1.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
2.
Etching
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Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio in the metal. In modern manufacturing, other chemicals may be used on other types of material, as a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology. In traditional pure etching, a plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with an etching needle where he or she wants a line to appear in the finished piece. The échoppe, a tool with an oval section, is also used for swelling lines. The plate is dipped in a bath of acid, technically called the mordant or etchant. The acid bites into the metal where it is exposed, leaving behind lines sunk into the plate, the remaining ground is then cleaned off the plate. The plate is inked all over, and then the ink wiped off the surface, the plate is then put through a high-pressure printing press together with a sheet of paper. The paper picks up the ink from the lines, making a print. The process can be repeated many times, typically several hundred impressions could be printed before the shows much sign of wear. The work on the plate can also be added to by repeating the whole process, Etching has often been combined with other intaglio techniques such as engraving or aquatint. The process as applied to printmaking is believed to have been invented by Daniel Hopfer of Augsburg, Hopfer was a craftsman who decorated armour in this way, and applied the method to printmaking, using iron plates. Apart from his prints, there are two examples of his work on armour, a shield from 1536 now in the Real Armeria of Madrid. The switch to copper plates was made in Italy. On the other hand, the handling of the ground and acid need skill and experience, prior to 1100 AD, the New World Hohokam independently utilized the technique of acid etching in marine shell designs. Jacques Callot from Nancy in Lorraine made important technical advances in etching technique and he developed the échoppe, a type of etching-needle with a slanting oval section at the end, which enabled etchers to create a swelling line, as engravers were able to do. Callot also appears to have responsible for an improved, harder, recipe for the etching ground
3.
Baroque
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The style began around 1600 in Rome and Italy, and spread to most of Europe. The aristocracy viewed the dramatic style of Baroque art and architecture as a means of impressing visitors by projecting triumph, power, Baroque palaces are built around an entrance of courts, grand staircases, and reception rooms of sequentially increasing opulence. However, baroque has a resonance and application that extend beyond a reduction to either a style or period. It is also yields the Italian barocco and modern Spanish barroco, German Barock, Dutch Barok, others derive it from the mnemonic term Baroco, a supposedly laboured form of syllogism in logical Scholastica. The Latin root can be found in bis-roca, in informal usage, the word baroque can simply mean that something is elaborate, with many details, without reference to the Baroque styles of the 17th and 18th centuries. The word Baroque, like most periodic or stylistic designations, was invented by later critics rather than practitioners of the arts in the 17th, the term Baroque was initially used in a derogatory sense, to underline the excesses of its emphasis. In particular, the term was used to describe its eccentric redundancy and noisy abundance of details, although it was long thought that the word as a critical term was first applied to architecture, in fact it appears earlier in reference to music. Another hypothesis says that the word comes from precursors of the style, Giacomo Barozzi da Vignola and he did not make the distinctions between Mannerism and Baroque that modern writers do, and he ignored the later phase, the academic Baroque that lasted into the 18th century. Long despised, Baroque art and architecture became fashionable between the two World Wars, and has remained in critical favour. In painting the gradual rise in popular esteem of Caravaggio has been the best barometer of modern taste, William Watson describes a late phase of Shang-dynasty Chinese ritual bronzes of the 11th century BC as baroque. The term Baroque may still be used, usually pejoratively, describing works of art, craft, the appeal of Baroque style turned consciously from the witty, intellectual qualities of 16th-century Mannerist art to a visceral appeal aimed at the senses. It employed an iconography that was direct, simple, obvious, germinal ideas of the Baroque can also be found in the work of Michelangelo. Even more generalised parallels perceived by some experts in philosophy, prose style, see the Neapolitan palace of Caserta, a Baroque palace whose construction began in 1752. In paintings Baroque gestures are broader than Mannerist gestures, less ambiguous, less arcane and mysterious, more like the stage gestures of opera, Baroque poses depend on contrapposto, the tension within the figures that move the planes of shoulders and hips in counterdirections. Baroque is a style of unity imposed upon rich, heavy detail, Baroque style featured exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic sensationalism. There were highly diverse strands of Italian baroque painting, from Caravaggio to Cortona, the most prominent Spanish painter of the Baroque was Diego Velázquez. The later Baroque style gradually gave way to a more decorative Rococo, while the Baroque nature of Rembrandts art is clear, the label is less often used for Vermeer and many other Dutch artists. Flemish Baroque painting shared a part in this trend, while continuing to produce the traditional categories
4.
Bohemia
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Bohemia is the westernmost and largest historical region of the Czech lands in the present-day Czech Republic. Bohemia was a duchy of Great Moravia, later an independent principality, a kingdom in the Holy Roman Empire, and subsequently a part of the Habsburg Monarchy, after World War I and the establishment of an independent Czechoslovak state, Bohemia became a part of Czechoslovakia. Between 1938 and 1945, border regions with sizeable German-speaking minorities of all three Czech lands were joined to Nazi Germany as the Sudetenland, in 1990, the name was changed to the Czech Republic, which become a separate state in 1993 with the dissolution of Czechoslovakia. Until 1948, Bohemia was a unit of Czechoslovakia as one of its lands. Bohemia was bordered in the south by Upper and Lower Austria, in the west by Bavaria and in the north by Saxony and Lusatia, in the northeast by Silesia, and in the east by Moravia. In the 2nd century BC, the Romans were competing for dominance in northern Italy, the Romans defeated the Boii at the Battle of Placentia and the Battle of Mutina. After this, many of the Boii retreated north across the Alps, much later Roman authors refer to the area they had once occupied as Boiohaemum. The earliest mention was by Tacitus Germania 28, and later mentions of the name are in Strabo. The name appears to include the tribal name Boi- plus the Germanic element *haimaz home and this Boiohaemum was apparently isolated to the area where King Marobods kingdom was centred, within the Hercynian forest. The Czech name Čechy is derived from the name of the Slavic ethnic group, the Czechs, Bohemia, like neighbouring Bavaria, is named after the Boii, who were a large Celtic nation known to the Romans for their migrations and settlement in northern Italy and other places. Another part of the nation moved west with the Helvetii into southern France, to the south, over the Danube, the Romans extended their empire, and to the southeast in Hungaria, were Sarmatian peoples. In the area of modern Bohemia the Marcomanni and other Suebic groups were led by their king Marobodus and he took advantage of the natural defenses provided by its mountains and forests. In late classical times and the early Middle Ages, two new Suebic groupings appeared to the west of Bohemia in southern Germany, the Alemanni, many Suebic tribes from the Bohemian region took part in such movements westwards, even settling as far away as Spain and Portugal. With them were also tribes who had pushed from the east, such as the Vandals, other groups pushed southwards towards Pannonia. These are precursors of todays Czechs, though the amount of Slavic immigration is a subject of debate. The Slavic influx was divided into two or three waves, the first wave came from the southeast and east, when the Germanic Lombards left Bohemia. Soon after, from the 630s to 660s, the territory was taken by Samos tribal confederation and his death marked the end of the old Slavonic confederation, the second attempt to establish such a Slavonic union after Carantania in Carinthia. Other sources divide the population of Bohemia at this time into the Merehani, Marharaii, Beheimare, Christianity first appeared in the early 9th century, but only became dominant much later, in the 10th or 11th century
5.
St Margaret's, Westminster
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It is dedicated to Margaret of Antioch. The Rector of St Margarets is a canon of Westminster Abbey, the north-west tower was rebuilt by John James from 1734 to 1738, at the same time, the whole structure was encased in Portland stone. Both the eastern and the porch were added later by J. L. Pearson. The churchs interior was restored and altered to its current appearance by Sir George Gilbert Scott in 1877. Notable features include the east window of 1509 of Flemish stained glass, the collector Henry Constantine Jennings is also buried there. A memorial to them can now be set into the external wall to the left of the main west entrance. The church has been a venue for society weddings which include,1 December 1655, Samuel Pepys. The ensemble of St Margarets, the Palace of Westminster and Westminster Abbey is a World Heritage Site, members of Parliament and staff members of the House of Lords and House of Commons are permitted to marry in the church. During the First World War, Edward Lyttelton, headmaster of Eton and he spoke of his opinion that any post-war treaty with Germany should be a just one and not a vindictive one. He had to leave the church after the service by a back door, the treble choristers for St Margarets are supplied by Westminster Under School. The church also hosted the first performance by the UK Parliament Choir under Simon Over in 2000, an organ was installed in 1806 by John Avery. The current organ is built by J. W. Walker & Sons Ltd. A specification of the organ can be found on the National Pipe Organ Register, from 1972 to 2010, the Rector was also the Chaplain to the Speaker of the House of Commons. L. Pearson Guide to St. Margarets Memorials of St. Margarets church, Westminster, comprising the parish registers, 1539–1660, and other churchwardens accounts, 1460–1603 Deanery of Westminster
6.
Battle of White Mountain
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The Battle of White Mountain was an important battle in the early stages of the Thirty Years War. It was fought on 8 November 1620, the site is now part of the city of Prague. The battle marked the end of the Bohemian period of the Thirty Years War and its aftermath drastically changed the religious landscape of the Czech lands after two centuries of Protestant dominance. Roman Catholicism retained majority in the Czech lands until the late 20th century, Ferdinand saw Protestantism as inimical to the Empire, and wanted to impose absolutist rule on Bohemia while forcefully encouraging conversion to the Roman Catholic faith. Particularly galling to Protestants were perceived violations of Emperor Rudolf IIs 1609 Letter of Majesty and this incident, known as the Second Defenestration of Prague, triggered the Bohemian Revolt. In November 1619, Elector Palatine Frederick V, who many of the rebels was a Calvinist, was chosen as King of Bohemia by the Bohemian Electorate. In 1620, now established as Emperor, Ferdinand II set out to conquer Bohemia. Tillys army enjoyed the advantage of including two of the most successful leaders in European history - Tilly himself and the future General Wallenstein. Tillys force was made up of two groups, Imperial troops commanded by Charles Bonaventure de Longueval, Count of Bucquoy. All of the armies of the day employed numerous mercenaries, including, by some definitions, serving with the Catholic League as an official observer was the future father of modern philosophy, René Descartes. After conquering most of western Bohemia, the Imperial army made for Prague, the Bohemians attempted to block them by setting up defensive positions, which the Imperial army simply bypassed. Force-marching his men, Christian of Anhalt managed to get ahead of the Imperial army just before Prague and he thus gained an advantageous position on the White Mountain, actually a low plateau, but had little time to set up defensive works. Enthusiasm for joining battle was low on both sides, on November 8 a small Imperial force was sent to probe the Protestant flank. To their surprise, the Bohemians retreated at their advance, Tilly quickly sent in reinforcements, and the Bohemian flank began to crumble. Anhalt tried to retrieve the situation by sending infantry and cavalry led by his son Christian II. The cavalry charged into the Imperial infantry, causing significant casualties, the Bohemian infantry, who were only now approaching the Imperial army, saw the cavalry retreating, at which they fired one volley at extreme range before retreating themselves. A small group of Imperial cavalry began circling the Protestant forces, with the Bohemian army already demoralized, company after company began retreating, most without having actually entered the battle. The Battle of White Mountain was more a skirmish than a full-fledged battle, the Bohemian army was no match for the Emperor Ferdinands troops
7.
Thirty Years' War
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The Thirty Years War was a series of wars in Central Europe between 1618 and 1648. It was one of the longest and most destructive conflicts in European history, as well as the deadliest European religious war, resulting in eight million casualties. Initially a war between various Protestant and Catholic states in the fragmented Holy Roman Empire, it developed into a more general conflict involving most of the great powers. These states employed relatively large mercenary armies, and the war became less about religion, in the 17th century, religious beliefs and practices were a much larger influence on an average European than they are today. The war began when the newly elected Holy Roman Emperor, Ferdinand II, tried to impose uniformity on his domains. The northern Protestant states, angered by the violation of their rights to choose that had granted in the Peace of Augsburg. Ferdinand II was a devout Roman Catholic and relatively intolerant when compared to his predecessor and his policies were considered strongly pro-Catholic. They ousted the Habsburgs and elected Frederick V, Elector of the Rhenish Palatinate as their monarch, Frederick took the offer without the support of the union. The southern states, mainly Roman Catholic, were angered by this, led by Bavaria, these states formed the Catholic League to expel Frederick in support of the Emperor. The Empire soon crushed this rebellion in the Battle of White Mountain. After the atrocities committed in Bohemia, Saxony finally gave its support to the union, Spain, wishing to finally crush the Dutch rebels in the Netherlands and the Dutch Republic, intervened under the pretext of helping its dynastic Habsburg ally, Austria. No longer able to tolerate the encirclement of two major Habsburg powers on its borders, Catholic France entered the coalition on the side of the Protestants in order to counter the Habsburgs. Both mercenaries and soldiers in fighting armies traditionally looted or extorted tribute to get operating funds, the war also bankrupted most of the combatant powers. The Thirty Years War ended with the treaties of Osnabrück and Münster, the war altered the previous political order of European powers. Lutherans living in a prince-bishopric could continue to practice their faith, Lutherans could keep the territory they had taken from the Catholic Church since the Peace of Passau in 1552. Those prince-bishops who had converted to Lutheranism were required to give up their territories and this added a third major faith to the region, but its position was not recognized in any way by the Augsburg terms, to which only Catholicism and Lutheranism were parties. The Dutch revolted against Spanish domination during the 1560s, leading to a war of independence that led to a truce only in 1609. This dynastic concern overtook religious ones and led to Catholic Frances participation on the otherwise Protestant side of the war, Sweden and Denmark-Norway were interested in gaining control over northern German states bordering the Baltic Sea
8.
Cornelis Schut
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Cornelis Schut was a Flemish painter, draughtsman, engraver and tapestry designer who specialized in religious and mythological scenes. Presumed to have trained under Rubens, he treated Counter-Reformation subjects in a High-Baroque style, after a stay in Italy, he worked mainly in Antwerp where he was one of the leading history painters in the first half of the 17th century. Cornelis Schut was born in Antwerp as the son of Willem Schut, there are no records about his artistic training. He is first mentioned as a pupil of Peter Paul Rubens by the 18th century historian Jacob Campo Weyerman, Schut became a master of the Antwerp Guild of St Luke in 1618. Schut left for Italy shortly after 1618, while in Rome, he was a founding member of the Bentvueghels, an association of mainly Dutch and Flemish artists working in Rome. It became customary for the Bentvueghels to adopt an appealing nickname, from 13 January 1627 he worked on frescoes in the villa Casino Pescatore located in Frascati, owned by Giorgio Pescatori, a wealthy Italian banker and patron of Flemish descent. He collaborated on this project with the Dutch painter and also Bentvueghels member Tyman Arentsz and this commission was instrumental in launching Schuts career in Italy as Pescatori was rich and influential and keen to help his compatriots in Italy. Another important patron in Rome was the aristocratic Italian banker and art collector Vincenzo Giustiniani who commissioned two large religious compositions from him and this patronage clearly demonstrated the esteem which Schut enjoyed in Rome. He also attracted the attention of the young Poussin then residing in Rome in the residence of the Flemish sculptor François Duquesnoy, poussins early works borrowed some motifs from Schuts works made for Vincenzo Giustiniani. Schuts plans in Rome were disrupted when on 16 September 1627 he was imprisoned for the killing of a fellow artist by the name of Giusto. His jail time was short as on 2 October he was released thanks to the intervention of the Accademia di San Luca. He then left Rome and was reported in 1627-28 in Florence and he is known to have designed tapestries for the Arazzeria Medicea, the most important tapestry factory in Italy founded in 1546 in Florence by the Medici grand duke Cosimo I. His movements after this time are unclear and he resurfaced in September 1631 in Antwerp when he appeared before a notary to draw up marital conditions. On 7 October 1631 Cornelis Schut married Catharina Gheenssins, who was from a well-off family and his wife died on 29 September 1637 leaving the artist with three children of whom two died young. The artist remarried the year with Anastasia Scelliers with whom he had two sons and two daughters. Schut enjoyed artistic success upon his return to Antwerp where he produced mainly altarpieces for the local churches and he painted in the High-Baroque style that had become popular in Flanders by that time. In particular his ability to produce ceiling decorations in the monumental Italian style, an example of this is his Assumption of Mary in Antwerp Cathedral. Schut played a prominent role in the project at the occasion of the Royal Entry of the Cardinal-Infante Ferdinand in 1635 in both Antwerp and Ghent
9.
James II of England
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James II and VII was King of England and Ireland as James II and King of Scotland as James VII, from 6 February 1685 until he was deposed in the Glorious Revolution of 1688. He was the last Roman Catholic monarch of England, Scotland and Ireland, the second surviving son of Charles I, he ascended the throne upon the death of his brother, Charles II. Members of Britains Protestant political elite increasingly suspected him of being pro-French and pro-Catholic and he was replaced by his eldest, Protestant daughter Mary and her husband William of Orange. James made one attempt to recover his crowns from William. After the defeat of the Jacobite forces by the Williamites at the Battle of the Boyne in July 1690 and he lived out the rest of his life as a pretender at a court sponsored by his cousin and ally, King Louis XIV. James, the surviving son of King Charles I and his wife. Later that same year, he was baptised by William Laud and he was educated by private tutors, along with his brother, the future King Charles II, and the two sons of the Duke of Buckingham, George and Francis Villiers. At the age of three, James was appointed Lord High Admiral, the position was honorary, but would become a substantive office after the Restoration. He was designated Duke of York at birth, invested with the Order of the Garter in 1642, as the Kings disputes with the English Parliament grew into the English Civil War, James stayed in Oxford, a Royalist stronghold. When the city surrendered after the siege of Oxford in 1646, in 1648, he escaped from the Palace, aided by Joseph Bampfield, and from there he went to The Hague in disguise. When Charles I was executed by the rebels in 1649, monarchists proclaimed Jamess older brother as Charles II of England, Charles II was recognised as king by the Parliament of Scotland and the Parliament of Ireland, and was crowned King of Scotland at Scone in 1651. Although he was proclaimed King in Jersey, Charles was unable to secure the crown of England and consequently fled to France, like his brother, James sought refuge in France, serving in the French army under Turenne against the Fronde, and later against their Spanish allies. In the French army James had his first true experience of battle where, according to one observer, he ventures himself, in the meantime, Charles was attempting to reclaim his throne, but France, although hosting the exiles, had allied itself with Oliver Cromwell. In 1656, Charles turned instead to Spain – an enemy of France – for support, in consequence, James was expelled from France and forced to leave Turennes army. James quarrelled with his brother over the choice of Spain over France. In 1659, the French and Spanish made peace, James, doubtful of his brothers chances of regaining the throne, considered taking a Spanish offer to be an admiral in their navy. Ultimately, he declined the position, by the year the situation in England had changed. After Richard Cromwells resignation as Lord Protector in 1659 and the subsequent collapse of the Commonwealth in 1660, although James was the heir presumptive, it seemed unlikely that he would inherit the Crown, as Charles was still a young man capable of fathering children
10.
English Civil War
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The English Civil War was a series of armed conflicts and political machinations between Parliamentarians and Royalists over, principally, the manner of Englands government. The war ended with the Parliamentarian victory at the Battle of Worcester on 3 September 1651, the monopoly of the Church of England on Christian worship in England ended with the victors consolidating the established Protestant Ascendancy in Ireland. The term English Civil War appears most often in the singular form, the war in all these countries are known as the Wars of the Three Kingdoms. Unlike other civil wars in England, which focused on who should rule, this war was more concerned with the manner in which the kingdoms of England, Scotland, the two sides had their geographical strongholds, such that minority elements were silenced or fled. The strongholds of the royalty included the countryside, the shires, on the other hand, all the cathedral cities sided with Parliament. All the industrial centers, the ports, and the advanced regions of southern and eastern England typically were parliamentary strongholds. Lacey Baldwin Smith says, the words populist, rich, at times there would be two groups of three lines allowing one group to reload while the other group arranged themselves and fired. Mixed in among the musketeers were pikemen carrying pikes that were between 12 feet and 18 feet long, whose purpose was to protect the musketeers from cavalry charges. The Royalist cavaliers skill and speed on horseback led to early victories. While the Parliamentarian cavalry were slower than the cavaliers, they were better disciplined. The Royalists had a tendency to chase down individual targets after the initial charge leaving their forces scattered and tired, Cromwells cavalry, on the other hand, trained to operate as a single unit, which led to many decisive victories. The English Civil War broke out fewer than forty years after the death of Queen Elizabeth I in 1603, in spite of this, James personal extravagance meant he was perennially short of money and had to resort to extra-Parliamentary sources of income. Charles hoped to unite the kingdoms of England, Scotland and Ireland into a new single kingdom, many English Parliamentarians had suspicions regarding such a move because they feared that setting up a new kingdom might destroy the old English traditions which had bound the English monarchy. As Charles shared his fathers position on the power of the crown, at the time, the Parliament of England did not have a large permanent role in the English system of government. Instead, Parliament functioned as an advisory committee and was summoned only if. Once summoned, a continued existence was at the kings pleasure. Yet in spite of this role, Parliament had, over the preceding centuries. Without question, for a monarch, Parliaments most indispensable power was its ability to tax revenues far in excess of all other sources of revenue at the Crowns disposal
One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). . Encyclopædia Britannica. 13 (11th ed.). Cambridge University Press. p. 611.
One or more of the preceding sentences incorporates text from a publication now in the 
