1.
Cisalpine Gaul
–
Cisalpine Gaul, also called Gallia Citerior or Gallia Togata, was the part of Italy inhabited by Celts during the 4th and 3rd centuries BC. Conquered by the Roman Republic in the 220s BC, it was a Roman province from c.81 BC until 42 BC, when it was merged into Roman Italy. Until that time, it was considered part of Gaul, precisely that part of Gaul on the side of the Alps. Gallia Cisalpina was further subdivided into Gallia Cispadana and Gallia Transpadana, i. e. its portions south and north of the Po River and they brought a new funerary practice—cremation—which supplanted inhumation. Livy has the Insubres, led by Bellovesus, arrive in northern Italy during the reign of Tarquinius Priscus, Milan itself is presumably a Gaulish foundation of the early 6th century BC, its name having a Celtic etymology of in the middle of the plain. Polybius in the 2nd century BC wrote about co-existence of the Celts in northern Italy with Etruscan nations in the period before the Sack of Rome in 390 BC. Ligures lived in Northern Mediterranean Coast straddling South-east French and North-west Italian coasts, including parts of Tuscany, Elba island, Ligurian tribes were also present in Latium and in Samnium. According to Plutarch they called themselves Ambrones, which could indicate a relationship with the Ambrones of northern Europe, little is known of the Ligurian language. Only place-names and personal names remain and it appears to be an Indo-European branch with both Italic and particularly strong Celtic affinities. Because of the strong Celtic influences on their language and culture, modern linguists, like Xavier Delamarre argues that Ligurian was a Celtic language, similar to, but not the same as Gaulish. The Ligurian-Celtic question is discussed by Barruol. Ancient Ligurian is either listed as Celtic, or Para-Celtic, the Veneti were an Indo-European people who inhabited north-eastern Italy, in an area corresponding to the modern-day region of the Veneto. By the 4th century BC the Veneti had been so Celticized that Polybius wrote that the Veneti of the 2nd century BC were identical to the Gauls except for language. He further suggested that the identification of the Adriatic Veneti with the Paphlagonian Enetoi led by Antenor — which he attributes to Sophocles — was a due to the similarity of the names. The Roman army was routed in the battle of Allia, the defeat of the combined Samnite, Celtic and Etruscan alliance by the Romans in the Third Samnite War ending in 290 BC sounded the beginning of the end of the Celtic domination in mainland Europe. At the Battle of Telamon in 225 BC, a large Celtic army was trapped between two Roman forces and crushed, in the Second Punic War, the Boii and Insubres allied themselves with the Carthaginians, laying siege to Mutina. In response, Rome sent an expedition led by L. Manlius Vulso, vulsos army was ambushed twice, and the Senate sent Scipio with an additional force to provide support. These were the Roman forces encountered by Hannibal after his crossing of the Alps, the Romans were defeated in the Battle of the Ticinus, leading to all the Gauls except for the Cenomani to join the insurgency
Cisalpine Gaul
–
Detail of the
Tabula Peutingeriana showing northern Italy between Augusta Pretoria (
Aosta) and Placentia (
Piacenza); the Insubres are marked as inhabiting the
Po Valley upstream of Ticeno (
Pavia) and downstream of the Trumpli and Mesiates which occupy the upper reaches of the
Sesia and
Agogna rivers.
Cisalpine Gaul
–
Map of Cisalpine Gaul, extending from
Venice on the Adriatic, to
Pisa and
Nice on the Mediterranean, to
Lake Geneva in the west, and the
Alps in the North, from Abraham Ortelius' Theatrum Orbis Terrarum, the first modern atlas of the world. Antwerp, 1608.
Cisalpine Gaul
–
Gallic Phalerae (a type of military decoration) found in Lombardy; Santa Giulia Museum (Brescia).
Cisalpine Gaul
–
The oldest known Lepontic inscription (from
Castelletto sopra Ticino), dated ca. 575 BC.
2.
Roman Republic
–
It was during this period that Romes control expanded from the citys immediate surroundings to hegemony over the entire Mediterranean world. During the first two centuries of its existence, the Roman Republic expanded through a combination of conquest and alliance, by the following century, it included North Africa, most of the Iberian Peninsula, and what is now southern France. Two centuries after that, towards the end of the 1st century BC, it included the rest of modern France, Greece, and much of the eastern Mediterranean. By this time, internal tensions led to a series of wars, culminating with the assassination of Julius Caesar. The exact date of transition can be a matter of interpretation, Roman government was headed by two consuls, elected annually by the citizens and advised by a senate composed of appointed magistrates. Over time, the laws that gave exclusive rights to Romes highest offices were repealed or weakened. The leaders of the Republic developed a tradition and morality requiring public service and patronage in peace and war, making military. Many of Romes legal and legislative structures can still be observed throughout Europe and much of the world in modern nation states, the exact causes and motivations for Romes military conflicts and expansions during the republic are subject to wide debate. While they can be seen as motivated by outright aggression and imperialism and they argue that Romes expansion was driven by short-term defensive and inter-state factors, and the new contingencies that these decisions created. In its early history, as Rome successfully defended itself against foreign threats in central and then northern Italy, with some important exceptions, successful wars in early republican Rome generally led not to annexation or military occupation, but to the restoration of the way things were. But the defeated city would be weakened and thus able to resist Romanizing influences. It was also able to defend itself against its non-Roman enemies. It was, therefore, more likely to seek an alliance of protection with Rome and this growing coalition expanded the potential enemies that Rome might face, and moved Rome closer to confrontation with major powers. The result was more alliance-seeking, on the part of both the Roman confederacy and city-states seeking membership within that confederacy. While there were exceptions to this, it was not until after the Second Punic War that these alliances started to harden into something more like an empire and this shift mainly took place in parts of the west, such as the southern Italian towns that sided with Hannibal. In contrast, Roman expansion into Spain and Gaul occurred as a mix of alliance-seeking, in the 2nd century BC, Roman involvement in the Greek east remained a matter of alliance-seeking, but this time in the face of major powers that could rival Rome. This had some important similarities to the events in Italy centuries earlier, with some major exceptions of outright military rule, the Roman Republic remained an alliance of independent city-states and kingdoms until it transitioned into the Roman Empire. It was not until the time of the Roman Empire that the entire Roman world was organized into provinces under explicit Roman control
Roman Republic
–
Route of Pyrrhus of Epirus
Roman Republic
–
Roman consul accompanied by two
lictors
Roman Republic
–
Gaius Gracchus, tribune of the people, presiding over the
Plebeian Council
Roman Republic
–
A Roman
denarius struck in 56 BC showing on one side the bust of the
Goddess Diana, and on the reverse the Roman general
Lucius Cornelius Sulla is offered an olive branch by his ally
Bocchus I as the captive
Jugurtha kneels beside Sulla with his hands bound.
3.
Brundisium
–
Brindisi is a city in the region of Apulia in southern Italy, the capital of the province of Brindisi, on the coast of the Adriatic Sea. Historically, the city has played an important role in trade and culture, due to its position on the Italian Peninsula. The city remains a port for trade with Greece and the Middle East. Brindisis most flourishing industries include agriculture, chemical works, and the generation of electricity, Brindisi is situated on a natural harbor, that penetrates deeply into the Adriatic coast of Apulia. Within the arms of the harbor islands are Pedagne, a tiny archipelago, currently not open. The entire municipality is part of the Brindisi Plain, characterized by agricultural uses of its land. It is located in the part of the Salento plains, about 40 kilometres from the Itria Valley. Not far from the city is the Natural Marine Reserve of the World Wide Fund for Nature of Torre Guaceto, the Ionian Sea is about 45 kilometres away. The development of agriculture, has caused an increase in the use of water resulting in an increase of indiscriminate use. There are several traditions concerning its founders, one of them claims that it was founded by the legendary hero Diomedes, Brindisi was an Ancient Greek settlement predating the Roman expansion. The Latin name Brundisium comes from the Greek Brentesion meaning deers head, in 267 BC it was conquered by the Romans. Herodotus spoke of the Mycenaean origin for these populations, the necropolis of Tor Pisana returned Corinthian jars in the first half of the 7th century BC. The Brindisi Messapia certainly entertained strong business relationships with the side of the Adriatic. After the Punic Wars it became a center of Roman naval power. In the Social War it received Roman citizenship, and was made a port by Sulla. It suffered, however, from a siege conducted by Caesar in 49 BC and was attacked in 42 and 40 BC. The poet Pacuvius was born here about 220 BC, and here the famous poet Virgil died in 19 BC. Under the Romans, Brundisium – a large city in its day with some 100,000 inhabitants – was a port, the chief point of embarkation for Greece
Brundisium
–
The Roman column marking the end of the ancient
Via Appia in Brindisi.
Brundisium
–
Brindisi Cathedral.
Brundisium
–
Ancient map of Brindisi by
Piri Reis.
Brundisium
–
Church of S. Giovanni al Sepolcro.
4.
Italy (Roman Empire)
–
Roman Italy was created officially by the Roman emperor Augustus with the Latin name Italia. It was the first time in history that the Italian Peninsula was united under the same name, in the year 292, the three islands of Corsica, Sardinia and Sicily were added to Roman Italy by Diocletian. Roman Italy remained united until the sixth century, when it was divided between the Byzantine Empire and territories of the Germanic peoples, since then, Italia remained divided for nearly thirteen centuries until 1861 when it was reunited in a similar way in the modern Kingdom of Italy. Italy was the name of the division of the Italian Peninsula during the Roman era. It was not a province, but became the territory of the city of Rome, following the end of the Social War, Rome had allowed its Italian allies full rights in Roman society and granted the Roman citizenship to all the Italic peoples. Although not founded as a city in 330, Constantinople gained in importance. It finally gained the rank of capital when given an urban prefect in 359. In 402, the capital was moved to Ravenna from Milan, the name Italia covered an area whose borders evolved over time. Under Augustus, the peoples of todays Aosta Valley and of the western and northern Alps were subjugated, and the Italian eastern border was brought to the Arsia in Istria. Finally, in the late 3rd century, Italy came to include the islands of Corsica and Sardinia and Sicily, as well as Raetia, the city of Emona was the easternmost town of Italy. At the beginning of the era, Italy was a collection of territories with different political statuses. Some cities, called municipia, had independence from Rome, while others. The Italian economy flourished, agriculture, handicraft and industry had a sensible growth, the Italian population may have grown as well, three census were ordered by Augustus, to record the number of Roman citizens throughout the empire. The surviving totals were 4,063,000 in 28 BC,4,233,000 in 8 BC, and 4,937,000 in AD14, but it is still debated whether these counted all citizens, all adult male citizens, or citizens sui iuris. During the Crisis of the Third Century the Roman Empire nearly collapsed under the pressures of invasions, military anarchy and civil wars. In 284, emperor Diocletian restored political stability and he carried out thorough administrative reforms to maintain order. He created the so-called Tetrarchy whereby the empire was ruled by four co-emperors and he decreased the size of the Roman provinces by doubling their number to reduce the power of the provincial governors. He grouped the provinces into several dioceses and put them under the supervision of the imperial vicarius, during the Crisis of the Third Century the importance of Rome declined because she was far from the troubled frontiers
Italy (Roman Empire)
–
Italia (northern section) under Augustus and successors
Italy (Roman Empire)
–
Italia (southern section) under Augustus and successors
Italy (Roman Empire)
–
The
Tropaeum Alpium The Victory Monument of the Alps,
La Turbie,
France, marked the augustan border between Italy and
Gaul
5.
Roman Empire
–
Civil wars and executions continued, culminating in the victory of Octavian, Caesars adopted son, over Mark Antony and Cleopatra at the Battle of Actium in 31 BC and the annexation of Egypt. Octavians power was then unassailable and in 27 BC the Roman Senate formally granted him overarching power, the imperial period of Rome lasted approximately 1,500 years compared to the 500 years of the Republican era. The first two centuries of the empires existence were a period of unprecedented political stability and prosperity known as the Pax Romana, following Octavians victory, the size of the empire was dramatically increased. After the assassination of Caligula in 41, the senate briefly considered restoring the republic, under Claudius, the empire invaded Britannia, its first major expansion since Augustus. Vespasian emerged triumphant in 69, establishing the Flavian dynasty, before being succeeded by his son Titus and his short reign was followed by the long reign of his brother Domitian, who was eventually assassinated. The senate then appointed the first of the Five Good Emperors, the empire reached its greatest extent under Trajan, the second in this line. A period of increasing trouble and decline began with the reign of Commodus, Commodus assassination in 192 triggered the Year of the Five Emperors, of which Septimius Severus emerged victorious. The assassination of Alexander Severus in 235 led to the Crisis of the Third Century in which 26 men were declared emperor by the Roman Senate over a time span. It was not until the reign of Diocletian that the empire was fully stabilized with the introduction of the Tetrarchy, which saw four emperors rule the empire at once. This arrangement was unsuccessful, leading to a civil war that was finally ended by Constantine I. Constantine subsequently shifted the capital to Byzantium, which was renamed Constantinople in his honour and it remained the capital of the east until its demise. Constantine also adopted Christianity which later became the state religion of the empire. However, Augustulus was never recognized by his Eastern colleague, and separate rule in the Western part of the empire ceased to exist upon the death of Julius Nepos. The Eastern Roman Empire endured for another millennium, eventually falling to the Ottoman Turks in 1453, the Roman Empire was among the most powerful economic, cultural, political and military forces in the world of its time. It was one of the largest empires in world history, at its height under Trajan, it covered 5 million square kilometres. It held sway over an estimated 70 million people, at that time 21% of the entire population. Throughout the European medieval period, attempts were made to establish successors to the Roman Empire, including the Empire of Romania, a Crusader state. Rome had begun expanding shortly after the founding of the republic in the 6th century BC, then, it was an empire long before it had an emperor
Roman Empire
–
The
Augustus of Prima Porta (early 1st century AD)
Roman Empire
–
Aureus of
Augustus, the first
Roman Emperor.
Roman Empire
–
A segment of the ruins of Hadrian's Wall in northern England
Roman Empire
–
A 5th-century
papyrus showing a parallel Latin-Greek text of a speech by
Cicero
6.
Poet
–
POET LLC is a U. S. biofuel company that specializes in the creation of bioethanol. The privately held corporation, which was originally called Broin Companies, is headquartered in Sioux Falls, in 2007, the Renewable Fuels Association named POET the largest U. S. ethanol producer, creating 1.1 billion US gallons of fuel per year. Currently, POET produces 1.7 billion gallons of ethanol per year, POET operates 27 ethanol plants spread across Indiana, Iowa, Michigan, Missouri, Ohio, Minnesota, and South Dakota. In 2007, the received a US$80 million grant from the U. S. Department of Energy for the creation of a cellulosic ethanol production facility in Emmetsburg. A grand opening was held for the facility on September 3rd,2014 and it is expected to produce 25 million gallons of ethanol per year from corncobs, leaves and husks provided by farmers in and around the area. POET has also collaborated with companies, including Deere & Co. and Vermeer Company. Among its products in the process are distillers grains branded Dakota Gold, Inviz, the company traces its history to the family farm in Wanamingo, Minnesota where the Broins began producing ethanol in 1983. In 1986 it became commercial launching its flagship plant in Scotland, in 2007, it was renamed POET. Then company president Jeff Broin said the new name is not an acronym, bush in Wentworth, South Dakota in April 2002 and by Barack Obama in Macon, Missouri in April 2010. POET has constructed an $8 million pilot plant to produce cellulosic ethanol made from corn cobs, a commercial scale project, based on the pilot plant, was undertaken as a joint venture with Royal DSM under the name POET-DSM Advanced Biofuels, LLC. A federal loan guarantee was obtained in July,2011 for a plant to be built in Emmetsburg. This loan guarantee was later declined when the joint venture with Royal DSM was announced. Originally scheduled to open in 2013, the facility opened a year late in September,2014
Poet
7.
Epic poetry
–
An epic poem, epic, epos, or epopee is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation. Milman Parry and Albert Lord have argued that the Homeric epics and these works form the basis of the epic genre in Western literature. Nearly all Western epic self-consciously presents itself as a continuation of the tradition begun by these poems, classical epic employs dactylic hexameter and recounts a journey, either physical or mental or both. Epics also tend to highlight cultural norms and to define or call into question cultural values, another type of epic poetry is epyllion, which is a brief narrative poem with a romantic or mythological theme. The term, which means little epic, came into use in the nineteenth century, the most famous example of classical epyllion is perhaps Catullus 64. The first epics were products of preliterate societies and oral history poetic traditions, in these traditions, poetry is transmitted to the audience and from performer to performer by purely oral means. Early twentieth-century study of living oral traditions in the Balkans by Milman Parry. What they demonstrated was that oral epics tend to be constructed in short episodes, each of equal status, interest and this facilitates memorization, as the poet is recalling each episode in turn and using the completed episodes to recreate the entire epic as he performs it. Parry and Lord also contend that the most likely source for written texts of the epics of Homer was dictation from an oral performance, poets in literate societies have sometimes copied the epic format. The earliest surviving European examples are the Argonautica of Apollonius of Rhodes and Virgils Aeneid, other obvious examples are Nonnus Dionysiaca, Tulsidas Sri Ramacharit Manas. In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry, an attempt to delineate ten main characteristics of an epic, Begins in medias res. The setting is vast, covering many nations, the world or the universe, Begins with an invocation to a muse. Begins with a statement of the theme, contains long lists, called an epic catalogue. Shows divine intervention on human affairs, features heroes that embody the values of the civilization. Often features the tragic heros descent into the Underworld or hell, the hero generally participates in a cyclical journey or quest, faces adversaries that try to defeat him in his journey and returns home significantly transformed by his journey. The epic hero illustrates traits, performs deeds, and exemplifies certain morals that are valued by the society the epic originates from, many epic heroes are recurring characters in the legends of their native culture. Conventions of epics, Preposition, Opens by stating the theme or cause of the epic and this may take the form of a purpose, of a question, or of a situation. Invocation, Writer invokes a Muse, one of the nine daughters of Zeus, the poet prays to the Muses to provide him with divine inspiration to tell the story of a great hero
Epic poetry
–
Tablet containing a fragment of the
Epic of Gilgamesh
Epic poetry
–
The first page of the
Beowulf manuscript, 8th to 10th century.
Epic poetry
–
Statue of Iranian poet
Ferdowsi in Rome, Italy. Ferdowsi's national epic
Shahnameh played an important role in revival of Iranian
patriotism and the
Persian language after both were systematically suppressed by the Arab occupation of Iran
Epic poetry
–
The Knight in the Panther's Skin by
Shota Rustaveli, one of the greatest Georgian poets.
8.
Pastoral poetry
–
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, a pastoral is a work of this genre, also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd. Pastoral is a mode of literature in which the author employs various techniques to place the life into a simple one. Thus, pastoral as a mode occurs in many types of literature as well as genres, terry Gifford, a prominent literary theorist, defines pastoral in three ways in his critical book Pastoral. The first way emphasizes the historical perspective of the pastoral in which authors recognize and discuss life in the country. This is summed up by Leo Marx with the phrase No shepherd, the second type of the pastoral is literature that describes the country with an implicit or explicit contrast to the urban. The third type of pastoral depicts the life with derogative classifications. Hesiods Works and Days presents a golden age when people lived together in harmony with nature and this Golden Age shows that even before Alexandria, ancient Greeks had sentiments of an ideal pastoral life that they had already lost. This is the first example of literature that has pastoral sentiments, ovids Metamorphoses is much like the Works and Days with the description of ages but with more ages to discuss and less emphasis on the gods and their punishments. In this artificially constructed world, nature acts as the main punisher, another example of this perfect relationship between man and nature is evident in the encounter of a shepherd and a goatherd who meet in the pastures in Theocritus poem Idylls 1. Traditionally, pastoral refers to the lives of herdsmen in a romanticized, exaggerated, the pastoral life is usually characterized as being closer to the Golden age than the rest of human life. The setting is a Locus Amoenus, or a place in nature. An example of the use of the genre is the poem by the 15th-century Scottish makar Robert Henryson Robene and Makyne which also contains the conflicted emotions often present in the genre. There will we sit upon the rocks And see the shepherds feed their flocks, By shallow rivers, the Passionate Shepherd to His Love exhibits the concept of Giffords second definition of pastoral. The speaker of the poem, who is the titled shepherd and this can be seen in the listed items, lined slippers, purest gold, silver dishes, and ivory table. The speaker takes on a point of view with his love. Pastoral shepherds and maidens usually have Greek names like Corydon or Philomela and this makes them available for embodying perpetual erotic fantasies. The shepherds spend their time chasing pretty girls — or, at least in the Greek and Roman versions, Pastoral literature continued after Hesiod with the poetry of the Hellenistic Greek Theocritus, several of whose Idylls are set in the countryside and involve dialogues between herdsmen
Pastoral poetry
–
Alvan Fisher, Pastoral Landscape, 1854
Pastoral poetry
–
Georgics Book III, Shepherd with Flocks,
Vergil (
Vatican Library)
Pastoral poetry
–
Romantic artist, illustrator and poet William Blake's hand painted print illustrating his pastoral poem "
The Shepherd " depicts the pastoral scene of a shepherd watching his flock with a shepherd's crook. This image represents copy B, printed and painted in 1789 and currently held by the
Library of Congress.
Pastoral poetry
–
A Pastoral (watercolour, 1905) by
John Reinhard Weguelin
9.
Augustan poetry
–
In Latin literature, Augustan poetry is the poetry that flourished during the reign of Caesar Augustus as Emperor of Rome, most notably including the works of Virgil, Horace, and Ovid. In English literature, Augustan poetry is a branch of Augustan literature, the term comes most originally from a term that George I had used for himself. He saw himself as an Augustus, in the Augustan era, poets were more conversant with the writings of each other than were the contemporary novelists. They wrote in counterpoint and towards direct expansion of the works of each other, beneath that large banner raged individual battles. The other development, one seemingly agreed upon by both sides, was a gradual expropriation and reinvention of all the Classical forms of poetry, every genre of poetry was recast, reconsidered, and used to serve new functions. The ode, the ballad, the elegy, and satire, parody, song, and lyric poetry would be adapted from their older, initial literary uses. It can be seen as a growth of the power and assertiveness of the bourgeoisie, the entire Augustan ages poetry was dominated by Alexander Pope. Since Pope began publishing when very young and continued to the end of his life, his poetry is a point in any discussion of the 1710s, 1720s, 1730s. Furthermore, Popes abilities were recognized early in his career, so contemporaries acknowledged his superiority, however, if Pope had few rivals, he had many enemies. His technical perfection did not shelter him from political, philosophical, or religious opponents and his very technical superiority led Pope to injudicious improvements in his editing and translation of other authors. The Pope/Philips debate occurred in 1709 when Alexander Pope published his Pastorals, Popes Pastorals were of the four seasons. When they appeared, Thomas Tickell, a member of the Little Senate of Addisons at Buttons Coffee-shop, Pope replied by writing in Guardian with a mock praise of Philipss Patorals that heaped scorn on them. Pope quoted Philipss worst lines, mocked his execution, and delighted in pointing out his empty lines, Philips responded by putting a staff in the floor of Buttons with which to beat Pope, should he appear. In 1717, Pope explained his theory of the pastoral in the Discourse on Pastoral Poetry, Philipss Pastorals were not particularly awful poems, but they did reflect his desire to update the pastoral. In 1724, Philips would update poetry again by writing a series of dedicated to all ages and characters, from Walpole. To do so, he shortened his line length to 3.5, henry Carey was one of the best at satirizing these poems, and his Namby Pamby became a hugely successful obliteration of Philips and Philipss endeavor. What is notable about Philips against Pope, however, is not so much the particular poems, Popes insistence upon a Golden Age pastoral no less than Philipss desire to update it meant making a political statement. While it is easy to see in Ambrose Philips an effort at modernist triumph, it is no less the case that Popes artificially restricted pastoral was a statement of what the ideal should be
Augustan poetry
–
Alexander Pope, the single poet who most influenced the Augustan Age.
Augustan poetry
–
A
William Blake illustration for Edward Young's Night Thoughts.
10.
Ancient Rome
–
In its many centuries of existence, the Roman state evolved from a monarchy to a classical republic and then to an increasingly autocratic empire. Through conquest and assimilation, it came to dominate the Mediterranean region and then Western Europe, Asia Minor, North Africa and it is often grouped into classical antiquity together with ancient Greece, and their similar cultures and societies are known as the Greco-Roman world. Ancient Roman civilisation has contributed to modern government, law, politics, engineering, art, literature, architecture, technology, warfare, religion, language and society. Rome professionalised and expanded its military and created a system of government called res publica, the inspiration for modern republics such as the United States and France. By the end of the Republic, Rome had conquered the lands around the Mediterranean and beyond, its domain extended from the Atlantic to Arabia, the Roman Empire emerged with the end of the Republic and the dictatorship of Augustus Caesar. 721 years of Roman-Persian Wars started in 92 BC with their first war against Parthia and it would become the longest conflict in human history, and have major lasting effects and consequences for both empires. Under Trajan, the Empire reached its territorial peak, Republican mores and traditions started to decline during the imperial period, with civil wars becoming a prelude common to the rise of a new emperor. Splinter states, such as the Palmyrene Empire, would divide the Empire during the crisis of the 3rd century. Plagued by internal instability and attacked by various migrating peoples, the part of the empire broke up into independent kingdoms in the 5th century. This splintering is a landmark historians use to divide the ancient period of history from the pre-medieval Dark Ages of Europe. King Numitor was deposed from his throne by his brother, Amulius, while Numitors daughter, Rhea Silvia, because Rhea Silvia was raped and impregnated by Mars, the Roman god of war, the twins were considered half-divine. The new king, Amulius, feared Romulus and Remus would take back the throne, a she-wolf saved and raised them, and when they were old enough, they returned the throne of Alba Longa to Numitor. Romulus became the source of the citys name, in order to attract people to the city, Rome became a sanctuary for the indigent, exiled, and unwanted. This caused a problem for Rome, which had a large workforce but was bereft of women, Romulus traveled to the neighboring towns and tribes and attempted to secure marriage rights, but as Rome was so full of undesirables they all refused. Legend says that the Latins invited the Sabines to a festival and stole their unmarried maidens, leading to the integration of the Latins, after a long time in rough seas, they landed at the banks of the Tiber River. Not long after they landed, the men wanted to take to the sea again, one woman, named Roma, suggested that the women burn the ships out at sea to prevent them from leaving. At first, the men were angry with Roma, but they realized that they were in the ideal place to settle. They named the settlement after the woman who torched their ships, the Roman poet Virgil recounted this legend in his classical epic poem the Aeneid
Ancient Rome
–
Senātus Populus que Rōmānus
Ancient Rome
–
Roman Republic
Ancient Rome
–
According to legend,
Rome was founded in 753 BC by
Romulus and Remus, who were raised by a she-wolf.
Ancient Rome
–
This bust from the
Capitoline Museums is traditionally identified as a portrait of
Lucius Junius Brutus.
11.
Augustan literature (ancient Rome)
–
Augustan literature is the period of Latin literature written during the reign of Augustus, the first Roman emperor. Strictly speaking, Ovid is the poet whose work is most thoroughly embedded in the Augustan regime, Augustan literature produced the most widely read, influential, and enduring of Rome’s poets. The Republican poets Catullus and Lucretius are their immediate predecessors, Lucan, Martial, Juvenal, Ovid’s works were wildly popular, but the poet was exiled by Augustus in one of literary history’s great mysteries, carmen et error is Ovid’s own oblique explanation. Among prose works, the history of Livy is preeminent for both its scope and stylistic achievement. The multivolume work On Architecture by Vitruvius also remains of great informational interest, questions pertaining to tone, or the writers attitude toward his subject matter, are acute among the preoccupations of scholars who study the period
Augustan literature (ancient Rome)
–
The Augustan poet
Vergil in a 3rd-century
mosaic also depicting the
Muses Clio and
Melpomene.
12.
Latin literature
–
Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. Latin literature was in ways a continuation of Greek literature. Formal Latin literature began in 240 BC, when a Roman audience saw a Latin version of a Greek play, the adaptor was Livius Andronicus, a Greek who had been brought to Rome as a prisoner of war in 272 BC. Andronicus also translated Homers Greek epic the Odyssey into an old type of Latin verse called Saturnian, the first Latin poet to write on a Roman theme was Gnaeus Naevius during the 3rd century BC. He composed a poem about the first Punic War, in which he had fought. Naeviuss dramas were mainly reworkings of Greek originals, but he also created based on Roman myths. Quintus Ennius wrote an epic, the Annals, describing Roman history from the founding of Rome to his own time. He adopted Greek dactylic hexameter, which became the verse form for Roman epics. He also became famous for his tragic dramas, in this field, his most distinguished successors were Marcus Pacuvius and Lucius Accius. These three writers rarely used episodes from Roman history, instead, they wrote Latin versions of tragic themes that the Greeks had already handled. But even when they copied the Greeks, they did not translate slavishly, only fragments of their plays have survived. Considerably more is known about early Latin comedy, as 26 Early Latin comedies are extant –20 of which Plautus wrote, and these men modeled their comedies on Greek plays known as New Comedy. But they treated the plots and wording of the originals freely, Plautus scattered songs through his plays and increased the humor with puns and wisecracks, plus comic actions by the actors. Terences plays were more polite in tone, dealing with domestic situations and his works provided the chief inspiration for French and English comedies of the 17th century AD, and even for modern American comedy. The prose of the period is best known through On Agriculture by Cato the Elder, Cato also wrote the first Latin history of Rome and of other Italian cities. He was the first Roman statesman to put his political speeches in writing as a means of influencing public opinion, Early Latin literature ended with Gaius Lucilius, who created a new kind of poetry in his 30 books of Satires. He wrote in an easy, conversational tone about books, food, friends and this period is usually said to have begun with the first known speech of Cicero and ended with the death of Ovid. Cicero has traditionally been considered the master of Latin prose, Ciceros many works can be divided into four groups, letters, rhetorical treatises, philosophical works, and orations
Latin literature
–
Cicero
Latin literature
–
Roman Orator.
13.
Eclogues
–
The Eclogues, also called the Bucolics, is the first of the three major works of the Latin poet Virgil. Virgil introduced political clamor largely absent from Theocritus poems, called idylls, performed with great success on the Roman stage, they feature a mix of visionary politics and eroticism that made Virgil a celebrity, legendary in his own lifetime. It is likely that Virgil deliberately designed and arranged his book of eclogues—in which case it is the first extant collection of Latin poems in the same meter put together by the poet, several scholars have attempted to identify the organizational/architectural principles underpinning the construction of the book. The book is based on an alternation of antiphonal poems with non-dramatic/narrative poems. Beyond this, there have been attempts to identify other organizational principles. Many of these attempts have been catalogued and critiqued by Niall Rudd, while considering these more plausible than the above, he concluded that each system has at least one defect, and none is so superior to the others as to be obviously Virgil’s own. Biographical identification of the fourth eclogues child has proved elusive, the connection is first made in the Oration of Constantine appended to the Life of Constantine by Eusebius of Caesarea. Some scholars have also remarked similarities between the eclogues prophetic themes and the words of Isaiah 11,6, a child shall lead. Eclogue 5 articulates another significant pastoral theme, the concern with achieving worldly fame through poetry. This concern is related to the metabasis Virgil himself undertakes thematically in Eclogue 4, in Eclogue 5, the shepherds Menalcas and Mopsus mourn their deceased companion Daphnis by promising to praise. Daphnis to the stars— / yes, to the stars raise Daphnis, Menalcas and Mopsus praise Daphnis out of compassion but also out of obligation. Daphnis willed that his fellow shepherds memorialize him by making a mound and add above the mound a song, / Daphnis am I in woodland, known hence far as the stars. It is an outgrowth of the friendly poetic rivalries that occur between them and of their attempts to best the gods, usually Pan or Phoebus, at their lyric craft. At the end of Eclogue 5, Daphnis is deified in the shepherds poetic praise, A god, here are four altars, / Look, Daphnis, two for you and two high ones for Phoebus. Menalcas apostrophizes Daphnis with a promise, Always your honor, name, ensuring poetic fame is a fundamental interest of the shepherds in classical pastoral elegies, including the speaker in Miltons Lycidas. CS1 maint, Multiple names, authors list Hornblower, Simon, the Oxford Classical Dictionary, Third Edition. Hunter, Richard, ed. Theocritus, A Selection, cS1 maint, Multiple names, authors list Van Sickle, John B. Virgil’s Book of Bucolics, the Ten Eclogues in English Verse, framed by Cues for Reading Out-Loud & Clues for Threading Texts & Themes
Eclogues
–
The opening lines of the Eclogues in the 5th-century
Vergilius Romanus.
14.
Georgics
–
The Georgics is a poem by Latin poet Virgil, likely published in 29 BC. As the name suggests the subject of the poem is agriculture, the Georgics is considered Virgils second major work, following his Eclogues and preceding the Aeneid. The poem draws on a variety of sources, and has influenced many later authors from antiquity to the present. The work consists of 2,188 hexametric verses divided into four books, the yearly timings by the rising and setting of particular stars were valid for the precession epoch of Virgils time, and so are not always valid now. Virgil begins his poem with a summary of the four books and it takes as its model the work on farming by Varro, but differs from it in important ways. Numerous technical passages fill out the first half of Book 1, of particular interest are lines 160–175, where Virgil describes the plow. In the succession of ages, whose model is ultimately Hesiod, the age of Jupiter and its relation to the golden age, of chief importance is the contribution of labor to the success or failure of mankind’s endeavors, agricultural or otherwise. The book comes to one climax with the description of a storm in lines 311–50. After detailing various weather-signs, Virgil ends with an enumeration of the associated with Caesar’s assassination and civil war. Prominent themes of the book include agriculture as mans struggle against a hostile natural world, often described in violent terms. Like the first book, it begins with a poem addressing the divinities associated with the matters about to be discussed, viticulture, trees, in the next hundred lines Virgil treats forest and fruit trees. Their propagation and growth are described in detail, with a contrast drawn between methods that are natural and those that require human intervention. Three sections on grafting are of particular interest, presented as marvels of man’s alteration of nature, also included is a catalogue of the worlds trees, set forth in rapid succession, and other products of various lands. A point of cultural interest is a reference to Ascra in line 176 and these depict the growth and beauty that accompany springs arrival. The poet then returns to didactic narrative with yet more on vines, emphasizing their fragility, a warning about animal damage provides occasion for an explanation of why goats are sacrificed to Bacchus. The olive tree is presented in contrast to the vine. The next subject, at last turning away from the vine, is other kinds of trees, those that produce fruit, then Virgil again returns to grapevines, recalling the myth of the battle of the Lapiths and Centaurs in a passage known as the Vituperation of Vines. The remainder of the book is devoted to extolling the simple country life over the corruptness of the city, the third book is chiefly and ostensibly concerned with animal husbandry
Georgics
–
Georgics Book III, Shepherd with Flocks,
Roman Virgil.
Georgics
–
1798 illustration
15.
Aeneid
–
The Aeneid is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter, the hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the Iliad. The Aeneid is widely regarded as Virgils masterpiece and one of the greatest works of Latin literature, the Aeneid can be divided into two halves based on the disparate subject matter of Books 1–6 and Books 7–12. These two halves are commonly regarded as reflecting Virgils ambition to rival Homer by treating both the Odysseys wandering theme and the Iliads warfare themes and this is, however, a rough correspondence, the limitations of which should be borne in mind. Virgil begins his poem with a statement of his theme and an invocation to the Muse and he then explains the reason for the principal conflict in the story, the resentment held by the goddess Juno against the Trojan people. This is consistent with her throughout the Homeric epics. Also in the manner of Homer, the story begins in medias res, with the Trojan fleet in the eastern Mediterranean. The fleet, led by Aeneas, is on a voyage to find a second home and it has been foretold that in Italy, he will give rise to a race both noble and courageous, a race which will become known to all nations. Juno is wrathful, because she had not been chosen in the judgment of Paris, also, Ganymede, a Trojan prince, was chosen to be the cup bearer to her husband, Jupiter—replacing Junos daughter, Hebe. Juno proceeds to Aeolus, King of the Winds, and asks that he release the winds to stir up a storm in exchange for a bribe, Aeolus does not accept the bribe, but agrees to carry out Junos orders, the storm then devastates the fleet. The fleet takes shelter on the coast of Africa, where Aeneas rouses the spirits of his men, There, Aeneass mother, Venus, in the form of a hunting woman very similar to the goddess Diana, encourages him and recounts to him the history of Carthage. At a banquet given in honour of the Trojans, Aeneas sadly recounts the events that occasioned the Trojans arrival. He begins the tale shortly after the war described in the Iliad, Cunning Ulysses devised a way for Greek warriors to gain entry into the walled city of Troy by hiding in a large wooden horse. The Greeks pretended to sail away, leaving a warrior, Sinon, to inform the Trojans that the horse was an offering and that if it were taken into the city, the Trojans would be able to conquer Greece. The Trojan priest Laocoön saw through the Greek plot and urged the horses destruction, then, in what would be seen by the Trojans as punishment from the gods, two serpents emerged from the sea and devoured Laocoön, along with his two sons. The Trojans then took the horse inside the walls, and after nightfall the armed Greeks emerged from it. In a dream, Hector, the fallen Trojan prince, advised Aeneas to flee with his family, Aeneas awoke and saw with horror what was happening to his beloved city. At first he tried to fight the enemy, but soon he lost his comrades and was alone to fend off the Greeks
Aeneid
–
Aeneas Flees Burning Troy,
Federico Barocci, 1598
Galleria Borghese, Rome
Aeneid
–
Paul Cézanne, Aneas Meeting Dido at Carthage, ca. 1875,
Princeton University Art Museum
Aeneid
–
The suicide of
Queen Dido (book 4), sculpture by Claude-Augustin Cayot (fr) (1667–1722)
Aeneid
–
Boxing scene from the Aeneid (book 5), mosaic floor from a Gallo-Roman villa in
Villelaure (France), ca. 175 AD,
Getty Villa (71.AH.106)
16.
Appendix Vergiliana
–
The Appendix Vergiliana is a collection of poems traditionally ascribed as juvenilia of Virgil, although it is likely that all the pieces are in fact spurious. Many were considered works of Virgil in antiquity, but it seems that they comprise a diverse collection of poems by various authors from the 1st century AD. Scholars are almost unanimous in considering the works of the Appendix spurious primarily on grounds of style, metrics, the collection as it is was probably formed in Late Antiquity. The individual components are older, ancient authors considered the Culex to be a work of Virgils. Quintilian quotes Catalepton 2 as the work of Virgil, the Elegiae in Maecenatem cannot possibly be by Virgil, as Maecenas died eleven years after Virgil in 8 BC. The poems are all probably by different authors, except for the Lydia and Dirae which may have a common author, the Culex and the Ciris are thought to have been composed under the emperor Tiberius. This is an epyllion in 414 hexameters which evokes the world of Theocritus. The poem opens with an address to the young Octavian, a promise of more poems, an invocation of Apollo, the poet has a priamel in which he rejects the Battle of the Gods and Giants and historical epic. It is noon, and a poor but happy shepherd, who lacks the refinements of classical luxury, is tending his flocks when he sees a grove of trees, a locus amoenus, the mythical metamorphoses of the trees in the grove are described. As he sleeps, a snake approaches him and is ready to bite when a gnat lands on his eyes, reflexively killing the gnat he awakes, sees the snake and kills it. The gnat especially focuses on the story of Eurydice and the Trojan War, the gnat goes on to describe famous Roman heroes and then his audience before Minos to decide his fate. When he awakes, the shepherd constructs a heroon to the gnat in the grove, the shepherd inscribes it with the inscription Little gnat, to you deservedly the guard of the flock repays his funeral duty for your gift of life. The Culex cannot be one of Virgils juvenilia because it alludes to the body of his work, thus. The poem has been interpreted as a charming epyllion or as an elaborate allegory in which the shepherd symbolizes Augustus. The Ciris is an epyllion in 541 hexameters describing the myth of Nisus, the epyllion was a popular style of composition which seems to have developed in the Hellenistic age, surviving examples can be found in Theocritus and Catullus. The poet differentiates the Scylla of his poem from the sea-monster Scylla and describes the monsters birth and he starts by describing Minos siege of Megara and the lock of purple hair on the head of Nisus which protected the city. While playing ball, Scylla is shot by Cupid and falls madly in love with Minos, as a prize for Minos, she tries to cut the lock of her father, but her nurse, Carme, asks Scylla why she is upset. After Scylla tells her she is in love with Minos, Carme says that Minos earlier had killed her daughter Britomartis and convinces Scylla to go to bed
Appendix Vergiliana
–
A mosaic of Virgil and two Muses. The mosaic, which dates from the 3rd century AD, was discovered in the Hadrumetum in Sousse, Tunisia and is now on display in the Bardo Museum in Tunis, Tunisia.
Appendix Vergiliana
–
The Naiskos crater from Berlin showing scenes of the underworld.
Appendix Vergiliana
–
A painting of Priapus from the
House of the Vettii in
Pompeii.
17.
Homer
–
Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
Homer
–
Idealized portrayal of Homer dating to the
Hellenistic period.
British Museum.
Homer
–
Part of an 11th-century manuscript, "the Townley Homer". The writing on the top and right side are
scholia.
Homer
–
Homer and His Guide, by
William-Adolphe Bouguereau (1825–1905), portraying Homer on
Mount Ida, beset by dogs and guided by the goatherder Glaucus (as told in
Pseudo-Herodotus)
Homer
–
Raphael 's inspired Homer on
Mount Parnassus.
18.
Iliad
–
The iLiad was an electronic handheld device, or e-Reader, which could be used for document reading and editing. Like the Barnes and Noble nook, Sony Reader or Amazon Kindle, in 2010, sales of the iLiad ended when its parent company, iRex, filed for bankruptcy. The display used is an active matrix display, which uses E Ink Vizplex Imaging Film manufactured by E Ink Corporation. Underneath the E Ink screen is a tablet by WACOM which requires a stylus for input. When it was introduced, the Iliad had largest screen size of existing e-paper products, the iLiad can display document files in several formats, including PDF, Mobipocket, XHTML and plain text. It can also display JPEG, BMP and PNG images, as of May 3,2007 Mobipocket is supported, making the mobipocket digital rights management content available on this platform. IRexs product page for the states that Support for additional E-book formats will become available over the coming months. Through its wireless service, iDS, the iLiad can also download content. Les Echos, a French financial newspaper, is distributed this way, users can connect to their computer over a wireless network to sync new data onto the iLiads internal memory or an inserted MMC, SD, or CF card. The distributor of the iLiad is iRex Technologies, a Philips spin-off company and it was initially advertised in December 2005, to be launched in April 2006, but was delayed until July, when it started to be sold as a beta product. It was released to the public near the end of July. Its list price in Europe is €649, and in US $699, one of the advanced features of the iLiad is the ability to add notes to existing documents. With the integrated Wacom tablet and stylus, it is possible to directly on almost any document. Using the desktop software, those notes can be merged into the original document and this provides malleability, an important feature of physical books that is missing from most ebook products, allowing users to annotate, highlight, and personalize the text. Because of its open Linux operating system, the iLiad is able to run third party applications created for it, developers and users wishing to create or run third party applications can request shell access from the manufacturer. Developers have been able to improve on the devices functionality by porting viewers such as FBReader, full screen PDF reading is made available by community-supported iPDF releases. Programs for recreation, including audio playback, sudoku, and calendars, are rapidly growing community content available for use on the iLiad, independent users have also reported successful porting of mobile web browsers to iLiads Linux platform, although with limited functionality and many bugs. IRex as a company has had a relationship with its Open Source developers
Iliad
–
iRex iLiad
Iliad
Iliad
–
iLiad in sunlight
Iliad
–
iLiad e-book reader equipped with e-paper display
19.
Odyssey
–
The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature, the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the poem mainly focuses on the Greek hero Odysseus, king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of suitors, the Mnesteres or Proci. The Odyssey continues to be read in the Homeric Greek and translated into languages around the world. Many scholars believe the poem was composed in an oral tradition by an aoidos, perhaps a rhapsode. The details of the ancient oral performance and the conversion to a written work inspire continual debate among scholars. The Odyssey was written in a dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek. Among the most noteworthy elements of the text are its non-linear plot, in the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer and it was usually attributed in antiquity to Cinaethon of Sparta. In one source, the Telegony was said to have stolen from Musaeus by either Eugamon or Eugammon of Cyrene. The Odyssey begins ten years after the end of the ten-year Trojan War, and Odysseus has still not returned home from the war. Odysseus protectress, the goddess Athena, requests to Zeus, king of the gods, to finally allow Odysseus to return home when Odysseus enemy, then, disguised as a Taphian chieftain named Mentes, she visits Telemachus to urge him to search for news of his father. He offers her hospitality, they observe the suitors dining rowdily while the bard Phemius performs a poem for them. Penelope objects to Phemius theme, the Return from Troy, because it reminds her of her missing husband and that night Athena, disguised as Telemachus, finds a ship and crew for the true prince. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the suitors. Accompanied by Athena, he departs for the Greek mainland and the household of Nestor, most venerable of the Greek warriors at Troy, now at home in Pylos
Odyssey
–
Charles Gleyre,
Odysseus and
Nausicaä
Odyssey
–
Greek text of the Odyssey' s opening passage
Odyssey
–
Odysseus Overcome by
Demodocus ' Song, by
Francesco Hayez, 1813–15
Odyssey
–
Odysseus and the Sirens, eponymous vase of the
Siren Painter, ca. 480-470 BC, (
British Museum)
20.
Trojan War
–
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
Trojan War
–
Achilles tending the wounded
Patroclus (
Attic red-figure kylix, c. 500 BC)
Trojan War
–
The Burning of Troy (1759/62),
oil painting by Johann Georg Trautmann
Trojan War
–
The Judgment of Paris (1904) by
Enrique Simonet
Trojan War
–
Thetis gives her son Achilles weapons forged by Hephaestus (detail of Attic
black-figure hydria, 575–550 BC)
21.
Aeneas
–
In Greco-Roman mythology, Aeneas was a Trojan hero, the son of the prince Anchises and the goddess Venus. His father was a first cousin of King Priam of Troy and he is a character in Greek mythology and is mentioned in Homers Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgils Aeneid and he became the first true hero of Rome. Snorri Sturluson identifies him with the Norse Æsir Vidarr, Aeneas is the Latin spelling of Greek Αἰνείας. In the Homeric Hymn to Aphrodite, Aeneas is first introduced with Aphrodite naming him Αἰνείας for the αὶνóν ἄχος he caused her and it is a popular etymology for the name, apparently exploited by Homer in the Iliad. Later in the Medieval period there were writers who held that, as such, in the natural order, the meaning of Aeneas name combines Greek ennos and demas, which becomes ennaios, meaning in-dweller. However, there is no certainty regarding the origin of his name, in imitation of the Iliad, Virgil borrows epithets of Homer, including, Anchisiades, magnanimum, magnus, heros, and bonus. Though he borrows many, Virgil gives Aeneas two epithets of his own in the Aeneid, pater and pius. The epithets applied by Virgil are an example of a different from that of Homer, for whilst Odysseus is poikilios, Aeneas is described as pius. Likewise, Aeneas is called pater when acting in the interest of his men, the story of the birth of Aeneas is told in the Hymn to Aphrodite, one of the major Homeric Hymns. Aphrodite has caused the other gods Zeus, to fall in love with mortal women, in retaliation, Zeus puts desire in her heart for Anchises, who is tending his cattle among the hills near Mount Ida. When Aphrodite sees him she is smitten and she adorns herself as if for a wedding among the gods and appears before him. He is overcome by her beauty, believing that she is a goddess, after they make love, Aphrodite reveals her true identity to him and Anchises fears what might happen to him as a result of their liaison. Aphrodite assures him that he will be protected, and tells him that she bear him a son to be called Aeneas. However, she warns him that he must never tell anyone that he has lain with a goddess, when Aeneas is born, Aphrodite takes him to the nymphs of Mount Ida. She directs them to raise the child to age five, then take him to Anchises, according to other sources, Anchises later brags about his encounter with Aphrodite, and as a result is struck in the foot with a thunderbolt by Zeus. Thereafter he is lame in that foot, so that Aeneas has to carry him from the flames of Troy. Aeneas is a character in the Iliad, where he is twice saved from death by the gods as if for an as-yet-unknown destiny
Aeneas
–
Aeneas flees burning Troy,
Federico Barocci, 1598.
Aeneas
–
Painting Venus and Anchises by
William Blake Richmond (1889 or 90)
Aeneas
–
Aeneas carrying
Anchises, black-figured
oinochoe, ca. 520–510 BC,
Louvre (F 118)
Aeneas
–
Aeneas and Anchises
22.
Romulus and Remus
–
In Roman mythology, Romulus and Remus are twin brothers, whose story tells the events that led to the founding of the city of Rome and the Roman Kingdom by Romulus. The killing of Remus by his brother, and other tales from their story, have inspired artists throughout the ages, since ancient times, the image of the twins being suckled by a she-wolf has been a symbol of the city of Rome and the Roman people. Although the tale takes place before the founding of Rome around 750 BC, whether the twins myth was an original part of Roman myth or a later development is a subject of ongoing debate. Romulus and Remus were born in Alba Longa, one of the ancient Latin cities near the site of Rome. Their mother, Rhea Silvia was a virgin and the daughter of the former king, Numitor. In some sources, Rhea Silvia conceived them when their father, through their mother, the twins were descended from Greek and Latin nobility. Seeing them as a threat to his rule, King Amulius ordered them to be killed. They were saved by the god Tiberinus, Father of the River and survived with the care of others, in the most well-known episode, the twins were suckled by a she-wolf, in a cave now known as the Lupercal. Eventually, they were adopted by Faustulus, a shepherd and they grew up tending flocks, unaware of their true identities. Over time, their leadership abilities attracted a company of supporters from the community. When they were adults, they became involved in a dispute between supporters of Numitor and Amulius. As a result, Remus was taken prisoner and brought to Alba Longa, both his grandfather and the king suspected his true identity. Romulus, meanwhile, had organized an effort to free his brother, during this time they learned of their past and joined forces with their grandfather to restore him to the throne. Amulius was killed and Numitor was reinstated as king of Alba, the twins set out to build a city of their own. After arriving back in the area of the seven hills, they disagreed about the hill upon which to build, Romulus preferred the Palatine Hill, above the Lupercal, Remus preferred the Aventine Hill. When they could not resolve the dispute, they agreed to seek the gods approval through a contest of augury, Remus first saw 6 auspicious birds but soon afterward, Romulus saw 12, and claimed to have won divine approval. The new dispute furthered the contention between them, in the aftermath, Remus was killed either by Romulus or by one of his supporters. Romulus then went on to found the city of Rome, its institutions, government, military and he reigned for many years as its first king
Romulus and Remus
–
Capitoline Wolf. Traditional scholarship says the wolf-figure is Etruscan, 5th century BC, with figures of Romulus and Remus added in the 15th century AD by
Antonio Pollaiuolo. Recent studies suggest that the wolf may be a medieval sculpture dating from the 13th century AD.
Romulus and Remus
–
Altar from
Ostia showing the discovery of Romulus and Remus (now at the
Palazzo Massimo alle Terme).
Romulus and Remus
–
Faustulus (to the right of picture) discovers Romulus and Remus with the she-wolf and woodpecker. Their mother Rhea Silvia and the river-god Tiberinus witness the moment. Painting by
Peter Paul Rubens, c. 1616 (
Capitoline Museums).
Romulus and Remus
–
Romulus, Victor over Acron, hauls the rich booty to the temple of Jupiter, by
Jean Auguste Dominique Ingres
23.
Dante
–
Durante degli Alighieri, simply called Dante, was a major Italian poet of the Late Middle Ages. In the late Middle Ages, the majority of poetry was written in Latin. In De vulgari eloquentia, however, Dante defended use of the vernacular in literature, as a result, Dante played an instrumental role in establishing the national language of Italy. In addition, the first use of the interlocking three-line rhyme scheme, Dante has been called the Father of the Italian language and one of the greatest poets of world literature. In Italy, Dante is often referred to as il Sommo Poeta and il Poeta, he, Petrarch, Dante was born in Florence, Republic of Florence, present-day Italy. The exact date of his birth is unknown, although it is believed to be around 1265. This can be deduced from autobiographic allusions in the Divine Comedy, in 1265, the sun was in Gemini between approximately May 11 and June 11. Dante claimed that his family descended from the ancient Romans, but the earliest relative he could mention by name was Cacciaguida degli Elisei, born no earlier than about 1100. Dantes father, Alaghiero or Alighiero di Bellincione, was a White Guelph who suffered no reprisals after the Ghibellines won the Battle of Montaperti in the middle of the 13th century. Dantes family had loyalties to the Guelphs, an alliance that supported the Papacy and which was involved in complex opposition to the Ghibellines. The poets mother was Bella, likely a member of the Abati family and she died when Dante was not yet ten years old, and Alighiero soon married again, to Lapa di Chiarissimo Cialuffi. When Dante was 12, he was promised in marriage to Gemma di Manetto Donati, daughter of Manetto Donati, contracting marriages at this early age was quite common and involved a formal ceremony, including contracts signed before a notary. But by this time Dante had fallen in love with another, Beatrice Portinari, years after his marriage to Gemma he claims to have met Beatrice again, he wrote several sonnets to Beatrice but never mentioned Gemma in any of his poems. The exact date of his marriage is not known, the certain information is that, before his exile in 1301. Dante fought with the Guelph cavalry at the Battle of Campaldino and this victory brought about a reformation of the Florentine constitution. To take any part in life, one had to enroll in one of the citys many commercial or artisan guilds, so Dante entered the Physicians. In the following years, his name is recorded as speaking or voting in the various councils of the republic. A substantial portion of minutes from meetings in the years 1298–1300 was lost, however
Dante
–
Profile portrait of Dante, by
Sandro Botticelli
Dante
–
Portrait of Dante, from a fresco in the Palazzo dei Giudici, Florence
Dante
–
Dante in Verona, by Antonio Cotti
Dante
–
Statue of Dante at the
Uffizi, Florence
24.
Divine Comedy
–
The Divine Comedy is a long narrative poem by Dante Alighieri, begun c.1308 and completed in 1320, a year before his death in 1321. It is widely considered the preeminent work in Italian literature, and is seen as one of the greatest works of world literature, the poems imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written and it is divided into three parts, Inferno, Purgatorio, and Paradiso. On the surface, the poem describes Dantes travels through Hell, Purgatory, and Paradise or Heaven, but at a level, it represents, allegorically. At this deeper level, Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy, consequently, the Divine Comedy has been called the Summa in verse. The work was simply titled Comedìa and the word Divina was added by Giovanni Boccaccio. The first printed edition to add the word divina to the title was that of the Venetian humanist Lodovico Dolce, the Divine Comedy is composed of 14,233 lines that are divided into three canticas – Inferno, Purgatorio, and Paradiso – each consisting of 33 cantos. An initial canto, serving as an introduction to the poem and generally considered to be part of the first cantica, the number three is prominent in the work, represented in part by the number of canticas and their lengths. Additionally, the scheme used, terza rima, is hendecasyllabic, with the lines composing tercets according to the rhyme scheme aba, bcb, cdc. Written in the first person, the tells of Dantes journey through the three realms of the dead, lasting from the night before Good Friday to the Wednesday after Easter in the spring of 1300. The Roman poet Virgil guides him through Hell and Purgatory, Beatrice, Dantes ideal woman, within each group of 9,7 elements correspond to a specific moral scheme, subdivided into three subcategories, while 2 others of greater particularity are added to total nine. For example, the seven sins of the Catholic Church that are cleansed in Purgatory are joined by special realms for the Late repentant. The core seven sins within Purgatory correspond to a scheme of love perverted, subdivided into three groups corresponding to excessive love, deficient love, and malicious love. In central Italys political struggle between Guelphs and Ghibellines, Dante was part of the Guelphs, who in general favored the Papacy over the Holy Roman Emperor, florences Guelphs split into factions around 1300, the White Guelphs and the Black Guelphs. The last word in each of the three canticas is stelle, the poem begins on the night before Good Friday in the year 1300, halfway along our lifes path. Conscious that he is ruining himself and that he is falling into a low place where the sun is silent, Dante is at last rescued by Virgil, the circles number 9, with the addition of Satan completing the structure of 9 +1 =10. Having survived the depths of Hell, Dante and Virgil ascend out of the undergloom to the Mountain of Purgatory on the far side of the world. The Mountain is on an island, the land in the Southern Hemisphere
Divine Comedy
–
Dante shown holding a copy of the Divine Comedy, next to the entrance to Hell, the seven terraces of Mount Purgatory and the city of Florence, with the spheres of Heaven above, in
Michelino 's fresco
Divine Comedy
–
Detail of a manuscript in Milan's Biblioteca Trivulziana (MS 1080), written in 1337 by Francesco di ser Nardo da Barberino, showing the beginning of Dante's Comedy.
Divine Comedy
–
Gustave Doré 's engravings illustrated the Divine Comedy (1861–1868); here
Charon comes to ferry souls across the river
Acheron to Hell.
Divine Comedy
–
Dante gazes at Mount Purgatory in an allegorical portrait by
Agnolo Bronzino, painted c. 1530
25.
Hell
–
Hell, in many mythological, folklore and religious traditions, is a place of torment and punishment in an afterlife. Religions with a divine history often depict hells as eternal destinations while Religions with a cyclic history often depict a hell as an intermediary period between incarnations. Typically these traditions locate hell in another dimension or under the Earths surface, other afterlife destinations include Heaven, Purgatory, Paradise, and Limbo. Hell is sometimes portrayed as populated with demons who torment those dwelling there, many are ruled by a death god such as Nergal, Hades, Hel, Enma or Satan. Subsequently, the word was used to transfer a pagan concept to Christian theology, Some have theorized that English word hell is derived from Old Norse hel. However, this is unlikely as hel appears in Old English before the Viking invasions. Furthermore, the word has cognates in all the other Germanic languages and has a Proto-Germanic origin, Hell appears in several mythologies and religions. It is commonly inhabited by demons and the souls of dead people, a fable about hell which recurs in folklore across several cultures is the allegory of the long spoons. Hell is often depicted in art and literature, perhaps most famously in Dantes Divine Comedy, punishment in Hell typically corresponds to sins committed during life. In many religious cultures, including Christianity and Islam, Hell is often depicted as fiery, painful and harsh, despite these common depictions of Hell as a place of fire, some other traditions portray Hell as cold. Buddhist - and particularly Tibetan Buddhist - descriptions of hell feature a number of hot. Among Christian descriptions Dantes Inferno portrays the innermost circle of Hell as a lake of blood. At death a person faced judgment by a tribunal of forty-two divine judges, if they had led a life in conformance with the precepts of the Goddess Maat, who represented truth and right living, the person was welcomed into the Two Fields. If found guilty the person was thrown to a devourer and would be condemned to the lake of fire, the person taken by the devourer is subject first to terrifying punishment and then annihilated. These depictions of punishment may have influenced medieval perceptions of the inferno in hell via early Christian, purification for those considered justified appears in the descriptions of Flame Island, where humans experience the triumph over evil and rebirth. For the damned complete destruction into a state of non-being awaits but there is no suggestion of eternal torture, the weighing of the heart in Egyptian mythology can lead to annihilation. The Tale of Khaemwese describes the torment of a man, who lacked charity. Divine pardon at judgement always remained a concern for the Ancient Egyptians
Hell
–
Medieval illustration of Hell in the
Hortus deliciarum manuscript of
Herrad of Landsberg (about 1180)
Hell
–
Hell - detail from a fresco in the medieval church St. Nicolas in Raduil,
Bulgaria
Hell
–
Hel (1889) by
Johannes Gehrts.
Hell
–
An illustration by
Doré of
Dante ’s 6th circle of
Hell, from the
Divine Comedy
26.
Purgatory
–
The notion of Purgatory is associated particularly with the Latin Rite of the Catholic Church, Anglicans of the Anglo-Catholic tradition generally also hold to the belief. Judaism also believes in the possibility of purification and may even use the word purgatory to present its understanding of the meaning of Gehenna. However, the concept of soul purification may be denied in these other faith traditions. The same practice appears in traditions, such as the medieval Chinese Buddhist practice of making offerings on behalf of the dead. Roman Catholics consider the teaching on Purgatory, but not the imaginative accretions, of the early Church Fathers, Origen says that He who comes to be saved, comes to be saved through fire that burns away sins and worldliness like lead, leaving behind only pure gold. St. Ambrose of Milan speaks of a kind of baptism of fire which is located at the entrance to Heaven, and through which all must pass, at the end of the world. By this he meant that attachments to sin, habits of sin, and even venial sins could be removed in Purgatory, but not mortal sin, which, according to Catholic doctrine, causes eternal damnation. The Catholic Church gives the name Purgatory to the purification of all who die in Gods grace and friendship. Though Purgatory is often pictured as a rather than a process of purification. According to Catholic belief, immediately after death, a person undergoes judgment in which the eternal destiny is specified. Some are eternally united with God in Heaven, envisioned as a paradise of eternal joy, conversely, others reach a state called Hell, that is eternal separation from God often envisioned as an abode of never ending, fiery torment, a fire sometimes considered to be metaphorical. In addition to accepting the states of heaven and hell, Catholicism envisages a third state before being admitted to heaven, such souls, ultimately destined to be united with God in heaven, must first be cleansed through purgatory – a state of purification. Through purgatory, souls achieve the necessary to enter the joy of heaven. Mortal sin incurs both temporal punishment and eternal punishment, venial sin incurs only temporal punishment, the Catholic Church makes a distinction between these two types of sin. According to Catholicism, purification from our sinful tendencies can occur during life, the situation has been compared to that of someone who needs to be cleansed of any addiction. As from any addiction, rehabilitation from the disordered affection for created goods will be a gradual and it can be advanced during life by voluntary self-mortification and penance and by deeds of generosity that show love of God rather than of creatures. After death, a process can be recognized as a still necessary preparation for entering the divine presence. The writings of Saint Catherine of Genoa explain, As for paradise, whoever wishes to enter, does so
Purgatory
–
Image of a fiery purgatory by
Annibale Carracci
Purgatory
–
Image of a non-fiery purgatory (Gustave Doré: illustration for Dante's Purgatorio, Canto 24).
Purgatory
–
Our Lady of Mount Carmel with angels and souls in Purgatory. Baroque sculpture from
Beniajan,
Spain.
Purgatory
–
Altarpiece of the souls in purgatory.
Church of the Immaculate Conception (
Santa Cruz de Tenerife,
Spain).
27.
Bust (sculpture)
–
A bust is a sculpted or cast representation of the upper part of the human figure, depicting a persons head and neck, and a variable portion of the chest and shoulders. The piece is supported by a plinth. These forms recreate the likeness of an individual and these may be of any medium used for sculpture, such as marble, bronze, terracotta or wood. A parallel term, aust, is a representation of the part of an animal or mythical creature. Sculptural portrait heads from classical antiquity are sometimes displayed as busts, however, these are often fragments from full-body statues, or were created to be inserted into an existing body, these portrait heads are not included in this article. Herma Portraiture Livius. org, Bust gallery of famous ancient Greeks Oxford definition Dictionary. com definition
Bust (sculpture)
–
Bust of
Francis Bacon
Bust (sculpture)
–
The Empress
Vibia Sabina (ca. 130 AD)
Bust (sculpture)
–
Lucius Verus (ca. 140 AD)
Bust (sculpture)
–
Reliquary bust of
Charlemagne (gold,
Aachen Cathedral treasury, 14th century)
28.
Naples
–
Naples is the capital of the Italian region Campania and the third-largest municipality in Italy, after Rome and Milan. In 2015, around 975,260 people lived within the administrative limits. The Metropolitan City of Naples had a population of 3,115,320, Naples is the 9th-most populous urban area in the European Union with a population of between 3 million and 3.7 million. About 4.4 million people live in the Naples metropolitan area, Naples is one of the oldest continuously inhabited cities in the world. Bronze Age Greek settlements were established in the Naples area in the second millennium BC, a larger colony – initially known as Parthenope, Παρθενόπη – developed on the Island of Megaride around the ninth century BC, at the end of the Greek Dark Ages. Naples remained influential after the fall of the Western Roman Empire, thereafter, in union with Sicily, it became the capital of the Two Sicilies until the unification of Italy in 1861. Naples was the most-bombed Italian city during World War II, much of the citys 20th-century periphery was constructed under Benito Mussolinis fascist government, and during reconstruction efforts after World War II. The city has experienced significant economic growth in recent decades, and unemployment levels in the city, however, Naples still suffers from political and economic corruption, and unemployment levels remain high. Naples has the fourth-largest urban economy in Italy, after Milan, Rome and it is the worlds 103rd-richest city by purchasing power, with an estimated 2011 GDP of US$83.6 billion. The port of Naples is one of the most important in Europe, numerous major Italian companies, such as MSC Cruises Italy S. p. A, are headquartered in Naples. The city also hosts NATOs Allied Joint Force Command Naples, the SRM Institution for Economic Research, Naples is a full member of the Eurocities network of European cities. The city was selected to become the headquarters of the European institution ACP/UE and was named a City of Literature by UNESCOs Creative Cities Network, the Villa Rosebery, one of the three official residences of the President of Italy, is located in the citys Posillipo district. Naples historic city centre is the largest in Europe, covering 1,700 hectares and enclosing 27 centuries of history, Naples has long been a major cultural centre with a global sphere of influence, particularly during the Renaissance and Enlightenment eras. In the immediate vicinity of Naples are numerous culturally and historically significant sites, including the Palace of Caserta, culinarily, Naples is synonymous with pizza, which originated in the city. Neapolitan music has furthermore been highly influential, credited with the invention of the romantic guitar, according to CNN, the metro stop Toledo is the most beautiful in Europe and it won also the LEAF Award 2013 as Public building of the year. Naples is the Italian city with the highest number of accredited stars from the Michelin Guide, Naples sports scene is dominated by football and Serie A club S. S. C. Napoli, two-time Italian champions and winner of European trophies, who play at the San Paolo Stadium in the south-west of the city, the Phlegraean Fields around Naples has been inhabited since the Neolithic period. The earliest Greek settlements were established in the Naples area in the second millennium BC, sailors from the Greek island of Rhodes established a small commercial port called Parthenope on the island of Megaride in the ninth century BC
Naples
–
Naples Napoli
Naples
–
Ancient map of the Bay of Naples area from Vatican Museum
Naples
–
A scene featuring the
siren Parthenope, the mythological founder of Naples.
Naples
–
The
Gothic Battle of Mons Lactarius on
Vesuvius, painted by
Alexander Zick.
29.
Suetonius
–
Gaius Suetonius Tranquillus, commonly known as Suetonius, was a Roman historian belonging to the equestrian order who wrote during the early Imperial era of the Roman Empire. His most important surviving work is a set of biographies of twelve successive Roman rulers, from Julius Caesar to Domitian and he recorded the earliest accounts of Julius Caesars epileptic seizures. Other works by Suetonius concern the life of Rome, politics, oratory, and the lives of famous writers, including poets, historians. A few of these books have survived, but many have been lost. Gaius Suetonius Tranquillus was probably born in about 69 AD, a date deduced from his remarks describing himself as a man twenty years after Neros death. His place of birth is disputed, but most scholars place it in Hippo Regius, Suetonius was a close friend of senator and letter-writer Pliny the Younger. Pliny describes him as quiet and studious, a man dedicated to writing, through Pliny, Suetonius came into favour with Trajan and Hadrian. Suetonius may have served on Pliny’s staff when Pliny was Proconsul of Bithynia Pontus between 110 and 112, under Trajan he served as secretary of studies and director of Imperial archives. Under Hadrian, he became the Emperors secretary, but, in 119, Hadrian dismissed Suetonius for the latters allegedly excessive informality with the empress Sabina. The book was dedicated to a friend Gaius Septicius Clarus, a prefect of the Praetorian Guard in 119. De Viris Illustribus, to belong, De Illustribus Grammaticis De Claris Rhetoribus De Poetis De Historicis Peri ton par Hellesi paidion Peri blasphemion The two last works were written in Greek. They apparently survive in part in the form of extracts in later Greek glossaries, the below listed lost works of Suetonius are from the Foreword written by Robert Graves in his translation of the Twelve Caesars. Rolfe, with an introduction by K. R. Hurley, Suetonius, J. C. Rolfe, Lives of the Caesars, Volume I. J. C. Rolfe, Lives of the Caesars, Volume II, Suetonius on Christians Barry Baldwin, Suetonius, Biographer of the Caesars
Suetonius
–
A bust of
Gaius Julius Caesar.
Suetonius
–
Illustration from the 15th-century
Nuremberg Chronicle
30.
Servius
–
These works, In tria Virgilii Opera Expositio, constituted the first incunable to be printed at Florence, by Bernardo Cennini,1471. In the Saturnalia of Macrobius, Servius appears as one of the interlocutors, allusions in that work, the commentary on Virgil has survived in two distinct manuscript traditions. The first is a short commentary, which is attributed to Servius in the superscription in the manuscripts. A second class of manuscripts, all deriving from the 10th and 11th centuries, the added matter is undoubtedly ancient, dating from a time but little removed from that of Servius, and is founded to a large extent on historical and antiquarian literature which is now lost. The writer is anonymous and probably a Christian, although not if, as is often suggested, a third class of manuscripts, written for the most part in Italy, gives the core text with interpolated scholia, which demonstrate the continued usefulness of the Virgilii Opera Expositio. The authentic commentary of Maurus Servius Honoratus is in effect the only complete extant edition of a classic author written before the collapse of the Empire in the West, Servius set his face against the prevalent allegorical methods of exposition of text. For the antiquarian and the historian, the value of his work lies in his preservation of facts in Roman history, religion, antiquities and language. Not a little of the erudition of Varro and other ancient scholars has survived in his pages. The edition of Georg Thilo and Hermann Hagen, remains the only edition of the whole of Servius work. Currently in development is the Harvard Servius, of the five volumes. E. K. Rand, Is Donatuss Commentary on Virgil Lost, Donatuss authorship of the supplementary material. Servio, stratificazioni esegetiche e modelli culturali / Servius, exegetical stratifications, Latin Wikisource has original text related to this article, Maurus Servius Honoratus Commentary on the Aeneid of Virgil is at the Perseus Project in Latin. De Centum Metris at Intratext. com De Centum Metris at Forum Romanorum Servii grammatici qui feruntur in Vergilii carmina commentarii, Georius Thilo, lipsiae in aedibus B. G. Teubneri, 1881-1902, vol. 2, vol.3 part 1, vol.3 part 2
Servius
–
Servius commenting Virgil (France, 15th century).
Servius
–
16th century edition of Virgil with Servius' commentary printed to the left of the text.
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