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Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairsty
Woodblock print by Ishikawa Toyonobu, c. 1740, showing two actors portraying a wakashū (left) and an adult man (right). Note the difference in hairstyle.
A wakashū (seated) and his female companion in elegant autumn surroundings. Note furisode sleeves worn by both. Suzuki Harunobu, polychrome woodblock
A wakashū (seated) and his female companion in elegant autumn surroundings. Note furisode sleeves worn by both. Suzuki Harunobu, polychrome woodblock print, c. 1770
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Old Buddhist, by Utagawa Kuniyoshi. Note the exposed bare feet of the boy indicating the sexual demeanor while the brocade Kesa robe indicates the wea
Old Buddhist, by Utagawa Kuniyoshi. Note the exposed bare feet of the boy indicating the sexual demeanor while the brocade Kesa robe indicates the wealthy status of cleric.
Man and youth, Miyagawa Isshō, ca. 1750; Panel from a series of ten on a shunga-style painted hand scroll (kakemono-e); sumi, color and gofun on silk.
Man and youth, Miyagawa Isshō, ca. 1750; Panel from a series of ten on a shunga-style painted hand scroll (kakemono-e); sumi, color and gofun on silk. Private collection. Note that the youth on the left is wearing a kimono whose style (furisode) and color was considered appropriate for adolescents of both sexes but not adult men, which along with the partially shaved pate denotes the boy's wakashū age status while the exposed bare feet indicates the purely sexual demeanor.
A wakashū (wearing headscarf) sneaks a kiss from a female prostitute behind his patron's back. Nishikawa Sukenobu, c. 1716–1735. Hand-colored print.
A wakashū (wearing headscarf) sneaks a kiss from a female prostitute behind his patron's back. Nishikawa Sukenobu, c. 1716–1735. Hand-colored print.