William James Glackens was an American realist painter and one of the founders of the Ashcan School, which rejected the formal boundaries of artistic beauty laid down by the conservative National Academy of Design. He is also known for his work in helping Albert C. Barnes to acquire the European paintings that form the nucleus of the famed Barnes Foundation in Philadelphia. His dark-hued, vibrantly painted street scenes and depictions of daily life in pre-WW I New York and Paris first established his reputation as a major artist. His later work was brighter in tone and showed the strong influence of Renoir. During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City.
William Glackens, circa 1915
William Glackens. East River Park, ca. 1902. Oil on canvas. Brooklyn Museum
Italo-American Celebration, Washington Square, 1912, Boston Museum of Fine Arts
'My dear,' he instructed her patiently under the girl's approving eyes, 'you will find it always pays to get the best', Brooklyn Museum.
The Ashcan School, also called the Ash Can School, was an artistic movement in the United States during the late 19th-early 20th century that produced works portraying scenes of daily life in New York, often in the city's poorer neighborhoods.
John French Sloan, Self-portrait, 1890, oil on window shade, 14 × 11+7⁄8 inches, Delaware Art Museum, gift of Helen Farr Sloan, 1970. John Sloan was a leading member of the Ashcan School.
Ashcan School artists and friends at John French Sloan's Philadelphia Studio, 1898
Ashcan School artists, c. 1896, left to right, Everett Shinn, Robert Henri, John French Sloan
Thomas Pollock Anshutz, The Farmer and His Son at Harvesting, 1879. Five members of the Ashcan School studied with him, but went on to create quite different styles.