1.
Museum
–
Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. Museums have varying aims, ranging from serving researchers and specialists to serving the general public, the goal of serving researchers is increasingly shifting to serving the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, the city with the largest number of museums is Mexico City with over 128 museums. According to The World Museum Community, there are more than 55,000 museums in 202 countries, the English museum comes from the Latin word, and is pluralized as museums. The first museum/library is considered to be the one of Plato in Athens, however, Pausanias gives another place called Museum, namely a small hill in Classical Athens opposite to the Akropolis. The hill was called Mouseion after Mousaious, a man who used to sing on the hill, the purpose of modern museums is to collect, preserve, interpret, and display items of artistic, cultural, or scientific significance for the education of the public. The purpose can also depend on ones point of view, to a family looking for entertainment on a Sunday afternoon, a trip to a local history museum or large city art museum could be a fun, and enlightening way to spend the day. To city leaders, a healthy museum community can be seen as a gauge of the health of a city. To a museum professional, a museum might be seen as a way to educate the public about the museums mission, Museums are, above all, storehouses of knowledge. In 1829, James Smithsons bequest, that would fund the Smithsonian Institution, stated he wanted to establish an institution for the increase, Museums of natural history in the late 19th century exemplified the Victorian desire for consumption and for order. Gathering all examples of classification of a field of knowledge for research. As American colleges grew in the 19th century, they developed their own natural history collections for the use of their students, while many large museums, such as the Smithsonian Institution, are still respected as research centers, research is no longer a main purpose of most museums. While there is a debate about the purposes of interpretation of a museums collection, there has been a consistent mission to protect. Much care, expertise, and expense is invested in efforts to retard decomposition in aging documents, artifacts, artworks. All museums display objects that are important to a culture, as historian Steven Conn writes, To see the thing itself, with ones own eyes and in a public place, surrounded by other people having some version of the same experience can be enchanting. Museum purposes vary from institution to institution, some favor education over conservation, or vice versa. For example, in the 1970s, the Canada Science and Technology Museum favored education over preservation of their objects and they displayed objects as well as their functions. One exhibit featured a printing press that a staff member used for visitors to create museum memorabilia
Museum
–
The
Louvre Museum in
Paris (
France), one of the largest and most famous museums in the world.
Museum
–
The
Uffizi Gallery, the most visited museum in
Italy and an important museum in the world. View toward the
Palazzo Vecchio, in
Florence.
Museum
–
The
Museum Island in
Berlin.
Museum
–
The
British Museum in
London.
2.
Italy
–
Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
Italy
–
The
Colosseum in Rome, built c. 70 – 80 AD, is considered one of the greatest works of
architecture and
engineering of ancient history.
Italy
–
Flag
Italy
–
The
Iron Crown of Lombardy, for centuries symbol of the
Kings of Italy.
Italy
–
Castel del Monte, built by German Emperor
Frederick II,
UNESCO World Heritage site
3.
Rome
–
Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
Rome
Rome
Rome
Rome
4.
Geographic coordinate system
–
A geographic coordinate system is a coordinate system used in geography that enables every location on Earth to be specified by a set of numbers, letters or symbols. The coordinates are chosen such that one of the numbers represents a vertical position. A common choice of coordinates is latitude, longitude and elevation, to specify a location on a two-dimensional map requires a map projection. The invention of a coordinate system is generally credited to Eratosthenes of Cyrene. Ptolemy credited him with the adoption of longitude and latitude. Ptolemys 2nd-century Geography used the prime meridian but measured latitude from the equator instead. Mathematical cartography resumed in Europe following Maximus Planudes recovery of Ptolemys text a little before 1300, in 1884, the United States hosted the International Meridian Conference, attended by representatives from twenty-five nations. Twenty-two of them agreed to adopt the longitude of the Royal Observatory in Greenwich, the Dominican Republic voted against the motion, while France and Brazil abstained. France adopted Greenwich Mean Time in place of local determinations by the Paris Observatory in 1911, the latitude of a point on Earths surface is the angle between the equatorial plane and the straight line that passes through that point and through the center of the Earth. Lines joining points of the same latitude trace circles on the surface of Earth called parallels, as they are parallel to the equator, the north pole is 90° N, the south pole is 90° S. The 0° parallel of latitude is designated the equator, the plane of all geographic coordinate systems. The equator divides the globe into Northern and Southern Hemispheres, the longitude of a point on Earths surface is the angle east or west of a reference meridian to another meridian that passes through that point. All meridians are halves of great ellipses, which converge at the north and south poles, the prime meridian determines the proper Eastern and Western Hemispheres, although maps often divide these hemispheres further west in order to keep the Old World on a single side. The antipodal meridian of Greenwich is both 180°W and 180°E, the combination of these two components specifies the position of any location on the surface of Earth, without consideration of altitude or depth. The grid formed by lines of latitude and longitude is known as a graticule, the origin/zero point of this system is located in the Gulf of Guinea about 625 km south of Tema, Ghana. To completely specify a location of a feature on, in, or above Earth. Earth is not a sphere, but a shape approximating a biaxial ellipsoid. It is nearly spherical, but has an equatorial bulge making the radius at the equator about 0. 3% larger than the radius measured through the poles, the shorter axis approximately coincides with the axis of rotation
Geographic coordinate system
–
Longitude lines are perpendicular and latitude lines are parallel to the equator.
5.
French Academy in Rome
–
The French Academy in Rome is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio in Rome, Italy. The Academy was founded at the Palazzo Capranica in 1666 by Louis XIV under the direction of Jean-Baptiste Colbert, Charles Le Brun, such scholars were and are known as pensionnaires de lAcadémie. One recipient of the scholarship in the 17th century was Pierre Le Gros the Younger, the Academy was housed in the Palazzo Capranica until 1737, and then in the Palazzo Mancini from 1737 to 1793. These envois were annual works, sent to Paris to be judged, at first, the villa and its gardens were in a sad state and had to be renovated to house the winners of the Prix de Rome. The competition was interrupted during the first World War, and Mussolini confiscated the villa in 1941, the competition and Prix de Rome were eliminated in 1968 by André Malraux. The Académie des Beaux-Arts in Paris and the Institut de France then lost their guardianship of the Villa Medici to the Ministry of the Culture, from that time on, the boarders no longer belonged solely to the traditional disciplines but also to new or previously neglected artistic fields. These artists-in-residence are known as pensionnaires, the French word ‘pension’ refers to the room & board these, generally young and promising, artists receive. The artists are no longer recruited by a competition but by application, between 1961 and 1967, the artist Balthus, then at the head of the Academy, carried out a vast restoration campaign of the palace and its gardens, providing them with modern equipment. Balthus participated “hands on” in all the phases of the construction, where the historic décor had disappeared, Balthus proposed personal alternatives. Work continued under the direction of director, Richard Peduzzi, under director Frédéric Mitterrand the Academy opened up its guest rooms to the general public at times when they are not used by pensionnaires or other official guests. k. a. Carolus-Duran 1913-1921, Albert Besnard 1921-1933, Denys Puech 1933-1937, Paul-Maximilien Landowski 1937-1960, Jacques Ibert 1961-1977, Comte Balthazar Klossowski de Rola, a. k. a. Balthus 1979-1985, Jean Leymarie 1985-1994, Jean-Marie Drot 1994-1997, Pierre-Jean Angremy, a. k. a. villamedici. it/ Official site Google Map
French Academy in Rome
–
Villa Medici
French Academy in Rome
–
Portrait of Prix de Rome winner and fellow student
Merry-Joseph Blondel in front of the Villa Medici in 1809, by
Ingres
French Academy in Rome
–
Villa Medici painted by Velázquez
6.
Cabinet of France
–
The Government of the French Republic exercises executive power. It is composed of a minister, who is the head of government. Senior ministers are titled as Ministers, whereas junior ministers are titled as Secretaries of State, a smaller and more powerful executive body, called the Council of Ministers, is composed only of the senior ministers, though some Secretaries of State may attend Council meetings. By comparison, the Government of France is equivalent to Her Majestys Government in the United Kingdom, all members of the French government are nominated by the President of the Republic on the advice of the Prime Minister. Members of the government are ranked in an order, which is established at the time of government formation. In this hierarchy, the Prime Minister is the head of government and he is nominated by the President of the Republic. After being nominated to lead a government, the Prime Minister nominee must propose a list of ministers to the President, the President can either accept or reject these proposed ministers. Ministers are ranked by importance, Ministers of State are senior ministers and it is an honorary rank, granted to some Ministers as a sign of prestige. Ministers are senior ministers, and are members of the Council of Ministers, Secretaries of State are junior ministers. This is the lowest rank in the French ministerial hierarchy, Secretaries work directly under a Minister, or sometimes directly under the Prime Minister. While the Council of Ministers does not include Secretaries of State as members, according to the Constitution of the French Fifth Republic, the government directs and decides the policy of the nation. In practice, the government writes bills to be introduced to parliament, all political decisions made by the government must be registered in the government gazette. All bills and some decrees must be approved by the Council of Ministers, furthermore, it is the Council of Ministers that defines the collective political and policy direction of the government, and takes practical steps to implement that direction. In addition to writing and implementing policy, the government is responsible for national defence, the workings of the government of France are based on the principle of collegiality. Meetings of the Council of Ministers take place every Wednesday morning at the Élysée Palace and they are presided over by the President of the Republic, who promotes solidarity and collegiality amongst government ministers. These meetings follow a set format, in the first part of a meeting, the Council deliberates over general interest bills, ordinances, and decrees. In the second part, the Council discusses individual decisions by each Minister regarding the appointment of civil servants. In addition, the Minister of Foreign Affairs provides the Council with weekly updates on important international issues, most government work, however, is done elsewhere
Cabinet of France
–
Government of the French Republic
7.
Annibale Lippi
–
Annibale Lippi was an Italian architect active during the second half of 16th century. He was son of the sculptor and architect Nanni di Baccio Bigio, the Villa Medici in Rome, who used to be assigned to it, is probably due to his father, but he worked there during the construction. In Rome Lippi restored the Palazzo dei Convertendi at Piazza Scossacavalli in Borgo, when this was bought by Cardinal Francesco Commendone, in 1578 he appeared among the members of the Accademia dei Virtuosi at Pantheon. He died after 18 November 1581 when, already ill, wrote his testament, and was buried in the family tomb in Trinità dei Monti in Rome
Annibale Lippi
–
Church of Madonna di Loreto in Spoleto
8.
Renaissance architecture
–
Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the style was carried to France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Italy of the 15th century, and the city of Florence in particular, was home to the Renaissance, the scholarly approach to the architecture of the ancient coincided with the general revival of learning. A number of factors were influential in bringing this about, Italian architects had always preferred forms that were clearly defined and structural members that expressed their purpose. Many Tuscan Romanesque buildings demonstrate these characteristics, as seen in the Florence Baptistery, Italy had never fully adopted the Gothic style of architecture. In the 15th century, Florence, Venice and Naples extended their power through much of the area that surrounded them and this enabled Florence to have significant artistic influence in Milan, and through Milan, France. Successive Popes, especially Julius II, 1503–13, sought to extend the Pope’s temporal power throughout Italy, in the early Renaissance, Venice controlled sea trade over goods from the East. Trade brought wool from England to Florence, ideally located on the river for the production of fine cloth, by dominating Pisa, Florence gained a seaport, and also maintained dominance of Genoa. In this commercial climate, one family in particular turned their attention from trade to the business of money-lending. The Medici became the chief bankers to the princes of Europe, becoming virtually princes themselves as they did so, along the trade routes, and thus offered some protection by commercial interest, moved not only goods but also artists, scientists and philosophers. This commenced in the mid 15th century and gained momentum in the 16th century, the construction of the Sistine Chapel with its uniquely important decorations and the entire rebuilding of St Peters, one of Christendoms most significant churches, were part of this process. In wealthy republican Florence, the impetus for church-building was more civic than spiritual, the unfinished state of the enormous cathedral dedicated to the Blessed Virgin Mary did no honour to the city under her patronage. The dome inspired further religious works in Florence, through Humanism, civic pride and the promotion of civil peace and order were seen as the marks of citizenship. Some major ecclesiastical building works were commissioned, not by the church. During the Renaissance, architecture became not only a question of practice, printing played a large role in the dissemination of ideas. The first treatise on architecture was De re aedificatoria by Leon Battista Alberti in 1450 and it was to some degree dependent on Vitruviuss De architectura, a manuscript of which was discovered in 1414 in a library in Switzerland. De re aedificatoria in 1485 became the first printed book on architecture, Sebastiano Serlio produced the next important text, the first volume of which appeared in Venice in 1537, it was entitled Regole generali darchitettura. It is known as Serlios Fourth Book since it was the fourth in Serlios original plan of a treatise in seven books, in all, five books were published
Renaissance architecture
–
Tempietto di
San Pietro in Montorio, Rome, 1502, by
Bramante. This small temple marks the place where
St Peter was put to death.
Renaissance architecture
–
Temple of Vesta,
Rome, 205 AD. As the most important temple of Ancient Rome, it became the model for Bramante's Tempietto.
Renaissance architecture
–
Renaissance
Renaissance architecture
–
The Romanesque Baptistery of Florence was the object of Brunelleschi's studies of perspective
9.
Villa
–
A villa was originally an ancient Roman upper-class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably, after the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. Then they gradually re-evolved through the Middle Ages into elegant upper-class country homes, in modern parlance, villa can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to residences in the wildland–urban interface. In ancient Roman architecture a villa was originally a house built for the élite. The Roman villae rusticae at the heart of latifundia were the earliest versions of what later, not included as villae were the domus, a city house for the élite and privileged classes, and insulae, blocks of apartment buildings for the rest of the population. In Satyricon, Petronius described the range of Roman dwellings. Another type of villae is the villa marittima, a seaside villa, a concentration of Imperial villas existed on the Gulf of Naples, on the Isle of Capri, at Monte Circeo and at Antium. Examples include the Villa of the Papyri in Herculaneum, and the Villa of the Mysteries, wealthy Romans also escaped the summer heat in the hills round Rome, especially around Tibur (Tivoand Frascati, such as at Hadrians Villa. Cicero allegedly possessed no fewer than seven villas, the oldest of which was near Arpinum, pliny the Younger had three or four, of which the example near Laurentium is the best known from his descriptions. Roman writers refer with satisfaction to the self-sufficiency of their latifundium villas, archeologists have meticulously examined numerous Roman villas in England. The grand villa at Woodchester preserved its mosaic floors when the Anglo-Saxon parish church was built upon its site, grave-diggers preparing for burials in the churchyard as late as the 18th century had to punch through the intact mosaic floors. The even more palatial villa rustica at Fishbourne near Winchester was built as an open rectangle. Villae rusticae are essential in the Empires economy, two kinds of villa-plan in Roman Britain may be characteristic of Roman villas in general. The more usual plan extended wings of all opening onto a linking portico. The other kind featured a central hall like a basilica. The villa buildings were often independent structures linked by their enclosed courtyards, timber-framed construction, carefully fitted with mortises and tenons and dowelled together, set on stone footings, were the rule, replaced by stone buildings for the important ceremonial rooms. Traces of window glass have been found, as well as ironwork window grilles, with the decline and collapse of the Western Roman Empire in the fourth and fifth centuries, the villas were more and more isolated and came to be protected by walls. In England the villas were abandoned, looted, and burned by Anglo-Saxon invaders in the fifth century, in regions on the Continent, aristocrats and territorial magnates donated large working villas and overgrown abandoned ones to individual monks, these might become the nuclei of monasteries
Villa
–
The
Villa Medici in Fiesole with early terraced hillside
landscape: by
Leon Battista Alberti
Villa
–
The
Getty Villa, an adaptation of the
Villa of the Papyri, in
Pacific Palisades, Los Angeles
Villa
–
Model of
Fishbourne Roman Palace, a governor's villa on the grandest scale
Villa
–
The Villa di Medici by
Giuliano da Sangallo -1470:
Poggio a Caiano,
Tuscany
10.
Borghese gardens
–
Villa Borghese is a landscape garden in the naturalistic English manner in Rome, containing a number of buildings, museums and attractions. It is the third largest public park in Rome after the ones of the Villa Doria Pamphili, the gardens as they are now were remade in the early nineteenth century. In 1605, Cardinal Scipione Borghese, nephew of Pope Paul V and patron of Bernini, the vineyards site is identified with the gardens of Lucullus, the most famous in the late Roman republic. In the 19th century much of the gardens former formality was remade as a garden in the English taste. The Villa Borghese gardens were long informally open, but were bought by the commune of Rome, the large landscape park in the English taste contains several villas. The Spanish Steps lead up to this park, and there is another entrance at the Porte del Popolo by Piazza del Popolo, the Pincio, in the south part of the park, offers one of the greatest views over Rome. A balustrade from the gardens, was taken to England in the late 19th century, and installed in the grounds of Cliveden House, a mansion in Buckinghamshire, in 1896. The Piazza di Siena, located in the villa, hosted the dressage, individual jumping. In 2004, a species of Italian snail was discovered, still living on the balustrade after more than 100 years in England, today the Galleria Borghese is housed in the Villa Borghese itself. The Villa Giulia adjoining the Villa Borghese gardens was built in 1551 -1555 as a residence for Pope Julius III. The Villa Medici houses the French Academy in Rome, and the Fortezzuola a Gothic garden structure that houses a collection memorializing the academic modern sculptor Pietro Canonica, in the 1650s, Diego Velázquez painted several depictions of this Villas garden casino festively illuminated at night. Before electricity, such torchlit illuminations carried an excitement hard to conceive today, other villas scattered through the Villa Borghese gardens are remains of a world exposition in Rome in 1911. The Galleria Nazionale dArte Moderna located in its grounds has a collection of 19th-, architecturally the most notable of the 1911 exposition pavilions is the English pavilion designed by Sir Edwin Lutyens, now housing the British School at Rome. The villas gardens feature in one of Respighis Pini di Roma, the garden contains a replica of the Shakespeares Globe Theatre built in 2003. Beside the 1911 Expositions villas, there is the Expositions Zoo, recently redesigned, with minimal caging, as the Bioparco, another version stands in the gardens of the Pincian Hill. Embriaco had presented two prototypes of his invention at the Paris Universal Exposition in 1867 where it won prizes, list of parks and gardens in Rome 1960 Summer Olympics official report
Borghese gardens
–
Siena Square, inside the Villa Borghese gardens.
Borghese gardens
–
The 18th century "Temple of Aesculapius" built purely as a landscape feature, influenced by the lake at
Stourhead,
Wiltshire,
England.
Borghese gardens
–
Painting by
Diego Velázquez
Borghese gardens
–
Water clock in Villa Borghese
11.
Pincian Hill
–
The Pincian Hill is a hill in the northeast quadrant of the historical center of Rome. The hill lies to the north of the Quirinal, overlooking the Campus Martius. It was outside the boundaries of the ancient city of Rome, and was not one of the Seven hills of Rome. The hill came to be known in Roman times as Collis Hortulorum and its current name comes from the Pincii, one of the families that occupied it in the 4th century AD. The Pincio as seen today was laid out in 1809-14 by Giuseppe Valadier, Valadier linked the two spaces with formal staircases broken by generous landings, and a switchback carriageway. Another version stands in the Villa Borghese gardens, embriaco had presented two prototypes of his invention at the Paris Universal Exposition in 1867 where it won prizes and great acclaim. In the gardens of the Pincian, it was Giuseppe Mazzinis urging that lined the viali with busts of notable Italians, La collina del Pincio scopre i suoi segreti La Repubblica 11 December 2014
Pincian Hill
–
Steps lead from the
Piazza del Popolo to the Pincian Hill to the east.
Pincian Hill
–
The view from the Pincian Hill overlooking
Piazza del Popolo toward
St. Peter's Basilica
Pincian Hill
–
Embriaco's hydrochronometer in the Villa Borghese gardens
Pincian Hill
–
A hydrochronometer at Palazzo Berardi, Rome
12.
France
–
France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
France
–
One of the
Lascaux paintings: a horse –
Dordogne, approximately 18,000 BC
France
–
Flag
France
–
The
Maison Carrée was a temple of the
Gallo-Roman city of Nemausus (present-day
Nîmes) and is one of the best preserved vestiges of the
Roman Empire.
France
–
With
Clovis ' conversion to Catholicism in 498, the
Frankish monarchy,
elective and
secular until then, became
hereditary and of
divine right.
13.
Ottorino Respighi
–
Ottorino Respighi was an Italian violinist, composer and musicologist, best known for his three orchestral tone poems Fountains of Rome, Pines of Rome, and Roman Festivals. His musicological interest in 16th-, 17th- and 18th-century music led him to pieces based on the music of these periods. He also wrote operas, the most famous being La fiamma. Respighi was born in Bologna, Italy into a musical family and his father, a local piano teacher, taught him to play the piano and violin at an early age. He went on to study the violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, Respighi passed his exams and received a diploma in the violin in 1899. In 1900, Respighi accepted the role of principal violist in the orchestra of the Russian Imperial Theatre in Saint Petersburg, Russia, during his time there, he studied composition for five months with Russian composer Nikolai Rimsky-Korsakov. Respighi returned to Bologna to continue his studies in composition, which earned him a second diploma, until 1908, his principal activity was first violinist in the Mugellini Quintet, a touring quintet founded by composer Bruno Mugellini. Following his departure from the group, Respighi moved to Rome and he then spent some time performing in Germany before returning to Italy and turning his attention primarily to composition. In 1919, he married a pupil, singer Elsa Olivieri-Sangiacomo. Although many sources indicate some brief studies with Max Bruch during his time in Germany, during the early twentieth century, Respighi was active as a performer and composer. His compositions began to draw attention and, in 1913, he was appointed as professor of composition at the Conservatorio di Santa Cecilia in Rome, in 1917, his international fame rose following multiple performances of the first of his orchestral tone poems, Fountains of Rome. Subsequent tone poems include Pines of Rome, the Trittico Botticelliano, Vetrate di Chiesa, other notable orchestral works include the Sinfonia Drammatica, in three movements, and the Metamorphoseon Modi XII. From 1923 to 1926, Respighi was the director of the Conservatorio di Santa Cecilia, in 1925, he collaborated with Sebastiano Arturo Luciani on an elementary textbook entitled Orpheus. He was elected to the Royal Academy of Italy in 1932, the Concerto Gregoriano and Concerto in Modo Misolidio have proven to be the most enduringly popular. Notable works for voice and piano include a series of art songs, Deità Silvane, the Lauda per la Natività del Signore and Il Tramonto are performed relatively frequently. Respighis operas after Marie Victoire were all set to libretti by his close collaborator, aside from pastiches and the re-imagined/arrangement, La Boutique Fantasque, Respighi completed only two ballets, the Ballata delle Gnomidi and Belkis, Regina di Saba. A visit to Brazil resulted in the composition Impressioni Brasiliane and he had intended to write a sequence of five pieces, but by 1928 he had completed only three, and decided to present what he had. Its first performance was in 1928 in Rio de Janeiro, the first piece, Tropical Night, is a nocturne with fragments of dance rhythms suggested by the sensuous textures
Ottorino Respighi
–
Ottorino Respighi
Ottorino Respighi
–
Tomb of Respighi at Certosa di Bologna, Italy
Ottorino Respighi
–
Respighi, 1935
14.
Messalina
–
Valeria Messalina, sometimes spelled Messallina, was the wife of the Roman Emperor Claudius. She was a cousin of the Emperor Nero, a second-cousin of the Emperor Caligula. A powerful and influential woman with a reputation for promiscuity, she conspired against her husband and was executed on the discovery of the plot. Her notorious reputation arguably results from political bias, but works of art, Messalina was the daughter of Domitia Lepida the Younger and her first cousin Marcus Valerius Messalla Barbatus. Her mother was the youngest child of the consul Lucius Domitius Ahenobarbus, Messalinas grandmothers Claudia Marcella and Antonia Major were half sisters. Claudia Marcella, Messalinas paternal grandmother, was the daughter of Augustus sister Octavia the Younger by her marriage to Gaius Claudius Marcellus Minor, Antonia Major, Messalinas maternal grandmother, was the elder daughter of Octavia by her marriage to Mark Antony, and was Claudius maternal aunt. There was, therefore, an amount of inbreeding in the family. Little is known about Messalina’s life prior to her marriage in 38 to Claudius, her first cousin once removed, who was then about 48 years old. Two children were born as a result of their union, a daughter Claudia Octavia, an empress, stepsister and first wife to the emperor Nero. When the Emperor Caligula was murdered in 41, the Praetorian Guard proclaimed Claudius the new emperor, with her accession to power, Messalina enters history with a reputation as ruthless, predatory and sexually insatiable. Her husband is represented as easily led by her and unconscious of her many adulteries, in 48 AD, he went away on a trip and was informed when he returned that Messalina had gone so far as to marry her latest lover, Senator Gaius Silius. While many would have ordered her death, the Emperor offered her another chance, seeing that as weakness, one of his head officers went behind the Emperors back and ordered Messalinas death. Upon hearing the news, the Emperor did not react and simply asked for another chalice of wine, the Roman Senate then ordered a damnatio memoriae so that Messalinas name would be removed from all public and private places and all statues of her would be taken down. The historians who relay such stories, principally Tacitus and Suetonius and it has been argued that what passes for history is largely a result of the political sanctions that followed her death. Accusations of sexual excess were a tried and tested smear tactic, two accounts especially have added to her notoriety. The poet Juvenal gives a well known description in his sixth satire of how the Empress used to work clandestinely all night in a brothel under the name of the She-Wolf. He also alludes to the story of how she compelled Gaius Silius to divorce his wife, to call a woman a Messalina indicates a devious and sexually voracious personality. The historical figure and her fate were often used in the arts to make a moral point, in modern times, that has led to exaggerated works which have been described as romps
Messalina
–
Valeria Messalina
Messalina
–
Messalina holding her son Britannicus,
Louvre
Messalina
–
Messalina working in a brothel. Etching by
Agostino Carracci, late 16th century.
Messalina
–
Peder Severin Krøyer, Messalina, 1881,
Gothenburg Museum of Art
15.
Giovanni Ricci
–
Giovanni Ricci was an Italian Roman Catholic bishop and cardinal. Giovanni Ricci was born in Montepulciano on November 1,1498 and he later entered the service of Cardinal Alessandro Farnese, iuniore. He was sent on missions to the Kingdom of France and the Duchy of Burgundy. He then entered the estate and became a protonotary apostolic participantium. In 1542, he became a cleric in the Apostolic Camera and he was later to serve as apostolic collector for the Kingdom of Portugal, and nuncio to the Kingdom of France and to Austria. On June 25,1544, he was elected Archbishop of Manfredonia, Pope Julius III made him a cardinal priest in the consistory of November 20,1551. He received the red hat and the church of San Vitale on December 4,1551. He resigned the government of Chiusi sometime before November 19,1554, on November 10,1561, he became administrator of the see of Montepulciano. He served as Camerlengo of the Sacred College of Cardinals from January 30,1563 until 1564 and he participated in the papal conclave of 1565-66 that elected Pope Pius V. On January 30,1566, he opted for SantAngelo in Pescheria, a deaconry assigned as titulus and he was transferred to the metropolitan see of Pisa on September 3,1567. On July 3,1570, he opted for the order of cardinal bishops and he was a participant in the papal conclave of 1572 that elected Pope Gregory XIII. He opted for the see of Sabina on April 8,1573. He died in Rome on May 3,1574 and he was buried in San Pietro in Montorio
Giovanni Ricci
–
Giovanni Ricci
16.
Montepulciano
–
Montepulciano is a medieval and Renaissance hill town and comune in the Italian province of Siena in southern Tuscany. It sits high on a 605-metre limestone ridge,13 kilometres east of Pienza,70 kilometres southeast of Siena,124 kilometres southeast of Florence, Montepulciano is a major producer of food and drink. Renowned for its pork, cheese, pici pasta, lentils, connoisseurs consider its Vino Nobile, which should not be confused with varietal wine merely made from the Montepulciano grape, among Italys best. According to legend, it was founded by the Etruscan King Lars Porsena of Chiusi, in Roman times it was the seat of a garrison guarding the main roads of the area. After the fall of the Western Roman Empire, it developed as a center under the Lombards. In the 12th century it was attacked by the Republic of Siena, which the Poliziani faced with the help of the Perugia and Orvieto. The 14th century was characterized by constant struggles between the noble families, until the Del Pecora family became rulers of the town. In 1559, when Siena was conquered by Florence and Montepulciano lost its strategic role, a competitive barrel race through the city called the Bravio delle botti has been held on the last Sunday of August since the 14th Century. The main street of Montepulciano stretches for 1.5 kilometres from the Porta al Prato to the Piazza Grande at the top of the hill, the city is renowned for its walkable, car-free nature. The main landmarks include, The Palazzo Comunale, designed by Michelozzo in the tradition of the Palazzo della Signoria of Florence, Palazzo Tarugi, attributed to Antonio da Sangallo the Elder or Jacopo Barozzi da Vignola. It is entirely in travertine, with a portico which was open to the public. The church of Santa Maria delle Grazie and it has a simple Mannerist façade with a three-arcade portico. The interior has a nave, and houses a precious terracotta altar by Andrea della Robbia. The Sanctuary of the Madonna di San Biagio is on the road to Chianciano outside the city and it is a typical 16th century Tuscan edifice, designed by Antonio da Sangallo the Elder on a pre-existing Pieve, between 1518 and 1545. It has a plan with a large dome over a terrace. The exterior, with two towers, is built in white travertine. Baroque church of Santa Lucia has an altarpiece by Luca Signorelli, the walls of the city date to around the 14th century. Marcellus II, pope of the Catholic Church St. Robert Bellarmine, a Roman Catholic Saint, Cardinal, agnes of Montepulciano, a Roman Catholic Saint
Montepulciano
–
Panorama of Montepulciano
Montepulciano
Montepulciano
–
The Sanctuary of San Biagio.
Montepulciano
–
Montepulciano vista.
17.
Viticulture
–
Viticulture is the science, production, and study of grapes. It deals with the series of events occur in the vineyard. It is a branch of the science of horticulture, for this reason, viticulture can be found on every continent except Antarctica. Viticulturists are often involved with winemakers, because vineyard management. A great number of varieties are now approved in the European Union as true grapes for wine-growing and viticulture, the earliest evidence of grape vine cultivation and winemaking dates back 7,000 years. The history of viticulture is closely related to the history of wine, evidence suggests that some of the earliest domestication of Vitis vinifera occurred in the area of the modern countries Georgia and Armenia. The oldest-known winery was discovered in the Areni-1 cave in Vayots Dzor, dated to c. 4100 BC, the site contained a wine press, fermentation vats, jars, and cups. Archaeologists also found V. vinifera seeds and vines, commenting on the importance of the find, McGovern said, The fact that winemaking was already so well developed in 4000 BC suggests that the technology probably goes back much earlier. There is also evidence of domestication in the Near East in the early Bronze Age. Evidence of ancient viticulture is provided by sources, plant remains, historical geography. The remnants of ancient wine jars have been used to determine the culture of wine consumption, in addition to winemaking, grapes have been grown for the production of raisins. With the ability to pollinate itself, over time the hermaphroditic vines were able to sire offspring that were consistently hermaphroditic, during this period, grape cultivation developed from an aspect of local consumption to an important component of international economies and trade. From 1200 BC to 900 BC, the Phoenicians developed viticulture practices that were used in Carthage. Around 500 BC, the Carthaginian writer Mago recorded such practices in a work that was one of the few artifacts to survive the Roman destruction of Carthage during the Third Punic War. The Roman statesman Cato the Elder was influenced by texts, and around 160 BC he wrote De Agricultura. Around 65 AD, the Roman writer Columella produced the most detailed work on Roman viticulture in his twelve-volume text De Re Rustica, columellas work is one of the earliest to detail trellis systems for raising vines off the ground. Columella advocated the use of stakes versus the previously accepted practice of training vines to grow up along tree trunks. Roman viticulturists were among the first to identify steep hillsides as one of the locations to plant vines, because cool air runs downhill
Viticulture
–
Wine grapes
Viticulture
–
Vineyard v
Brhlovce,
Slovakia.
Viticulture
Viticulture
–
Examples of
downy and
powdery mildew on a grape leaf.
18.
Casina (architecture)
–
In architecture a pavilion has several meanings. In architectural terminology it refers to a building that is either positioned separately or as an attachment to a main building. Often its function makes it an object of pleasure, such configurations provide an emphatic visual termination to the composition of a large building, akin to bookends. Pavilions may be small outbuildings, similar to a summer house or a kiosk, small rooms on the roof of a large house. These were particularly popular up to the 18th century and can be equated to the Italian casina and these often resembled small classical temples and follies. Especially if there is space for food preparation, they may be called a banqueting house. A pavilion built to take advantage of a view may be referred to as a gazebo, bandstands in a park are a class of pavilion. A pool house by a swimming pool may have sufficient character, a sports pavilion is usually a building adjacent to a sports ground used for changing clothes and often partaking of refreshments. Often it has a verandah to provide protection from the sun for spectators, in cricket grounds, as at Lords, a cricket pavilion tends to be used for the building the players emerge from and return to, even when this is actually a large building including a grandstand. Externally, pavilions may be emphasised by any combination of a change in height, profile, colour, material, internally they may be part of a rectangular block, or only connected to the main block by a thin section of building. The two 18th-century English country houses of Houghton Hall and Holkham Hall, illustrate these different approaches in turn, in the Place des Vosges, Paris, twin pavilions mark the centers of the north and south sides of the square. They are named the Pavillon du Roi and the Pavillon de la Reine though no royal personage ever lived in the square, with their triple archways, they function like gatehouses that give access to the privileged space of the square. French gatehouses had been built in the form of such pavilions in the preceding century, in some areas, a pavilion is a term for a hunting lodge. The Pavillon de Galon in Luberon, France is a typical 18th century aristocratic hunting pavilion, the pavilion, located on the site of an old Roman villa, includes a garden à la française, which was used by the guests for receptions. Notes Media related to Pavilions at Wikimedia Commons
Casina (architecture)
–
The freestanding Deewan-e-Aam audience hall in
Lahore Fort, Pakistan
Casina (architecture)
–
Banqueting House at
Studley Royal Park
Casina (architecture)
–
Woodfarm Pavilion, Glasgow. An example of a more common pavilion in an urban area.
Casina (architecture)
–
Pavilions at each end of the facade of the Upper
Belvedere, Vienna
19.
Marcello Crescenzi
–
Marcello Crescenzi was an Italian Roman Catholic bishop and cardinal. Marcello Crescenzi was born in Rome in 1500, the son of Mario Crescenzi and he became a doctor of both laws. He was a canon of Santa Maria Maggiore, in 1525, he was made an Auditor of the Roman Rota. On January 19,1534, he was elected Bishop of Marsi and he resigned the government of the diocese sometime before May 17,1546. Pope Paul III made him a cardinal priest in the consistory of June 2,1542 and he received the red hat and the titular church of San Marcello al Corso on November 6,1542. On November 2,1544, the pope appointed Cardinal Crescenzi to the Council of Trent, on May 5,1546, he became administrator of the see of Conza, holding that position until his death. He was an elector at the papal conclave of 1549-50 that elected Pope Julius III. The new pope made Crescenzi papal legate in Bologna and he was the Camerlengo of the Sacred College of Cardinals from January 19,1551 to January 8,1552. The pope named him to a commission on church reform on February 18,1551 and he died in Verona as he was returning to Rome from Trent on May 28,1552. His remains were returned to Rome and he was buried in Santa Maria Maggiore
Marcello Crescenzi
–
Marcello Crescenzi
20.
Michelangelo
–
Michelangelo di Lodovico Buonarroti Simoni was an Italian sculptor, painter, architect, and poet of the High Renaissance who exerted an unparalleled influence on the development of Western art. Considered to be the greatest living artist during his lifetime, he has since described as one of the greatest artists of all time. A number of Michelangelos works of painting, sculpture, and architecture rank among the most famous in existence and he sculpted two of his best-known works, the Pietà and David, before the age of thirty. As an architect, Michelangelo pioneered the Mannerist style at the Laurentian Library, at the age of 74, he succeeded Antonio da Sangallo the Younger as the architect of St. Peters Basilica. Michelangelo transformed the plan so that the end was finished to his design, as was the dome, with some modification. Michelangelo was unique as the first Western artist whose biography was published while he was alive, in his lifetime he was often called Il Divino. One of the qualities most admired by his contemporaries was his terribilità, the attempts by subsequent artists to imitate Michelangelos impassioned and highly personal style resulted in Mannerism, the next major movement in Western art after the High Renaissance. Michelangelo was born on 6 March 1475 in Caprese near Arezzo, at the time of Michelangelos birth, his father was the Judicial administrator of the small town of Caprese and local administrator of Chiusi. Michelangelos mother was Francesca di Neri del Miniato di Siena, the Buonarrotis claimed to descend from the Countess Mathilde of Canossa, this claim remains unproven, but Michelangelo himself believed it. Several months after Michelangelos birth, the returned to Florence. There Michelangelo gained his love for marble, as Giorgio Vasari quotes him, If there is good in me. Along with the milk of my nurse I received the knack of handling chisel and hammer, as a young boy, Michelangelo was sent to Florence to study grammar under the Humanist Francesco da Urbino. The young artist, however, showed no interest in his schooling, preferring to copy paintings from churches, the city of Florence was at that time the greatest centre of the arts and learning in Italy. Art was sponsored by the Signoria, by the merchant guilds and by patrons such as the Medici. The Renaissance, a renewal of Classical scholarship and the arts, had its first flowering in Florence, the sculptor Lorenzo Ghiberti had laboured for fifty years to create the bronze doors of the Baptistry, which Michelangelo was to describe as The Gates of Paradise. The exterior niches of the Church of Orsanmichele contained a gallery of works by the most acclaimed sculptors of Florence – Donatello, Ghiberti, Andrea del Verrocchio, and Nanni di Banco. The interiors of the churches were covered with frescos, begun by Giotto. During Michelangelos childhood, a team of painters had been called from Florence to the Vatican, among them was Domenico Ghirlandaio, a master in fresco painting, perspective, figure drawing, and portraiture who had the largest workshop in Florence at that period
Michelangelo
–
Portrait of Michelangelo by
Daniele da Volterra
Michelangelo
–
The
Madonna of the Stairs (1490–92), Michelangelo's earliest known work
Michelangelo
–
Michelangelo's
Pietà, St Peter's Basilica (1498–99)
Michelangelo
–
The
Statue of David, completed by Michelangelo in 1504, is one of the most renowned works of the Renaissance.
21.
Bartolomeo Ammanati
–
Bartolomeo Ammannati was an Italian architect and sculptor, born at Settignano, near Florence. He studied under Baccio Bandinelli and Jacopo Sansovino and closely imitated the style of Michelangelo and he was more distinguished in architecture than in sculpture. He worked in Rome in collaboration with Vignola and Vasari), including designs for the Villa Giulia and his design mirrored the appearance of the main external façade of Pitti. He was also named Consul of Accademia delle Arti del Disegno of Florence, in 1569, Ammanati was commissioned to build the Ponte Santa Trinita, a bridge over the Arno River. The three arches are elliptic, and though very light and elegant, has survived, when floods had damaged other Arno bridges at different times, Santa Trinita was destroyed in 1944, during World War II, and rebuilt in 1957. Ammannati designed what is considered a prototypic mannerist sculptural ensemble in the Fountain of Neptune, from 1563 and 1565, Ammannati and his assistants, among them Giambologna, sculpted the block of marble that had been chosen by Bandinelli. He took Grand Duke Cosimo I as model for Neptunes face, the statue was meant to highlight Cosimos goal of establishing a Florentine Naval force. In 1550 Ammannati married Laura Battiferri, an elegant poet and an accomplished woman, later in his life he had a religious crisis, influenced by Counter-Reformation piety, which resulted in condemning his own works depicting nudity, and he left all his possessions to the Jesuits. He died in Florence in 1592, victory, marble, Museo Nazionale del Bargello, Florence. Leda with the Swan, marble, also in Bargello, Florence, parnassus, marble, Museo Nazionale del Bargello, Florence Allegory of Winter, stone, Villa Medici, Castello Goddess Opi, bronze, Palazzo Vecchio, Florence Bartolomeo Ammannati in the History of Art
Bartolomeo Ammanati
–
The
Fountain of Neptune (Fontana del Nettuno) on the
Piazza della Signoria in
Florence,
Italy
Bartolomeo Ammanati
–
Garden entrance of the Ammannati Courtyard in the Pitti Palace.
Bartolomeo Ammanati
–
The
Jesuit College in Rome, 1582–84, was one of Ammannati's later designs
Bartolomeo Ammanati
22.
Medici lions
–
The sculptures depict standing male lions with a sphere or ball under one paw, looking to the side. The Medici lions have been copied, directly or with variations, according to Vacca, the lion had been a relief, which was carved free of its background and reworked by Giovanni Sciarano or Giovanni di Scherano Fancelli, of whom little is now known. The second was made and signed by Vacca, also in marble, the pair were in place at the Loggia dei Leoni in 1598 The pendant was made from a capital that had come from the Temple of Jupiter Optimus Maximus. The sculptures were replaced by copies at the Villa Medici when Napoleon relocated the French Academy in Rome to the villa in 1803 and these copies were made by the French sculptor Augustin Pajou. The original Medici lions are since 1789 standing at the Loggia dei Lanzi, Piazza della Signoria, there is smaller bronze left-looking sculpture attributed to Italian sculptor Pietro da Barga and the same period. Eight sculptures are now in the Museo del Prado, of which four support the tabletop of Rodrigo Calderón, Sculptures in Colmenar marble at the Montforte Gardens, Valencia by José Bellver. Sculptures in marble at the Canalejas Park, Alicante, sculpture in bronze in the Royal Swedish Academy of Arts building, Stockholm. Sculpture in bronze at the Royal Institute of Art, Stockholm, sculpture in bronze in Nacka, Stockholm. Sculptures in lead at Stowe House attributed to John Cheere, formerly placed at Stanley Park, Blackpool. Sculpture in the park of Kedleston Hall, carved by Joseph Wilton, two artificial stone versions are found in the garden of the Osborne House, Isle of Wight. Sculptures at the Stanley Park, Blackpool and these were produced, by Rupert Harris Conservation, using casts from the former sculptures which were returned, on loan, to Stowe house in 2013. Versions in Saint Petersburg, Russia include, The Lion Cascade in bronze at Peterhof Palace, Sculptures in marble at the Lobanov-Rostovsky Residence. Sculptures in bronze at the staircase of the old Mikhailovsky Palace, Sculptures at the entrance of Yelagin Palace. The Lions at the Dvortsovaya pier in bronze at the Admiralty embankment, versions in southern Russia and later Ukraine include, Sculptures in marble at the Vorontsov Palace, Odessa. Six pairs of lion sculptures at the Voronstov Palace, Crimea. Pair of lion sculptures at Starosinnyi Garden, Odessa, Sculptures in marble by Augustin Pajou at the Villa Medici. Four miniature versions surrounding the Akademie- or Löwenbrunnen in the palace garden, two gilded versions as part of the Lion Fountain in front of Glienicke Palace, Berlin. Statues at the entrance of Schloss Monrepos, Ludwigsburg, two versions outside the Cathedral de la Purisma Concepción in Cienfuegos, Cuba
Medici lions
–
Fancelli's ancient lion
Medici lions
–
Vacca's lion
Medici lions
–
The original Medici lions at the Villa Medici (
Giovanni Francesco Venturini 1691)
Medici lions
–
The current Medici Lions at the Villa Medici in Rome
23.
Wrestlers (sculpture)
–
The Wrestlers is a Roman marble sculpture after a lost Greek original of the third century BCE. It is now in the Uffizi collection in Florence, Italy, the two young men are engaged in the pankration, a kind of wrestling similar to the present-day sport of mixed martial arts. The two figures are wrestling in a position now known as a ride in modern freestyle wrestling. The upper wrestler has his left leg entwined with his opponents leg, with his body across the opponents body. In a well-known modern series of wrestling moves, the wrestler would now try to lift his opponents arm above his head to force a pinning move called the Guillotine. Their muscular structure is defined and exaggerated due to their physical. Neither of the two heads are original to the group, though that of the figure is older and is as advanced sylistically as the sons in the Niobe Group. The heads were added after the sculpture was rediscovered, the group are considered to be finest quality Roman copies of a lost bronze. The sculpture has been attributed variously to Myron, Cephisodotus the Younger or Heliodorus, the last two are mentioned by Pliny as creators of a sculptural format called symplegmata, signifying sculptures of figures closed in struggle, whether purely physical or amatory. Currently the sculpture is considered to be the best-quality Roman copy from a lost original Hellenistic bronze of the third century BCE, either of the Pergamene school or the circle of Lysippus. Circumstances of their discovery, and the fact that the heads were missing, there it was illustrated in an engraving of 1594. The Wrestlers is now among the Medici collections in the Galerie degli Uffizi, where it was a main feature of the Tribuna of the Uffizi. The sculpture was cleaned of its former somewhat oily patina, the sculpture has been reproduced in marble, bronze and plaster, and in modern times cast in resin, both in full size and in miniature, and the subject in general was treated by Michelangelo. Philippe Magnier produced a copy of the group ca 1684-87 for the gardens of Versailles - it was later moved to Marly. Museo Mero The Pancrastinae, pencil and chalk drawing on paper by John Everett Millais, Royal Academy of Arts Collections Media related to Uffizi wrestlers at Wikimedia Commons
Wrestlers (sculpture)
–
The Wrestlers at the
Uffizi Museum
Wrestlers (sculpture)
–
A copy cast in 1885, displayed at the horticultural center in
Fairmount Park,
Philadelphia
Wrestlers (sculpture)
–
Philippe Magnier 's somewhat weathered copy of ca 1684-87 (
Louvre Museum)
Wrestlers (sculpture)
–
The Wrestlers before modern cleaning
24.
Arrotino
–
The Arrotino, or formerly the Scythian, thought to be a figure from a group representing the Flaying of Marsyas is a Hellenistic-Roman sculpture of a man crouching to sharpen a knife on a whetstone. It was removed to the Villa Medici, where it was displayed until it was removed in the century to the Medici collections in Florence. Only since the century has it been recognized as having formed one part of a Hellenistic group of Apollo flaying Marsyas. As such, plaster copies were made for show and for art instruction, the original was often displayed beside one of the variants of the other great ancient sculpture of a crouching figure, the Crouching Venus also in the Uffizi collection. However, the Arrotino is now recognised simply as a first-century BC copy from a Hellenistic original and it is on display in the Tribuna of the Uffizi, alongside Old Master paintings, as it has been since the 18th century
Arrotino
–
The Arrotino
Arrotino
–
Detail from the
Tribuna of the Uffizi by
Johann Zoffany: The Arrotino is staged as if in the Tribuna in the 1770s, with the
Chimera of Arezzo behind it; such an imaginary assembly of antiquities was a feature of the painting genre called a capriccio.
Arrotino
–
The Royal Academy cast (Courtauld Gallery), London
25.
Grand Duke of Tuscany
–
The rulers of Tuscany have varied over time, sometimes being margraves, the rulers of handfuls of border counties and sometimes the heads of the most important family of the region. These were originally counts of Lucca who extended their power over the neighbouring counties, frederick of Antioch, 1246–50 After this, Tuscany was splintered between the competing republics of Florence, Pisa, Siena, Arezzo, Pistoia and Lucca. Since the 14th century, Florence gained dominance over Pistoia, Arezzo, Pisa, Lucca was an independent republic until the Napoleonic period in the 19th century. Tuscany was annexed by France, 1807–1814, napoleons sister Elisa Bonaparte was given the honorary title of Grand Duchess of Tuscany, but did not actually rule over the region. Leopoldo II was driven from Tuscany by revolution from 21 February to 12 April 1849 and he abdicated in favor of his son, Ferdinando IV, on 21 July 1859, but Ferdinando IV was never recognized in Tuscany, and was deposed by the provisional government on 16 August. Tuscany was annexed by Piedmont-Sardinia, on 22 March 1860
Grand Duke of Tuscany
Grand Duke of Tuscany
–
Grand Duke of Tuscany
Grand Duke of Tuscany
–
Lodovico I
Grand Duke of Tuscany
–
Carlo Lodovico II
26.
Medici Vase
–
The Medici Vase is a monumental marble bell-shaped krater sculpted in Athens in the second half of the 1st century AD as a garden ornament for the Roman market. It is now in the Uffizi Gallery in Florence, two fluted loop handles rise from satyrs heads on either side of the acanthus-leaf carved base, and it stands on a spreading gadrooned base on a low square plinth. The vase reappeared in the 1598 inventory of the Villa Medici, Rome, transferred from the villa in 1780, it has ever since been displayed in the Uffizi Gallery, today in the first-floor Verone sull’Arno overlooking the River Arno. It was often illustrated in engravings, the most famous of which is by Stefano della Bella, he depicted the young Medici heir who would become Grand Duke Cosimo III seated, drawing the vase. Often paired as garden ornaments since the later 17th century with the similar Borghese Vase, angelica Kauffman painted the second Lord Berwick on his Grand Tour seated beside the vase. Many copies, sometimes rather loose, were made to decorate palaces or their gardens, the Medici Vase remains a popular subject for imitation in bronze or porcelain, for example by Wedgwood. Material on the many later versions of the pairing can be found at Borghese Vase. Medici lions Francis Haskell and Nicholas Penny,1981, taste and the Antique, the Lure of Classical Sculpture 1500-19001981, cat. Flickr, Replica of Medici Vase in Kew Gardens — photo, mallettantiques. com, 19th century copy of the Medici Vase
Medici Vase
–
Etching by
Stefano della Bella (1656); the young
Grand Duke Cosimo III drawing the vase at the
Villa Medici, Rome
Medici Vase
–
Piranesi recorded the composition
Medici Vase
–
Potsdam,
Sanssouci
Medici Vase
–
Eugène Atget photographs the
Palace of Versailles
27.
Uffizi
–
The Uffizi Gallery is a prominent art museum located adjacent to the Piazza della Signoria in central Florence, region of Tuscany, Italy. The building of Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de Medici so as to accommodate the offices of the Florentine magistrates, hence the name uffizi, the construction was later continued by Alfonso Parigi and Bernardo Buontalenti and completed in 1581. The niches in the piers that alternate with columns filled with sculptures of artists in the 19th century. The Uffizi brought together under one roof the administrative offices, the Tribunal and the Archivio di Stato, the state archive. He commissioned from the architect Buontalenti the design of the Tribuna degli Uffizi that collected a series of masterpieces in one room, over the years, more sections of the palace were recruited to exhibit paintings and sculpture collected or commissioned by the Medici. The gallery had been open to visitors by request since the sixteenth century, because of its huge collection, some of its works have in the past been transferred to other museums in Florence—for example, some famous statues to the Bargello. A project was finished in 2006 to expand the exhibition space some 6,000 metres² to almost 13,000 metres². On 27 May 1993, a car exploded in Via dei Georgofili and damaged parts of the palace. The most severe damage was to the Niobe room and classical sculptures and neoclassical interior, the identity of the bomber or bombers are unknown, although it was almost certainly attributable to the Sicilian Mafia who were engaged in a period of terrorism at that time. Today, the Uffizi is one of the most popular tourist attractions of Florence, in high season, waiting times can be up to five hours. In early August 2007, Florence experienced a heavy rainstorm, the Gallery was partially flooded, with water leaking through the ceiling, and the visitors had to be evacuated. There was a more significant flood in 1966 which damaged most of the art collections in Florence severely. Here is a selection from the collection, The collection also contains some ancient sculptures, such as the Arrotino. Collections of the Uffizi Official website Uffizi – Google Art Project
Uffizi
–
Narrow courtyard between palace's two wings with view toward the
Arno.
Uffizi
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Restored Niobe room represents Roman copies of late
Hellenistic art. View of daughter of
Niobe bent by terror.
Uffizi
–
Niobide rises on a rock
Uffizi
–
View of hallway. The walls were originally covered with tapestries.
28.
Grand Tour
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The custom flourished from about 1660, until the advent of large-scale rail transport in the 1840s, and was associated with a standard itinerary. It served as a rite of passage. With nearly unlimited funds, aristocratic connections and months to roam, they commissioned paintings, perfected their language skills, in addition, it provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last from months to several years. It was commonly undertaken in the company of a Cicerone, a guide or tutor. The legacy of the Grand Tour lives on to the day and is still evident in works of travel. In essence, the Grand Tour was neither a scholars pilgrimage nor a one, though a pleasurable stay in Venice. Catholic Grand Tourists followed the routes as Protestant Whigs. Pompeo Batoni made a career of painting English milordi posed with graceful ease among Roman antiquities, many continued on to Naples, where they viewed Herculaneum and Pompeii, but few ventured far into southern Italy or Malta, and fewer still to Greece, still under Turkish rule. Rome for many centuries had been the goal of pilgrims, especially during Jubilee when they visited the Seven Pilgrim Churches of Rome. This is partly because he asked Inigo Jones, not yet established as an architect but already known as a traveller and masque designer. Larger numbers of tourists began their tours after the Peace of Münster in 1648, lasselss introduction listed four areas in which travel furnished an accomplished, consummate Traveller, the intellectual, the social, the ethical, and the political. The idea of travelling for the sake of curiosity and learning was an idea in the 17th century. Thus, one could use up the environment, taking from it all it offers, travel, therefore, was necessary for one to develop the mind and expand knowledge of the world. Consciously adapted for intellectual self-improvement, Gibbon was revisiting the Continent on a larger and more liberal plan, the typical 18th-century sentiment was that of the studious observer travelling through foreign lands reporting his findings on human nature for those unfortunate enough to have stayed home. Recounting ones observations to society at large to increase its welfare was considered an obligation, the Grand Tour offered a liberal education, and the opportunity to acquire things otherwise unavailable at home, lending an air of accomplishment and prestige to the traveller. The trappings of the Grand Tour, especially portraits of the traveller painted in iconic continental settings, became the obligatory emblems of worldliness, gravitas, the less well-off could return with an album of Piranesi etchings. The perhaps in Gibbons opening remark cast a shadow over his resounding statement
Grand Tour
–
The interior of the
Pantheon in the 18th century, painted by
Giovanni Paolo Panini
Grand Tour
–
The Grand Tourist, like
Francis Basset, would become familiar with Antiquities, though this altar is the invention of the painter
Pompeo Batoni, 1778. [
citation needed]
Grand Tour
–
Portrait of
Douglas, 8th Duke of Hamilton, on his Grand Tour with his physician
Dr John Moore and the latter's son
John. A view of
Geneva is in the distance where they stayed for two years. Painted by
Jean Preudhomme in 1774.
Grand Tour
–
Northerners found the contrast between Roman ruins and modern peasants of the
Roman Campagna an educational lesson in
vanities [
citation needed] (painting by
Nicolaes Pietersz Berchem, 1661,
Mauritshuis)
29.
Palazzo Farnese
–
Palazzo Farnese or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the Farnese family, the expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola, work was interrupted by the Sack of Rome in 1527. The massive palace block and its facade dominate the Piazza Farnese, when Paul appeared on the balcony, the entire facade became a setting for his person. The courtyard, initially open arcades, is ringed by an exercise in ascending orders. The piano nobile entablature was given a frieze with garlands, added by Michelangelo, while the practicalities of achieving this bridge remain dubious, the idea was a bold and expansive one. During the 16th century, two large granite basins from the Baths of Caracalla were adapted as fountains in the Piazza Farnese, the palazzo was further modified for the papal nephew Ranuccio Farnese by Jacopo Barozzi da Vignola. It was completed for the second Cardinal Alessandro Farnese by Giacomo della Portas porticoed facade towards the Tiber which was finished in 1589, following the death of Cardinal Odoardo Farnese in 1626, the palazzo stood virtually uninhabited for twenty years. At the conclusion of the War of Castro with the papacy, Duke Odoardo was able to regain his family properties, the resulting inventory is the oldest surviving complete inventory of Palazzo Farnese. After Odoardos death, Pope Alexander VII allowed Queen Christina of Sweden to lodge in the palace for several months, other rooms have frescoes by Daniele da Volterra and by other artists. For generations, the room with Herculean frescoes accommodated the famous Greco-Roman antique sculpture known as the Farnese Hercules, other works from the family collection of classical sculpture were also housed in the palace. One of the vault and ceiling fresco by Annibale Carracci is Galleria Farnese and this large central scene depicts the triumphal progress of Bacchus and Ariadne. Two smaller paintings are attached to the top and bottom of the central picture, USA, the Chief Secretary’s Building in Sydney, Australia, and the Royal Palace, Stockholm. In England Charles Barrys great admiration for the building led him to use it as the model for Londons Reform Club, in Puccinis opera Tosca, set in Napoleonic Rome, the heroines confrontation with the malevolent Chief of Police, Scarpia, takes place in Palazzo Farnese. The Palazzo was inherited from the Farnese by the Bourbon kings of Naples, though the government of Benito Mussolini ransomed it in 1936, the French Embassy remains, under a 99-year lease for which they pay the Italian government a symbolic fee of 1 euro per month. The Palazzo Farnese houses the great scholarly library amassed by the Ecole Française de Rome, concentrating especially on the archeology of Italy, the first three volumes are, F. C. Uginet, Le palais farnèse à travers les documents financiers. Ecole Française de Rome I.1 and I.2, Étude des manuscrits latins et en langue vernaculaire
Palazzo Farnese
–
Palazzo Farnese in Rome
Palazzo Farnese
–
A mid-18th-century engraving of Palazzo Farnese by
Giuseppe Vasi.
Palazzo Farnese
–
The coat of arms of Farnese Pope Paul III
Palazzo Farnese
–
Detail of the Triumph of Bacchus and Ariadne by
Annibale Carracci, the
Farnese Gallery, 1595.
30.
House of Lorraine
–
The House of Lorraine originated as a cadet branch of the House of Metz. It inherited the Duchy of Lorraine in 1473 after the death of duke Nicholas I without a male heir, Francis, his sons Joseph II and Leopold II, and grandson Francis II were the last four Holy Roman Emperors from 1745 to the dissolution of the empire in 1806. Habsburg-Lorraine inherited the Habsburg Empire, ruling the Austrian Empire and Austria-Hungary until the dissolution of the monarchy in 1918, the house claims descent from Gerard I of Paris whose immediate descendants are known as the Girardides. The Matfridings of the 10th century are thought to have been a branch of the family, at the turn of the 10th century they were Counts of Metz and ruled a set of lordships in Alsace and Lorraine. Mary of Guise, mother of Mary, Queen of Scots, louis XIVs imperialist ambitions forced the dukes into a permanent alliance with his archenemies, the Holy Roman Emperors from the House of Habsburg. Following the failure of both Emperor Joseph I and Emperor Charles VI to produce a son and heir, the Pragmatic Sanction of 1713 left the throne to the yet unborn daughter. In 1736 Emperor Charles arranged her marriage to Francis of Lorraine who agreed to exchange his hereditary lands for the Grand Duchy of Tuscany, at Charless death in 1740 the Habsburg lands passed to Maria Theresa and Francis, who was later elected Holy Roman Emperor as Francis I. The Habsburg-Lorraine nuptials and dynastic union precipitated, and survived, the War of the Austrian Succession, another member of the house, Archduke Maximilian of Austria, was Emperor of Mexico. In 1900, Archduke Franz Ferdinand of Austria contracted a marriage with Countess Sophie Chotek. Their descendants, known as the House of Hohenberg, have been excluded from succession to the Austro-Hungarian crown, but not that of Lorraine, where morganatic marriage has never been outlawed. Nevertheless, Otto von Habsburg, the eldest grandson of Franz Ferdinands younger brother, was regarded as the head of the house until his death in 2011. It was at Nancy, the capital of the House of Vaudemont. House of Metz Adalbert, Duke of Upper Lorraine r, 1047/8 Gérard, Duke of Lorraine, r. 1390–1431 Charles II died without heir, the duchy passing to Isabella, Duchess of Lorraine. The duchy passed to their son John II, whose son Nicholas I died without male heir, the title now went to Nicholas aunt Yolande. René inherited the title of Duke of Lorraine upon his marriage in 1473, René II, Duke of Lorraine, r. 1608–1624 Nicole Claude Francis II, Charles IV, Duke of Lorraine r, 1624–1675 Nicholas Francis Charles V, r. 1690–1729 Francis Stephen, Duke of Lorraine, r, 1745–1765 House of Habsburg-Lorraine Joseph II, Holy Roman Emperor, r
House of Lorraine
–
The
Château du Grand Jardin in
Joinville, the seat of the
Counts and Dukes of Guise.
House of Lorraine
–
House of Habsburg-Lorraine Haus Habsburg-Lothringen
House of Lorraine
–
Francis I of Lorraine with his family.
31.
Kingdom of Etruria
–
The Kingdom of Etruria was a kingdom between 1801 and 1807 which made up a large part of modern Tuscany. It took its name from Etruria, the old Roman name for the land of the Etruscans, the kingdom was created by the Treaty of Aranjuez, signed at Aranjuez, Spain on 21 March 1801. In the context of an agreement between Napoleonic France and Spain, the Bourbons of Parma were compensated for the loss of their territory in northern Italy. Ferdinand, Duke of Parma ceded his duchy to France, to make way for the Bourbons, the Habsburg Grand Duke of Tuscany Ferdinand III was ousted and compensated with the Electorate of Salzburg. Originally the Duchy of Tuscany, Etruria had been ceded to the Bourbons in 1801 in the person of Charles IVs eldest daughter and her Italian consort, Louisiana was duly transferred to France on 15 October 1802, after the signing of the Treaty of Aranjuez. Napoleon subsequently sold Louisiana in the Louisiana Purchase on December 20,1803, the first king died young in 1803, and his underage son Charles Louis succeeded him. His mother, Maria Luisa of Spain, was appointed regent, however, since Etruria was troubled with smuggling and espionage Napoleon annexed the territory, thus becoming the last non-Bonaparte Italian kingdom on the Peninsula. Since Spains only hope of compensation lay in Portugal, co-operation with the emperor became more important, in 1807, Napoleon dissolved the kingdom and integrated it into France, turning it into three French départements, Arno, Méditerranée and Ombrone. The king and his mother were promised the throne of a new Kingdom of Northern Lusitania, after his downfall in 1814, Tuscany was restored to its Habsburg Grand Dukes. In 1815, the Duchy of Lucca was carved out of Tuscany as compensation for the Bourbons of Parma until they resumed their rule in 1847
Kingdom of Etruria
Kingdom of Etruria
–
Flag
32.
French Academy at Rome
–
The French Academy in Rome is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio in Rome, Italy. The Academy was founded at the Palazzo Capranica in 1666 by Louis XIV under the direction of Jean-Baptiste Colbert, Charles Le Brun, such scholars were and are known as pensionnaires de lAcadémie. One recipient of the scholarship in the 17th century was Pierre Le Gros the Younger, the Academy was housed in the Palazzo Capranica until 1737, and then in the Palazzo Mancini from 1737 to 1793. These envois were annual works, sent to Paris to be judged, at first, the villa and its gardens were in a sad state and had to be renovated to house the winners of the Prix de Rome. The competition was interrupted during the first World War, and Mussolini confiscated the villa in 1941, the competition and Prix de Rome were eliminated in 1968 by André Malraux. The Académie des Beaux-Arts in Paris and the Institut de France then lost their guardianship of the Villa Medici to the Ministry of the Culture, from that time on, the boarders no longer belonged solely to the traditional disciplines but also to new or previously neglected artistic fields. These artists-in-residence are known as pensionnaires, the French word ‘pension’ refers to the room & board these, generally young and promising, artists receive. The artists are no longer recruited by a competition but by application, between 1961 and 1967, the artist Balthus, then at the head of the Academy, carried out a vast restoration campaign of the palace and its gardens, providing them with modern equipment. Balthus participated “hands on” in all the phases of the construction, where the historic décor had disappeared, Balthus proposed personal alternatives. Work continued under the direction of director, Richard Peduzzi, under director Frédéric Mitterrand the Academy opened up its guest rooms to the general public at times when they are not used by pensionnaires or other official guests. k. a. Carolus-Duran 1913-1921, Albert Besnard 1921-1933, Denys Puech 1933-1937, Paul-Maximilien Landowski 1937-1960, Jacques Ibert 1961-1977, Comte Balthazar Klossowski de Rola, a. k. a. Balthus 1979-1985, Jean Leymarie 1985-1994, Jean-Marie Drot 1994-1997, Pierre-Jean Angremy, a. k. a. villamedici. it/ Official site Google Map
French Academy at Rome
–
Villa Medici
French Academy at Rome
–
Portrait of Prix de Rome winner and fellow student
Merry-Joseph Blondel in front of the Villa Medici in 1809, by
Ingres
French Academy at Rome
–
Villa Medici painted by Velázquez
33.
Prix de Rome
–
The Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state, the prize was extended to architecture in 1720, music in 1803, and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, the Minister of Culture, the Prix de Rome was initially created for painters and sculptors in 1663 in France during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest, the prize, organised by the Académie Royale de Peinture et de Sculpture, was open to their students. From 1666, the winner could win a stay of three to five years at the Palazzo Mancini in Rome at the expense of the King of France. In 1720, the Académie Royale d’Architecture began a prize in architecture, six painters, four sculptors, and two architects would be sent to the French Academy in Rome founded by Jean-Baptiste Colbert from 1666. Expanded after 140 years into five categories, the contest started in 1663 as two categories, painting and sculpture, in 1803, music was added, and after 1804 there was a prix for engraving as well. The primary winner took the First Grand Prize and the Second Prizes were awarded to the runners-up, in 1803, Napoleon Bonaparte moved the French Academy in Rome to the Villa Medici with the intention of preserving an institution once threatened by the French Revolution. At first, the villa and its gardens were in a sad state, in this way, he hoped to retain for young French artists the opportunity to see and copy the masterpieces of antiquity and the Renaissance. Jacques-Louis David, having failed to win the three years in a row, considered suicide. Édouard Manet, Edgar Degas, Ernest Chausson and Maurice Ravel attempted the Prix de Rome, but did not gain recognition. Ravel tried a total of five times to win the prize, during World War II the prize winners were accommodated in the Villa Paradiso in Nice. The Prix de Rome was abolished in 1968 by André Malraux, since then, a number of contests have been created, and the academies, together with the Institut de France, were merged by the State and the Minister of Culture. Selected residents now have an opportunity for study during an 18-month stay at The Academy of France in Rome, the heyday of the Prix de Rome was during the late eighteenth and early nineteenth centuries. The Prix de Rome for Architecture was created in 1720, the engraving prize was created in 1804. A Prix de Rome was also established in the Kingdom of Holland by Lodewijk Napoleon to award young artists and architects, during the years 1807–1810 prize winners were sent to Paris and onwards to Rome for study. Suspended in 1851 it was reinstated in 1870 by William III of the Netherlands, since then the winners have been selected by the Rijksakademie in Amsterdam under the main headings of architecture and the visual arts. The Belgian Prix de Rome is an award for artists, created in 1832
Prix de Rome
–
Palazzo Mancini, Rome, the seat of the Académie since 1725. Etching by
Giovanni Battista Piranesi, 1752.
Prix de Rome
–
The
Villa Medici as it looks today.
34.
Jean Auguste Dominique Ingres
–
Jean-Auguste-Dominique Ingres was a French Neoclassical painter. A man profoundly respectful of the past, he assumed the role of a guardian of orthodoxy against the ascendant Romantic style represented by his nemesis. His exemplars, he explained, were the great masters which flourished in that century of glorious memory when Raphael set the eternal. I am thus a conservator of good doctrine, and not an innovator, Ingres was born in Montauban, Tarn-et-Garonne, France, the first of seven children of Jean-Marie-Joseph Ingres and his wife Anne Moulet. From his father the young Ingres received early encouragement and instruction in drawing and music, and his first known drawing, the deficiency in his schooling would always remain for him a source of insecurity. In 1791, Joseph Ingres took his son to Toulouse, where the young Jean-Auguste-Dominique was enrolled in the Académie Royale de Peinture, Sculpture et Architecture, there he studied under the sculptor Jean-Pierre Vigan, the landscape painter Jean Briant, and the neoclassical painter Guillaume-Joseph Roques. Roques veneration of Raphael was an influence on the young artist. Ingres won prizes in several disciplines, such as composition, figure and antique and his musical talent was developed under the tutelage of the violinist Lejeune, and from the ages of thirteen to sixteen he played second violin in the Orchestre du Capitole de Toulouse. Ingres followed his masters neoclassical example but revealed, according to David and his trip to Rome, however, was postponed until 1806, when the financially strained government finally appropriated the travel funds. Working in Paris alongside several other students of David in a provided by the state. He found inspiration in the works of Raphael, in Etruscan vase paintings, in 1802 he made his debut at the Salon with Portrait of a Woman. The following year brought a commission, when Ingres was one of five artists selected to paint full-length portraits of Napoleon Bonaparte as First Consul. These were to be distributed to the towns of Liège, Antwerp, Dunkerque, Brussels. In the summer of 1806 Ingres became engaged to Marie-Anne-Julie Forestier, although he had hoped to stay in Paris long enough to witness the opening of that years Salon, in which he was to display several works, he reluctantly left for Italy just days before the opening. Chaussard condemned Ingress style as gothic and asked, How, with so much talent, a line so flawless, the answer is that he wanted to do something singular, something extraordinary. M. Ingress intention is nothing less than to make art regress by four centuries, to carry us back to its infancy, Ingres stylistic eclecticism represented a new tendency in art. As art historian Marjorie Cohn has written, At the time, Artists and critics outdid each other in their attempts to identify, interpret, and exploit what they were just beginning to perceive as historical stylistic developments. From the beginning of his career, Ingres freely borrowed from earlier art, adopting the style appropriate to his subject
Jean Auguste Dominique Ingres
–
Self-portrait at age 24, 1804 (revised c. 1850), oil on canvas, 78 x 61 cm,
Musée Condé
Jean Auguste Dominique Ingres
–
The Envoys of Agamemnon, 1801, oil on canvas, École des Beaux Arts, Paris
Jean Auguste Dominique Ingres
–
Napoleon I on his Imperial Throne, 1806, oil on canvas, 260 x 163 cm,
Musée de l'Armée, Paris
Jean Auguste Dominique Ingres
–
Madame Rivière, 1806, oil on canvas, 116.5 x 81.7 cm,
Louvre
35.
Balthus
–
Balthasar Klossowski de Rola, known as Balthus, was a Polish-French modern artist. Throughout his career, Balthus rejected the conventions of the art world. He insisted that his paintings should be seen and not read about, a telegram sent to the Tate Gallery as it prepared for its 1968 retrospective of his works read, NO BIOGRAPHICAL DETAILS. BEGIN, BALTHUS IS A PAINTER OF WHOM NOTHING IS KNOWN, NOW LET US LOOK AT THE PICTURES. Born in Paris, in his formative years his art was sponsored by Rainer Maria Rilke, Maurice Denis, Pierre Bonnard and Pierre Matisse. His father, Erich Klossowski, an art historian who wrote a monograph on Daumier. Balthuss older brother, Pierre Klossowski, was a philosopher and writer influenced by theology, among the visitors and friends of the Klossowskis were famous writers such as André Gide and Jean Cocteau, who found some inspiration for his novel Les Enfants Terribles in his visits to the family. In 1921 Mitsou, a book which included forty drawings by Balthus, was published and it depicted the story of a young boy and his cat, with a preface by Balthuss mentor, the Bohemian-Austrian poet Rainer Maria Rilke who at the time was his mothers lover. The theme of the story foreshadowed his lifelong fascination with cats, from 1930 to 1932 he lived in Morocco, was drafted into the Moroccan infantry in Kenitra and Fes, worked as a secretary, and sketched his painting La Caserne. Moving in 1933 into his first Paris studio at the Rue de Furstemberg and later another at the Cour de Rohan and his paintings often depicted pubescent young girls in erotic and voyeuristic poses. Other important works from the exhibition included La Rue, La Toilette de Cathy. In 1937 he married Antoinette de Watteville, who was from an old and he had met her as early as 1924, and she was the model for the aforementioned La Toilette and for a series of portraits. Balthus had two children from marriage, Thaddeus and Stanislas Klossowski, who recently published books on their father. Early on his work was admired by writers and fellow painters, especially by André Breton, in 1948, another friend, Albert Camus, asked him to design the sets and costumes for his play LÉtat de Siège. Balthus also designed the sets and costumes for Artauds adaptation for Percy Bysshe Shelleys The Cenci, Ugo Bettis Delitto allisola delle capre and Barraults adaptation of Julius Caesar. Balthus returned to France in 1946 and a year later traveled with André Masson to Southern France, meeting such as Picasso and Jacques Lacan. With Adolphe Mouron Cassandre in 1950, Balthus designed stage decor for a production of Mozarts opera Così fan tutte in Aix-en-Provence. As international fame grew with exhibitions in the gallery of Pierre Matisse, in 1964, he moved to Rome where he presided over the Villa de Medici as director of the French Academy in Rome, and became a friend of the filmmaker Federico Fellini and the painter Renato Guttuso
Balthus
–
Balthus by
Damian Pettigrew (1996)
Balthus
–
Balthus, Guitar Lesson, 1934, oil on canvas
Balthus
–
Nude with arms raised, oil on canvas, 1951 by Balthus
36.
Christina, Queen of Sweden
–
Christina reigned as Queen of Sweden from 1632 to 1654. She was the surviving legitimate child of King Gustav II Adolph. At the age of six, Christina succeeded her father on the throne upon his death at the Battle of Lützen, Christina is remembered as one of the most educated women of the 1600s. She was fond of books, manuscripts, paintings, and sculptures, with her interest in religion, philosophy, mathematics and alchemy, she attracted many scientists to Stockholm, wanting the city to become the Athens of the North. She was intelligent, fickle and moody, she rejected what the role of a woman was at the time. She caused a scandal when she decided not to marry and in 1654 when she abdicated her throne and she changed her name from Kristina Augusta Wasa, adopting the name Christina Alexandra. At the age of 28, the Minerva of the North moved to Rome, the Pope described Christina as a queen without a realm, a Christian without faith, and a woman without shame. Notwithstanding all that, she became a leader of the theatrical and musical life and protected many Baroque artists, composers, being the guest of five consecutive popes, and a symbol of the Counter Reformation, she is one of the few women buried in the Vatican grotto. Her unconventional lifestyle and masculine dressing and behavior have been featured in novels, plays, opera. In all the biographies on Christina her gender and cultural identity play an important role, Christina was born in the royal castle Tre Kronor. The king had already sired two daughters – a nameless princess stillborn in 1620 and then the first princess Christina, who was born in 1623, excited expectation surrounded Maria Eleonoras third pregnancy in 1626. When the baby was born it was first thought to be a boy as it was hairy and screamed, with a strong and she later wrote in her autobiography that, Deep embarrassment spread among the women when they discovered their mistake. The king, though, was happy, stating, Shell be clever. From most accounts, Gustav Adolf appears to have been attached to his daughter. Her mother remained disappointed that Christina was a girl and her mother, of the House of Hohenzollern, was a woman of quite distraught temperament and was melancholic. It is possible she was insane, after the king died on 6 November 1632 on the battlefield, his corpse was brought home in a coffin, with his heart in a separate box. Maria Eleonora ordered that the king should not be buried until she could be buried with him and she also demanded that the coffin be kept open, and went to see it regularly, patting it and taking no notice of the putrefaction. Eventually, the embarrassed Chancellor, Axel Oxenstierna, saw no other solution than to have a guard posted at the room to prevent further episodes, as a result, he was not buried until 22 June 1634, more than eighteen months later
Christina, Queen of Sweden
–
Portrait by
Sébastien Bourdon, who exaggerated her eyes.
Christina, Queen of Sweden
Christina, Queen of Sweden
–
Tre Kronor in Stockholm by
Govert Dircksz Camphuysen. Most of Sweden's national library and royal archives were destroyed when the castle burned in 1697.
Christina, Queen of Sweden
–
Axel Oxenstierna
37.
Merry-Joseph Blondel
–
Merry-Joseph Blondel was a French history painter of the Neoclassical school. He was a winner of the prestigious Prix de Rome in 1803, for much of Blondels painting career, he was occupied with public commissions for paintings and frescoes in important buildings, including palaces, museums and churches. Merry-Joseph was born on 25 July 1781 to Joseph-Armand Blondel, a painter and expert in stucco decoration, Merry-Joseph had two brothers and a sister, including Charles-Francois Armand Blondel, an architect. Several generations of the Blondel family had associated with architecture. Blondels great uncle, Jacques-Francois Blondel wrote a treatise on the subject, at the age of fourteen, on the advice of his maternal uncle, Merry-Joseph went to work in the office of a Notary, an experience which he would later describe as excruciating. In 1801, once again, Blondel convinced his father to break his contract as his drawing talent secured him a place in the studio of Baron Jean-Baptiste Regnault. Within a year, Blondel had acquired the nickname Monsieur de Cinq-Prix among his peers at the studio, on account of the number of medals and prizes he had won for his drawing. Another year on and Blondels entry to the 1803 salon, a painting depicting Aeneas rescuing his father from the city of Troy. In 1835, Ingres returned as the director of the French Academy in Rome, when Blondel was unexpectedly overlooked for the position of director of the Academy in 1840, Ingres sent him a lengthy and heartfelt letter of condolence. After three years in Rome, Blondel returned to Paris and became an exhibitor at the Louvre salon exhibitions. At the salon of 1817, Blondel won a medal for his painting depicting the Death of Louis XII. After the salon of 1824, the rank of Chevalier in the order of the Legion dHonneur, was bestowed upon both Blondel and Ingres by the French King, Charles X. In 1824, the year of his knighthood, Blondel was awarded a professorship at the École nationale supérieure des Beaux-Arts, in that same year, Blondel also competed for a vacant seat at the Académie des beaux-arts but lost out to Ingres. He was eventually elected to a seat at the Académie in 1832, most notable among these commissions were, at the palace of Fontainebleau - Salon and Gallery of Diana, a fresco series of 21 paintings of scenes related to the goddess Diana. The Palace of Versailles - a series of full sized portraits depicting all the known kings, the Louvre Museum - frescoes in the Grand staircase, the Salle Henri II, Rooms of the state counsel. The Brongniart Palace - Ceiling painting and several cameos, the Luxembourg Palace - ceiling fresco in the Salle de Seances. The church of St. Thomas Aquinas - fresco cycle, Blondel was working on his fresco cycle at the church of St. Thomas Aquinas, in the 7e arronsissement when he fell ill and died in 1853. In typically simplistic fashion, the exhibition catalogue described the painting as painting no.108, critical references to the painting would later confirm Blondels given title for the picture as La Circassienne au Bain
Merry-Joseph Blondel
–
Blondel by his friend
Ingres, Rome, 1809.
Merry-Joseph Blondel
–
Aeneas rescuing his father from Troy, oil on canvas, 1803.
Merry-Joseph Blondel
–
Hecuba and Polyxena, oil on canvas, after 1814
Merry-Joseph Blondel
–
Napoleon visiting the Palais Royal for the opening of the Tribunat in 1807, oil on canvas
38.
French Revolution
–
Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
French Revolution
–
The
August Insurrection in 1792 precipitated the last days of the monarchy.
French Revolution
–
The French government faced a fiscal crisis in the 1780s, and King Louis XVI was blamed for mishandling these affairs.
French Revolution
–
Caricature of the Third Estate carrying the First Estate (clergy) and the Second Estate (nobility) on its back.
French Revolution
–
The meeting of the Estates General on 5 May 1789 at Versailles.
39.
Classical Antiquity
–
It is the period in which Greek and Roman society flourished and wielded great influence throughout Europe, North Africa and Southwestern Asia. Conventionally, it is taken to begin with the earliest-recorded Epic Greek poetry of Homer, and continues through the emergence of Christianity and it ends with the dissolution of classical culture at the close of Late Antiquity, blending into the Early Middle Ages. Such a wide sampling of history and territory covers many disparate cultures, Classical antiquity may refer also to an idealised vision among later people of what was, in Edgar Allan Poes words, the glory that was Greece, and the grandeur that was Rome. The culture of the ancient Greeks, together with influences from the ancient Near East, was the basis of art, philosophy, society. The earliest period of classical antiquity takes place before the background of gradual re-appearance of historical sources following the Bronze Age collapse, the 8th and 7th centuries BC are still largely proto-historical, with the earliest Greek alphabetic inscriptions appearing in the first half of the 8th century. Homer is usually assumed to have lived in the 8th or 7th century BC, in the same period falls the traditional date for the establishment of the Ancient Olympic Games, in 776 BC. The Phoenicians originally expanded from Canaan ports, by the 8th century dominating trade in the Mediterranean, carthage was founded in 814 BC, and the Carthaginians by 700 BC had firmly established strongholds in Sicily, Italy and Sardinia, which created conflicts of interest with Etruria. The Etruscans had established control in the region by the late 7th century BC, forming the aristocratic. According to legend, Rome was founded on April 21,753 BC by twin descendants of the Trojan prince Aeneas, Romulus and Remus. As the city was bereft of women, legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins and the Sabines. Archaeological evidence indeed shows first traces of settlement at the Roman Forum in the mid-8th century BC, the seventh and final king of Rome was Tarquinius Superbus. As the son of Tarquinius Priscus and the son-in-law of Servius Tullius, Superbus was of Etruscan birth and it was during his reign that the Etruscans reached their apex of power. Superbus removed and destroyed all the Sabine shrines and altars from the Tarpeian Rock, the people came to object to his rule when he failed to recognize the rape of Lucretia, a patrician Roman, at the hands of his own son. Lucretias kinsman, Lucius Junius Brutus, summoned the Senate and had Superbus, after Superbus expulsion, the Senate voted to never again allow the rule of a king and reformed Rome into a republican government in 509 BC. In fact the Latin word Rex meaning King became a dirty and hated throughout the Republic. In 510, Spartan troops helped the Athenians overthrow the tyrant Hippias, cleomenes I, king of Sparta, put in place a pro-Spartan oligarchy conducted by Isagoras. Greece entered the 4th century under Spartan hegemony, but by 395 BC the Spartan rulers removed Lysander from office, and Sparta lost her naval supremacy. Athens, Argos, Thebes and Corinth, the two of which were formerly Spartan allies, challenged Spartan dominance in the Corinthian War, which ended inconclusively in 387 BC
Classical Antiquity
–
The
Parthenon is one of the most iconic symbols of the classical era, exemplifying ancient Greek culture
40.
Renaissance
–
The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
Renaissance
–
David, by
Michelangelo (
Accademia di Belle Arti,
Florence) is a masterpiece of Renaissance and world art.
Renaissance
–
Renaissance
Renaissance
–
Leonardo da Vinci 's
Vitruvian Man (c. 1490) shows clearly the effect writers of Antiquity had on Renaissance thinkers. Based on the specifications in
Vitruvius '
De architectura (1st century BC), Leonardo tried to draw the perfectly proportioned man.
Renaissance
–
Portrait of a young woman (c. 1480-85) (
Simonetta Vespucci) by
Sandro Botticelli
41.
Auguste-Henri-Victor Grandjean de Montigny
–
Auguste-Henri-Victor Grandjean de Montigny was a French architect who had considerable influence on the development of architecture in Brazil. Auguste-Henri-Victor Grandjean de Montigny was born on 15 July 1776 in the parish of St-Merry in Paris and he studied architecture with Charles Percier and Pierre-François-Léonard Fontaine, and became a neo-classicist. He won the Prix de Rome in 1799, in 1802 he went to Rome with the new director of the French school, and was responsible for the work needed to prepare the Villa Medici for students. In 1810 he was appointed architect to Jérôme Bonaparte, King of Westphalia and he rebuilt the state rooms of the Bellevue Palace in Kassel, a triumphal gate, public fountains and the theatre. He was named first architect of the king in 1812 and he returned to France in 1814 when Napoleon was deposed. Grandjean de Montigny refused an offer from Russia in favor of one to go to Brazil and he moved to Brazil in 1816 at the invitation of King John VI of Portugal, who wanted to improve the cultural level of the colony. He arrived in Rio de Janeiro on 12 March 1816 and he represented architecture among the French artistic colony organized and led by Joachim Lebreton, who created the Academy of Fine Arts in Rio. These artists had been educated at the École des Beaux-Arts and had forced into exile after the fall of Napoleon. Grandjean de Montigny was to live in Rio de Janeiro until his death in 1850, throughout this period he was the only teacher of Architecture at the Academy of Fine Arts. He designed the Roman Arch and many buildings in an eclectic classical style. He designed the building for the Academy of Fine Arts in 1817, Montigny built the Praça do Comércio, completed in 1820 and later occupied by the customs. This is now the Casa França-Brasil, a cultural center, Grandjean de Montigny made innovative proposals for redeveloping Rio de Janeiro in 1824-25 and in 1827. He designed official and private buildings, including residences in Rio de Janeiro in the Passeio, Mariz e Barros, Haddock Lobo, other buildings included the Royal College of Science, Arts and Crafts and the Candelaria market. He converted the Seminário São Joaquim for use as the Colégio Pedro II, in 1829 he was responsible for all the decorations for the festival celebrating the marriage of the Emperor Pedro I of Brazil and the Empress Amélie of Leuchtenberg. In 1848 he was charged with design of the Imperial Palace, auguste-Henri-Victor Grandjean de Montigny died in Rio de Janeiro in the spring of 1850. Montigny, Auguste Grandjean de, Famin, Auguste, Architecture toscane, palais, maisons, églises et autres édifices publics et privés principalement des 15e, 16e et 17e siècles. In 1837 a small edition was published with 109 plates. Recueil des Plus Beaux Tombeaux exécutés en Italie dans les XVe et XVIe siècles, Daprès les dessins des plus célèbres architectes et sculpteurs
Auguste-Henri-Victor Grandjean de Montigny
–
Portrait of Grandjean de Montigny by Augusto Muller (1815 - circa 1883
Auguste-Henri-Victor Grandjean de Montigny
–
1820 Interior of the Praça do Comércio (Commerce plaza)
Auguste-Henri-Victor Grandjean de Montigny
–
(undated) Roman interior
Auguste-Henri-Victor Grandjean de Montigny
–
1808 Antique fragments in Rome
42.
Benito Mussolini
–
Benito Amilcare Andrea Mussolini was an Italian politician, journalist, and leader of the National Fascist Party, ruling the country as Prime Minister from 1922 to 1943. He ruled constitutionally until 1925, when he dropped all pretense of democracy, known as Il Duce, Mussolini was the founder of Italian Fascism. In 1912 Mussolini was the member of the National Directorate of the Italian Socialist Party. Mussolini was expelled from the PSI for withdrawing his support for the stance on neutrality in World War I. He served in the Royal Italian Army during the war until he was wounded and discharged in 1917, Mussolini denounced the PSI, his views now centering on nationalism instead of socialism, and later founded the fascist movement. Following the March on Rome in October 1922 he became the youngest Prime Minister in Italian history until the appointment of Matteo Renzi in February 2014, within five years he had established dictatorial authority by both legal and extraordinary means, aspiring to create a totalitarian state. Mussolini remained in power until he was deposed by King Victor Emmanuel III in 1943, a few months later, he became the leader of the Italian Social Republic, a German client regime in northern Italy, he held this post until his death in 1945. Mussolini had sought to delay a major war in Europe until at least 1942, however, Germany invaded Poland on 1 September 1939, resulting in declarations of war by France and the United Kingdom and starting World War II. In the summer of 1941 Mussolini sent Italian forces to participate in the invasion of the Soviet Union, and war with the United States followed in December. On 24 July 1943, soon after the start of the Allied invasion of Italy, the Grand Council of Fascism voted against him, on 12 September 1943, Mussolini was rescued from prison in the Gran Sasso raid by German special forces. In late April 1945, with total defeat looming, Mussolini attempted to escape north and his body was then taken to Milan, where it was hung upside down at a service station for public viewing and to provide confirmation of his demise. Mussolini was born in Dovia di Predappio, a town in the province of Forlì in Romagna on 29 July 1883. During the Fascist era, Predappio was dubbed Duces town, pilgrims went to Predappio and Forlì, to see the birthplace of Mussolini. His father, Alessandro Mussolini, was a blacksmith and a Socialist, while his mother, Benito was the eldest of his parents three children. His siblings Arnaldo and Edvige followed, as a young boy, Mussolini would spend some time helping his father in his smithy. His fathers political outlook combined views of anarchist figures like Carlo Cafiero and Mikhail Bakunin, the military authoritarianism of Garibaldi, in 1902, at the anniversary of Garibaldis death, Benito Mussolini made a public speech in praise of the republican nationalist. The conflict between his parents about religion meant that, unlike most Italians, Mussolini was not baptized at birth, as a compromise with his mother, Mussolini was sent to a boarding school run by Salesian monks. After joining a new school, Mussolini achieved good grades, in 1902, Mussolini emigrated to Switzerland, partly to avoid military service
Benito Mussolini
–
Benito Mussolini
Benito Mussolini
–
Birthplace of Benito Mussolini in
Predappio, now used as a museum
Benito Mussolini
–
Mussolini's father, Alessandro
Benito Mussolini
–
Mussolini's mother, Rosa
43.
Academy of France in Rome
–
The French Academy in Rome is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio in Rome, Italy. The Academy was founded at the Palazzo Capranica in 1666 by Louis XIV under the direction of Jean-Baptiste Colbert, Charles Le Brun, such scholars were and are known as pensionnaires de lAcadémie. One recipient of the scholarship in the 17th century was Pierre Le Gros the Younger, the Academy was housed in the Palazzo Capranica until 1737, and then in the Palazzo Mancini from 1737 to 1793. These envois were annual works, sent to Paris to be judged, at first, the villa and its gardens were in a sad state and had to be renovated to house the winners of the Prix de Rome. The competition was interrupted during the first World War, and Mussolini confiscated the villa in 1941, the competition and Prix de Rome were eliminated in 1968 by André Malraux. The Académie des Beaux-Arts in Paris and the Institut de France then lost their guardianship of the Villa Medici to the Ministry of the Culture, from that time on, the boarders no longer belonged solely to the traditional disciplines but also to new or previously neglected artistic fields. These artists-in-residence are known as pensionnaires, the French word ‘pension’ refers to the room & board these, generally young and promising, artists receive. The artists are no longer recruited by a competition but by application, between 1961 and 1967, the artist Balthus, then at the head of the Academy, carried out a vast restoration campaign of the palace and its gardens, providing them with modern equipment. Balthus participated “hands on” in all the phases of the construction, where the historic décor had disappeared, Balthus proposed personal alternatives. Work continued under the direction of director, Richard Peduzzi, under director Frédéric Mitterrand the Academy opened up its guest rooms to the general public at times when they are not used by pensionnaires or other official guests. k. a. Carolus-Duran 1913-1921, Albert Besnard 1921-1933, Denys Puech 1933-1937, Paul-Maximilien Landowski 1937-1960, Jacques Ibert 1961-1977, Comte Balthazar Klossowski de Rola, a. k. a. Balthus 1979-1985, Jean Leymarie 1985-1994, Jean-Marie Drot 1994-1997, Pierre-Jean Angremy, a. k. a. villamedici. it/ Official site Google Map
Academy of France in Rome
–
Villa Medici
Academy of France in Rome
–
Portrait of Prix de Rome winner and fellow student
Merry-Joseph Blondel in front of the Villa Medici in 1809, by
Ingres
Academy of France in Rome
–
Villa Medici painted by Velázquez
44.
Institut de France
–
The Institut de France is a French learned society, grouping five académies, the most famous of which is the Académie française. The Institute, located in Paris, manages approximately 1,000 foundations, as well as museums and it also awards prizes and subsidies, which amounted to a total of €5,028,190.55 for 2002. Most of these prizes are awarded by the Institute on the recommendation of the académies, the Institut de France was established on 25 October 1795, by the French government. Académie française – initiated 1635, suppressed 1793, restored 1803 as a division of the institute, Académie des inscriptions et belles-lettres – initiated 1663. Académie des sciences – initiated 1666, the Royal Society of Canada, initiated 1882, was modeled after the Institut de France and the Royal Society of London
Institut de France
–
Institut de France, from the
pont des Arts
Institut de France
–
Cupola of the Institut de France
Institut de France
–
Henri Grégoire was a founding member of the Institut de France.
Institut de France
–
Esplanade in front of the Institut, 1898.
45.
Art conservation and restoration
–
The conservation-restoration of cultural heritage focuses on protection and care of tangible cultural heritage, including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment and this field is closely allied with conservation science, curators and registrars. Conservation of cultural heritage can be described as a type of ethical stewardship, Conservation of cultural heritage applies simple ethical guidelines, Minimal intervention, Appropriate materials and reversible methods, Full documentation of all work undertaken. Often there are compromises between preserving appearance, maintaining original design and material properties, and ability to reverse changes, reversibility is now emphasized so as to reduce problems with future treatment, investigation, and use. The care of cultural heritage has a history, one that was primarily aimed at fixing and mending objects for their continued use. Until the early 20th century, artists were normally the ones called upon to repair damaged artworks, louis Pasteur carried out scientific analysis on paint as well. The society was founded by William Morris and Philip Webb, both of whom were influenced by the writings of John Ruskin. He not only developed an approach to the care of objects in the collections. The early development of conservation of heritage in any area of the world is usually linked to the creation of positions for chemists within museums. Lauries interests were fostered by William Holman Hunt, the creation of this department moved the focus for the development of conservation theory and practice from Germany to Britain, and made the latter a prime force in this fledgling field. In the United States, the development of conservation of heritage can be traced to the Fogg Art Museum. Importantly he also brought onto the staff chemists. Rutherford John Gettens was the first of usch in the US to be employed by an art museum. He worked with George L. Stout, the founder and first editor of Technical Studies, Gettens and Stout co-authored Painting Materials, A Short Encyclopaedia in 1942, reprinted in 1966. This compendium is still cited regularly, only a few dates and descriptions in Gettens and Stouts book are now outdated. George T. Oliver, of Oliver Brothers Art Restoration and Art Conservation-Boston invented the vacuum hot table for relining paintings in 1920s, taylors prototype table, which he designed and constructed, is still in operation. Oliver Brothers is believed to be the first and the oldest continuously operating art restoration company in the United States, the focus of conservation development then accelerated in Britain and America, and it was in Britain that the first International Conservation Organisations developed. Art historians and theorists such as Cesare Brandi have also played a significant role in developing conservation science theory, in recent years ethical concerns have been at the forefront of developments in conservation
Art conservation and restoration
–
Removal of adherent surface deposits by physical chemical means (by cotton swab). Church of
Suceviţa Monastery, burial chamber.
Romania,
Suceava.
Art conservation and restoration
–
Conservation of
Horses of Saint Mark, (
Venice).
Art conservation and restoration
–
A restorer at work.
Art conservation and restoration
–
A temporary windowed partition along restoration work area in the cloister of the
Church of St. Trophime, Arles
46.
Augustin Pajou
–
Augustin Pajou was a French sculptor, born in Paris. At eighteen he won the Prix de Rome, and at thirty exhibited his Pluton tenant Cerbère enchaîné, pajous portrait busts of Buffon and of Madame du Barry, and his statuette of Bossuet, are amongst his best works. When Bernard Poyet constructed the Fontaine des Innocents from the edifice of Pierre Lescot. Mention should also be made of his bust of Carlin Bertinazzi at the Comédie Française, Pajou was one of the main artists whose work was included in the collection of the Comédie-Française at the end of the 18th century. Others were Jean-Baptiste dHuez, Jean-Joseph Foucou, Simon-Louis Boizot and Pierre-François Berruer, Pajou was commissioned by Napoleon to make the copies of the Medici Lions now situated in the garden of the Villa Medici 1803. Pajou died in Paris on 8 May 1809, the Courtauld Institute of Art, the Frick Collection, Harvard University Art Museums, the Hermitage Museum, the Honolulu Museum of Art, the J. In 1795 she remarried to Pierre-Louis Martin, known as Saint-Martin who, after several careers, an amateur artist and collector, Saint-Martine produced several paintings of the city of Liège and had his portrait painted by Philippe-Auguste Hennequin. Flore divorced her husband in year 10 and died on 9 December 1841 at 30 rue de lOdéon in Paris. Attribution This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Pajou
Augustin Pajou
–
Adélaïde Labille-Guiard - The Sculptor Augustin Pajou
Augustin Pajou
–
Mercury, 1780
47.
Medici Lions
–
The sculptures depict standing male lions with a sphere or ball under one paw, looking to the side. The Medici lions have been copied, directly or with variations, according to Vacca, the lion had been a relief, which was carved free of its background and reworked by Giovanni Sciarano or Giovanni di Scherano Fancelli, of whom little is now known. The second was made and signed by Vacca, also in marble, the pair were in place at the Loggia dei Leoni in 1598 The pendant was made from a capital that had come from the Temple of Jupiter Optimus Maximus. The sculptures were replaced by copies at the Villa Medici when Napoleon relocated the French Academy in Rome to the villa in 1803 and these copies were made by the French sculptor Augustin Pajou. The original Medici lions are since 1789 standing at the Loggia dei Lanzi, Piazza della Signoria, there is smaller bronze left-looking sculpture attributed to Italian sculptor Pietro da Barga and the same period. Eight sculptures are now in the Museo del Prado, of which four support the tabletop of Rodrigo Calderón, Sculptures in Colmenar marble at the Montforte Gardens, Valencia by José Bellver. Sculptures in marble at the Canalejas Park, Alicante, sculpture in bronze in the Royal Swedish Academy of Arts building, Stockholm. Sculpture in bronze at the Royal Institute of Art, Stockholm, sculpture in bronze in Nacka, Stockholm. Sculptures in lead at Stowe House attributed to John Cheere, formerly placed at Stanley Park, Blackpool. Sculpture in the park of Kedleston Hall, carved by Joseph Wilton, two artificial stone versions are found in the garden of the Osborne House, Isle of Wight. Sculptures at the Stanley Park, Blackpool and these were produced, by Rupert Harris Conservation, using casts from the former sculptures which were returned, on loan, to Stowe house in 2013. Versions in Saint Petersburg, Russia include, The Lion Cascade in bronze at Peterhof Palace, Sculptures in marble at the Lobanov-Rostovsky Residence. Sculptures in bronze at the staircase of the old Mikhailovsky Palace, Sculptures at the entrance of Yelagin Palace. The Lions at the Dvortsovaya pier in bronze at the Admiralty embankment, versions in southern Russia and later Ukraine include, Sculptures in marble at the Vorontsov Palace, Odessa. Six pairs of lion sculptures at the Voronstov Palace, Crimea. Pair of lion sculptures at Starosinnyi Garden, Odessa, Sculptures in marble by Augustin Pajou at the Villa Medici. Four miniature versions surrounding the Akademie- or Löwenbrunnen in the palace garden, two gilded versions as part of the Lion Fountain in front of Glienicke Palace, Berlin. Statues at the entrance of Schloss Monrepos, Ludwigsburg, two versions outside the Cathedral de la Purisma Concepción in Cienfuegos, Cuba
Medici Lions
–
Fancelli's ancient lion
Medici Lions
–
Vacca's lion
Medici Lions
–
The original Medici lions at the Villa Medici (
Giovanni Francesco Venturini 1691)
Medici Lions
–
The current Medici Lions at the Villa Medici in Rome
48.
Edward Lippincott Tilton
–
Edward Lippincott Tilton was an American architect, with a practice in New York City, where he was born. He and the partner that he met in Paris, William A. Boring, the two architects continued to share an office. His design for the Carpenter Memorial Library in Manchester, New Hampshire resulted in commissions for at least seven further structures in that city and he also designed the campus of Concordia College, a liberal arts college in Bronxville, New York. Works by or about Edward Lippincott Tilton at Internet Archive
Edward Lippincott Tilton
–
United States Immigration Station,
Ellis Island, 1897-1900
49.
Hotel Colorado
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Hotel Colorado is an 1893 Italianate structure in Glenwood Springs, Colorado, United States, and one of the oldest hotels in Colorado. Established by silver magnate and banker Walter Devereux, construction began in 1891 at a cost of $350,000, edward Lippincott Tilton designed the building as a replica of the Villa de Medici. Local materials used include cream-colored Roman brick and Peach Blow Sandstone, the Hotel Colorado opened on June 10,1893 to a program including a fireworks display, an orchestra in the ballroom, and dining at midnight for the 300 couples in attendance. The hotel quickly became a summer retreat, earning the nickname of the little White House of the West after extended visits by Presidents Theodore Roosevelt. The teddy bear is alleged to have been invented during President Roosevelts 1905 visit when the hotels maids presented him with a stuffed bear pieced together with scraps of fine material. On September 16,1925, live music and speech was broadcast by way of telephone from the ballroom to Denver radio station KOA. In 1942, the hotel was leased to the United States Navy for use as a hospital, the U. S. Naval Convalescent Hospital was commissioned on July 5,1943 and served over 6,500 patients by the end of 1945. The hospital was decommissioned in 1946, in 2003, a time capsule was buried in the courtyard. It is scheduled to be opened in 2043, the National Trusts Historic Hotels of America added the Hotel Colorado to its list in April 2007. Actor Tom Mix, his wife and several crew members stayed at the Hotel Colorado during the filming of The Great K & A Train Robbery in summer 1926. In addition to the visits by Presidents Roosevelt and Taft, former President Herbert Hoover addressed a luncheon at the hotel on August 2,1939, the two suites in the bell towers are frequently reported to be haunted. The elevator moving on its own without passengers, strange smells and sounds have also reported by guests. In September 2006, CCPI Paranormal Investigations visited the hotel and recorded two areas of higher energy, one in the corridor in front of room 325. The screams of a woman are heard throughout the hotel, believed to be of a chamber maid who was involved in a love triangle. The room in which the woman was believed to have been murdered was a guestroom, it has now turned into a storage room. Apparition Manor, True Ghost Stories of the Hotel Colorado, Glenwood Springs, CO. Hotel Colorado Nonprofit Museum Corp. National Register of Historic Places listings in Garfield County, Colorado Swannanoa, Another structure inspired by the Villa Medici
Hotel Colorado
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Hotel Colorado
Hotel Colorado
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Partial exterior view of the Hotel Colorado as it stands today.
Rome, Italy
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Media related to Villa Medici (Rome) at Wikimedia Commons
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