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A vajra and bell (ghanta), which are classic ritual symbols of Vajrayāna Buddhism
A vajra and bell (ghanta), which are classic ritual symbols of Vajrayāna Buddhism
Mahasiddhas, Palpung monastery. Note the figure of the great adept Putalipa at center, seated in a cave and gazing at an image of the meditational dei
Mahasiddhas, Palpung monastery. Note the figure of the great adept Putalipa at center, seated in a cave and gazing at an image of the meditational deity Samvara and the figure at the bottom left holding a skull-staff (khaṭvāṅga) and a flaying knife (kartika).
Vajra Realm Mandala, based on the tantric Vajrasekhara Sutra, and symbolizing the final realization of Vairocana Buddha in Shingon
Vajra Realm Mandala, based on the tantric Vajrasekhara Sutra, and symbolizing the final realization of Vairocana Buddha in Shingon
Naked tantrikas dancing and eating from skull cups (kapalas), closeup of a Chakrasamvara mandala
Naked tantrikas dancing and eating from skull cups (kapalas), closeup of a Chakrasamvara mandala
Danjō garan of Kongōbu-ji, the head temple of the Kōyasan sect based in Mount Kōya
Danjō garan of Kongōbu-ji, the head temple of the Kōyasan sect based in Mount Kōya
Kamakura-period statue of Thousand-armed Kannon at Sanjūsangen-dō in Kyoto, Japan.
Kamakura-period statue of Thousand-armed Kannon at Sanjūsangen-dō in Kyoto, Japan.
Painting of Kūkai from a set of scrolls depicting the first eight patriarchs of the Shingon school. Japan, Kamakura period (13th–14th centuries).
Painting of Kūkai from a set of scrolls depicting the first eight patriarchs of the Shingon school. Japan, Kamakura period (13th–14th centuries).
Jingo-ji, on Mount Takao, the first major temple in which Kūkai worked on his return to Japan
Jingo-ji, on Mount Takao, the first major temple in which Kūkai worked on his return to Japan