 62-65 °C, spermaceti occurs in large amounts in the head oil of the sperm whale. One of its constituents is cetyl palmitate, another ester of a fatty acid. Lanolin is a wax obtained from wool, consisting of esters of sterols, plants secrete waxes into and on the surface of their cuticles as a way to control evaporation, wettability and hydration. From the commercial perspective, the most important plant wax is carnauba wax, containing the ester myricyl cerotate, it has many applications, such as confectionery and other food coatings, car and furniture polish, floss coating, and surfboard wax. Other more specialized vegetable waxes include candelilla wax and ouricury wax, plant and animal based waxes or oils can undergo selective chemical modifications to produce waxes with more desirable properties than are available in the unmodified starting material. This approach has relied on green chemistry approaches including olefin metathesis and enzymatic reactions, although many natural waxes contain esters, paraffin waxes are hydrocarbons, mixtures of alkanes usually in a homologous series of chain lengths. These materials represent a significant fraction of petroleum and they are refined by vacuum distillation. Paraffin waxes are mixtures of saturated n- and iso- alkanes, naphthenes, a typical alkane paraffin wax chemical composition comprises hydrocarbons with the general formula CnH2n+2, such as Hentriacontane, C31H64. The degree of branching has an important influence on the properties, millions of tons of paraffin waxes are produced annually
30.
Terracotta
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Terracotta, terra cotta or terra-cotta, a type of earthenware, is a clay-based unglazed or glazed ceramic, where the fired body is porous. The term is used to refer to the natural, brownish orange color, of most terracotta. This article covers the senses of terracotta as a medium in sculpture, as in the Terracotta Army and Greek terracotta figurines, asian and European sculpture in porcelain is not covered. Glazed architectural terracotta and its version as exterior surfaces for buildings were used in Asia for some centuries before becoming popular in the West in the 19th century. In archaeology and art history, terracotta is used to describe objects such as figurines not made on a potters wheel. An appropriate refined clay is formed to the desired shape, after drying it is placed in a kiln or atop combustible material in a pit, and then fired. The typical firing temperature is around 1,000 °C, though it may be as low as 600 °C in historic and archaeological examples. In some contexts, such as Roman figurines, white-colored terracotta is known as pipeclay, as such clays were later preferred for tobacco pipes, fired terracotta is not watertight, but surface-burnishing the body before firing can decrease its porousness and a layer of glaze can make it watertight. It is suitable for use below ground to carry pressurized water, for garden pots or building decoration in many environments, most other uses, such as for tableware, sanitary piping, or building decoration in freezing environments, require the material to be glazed. Terracotta, if uncracked, will ring if lightly struck, painted terracotta is typically first covered with a thin coat of gesso, then painted. It has been widely used but the paint is only suitable for indoor positions and is much less durable than fired colors in or under a ceramic glaze. Terracotta sculpture was rarely left in its raw fired state in the West until the 18th century. Terracotta/earthenware was the known type of ceramic produced by Western and pre-Columbian people until the 14th century. Terracotta has been used throughout history for sculpture and pottery as well as for bricks, in ancient times, the first clay sculptures were dried in the sun after being formed. They were later placed in the ashes of open hearths to harden, however, only after firing to high temperature would it be classed as a ceramic material. Terracotta female figurines were uncovered by archaeologists in excavations of Mohenjo-daro, along with phallus-shaped stones, these suggest some sort of fertility cult and a belief in a mother goddess. The Burney Relief is a terracotta plaque from Ancient Mesopotamia of about 1950 BC. In Mesoamerica, the majority of Olmec figurines were in terracotta
31.
Egyptian faience
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Egyptian faience is a sintered-quartz ceramic displaying surface vitrification which creates a bright lustre of various colours, with blue-green being the most common. Notably, faience is considerably more porous than glass proper and can be cast in molds to create vessels or objects, Egyptian faience was very widely used for small objects from beads to small statues, and is found in both elite and popular contexts. It was the most common material for scarabs and other forms of amulet and shabti figures, larger applications included cups and bowls, and wall tiles, mostly used for temples. 9-centimetre faience sceptre from Egypt dated 1427–1400 BC. It is called Egyptian faience to distinguish it from faience, the tin-glazed pottery associated with Faenza in northern Italy, the term is therefore unsatisfactory in several respects, although clear in an Ancient Egyptian context, and is increasingly rejected in museum and archaeological usage. The bodies are usually colourless but natural impurities give them a brown or greyish tint, colourants can also be added to give it an artificial colour. It can be modelled by hand, thrown or moulded, and this material is used in the context of Islamic ceramics where it is described as stonepaste. Glazed composition is related to glass, but glass is formed by fusing the ingredients in a liquid melted at high temperature. This material is also popularly called faience in the contexts of Ancient Egypt, however, this is a misnomer as these objects have no relationship to the glazed pottery vessels made in Faenza, from which the faience term derives. From the inception of faience in the record of Ancient Egypt. Glazed in these colours, faience was perceived as substitute for blue-green materials such as turquoise, found in the Sinai peninsula, and lapis lazuli, from Afghanistan. As early as the Predynastic graves at Naqada, Badar, el-Amrah, Matmar, Harageh, Avadiyedh and El-Gerzeh, glazed steatite and faience beads are found associated with these semi-precious stones. The symbolism embedded in blue glazing could recall both the Nile, the waters of heaven and the home of the gods, whereas green could possibly evoke images of regeneration, rebirth and vegetation. Such close relationship is reflected in the prominent similarity of the formulations of faience glaze, Faience has been defined as the first high technology ceramic, to emphasize its status as an artificial medium, rendering it effectively a precious stone. Plant ash, from halophyte plants typical of dry and sea areas, was the source of alkali until the Ptolemaic Period. Typical faience mixture is thixotropic, that is thick at first and then soft and this property, together with the angularity of silica particles, accounts for the gritty slumps formed when the material is wetted, rendering faience a difficult material to hold a shape. If pressed too vigorously, this material will resist flow until it yields and cracks, due to its limited plastic deformation and low yield strength. A number of possible binding agents, amongst Arabic gum, clay, lime, egg white, the use of alkalis as binders, in the form of natron or plant ash, produced suitable results in experiments. Three methods have been hypothesized to shape the body of faience objects, modeling, moulding and abrasion, modeling, scraping and grinding are the techniques most widely used in earlier times, as represented in the material qualities of Predynastic and Protodynastic faience objects
32.
Stick shabti
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Stick shabtis are Ancient Egyptian ushabtis made of wood. They have a rough, anthropoid shape, are not well-carved, unlike the normal Egyptian ushabtis which are sometimes small artworks in the own right, they are not painted or further decorated. Stick shabtis date to the end of the 17th, and to the beginning of the 18th Dynasty, Stick shabtis had a different purpose to most of the normal ushabtis. They are often placed into roughly carved model coffins, in the inscriptions on these shabtis, the names of officials appear. It seems that stick shabtis represented family members and friends of a deceased, the stick shabtis were placed close to the burial of a beloved family member, so that the represented people could be symbolically close to their beloved one. Paul Whelan, Mere Scraps of Rough Wood, 17th - 18th Dynasty Stick Shabtis in the Petrie Museum and Other Collections, London 2007 ISBN 978-1-906137-00-7
33.
Shikigami
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Shikigami is the term for a being from Japanese folklore. It is thought to be sort of kami, represented by a small ghost. The belief of shikigami originates from Onmyōdō, shikigami are conjured beings, made alive through a complex conjuring ceremony. Usually shikigami are conjured to exercise risky orders for their masters, such as spying, stealing, shikigami are said to be invisible most of the time, but they can be made visible by banning them into small, folded and artfully cut paper manikins. There are also shikigami that can show themselves as animals or birds
34.
Totem
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A totem is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe. However, the people of those cultures have words for their guardian spirits in their own languages. Totem poles of the Pacific Northwest of North America are monumental poles of heraldry and they feature many different designs that function as crests of families or chiefs. They recount stories owned by families or chiefs, or commemorate special occasions. Totemism is a associated with animistic religions. The totem is usually an animal or other natural figure that represents a group of related people such as a clan. Scottish ethnologist John Ferguson McLennan, following the vogue of 19th-century research, addressed totemism in a perspective in his study The Worship of Animals. McLennan did not seek to explain the origin of the totemistic phenomenon. If the origin of the name was forgotten, Lang argued, through nature myths animals and natural objects were considered as the relatives, patrons, or ancestors of the respective social units. In 1910, Russian American ethnologist Alexander Goldenweiser, subjected totemistic phenomena to sharp criticism, the leading representative of British social anthropology, A. R. As a chief representative of modern structuralism, French ethnologist Claude Lévi-Strauss, poets, and to a lesser extent fiction writers, often use anthropological concepts, including the anthropological understanding of totemism. For this reason literary criticism often resorts to psychoanalytic, anthropological analyses
35.
Voodoo doll
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The term Voodoo doll is commonly employed to describe an effigy into which pins are inserted. Although it comes in different forms, such practices are found in the magical traditions of many cultures across the world. Although the use of the term Voodoo implies that the practice has links to either the religion of Haitian Vodou or Louisiana Voodoo, in reality it does not have a prominent place in either. The form of the doll as it is most commonly understood is based on a magical practice that historically derived from Europe rather than Africa or the Americas. In the 1975 film, Lisztomania, a doll is used. The link between this practice and Voodoo was established through the presentation of the latter in Western popular culture during the first half of the 20th century. In John Houston Craiges Black Baghdad, The Arabian Nights Adventures of a Marine Captain in Haiti and its use also appeared in film representations of Haitian Vodou such as Victor Halperins 1932 White Zombie and Jacques Tourneurs 1943 I Walked with a Zombie. In the 1984 film, Indiana Jones and the Temple of Doom, by the early 21st century, the image of the voodoo doll had become particularly pervasive. A voodoo doll had also included in the 2009 animated Disney movie, The Princess. Myths and misconceptions in Haitian Vodou Ushabti Shikigami Totem Poppet
36.
Poppet
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In folk magic and witchcraft, a poppet is a doll made to represent a person, for casting spells on that person or to aid that person through magic. They are occasionally found lodged in chimneys and it was from these European dolls that the myth of voodoo dolls arose. It is speculated that poppets are used in rituals by the NWO to infiltrate the lives of an individual who seeks out truth. Usually follows in sets of three masked figures ending with the figure of the witch Kikimora to signify the nearing of the ritual involving the death of a specified targets children. Poppets are also used as kitchen witch figures, the word poppet is an older spelling of puppet, from Middle English popet, meaning a small child or a doll. In British English it continues to hold this meaning, Poppet is also a chiefly British term of endearment or diminutive referring to a young woman or girl, much like the words dear or sweetie. Paynes Poppets Poppet valve Voodoo doll
37.
Terracotta Army
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The Terracotta Army is a collection of terracotta sculptures depicting the armies of Qin Shi Huang, the first Emperor of China. It is a form of funerary art buried with the emperor in 210–209 BCE, the figures, dating from approximately the late third century BCE, were discovered in 1974 by local farmers in Lintong District, Xian, Shaanxi province. The figures vary in height according to their roles, with the tallest being the generals, the figures include warriors, chariots and horses. Other terracotta non-military figures were found in pits, including officials, acrobats, strongmen. The construction of the tomb was described by historian Sima Qian in his most noted work Shiji, work on the mausoleum began in 246 BCE soon after Emperor Qin ascended the throne, and the project eventually involved 700,000 workers. Sima Qian wrote that the First Emperor was buried with palaces, towers, officials, valuable artifacts, according to this account,100 flowing rivers were simulated using mercury, and above them the ceiling was decorated with heavenly bodies below which were the features of the land. Some translations of this passage refer to models or imitations, however, those words were not used in the original text, high levels of mercury were found in the soil of the tomb mound, giving credence to Sima Qians account. Later historical accounts suggested that the tomb had been looted by Xiang Yu, however, there are indications that the tomb may not have been plundered. For centuries, occasional reports mentioned pieces of terracotta figures and fragments of the Qin necropolis – roofing tiles and this discovery prompted Chinese archaeologists to investigate, revealing the largest pottery figurine group ever found in China. A museum complex has since been constructed over the area, with the largest pit enclosed within with a large structure, the Terracotta Army is part of a much larger necropolis. Ground-penetrating radar and core sampling have measured the area to be approximately 38 square miles, the necropolis was constructed as a microcosm of the emperors imperial palace or compound, and covers a large area around the tomb mound of the first emperor. The earthen tomb mound is located at the foot of Mount Li and built in a pyramidal shape, the necropolis consists of several offices, halls, stables, other structures as well as an imperial park placed around the tomb mound. The warriors stand guard to the east of the tomb, up to 5 metres of reddish, sandy soil had accumulated over the site in the two millennia following its construction, but archaeologists found evidence of earlier disturbances at the site. These were discarded as worthless and used along with soil to fill the excavations. The tomb appears to be a space the size of a football pitch. The tomb remains unopened, possibly due to concerns over preservation of its artifacts, for example, after the excavation of the Terracotta Army, the painted surface present on some terracotta figures began to flake and fade. The lacquer covering the paint can curl in fifteen seconds once exposed to Xians dry air, four main pits approximately 7 metres deep have been excavated. These are located approximately 1.5 kilometres east of the burial mound, the soldiers within were laid out as if to protect the tomb from the east, where all the Qin Emperors conquered states lay
38.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
39.
Ancient Egyptian architecture
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The core of the pyramids consisted of locally quarried stone, mudbricks, sand or gravel. For the casing stones were used that had to be transported from farther away, predominantly white limestone from Tura, Ancient Egyptian houses were made out of mud collected from the Nile river. It was placed in molds and left to dry in the hot sun to harden for use in construction, others are inaccessible, new buildings having been erected on ancient ones. Fortunately, the dry, hot climate of Egypt preserved some mud brick structures, examples include the village Deir al-Madinah, the Middle Kingdom town at Kahun, and the fortresses at Buhen and Mirgissa. Also, many temples and tombs have survived because they were built on high ground unaffected by the Nile flood and were constructed of stone, in a similar manner, the incised and flatly modeled surface adornment of the stone buildings may have derived from mud wall ornamentation. Exterior and interior walls, as well as the columns and piers, were covered with hieroglyphic and pictorial frescoes, many motifs of Egyptian ornamentation are symbolic, such as the scarab, or sacred beetle, the solar disk, and the vulture. Other common motifs include leaves, the papyrus plant. Hieroglyphs were inscribed for decorative purposes as well as to record historic events or spells, in addition, these pictorial frescoes and carvings allow us to understand how the Ancient Egyptians lived, statuses, wars that were fought and their beliefs. This was especially true when exploring the tombs of Ancient Egyptian officials in recent years, Ancient Egyptian temples were aligned with astronomically significant events, such as solstices and equinoxes, requiring precise measurements at the moment of the particular event. Measurements at the most significant temples may have been undertaken by the Pharaoh himself. The Giza Necropolis stands on the Giza Plateau, on the outskirts of Cairo and this complex of ancient monuments is located some 8 kilometers inland into the desert from the old town of Giza on the Nile, some 20 kilometers southwest of Cairo city center. The pyramids, which were built in the Fourth Dynasty, testify to the power of the pharaonic religion and they were built to serve both as grave sites and also as a way to make their names last forever. The size and simple design show the skill level of Egyptian design. The pyramid of Khafre is believed to have been completed around 2532 BC, Khafre ambitiously placed his pyramid next to his fathers. It is not as tall as his fathers pyramid but he was able to give it the impression of appearing taller by building it on a site with a foundation 33 feet higher than his fathers. Along with building his pyramid, Chefren commissioned the building of the giant Sphinx as guardian over his tomb, the face of a human, possibly a depiction of the pharaoh, on a lions body was seen as a symbol of divinity among the Greeks fifteen hundred years later. The Great Sphinx is carved out the bedrock and stands about 65 feet tall. Menkaures pyramid dates to circa 2490 BC and stands 213 feet high making it the smallest of the Great Pyramids, popular culture leads people to believe that Pyramids are highly confusing, with many tunnels within the pyramid to create confusion for grave robbers
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