William Butterfield was a British Gothic Revival architect and associated with the Oxford Movement. He is noted for his use of polychromy.
Blue plaque, 42 Bedford Square, London
Keble College Chapel, Oxford
St Paul's Cathedral, Melbourne, Australia
The Seven Lamps of Architecture is an extended essay, first published in May 1849 and written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice. To an extent, they codified some of the contemporary thinking behind the Gothic Revival. At the time of its publication, A. W. N. Pugin and others had already advanced the ideas of the Revival and it was well under way in practice. Ruskin offered little new to the debate, but the book helped to capture and summarise the thoughts of the movement. The Seven Lamps also proved a great popular success, and received the approval of the ecclesiologists typified by the Cambridge Camden Society, who criticised in their publication The Ecclesiologist lapses committed by modern architects in ecclesiastical commissions.
Plate VIII - Window from the Ca' Foscari, Venice. Ruskin was one of the first critics to employ photography to aid the accuracy of his illustrations.
Polychrome brickwork and sculptural decoration in the Doge's Palace, Venice
Polychromy in Ruskinian Gothic: Chester Town Hall, 1863–1869 William Henry Lynn, architect