1.
Emil Doepler
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Emil Doepler the Younger was a German Art Nouveau illustrator, decorative artist, and art teacher. Emil Doepler was son of Carl Emil Doepler, painter, artist, Reichs President Friedrich Ebert declared Doeplers design to be the official German coat of arms as of 11 November 1919, following a decision of the Reichs government. Since 1928 the new Reichswappen, designed by Tobias Schwab, replaced it, Doeplers design then became the Reichsschild with restricted use such as pennant for government vehicles. In 1949 the Federal Republic of Germany adopted Doeplers design as Bundesschild for the same purposes, list of German painters Aynsley, Jeremy. ISBN 0-520-22796-4 Simek, Rudolf translated by Angela Hall, brewer ISBN 0-85991-513-1 Illustrations from Walhall, Die Götterwelt der Germanen by Wilhelm Ranisch,1905
2.
Norse mythology
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The cosmos in Norse mythology consists of Nine Worlds that flank a central cosmological tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings, various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök, there the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century, by way of comparative mythology and historical linguistics, scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology. In the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, the myths have further been revived in a religious context among adherents of Germanic Neopaganism. The majority of these Old Norse texts were created in Iceland and this occurred primarily in the 13th century. The Prose Edda was composed as a manual for producing skaldic poetry—traditional Old Norse poetry composed by skalds. Originally composed and transmitted orally, skaldic poetry utilizes alliterative verse, kennings, the Prose Edda presents numerous examples of works by various skalds from before and after the Christianization process and also frequently refers back to the poems found in the Poetic Edda. The Poetic Edda consists almost entirely of poems, with some prose narrative added, in comparison to skaldic poetry, Eddic poetry is relatively unadorned. Numerous further texts, such as the sagas, provide further information, the saga corpus consists of thousands of tales recorded in Old Norse ranging from Icelandic family histories to Migration period tales mentioning historic figures such as Attila the Hun. By way of historical linguistics and comparative mythology, comparisons to other attested branches of Germanic mythology may also lend insight, wider comparisons to the mythology of other Indo-European peoples by scholars has resulted in the potential reconstruction of far earlier myths. Of the mythical tales and poems that are presumed to have existed during the Middle Ages, Viking Age, Migration Period, numerous gods are mentioned in the source texts. In the mythology, Thor lays waste to numerous jötnar who are foes to the gods or humanity, the god Odin is also frequently mentioned in surviving texts. One-eyed, wolf and raven-flanked, and spear in hand, Odin pursues knowledge throughout the worlds, Odin has a strong association with death, Odin is portrayed as the ruler of Valhalla, where valkyries carry half of those slain in battle. Odins wife is the powerful goddess Frigg who can see the future but tells no one, and together they have a beloved son, Baldr. After a series of dreams had by Baldr of his death, his death is engineered by Loki, and Baldr thereafter resides in Hel. Odin must share half of his share of the dead with a powerful goddess and she is beautiful, sensual, wears a feathered cloak, and practices seiðr. She rides to battle to choose among the slain, and brings her chosen to her afterlife field Fólkvangr, Freyja weeps for her missing husband Óðr, and seeks after him in far away lands
3.
Old Norse
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Old Norse was a North Germanic language that was spoken by inhabitants of Scandinavia and inhabitants of their overseas settlements during about the 9th to 13th centuries. These dates, however, are not absolute, since written Old Norse is found well into the 15th century, Old Norse was divided into three dialects, Old West Norse, Old East Norse and Old Gutnish. Old West and East Norse formed a continuum, with no clear geographical boundary between them. For example, Old East Norse traits were found in eastern Norway, although Old Norwegian is classified as Old West Norse, most speakers spoke Old East Norse in what is present day Denmark and Sweden. Old Gutnish, the more obscure dialectal branch, is included in the Old East Norse dialect due to geographical associations. It developed its own features and shared in changes to both other branches. The 12th century Icelandic Gray Goose Laws state that Swedes, Norwegians, Icelanders and Danes spoke the same language, another term used, used especially commonly with reference to West Norse, was norrœnt mál. In some instances the term Old Norse refers specifically to Old West Norse, the Old East Norse dialect was spoken in Denmark, Sweden, settlements in Kievan Rus, eastern England, and Danish settlements in Normandy. The Old Gutnish dialect was spoken in Gotland and in settlements in the East. In the 11th century, Old Norse was the most widely spoken European language, in Kievan Rus, it survived the longest in Veliky Novgorod, probably lasting into the 13th century there. Norwegian is descended from Old West Norse, but over the centuries it has heavily influenced by East Norse. Old Norse also had an influence on English dialects and Lowland Scots and it also influenced the development of the Norman language, and through it and to a smaller extent, that of modern French. Various other languages, which are not closely related, have heavily influenced by Norse, particularly the Norman dialects, Scottish Gaelic. The current Finnish and Estonian words for Sweden are Ruotsi and Rootsi, of the modern languages, Icelandic is the closest to Old Norse. Written modern Icelandic derives from the Old Norse phonemic writing system, contemporary Icelandic-speakers can read Old Norse, which varies slightly in spelling as well as semantics and word order. However, pronunciation, particularly of the phonemes, has changed at least as much as in the other North Germanic languages. Faroese retains many similarities but is influenced by Danish, Norwegian, although Swedish, Danish and the Norwegian languages have diverged the most, they still retain asymmetric mutual intelligibility. Speakers of modern Swedish, Norwegian and Danish can mostly understand each other without studying their neighboring languages, the languages are also sufficiently similar in writing that they can mostly be understood across borders
4.
Asgard
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In Norse religion, Asgard is one of the Nine Worlds and home to the Æsir tribe of gods. It is surrounded by an incomplete wall attributed to a Hrimthurs riding the stallion Svaðilfari, Odin and his wife, Frigg, are the rulers of Asgard. One of Asgards well known locations is Valhalla, in which Odin rules, völuspá, the first poem of the work, mentions many of the features and characters of Asgard portrayed by Snorri, such as Yggdrasil and Iðavöllr. The Prose Edda presents two views regarding Asgard, in the Prologue Snorri offers an euhemerized and Christian-influenced interpretation of the myths and tales of his forefathers. Snorris interpretation of the 13th century foreshadows 20th-century views of Indo-European migration from the east, Snorri further writes that Asgard is a land more fertile than any other, blessed also with a great abundance of gold and jewels. Correspondingly, the Æsir excelled beyond all other people in strength, beauty, Snorri proposes the location of Asgard as Troy, the center of the earth. About it were 12 kingdoms and 12 chiefs, one of them, Múnón, married Priams daughter, Tróán, and had by her a son, Trór, to be pronounced Thor in Old Norse. The latter was raised in Thrace, at age 12 he was whiter than ivory, had hair lighter than gold, and could lift 10 bear skins at once. His father, Odin, led a migration to the northern lands, one of the sons of Odin was Yngvi, founder of the Ynglingar, an early royal family of Sweden. In Gylfaginning, Snorri presents the mythological version, taken no doubt from his sources, icelanders were still being converted at that time. He could not present the myths as part of any current belief, instead he resorts to a debunking device, Gylfi, king of Sweden before the Æsir, travels to Asgard and finds there a large hall in Section 2. Within are three officials, whom Gylfi in the guise of Gangleri is allowed to question about the Asgard and the Æsir. A revelation of the ancient myths follows, but at the end the palace, in Gylfis delusion, ancient Asgard was ruled by the senior god, the all-father, who had twelve names. He was the ruler of everything and the creator of heaven, the sons of Bor then constructed Asgard as a home for the Æsir, who were divinities. Odin is identified as the all-father, Asgard is conceived as being on the earth. A rainbow bridge, Bifröst, connects it to heaven, in Asgard also is a temple for the 12 gods, Gladsheim, and another for the 12 goddesses, Vingólf. The plain of Idavoll is the centre of Asgard, the gods hold court there every day at the Well of Urd, beneath an ash tree, Yggdrasil, debating the fates of men and gods. The more immediate destinies of men are assigned by the Norns and it also states Thor is a god as well
5.
Odin
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In Germanic mythology, Odin is a widely revered god. In the modern period, Odin continued to be acknowledged in the folklore of Germanic Europe. Forms of his name appear frequently throughout the Germanic record, though narratives regarding Odin are mainly found in Old Norse works recorded in Iceland and these texts make up the bulk of modern understanding of Norse mythology. In Old Norse texts, Odin is depicted as one-eyed and long-bearded, frequently wielding a spear named Gungnir, and wearing a cloak, Odin is attested as having many sons, most famously the god Baldr with Frigg, and is known by hundreds of names. Odin has an association with Yule, and mankinds knowledge of both the runes and poetry is also attributed to him. In Old Norse texts, Odin is given primacy over female beings associated with the battlefield—the valkyries—and oversees Valhalla, where he receives half of those who die in battle, the other half are chosen by the goddess Freyja for her afterlife location, Fólkvangr. In later folklore, Odin appears as a leader of the Wild Hunt and he has also been associated with charms and other forms of magic, particularly in Old English and Old Norse texts. Odin has been a frequent subject of study in Germanic studies, in the modern period, Odin has inspired numerous works of poetry, music, and other forms of media. He is venerated in most forms of the new religious movement Heathenry, together with other gods venerated by the ancient Germanic peoples, some branches focus particularly on him. The Old Norse theonym Óðinn and its cognates, including Old English Wōden, Old Saxon Wōden, the masculine noun *wōđanaz developed from the Proto-Germanic adjective *wōđaz, related to Latin vātēs and Old Irish fáith, both meaning seer, prophet. Adjectives stemming from *wōđaz include Gothic woþs possessed, Old Norse óðr, mad, frantic, furious, additionally the Old Norse noun æði rage, fury and Old High German wuotī madness derive from the feminine noun *wōđīn, from *wōđaz. Over 170 names are recorded for the god Odin and these names are variously descriptive of attributes of the god, refer to myths involving him, or refer to religious practices associated with the god. This multitude of names makes Odin the god with the most names known among the Germanic peoples, the weekday name Wednesday derives from Old English wōdnesdæg. Cognate terms are found in other Germanic languages, such as Middle Low German wōdensdach, all of these terms derive from Proto-Germanic *Wodensdag, itself a Germanic interpretation of Latin Dies Mercurii. However, in Old High German, the derived from Odins was replaced by a translation of Church Latin media hebdomas. The earliest records of the Germanic peoples were recorded by the Romans and they regard it as a religious duty to offer to him, on fixed days, human as well as other sacrificial victims. Hercules and Mars they appease by animal offerings of the permitted kind, in this instance, Tacitus refers to the god Odin as Mercury, Thor as Hercules, and Týr as Mars, and the identity of the Isis of the Suebi has been debated. But their rankings in their respective religious spheres may have very different
6.
Valkyrie
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In Norse mythology, a valkyrie is one of a host of female figures who choose those who may die in battle and those who may live. Selecting among half of those who die in battle, the valkyries bring their chosen to the hall of the slain, Valhalla. There, the deceased warriors become einherjar, when the einherjar are not preparing for the events of Ragnarök, the valkyries bear them mead. They appear throughout the poetry of skalds, in a 14th-century charm, scholarly theories have been proposed about the relation between the valkyries, the norns, and the dísir, all of which are supernatural figures associated with fate. Archaeological excavations throughout Scandinavia have uncovered amulets theorized as depicting valkyries, in modern culture, valkyries have been the subject of works of art, musical works, video games and poetry. The word valkyrie derives from Old Norse valkyrja, which is composed of two words, the noun valr and the verb kjósa, together, they mean chooser of the slain. The Old Norse valkyrja is cognate to Old English wælcyrge, from the Old English and Old Norse forms, philologist Vladimir Orel reconstructs a Proto-Germanic form, *wala-kuzjōn. However, the term may have been borrowed into Old English from Old Norse, other terms for valkyries in Old Norse sources include óskmey, appearing in the poem Oddrúnargrátr and Óðins meyjar, appearing in the Nafnaþulur. Óskmey may be related to the Odinic name Óski, referring to the fact that Odin receives slain warriors in Valhalla, valkyries are mentioned or appear in the Poetic Edda poems Völuspá, Grímnismál, Völundarkviða, Helgakviða Hjörvarðssonar, Helgakviða Hundingsbana I, Helgakviða Hundingsbana II and Sigrdrífumál. In stanza 30 of the poem Völuspá, a völva tells Odin that she saw valkyries coming from far away who are ready to ride to the realm of the gods. The völva follows this with a list of six valkyries, Skuld who bore a shield, Skögul, Gunnr, Hildr, afterwards, the völva tells him she has listed the ladies of the War Lord, ready to ride, valkyries, over the earth. A prose introduction in the poem Völundarkviða relates that the brothers Slagfiðr, Egil, there, early one morning, the brothers find three women spinning linen on the shore of the lake Úlfsjár, and near them were their swans garments, they were valkyries. Two, daughters of King Hlödvér, are named Hlaðguðr svanhvít and Hervör alvitr, the brothers take the three women back to their hall with them—Egil takes Ölrún, Slagfiðr takes Hlaðguðr svanhvít and Völund takes Hervör alvitr. They live together for seven winters, until the women fly off to go to a battle, Egil goes off in snow-shoes to look for Ölrún, Slagfiðr goes searching for Hlaðguðr svanhvít and Völund sits in Úlfdalir. He finds one particularly striking, this valkyrie is detailed later in a narrative as Sváva, king Eylimis daughter. The valkyrie speaks to the man, and gives him the name Helgi. The valkyrie tells him she knows of a hoard of swords in Sigarsholm, and that one of them is of particular importance, further into the poem, Atli flytes with the female jötunn Hrímgerðr. After Hrímgerðr is turned to stone by the daylight, a prose narrative continues that Helgi, Helgi and Sváva are betrothed and love one another dearly
7.
Freyja
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In Norse mythology, Freyja is a goddess associated with love, sex, beauty, fertility, gold, seiðr, war, and death. Along with her brother Freyr, her father Njörðr, and her mother, stemming from Old Norse Freyja, modern forms of the name include Freya, Freyia, and Freja. Freyja rules over her heavenly afterlife field Fólkvangr and there receives half of those that die in battle, whereas the other half go to the god Odins hall, within Fólkvangr is her hall, Sessrúmnir. Freyjas husband, the god Óðr, is frequently absent and she cries tears of red gold for him, and searches for him under assumed names. Freyja has numerous names, including Gefn, Hörn, Mardöll, Sýr, Valfreyja, Freyjas name appears in numerous place names in Scandinavia, with a high concentration in southern Sweden. Various plants in Scandinavia once bore her name, but it was replaced with the name of the Virgin Mary during the process of Christianization, rural Scandinavians continued to acknowledge Freyja as a supernatural figure into the 19th century, and Freyja has inspired various works of art. The name Freyja is transparently lady and ultimately derives from Proto-Germanic *frawōn, Freyja is cognate with, for example, Old Saxon frūa lady, mistress and Old High German frouwa. The theonym Freyja is thus considered to have been an epithet in origin, in the Poetic Edda, Freyja is mentioned or appears in the poems Völuspá, Grímnismál, Lokasenna, Þrymskviða, Oddrúnargrátr, and Hyndluljóð. Völuspá contains a stanza that mentions Freyja, referring to her as Óðs girl, Freyja being the wife of her husband, the stanza recounts that Freyja was once promised to an unnamed builder, later revealed to be a jötunn and subsequently killed by Thor. In the poem Grímnismál, Odin tells the young Agnar that every day Freyja allots seats to half of those that are slain in her hall Fólkvangr, while Odin owns the other half. In the poem Lokasenna, where Loki accuses nearly every female in attendance of promiscuity and/or unfaithfulness, the introduction to the poem notes that among other gods and goddesses, Freyja attends a celebration held by Ægir. Loki tells her to be silent, and says that he knows all about her—that Freyja is not lacking in blame, for each of the gods and elves in the hall have been her lover. She says that Loki is lying, that he is just looking to blather about misdeeds, and since the gods and goddesses are furious at him, he can expect to go home defeated. Loki tells Freyja to be silent, calls her a malicious witch, Njörðr interjects—he says that a woman having a lover other than her husband is harmless, and he points out that Loki has borne children, and calls Loki a pervert. The poem Þrymskviða features Loki borrowing Freyjas cloak of feathers and Thor dressing up as Freyja to fool the lusty jötunn Þrymr, in the poem, Thor wakes up to find that his powerful hammer, Mjöllnir, is missing. Thor tells Loki of his hammer, and the two go to the beautiful court of Freyja. Thor asks Freyja if she will lend him her cloak of feathers, Freyja agrees, Loki flies away in the whirring feather cloak, arriving in the land of Jötunheimr. He spies Þrymr sitting on top of a mound, Þrymr reveals that he has hidden Thors hammer deep within the earth and that no one will ever know where the hammer is unless Freyja is brought to him as his wife
8.
Einherjar
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In Norse mythology, the einherjar are those who have died in battle and are brought to Valhalla by valkyries. In Valhalla, the einherjar eat their fill of the nightly-resurrecting beast Sæhrímnir, the einherjar prepare daily for the events of Ragnarök, when they will advance for an immense battle at the field of Vígríðr, the battle which the ein refers to. Heimdall occasionally returned the best of Einherjar to Midgard or Jotunheim with the purpose of killing giants, scholarly theories have been proposed etymologically connecting the einherjar to the Harii, the eternal battle of Hjaðningavíg, and the Wild Hunt. The einherjar have been the subject of works of art and poetry, in the poem Vafþrúðnismál, Odin engages the wise jötunn Vafþrúðnir in a game of wits. Disguised as Gagnráðr, Odin asks Vafþrúðnir where men fight in every day. Further into Grímnismál, Odin gives a list of valkyries, in the poem Helgakviða Hundingsbana I, the hero Sinfjötli flyts with Guðmundr. In the Prose Edda book Gylfaginning, the einherjar are introduced in chapter 20, in chapter 35, High quotes the Grímnismál valkyrie list, and says that these valkyries wait in Valhalla, and there serve drink, and look after tableware and drinking vessels in Valhalla. In addition, High says that Odin sends valkyries to every battle, that they allot death to men, in chapter 38, High provides more detail about the einherjar. Gangleri says that you say that all men that have fallen in battle since the beginning of the world have now come to Odin in Val-hall. What has he got to offer them food, I should have thought that there must be a pretty large number there. High replies that it is there are a pretty large number of men there, adding many more have yet to arrive. However, High adds that food is not a problem because there never be too many people in Valhalla that the meat of Sæhrímnir cannot sufficiently feed. High says that Sæhrímnir is cooked every day by the cook Andhrímnir in the pot Eldhrimnir, High then quotes the stanza of Grímnismál mentioning the cook, meal, and container in reference. Further into chapter 38, Gangleri asks if Odin consumes the same meals as the einherjar. High responds that Odin gives the food on his table to his two wolves Geri and Freki, and that Odin himself needs no food, for Odin gains sustenance from wine as if it were drink, High then quotes another stanza from Grímnismál in reference. In chapter 39, Gangleri asks what the drink that is as plentiful as their food. High responds that it is strange that Gangleri is asking if Odin, the All-Father, would invite kings, earls, High continues that atop Valhalla stands the goat Heiðrún, and it feeds on the foliage of the tree called Læraðr. From Heiðrúns udders flow mead that fills a vat a day, the vat is so large that all of the einherjar are able to drink to their fullness from it
9.
Germanic mythology
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Germanic mythology consists of the body of myths native to the Germanic peoples. Germanic mythology includes Norse mythology, Anglo-Saxon mythology, and Continental Germanic mythology, as the Germanic languages developed from Proto-Indo-European language, Germanic mythology is ultimately a development of Proto-Indo-European religion. List of Germanic deities Common Germanic deities
10.
Poetic Edda
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Poetic Edda is the modern attribution for an unnamed collection of Old Norse anonymous poems, which is different from the Edda, written by Snorri Sturluson. Several versions exist, all consisting primarily of text from the Icelandic mediaeval manuscript known as the Codex Regius, poets who have acknowledged their debt to the Codex Regius include Vilhelm Ekelund, August Strindberg, J. R. R. Tolkien, Ezra Pound, Jorge Luis Borges, and Karin Boye, Codex Regius was written in the 13th century, but nothing is known of its whereabouts until 1643, when it came into the possession of Brynjólfur Sveinsson, then Bishop of Skálholt. At the time, versions of the Edda were known in Iceland, but scholars speculated that once was another Edda, an Elder Edda. Brynjólfur attributed the manuscript to Sæmundr the Learned, a larger-than-life 12th century Icelandic priest and that attribution is rejected by modern scholars, but the name Sæmundar Edda is still sometimes associated with both the Codex Regius and versions of Poetic Edda using it as a source. Bishop Brynjólfur sent Codex Regius as a present to the Danish king, for centuries, it was stored in the Royal Library in Copenhagen but in 1971, it was returned to Iceland. The Eddic poems are composed in alliterative verse, most are in fornyrðislag, while málaháttr is a common variation. The rest, about a quarter, are composed in ljóðaháttr, the language of the poems is usually clear and relatively unadorned. Kennings are often employed, though they do not arise as frequently, nor are they as complex, like most early poetry, the Eddic poems were minstrel poems, passing orally from singer to singer and from poet to poet for centuries. None of the poems are attributed to an author, though many of them show strong individual characteristics and are likely to have been the work of individual poets. Scholars sometimes speculate on hypothetical authors, but firm and accepted conclusions have never been reached, the dating of the poems has been a source of lively scholarly argument for a long time, and firm conclusions are hard to reach. Lines from the Eddic poems sometimes appear in poems by known poets, for example, Eyvindr skáldaspillir composed in the latter half of the 10th century, and he uses a couple of lines in his Hákonarmál which are also found in Hávamál. It is possible that he was quoting a poem, but it is also possible that Hávamál. The few demonstrably historical characters mentioned in the poems, such as Attila, the dating of the manuscripts themselves provides a more useful terminus ante quem. Individual poems have individual clues to their age, for example, Atlamál hin groenlenzku is claimed by its title to have been composed in Greenland, and seems so by some internal evidence. If so, it can be no earlier than about 985, in some cases, old poems may have been interpolated with younger verses or merged with other poems. For example, stanzas 9-16 of Völuspá, the Dvergatal or Roster of Dwarfs, is considered by scholars to be an interpolation. The problem of dating the poems is linked with the problem of finding out where they were composed, Iceland was not settled until about 870, so anything composed before that time would necessarily have been elsewhere, most likely in Scandinavia
11.
Prose Edda
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The Prose Edda, also known as the Younger Edda, Snorris Edda or, historically, simply as Edda, is an Old Norse work of literature written in Iceland in the early 13th century. The work is assumed to have been written, or at least compiled, by the Icelandic scholar. It begins with a euhemerized Prologue, a section on the Norse cosmogony, pantheon and this is followed by three distinct books, Gylfaginning, Skáldskaparmál and Háttatal. Seven manuscripts, dating from around 1300 to around 1600, have independent textual value, Sturluson planned the collection as a textbook. It was to enable Icelandic poets and readers to understand the subtleties of alliterative verse, at that time, versions of the Edda were well known in Iceland, but scholars speculated that there once was an Elder Edda which contained the poems which Snorri quotes in his Edda. The etymology of Edda remains uncertain, there are many hypotheses, and little agreement. Some argue that the word derives from the name of Oddi, Edda could therefore mean book of Oddi. However, this assumption is generally rejected, Faulkes in his English translation of the Prose Edda commented that this is unlikely, both in terms of linguistics and history since Snorri was no longer living at Oddi when he composed his work. Another connection was made with the word óðr, which means poetry or inspiration in Old Norse, Edda also means great-parent, a word used by Snorri himself in the Skáldskaparmál. That is, with the meaning, the name of a character in the Rigsthula. A final hypothesis is derived from the Latin edo, meaning I write and it relies on the fact that the word kredda is certified and comes from the Latin credo, I believe. It seems likely Snorri would have been able to invent the word, Edda in this case could be translated as Poetic Art. This is the meaning that the word was given in the Middle Ages. The name Sæmundar Edda was given by the Bishop Brynjólfur Sveinsson to the collection of poems contained in the Codex Regius, many of which are quoted by Snorri. Brynjólfur, along many others of his time incorrectly believed that they were collected by Sæmundr fróði. Seven manuscripts of the Edda have survived, six compositions of the Middle Ages, no one manuscript is complete, and each has variations. In addition to three fragments, the four manuscripts are Codex Regius, Codex Wormianus, Codex Trajectinus. Codex Upsaliensis, was composed in the first quarter of the century and is the oldest manuscript preserved of the Edda of Snorri
12.
Snorri Sturluson
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Snorri Sturluson was an Icelandic historian, poet, and politician. He was elected twice as lawspeaker at the Icelandic parliament, the Althing and he was also the author of the Heimskringla, a history of the Norwegian kings that begins with legendary material in Ynglinga saga and moves through to early medieval Scandinavian history. For stylistic and methodological reasons, Snorri is often taken to be the author of Egils saga, as a historian and mythographer, Snorri is remarkable for proposing the hypothesis that mythological gods begin as human war leaders and kings whose funeral sites develop cults. As people call upon the war leader as they go to battle, or the dead king as they face tribal hardship. Eventually, the king or warrior is remembered only as a god and he also proposed that as tribes defeat others, they explain their victory by proposing that their own gods were in battle with the gods of the others. Snorri Sturluson was born in Hvammur into the wealthy and powerful Sturlungar family of the Icelandic Commonwealth and his parents were Sturla Þórðarson the elder of Hvammur and his second wife, Guðný Böðvarsdóttir. He had two brothers, Þórðr Sturluson and Sighvatr Sturluson, two sisters and nine half-siblings. By a quirk of circumstance Snorri was raised from the age of three by Jón Loftsson, a relative of the Norwegian royal family, in Oddi, Iceland. The resulting settlement would have beggared Páll, but Jón Loftsson intervened in the Althing to mitigate the judgment and, to compensate Sturla, offered to raise, Snorri therefore received an excellent education and made connections that he might not otherwise have made. He attended the school of Sæmundr fróði, grandfather of Jón Loftsson, at Oddi and his father died in 1183 and his mother as guardian soon wasted Snorris share of the inheritance. The two families arranged an marriage in 1199 between Snorri and Herdís, the daughter of Bersi Vermundarson. From her father, Snorri inherited an estate at Borg and a chieftainship and he soon acquired more property and chieftainships. Snorri and Herdís were together for four years at Borg and they had at least two children, Hallbera and Jón. The marriage succumbed to Snorris philandering, and in 1206, he settled in Reykholt as manager of an estate there and he made significant improvements to the estate, including a hot outdoor bath. The bath and the buildings have preserved to some extent. During the initial years at Reykholt he fathered five children by three different women, Guðrún Hreinsdóttir, Oddný, and Þuríður Hallsdóttir, Snorri quickly became known as a poet, but was also a successful lawyer. In 1215, he became lawspeaker of the Althing, the public office of the Icelandic commonwealth. In the summer of 1218, he left the position and sailed to Norway
13.
Heimskringla
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Heimskringla is the best known of the Old Norse kings sagas. It was written in Old Norse in Iceland by the poet, the name Heimskringla was first used in the 17th century, derived from the first two words of one of the manuscripts. Snorri had himself visited Norway and Sweden, for events of the mid-12th century, Snorri explicitly names the now lost work Hryggjarstykki as his source. The composition of the sagas is Snorris, the earliest parchment copy of the work is referred to as Kringla. It voyaged from Iceland to Bergen, Norway and was moved to Copenhagen, at that time it had lost the first page, but the second starts Kringla heimsins, the Earths circle of the Laing translation. In the 17th century copies were made by Icelanders Jon Eggertson, eggertsons copy went to the Royal Library at Stockholm. The Copenhagen manuscript was among the many destroyed in the Copenhagen Fire of 1728. Only one leaf of the manuscript survived and it is now kept in the National, by the mid-16th century, the Old Norse language was unintelligible to Norwegian, Swedish or Danish readers. At that time several translations of extracts were made in Norway into the Danish language, the first complete translation was made around 1600 by Peder Claussøn Friis, and printed in 1633. This was based on a known as Jofraskinna. This edition also included the first printing of the text in Old Norse, a new Danish translation with the text in Old Norse and a Latin translation came out in 1777-1783. An English translation by Samuel Laing was finally published in 1844, in the 19th century, as Norway was achieving independence after centuries of union with Denmark and Sweden, the stories of the independent Norwegian medieval kingdom won great popularity in Norway. Heimskringla, although written by an Icelander, became an important national symbol for Norway during the period of romantic nationalism, Heimskringla consists of several chapters, each one individually called a saga, which can be literally translated as tale. The subsequent sagas are devoted to individual rulers, starting with Halfdan the Black, the stories are told with a life and freshness, giving a picture of human life in all its reality. A version of the Óláfs saga helga, which is about the saint Olaf II of Norway, is the main part and his 15-year-long reign takes up about one third of the entire work. This saga is an epic in prose, and is also of particular relevance to the history of England. The first part of the Heimskringla is rooted in Norse mythology, as it advances, fable and fact all curiously intermingle, the value of Heimskringla as a historical source has been estimated in different ways during recent times. The historians of mid-19th century put great trust in the truth of Snorris narrative
14.
Eric Bloodaxe
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Eric Haraldsson, nicknamed Eric Bloodaxe, was a 10th-century Norwegian ruler. He is thought to have had short-lived terms as King of Norway, historians have reconstructed a narrative of Erics life and career from the scant available historical data. This identification has been rejected recently by the historian Claire Downham and this argument, though respected by other historians in the area, has not produced consensus. Contemporary or near-contemporary sources include different recensions of the Anglo-Saxon Chronicle, Erics coinage, the Life of St Cathróe, such sources reproduce only a hazy image of Erics activities in Anglo-Saxon England. Current opinion veers towards a critical attitude towards the use of sagas as historical sources for the period before the 11th century. Erics soubriquet blóðøx, ‘Bloodaxe’ or Bloody-axe, is of uncertain origin, the sagas usually explain it as referring to Erics slaying of his half-brothers in a ruthless struggle to monopolise his rule over Norway, Theodoricus gives the similar nickname fratrum interfector. Fagrskinna, on the hand, ascribes it to Erics violent reputation as a Viking raider. The Anglo-Saxon Chronicle describes Eric laconically as ‘Harold’s son’, perhaps assuming some familiarity on the readers part, in the early part of the 12th century, John of Worcester had reason to believe that Eric was of royal Scandinavian stock. One of Egills lausavísur speaks of an encounter in England with a man of Haralds line, while the Arinbjarnarkviða envisages a ruler at York who is a descendant of Halfdán and of the Yngling dynasty. If genuine, the latter identification would form the only clue in the contemporary record which might link Eric with the Norwegian dynasty. Another Haraldr known from this period is Aralt mac Sitric, king of Limerick and this may be relevant, since both these brothers and a certain Eric have been described as rulers of the Isles. In a letter addressed to Pope Boniface VIII, King Edward I remembered a certain Eric as having been a king of Scotland subject to the English king, in the 19th century, a case had also been made for Harald Bluetooth King of Denmark as being Erics true father. J. M. Lappenberg and Charles Plummer, for instance, when the latter had subjugated the island, he was in the end betrayed and killed by the Northumbrians. Even if Erics rise and fall had been the inspiration for the story, in the account cited in full below, Roger of Wendover says that Eric was killed by a certain Maccus – elsewhere a son of Olaf – together with his son Haeric and brother Ragnald. Harald Fairhair is usually portrayed as a polygamous and fertile king, while Erics mother remains anonymous in the synoptic histories and most of the Icelandic sagas, the Heimskringla claims that she was Ragnhildr, daughter of Eric, king of Jutland. It tells that Harald chose the lady from Denmark / broke with his Rogaland loves / and his lemans of Horthaland, / the maidens of Hálogaland /, in the Flateyjarbók, it is preceded by another stanza which refers to the handmaidens of Ragnhildr as witnesses of the event. However, it is uncertain whether her name was already in the original composition, whatever one makes of the discrepancy, the sagas – including Heimskringla – are unanimous in making Haakon Erics younger half-brother and successor. According to Heimskringla and Egils saga, Eric spent much of his childhood in fosterage with the hersir Thórir son of Hróald
15.
Old Saxon
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Old Saxon, also known as Old Low German, is a Germanic language and the earliest recorded form of Low German. It belongs to the West Germanic branch and is most closely related to the Anglo-Frisian languages and it is documented from the 8th century until the 12th century, when it evolved into Middle Low German. It was spoken on the north-west coast of Germany and in the Netherlands by Saxon peoples and it is close enough to Old Anglo-Frisian that it partially participates in the Ingvaeonic nasal spirant law, it is also closely related to Old Dutch. The grammar of Old Saxon was fully inflected with five grammatical cases, the dual forms occurred in the first and second persons only and referred to groups of two. For a long time, Old Saxon and Old Dutch were not distinguished, there are also various differences in their phonological evolutions, Old Saxon being considered as an Ingvaeonic language whereas Old Dutch is an Istvaeonic language. Old Saxon probably evolved primarily from Ingvaeonic dialects in the West Germanic branch of Proto-Germanic in the 5th century. However, it seems that some Middle Dutch took the Old Saxon a-stem ending from some Middle Low German dialects, however,1150 marks the inceptive period of profuse Low German writing wherein the language is patently different from Old Saxon. One of the most striking differences between Middle Low German and Old Saxon is in a feature of speech known as vowel reduction, while round vowels in word-final syllables were rather frequent in Old Saxon, in Middle Low German, such are leveled to a schwa. Thus, such Old Saxon words like gisprekan or dagô became gespreken and daghe, Old Saxon did not participate in the High German consonant shift, and thus preserves stop consonants p, t, k that have been shifted in Old High German to various fricatives and affricates. The Germanic diphthongs ai, au consistently develop into long vowels ē, ō, whereas in Old High German they appear either as ei, ou or ē, ō depending on the following consonant. Old Saxon, alone of the West Germanic languages except for Frisian, consistently preserves Germanic -j- after a consonant, Germanic umlaut, when it occurs with short a, is inconsistent, e. g. hebbean or habbian to have. This feature was carried over into the descendant-language of Old Saxon, Middle Low German, apart from the e, however, the umlaut is not marked in writing. The table below lists the consonants of Old Saxon, phonemes written in parentheses represent allophones and are not independent phonemes. Notes, The voiceless spirants /f/, /θ/, and /s/ gain voiced allophones when between vowels and this change is only faithfully reflected in writing for. The other two continued to be written as before. Beginning in the later Old Saxon period, stops became devoiced word-finally as well, notably, geminated /v/ gave /bb/, and geminated /ɣ/ probably gave /ɡɡ/. Germanic *h is retained as in these positions and thus merges with devoiced /ɣ/, notes, Long vowels were rare in unstressed syllables and mostly occurred due to suffixation or compounding. Notes, The closing diphthongs /ei/ and /ou/ sometimes occur in texts, probably under the influence of Franconian or High German dialects, the situation for the front opening diphthongs is somewhat unclear in some texts
16.
Old High German
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Old High German is the earliest stage of the German language, conventionally covering the period from around 700 to 1050. Coherent written texts do not appear until the half of the 8th century. There are, however, a number of Elder Futhark inscriptions dating to the 6th century, as well as single words, during the migration period, the Elbe Germanic tribes settled in what became Alamannia, the Duchy of Bavaria and the Kingdom of Lombardy. Old High German comprises the dialects of these groups which underwent the Second Sound Shift during the 6th Century, namely all of Elbe Germanic, in the south, the Langobards, who had settled in Northern Italy, maintained their dialect until their conquest by Charlemagne in 774. This area did not become German-speaking again until the German eastward expansion of the early 12th century, though there was some attempt at conquest, Old High German literacy is a product of the monasteries, notably at St. Gallen, Reichenau and Fulda. Its origins lie in the establishment of the German church by Boniface in the mid 8th century, einhard tells how Charlemagne himself ordered that the epic lays should be collected for posterity. It was the neglect or religious zeal of later generations that led to the loss of these records, thus, it was Charlemagnes weak successor, Louis the Pious, who destroyed his fathers collection of epic poetry on account of its pagan content. Hrabanus Maurus, a student of Alcuins and abbot at Fulda from 822, was an important advocate of the cultivation of German literacy, among his students were Walafrid Strabo and Otfrid of Weissenburg. Notker Labeo towards the end of the Old High German period was among the greatest stylists in the language, the main difference between Old High German and the West Germanic dialects from which it developed is that it underwent the High German consonant shift. This is generally dated approximately to the late 5th and early 6th centuries—hence dating its start to around 500, the result of this sound change is that the consonantal system of German remains different from all other West Germanic languages, including English and Low German. Grammatically, however, Old High German remained very similar to Old English, Old Dutch, by the mid 11th century the many different vowels found in unstressed syllables had all been reduced to /ə/. Since these vowels were part of the endings in the nouns and verbs. For these reasons,1050 is seen as the start of the Middle High German period, for this reason the dialects may be termed monastery dialects. It declined after the conquest of the Lombard Kingdom by the Franks in 774 and it is classified as Upper German on the basis of evidence of the Second Sound Shift. The continued existence of a West Frankish dialect in the Western, claims that this might have been the language of the Carolingian court or that it is attested in the Ludwigslied, whose presence in a French manuscript suggests bilingualism, are controversial. The charts show the vowel and consonant systems of the East Franconian dialect in the 9th century and this is the dialect of the monastery of Fulda, and specifically of the Old High German Tatian. Old High German had five long vowels and six phonemic short vowels. Both occurred in stressed and unstressed syllables, notes, All back vowels likely had front-vowel allophones as a result of Umlaut
17.
Proto-Germanic
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Proto-Germanic is the reconstructed proto-language of the Germanic branch of the Indo-European languages. The end of the Common Germanic period is reached with the beginning of the Migration Period in the fourth century, the Proto-Germanic language is not directly attested by any coherent surviving texts, it has been reconstructed using the comparative method. Fragmentary direct attestation exists of Common Germanic in early runic inscriptions, the Proto-Germanic language developed in southern Scandinavia, the Urheimat of the Germanic tribes. Proto-Germanic developed out of pre-Proto-Germanic during the Pre-Roman Iron Age of Northern Europe, Proto-Germanic itself was likely spoken after c. Early Germanic expansion in the Pre-Roman Iron Age placed Proto-Germanic speakers in contact with the Continental Celtic La Tène horizon, a number of Celtic loanwords in Proto-Germanic have been identified. By the 1st century AD, Germanic expansion reaches the Danube and the Upper Rhine in the south, at about the same time, extending east of the Vistula, Germanic speakers come into contact with early Slavic cultures, as reflected in early Germanic loans in Proto-Slavic. By the 3rd century, LPGmc speakers had expanded over significant distance, the period marks the breakup of Late Proto-Germanic and the beginning of the Germanic migrations. The earliest coherent text in Proto-Norse become available c.400 in runic inscriptions, the delineation of Late Common Germanic from Proto-Norse about then is largely a matter of convention. Early West Germanic becomes available in the 5th century with the Frankish Bergakker inscription, between the two points, many sound changes occurred. Phylogeny as applied to historical linguistics involves the descent of languages. The Germanic languages form a tree with Proto-Germanic at its root that is a branch of the Indo-European tree, borrowing of lexical items from contact languages makes the relative position of the Germanic branch within Indo-European less clear than the positions of the other branches of Indo-European. In the course of the development of linguistics, various solutions have been proposed, none certain. In the evolutionary history of a family, philologists consider a genetic tree model appropriate only if communities do not remain in effective contact as their languages diverge. The internal diversification of West Germanic developed in an especially non-treelike manner, Proto-Germanic is generally agreed to have begun about 500 BC. Its hypothetical ancestor between the end of Proto-Indo-European and 500 BC is termed Pre-Proto-Germanic, whether it is to be included under a wider meaning of Proto-Germanic is a matter of usage. The fixation of the led to sound changes in unstressed syllables. For Lehmann, the boundary was the dropping of final -a or -e in unstressed syllables, for example, post-PIE *wóyd-e > Gothic wait. Antonsen agreed with Lehmann about the boundary but later found runic evidence that the -a was not dropped, ékwakraz … wraita, I, Wakraz
18.
Philology
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Philology is the study of language in written historical sources, it is a combination of literary criticism, history, and linguistics. It is more defined as the study of literary texts and written records, the establishment of their authenticity and their original form. A person who pursues this kind of study is known as a philologist, in older usage, especially British, philology is more general, covering comparative and historical linguistics. Indo-European studies involves the comparative philology of all Indo-European languages, Philology, with its focus on historical development, is contrasted with linguistics due to Ferdinand de Saussures insistence on the importance of synchronic analysis. The contrast continued with the emergence of structuralism and Chomskyan linguistics alongside its emphasis on syntax, the term changed little with the Latin philologia, and later entered the English language in the 16th century, from the Middle French philologie, in the sense of love of literature. The adjective φιλόλογος meant fond of discussion or argument, talkative, in Hellenistic Greek also implying an excessive preference of argument over the love of true wisdom, as an allegory of literary erudition, Philologia appears in 5th-century post-classical literature, an idea revived in Late Medieval literature. The meaning of love of learning and literature was narrowed to the study of the development of languages in 19th-century usage of the term. Most continental European countries still maintain the term to designate departments, colleges, position titles, J. R. R. Tolkien opposed the nationalist reaction against philological practices, claiming that the philological instinct was universal as is the use of language. Based on the critique of Friedrich Nietzsche, US scholars since the 1980s have viewed philology as responsible for a narrowly scientistic study of language. The comparative linguistics branch of philology studies the relationship between languages, similarities between Sanskrit and European languages were first noted in the early 16th century and led to speculation of a common ancestor language from which all these descended. Philology also includes the study of texts and their history and it includes elements of textual criticism, trying to reconstruct an authors original text based on variant copies of manuscripts. Since that time, the principles of textual criticism have been improved and applied to other widely distributed texts such as the Bible. Scholars have tried to reconstruct the original readings of the Bible from the manuscript variants and this method was applied to Classical Studies and to medieval texts as a way to reconstruct the authors original work. A related study method known as higher criticism studies the authorship, date, as these philological issues are often inseparable from issues of interpretation, there is no clear-cut boundary between philology and hermeneutics. When text has a significant political or religious influence, scholars have difficulty reaching objective conclusions, some scholars avoid all critical methods of textual philology, especially in historical linguistics, where it is important to study the actual recorded materials. Supporters of New Philology insist on a diplomatic approach, a faithful rendering of the text exactly as found in the manuscript. Another branch of philology, cognitive philology, studies written and oral texts and this science compares the results of textual science with the results of experimental research of both psychology and artificial intelligence production systems. In the case of Bronze Age literature, philology includes the prior decipherment of the language under study and this has notably been the case with the Egyptian, Sumerian, Assyrian, Hittite, Ugaritic and Luwian languages
19.
Hel (location)
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In Norse mythology, Hel, the location, shares a name with Hel, a female figure associated with the location. In late Icelandic sources, varying descriptions of Hel are given, in the Poetic Edda, Brynhildrs trip to Hel after her death is described and Odin, while alive, also visits Hel upon his horse Sleipnir. In Snorri Sturlusons Prose Edda, Baldr goes to Hel on his death, the Old Norse feminine proper noun Hel is identical to the name of the entity that presides over the realm, Old Norse Hel. The word has cognates in all branches of the Germanic languages, including Old English hell, Old Frisian helle, Old Saxon hellia, Old High German hella, all forms ultimately derive from the reconstructed Proto-Germanic feminine noun *xaljō or *haljō. In turn, the Proto-Germanic form derives from the form of the Proto-Indo-European root *kel-, *kol-, to cover, conceal. The term is related to Modern English hall and therefore also Valhalla. Hall and its numerous Germanic cognates derive from Proto-Germanic *hallō covered place, hall, related early Germanic terms and concepts include Proto-Germanic *xalja-rūnō, a feminine compound noun, and *xalja-wītjan, a neutral compound noun. This form is reconstructed from the Latinized Gothic plural noun *haliurunnae, Old English helle-rúne, the compound is composed of two elements, *xaljō and *rūnō, the Proto-Germanic precursor to Modern English rune. The second element in the Gothic haliurunnae may however instead be an agent noun from the verb rinnan, which would make its literal meaning one who travels to the netherworld. )Proto-Germanic *xalja-wītjan is reconstructed from Old Norse hel-víti hell, Old English helle-wíte hell-torment, hell, Old Saxon helli-wīti hell, and the Middle High German feminine noun helle-wīze. The compound is a compound of *xaljō and *wītjan, in reference to Hel, in the poem Völuspá, a völva states that Hel will play an important role in Ragnarök. The Völva states that a crowing sooty-red cock from the halls of Hel is one of three cocks that will signal one of the events of Ragnarök. The other two are Fjalar in Jotunheim and Gullunkambi in Valhalla, in Grímnismál stanza 31, Hel is listed as existing beneath one of the three roots of the world tree Yggdrasil. One of the two leads to the frost jötnar and the third to Mankind. In the short poem Helreið Brynhildar, Hel is directly referenced as a location in the title, while riding along a road on the border of Hel in a lavish cart, Brynhildr encounters a dead giantess at a burial mound belonging to her. This results in an exchange, during which Brynhildr tells of her life. In Baldrs draumar, Odin rides to the edge of Hel to investigate nightmares that Baldr has had and he uses a spell to bring to life the corpse of a Völva. Odin introduces himself under a name and pretense and asks for information from the völva relating to Baldrs dreams. The völva reluctantly proceeds to produce prophecies regarding the events of Ragnarök, Niflhel is mentioned as being just outside Hel
20.
Hel (being)
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In Norse mythology, Hel is a being who presides over a realm of the same name, where she receives a portion of the dead. Hel is attested in the Poetic Edda, compiled in the 13th century from traditional sources. In addition, she is mentioned in recorded in Heimskringla and Egils saga that date from the 9th and 10th centuries. An episode in the Latin work Gesta Danorum, written in the 12th century by Saxo Grammaticus, is considered to refer to Hel. In the Poetic Edda, Prose Edda, and Heimskringla, Hel is referred to as a daughter of Loki, and to go to Hel is to die. In the Prose Edda book Gylfaginning, Hel is described as having been appointed by the god Odin as ruler of a realm of the same name, located in Niflheim. In the same source, her appearance is described as blue and half flesh-coloured and further as having a gloomy. The Prose Edda details that Hel rules over vast mansions with many servants in her underworld realm, the Old Norse feminine proper noun Hel is identical to the name of the location over which she rules, Old Norse Hel. The word has cognates in all branches of the Germanic languages, including Old English hell, Old Frisian helle, Old Saxon hellia, Old High German hella, all forms ultimately derive from the reconstructed Proto-Germanic feminine noun *xaljō or *haljō. In turn, the Proto-Germanic form derives from the form of the Proto-Indo-European root *kel-, *kol-, to cover, conceal. The term is related to Modern English hall and therefore also Valhalla. Hall and its numerous Germanic cognates derive from Proto-Germanic *hallō covered place, hall, related early Germanic terms and concepts include Proto-Germanic *xalja-rūnō, a feminine compound noun, and *xalja-wītjan, a neutral compound noun. This form is reconstructed from the Latinized Gothic plural noun *haliurunnae, Old English helle-rúne, the compound is composed of two elements, *xaljō and *rūnō, the Proto-Germanic precursor to Modern English rune. The second element in the Gothic haliurunnae may however instead be an agent noun from the verb rinnan, which would make its literal meaning one who travels to the netherworld. )Proto-Germanic *xalja-wītjan is reconstructed from Old Norse hel-víti hell, Old English helle-wíte hell-torment, hell, Old Saxon helli-wīti hell, and the Middle High German feminine noun helle-wīze. The compound is a compound of *xaljō and *wītjan, the Poetic Edda, compiled in the 13th century from earlier traditional sources, features various poems that mention Hel. In the Poetic Edda poem Völuspá, Hels realm is referred to as the Halls of Hel, in stanza 31 of Grímnismál, Hel is listed as living beneath one of three roots growing from the world tree Yggdrasil. In Fáfnismál, the hero Sigurd stands before the mortally wounded body of the dragon Fáfnir, and states that Fáfnir lies in pieces, where Hel can take him. In Atlamál, the phrases Hel has half of us and sent off to Hel are used in reference to death, though it could be a reference to the location and not the being, in stanza 4 of Baldrs draumar, Odin rides towards the high hall of Hel
21.
Baldr
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Baldr is a god in Norse mythology, who is given a central role in the mythology. His precise function is, however, disputed and he is often interpreted as the god of love, peace, forgiveness, justice, light or purity, but he was not directly attested as a god of such. He is the son of Odin and the goddess Frigg. His twin brother is the blind god Höðr, jacob Grimm in his Teutonic Mythology identifies Old Norse Baldr with the Old High German Baldere, Palter, Paltar and with Old English bealdor, baldor lord, prince, king. Old Norse shows this usage of the word as an honorific in a few cases, as in baldur î brynju and herbaldr, both epithets of heroes in general. Grimm traces the etymology of the name to *balþaz, whence Gothic balþs, Old English bald, Old High German pald, all meaning white, but the interpretation of Baldr as the brave god may be secondary. Baltic has a word meaning the white, the good, in continental Saxon and Anglo-Saxon tradition, the son of Woden is called not Bealdor but Baldag and Bældæg, Beldeg, which shows association with day, possibly with Day personified as a deity. This, as Grimm points out, would agree with the shining one, white one. Grimms etymology is endorsed by modern research, according to Rudolf Simek, the original name for Baldr must be understood as shining day. One of the two Merseburg Incantations names Baldere, but also mentions a figure named Phol, considered to be a byname for Baldr and this interpretation is linked to the presupposition that the figure in question is a companion of Wodan, the upper god. In a different interpretation, phol is just another form of folon mentioned in the next line, in the Poetic Edda the tale of Baldrs death is referred to rather than recounted at length. Among the visions which the Völva sees and describes in the known as the Völuspá is one of the fatal mistletoe, the birth of Váli. Yet looking far into the future the Völva sees a vision of a new world. The Eddic poem Baldrs Dreams mentions that Baldr has bad dreams which the gods then discuss, Odin rides to Hel and awakens a seeress, who tells him Höðr will kill Baldr but Vali will avenge him. In Gylfaginning, Baldur is described as follows, Apart from this description Baldr is known primarily for the story of his death and his death is seen as the first in the chain of events which will ultimately lead to the destruction of the gods at Ragnarök. Baldr will be reborn in the new world, according to Völuspá and he had a dream of his own death and his mother had the same dreams. Since dreams were usually prophetic, this depressed him, so his mother Frigg made every object in every realm vow never to hurt Baldr, all objects made this vow except mistletoe. When Loki, the mischief-maker, heard of this, he made a spear from this plant
22.
Spear
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A spear is a pole weapon consisting of a shaft, usually of wood, with a pointed head. The most common design for hunting or combat spears since ancient times has incorporated a metal spearhead shaped like a triangle, lozenge, the heads of fishing spears usually feature barbs or serrated edges. The word spear comes from the Old English spere, from the Proto-Germanic speri, from a Proto-Indo-European root *sper- spear, Spears can be divided into two broad categories, those designed for thrusting in melee combat and those designed for throwing. The spear has been used throughout history both as a hunting and fishing tool and as a weapon. Along with the axe, knife and club, it is one of the earliest and most important tools developed by early humans, as a weapon, it may be wielded with either one hand or two. It was used in every conflict up until the modern era, where even then it continues on in the form of the bayonet. Spear manufacture and use is not confined to human beings and it is also practiced by the western chimpanzee. Chimpanzees near Kédougou, Senegal have been observed to create spears by breaking straight limbs off trees, stripping them of their bark and side branches and they then used the weapons to hunt galagos sleeping in hollows. Orangutans also have used spears to fish, presumably after observing humans fishing in a similar manner, neanderthals were constructing stone spear heads from as early as 300,000 BP and by 250,000 years ago, wooden spears were made with fire-hardened points. From 200,000 BP onwards, Middle Paleolithic humans began to make stone blades with flaked edges which were used as spear heads. These stone heads could be fixed to the shaft by gum or resin or by bindings made of animal sinew. During this period, a clear difference remained between spears designed to be thrown and those designed to be used in hand-to-hand combat, by the Magdalenian period, spear-throwers similar to the later atlatl were in use. Spears were one of the most common weapons used in the Stone Age. They may be seen as the ancestor of such weapons as the lance, the pilum, the halberd, the naginata, the glaive, the bill. Spears may be used as both a projectile and melee weapons, Spears used primarily for thrusting may be used with either one or two hands and tend to have heavier and sturdier designs than those intended exclusively for throwing. From the atlatl dart, the arrow for use with bows eventually developed, short, one-handed spears featuring socketed metal heads were used in conjunction with a shield by the earliest Bronze Age cultures. They were wielded in either combat or in large troop formations. This tradition continued from the first Mesopotamian cultures, through the various ancient Egyptian dynasties, during this time the spear was also used by cavalry
23.
Mail (armour)
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Mail is a type of armour consisting of small metal rings linked together in a pattern to form a mesh. A coat of armour is often referred to as a hauberk. The earliest example of surviving mail was found in a chieftains burial located in Ciumești and its invention is commonly credited to the Celts, but there are examples of Etruscan pattern mail dating from at least the 4th century BC. Mail may have inspired by the much earlier scale armour. Mail spread to North Africa, West Africa, the Middle East, Central Asia, India, Tibet, South East Asia, the origins of the word mail are not fully known. One theory is that it derives from the Latin word, macula. Another theory relates the word to the old French, maillier, in modern French, maille refers to a loop or stitch. The Arabic words burnus, برنوس, a burnoose, a cloak, also a chasuble and barnaza, برنز, to bronze. The first attestations of the mail are in Old French and Anglo-Norman, maille, maile, or male or other variants. The modern usage of terms for mail armour is highly contested in popular and, to a lesser degree, since then the word mail has been commonly, if incorrectly, applied to other types of armour, such as in plate-mail. The more correct term is plate armour, civilizations that used mail invented specific terms for each garment made from it. The standard terms for European mail armour derive from French, leggings are called chausses, a hood is a mail coif, a mail collar hanging from a helmet is a camail or aventail. A shirt made from mail is a hauberk if knee-length and a haubergeon if mid-thigh length, a layer of mail sandwiched between layers of fabric is called a jazerant. A waist-length coat in medieval Europe was called a byrnie, although the construction of a byrnie is unclear. Only on artistic and some sources because of the lack of archaeological examples. It was also long, reaching below the hips and covering most of the arms. Other historians claim instead that the Carolingian byrnie was nothing more than a coat of mail, without more certain evidence, this dispute will continue. The use of mail as battlefield armour was common during the Iron Age, the Roman army adopted the technology for their troops in the form of the lorica hamata which was used as a primary form of armour through the Imperial period
24.
Fenrir
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In Norse mythology, Fenrir, Fenrisúlfr, Hróðvitnir, or Vánagandr is a monstrous wolf. Fenrir is attested in the Poetic Edda, compiled in the 13th century from traditional sources. Depictions of Fenrir have been identified on various objects, and scholarly theories have been proposed regarding Fenrirs relation to other beings in Norse mythology. Fenrir has been the subject of artistic depictions, and he appears in literature, Fenrir is mentioned in three stanzas of the poem Völuspá and in two stanzas of the poem Vafþrúðnismál. In stanza 40 of the poem Völuspá, a völva divulges to Odin that, in the east, there will come from them all one of that number to be a moon-snatcher in trolls skin. Then shall Friggs sweet friend fall, in the stanza that follows Vafþrúðnir responds that Sól will bear a daughter before Fenrir attacks her, and that this daughter shall continue the paths of her deceased mother through the heavens. In the Prose Edda, Fenrir is mentioned in three books, Gylfaginning, Skáldskaparmál and Háttatal, in chapter 13 of the Prose Edda book Gylfaginning, Fenrir is first mentioned in a stanza quoted from Völuspá. Fenrir is first mentioned in prose in chapter 25, where the figure of High tells Gangleri about the god Týr. High says that one example of Týrs bravery is that when the Æsir were luring Fenrir to place the fetter Gleipnir on the wolf and this was done at Fenrirs own request because he did not trust that the Æsir would let him go. High says that Odin sent the gods to gather the children, upon their arrival, Odin threw Jörmungandr into that deep sea that lies round all lands, and then threw Hel into Niflheim, and bestowed upon her authority over nine worlds. However, the Æsir brought up the wolf at home, and only Týr had the courage to approach Fenrir, the gods noticed that Fenrir was growing rapidly every day, and since all prophecies foretold that Fenrir was destined to cause them harm, the gods formed a plan. The gods prepared three fetters, The first, greatly strong, was called Leyding and they brought Leyding to Fenrir and suggested that the wolf try his strength with it. Fenrir judged that it was not beyond his strength, and so let the gods do what they wanted with it, at Fenrirs first kick the bind snapped, and Fenrir loosened himself from Leyding. The gods made a second fetter, twice as strong, the gods asked Fenrir to try the new fetter, and that should he break this feat of engineering, Fenrir would achieve great fame for his strength. Fenrir considered that the fetter was very strong, yet also that his strength had grown since he broke Leyding, Fenrir allowed them to place the fetter. High says that, as a result, to loose from Leyding or to strike out of Dromi have become sayings for when something is achieved with great effort, the dwarves constructed Gleipnir from six mythical ingredients. After an exchange between Gangleri and High, High continues that the fetter was smooth and soft as a ribbon, yet strong. The messenger brought the ribbon to the Æsir, and they thanked him heartily for completing the task, the Æsir went out on to the lake Amsvartnir sent for Fenrir to accompany them, and continued to the island Lyngvi
25.
Thor
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In Norse mythology, Thor is a hammer-wielding god associated with thunder, lightning, storms, oak trees, strength, the protection of mankind, and also hallowing and fertility. The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar, into the modern period, Thor continued to be acknowledged in rural folklore throughout Germanic regions. Thor is frequently referred to in place names, the day of the week Thursday bears his name, in Norse mythology, largely recorded in Iceland from traditional material stemming from Scandinavia, numerous tales and information about Thor are provided. With Sif, Thor fathered the goddess Þrúðr, with Járnsaxa, he fathered Magni, with a mother whose name is not recorded, he fathered Móði, and he is the stepfather of the god Ullr. The same sources list Thor as the son of the god Odin and the earth, Jörð. Thor has two servants, Þjálfi and Röskva, rides in a cart or chariot pulled by two goats, Tanngrisnir and Tanngnjóstr, and is ascribed three dwellings. Thor wields the mountain-crushing hammer, Mjölnir, wears the belt Megingjörð and the iron gloves Járngreipr, Thor has inspired numerous works of art and references to Thor appear in modern popular culture. Like other Germanic deities, veneration of Thor is revived in the period in Heathenry. The name of the god is the origin of the weekday name Thursday, by employing a practice known as interpretatio germanica during the Roman Empire period, the Germanic peoples adopted the Roman weekly calendar, and replaced the names of Roman gods with their own. Latin dies Iovis was converted into Proto-Germanic *Þonares dagaz, from which stems modern English Thursday, beginning in the Viking Age, personal names containing the theonym Thórr are recorded with great frequency. Prior to the Viking Age, no examples are recorded, thórr-based names may have flourished during the Viking Age as a defiant response to attempts at Christianization, similar to the wide scale Viking Age practice of wearing Thors hammer pendants. They regard it as a duty to offer to him, on fixed days. Hercules and Mars they appease by animal offerings of the permitted kind, in this instance, Tacitus refers to the god Odin as Mercury, Thor as Hercules, and the god Týr as Mars, and the identity of the Isis of the Suebi has been debated. In Thors case, the identification with the god Hercules is likely at least in part due to similarities between Thors hammer and Hercules club. In his Annals, Tacitus again refers to the veneration of Hercules by the Germanic peoples, Donar, the southern Germanic form of the gods name. According to an account, the Christian missionary Saint Boniface felled an oak tree dedicated to Jove in the 8th century. Around the second half of the 8th century, Old English mentions of a figure named Thunor are recorded, gabriel Turville-Petre saw this as an invented origin for the placename demonstrating loss of memory that Thunor had been a gods name. Adam details that Thor, they reckon, rules the sky, he governs thunder and lightning, winds and storms, fine weather and fertility and that Thor, with his mace, looks like Jupiter
26.
Deer
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Deer are the ruminant mammals forming the family Cervidae. The two main groups are the Cervinae, including the muntjac, the deer and the chital, and the Capreolinae, including the elk, reindeer, the Western roe deer. Female reindeer, and male deer of all species, grow, in this they differ from permanently horned antelope, which are in the same order, Artiodactyla. The musk deer of Asia and water chevrotain of tropical African and Asian forests are not usually regarded as true deer and form their own families, Moschidae and Tragulidae, respectively. Deer appear in art from Palaeolithic cave paintings onwards, and they have played a role in mythology, religion and their economic importance includes the use of their meat as venison, their skins as soft, strong buckskin, and their antlers as handles for knives. Deer hunting has been a sport since at least the Middle Ages. Deer live in a variety of biomes, ranging from tundra to the tropical rainforest, while often associated with forests, many deer are ecotone species that live in transitional areas between forests and thickets and prairie and savanna. The majority of deer species inhabit temperate mixed deciduous forest, mountain mixed coniferous forest, tropical seasonal/dry forest. Clearing open areas within forests to some extent may actually benefit deer populations by exposing the understory and allowing the types of grasses, weeds, additionally, access to adjacent croplands may also benefit deer. However, adequate forest or brush cover must still be provided for populations to grow, however, fallow deer have been introduced to South Africa. There are also species of deer that are highly specialized, and live almost exclusively in mountains, grasslands, swamps. Some deer have a distribution in both North America and Eurasia. Examples include the caribou that live in Arctic tundra and taiga and moose that inhabit taiga, huemul deer of South Americas Andes fill the ecological niches of the ibex and wild goat, with the fawns behaving more like goat kids. Mountain slope habitats vary from moist coniferous/mixed forested habitats to dry forests with alpine meadows higher up. The foothills and river valleys between the mountain provide a mosaic of cropland and deciduous parklands. The rare woodland caribou have the most restricted range living at altitudes in the subalpine meadows. Elk and mule deer both migrate between the alpine meadows and lower coniferous forests and tend to be most common in this region, elk also inhabit river valley bottomlands, which they share with White-tailed deer. They also live in the aspen parklands north of Calgary and Edmonton, the adjacent Great Plains grassland habitats are left to herds of elk, American bison, and pronghorn antelope
27.
Mead
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Mead is an alcoholic beverage created by fermenting honey with water, sometimes with various fruits, spices, grains, or hops. The alcoholic content ranges from about 8% ABV to more than 20%, the defining characteristic of mead is that the majority of the beverages fermentable sugar is derived from honey. It may be still, carbonated, or naturally sparkling, dry, semi-sweet, Mead was produced in ancient history throughout Europe, Africa and Asia. Mead has played an important role in the beliefs and mythology of some peoples, one such example is the Mead of Poetry, a mead of Norse mythology crafted from the blood of the wise being Kvasir which turns the drinker into a poet or scholar. The terms mead and honey-wine often are used synonymously, some cultures, though, differentiate honey-wine from mead. For example, Hungarians hold that while mead is made of honey, water and beer-yeast, pottery vessels dating from 6500–7000 BC discovered in northern China have shown chemical signatures consistent with the presence of honey, rice, and organic compounds associated with fermentation. In Europe, it is first attested in residual samples found in the ceramics of the Bell Beaker Culture. The earliest surviving description of mead is in the hymns of the Rigveda, one of the books of the historical Vedic religion. During the Golden Age of Ancient Greece, mead was said to be the preferred drink, the Hispanic-Roman naturalist Columella gave a recipe for mead in De re rustica, about 60 AD. Take rainwater kept for years, and mix a sextarius of this water with a pound of honey. For a weaker mead, mix a sextarius of water with nine ounces of honey, the whole is exposed to the sun for 40 days, and then left on a shelf near the fire. If you have no water, then boil spring water. There is a poem attributed to the Brythonic-speaking bard Taliesin, who lived around 550 AD, in the Old English epic poem Beowulf, the Danish warriors drank mead. In both Insular Celtic and Germanic cultures mead was the primary heroic drink in poetry, later, taxation and regulations governing the ingredients of alcoholic beverages led to commercial mead becoming a more obscure beverage until recently. The English word mead derives from the Old English meodu, from Proto-Germanic meduz, slavic med / miod, which means both honey and mead, and Baltic medus honey/midus mead, also derive from the same Proto-Indo-European root. In Finland, a mead called sima is still an essential seasonal fermented product connected with the Finnish Vappu festival. It is usually spiced by adding both the pulp and rind of a lemon, however, the sugar used in modern practice is typically brown sugar, not honey. Ethiopian mead is called tej and is usually home-made and it is flavored with the powdered leaves and bark of gesho, a hop-like bittering agent which is a species of buckthorn
28.
Antler
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Antlers are extensions of the skull grown by members of the deer family. They are not true bone structures but they grow in symmetrical pairs. In many temperate species, antlers are shed and regrow each year. Antler comes from the Old French antoillier possibly from some form of an unattested Latin word *anteocularis, the ancestors of deer had tusks. Antlers are usually only on males. Only reindeer have antlers on the females, and these are smaller than those of the males. Nevertheless, fertile does from other species of deer have the capacity to produce antlers on occasion, the horns of a pronghorn meet some of the criteria of antlers, but are not considered true antlers because they contain keratin. Each antler grows from an attachment point on the skull called a pedicle, while an antler is growing, it is covered with highly vascular skin called velvet, which supplies oxygen and nutrients to the growing bone. Antlers are considered one of the most exaggerated cases of secondary sexual traits in the animal kingdom. Growth occurs at the tip, and is initially cartilage, which is replaced by bone tissue. Once the antler has achieved its full size, the velvet is lost and this dead bone structure is the mature antler. In most cases, the bone at the base is destroyed by osteoclasts, in most arctic and temperate-zone species, antler growth and shedding is annual, and is controlled by the length of daylight. Although the antlers are regrown each year, their size varies with the age of the animal in many species, increasing annually over several years before reaching maximum size. In tropical species, antlers may be shed at any time of year, some equatorial deer never shed their antlers. Antlers function as weapons in combats between males, which cause serious wounds, and as dominance and sexual displays. The principal means of evolution of antlers is sexual selection, which operates via two mechanisms, male-to-male competition and female mate choice, male-male competition can take place in two forms. Males with the largest antlers are more likely to obtain mates and achieve the highest fertilization success due to their competitiveness, dominance and high phenotypic quality. Whether this is a result of fighting or display, or of female choosiness differs depending on the species as the shape, size
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