The entire wiki reimagined as a visual magazine with video discovery · Watch your interests come alive
The entire wiki reimagined as a visual magazine with video discovery · Watch your interests come alive
Phil Spector's usual studio musicians, later dubbed "the Wrecking Crew", gathered at a Gold Star recording session in the 1960s.
Phil Spector's usual studio musicians, later dubbed "the Wrecking Crew", gathered at a Gold Star recording session in the 1960s.
Andrew Loog Oldham (left) with Mick Jagger in 1966. Oldham popularized the term "wall of sound" to describe Spector's production style, which Oldham i
Andrew Loog Oldham (left) with Mick Jagger in 1966. Oldham popularized the term "wall of sound" to describe Spector's production style, which Oldham imitated on records produced for the Rolling Stones.
Spector's songwriting collaborators Ellie Greenwich and Jeff Barry with the Dixie Cups (1964)
Spector's songwriting collaborators Ellie Greenwich and Jeff Barry with the Dixie Cups (1964)
Jack Nitzsche (pictured circa 1990s) co-arranged the majority of songs produced by Spector in the 1960s
Jack Nitzsche (pictured circa 1990s) co-arranged the majority of songs produced by Spector in the 1960s
Pet Sounds
Pet Sounds
The Beach Boys in February 1965. From left: Carl Wilson, Al Jardine, Brian and Dennis Wilson, and Mike Love
The Beach Boys in February 1965. From left: Carl Wilson, Al Jardine, Brian and Dennis Wilson, and Mike Love
From left: Johnston, Melcher, Asher, and Brian at a Pet Sounds recording session in early 1966.
From left: Johnston, Melcher, Asher, and Brian at a Pet Sounds recording session in early 1966.
Asher and Wilson modeled Pet Sounds after Tin Pan Alley's songwriting craftmanship (pictured in 1948; Rodgers and Hammerstein with Irving Berlin)
Asher and Wilson modeled Pet Sounds after Tin Pan Alley's songwriting craftmanship (pictured in 1948; Rodgers and Hammerstein with Irving Berlin)