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"Odin and the Völva" (1895) by Lorenz Frølich.
"Odin and the Völva" (1895) by Lorenz Frølich.
The new world that rises after Ragnarök (depiction by Emil Doepler)
The new world that rises after Ragnarök (depiction by Emil Doepler)
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Sculpture of the Germanic seeress Veleda, by Hippolyte Maindron, 1844, in Jardin du Luxembourg, Paris.
Sculpture of the Germanic seeress Veleda, by Hippolyte Maindron, 1844, in Jardin du Luxembourg, Paris.
The fate of men was always in the hands of female powers. An illustration of the Norns who spin the threads of fate at the foot of Yggdrasil, the tree
The fate of men was always in the hands of female powers. An illustration of the Norns who spin the threads of fate at the foot of Yggdrasil, the tree of the world. Beneath them is the well Urðarbrunnr with the two swans that have engendered all the swans in the world.
The seeress Veleda as painted by Jules Eugène Lenepveu, 1883
The seeress Veleda as painted by Jules Eugène Lenepveu, 1883
It appears to have been Ganna herself, and her king Masyos, who informed Tacitus of the Semnoni religious practices. An illustration of the Semnoni sa
It appears to have been Ganna herself, and her king Masyos, who informed Tacitus of the Semnoni religious practices. An illustration of the Semnoni sacred grove, which is identified with the Grove of Fetters in Scandinavian heroic legend.