1.
J. Paul Getty Museum
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The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in California housed on two campuses, the Getty Center and Getty Villa. The Getty Center is in the Brentwood neighborhood of Los Angeles and is the location of the museum. The collection features Western art from the Middle Ages to the present and its estimated 1.3 million visitors annually make it one of the most visited museums in the United States. The museums second location, the Getty Villa, is in the Pacific Palisades neighborhood and displays art from ancient Greece, Rome, and Etruria. In 1974, J. Paul Getty opened a museum in a re-creation of the Villa of the Papyri at Herculaneum on his property in Pacific Palisades, in 1982, the museum became the richest in the world when it inherited US$1.2 billion. In 1997, the moved to its current location in the Brentwood neighborhood of Los Angeles. Detailed information about the J. Paul Getty Museum’s collections is provided on GettyGuide, at the GettyGuide stations in the Museum, visitors can get information about exhibitions, interact with a timeline, watch videos on art-making techniques, and more. Also available at the Museum, the GettyGuide multimedia player features commentary from curators and conservators on many works of art, with GettyGuide on the Web, one may browse the Museum’s collection and bookmark works of art to create a customized tour and printable map. In 1984, Frel was demoted, and in 1986, he resigned, the Getty is involved in a controversy regarding proper title to some of the artwork in its collection. The museums previous curator of antiquities, Marion True, was indicted in Italy in 2005 on criminal charges relating to trafficking in stolen antiquities, similar charges have been addressed by the Greek authorities. The primary evidence in the case came from the 1995 raid of a Geneva, Switzerland, in 2005 True was forced to tender her resignation by the Board of Trustees, which announced her early retirement. Italy allowed the statute of limitations of the charges filed against her to expire in October 2010, True is currently under investigation by Greek authorities over the acquisition of a 2, 500-year-old funerary wreath. The wreath, along with a 6th-century BC statue of a woman, have returned to Greece and are exhibited at the Archaeological Museum of Thessaloniki. The Getty Museum resisted the requests of the Italian government for two decades, only to admit later that there might be problems attached to the acquisition. In 2006, Italian senior cultural official Giuseppe Proietti said, The negotiations havent made a step forward. Only after he suggested the Italian government to take cultural sanctions against the Getty, suspending all cultural cooperation, in another unrelated case in 1999, the Getty Museum had to hand over three antiquities to Italy after determining they were stolen. A Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum was published in 2001, indeed, some discrete works are provided with annotations, e. g. In 2016, the head of the Greek god Hades was returned to Sicily
2.
Ancient Greek sculpture
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Ancient Greek sculpture is the sculpture of ancient Greece. Modern scholarship identifies three major stages, frequent subjects were the battles, mythology, and rulers of the area historically known as Ancient Greece. Smaller works were in a variety of materials, many of them precious. The ores for bronze were also easy to obtain. Marble was mostly found around the Parthenon and other major Greek buildings, many copies of the Roman period are marble versions of works originally in bronze. Ordinary limestone was used in the Archaic period, but thereafter, except in areas of modern Italy with no local marble, only for architectural sculpture, plaster or stucco was sometimes used for the hair only. Many statues were given jewellery, as can be seen from the holes for attaching it, by the early 19th century, the systematic excavation of ancient Greek sites had brought forth a plethora of sculptures with traces of notably multicolored surfaces, some of which were still visible. It was not until published findings by German archaeologist Vinzenz Brinkmann in the late 20th and he analyzed the pigments of the original paint to discover their composition. Brinkmann made several painted replicas of Greek statues that went on tour around the world, museums that hosted the exhibit included the Glyptotek Museum in Munich, the Vatican Museum, and the National Archaeological Museum in Athens, et al. The collection made its American debut at Harvard University in the Fall of 2007 and it is commonly thought that the earliest incarnation of Greek sculpture was in the form of wooden cult statues, first described by Pausanias as xoana. No such statues survive, and the descriptions of them are vague, the first piece of Greek statuary to be reassembled since is probably the Lefkandi Centaur, a terra cotta sculpture found on the island of Euboea, dated c.920 BCE. The statue was constructed in parts, before being dismembered and buried in two separate graves, the centaur has an intentional mark on its knee, which has led researchers to postulate that the statue might portray Cheiron, presumably kneeling wounded from Herakles arrow. If so, it would be the earliest known depiction of myth in the history of Greek sculpture, the forms from the geometrical period were chiefly terra cotta figurines, bronzes, and ivories. The bronzes are chiefly tripod cauldrons, and freestanding figures or groups, typical works of the era include the Karditsa warrior and the many examples of the equestrian statuette. The repertory of this work is not confined to standing men and horses, however, as vase paintings of the time also depict imagery of stags, birds, beetles, hares. There are no inscriptions on early-to-middle geometric sculpture, until the appearance of the Mantiklos Apollo of the early 7th century BCE found in Thebes, the inscription is a declaration of the statuette to Apollo, followed by a request for favors in return. Apart from the novelty of recording its own purpose, this sculpture adapts the formulae of oriental bronzes, as seen in the shorter more triangular face and slightly advancing left leg. This is sometimes seen as anticipating the greater freedom of the 7th century BCE and, as such
3.
Pacific Palisades, Los Angeles
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The area currently has about 27,000 residents. It is primarily an area, with a mixture of large private homes, small houses, condominiums. The district also includes some large parklands and many hiking trails, in 1911, film director Thomas Ince created his Western film factory, Inceville, which at its peak employed nearly 600 people. Believers snapped up choice lots and lived in tents during construction, by 1925, the Palisades had 100 homes. In one subdivision, streets were named for Methodist missionaries, the tents eventually were replaced by cabins, then by bungalows, and ultimately by multimillion-dollar homes. The climate of the area was a big selling point, temperatures are much cooler than inland Los Angeles during summer, but usually sunnier and less foggy than areas south along the coast. Adorno, Vicki Baum, Oskar Homolka and Emil Ludwig, Villa Aurora on Paseo Miramar, the Spanish colonial home of Feuchtwanger and his wife, Marta, became the focal point of the expatriate community, which was nicknamed Weimar by the Sea. For many decades there was a ban on drinking alcohol in the district. The Methodist Church created a Chautauqua Conference Grounds in Temescal Canyon, the Village is the Pacific Palisades central business district, centered at Sunset Boulevard and Via de la Paz. The Via Mesa and The Huntington Palisades are the neighborhoods that border the village proper to the south of Sunset Boulevard, both of these neighborhoods are easy walking distance to The Village and sit upon high bluffs that look out over the Pacific Ocean. Many of the homes in neighborhoods are accordingly afforded beautiful ocean views. The El Medio Mesa is located south of Sunset Boulevard beginning about a mile west of The Village. The El Medio Mesa extends for a distance from Temescal Canyon all the way to where Sunset Boulevard meets the Pacific Coast Highway. Castellammare is located along the Pacific Coast Highway on small bluffs much closer to sea-level and this is the home of the Getty Villa and the narrow, winding streets in this neighborhood have Italian names and ocean breezes. Palisades Highlands is a community near the end of Sunset Blvd, bordering Topanga, about five minutes away from the center of Pacific Palisades. The Highlands could almost be considered its own separate community high up the hill overlooking the ocean, Rustic Canyon is the neighborhood east of Chautauqua Boulevard that dips into Santa Monica Canyon and includes the Will Rogers State Historic Park. The neighborhood features post-war homes located on the polo field of The Uplifters, the original site of The Uplifters clubhouse. This area is known as Uplifters Ranch
4.
Lysippos
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Lysippos was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period, problems confront the study of Lysippos because of the difficulty of identifying his style among the copies which survive. The Victorious Youth or Getty bronze, which resurfaced around 1972, has been associated with him, born at Sicyon around 390 BC Lysippos was a worker in bronze in his youth. He taught himself the art of sculpture, later becoming head of the school of Argos, according to Pliny, he produced more than 1,500 works, all of them in bronze. He was famous for his attention to the details of eyelids and his pupil, Chares of Lindos, constructed the Colossus of Rhodes, one of the Seven Wonders of the Ancient World. As this statue does not exist today, debate continues as to whether its sections were cast in bronze or hammered of sheer bronze, Lysippos was successor in contemporary repute to the famous sculptor Polykleitos. Among the works attributed to him are the so-called Horses of Saint Mark, Eros Stringing the Bow, Agias, the similar Oil Pourer, Lysippos was also famous for his bronze sculptures of Zeus and Herakles. The only remaining version of one such statue is a Roman copy of The Weary Herakles, by Glykon, during his lifetime, Lysippos was personal sculptor to Alexander the Great, indeed, he was the only artist whom the conqueror saw fit to represent him. We forgive cattle for fleeing a lion, Lysippos has been credited with the stock representation of an inspired, godlike Alexander with tousled hair and lips parted, looking upward. One fine example, an early Imperial Roman copy found at Tivoli, is conserved at the Louvre, on 26 February 2010, Greek authorities arrested two men found in illegal possession of various antiquities, including a bronze statue of Alexander, which is possibly a work of Lysippos. If confirmed, this would make it the first original work of Lysippos ever discovered, the statue is currently being examined at the laboratory of the Archaeological Museum of Thessaloniki, which is expected to confirm or deny its authenticity. In 1972 the Victorious Youth, Getty Bronze, or Atleta di Fano to Italians, was discovered and at the urging of Paul Getty, the bronze was pulled out of the sea and restored. Because of the amount of corrosion and the layer of incrustation that coated the statue when it was found. This is less surprising, as most of the classical bronze statues archeologists have found have been fished out of the Mediterranean Sea. It was not uncommon for a shipwreck to occur with something as precious as a sculpture on board, without any way to find or retrieve them, these pieces were left to sit at the bottom of the ocean for centuries. Fortunately, the damaging corrosion can be removed by cleaning the surfaces mechanically with a scalpel. The Getty Bronze is believed by some to be Lysipposs work, or at least a copy, because the detail on it is consistent with his style of work and his canon of proportions. Lysipposs work is described by ancient sources as naturalistic with slender and often lengthened proportions and those depicted in the works of Lysippos had smaller heads than those of his mentor Polykleitos because he used a one to eight scale for the head and the total height of the body
5.
Fano
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Fano is a town and comune of the province of Pesaro and Urbino in the Marche region of Italy. It is a beach resort 12 kilometres southeast of Pesaro, located where the Via Flaminia reaches the Adriatic Sea and it is the third city in the region by population after Ancona and Pesaro. An ancient town of Marche, it was known as Fanum Fortunae after a temple of Fortuna located there and its first mention in history only dates from 49 BC, when Julius Caesar held it, along with Pisaurum and Ancona. Caesar Augustus established a colonia, and built a wall, some parts of which remain, in 2 AD Augustus also built an arch at the entrance to the town. In January 271, the Roman Army defeated the Alamanni in the Battle of Fano that took place on the banks of the Metauro river just inland of Fano, Fano was destroyed by Vitiges Ostrogoths in AD538. It was rebuilt by the Byzantines, becoming the capital of the maritime Pentapolis that included also Rimini, Pesaro, Senigallia, in 754 it was donated to the Popes by the Frank kings. The Malatesta became lords of the city in 1356 with Galeotto I Malatesta, among the others, Pandolfo III resided in the city. Under his son, the famous condottiero Sigismondo Pandolfo Malatesta, Fano was besieged by Papal troops under Federico III da Montefeltro and it was later part of the short-lived state of Cesare Borgia, and then part of the duchy of the della Roveres in the Marche. During the Napoleonic Wars it suffered heavy spoliations, the city had a role in the Risorgimento. In World War I Fano was several times bombed by the Austro-Hungarian Navy, Fano Cathedral, which was erected over a pre-existing cathedral destroyed by a fire in 1111. The current façade is from the 1920s restoration, but is similar to the original, the interior has a nave and two aisles. No remnants of the towns namesake temple have been uncovered, nor of the basilica we are told that Vitruvius built there, San Domenico San Pietro in Valle, San Paterniano, with a Renaissance cloister. San Francesco, church housing the tombs of Pandolfo III Malatesta, santa Maria Nuova, Church has an ancient portal and two works by Perugino. Outside the city, in the place called Bellocchi, is the church of St. Sebastian, michael, the former having a noteworthy Renaissance portal. Corte Malatestiana, built after 1357 by Galeotto I Malatesta, the 14th-century section includes a great vaulted hall and a small turret. The modern part was built under Pandolfo III in 1413–23, the current edifice was heavily restored in the 20th century, but original are the mullioned windows in Gothic style as well as the staircase and the loggia from a 16th-century restoration. Also noteworthy is the Borgia-Cybo Arch, the palace is connected to the Palazzo del Podestà by a modern bridge, probably present also in the original structure. Rocca Malatestiana, was destroyed in 1944
6.
Adriatic Sea
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The Adriatic Sea /ˌeɪdriˈætᵻk/ is a body of water separating the Italian Peninsula from the Balkan peninsula and the Apennine Mountains from the Dinaric Alps and adjacent ranges. The Adriatic is the northernmost arm of the Mediterranean Sea, extending from the Strait of Otranto to the northwest, the countries with coasts on the Adriatic are Albania, Bosnia and Herzegovina, Croatia, Greece, Italy, Montenegro and Slovenia. The Adriatic contains over 1,300 islands, mostly located along its eastern, Croatian and it is divided into three basins, the northern being the shallowest and the southern being the deepest, with a maximum depth of 1,233 metres. The Otranto Sill, a ridge, is located at the border between the Adriatic and Ionian Seas. The prevailing currents flow counterclockwise from the Strait of Otranto, along the eastern coast, tidal movements in the Adriatic are slight, although larger amplitudes are known to occur occasionally. The Adriatics salinity is lower than the Mediterraneans because the Adriatic collects a third of the water flowing into the Mediterranean. The surface water temperatures range from 30 °C in summer to 12 °C in winter. The Adriatic Sea sits on the Apulian or Adriatic Microplate, which separated from the African Plate in the Mesozoic era, the plates movement contributed to the formation of the surrounding mountain chains and Apennine tectonic uplift after its collision with the Eurasian plate. In the Late Oligocene, the Apennine Peninsula first formed, separating the Adriatic Basin from the rest of the Mediterranean, all types of sediment are found in the Adriatic, with the bulk of the material transported by the Po and other rivers on the western coast. The western coast is alluvial or terraced, while the eastern coast is indented with pronounced karstification. There are dozens of protected areas in the Adriatic, designed to protect the seas karst habitats. The sea is abundant in flora and fauna—more than 7,000 species are identified as native to the Adriatic, many of them endemic, rare and threatened ones. The Adriatics shores are populated by more than 3.5 million people, the earliest settlements on the Adriatic shores were Etruscan, Illyrian, and Greek. By the 2nd century BC, the shores were under Romes control, following Italian unification, the Kingdom of Italy started an eastward expansion that lasted until the 20th century. Following World War I and the collapse of Austria-Hungary and the Ottoman Empire, the former disintegrated during the 1990s, resulting in four new states on the Adriatic coast. Italy and Albania agreed on their maritime boundary in 1992, Fisheries and tourism are significant sources of income all along the Adriatic coast. Adriatic Croatias tourism industry has grown faster economically than the rest of the Adriatic Basins, maritime transport is also a significant branch of the areas economy—there are 19 seaports in the Adriatic that each handle more than a million tonnes of cargo per year. The largest Adriatic seaport by annual cargo turnover is the Port of Trieste, in the southeast, the Adriatic Sea connects to the Ionian Sea at the 72-kilometre wide Strait of Otranto
7.
Metropolitan Museum of Art
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The Metropolitan Museum of Art, colloquially the Met, is located in New York City and is the largest art museum in the United States, and is among the most visited art museums in the world. Its permanent collection contains two million works, divided among seventeen curatorial departments. The main building, on the edge of Central Park along Manhattans Museum Mile, is by area one of the worlds largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains a collection of art, architecture. On March 18,2016, the museum opened the Met Breuer museum at Madison Avenue in the Upper East Side, it extends the museums modern, the Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. The museum is home to collections of musical instruments, costumes and accessories, as well as antique weapons. Several notable interiors, ranging from first-century Rome through modern American design, are installed in its galleries, the Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day and it opened on February 20,1872, and was originally located at 681 Fifth Avenue. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, the museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. A number of interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Mets galleries. In addition to its permanent exhibitions, the Met organizes and hosts traveling shows throughout the year. The director of the museum is Thomas P. Campbell, a long-time curator and it was announced on February 28th,2017 that Campbell will be stepping down as the Mets director and CEO, effective June. On March 1st,2017 the BBC reported that Daniel Weiss shall be the acting CEO until a replacement is found, Beginning in the late 19th century, the Met started to acquire ancient art and artifacts from the Near East. From a few tablets and seals, the Mets collection of Near Eastern art has grown to more than 7,000 pieces. The highlights of the include a set of monumental stone lamassu, or guardian figures. The Mets Department of Arms and Armor is one of the museums most popular collections. Among the collections 14,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry VIII of England, Henry II of France, Rockefeller donated his more than 3, 000-piece collection to the museum. The Mets Asian department holds a collection of Asian art, of more than 35,000 pieces, the collection dates back almost to the founding of the museum, many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections
8.
Delphi
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Delphi is famous as the ancient sanctuary that grew rich as the seat of the oracle that was consulted on important decisions throughout the ancient classical world. Moreover, it was considered as the navel of the world by the Greeks as represented by the Omphalos and it occupies an impressive site on the south-western slope of Mount Parnassus overlooking the coastal plain to the south and the valley of Phocis. It is now an archaeological site and the modern town is nearby. The site of Delphi is located in upper central Greece, on multiple plateaux/terraces along the slope of Mount Parnassus, and includes the Sanctuary of Apollo and this semicircular spur is known as Phaedriades, and overlooks the Pleistos Valley. In myths dating to the period of Ancient Greece, the site of Delphi was believed to be determined by Zeus when he sought to find the centre of his Grandmother Earth. He sent two eagles flying from the eastern and western extremities, and the path of the eagles crossed over Delphi where the omphalos, Apollo was said to have slain Python, a drako a serpent or a dragon who lived there and protected the navel of the Earth. Python is claimed by some to be the name of the site in recognition of Python which Apollo defeated. The Homeric Hymn to Delphic Apollo recalled that the ancient name of this site had been Krisa, others relate that it was named Pytho and that Pythia, the priestess serving as the oracle, was chosen from their ranks by a group of priestesses who officiated at the temple. At the settlement site in Delphi, which was a settlement of the late 9th century. Pottery and bronze work as well as tripod dedications continue in a steady stream, the victors at Delphi were presented with a laurel crown which was ceremonially cut from a tree by a boy who re-enacted the slaying of the Python. Delphi was set apart from the other sites because it hosted the mousikos agon. These Pythian Games rank second among the four stephanitic games chronologically and these games, though, were different from the games at Olympia in that they were not of such vast importance to the city of Delphi as the games at Olympia were to the area surrounding Olympia. Delphi would have been a renowned city whether or not it hosted these games, it had other attractions that led to it being labeled the omphalos of the earth, in other words, in the inner hestia of the Temple of Apollo, an eternal flame burned. The name Delphoi comes from the root as δελφύς delphys, womb. Apollo is connected with the site by his epithet Δελφίνιος Delphinios, the epithet is connected with dolphins in the Homeric Hymn to Apollo, recounting the legend of how Apollo first came to Delphi in the shape of a dolphin, carrying Cretan priests on his back. The Homeric name of the oracle is Pytho, another legend held that Apollo walked to Delphi from the north and stopped at Tempe, a city in Thessaly, to pick laurel which he considered to be a sacred plant. In commemoration of this legend, the winners at the Pythian Games received a wreath of laurel picked in the Temple, Delphi became the site of a major temple to Phoebus Apollo, as well as the Pythian Games and the famous prehistoric oracle. Even in Roman times, hundreds of votive statues remained, described by Pliny the Younger, additionally, according to Plutarchs essay on the meaning of the E at Delphi—the only literary source for the inscription—there was also inscribed at the temple a large letter E
9.
Olympia, Greece
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Olympia, a sanctuary of ancient Greece in Elis on the Peloponnese peninsula, is known for having been the site of the Olympic Games in classical times. The Olympic Games were held four years throughout Classical antiquity. The sanctuary, known as the Altis, consists of an arrangement of various buildings. Enclosed within the temenos are the Temple of Hera, the Temple of Zeus, the Pelopion, and the area of the altar, to the north of the sanctuary can be found the Prytaneion and the Philippeion, as well as the array of treasuries representing the various city-states. The Metroon lies to the south of these treasuries, with the Echo Stoa to the east, the hippodrome and later stadium were located east of the Echo Stoa. To the south of the sanctuary is the South Stoa and the Bouleuterion, whereas the Palaestra, the workshop of Pheidias, the Gymnasion, very close to the Temple of Zeus which housed this statue, the studio of Pheidias was excavated in the 1950s. Evidence found there, such as tools, corroborates this opinion. The ancient ruins sit north of the Alpheios River and south of Mount Kronos, the Kladeos, a tributary of the Alpheios, flows around the area. Building of Ptolemy II and Arsinoe II,13, Pheidias workshop and paleochristian basilica,25. For a history of the Olympic Games, see Olympic Games or Ancient Olympic Games, remains of food and burnt offerings dating back to the 10th century BC give evidence of a long history of religious activity at the site. No buildings have survived from this earliest period of use, the first Olympic festival was organized on the site by the authorities of Elis in the 8th century BC – with tradition dating the first games at 776 BC. Major changes were made to the site around 700 BC, including levelling land, Elis power diminished and the sanctuary fell into the hands of the Pisatans in 676 BC. The Pisatans organized the games until the late 7th century BC, the earliest evidence of building activity on the site dates from around 600 BC. At this time the Skiloudians, allies of the Pistans, built the Temple of Hera, the Treasuries and the Pelopion were built during the course of the 6th century BC. The secular structures and athletic arenas were also under construction during this period including the Bouleuterion, the first stadium was constructed around 560 BC, it consisted of just a simple track. The stadium was remodelled around 500 BC with sloping sides for spectators, over the course of the 6th century BC a range of sports were added to the Olympic festival. In 580 BC, Elis, in alliance with Sparta, occupied Pisa, the classical period, between the 5th and 4th centuries BC, was the golden age of the site at Olympia. A wide range of new religious and secular buildings and structures were constructed, the Temple of Zeus was built in the middle of the 5th century BC
