1.
The Illustrated London News
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The Illustrated London News appeared first on Saturday 14 May 1842, as the worlds first illustrated weekly news magazine. Founded by Herbert Ingram, it appeared weekly until 1971, then less frequently thereafter, the company continues today as Illustrated London News Ltd, a publishing, content and digital agency in London, which holds the publication and business archives of the magazine. As a newsagent, Ingram was struck by the increase in newspaper sales when they featured pictures. Ingram began to plan a weekly newspaper that would contain pictures in every edition, Ingram rented an office, recruited artists and reporters, and employed as his editor Frederick William Naylor Bayley, formerly editor of the National Omnibus. The first issue of The Illustrated London News appeared on Saturday,14 May 1842, Ingram hired 200 men to carry placards through the streets of London promoting the first edition of his new newspaper. Costing sixpence, the first issue sold 26,000 copies, despite this initial success, sales of the second and subsequent editions were disappointing. Its circulation soon increased to 40,000 and by the end of its first year was 60,000, in 1851, after the newspaper published Joseph Paxtons designs for the Crystal Palace before even Prince Albert had seen them, the circulation rose to 130,000. Andrew Spottiswoodes Pictorial Times lost £20,000 before it was sold to Ingram by Henry Vizetelly, Ingram folded it into another purchase, The Ladys Newspaper, which became The Ladys Newspaper and Pictorial Times. Vitezelly was also behind a competitor, The Illustrated Times in 1855. Ingrams other early collaborators left the business in the 1850s, nathanial Cooke, his business partner and brother-in-law, found himself in a subordinate role in the business and parted on bad terms around 1854. 1858 saw the departure of William Little, who, in addition to providing a loan of £10,000, was printer and publisher of the paper for 15 years, littles relationship with Ingram deteriorated over Ingrams harassment of their mutual sister-in-law. By 1863, The Illustrated London News was selling more than 300,000 copies every week, the death of Herbert and his eldest son left the company without a director and manager. Control passed to Ingrams widow Ann, and his friend Sir Edward William Watkin, once Ingrams two younger sons, William and Charles, were old enough, they took over as managing directors, although it was William who took the lead. It was also a period of expansion and increased competition for the ILN, as reading habits and the illustrated news market changed, the ILN bought or established a number of new publications, evolving from a single newspaper to a larger-scale publishing business. As with Herbert Ingrams purchases in the 1850s, this expansion was also a way of managing competition, dominating markets. As too with the acquisitions of the 1850s, several similar illustrated publications were established in this period by former employees of The Illustrated London News. Serious competition for the ILN appeared in 1869, with the establishment of The Graphic, Thomas was a former wood engraver for The Illustrated London News, and brought his expertise in illustrated publishing to his new magazine. The Graphic was highly popular, particularly for its coverage of the Franco-Prussian War in 1870, William Ingram became chief proprietor of The Illustrated Sporting and Dramatic News, and The Ladys Pictorial, which may have been a later title of The Ladys Newspaper and Pictorial Times
2.
Black Watch
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The Black Watch, 3rd Battalion, Royal Regiment of Scotland is an infantry battalion of the Royal Regiment of Scotland. The regiment was created as part of the Childers Reforms in 1881 and it was known as The Black Watch from 1881 to 1931 and The Black Watch from 1931 to 2006. Part of the Scottish Division, it was the regiment of Highlanders. The source of the name is uncertain. These were to be employed in disarming the Highlanders, preventing depredations, bringing criminals to justice, the force was known in Gaelic as Am Freiceadan Dubh, the dark or black watch. This epithet may have come from the uniform plaids of dark tartan with which the companies were provided. The regiment was created as part of the Childers Reforms in 1881, the 42nd became the 1st Battalion, and the 73rd became the 2nd Battalion. The 1st Battalion saw action at the Battle of Tel el-Kebir in September 1882 during the Anglo-Egyptian War. It was in combat again at the First and Second Battles of El Teb in February 1884, the Battle of Abu Klea in January 1885, the 2nd Battalion suffered heavy losses at the Battle of Magersfontein in December 1899 during the Second Boer War. The 1st Battalion landed at Le Havre as part of the 1st Brigade in the 1st Division in August 1914 for service on the Western Front. The 2nd Battalion landed at Marseille as part of the Bareilly Brigade in the 7th Division in October 1914 for service on the Western Front and it transferred to Palestine in January 1918 and took part in the Battle of Megiddo in September 1918. The 1/5th Battalion landed at Le Havre as part of the 24th Brigade in the 8th Division for service on the Western Front and it also saw action at the Battle of Neuve Chapelle in March 1915 and the Battle of Festubert in May 1915. The 1/6th Battalion and the 1/7th Battalion landed at Boulogne-sur-Mer as part of the 153rd Brigade in the 51st Division in May 1915 for service on the Western Front and they saw action at the Battle of the Ancre Heights in October 1916. The 9th Battalion landed at Boulogne-sur-Mer as part of the 44th Brigade in the 15th Division in July 1915 for service on the Western Front. It suffered over 700 wounded or killed-in-action at the Battle of Loos in September 1915, the 10th Battalion landed at Boulogne-sur-Mer as part of the 77th Brigade in the 26th Division in September 1915 for service on the Western Front. It moved to Salonika in November 1915 and took part in operations in the Balkans in 1916, a number of authors state that the regiment was given the nickname Ladies from Hell by German troops, allegedly on account of their kilts and fighting qualities. The 1st Battalion landed in France in September 1939 as part of the 12th Brigade in the 4th Infantry Division for service with the British Expeditionary Force, the battalion later transferred to the 153rd Brigade of the 51st Division and was captured at St Valery-en-Caux during the Battle of France. It also took part in the Normandy landings in June 1944, the Battle for Caen later that month and it later saw action at the Battle of the Bulge in January 1945, Battle of the Reichswald in February 1945 and the crossing of the Rhine in March 1945
3.
Battle of Quatre Bras
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The Battle of Quatre Bras was fought on 16 June 1815, two days before the Battle of Waterloo. The battle was contested between Wellingtons Anglo-allied army and the wing of the Armée du Nord under Marshal Michel Ney. It took place near the crossroads of Quatre Bras. He would then destroy the Prussian army before forcing Wellington back to the coast, however if Wellingtons Anglo-allied army could combine with the Prussians, the combined force would be larger than Napoleons. If Napoleon controlled the crossroads of Quatre-Bras he could prevent Wellington moving south-eastward along the Nivelles-Namur road towards the French, although the coalition commanders did have an overview of French pre-war movements, Napoleons strategy was initially very successful. It was 18,00 that Wellington drafted initial orders to concentrate his army, Wellington did not order his entire army to Quatre Bras on 16 June either, still suspecting a flanking manoeuvre through Mons. The headquarters of the I Corps, however decided to ignore Wellingtons order to assemble in and around Nivelles, the centre and left wing together would then make a night-march toward Brussels. The Coalition forces would thus be irremediably sundered, and all that remained would be to them in detail. The brigade, consisting of two regiments from Nassau, arrived at about 14,00 on 15 June, Prince Bernhard deployed before the first French scouts, lancers of the Guard Light Cavalry Division approached Quatre Bras. The lancers were interdicted at Frasnes after which the Nassauers retreated to the Bois de Bossu, Ney spent the morning of 16 June in massing his I and II corps, and in reconnoitering the enemy at Quatre Bras, who, as he was informed, had been reinforced. But up till noon he took no step to capture the cross-roads. Grouchy meantime reported from Fleurus that Prussians were coming up from Namur and he was still at Charleroi when, between 09,00 and 10,00, further news reached him from the left that considerable hostile forces were visible at Quatre Bras. Then, keeping Lobau provisionally at Charleroi, Napoleon hastened to Fleurus, arriving about 11,00. At the beginning of the battle the left wing of the Armée du Nord, with 18,000 men under Marshal Michel Ney, faced 8,000 infantry and 16 guns, under the command of William, Prince of Orange. The Dutch were thinly deployed south of the crossroads of Quatre Bras, fresh allied troops started to arrive two hours later, along with Wellington, who took over command of the allied forces. As the day wore on, fresh Dutch, British and Brunswickers arrived faster than fresh French troops and these forces consisted of the II/2nd Nassau regiment and Bijlevelds horse artillery. The Dutch and Nassau commanders had taken precaution however, and the Lancers were greeted by canister and volley fire, losing some men, patrols were sent out and the positions were kept until the next morning. From 5 AM on June 16, there were skirmishes between Allied and French forces, in which neither side managed to get an advantage
4.
1842 retreat from Kabul
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The 1842 Kabul Retreat took place during the First Anglo-Afghan War. As the army and its numerous dependents and camp-followers began its march, many of the column died of exposure, frostbite or starvation or were killed during the fighting. The Afghans launched numerous attacks against the column as it made progress through the winter snows of the Hindu Kush. The final stand was made just outside a village called Gandamak on 13 January, out of more than 16,000 people from the column commanded by Elphinstone, only one European and a few Indian sepoys reached Jalalabad. Over one hundred British prisoners and civilian hostages were later released, around 2,000 of the Indians, many of whom were maimed by frostbite, survived and returned to Kabul to exist by begging or to be sold into slavery. Some at least returned to India after another British invasion of Kabul several months later, in 2013, a writer for The Economist called the retreat the worst British military disaster until the fall of Singapore exactly a century later. In 1838 the British East India Company feared an increased Russian influence in Afghanistan after Dost Mohammad Barakzai had seized power from former ruler Shuja Shah Durrani in 1834 and he began to assemble his forces in late 1838. The army, under the command of General Sir Willoughby Cotton, with Macnaghten as his chief adviser, in March 1839 they crossed the Bolan Pass and began their march to Kabul. They advanced through rough terrain, crossing deserts and mountain passes at a height of 4,000 metres but made good progress, an Afghan had betrayed his sovereign and the British troops managed to blow one city gate and marched into the city in a euphoric mood. The ample supplies acquired in Ghazni considerably aided the further advance, Dost Mohammad fled and sought refuge in the wilds of the Hindu Kush. Kabul fell without a fight on 6 August 1839, Shuja Shah returned and was proclaimed emir by the British. He established a court in the fortress of Bala Hissar above Kabul, more than a year later, Dost Mohammad surrendered to Macnaghten on 4 November 1840 and was exiled to India. In August 1839, the British refrained from occupying Kabuls citadel and this decision, made on diplomatic grounds, would prove to be a grave military error, as the garrison was sited in a defensively weak position. As political agent and envoy at the court of Shuja Shah, the city was described at the time as clean and pleasant with many spacious wooden houses surrounded by well-kept gardens. The occupiers enjoyed themselves arranging cricket matches, horse races and hunting parties, in the evenings amateur dramatics were staged by East India Company officers and their wives. Performances included Shakespeares A Midsummer Nights Dream and it was considered a special honour to be invited to evening soirées hosted by Lady Florentia Sale, the wife of Brigadier-General Robert Henry Sale. Such social gatherings often saw the serving of salmon and stew with madeira wine, under these conditions, many of the East India Company troops were sent back to their garrisons in India. While the British enjoyed this lifestyle, some Afghans chafed under occupation by a foreign power, Britain had replaced Dost Mohammad, a popular ruler, with Shuja Shah, a weak puppet, who was seen as much more cruel and vindictive to his enemies than his predecessor
5.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
6.
Leipzig
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Leipzig is the largest city in the federal state of Saxony, Germany. With a population of 570,087 inhabitants it is Germanys tenth most populous city, Leipzig is located about 160 kilometres southwest of Berlin at the confluence of the White Elster, Pleisse, and Parthe rivers at the southern end of the North German Plain. Leipzig has been a city since at least the time of the Holy Roman Empire. The city sits at the intersection of the Via Regia and Via Imperii, Leipzig was once one of the major European centers of learning and culture in fields such as music and publishing. Leipzig became an urban center within the German Democratic Republic after the Second World War. Leipzig later played a significant role in instigating the fall of communism in Eastern Europe, through events which took place in, Leipzig today is an economic center and the most livable city in Germany, according to the GfK marketing research institution. Since the opening of the Leipzig City Tunnel in 2013, Leipzig forms the centerpiece of the S-Bahn Mitteldeutschland public transit system, Leipzig is currently listed as Gamma World City and Germanys Boomtown. Outside of Leipzig the Neuseenland district forms a lake area of approximately 300 square kilometres. Leipzig is derived from the Slavic word Lipsk, which means settlement where the linden trees stand, an older spelling of the name in English is Leipsic. The Latin name Lipsia was also used, the name is cognate with Lipetsk in Russia and Liepāja in Latvia. In 1937 the Nazi government officially renamed the city Reichsmessestadt Leipzig, the common usage of this nickname for Leipzig up until the present is reflected, for example, in the name of a popular blog for local arts and culture, Heldenstadt. de. Leipzig was first documented in 1015 in the chronicles of Bishop Thietmar of Merseburg as urbs Libzi and endowed with city, Leipzig Trade Fair, started in the Middle Ages, became an event of international importance and is the oldest remaining trade fair in the world. During the Thirty Years War, two battles took place in Breitenfeld, about 8 kilometres outside Leipzig city walls, the first Battle of Breitenfeld took place in 1631 and the second in 1642. Both battles resulted in victories for the Swedish-led side, on 24 December 1701, an oil-fueled street lighting system was introduced. The city employed light guards who had to follow a schedule to ensure the punctual lighting of the 700 lanterns. The Leipzig region was the arena of the 1813 Battle of Leipzig between Napoleonic France and a coalition of Prussia, Russia, Austria and Sweden. It was the largest battle in Europe prior to the First World War, in 1913 the Monument to the Battle of the Nations celebrating the centenary of this event was completed. The railway station has two entrance halls, the eastern one for the Royal Saxon State Railways and the western one for the Prussian state railways
7.
University College School
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University College School, generally known as UCS Hampstead, is an independent day school in Hampstead, northwest London, England. The school was founded in 1830 by University College London and inherited many of that institutions progressive, according to the Good Schools Guide, the school Achieves impressive exam results with a relaxed atmosphere. UCS aims to combine the highest standards of achievement and pastoral care with outstanding facilities for all-round education with a distinctive liberal ethos. The UCS Hampstead Foundation is composed of four entities, The UCS Pre-Prep or The Phoenix as it was previously known. This was acquired by UCS in 2003, the Junior Branch, for boys aged 7 to 11 on the Holly Hill site in the heart of Hampstead. The Senior School, for boys aged 11 to 16 and co-educational for ages 16 to 18 on the Frognal site, the main campus and the Great Hall are noted examples of Edwardian architecture. Inside the hall is a magnificent Walker pipe organ, used for concerts, professional recordings and other festivities. The Playing Fields are situated in West Hampstead on Ranulf Road, UCS is a member of the Eton Group of twelve independent schools, the Haileybury Group of 26 independent schools, and the Headmasters and Headmistresses Conference. It also has ties with the Equatorial College School in Uganda. The school motto is Paulatim Sed Firmiter, in 2016, the school updated its school logo to incorporate its widely known name of UCS Hampstead and to include the full motto in its distinctive roundel emblem. The schools colours are maroon and black which are shown to the distinctive vertical striped blazers. UCS publishes an online newsletter called The Frognal and a yearly printed magazine called The Gower sent to current. The latest editions are available on the school website, in the Lower School, there is one form per year in each house. Kestrel – Blue Eagle – Yellow Hawk – Black Falcon – Green Students in the Middle School and Upper School are arranged into Demes and this is similar to a school house. In the Middle School, there is one form per year in each Deme, as well as a Deme Warden, each deme has two or three Deme Captains. Deme, Half and Full Colours are awarded through an accumulation of academic, there are regular inter-Deme competitions in sport, music and drama throughout the year. In the Middle School, the school blazer carries a coloured school logo on the breast pocket depicting the pupils Deme. Entry at 4+, 5+, 6+ by assessment of the Headmistress, Junior Branch, at age 7, judged by a combination of internal exam and interview
8.
Slade School of Fine Art
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The UCL Slade School of Fine Art is the art school of University College London and is based in London, United Kingdom. It is world-renowned and is ranked as the UKs top art. The school is organised as a department of UCLs Faculty of Arts, distinguished past teachers include Henry Tonks, Wilson Steer, Randolph Schwabe, William Coldstream, Andrew Forge, Lucian Freud, Phyllida Barlow, John Hilliard, Bruce McLean, Alfred Gerrard. Edward Allington is currently a Professor of Fine Art and Head of Graduate Sculpture, two of its most important periods were immediately before, and immediately after, the turn of the twentieth century, described by Henry Tonks as its two crises of brilliance. R. W. The Slade Centre for Electronic Media in Fine Art was opened in 1995, the centre provides opportunities for research into electronic media and fine art with the goal of contributing to debate on national and international levels. The Slade had previously been home to Malcolm Hughess Computer and Experimental Department in the 1970s, in 1997 SCEMFA presented Collision, a public lecture series by artists, writers, and curators working with interactivity, telematics, and digital works. Throughout 1998, SCEMFA collaborated with Channel 4 UK to organise Cached, funded by the Arts Council, this series investigated the conceptual and practical issues of producing art for the internet through a series of artists presentations. Works by students and staff of the Slade School of Fine Art form the basis of the UCL Art museum today, in a 2008 survey conducted by The Sunday Times the Slade recorded perfect scores
9.
Royal Academy of Arts
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The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly in London. The Royal Academy of Arts was founded through an act of King George III on 10 December 1768 with a mission to promote the arts of design in Britain through education and exhibition. Supporters wanted to foster a national school of art and to encourage appreciation, fashionable taste in 18th-century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, the success of this venture led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Both these groups were primarily exhibiting societies, their success was marred by internal factions among the artists. The combined vision of education and exhibition to establish a school of art set the Royal Academy apart from the other exhibiting societies. It provided the foundation upon which the Royal Academy came to dominate the art scene of the 18th and 19th centuries, supplanting the earlier art societies. Sir William Chambers, a prominent architect, used his connections with George III to gain royal patronage and financial support of the Academy, the painter Joshua Reynolds was made its first president. Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788, the instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. William Hoare and Johann Zoffany were added to this list later by the King and are known as nominated members, among the founder members were two women, a father and daughter, and two sets of brothers. The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery. These premises soon proved too small to house both institutions, in 1868,100 years after the Academys foundation, it moved to Burlington House, Piccadilly, where it remains. Burlington House is owned by the British Government, and used rent-free by the Royal Academy, the first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. In 1870 the Academy expanded its programme to include a temporary annual loan exhibition of Old Masters. The range and frequency of these exhibitions have grown enormously since that time. Britains first public lectures on art were staged by the Royal Academy, led by Reynolds, the first president, a program included lectures by Dr. William Hunter, John Flaxman, James Barry, Sir John Soane, and J. M. W. Turner
10.
Garnet Wolseley, 1st Viscount Wolseley
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Field Marshal Garnet Joseph Wolseley, 1st Viscount Wolseley KP, GCB, OM, GCMG, VD, PC was an Anglo-Irish officer in the British Army. He served in Burma, the Crimean War, the Indian Mutiny, China, Canada and widely throughout Africa—including his Ashanti campaign, Wolseley served as Commander-in-Chief of the Forces from 1895 to 1900. His reputation for efficiency led to the late 19th century English phrase everythings all Sir Garnet, meaning, born the eldest son of Major Garnet Joseph Wolseley of the Kings Own Scottish Borderers and Frances Anne Wolseley, Wolseley was educated in Dublin and first worked in a surveyor’s office. Wolesley obtained a commission as an ensign in the 12th Foot on 12 March 1852 without purchase and he then transferred to the 80th Foot on 13 April 1852, with whom he served in the Second Anglo-Burmese War. He was severely wounded in the thigh on 19 March 1853 in the attack on Donabyu and he was promoted to captain on 29 December 1854. Wolseley accompanied the regiment to the Crimea, and landed at Balaklava in December 1854 and he was selected to be an assistant engineer, and attached to the Royal Engineers during the Siege of Sevastopol. Wolseley served throughout the siege, where he was wounded at the Quarries on 7 June 1855, and again in the trenches on 30 August 1855, losing an eye. For his services he was mentioned in despatches, received the war medal with clasp, the 5th class of the French Légion dhonneur. Six months after joining the 90th Foot at Aldershot, he went with it in March 1857 to join the troops being despatched for the Second Opium War, Wolseley was embarked in the transport Transit, which wrecked in the Strait of Banka. The troops were all saved, but with only their personal arms and they were taken to Singapore, and from there dispatched to Calcutta on account of the Indian Mutiny. That March, he served at the siege and capture of Lucknow. In the autumn and winter of 1858–59 he took part in the Baiswara, trans-Gogra and he was present at the action at Sin-ho, the capture of Tang-ku, the storming of the Taku Forts, the Occupation of Tientsin, the Battle of Pa-to-cheau and the entry into Peking. He assisted in the re-embarkation of the troops before the set in. He was Mentioned, yet again, in Dispatches, and for his services received the medal, on his return home he published the Narrative of the War with China in 1860. He was given the rank of major on 15 February 1861. In November 1861, Wolseley was one of the service officers sent to Canada in connection with the Trent incident. In 1862, shortly after the Battle of Antietam, Wolseley took leave from his military duties and he befriended Southern sympathizers in Maryland, who found him passage into Virginia with a blockade runner across the Potomac River. There he met with the Generals Robert E. Lee, James Longstreet and he also provided an analysis on Lieutenant General Nathan Bedford Forrest
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