Werner Herzog

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Werner Herzog
Werner Herzog Venice Film Festival 2009.jpg
Werner Herzog at the 2009 Venice Film Festival
Born
Werner Herzog Stipetić

(1942-09-05) 5 September 1942 (age 76)
Munich, Germany
ResidenceLos Angeles, California, U.S.
OccupationDirector, producer, screenwriter, actor, narrator
Years active1962–present
Spouse(s)
  • Martje Grohmann (m. 1967–1985)
  • Christine Maria Ebenberger (m. 1987–1997)
  • Lena Herzog (m. 1999)
Children3
WebsiteWernerHerzog.com

Werner Herzog (German: [ˈvɛɐ̯nɐ ˈhɛɐ̯tsoːk]; born 5 September 1942) is a German film director, screenwriter, author, actor, and opera director. Herzog is a figure of the New German Cinema. His films often feature ambitious protagonists with impossible dreams,[1] people with unique talents in obscure fields, or individuals who are in conflict with nature.[2]

Werner Herzog made his first film in 1961 at the age of 19. Since then he has produced, written, and directed more than sixty feature- and documentary films, such as Aguirre, the Wrath of God (1972), Nosferatu the Vampyre (1978), Fitzcarraldo (1982), Lessons of Darkness (1992), Little Dieter Needs to Fly (1997), My Best Fiend (1999), Invincible (2000), Grizzly Man (2005), Encounters at the End of the World (2007), and Cave of Forgotten Dreams (2010). He has published more than a dozen books of prose, and directed as many operas.

French filmmaker François Truffaut once called Herzog "the most important film director alive."[3] American film critic Roger Ebert said that Herzog "has never created a single film that is compromised, shameful, made for pragmatic reasons, or uninteresting. Even his failures are spectacular."[4] He was named one of the world's 100 most influential people by Time magazine in 2009.[5]

Early life[edit]

Herzog was born Werner Stipetić in Munich, to Elizabeth Stipetić, an Austrian of Croatian descent, and Dietrich Herzog, who was German. When Werner was two weeks old, his mother took refuge in the remote Bavarian village of Sachrang (in the Chiemgau Alps), after the house next to theirs was destroyed during a bombing raid in World War II.[6] In Sachrang, Herzog grew up without running water, a flushing toilet, or a telephone. He never saw films, and did not even know of the existence of cinema until a traveling projectionist came by the one-room schoolhouse in Sachrang.[7] When Herzog was 12, he and his family moved back to Munich. His father had abandoned the family early in his youth. Werner later adopted his father's surname Herzog (German for "duke"), which he thought sounded more impressive for a filmmaker.[8]

The same year, Herzog was told to sing in front of his class at school, and he adamantly refused, and was almost expelled. Until he was age eighteen, Herzog listened to no music, sang no songs, and studied no instruments. He later said that he would easily give ten years from his life to be able to play the cello. At an early age, he experienced a dramatic phase in which he converted to Catholicism, which only lasted a few years. He started to embark on long journeys, some of them on foot. Around this time, he knew he would be a filmmaker, and learned the basics from a few pages in an encyclopedia which provided him with "everything I needed to get myself started" as a filmmaker—that, and the 35 mm camera he stole from the Munich Film School.[9] In the commentary for Aguirre, the Wrath of God, he says, "I don't consider it theft. It was just a necessity. I had some sort of natural right for a camera, a tool to work with". He won a scholarship to Duquesne University and lasted only a few days, but lived in Pittsburgh, Pennsylvania. During his last years of high school, no production company was willing to take on his projects, so Herzog worked night shifts as a welder in a steel factory to earn the funds for his first featurettes. After graduating from high school, he was intrigued by the Congo after its independence, but only reached the south of the Sudan where he fell seriously ill.

While already making films, he had a brief stint at Munich University, where he studied history and literature.[10]

He earned money by participating in preproduction of a documentary for NASA with KQED. Summoned to the immigration office because of a violation of his visa status, he chose to flee to Mexico.

Before leaving school, he bought a house in the UK, in what was likely the Moss Side area of Manchester. There he learned to speak English.[11] In 1962, he made his first short film, Herakles. In school there was an emphasis on Latin and Greek, in which he continues to read to this day.

In 1971, while Herzog was location scouting for Aguirre, the Wrath of God in Peru, he narrowly avoided taking LANSA Flight 508. Herzog's reservation was cancelled due to a last-minute change in itinerary. The plane was later struck by lightning and disintegrated, but one survivor, Juliane Koepcke, lived after a free fall. Long haunted by the event, nearly 30 years later he made a documentary film, Wings of Hope (2000), which explored the story of the sole survivor.

Career[edit]

Werner Herzog's star on the Boulevard der Stars in Berlin.

Herzog, along with Rainer Werner Fassbinder and Volker Schlöndorff, led the beginning of the West German cinema movement. The West German cinema movement consisted of documentarians that filmed on low budgets and were influenced by the French New Wave of cinema.

Besides using professional actors—German, American and otherwise—Herzog is known for using people from the locality in which he is shooting. Especially in his documentaries, he uses locals to benefit what he calls "ecstatic truth" (as opposed to the literal or factual truth). He uses footage of the non-actors both playing roles and being themselves.

Herzog and his films have been nominated for and won many awards. His first major award was the Silver Bear Extraordinary Prize of the Jury for his first feature film Signs of Life[12] (Nosferatu the Vampyre was also nominated for Golden Bear in 1979). Most notably, Herzog won the best director award for Fitzcarraldo at the 1982 Cannes Film Festival. In 1975, his movie The Enigma of Kaspar Hauser won the Grand Prix Spécial du Jury (also known as the 'Silver Palm') at the Cannes Festival. Other films directed by Herzog nominated for Golden Palm are: Woyzeck (1979) and Where the Green Ants Dream (1984).

His films have been nominated at many other important festivals around the world: César Awards (Aguirre, the Wrath of God), Emmy Awards (Little Dieter Needs to Fly), European Film Awards (My Best Fiend) and Venice Film Festival (Scream of Stone and The Wild Blue Yonder).

In 1987, Herzog and his half-brother Lucki Stipetić won the Bavarian Film Award for Best Producing for the film Cobra Verde.[13] In 2002 he won the Dragon of Dragons Honorary Award during Kraków Film Festival in Kraków.

In 1999, before a public dialogue with critic Roger Ebert at the Walker Art Center, Herzog read a new manifesto, which he dubbed Minnesota Declaration: Truth and Fact in Documentary Cinema.[14] Subtitled "Lessons of Darkness," the 12-point declaration began: "Cinema Verité is devoid of verité. It reaches a merely superficial truth, the truth of accountants." Ebert later wrote of its significance: “For the first time, it fully explained his theory of ‘ecstatic truth.’”[15] In 2017, Herzog wrote a six-point addendum to the manifesto,[16] prompted by a question about "truth in an age of alt-facts."[17]

Herzog was honored at the 49th San Francisco International Film Festival, receiving the 2006 Film Society Directing Award.[18] Four of his films have been shown at the San Francisco International Film Festival: Wodaabe - Herdsmen of the Sun in 1990, Bells from the Deep in 1993, Lessons of Darkness in 1993, and The Wild Blue Yonder in 2006. Herzog's April 2007 appearance at the Ebertfest in Champaign, Illinois earned him the Golden Thumb Award, and an engraved glockenspiel given to him by a young film maker inspired by his films. Grizzly Man, directed by Herzog, won the Alfred P. Sloan Prize at the 2005 Sundance Film Festival. Encounters at the End of the World won the award for Best Documentary at the 2008 Edinburgh International Film Festival and was nominated for the Academy Award for Best Documentary Feature, Herzog's first nomination.

Herzog in Brussels, 2007

Herzog once promised to eat his shoe if Errol Morris completed the movie project on pet cemeteries that he had been working on, in order to challenge and motivate Morris, whom Herzog perceived as incapable of following up on the projects he conceived. In 1978, when the film Gates of Heaven premiered, Werner Herzog cooked and publicly ate his shoe, an event later incorporated into a short documentary Werner Herzog Eats His Shoe by Les Blank. At the event, Herzog suggested that he hoped the act would serve to encourage anyone having difficulty bringing a project to fruition.

In 2009, Herzog became the only filmmaker in recent history to enter two films in competition in the same year at the prestigious Venice Film Festival. Herzog's The Bad Lieutenant: Port of Call New Orleans was entered into the festival's official competition schedule, and his My Son, My Son, What Have Ye Done? entered the competition as a "surprise film".[19] Herzog also provided the narration for the short film Plastic Bag directed by Ramin Bahrani which was the opening night film in the Corto Cortissimo section of the festival.[20]

Dissatisfied with the way film schools are run, Herzog founded his own Rogue Film School in 2009. The program is a 4-day seminar with Herzog, which occurs annually (the last of which was held in March, 2016 in Munich). Courses include "the art of lockpicking. Traveling on foot. The exhilaration of being shot at unsuccessfully. The athletic side of filmmaking. The creation of your own shooting permits. The neutralization of bureaucracy. Guerrilla tactics. Self reliance."[21] For the students, Herzog has said, "I prefer people who have worked as bouncers in a sex club, or have been wardens in the lunatic asylum. You must live life in its very elementary forms. The Costa Ricans have a very nice word for it: pura vida. It doesn’t mean just purity of life, but the raw, stark-naked quality of life. And that’s what makes young people more into a filmmaker than academia."[22]

Herzog was the president of the jury at the 60th Berlin International Film Festival in 2010.[23][24][25]

Herzog completed a documentary called Cave of Forgotten Dreams in 2010, which shows his journey into the Chauvet Cave in France. Although generally skeptical of 3-D film as a format,[26] Herzog premiered the film at the 2010 Toronto International Film Festival in 3-D and had its European premiere at the 2011 Berlinale. Also in 2010, Herzog co-directed with Dimitry Vasuykov Happy People: A Year in the Taiga, which portrays the life of fur trappers from the Siberian part of the Taiga, and had its premiere at the 2010 Telluride Film Festival.

Herzog has narrated many of his documentary films, and he lent his voice to an animated television program for the first time in 2010, appearing in The Boondocks in its third-season premiere episode It's a Black President, Huey Freeman. In the episode, he played a fictionalized version of himself filming a documentary about the series' cast of characters and their actions during the 2008 election of Barack Obama.

Continuing with voice work, Herzog played Walter Hotenhoffer (formerly known as Augustus Gloop) in the Simpsons episode The Scorpion's Tale which aired in March 2011. The next year, he also appeared in the 8th-season episode of American Dad! called "Ricky Spanish", and lent his voice to a recurring character during the 4th season of the Adult Swim animated series Metalocalypse. In 2015 he voiced a character for Adult Swim's Rick and Morty. He also appeared opposite Tom Cruise as the villain Zec Chelovek in the 2012 action film Jack Reacher.

Herzog gained attention in 2013 when he released a 35-minute Public Service Announcement-style documentary, From One Second to the Next, demonstrating the danger of texting while driving and financed by AT&T, Sprint, Verizon, and T-Mobile as part of their It Can Wait driver safety campaign. The film, which documents four stories in which texting and driving led to tragedy or death, initially received over 1.7 million YouTube views and was subsequently distributed to over 40,000 high schools.[27] In July 2013, Herzog contributed to an art installation entitled "Hearsay of the Soul", for the Whitney Biennial, which was later acquired as a permanent exhibit by the J. Paul Getty Museum in Los Angeles. In late 2013 he also lent his voice to the English-language dub of Hayao Miyazaki's The Wind Rises.

In 2011, Herzog competed with Ridley Scott for making a film based around the life of explorer Gertrude Bell.[28] In 2012, it was confirmed that Herzog would start production on his long-in-development project in March 2013 in Morocco with Naomi Watts to play Gertrude Bell along with Robert Pattinson to play T. E. Lawrence and Jude Law to play Henry Cadogan.[29] The film was completed in 2014 with a different cast: Nicole Kidman as Gertrude Bell, James Franco as Henry Cadogan, Damian Lewis as Charles Doughty-Wylie, and Robert Pattinson as a 22-year-old archaeologist T. E. Lawrence. Queen of the Desert had its world premiere at the 2015 Berlin International Film Festival.

In 2015, Herzog shot a feature film, Salt and Fire, in Bolivia, starring Veronica Ferres, Michael Shannon and Gael García Bernal. It is described as a "highly explosive drama inspired by a short story by Tom Bissell".[30]

In 2016, Herzog released an online masterclass sharing in-depth knowledge of his craft entitled Werner Herzog teaches filmmaking.[31]

Film theory[edit]

Herzog's films have received considerable critical acclaim and achieved popularity on the art house circuit. They have also been the subject of controversy in regard to their themes and messages, especially the circumstances surrounding their creation. A notable example is Fitzcarraldo, in which the obsessiveness of the central character was reflected by the director during the making of the film. Burden of Dreams, a documentary filmed during the making of Fitzcarraldo, explored Herzog's efforts to make the film in harsh conditions. Herzog's diaries during the making of Fitzcarraldo were published as Conquest of the Useless: Reflections from the Making of Fitzcarraldo. Mark Harris of The New York Times wrote in his review: "The movie and its making are both fables of daft aspiration, investigations of the blurry border between having a dream and losing one’s mind." [32]

His treatment of subjects has been characterized as Wagnerian in its scope. The plot of Fitzcarraldo is based on the building of an opera house and his later film Invincible (2001) touches on the character of Siegfried.[33] He is proud of never using storyboards and often improvising large parts of the script. He explains this technique in the commentary track to Aguirre, the Wrath of God.

Collaborations[edit]

Herzog has preferred to develop a team to work with, both of actors and technical people. He has gathered a group who [see below] have appeared in numerous films. Additionally, Herzog was co-executive producer along with Errol Morris on Joshua Oppenheimer’s documentary film, The Act of Killing, which reported on the mass slayings of suspected communists by anti-communists, and interviewed a number of its perpetrators; these slayings took place in Indonesia in 1965 and 1966, following the overthrow of Indonesia's first president, Sukarno.[34]

Cast[edit]

Actors/actresses in a leading role[edit]

Actors in a supporting role[edit]

Crew[edit]

Cinematographers[edit]

Thomas Mauch worked with Herzog on ten films: starting with Signs of Life and Last Words and ending with Fitzcarraldo. He helped to create hallucinogenic atmosphere in Aguirre and the realistic style of Stroszek. Mauch won Film Award in Gold and National Society of Film Critics Awards for Aguirre. He was Herzog's first choice to be cinematographer during Cobra Verde. After excessive verbal abuse from Klaus Kinski, Mauch walked out of the project. That was Mauch and Herzog's final collaboration.

Jörg Schmidt-Reitwein worked with Herzog on seventeen films. Reitwein was Thomas Mauch's assistant camera during Even Dwarfs Started Small. His first independent work for Herzog was Precautions Against Fanatics in 1969. He helped to create the poetical atmosphere of Fata Morgana, Heart of Glass, The Enigma of Kaspar Hauser and Nosferatu. He won the Film Award in Gold for Heart of Glass and Where the Green Ants Dream at the German Film Awards. He last collaborated with Herzog during Pilgrimage in 2001.

Peter Zeitlinger collaborated with Herzog on more than twenty films, from Gesualdo: Death for Five Voices (1995) to the documentary Into the Inferno (2017), including Rescue Dawn and Grizzly Man. He was nominated for the Independent Spirit Award for Bad Lieutenant: Port of Call New Orleans in 2009. He also photographed Encounters at the End of the World which was nominated for the Academy Award.

Producers[edit]

Walter Saxer produced sixteen of Herzog's films, including Nosferatu and The White Diamond. He worked in the Sound Department during seven of Herzog's films, including The Great Ecstasy of Woodcarver Steiner and Echoes from a Somber Empire. He co-wrote Scream of Stone which Herzog directed. Saxer appeared as himself in Herzog's My Best Fiend and in Les Blank's Burden of Dreams, in which he was also subjected to the verbal abuse of Kinski.

Lucki Stipetić is Herzog's half-brother, and he produced several Herzog films, including Aguirre and Invincible. He is a head of Werner Herzog Productions. He won the Bavarian Film Award in 1988 for Cobra Verde and International Documentary Association Award for Little Dieter Needs to Fly in 1998. He was also nominated for an Emmy Award in 1998.

André Singer worked either as an executive producer or producer on eight of Herzog’s documentaries, starting with Lessons of Darkness in 1991 and ending with The Wild Blue Yonder. He won the International Critics Award at the Venice Film Festival, 2006. He worked on the recent La Bohème (2009), and Into the Abyss"/"Death Row, 2011.

Editors[edit]

Beate Mainka-Jellinghaus worked with Herzog on twenty films, from Signs of Life and Last Words (both from 1968) to Where the Green Ants Dream (1984). She won the Film Award in Gold during the German Film Awards for The Enigma of Kaspar Hauser in 1975.

Joe Bini has collaborated with Herzog on nineteen films, from Little Dieter Needs to Fly (1997) to Cave of Forgotten Dreams (2009). He was nominated by American Cinema Editors for Best Edited Documentary Film for Grizzly Man in 2005.

Costume designers[edit]

Ann Poppel collaborated with Herzog on four films, including Nosferatu the Vampyre and Scream of Stone. Gisela Storch worked with Herzog on six films: The Enigma of Kaspar Hauser, Heart of Glass, Nosferatu the Vampyre, Woyzeck, Fitzcarraldo and Cobra Verde. She was nominated for a Saturn Award for Nosferatu the Vampyre in 1979.

Composers[edit]

German Krautrock band Popol Vuh, founded by pianist and keyboardist Florian Fricke, have composed music for eight of Herzog's films: Aguirre, the Wrath of God, The Great Ecstasy of Woodcarver Steiner, Heart of Glass, Nosferatu, The Dark Glow of the Mountains, Fitzcarraldo, Cobra Verde and My Best Fiend. Their compositions were also used by Herzog in Rescue Dawn. Florian Fricke made a cameo as a pianist in Signs of Life and The Enigma of Kaspar Hauser. The band took its name from the Popol Vuh, a manuscript of the Quiché Maya kingdom. They had seen Herzog's Fata Morgana, in which Lotte Eisner reads parts of the Popol Vuh.

Since 2001 and the passing of Florian Fricke, for orchestral scores Herzog has mostly chosen Klaus Badelt. The first of so far four collaborations, Invincible (2001) was actually one of Badelt's first film scores. Badelt also wrote the scores to Rescue Dawn (2006), Happy People: A Year in the Taiga (2010), and is currently working on Herzog's upcoming feature Queen of the Desert (2015).

Herzog has invited Ernst Reijseger to compose scores to five of his films. Two were documentaries (The White Diamond and Cave of Forgotten Dreams) and three were features (The Wild Blue Yonder, My Son, My Son What Have Ye Done, and Salt and Fire). His music was also used in Rescue Dawn and in a video documentary about recording music for Grizzly Man. It was entitled In the Edges: The 'Grizzly Man' Session directed by Erik Nelson. Reijseger also had a cameo in My Son, My Son What Have Ye Done.

Others[edit]

Henning von Gierke collaborated with Herzog on seven films and several operas. He was Production Designer during The Enigma of Kaspar Hauser, Nosferatu the Vampyre and Fitzcarraldo. As a Set Decorator he worked on Heart of Glass and Woyzeck, as Stage Designer on operas Lohengrin and Giovanna d'Arco, and as Costume Designer on the film The Transformation of the World Into Music. Gierke shot additional still photographs on Stroszek's set. He appeared twice in Herzog's film The Transformation of the World Into Music as himself and in Herzog's TV realisation of the opera Giovanna d'Arco. Von Gierke won the Film Award in Gold for The Enigma of Kaspar Hauser at the German Film Awards and the Silver Bear for an outstanding single achievement for Nosferatu, at the 29th Berlin International Film Festival.[35]

Personal life[edit]

Herzog has been married three times and has three children.

  • In 1967,[36] he married Martje Grohmann with whom he had a son, Rudolph Amos Achmed, born in 1973. They were divorced in 1985.[37]
  • In 1980, Herzog's daughter Hanna Mattes (a photographer and artist) was born to his companion Eva Mattes.[citation needed]
  • In 1987, he married Christine Maria Ebenberger[38] and their son, Simon Herzog, was born in 1989.[39] They divorced in 1997.[40]
  • Herzog moved to the United States in 1996 and married photographer Lena Herzog, formerly Elena Pisetski, in 1999.[citation needed]

Herzog is an atheist.[41]

In addition to his native German, Herzog can speak English and Spanish, as well as being able to understand and speak a little French. He was once also able to speak Greek as fluently as English.[42]

Filmography[edit]

Herzog at the 1991 Venice International Film Festival

Fiction feature films[edit]

Fiction short films[edit]

Documentary feature films[edit]

Documentary short films[edit]

Television series[edit]

  • On Death Row (2012-2013, 8 Episodes)
  • Filmstunde (1991-1992, 4 Episodes)

Screenwriter[edit]

Films written, not directed, by Herzog:

Herzog has written all his films, except these which he co-wrote:

Herzog has also co-written:

Actor[edit]

Producer[edit]

Stage works[edit]

Opera[edit]

Theatre[edit]

  • Floresta Amazonica (A Midsummer Night's Dream) (1992, Teatro Joao Caetano)
  • Varété (1993, Hebbel Theatre)
  • Specialitaeten (1993, Etablissement Ronacher)

Concerts[edit]

Bibliography[edit]

Books[edit]

Writer[edit]

  • Fitzcarraldo: The Original Story (Fjord Pr, January 1983, ISBN 978-0-940242-04-3)
  • Of Walking in Ice (Free Association, New York, 2007, ISBN 978-0-9796121-0-7)
  • Conquest of the Useless: Reflections from the Making of Fitzcarraldo (Eroberung des Nutzlosen) (German: 2004; English: Ecco, 2009, ISBN 978-0061575532)
  • Werner Herzog: A Guide for the Perplexed, Conversations with Paul Cronin (London: Faber and Faber Ltd., 2014, ISBN 0-571-20708-1)[44]

Co-writer[edit]

  • Lena Herzog. Pilgrims: Becoming the Path Itself (Periplus Publishing London Ltd., 2002, ISBN 1-902699-43-2)

Screenplays[edit]

Writer[edit]

  • Drehbücher II: Aguirre, der Zorn Gottes: Jeder für sich und Gott gegen alle, Land des Schweigens und der Dunkelheit (Hanser 1977)
  • Drehbücher I: Lebenszeichen, Auch Zwerge haben klein angefangen, Fata Morgana (Hanser 1977)
  • Drehbücher III: Stroszek, Nosferatu (Hanser 1979)
  • Screenplays: Aguirre, The Wrath of God, Every Man For Himself and God Against All & Land of Silence and Darkness (translated by Alan Greenberg & Martje Herzog; Tanam, New York, 1981, ISBN 0-934378-03-7)
  • Fitzcarraldo, Nosferatu, Stroszek (Mazarine 1982)
  • Wo Die Grünen Ameisen Träumen (Hanser 1984, ISBN 3-446-14106-5)
  • Nosferatu (Ulbulibri, 1984)
  • Cobra Verde (Jade-Flammarion 2001, ISBN 2-08-203009-1)

Co-writer[edit]

  • With Alan Greenberg and Herbert Achternbusch. Heart of Glass. 1976

References[edit]

  1. ^ "40 Great Actor & Director Partnerships: Klaus Kinski & Werner Herzog". Empire Magazine. Retrieved June 19, 2010.
  2. ^ Mahmud, Jamil (September 30, 2009). "Werner Herzog and his film language". The Daily Star. Retrieved June 19, 2010.
  3. ^ Cronin, Paul; Werner Herzog (2002). Herzog on Herzog. London: Faber and Faber Limited. pp. vii–viii. ISBN 978-0-571-20708-4.
  4. ^ Ebert, Roger (2006). Awake in the Dark: The Best of Roger Ebert, University of Chicago Press, ISBN 0226182002
  5. ^ "The 2009 TIME 100". Time Magazine. Retrieved April 30, 2009.
  6. ^ "Werner Herzog on the Story Behind 'Rescue Dawn'". Fresh Air. October 27, 1998. Retrieved June 21, 2007.
  7. ^ Cronin, Paul (2014). Werner Herzog: A Guide for the Perplexed: Conversations with Paul Cronin. Faber and Faber Limited. ISBN 978-0571259779.
  8. ^ Laster, Paul (July 25, 2011). "Werner Herzog Comes Out of the Cave". New York Observer. Retrieved August 15, 2013.
  9. ^ Bissell, Tom. "The Secret Mainstream: Contemplating the mirages of Werner Herzog", Harper's, December 2006
  10. ^ "Does Werner Herzog Have a College Degree? Answer". www.wishmachinery.com. Retrieved 2017-11-08.
  11. ^ Cronin, Paul; Werner Herzog (2002). Herzog on Herzog. London: Faber and Faber Limited. pp. 1–2. ISBN 978-0-571-20708-4.
  12. ^ "Berlinale 1968: Prize Winners". berlinale.de. Retrieved March 3, 2010.
  13. ^ [1] Archived March 25, 2009, at the Wayback Machine
  14. ^ "Werner Herzog Reads His Minnesota Declaration: Truth and Fact in Documentary Cinema". Walker Art Center. April 30, 1999. Retrieved August 8, 2017.
  15. ^ "HERZOG'S MINNESOTA DECLARATION: DEFINING 'ECSTATIC TRUTH'". rogerebert.com. April 30, 1999. Retrieved August 8, 2017.
  16. ^ "Werner Herzog Makes Trump-Era Addition to His Minnesota Declaration". Walker Art Center. Jun 19, 2017. Retrieved August 8, 2017.
  17. ^ "What is Truth in an Age of Alternative Facts". Walker Art Center. Jun 19, 2017. Retrieved August 8, 2017.
  18. ^ "Film Society Directing Award". sffs.org. Archived from the original on May 27, 2008. Retrieved April 8, 2009.
  19. ^ "Filmmaker Herzog is up against himself in Venice | Film". Reuters. September 5, 2009. Retrieved October 25, 2009.
  20. ^ "66th Venice Film Festival Corto Cortissimo". Archived from the original on October 6, 2014.
  21. ^ "Werner Herzog's Rogue Film School". www.roguefilmschool.com. Retrieved 2016-06-26.
  22. ^ Beggs, Scott (September 12, 2012). "6 FILMMAKING TIPS FROM WERNER HERZOG". Film School Rejects. Retrieved August 13, 2015.
  23. ^ "Werner Herzog to be President of the Jury of the 60th Berlinale". berlinale.de. Archived from the original on November 25, 2009. Retrieved December 22, 2009.
  24. ^ "Werner Herzog to head Berlin film festival jury". thelocal.de. Retrieved December 22, 2009.
  25. ^ "Werner Herzog is to head the Berlin Film Festival jury". bbc news. November 20, 2009. Retrieved December 22, 2009.
  26. ^ "Werner Herzog Interview | PLANET°". Planet-mag.com. September 7, 2010. Retrieved August 15, 2013.
  27. ^ Leopold, Todd (August 16, 2013). "Film legend Herzog takes on texting and driving". CNN. Retrieved 13 August 2015.
  28. ^ Dang, Simon. "Watch Out, Ridley: Werner Herzog's Gertrude Bell Film Starring Naomi Watts Hoping To Shoot In The Fall". IndieWire. Retrieved 25 November 2012.
  29. ^ Chitwood, Adam. "Jude Law Joins Robert Pattinson and Naomi Watts in Werner Herzog's QUEEN OF THE DESERT". Collider. Retrieved 25 November 2012.
  30. ^ Raup, Jordan. "Gael García Bernal Join Werner Herzog's 'Salt and Fire'". The Film Stage. Retrieved 13 August 2013.
  31. ^ ""I Tried Not to Be Didactic": Werner Herzog on His MasterClass | Filmmaker Magazine". Filmmaker Magazine. Retrieved 2018-02-21.
  32. ^ Harris, Mark (2009-07-29). "Book Review | 'Conquest of the Useless: Reflections From the Making of 'Fitzcarraldo',' by Werner Herzog". The New York Times. ISSN 0362-4331. Retrieved 2018-05-20.
  33. ^ Institute, The British Film. "BFI - Sight & Sound - Film of the Month: Invincible (2001)". old.bfi.org.uk. Retrieved August 20, 2018.
  34. ^ Rohter, Larry (July 12, 2013). "'The Act of Killing' and Indonesian Death Squads" – via NYTimes.com.
  35. ^ "Berlinale 1978: Prize Winners". berlinale.de. Retrieved August 15, 2010.
  36. ^ LCRO Standesamt Bayern Muenchen
  37. ^ Standesamt Bayern Muenchen
  38. ^ LCRO Standesamt Wien Landstrasse
  39. ^ "Simon Herzog".
  40. ^ Standesamt Wien Landstrasse
  41. ^ "Herzog is an avowed atheist, but in a certain sense his films, especially in recent years, have become highly spiritual in focus. Thanks to its subject and its characters “Into the Abyss” is suffused with a Christian religiosity that the director treats with great respect." Andrew O'Hehir, Salon.com, November 11, 2011. [2]
  42. ^ Werner Herzog on Languages ... on YouTube
  43. ^ "Bayreuth Festival web portal: Werner Herzog's biography". Bayreuther-festspiele.de. Archived from the original on 2011-07-21. Retrieved 2014-08-09.
  44. ^ "Herzog on Herzog". Thestickingplace.com. Retrieved October 25, 2009.

Further reading[edit]

Primary literature[edit]

  • Werner Herzog. A Guide for the Perplexed: Conversations with Paul Cronin. London: Faber & Faber, 2014. ISBN 978-0-571-25977-9.
  • Eric Ames, ed. Werner Herzog: Interviews. Jackson: University of Mississippi Press, 2014. ISBN 978-1-61703-969-0.

Secondary literature[edit]

  • Emmanuel Carrère. Werner Herzog. Paris: Ediling, 1982. ISBN 2-85601-017-2
  • Brad Prager. The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth. New York: Wallflower Press, 2007. ISBN 978-1-905674-18-3.
  • Eric Ames. Ferocious Reality. Documentary according to Werner Herzog. Minneapolis: University of Minnesota Press, 2012.
  • Moritz Holfelder. Werner Herzog. Die Biografie. Munich: LangenMüller, 2012. ISBN 978-3-7844-3303-5.
  • Brad Prager, ed. A Companion to Werner Herzog. Malden: Wiley-Blackwell, 2012. ISBN 978-1-405-19440-2.

External links[edit]

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