1.
Wind
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Wind is the flow of gases on a large scale. On the surface of the Earth, wind consists of the movement of air. Winds are commonly classified by their scale, their speed, the types of forces that cause them, the regions in which they occur. The strongest observed winds on a planet in the Solar System occur on Neptune, Winds have various aspects, an important one being its velocity, another the density of the gas involved, another its energy content or wind energy. In meteorology, winds are referred to according to their strength. Short bursts of high speed wind are termed gusts, strong winds of intermediate duration are termed squalls. Long-duration winds have various names associated with their strength, such as breeze, gale, storm. The two main causes of large-scale atmospheric circulation are the differential heating between the equator and the poles, and the rotation of the planet, within the tropics, thermal low circulations over terrain and high plateaus can drive monsoon circulations. In coastal areas the sea breeze/land breeze cycle can define local winds, in areas that have variable terrain, mountain, Wind powers the voyages of sailing ships across Earths oceans. Hot air balloons use the wind to take trips, and powered flight uses it to increase lift. Areas of wind caused by various weather phenomena can lead to dangerous situations for aircraft. When winds become strong, trees and man-made structures are damaged or destroyed, Winds can shape landforms, via a variety of aeolian processes such as the formation of fertile soils, such as loess, and by erosion. Wind also affects the spread of wildfires, Winds can disperse seeds from various plants, enabling the survival and dispersal of those plant species, as well as flying insect populations. When combined with temperatures, wind has a negative impact on livestock. Wind affects animals food stores, as well as their hunting, Wind is caused by differences in the atmospheric pressure. When a difference in atmospheric pressure exists, air moves from the higher to the pressure area. On a rotating planet, air will also be deflected by the Coriolis effect, globally, the two major driving factors of large-scale wind patterns are the differential heating between the equator and the poles and the rotation of the planet. Outside the tropics and aloft from frictional effects of the surface, near the Earths surface, friction causes the wind to be slower than it would be otherwise
2.
Gazelle
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A gazelle is any of many antelope species in the genus Gazella or formerly considered to belong to it. Six species are included in two genera, Eudorcas and Nanger, which were formerly considered subgenera, the genus Procapra has also been considered a subgenus of Gazella, and its members are also referred to as gazelles, though they are not dealt with in this article. Gazelles are known as swift animals, some are able to run at bursts as high as 100 km/h or run at a sustained speed of 50 km/h. Gazelles are found mostly in the deserts, grasslands, and savannas of Africa, but they are found in southwest and central Asia. They tend to live in herds, and eat coarse, easily digestible plants. Gazelles are rather small antelopes, most standing 60–110 cm high at the shoulder, the gazelle genera are Gazella, Eudorcas, and Nanger. The taxonomy of these genera is a one, and the classification of species and subspecies has been an unsettled issue. Currently, the genus Gazella is widely considered to contain about 10 species, four further species are extinct, the red gazelle, the Arabian gazelle, the Queen of Shebas gazelle, and the Saudi gazelle. Most surviving gazelle species are considered threatened to varying degrees, closely related to the true gazelles are the Tibetan and Mongolian gazelles, the blackbuck of Asia, and the African springbok. One widely familiar gazelle is the African species Thomsons gazelle, which is around 60 to 80 cm in height at the shoulder and is coloured brown, the males have long, often curved, horns. Like many other species, Tommies and springboks exhibit a distinctive behaviour of stotting when they are threatened by predators. Gazelle is derived from the Arabic name غزال ġazāl, the first Romance language to adopt it was Middle French, and the word entered the English language around 1600 from French. The Arab people traditionally hunted the gazelle, appreciated for its grace, it is a symbol most commonly associated in Arabic literature with female beauty. It is related that the Caliph Abd al-Malik freed a gazelle that he had captured because of her resemblance to his beloved, O likeness of Layla, for I am your friend, today, O wild deer. Then I say, after freeing her from her fetters, You are free for the sake of Layla, the theme is found in the ancient Hebrew Song of Songs. Come away, my beloved, and be like a gazelle or like a stag on the spice-laden mountains. The gazelles are divided into three genera and numerous species, † = extinct Fossils of genus Gazella are found in Pliocene and Pleistocene deposits of Eurasia and Africa. The tiny Gazella borbonica is one of the earliest European gazelles, characterized by its small size, gazelles disappeared from Europe at the start of Ice Age, but they survived in Africa and Middle East
3.
Deva (Hinduism)
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Deva means heavenly, divine, anything of excellence, and is also one of the terms for a deity in Hinduism. Deva is masculine, and the feminine equivalent is devi. In the earliest Vedic literature, all beings are called Asuras. The concepts and legends evolve in ancient Indian literature, and by the late Vedic period, in post-Vedic texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad. In some medieval Indian literature, Devas are also referred to as Suras and contrasted with their powerful but malevolent half-brothers. Devas along with Asuras, Yakshas and Rakshasas are part of Indian mythology, Deva is a Sanskrit word found in Vedic literature of 2nd millennium BCE. Monier Williams translates it as heavenly, divine, terrestrial things of excellence, exalted. The concept also is used to refer to deity or god, the feminine form of *deiwos is *deiwih2, which descends into Indic languages as devi, in that context meaning female deity. The bode of the Devas is Dyuloka, according to Douglas Harper, the etymological roots of Deva mean a shining one, from *div- to shine, and it is a cognate with Greek dios divine and Zeus, and Latin deus god. Deva is masculine, and the feminine equivalent is devi. Etymologically, the cognates of Devi are Latin dea and Greek thea, when capitalized, Devi or Mata refers to goddess as divine mother in Hinduism. Deva is also referred to as Devatā, while Devi as Devika, the word Deva is also a proper name or part of name in Indian culture, where it refers to one who wishes to excel, overcome or the seeker of, master of or a best among-. Savitr, Vishnu, Rudra, and Prajapati are gods and hence Devas, saraswati and Ushas are some Devis or goddesses. Many of the deities taken together are worshiped as the Vishvedevas, max Muller states that the Vedic hymns are remarkable in calling every single of different devas as the only one, the supreme, the greatest.163.3, Trita art thou by interior operation. All powerful beings, good or evil, are called Asuras in the oldest layer of Vedic texts, a much studied hymn of the Rigveda states Devav asura, and contrasts it with Asura adevah. They are born from the father, Prajapati, the primordial progenitor, the elder sons are envisioned as the Asuras. The oldest Upanishads mention Devas, and their struggle with the Asuras, the Kaushitaki Upanishad, for example, in Book 4 states that Indra was weaker than the Asuras when he did not know his own Atman. Chandogya Upanishad, in chapter 1.2, describes the battle between Devas and Asuras on various sensory powers, finally, the Deva-Asura battle targets the soul, where Asuras fail and Devas succeed, because soul-force is serene and inherently good, asserts Chandogya Upanishad
4.
Mantra
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A Mantra is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words in Sanskrit believed by practitioners to have psychological and spiritual powers. A mantra may or may not have syntactic structure or literal meaning, the earliest mantras were composed in Vedic Sanskrit by Hindus in India, and are at least 3000 years old. Mantras now exist in various schools of Hinduism, Buddhism, Jainism and Sikhism, in Japanese Shingon tradition, the word Shingon means mantra. Similar hymns, chants, compositions and concepts are found in Zoroastrianism, Taoism, Christianity, the use, structure, function, importance, and types of mantras vary according to the school and philosophy of Hinduism and of Buddhism. Mantras serve a role in tantra. In this school, mantras are considered to be a sacred formula, in other schools of Hinduism, Buddhism, Jainism or Sikhism, initiation is not a requirement. Mantras come in forms, including ṛc and sāman. They are typically melodic, mathematically structured meters, believed to be resonant with numinous qualities, at its simplest, the word ॐ serves as a mantra. In more sophisticated forms, mantras are melodic phrases with spiritual interpretations such as a longing for truth, reality, light, immortality, peace, love, knowledge. Some mantras have no meaning, yet are musically uplifting. The Sanskrit word mantra- consists of the root man- to think, scholars consider mantras to be older than 1000 BC. By the middle Vedic period—1000 BC to 500 BC—claims Frits Staal, mantras in Hinduism had developed into a blend of art, the Chinese translation is zhenyan 眞言, 真言, literally true words, the Japanese onyomi reading of the Chinese being shingon. Mantras are neither unique to Hinduism, nor to other Indian religions such as Buddhism, similar creative constructs developed in Asian, mantras, suggests Frits Staal, may be older than language. There is no accepted definition of mantra. Renou has defined mantra as thought, mantras are structured formulae of thoughts, claims Silburn. Farquhar concludes that mantras are a religious thought, prayer, sacred utterance, zimmer defines mantra as a verbal instrument to produce something in one’s mind. There is no universally applicable uniform definition of mantra because mantras are used in different religions, in some schools of Hinduism for example, suggests Gonda, mantra is sakti to the devotee in the form of formulated and expressed thought. Staal clarifies that mantras are not rituals, they are what is recited or chanted during a ritual, There is a long history of scholarly disagreement on the meaning of mantras and whether they are really instruments of mind, as implied by the etymological origin of the word mantra
5.
Flag
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A flag is a piece of fabric with a distinctive design that is used as a symbol, as a signaling device, or as decoration. National flags are patriotic symbols with varied wide-ranging interpretations, often including strong military associations due to their original, flags are also used in messaging, advertising, or for other decorative purposes. The study of flags is known as vexillology, from the Latin word vexillum, due to the use of flags by military units, flag is also used as the name of some military units. A flag is equivalent to a brigade in Arab countries, and in Spain, in antiquity, field signs or standards were used in warfare that can be categorized as vexilloid or flag-like. During the High Middle Ages flags came to be used primarily as a device in battle. Already during the medieval period, and increasingly during the Late Middle Ages. Regimental flags for individual units became commonplace during the Early Modern period, flags also became the preferred means of communications at sea, resulting in various systems of flag signals, see, International maritime signal flags. One of the most popular uses of a flag is to symbolize a nation or country, some national flags have been particularly inspirational to other nations, countries, or subnational entities in the design of their own flags. Some prominent examples include, The flag of Denmark, the Dannebrog, is attested in 1478, the flag of the Netherlands is the oldest tricolour. Its three colours of red, white and blue go back to Charlemagnes time, the 9th century, the coastal region of what today is the Netherlands was then known for its cloth in these colours. Maps from the early 16th century already put flags in these colours next to this region, a century before that, during the 15th century, the three colours were mentioned as the coastal signals for this area, with the three bands straight or diagonal, single or doubled. As state flag it first appeared around 1572 as the Princes Flag in orange–white–blue, soon the more famous red–white–blue began appearing, becoming the prevalent version from around 1630. Orange made a comeback during the war of the late 18th century. During World War II the pro-Nazi NSB used it, any symbolism has been added later to the three colours, although the orange comes from the House of Orange-Nassau. This use of orange comes from Nassau, which today uses orange-blue, not from Orange, however, the usual way to show the link with the House of Orange-Nassau is the orange pennant above the red-white-blue. It is said that the Dutch Tricolour has inspired many flags but most notably those of Russia, New York City, the national flag of France was designed in 1794. As a forerunner of revolution, Frances tricolour flag style has been adopted by other nations, examples, Italy, Costa Rica, Dominican Republic, Ireland, Haiti, Romania and Mexico. The Union Flag of the United Kingdom is the most commonly used, british colonies typically flew a flag based on one of the ensigns based on this flag, and many former colonies have retained the design to acknowledge their cultural history
6.
Vahana
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Vahana denotes the being, typically an animal or mythical entity, a particular Hindu deity is said to use as a vehicle. In this capacity, the vahana is often called the deitys mount, upon the partnership between the deity and his vahana is woven much iconography and mythology. Deities are often depicted riding the vahana, other times, the vahana is depicted at the deitys side or symbolically represented as a divine attribute. The vahana may be considered an accoutrement of the deity, though the vahana may act independently, the deity may be seen sitting or on, or standing on, the vahana. They may be sitting on a platform called a howdah. Vah in Sanskrit means to carry or to transport, in Hindu iconography, positive aspects of the vehicle are often emblematic of the deity that it carries. Nandi the bull, vehicle of Shiva, represents strength and virility, Parvani the peacock, vehicle of Skanda, represents splendor and majesty. The hamsa, vehicle of Saraswati, represents wisdom, grace, however, the vehicle animal also symbolizes the evil forces over which the deity dominates. Mounted on Parvani, Skanda reins in the peacocks vanity, seated on Mushika, Ganesh crushes useless thoughts, which multiply like rats in the dark. Shani, protector of property, has a vulture, raven or crow in which he represses thieving tendencies, under Shanis influence, the vahana can make even malevolent events bring hope. The vehicle of a deity can vary according to the source, the time, in popular tradition, the origin of each vehicle is told in thousands of different ways. Three examples, While the god Ganesha was still a child, Ganesha trapped him with his lasso and made him his mount. Mushika was originally a gandharva, or celestial musician, after absent mindedly walking over the feet of a rishi named Vamadeva, Mushika was cursed and transformed into a mouse. However, after the rishi recovered his temper, he promised Mushika that one day, the prophecy was fulfilled when the mouse became the vahana of Ganesha. Before becoming the vehicle of Shiva, Nandi was a deity called Nandikeshvara, lord of joy and master of music, then, without warning, his name and his functions were transferred to the aspect of Shiva known as the deity Nataraja. From half-man, half-bull, he simply a bull. Since that time, he has watched over each of Shivas temples, kartikeya, the war-god known as Murugan in Southern India, is also mounted on a peacock. This peacock was originally a demon called Surapadma, while the rooster was called the angel, after provoking Murugan in combat, the demon repented at the moment his lance descended upon him
7.
Hanuman
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Hanuman is an ardent devotee of Rama. He is one of the figures in the Hindu epic Ramayana. As one of the Chiranjivi, he is mentioned in several other texts, including the Mahabharata. Hanuman participated in Ramas war against the demon king Ravana, several later texts also present him as an incarnation of Shiva. He is the son of Anjana and Kesari and is described as the son of the wind-god Pawan. The Sanskrit texts mention several legends about how Hanuman got his name, one legend is that Indra, the king of the gods, struck Hanumans jaw during his childhood. The child received his name from the Sanskrit words Hanu and -man, the name thus means one with prominent or disfigured jaw. Another theory says the name derives from the Sanskrit words Han and maana, some Jain texts mention that Hanuman spent his childhood on an island called Hanuruha, which is the origin of his name. According to another theory, the name Hanuman derives from the word for male monkey. Linguistic variations of Hanuman include Hanumat, Anuman, Hanumantha, Hanumanthudu, other names of Hanuman include, Anjaneya, Anjaniputra, Anjaneyar, Anjaneyudu, Anjanisuta all meaning the son of Anjana. Similar in meaning to - Vaanaraanaamadheesham, shreeraamadootam, the one who is the messenger of Rama. Atulita Bala Dhaamam, the one who is the repository of incomparable strength, hemshailaabha Deham, the one whose body resembles a golden mountain. Danujvana Krushanum, the one who is the destroyer of forces of demons, gyaaninaam Agraganyam, the one who is considered foremost among knowledgeable beings. Sakala Guna Nidhaanam, the one who is the repository of all the virtues, raghupati Priya Bhaktam, the one who is the dearest of all devotees to Rama. Sankata Mochana, the one who liberates from dangers In the 3rd chapter of Kishkindha Kaanda of Valmiki Ramayana, summarized as follows, Ablest sentence maker. The knower of all Vedas and Scriptures, scholar in nine schools of grammars. Possessing faultless speech and facial features Hanuman is mentioned in both the Hindu epics, Ramayana and Mahabharata, the word Vrsakapi or Vrishakapi, later used as an epithet for Hanuman, is mentioned in the Rigveda. Some writers, such as Nilakantha believe that the Vrishakapi of Rigveda alludes to Hanuman, however, other scholars believe that Hanuman is not mentioned in the Vedic mythology, the Vrsakapi of Rigveda refers to another deity or is a common name for the monkeys
8.
Bhima
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In the Hindu epic Mahabharata, Bhima is the second of the Pandavas. The Mahabharata relates many events which portray the immense might of Bhima, Bhima is responsible for slaying all hundred Kaurava brothers in the Kurukshetra War. The word bhima in Sanskrit means terrible or formidable and his other names are- Bhimasena - he who has a formidable army. Vrikodara - wolf bellied or voracious eater, jarasandhajit - he who won over Jarasandha. Hidimbabhid - he who pierced Hidimba, kichakajit - he who defeated Kichaka. Hanyalaurya - creator Because of a curse from the Rishi Kindama, Pandu, hence, the Pandavas were conceived in an unusual way. His wife, Queen Kunti, had in her youth been granted the power to invoke the Devas by Rishi Durvasa, each Deva, when invoked, would bless her with a child. Urged by Pandu to use her boons, Kunti gave birth to Bhima by invoking the God of wind, along with other Pandava brothers, Bhima was trained in religion, science, administration and military arts by the Kuru preceptors, Kripa and Drona. Specifically, he became a master in using the mace, Bhimas strong point throughout the epic remains his towering strength. He was so wrathful and strong that it was even for Indra to subdue him in a battle. Bhima was also renowned for his giant appetite – at times, Bhima, being as powerful as his father, was a natural bully. He used to play jokes on the Kaurava brothers, he used to engage in wrestling bouts where he out-powered them with consummate ease. His repeated failures and fecklessness against Bhima angered Duryodhana so much that he wanted him dead and he hatched a cunning plot where he poisoned Bhimas food and drowned him in River Ganga. Thankfully, the Naga king Vasuki saved Bhima and also apprised him of Duryodanas hatred for him and it is also Vasuki who bestowed him the immense strength of ten thousand elephants. Duryodana with his counsellor Purochana hatched a plan to burn the Pandavas alive at a lac palace lakshagraha at Varnavrata that Duryodana had built there, thanks to Vidura, the Pandavas managed to escape out from the palace. Bhima played a role in carrying all five of them. Bhima also barricaded the palace of Purochana and set fire to it, Kunti and the Pandavas were living in agnyatavaasa after they escaped from the murder plot. During their stay at Ekachakra or kaiwara, they came to know of a demon, Bakasura, the powerful Bhima brought his might to the fore and trumped Bakasura, much to the delight of the villagers
