1.
Vienna
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Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north
2.
Austria-Hungary
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The union was a result of the Austro-Hungarian Compromise of 1867 and came into existence on 30 March 1867. Austria-Hungary consisted of two monarchies, and one region, the Kingdom of Croatia-Slavonia under the Hungarian crown. It was ruled by the House of Habsburg, and constituted the last phase in the evolution of the Habsburg Monarchy. Following the 1867 reforms, the Austrian and the Hungarian states were co-equal, Foreign affairs and the military came under joint oversight, but all other governmental faculties were divided between respective states. Austria-Hungary was a state and one of the worlds great powers at the time. Austria-Hungary was geographically the second-largest country in Europe after the Russian Empire, at 621,538 km2, the Empire built up the fourth-largest machine building industry of the world, after the United States, Germany, and the United Kingdom. After 1878, Bosnia and Herzegovina was under Austro-Hungarian military and civilian rule until it was annexed in 1908. The annexation of Bosnia also led to Islam being recognized as a state religion due to Bosnias Muslim population. Austria-Hungary was one of the Central Powers in World War I and it was already effectively dissolved by the time the military authorities signed the armistice of Villa Giusti on 3 November 1918. The realms full, official name was The Kingdoms and Lands Represented in the Imperial Council, each enjoyed considerable sovereignty with only a few joint affairs. Certain regions, such as Polish Galicia within Cisleithania and Croatia within Transleithania, enjoyed autonomous status, the division between Austria and Hungary was so marked that there was no common citizenship, one was either an Austrian citizen or a Hungarian citizen, never both. This also meant that there were always separate Austrian and Hungarian passports, however, neither Austrian nor Hungarian passports were used in the Kingdom of Croatia-Slavonia-Dalmatia. Instead, the Kingdom issued its own passports which were written in Croatian and French and it is not known what kind of passports were used in Bosnia-Herzegovina, which was under the control of both Austria and Hungary. The Kingdom of Hungary had always maintained a separate parliament, the Diet of Hungary, the administration and government of the Kingdom of Hungary remained largely untouched by the government structure of the overarching Austrian Empire. Hungarys central government structures remained well separated from the Austrian imperial government, the country was governed by the Council of Lieutenancy of Hungary – located in Pressburg and later in Pest – and by the Hungarian Royal Court Chancellery in Vienna. The Hungarian government and Hungarian parliament were suspended after the Hungarian revolution of 1848, despite Austria and Hungary sharing a common currency, they were fiscally sovereign and independent entities. Since the beginnings of the union, the government of the Kingdom of Hungary could preserve its separated. After the revolution of 1848–1849, the Hungarian budget was amalgamated with the Austrian, from 1527 to 1851, the Kingdom of Hungary maintained its own customs controls, which separated her from the other parts of the Habsburg-ruled territories
3.
Austria
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Austria, officially the Republic of Austria, is a federal republic and a landlocked country of over 8.7 million people in Central Europe. It is bordered by the Czech Republic and Germany to the north, Hungary and Slovakia to the east, Slovenia and Italy to the south, the territory of Austria covers 83,879 km2. The terrain is mountainous, lying within the Alps, only 32% of the country is below 500 m. The majority of the population speaks local Bavarian dialects of German as their native language, other local official languages are Hungarian, Burgenland Croatian, and Slovene. The origins of modern-day Austria date back to the time of the Habsburg dynasty, from the time of the Reformation, many northern German princes, resenting the authority of the Emperor, used Protestantism as a flag of rebellion. Following Napoleons defeat, Prussia emerged as Austrias chief competitor for rule of a greater Germany, Austrias defeat by Prussia at the Battle of Königgrätz, during the Austro-Prussian War of 1866, cleared the way for Prussia to assert control over the rest of Germany. In 1867, the empire was reformed into Austria-Hungary, Austria was thus the first to go to war in the July Crisis, which would ultimately escalate into World War I. The First Austrian Republic was established in 1919, in 1938 Nazi Germany annexed Austria in the Anschluss. This lasted until the end of World War II in 1945, after which Germany was occupied by the Allies, in 1955, the Austrian State Treaty re-established Austria as a sovereign state, ending the occupation. In the same year, the Austrian Parliament created the Declaration of Neutrality which declared that the Second Austrian Republic would become permanently neutral, today, Austria is a parliamentary representative democracy comprising nine federal states. The capital and largest city, with a population exceeding 1.7 million, is Vienna, other major urban areas of Austria include Graz, Linz, Salzburg and Innsbruck. Austria is one of the richest countries in the world, with a nominal per capita GDP of $43,724, the country has developed a high standard of living and in 2014 was ranked 21st in the world for its Human Development Index. Austria has been a member of the United Nations since 1955, joined the European Union in 1995, Austria also signed the Schengen Agreement in 1995, and adopted the euro currency in 1999. The German name for Austria, Österreich, meant eastern realm in Old High German, and is cognate with the word Ostarrîchi and this word is probably a translation of Medieval Latin Marchia orientalis into a local dialect. Austria was a prefecture of Bavaria created in 976, the word Austria is a Latinisation of the German name and was first recorded in the 12th century. Accordingly, Norig would essentially mean the same as Ostarrîchi and Österreich, the Celtic name was eventually Latinised to Noricum after the Romans conquered the area that encloses most of modern-day Austria, around 15 BC. Noricum later became a Roman province in the mid-first century AD, heers hypothesis is not accepted by linguists. Settled in ancient times, the Central European land that is now Austria was occupied in pre-Roman times by various Celtic tribes, the Celtic kingdom of Noricum was later claimed by the Roman Empire and made a province
4.
Actor
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An actor is a person who portrays a character in a performance. Simplistically speaking, the person denominated actor or actress is someone beautiful who plays important characters, the actor performs in the flesh in the traditional medium of the theatre, or in modern mediums such as film, radio, and television. The analogous Greek term is ὑποκριτής, literally one who answers, the actors interpretation of their role pertains to the role played, whether based on a real person or fictional character. Interpretation occurs even when the actor is playing themselves, as in forms of experimental performance art, or, more commonly, to act, is to create. Formerly, in societies, only men could become actors. When used for the stage, women played the roles of prepubescent boys. The etymology is a derivation from actor with ess added. However, when referring to more than one performer, of both sexes, actor is preferred as a term for male performers. Actor is also used before the name of a performer as a gender-specific term. Within the profession, the re-adoption of the term dates to the 1950–1960s. As Whoopi Goldberg put it in an interview with the paper, Im an actor – I can play anything. The U. K. performers union Equity has no policy on the use of actor or actress, an Equity spokesperson said that the union does not believe that there is a consensus on the matter and stated that the. subject divides the profession. In 2009, the Los Angeles Times stated that Actress remains the term used in major acting awards given to female recipients. However, player remains in use in the theatre, often incorporated into the name of a group or company, such as the American Players. Also, actors in improvisational theatre may be referred to as players, prior to Thespis act, Grecian stories were only expressed in song, dance, and in third person narrative. In honor of Thespis, actors are commonly called Thespians, the exclusively male actors in the theatre of ancient Greece performed in three types of drama, tragedy, comedy, and the satyr play. Western theatre developed and expanded considerably under the Romans, as the Western Roman Empire fell into decay through the 4th and 5th centuries, the seat of Roman power shifted to Constantinople and the Byzantine Empire. Records show that mime, pantomime, scenes or recitations from tragedies and comedies, dances, from the 5th century, Western Europe was plunged into a period of general disorder
5.
Hollywood
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Hollywood is an ethnically diverse, densely populated neighborhood in the central region of Los Angeles, California. It is notable as the home of the U. S. film industry, including several of its studios, and its name has come to be a shorthand reference for the industry. Hollywood was a community in 1870 and was incorporated as a municipality in 1903. It was consolidated with the city of Los Angeles in 1910, in 1853, one adobe hut stood in Nopalera, named for the Mexican Nopal cactus indigenous to the area. By 1870, an agricultural community flourished, the area was known as the Cahuenga Valley, after the pass in the Santa Monica Mountains immediately to the north. According to the diary of H. J. Whitley, known as the Father of Hollywood, along came a Chinese man in a wagon carrying wood. The man got out of the wagon and bowed, the Chinese man was asked what he was doing and replied, I holly-wood, meaning hauling wood. H. J. Whitley had an epiphany and decided to name his new town Hollywood, Holly would represent England and wood would represent his Scottish heritage. Whitley had already started over 100 towns across the western United States, Whitley arranged to buy the 500-acre E. C. Hurd ranch and disclosed to him his plans for the land. They agreed on a price and Hurd agreed to sell at a later date, before Whitley got off the ground with Hollywood, plans for the new town had spread to General Harrison Gray Otis, Hurds wife, eastern adjacent ranch co-owner Daeida Wilcox, and others. Daeida Wilcox may have learned of the name Hollywood from Ivar Weid, her neighbor in Holly Canyon and she recommended the same name to her husband, Harvey. In August 1887, Wilcox filed with the Los Angeles County Recorders office a deed and parcel map of property he had sold named Hollywood, Wilcox wanted to be the first to record it on a deed. The early real-estate boom busted that year, yet Hollywood began its slow growth. By 1900, the region had a post office, newspaper, hotel, Los Angeles, with a population of 102,479 lay 10 miles east through the vineyards, barley fields, and citrus groves. A single-track streetcar line ran down the middle of Prospect Avenue from it, but service was infrequent, the old citrus fruit-packing house was converted into a livery stable, improving transportation for the inhabitants of Hollywood. The Hollywood Hotel was opened in 1902 by H. J. Whitley who was a president of the Los Pacific Boulevard, having finally acquired the Hurd ranch and subdivided it, Whitley built the hotel to attract land buyers. Flanking the west side of Highland Avenue, the structure fronted on Prospect Avenue, the hotel was to become internationally known and was the center of the civic and social life and home of the stars for many years. Whitleys company developed and sold one of the residential areas
6.
Alfred Hitchcock
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Sir Alfred Joseph Hitchcock KBE was an English film director and producer, at times referred to as The Master of Suspense. He pioneered many elements of the suspense and psychological thriller genres and he had a successful career in British cinema with both silent films and early talkies and became renowned as Englands best director. Hitchcock moved to Hollywood in 1939, and became a US citizen in 1955 and he also fashioned for himself a recognisable directorial style. Hitchcocks stylistic trademarks include the use of movement that mimics a persons gaze. In addition, he framed shots to maximise anxiety, fear, or empathy and his work often features fugitives on the run alongside icy blonde female characters. Prior to 1980, there had long been talk of Hitchcock being knighted for his contribution to film, Hitchcock later received his knighthood from Queen Elizabeth II in the 1980 New Year Honours. Hitchcock directed more than fifty films in a career spanning six decades and is often regarded as one of the most influential directors in cinematic history. His flair was for narrative, cruelly withholding crucial information and engaging the emotions of the audience like no one else, Hitchcocks first thriller, The Lodger, A Story of the London Fog, helped shape the thriller genre in film. His 1929 film, Blackmail, is cited as the first British sound feature film, while Rear Window, Vertigo, North by Northwest. Alfred Joseph Hitchcock was born on 13 August 1899 in Leytonstone and he was the second son and the youngest of three children of William Hitchcock, a greengrocer and poulterer, and Emma Jane Hitchcock. He was named after his fathers brother, Hitchcock was raised as a Roman Catholic, and sent to Salesian College, Battersea, and the Jesuit grammar school St Ignatius College in Stamford Hill, London. His parents were both of half-English and half-Irish ancestry and he often described a lonely and sheltered childhood that was worsened by his obesity. Around age five, Hitchcock recalled that to him for behaving badly. This incident implanted a lifelong fear of policemen in Hitchcock, and such harsh treatment, sources vary on Hitchcocks performance in school. Gene Adair reports that by most accounts, Alfred was only an average, or slightly above-average, however, McGilligan writes that Hitchcock certainly excelled academically. When Hitchcock was 15, his father died, in that same year, he left St. Ignatius to study at the London County Council School of Engineering and Navigation in Poplar, London. After leaving, he became a draftsman and advertising designer with a company called Henleys. Hitchcock joined a regiment of the Royal Engineers in 1917
7.
Film noir
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Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly such that emphasize cynical attitudes and sexual motivations. Hollywoods classical film noir period is regarded as extending from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography. Many of the stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. Cinema historians and critics defined the category retrospectively, before the notion was widely adopted in the 1970s, many of the classic films noir were referred to as melodramas. Whether film noir qualifies as a genre is a matter of ongoing debate among scholars. Although film noir was originally associated with American productions, films now so described have been made around the world, many pictures released from the 1960s onward share attributes with film noir of the classical period, and often treat its conventions self-referentially. Some refer to such works as neo-noir. The clichés of film noir have inspired parody since the mid-1940s, the questions of what defines film noir, and what sort of category it is, provoke continuing debate. They emphasize that not every film noir embodies all five attributes in equal measure—one might be more dreamlike, another, while many critics refer to film noir as a genre itself, others argue that it can be no such thing. Because of the diversity of noir, certain scholars in the field, such as film historian Thomas Schatz, treat it as not a genre but a style. Other critics treat film noir as a mood, characterize it as a series, there is no consensus on the matter. By 1931, Curtiz had already been in Hollywood for half a decade, the Universal horror that comes closest to noir, in story and sensibility is The Invisible Man, directed by Englishman James Whale and photographed by American Arthur Edeson. Edeson later photographed The Maltese Falcon, widely regarded as the first major film noir of the classic era, josef von Sternberg was directing in Hollywood at the same time. Films of his such as Shanghai Express and The Devil Is a Woman, with their hothouse eroticism and baroque visual style, the commercial and critical success of Sternbergs silent Underworld was largely responsible for spurring a trend of Hollywood gangster films. Successful films in that such as Little Caesar, The Public Enemy. An important, possibly influential, cinematic antecedent to classic noir was 1930s French poetic realism, with its romantic, fatalistic attitude, the movements sensibility is mirrored in the Warner Bros. drama I Am a Fugitive from a Chain Gang, a forerunner of noir. Among films not considered films noir, perhaps none had an effect on the development of the genre than Citizen Kane
8.
Cinema of Austria
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Cinema of Austria refers to the film industry based in Austria. Austria has had an active cinema industry since the early 20th century when it was the Austro-Hungarian Empire, producer Sascha Kolowrat-Krakowsky, producer-director-writer Luise Kolm and the Austro-Hungarian directors Michael Curtiz and Alexander Korda were among the pioneers of early Austrian cinema. Several Austrian directors pursued careers in Weimar Germany and later in the United States, among them Fritz Lang, G. W. Pabst, Josef von Sternberg, Billy Wilder, Fred Zinnemann, and Otto Preminger. Between the two World Wars, directors like E. W. Emo and Henry Koster - the latter of whom had emigrated from Austria, at the same time, Willi Forst and Walter Reisch founded the Wiener Film genre. After Austria had become a part of Nazi Germany in 1938, in the aftermath of World War II, Austrias film production soon restarted, partially supported by the Allied Forces. In the first decade of the 21st century, Austrian cinema found its long-delayed New Wave, between 1896 and about 1905 the only films produced in Austria were newsreels, mostly by French companies such as Pathé Frères and Gaumont. The first films by an Austrian filmmaker were a series of erotic movies such as Am Sklavenmarkt produced by the photographer Johann Schwarzer. Some of his productions have been found and restored in recent years by the Filmarchiv Austria, mainstream film production began in 1910 when the company Erste österreichische Kinofilms-Industrie, later Wiener Kunstfilm) was founded by Anton Kolm, his wife Luise Kolm, and Jacob Fleck. They started with newsreels but soon began to produce fiction films, in 1912 Count Sascha Kolowrat-Krakowsky, a wealthy nobleman from Bohemia, founded the Sascha-Film company. In the period before 1918 it grew into the largest production company in Austria, in the period 1914 to 1918, nearly 200 movies were produced in Austria - twice as many as in all the years before. Some Austrian filmmakers had already emigrated and begun careers in the United States by this time, Erich von Stroheim and Josef von Sternberg were just two of the natives of Austria who contributed to the early success of Hollywood. Lesser known filmmakers who began their career in the US were for example Henry Lehrman, the founder of Fox Film Corporation, William Fox and the first independent producer in Hollywood, Sam Spiegel, were also native Austrians, born as German speaking Jews in Austria-Hungary. The co-founder of Metro-Goldwyn-Mayer, Marcus Loew, was born as son of Jewish emigrants of Austria-Hungary, after the end of World War I, film production continued to grow, because the then Austrian currency, the Krone, was very weak. As a result, Austrian films were cheaper than those other countries. In the years 1919 to 1922 Austrian film production reached its peak with a yearly output of 100 to 140 films. Many of the films produced in this period were of a lower quality than those of established film-producing nations like France, Great Britain, Denmark, Germany, but among the mass of low-grade productions there were also films by producers and directors who attached importance to quality. Consequently, the expressionist style of film-making had its beginnings not only in German but also in Austrian cinema, the script of one of the most important German expressionist films, The Cabinet of Dr. Caligari, was written by two Austrians, Carl Mayer and Hans Janowitz. They, along with Fritz Lang and Paul Czinner, also worked in Berlin at that time as Berlin was the centre of the German-language film industry
9.
Michael Curtiz
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Michael Curtiz was a Hungarian-born American film director, recognized as one of the most prolific directors in history. He directed classic films from the silent era and numerous others during Hollywoods Golden Age, Curtiz was already a well-known director in Europe when Warner Bros. invited him to Hollywood in 1926, when he was 38 years of age. He had already directed 64 films in Europe, and soon helped Warner Bros. become the movie studio. He directed 102 films during his Hollywood career, mostly at Warners, James Cagney and Joan Crawford won their only Academy Awards under Curtizs direction. He put Doris Day and John Garfield on screen for the first time, and he made stars of Errol Flynn, Olivia de Havilland, and Bette Davis. He himself was nominated five times and won twice, once for Best Short Subject for Sons of Liberty and he introduced to Hollywood a unique visual style using artistic lighting, extensive and fluid camera movement, high crane shots, and unusual camera angles. He was versatile and could handle any kind of picture, melodrama, comedy, love story, film noir, musical, war story, Western, or historical epic. He always paid attention to the human interest aspect of story, stating that the human. Curtiz helped popularize the swashbuckler with films such as Captain Blood. He directed many dramas which today are considered classics, Angels with Dirty Faces, The Sea Wolf, Casablanca. He directed leading musicals, including Yankee Doodle Dandy, This Is the Army and White Christmas, Curtiz was born Mihaly Kertesz to a Jewish family in Budapest, Hungary in 1886, where his father was a carpenter and his mother an opera singer. Curtiz had a lower to middle-class upbringing and he recalled during an interview that his familys home was a cramped apartment, where he had to share a small room with his two brothers and a sister. Many times we are hungry, he added, after graduating high school, he studied at Markoszy University, followed by the Royal Academy of Theater and Art, in Budapest, before beginning his career. Curtiz became attracted to the theater when he was a child in Hungary and he built a little theater in the cellar of his house when he was 8 years old, where he and five of his friends reenacted plays. They set up the stage, with scenery and props, after he graduated college at age 19, he took a job as an actor with a traveling theater company where he began working as one their traveling players. From that job, he became a pantomimist with a circus for a while and they played Ibsen and Shakespeare in various languages, depending on what country they were in. They performed throughout Europe, including France, Hungary, Italy and Germany and he had various responsibilities, We had to do everything—make bill posters, print programs, set scenery, mend wardrobe, sometimes even arrange chairs in the auditoriums. Sometimes we traveled in trains, sometimes in stage coaches, sometimes on horseback, sometimes we played in town halls, sometimes in little restaurants with no scenery at all
10.
Broadway theatre
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Along with Londons West End theatres, Broadway theatres are widely considered to represent the highest level of commercial theatre in the English-speaking world. The Theater District is a popular tourist attraction in New York City, the great majority of Broadway shows are musicals. They presented Shakespeare plays and ballad operas such as The Beggars Opera, in 1752, William Hallam sent a company of twelve actors from Britain to the colonies with his brother Lewis as their manager. They established a theatre in Williamsburg, Virginia and opened with The Merchant of Venice, the company moved to New York in the summer of 1753, performing ballad operas and ballad-farces like Damon and Phillida. The Revolutionary War suspended theatre in New York, but thereafter theatre resumed in 1798, the Bowery Theatre opened in 1826, followed by others. Blackface minstrel shows, a distinctly American form of entertainment, became popular in the 1830s, by the 1840s, P. T. Barnum was operating an entertainment complex in lower Manhattan. In 1829, at Broadway and Prince Street, Niblos Garden opened, the 3, 000-seat theatre presented all sorts of musical and non-musical entertainments. In 1844, Palmos Opera House opened and presented opera for four seasons before bankruptcy led to its rebranding as a venue for plays under the name Burtons Theatre. The Astor Opera House opened in 1847, booth played the role for a famous 100 consecutive performances at the Winter Garden Theatre in 1865, and would later revive the role at his own Booths Theatre. Other renowned Shakespeareans who appeared in New York in this era were Henry Irving, Tommaso Salvini, Fanny Davenport, lydia Thompson came to America in 1868 heading a small theatrical troupe, adapting popular English burlesques for middle-class New York audiences. Thompsons troupe called the British Blondes, was the most popular entertainment in New York during the 1868–1869 theatrical season, the six-month tour ran for almost six extremely profitable years. Theatre in New York moved from downtown gradually to midtown beginning around 1850, in 1870, the heart of Broadway was in Union Square, and by the end of the century, many theatres were near Madison Square. Broadways first long-run musical was a 50-performance hit called The Elves in 1857, New York runs continued to lag far behind those in London, but Laura Keenes musical burletta The Seven Sisters shattered previous New York records with a run of 253 performances. It was at a performance by Keenes troupe of Our American Cousin in Washington, the production was a staggering five-and-a-half hours long, but despite its length, it ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and the Post was the first show to call itself a musical comedy, Tony Pastor opened the first vaudeville theatre one block east of Union Square in 1881, where Lillian Russell performed. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 and 1890, with book and lyrics by Harrigan and music by his father-in-law David Braham. They starred high quality singers, instead of the women of repute who had starred in earlier musical forms. Plays could run longer and still draw in the audiences, leading to better profits, as in England, during the latter half of the century, the theatre began to be cleaned up, with less prostitution hindering the attendance of the theatre by women
11.
Ginger Rogers
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Ginger Rogers was an American actress, dancer, and singer. She is known for her performances in films and RKOs musical films in which Fred Astaire was partened with her and she appeared on stage, as well as on radio and television, throughout much of the 20th century. Born in Independence, Missouri, and raised in Kansas City, Rogers and her family moved to Fort Worth, Texas, after winning a dance contest that launched a successful vaudeville career, she gained recognition as a Broadway actress for her debut stage role in Girl Crazy. This success led to a contract with Paramount Pictures, which ended after five films, Rogers had her first successful film role as a supporting actress in 42nd Street. Throughout the 1930s, Rogers made 10 films with Astaire, among which were some of her biggest successes, such as Swing Time, after two commercial failures with Astaire, Rogers began to branch out into dramatic films and comedies. Her acting was received by critics and audiences, and she became one of the biggest box-office draws of the 1940s. Her performance in Kitty Foyle won her the Academy Award for Best Actress, Rogers remained successful throughout the 1940s and at one point was Hollywoods highest-paid actress, but her popularity had peaked by the end of the decade. She reunited with Astaire in 1949 in the commercially successful The Barkleys of Broadway, after an unsuccessful period through the 1950s, Rogers made a successful return to Broadway in 1965, playing the lead role in Hello, Dolly. More lead roles on Broadway followed, along with her directorial debut in 1985 on an off-Broadway production of Babes in Arms. Rogers also made acting appearances until 1987. In 1992, Rogers was recognized at the Kennedy Center Honors and she died of a heart attack in 1995, at the age of 83. A Republican and a devout Christian Scientist, Rogers was married five times, with all of her marriages ending in divorce, during her long career, Rogers made 73 films, and her musical films with Fred Astaire are credited with revolutionizing their genre. Rogers was successful during the Golden Age of Hollywood, and is considered an American icon. She ranks number 14 on the AFIs 100 Years.100 Stars list of stars of classic American cinema. Rogers was born Virginia Katherine McMath on July 16,1911, in her mothers rented home at 100 Moore Street, Independence and she was the only living child of William Eddins McMath, an electrical engineer, and his wife, Lela Emogene. She was of Scottish, Welsh, and English ancestry and her mother did not want her born in a hospital, having lost a previous child there. Her parents had separated shortly after she was born, but her grandparents, Walter and Saphrona Owens, after unsuccessfully trying to become a family again, McMath kidnapped his daughter twice. Rogers said that she never saw her father again
12.
Cary Grant
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Cary Grant was a British-American actor, known as one of classic Hollywoods definitive leading men. He began a career in Hollywood in the early 1930s, and became known for his accent, debonair demeanor. He became an American citizen in 1942, Born in Horfield, Bristol, Grant became attracted to theatre at a young age, and began performing with a troupe known as The Penders from the age of six. After attending Bishop Road Primary School and Fairfield Grammar School in Bristol, he toured the country as a stage performer and he established a name for himself in vaudeville in the 1920s and toured the United States before moving to Hollywood in the early 1930s. Along with the later Arsenic and Old Lace and I Was a Male War Bride, having established himself as a major Hollywood star, he was nominated twice for the Academy Award for Best Actor, for Penny Serenade and None but the Lonely Heart. In the 1940s and 1950s, Grant forged a relationship with the director Alfred Hitchcock, appearing in films such as Suspicion, Notorious, To Catch a Thief. Hitchcock admired Grant and considered him to have been the actor that he had ever loved working with. His comic timing and delivery made Grant what Premiere magazine considers to have quite simply. Grant was married five times, three of his marriages were elopements with actresses—Virginia Cherrill, Betsy Drake and Dyan Cannon and he has one daughter with Cannon, Jennifer Grant. After his retirement from acting in 1966, Grant pursued numerous business interests, representing cosmetics firm Fabergé. He was presented with an Honorary Oscar by his friend Frank Sinatra at the 42nd Academy Awards in 1970, in 1999, the American Film Institute named Grant the second greatest male star of Golden Age Hollywood cinema, after Humphrey Bogart. Grant was born Archibald Alec Leach on January 18,1904 at 15 Hughenden Road in the northern Bristol suburb of Horfield and he was the second child of Elias James Leach and Elsie Maria Leach. Elias, the son of a potter, worked as a tailors presser at a factory, while Elsie. Grants elder brother, John William Elias Leach, died of tuberculous meningitis, Grant considered himself to have been partly Jewish. He had an upbringing, his father was an alcoholic. Wanting the best for her son, Elsie taught Grant song and dance when he was four and she would occasionally take him to the cinema where he enjoyed the performances of Charlie Chaplin, Chester Conklin, Fatty Arbuckle, Ford Sterling, Mack Swain and Broncho Billy Anderson. Grant entered education when he was four-and-a-half and was sent to the Bishop Road Primary School, Bristol, another biographer, Geoffrey Wansell, notes that Elsie blamed herself bitterly for the death of Grants older brother John, and never recovered from it. Grant later acknowledged that his experiences with his fiercely independent mother affected his relationships with women later in life
