1.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
2.
Roxette
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Roxette is a Swedish pop rock duo, consisting of Marie Fredriksson and Per Gessle. Formed in 1986, the duo became an act in the late 1980s. Their third album Joyride, which was released in 1991, became just as successful as its predecessor. Roxette went on to achieve nineteen UK Top 40 hits and several US Hot 100 hits, including four US number-ones with The Look, Listen to Your Heart, It Must Have Been Love, and Joyride. Other hits include Dangerous, Fading Like a Flower, Dressed for Success, on the advice of the managing director of their record label, they came together to record Neverending Love, which became a hit single in Sweden. After the release of Dont Bore Us, Get to the Chorus, a greatest hits record, the duo took a hiatus from the mid-1990s before returning with the albums Have a Nice Day and Room Service. They continued to chart in other territories, mainly in Europe and Latin America, in 2002, the duo took a break from recording and touring when Fredriksson was diagnosed with a brain tumour. In 2011, they released Charm School, their first studio album in ten years and this was followed by Travelling a year later. Their songs It Must Have Been Love and Listen to Your Heart continue to receive radio airplay. Per Gessle and Marie Fredriksson first met in Halmstad, Sweden, Gessle performed in Gyllene Tider, one of Swedens most popular bands at the time, and Fredriksson in the less successful Strul and MaMas Barn before both embarked on solo careers. In 1981, Fredriksson sang for the first time with Gyllene Tider on stage and was featured as a background vocalist for a Swedish-language album the band released in 1982. Gessle also worked with ex-ABBA singer Frida, for a song that appeared on her 1982 album Somethings Going On, while working on her first solo album, Het vind, Fredriksson performed more background vocals for Gyllene Tiders only album in English, The Heartland Café. The 11-track album was released in February 1984 and sold 45,000 copies in Sweden, According to Gessle, the groups first English-language release was in response to interest expressed by EMIs American label Capitol Records. Capitol took six of the tracks and released an extended play record in the US with a title, Heartland. Gessle and the members of Gyllene Tider chose the title of a 1975 Dr. Feelgood song. The newly named Roxette issued one near-invisible release in the US, Teaser Japanese, whose video reached MTVs studio and it, and subsequent singles, fared better in Sweden, and Gyllene Tider briefly toured the country to support the album. However, the album died soon enough and the international career died before it even started and we decided to put Gyllene Tider to rest. Gessle then turned solo work, recording his second Swedish-language solo album, Scener, released in 1985, while Fredriksson recorded her second solo album, Den sjunde vågen
3.
Have a Nice Day (Roxette album)
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Have a Nice Day is the sixth studio album by Swedish pop duo Roxette, released worldwide in March 1999. This was the first international Roxette release in 4 years and their first brand new album since 1994s Crash. The album was not released in the U. S. as the duo were no longer signed to a record label there, the album was a success in various European and Latin American countries, reaching the top three in Germany, Austria, Switzerland, Belgium and Sweden. However, in the UK, it stalled at #28, failing to emulate the Top 5 success of all their previous albums, Wish I Could Fly, the first single, was a sizable hit and was one of the most frequently played songs in Europe during 1999. In the UK the single peaked at #11 on the UK charts, the second single to be released from the album was the ballad Anyone, which failed to make any impact on the charts. The controversial video, directed by long-time collaborator Jonas Akerlund, ends with a distressed Fredriksson committing suicide, the video was the banned by MTV, due to the videos sensitive content. The poor chart showing by Anyone meant EMI UK decided against releasing the single, even though they had sent out promo CDs to radio DJs. The third single from the album was the dance number Stars. The fourth single from the album was Salvation, which reached the Top 20 in Finland, the track It Will Take a Long Long Time was featured in the Julia Roberts and Richard Gere romantic comedy Runaway Bride, though it was not included on the soundtrack album. Have a Nice Day was the first ever Roxette album to feature a track written by Marie Fredriksson. In Arab countries the naked babies on the sleeve had to be removed for religious reasons, the success of Have a Nice Day saw Roxette win the Highest Selling Scandinavian Act at the 2000 World Music Awards. For the Awards Gala, Roxette chose to lead single Wish I Could Fly. CD All tracks written by Per Gessle, except where noted, spanish lyrics by Luis Gómez Escolar. P
4.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
5.
CD single
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This article is about the 12cm single. Not to be confused with 8cm single, the standard in the Red Book for the term CD single. A CD single is a single in the form of a standard size compact disc. It is not to be confused with the Mini CD single, the format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased, commercially released CD singles can vary in length from two songs up to six songs like an EP. Some contain multiple mixes of one or more songs, in the tradition of 12 vinyl singles, depending on the nation, there may be limits on the number of songs and total length for sales to count in singles charts. Containing four tracks, it had a limited print run. CD singles were first made eligible for the UK Singles Chart in 1987, the Mini CD single format was originally created for use for singles in the late 1980s, but met with limited success, particularly in the US. The smaller CDs were more successful in Japan and have become more common in Europe. By 1989, the CD3 was in decline in the US and it was common in the 1990s for US record companies to release both a two-track CD and a multi-track maxi CD. In the UK, record companies would also release two CDs but, usually, these consisted of three tracks or more each. Pressure from record labels made singles charts in some countries become song charts, allowing album cuts to chart based only on airplay, without a single ever being released. At the end of the 1990s, the CD was the single format in the UK, but in the US. In Australia, the Herald Sun reported the CD single is set to become extinct, while CD singles no longer maintain their own section of the store, copies are still distributed but placed with the artists albums. That is predominantly the case for popular Australian artists such as Jessica Mauboy, Kylie Minogue and, most recently, Delta Goodrem, the ARIA Singles Chart are now predominantly compiled from legal downloads, and ARIA also stopped compiling their physical singles sales chart. On a Mission by Gabriella Cilmi was the last CD single to be stocked in Kmart, Target and Big W, sanity Entertainment, having resisted the decline for longer than the other major outlets, has also ceased selling CD singles. In Greece and Cyprus, the term CD single is used to describe a play in which there may be anywhere from three to six different tracks. These releases charted on the Greek Singles Chart with songs released as singles, in September 2003, there was talk of ringtones for mobile phones outstripping CD singles sales for the year 2004
6.
12-inch single
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The 12-inch single is a type of gramophone record that has wider groove spacing and shorter playing time compared to typical LPs. This allows for levels to be cut on the disc by the cutting engineer, which in turn gives a wider dynamic range. This record type is used in disco and dance music genres. They are played at either 33 1⁄3 or 45 rpm, 12-inch singles typically have much shorter playing time than full-length LPs, thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the grooves excursions can be greater in amplitude. Many record companies began producing 12-inch singles at 33 1⁄3 rpm, although 45 rpm gives better treble response and was used on many 12-inch singles, the gramophone records cut especially for dance-floor DJs came into existence with the advent of recorded Jamaican mento music in the 1950s. With the 1967 Jamaican invention of remix, called dub on the island, those specials became valuable items sold to allied sound system DJs, who could draw crowds with their exclusive hits. The popularity of sound engineer King Tubby, who singlehandedly invented and perfected dub remixes from as early as 1967. By then 10-inch records were used to cut those dubs, by 1971, most reggae singles issued in Jamaica included on their B-side a dub remix of the A-side, many of them first tested as exclusive dub plates on dances. Those dubs basically included drum and bass-oriented remixes used by sound system selecters, the 10-inch acetate specials would remain popular until at least the 2000s in Jamaica. Most likely, the use of exclusive dub acetates in Jamaica also led American DJs to do the same. In the United States, the 12-inch single gramophone record came into popularity with the advent of music in the 1970s after earlier market experiments. In early 1970, Cycle/Ampex Records test-marketed a 12-inch single by Buddy Fite, the experiment aimed to energize the struggling singles market, offering a new option for consumers who had stopped buying traditional singles. The record was pressed at 33 rpm, with run times to the 7-inch 45-rpm pressing of the single. Several hundred copies were available for sale for 98 cents each at two Tower Records stores. Another early 12-inch single was released in 1973 by soul/R&B musician/songwriter/producer Jerry Williams, 12-inch promotional copies of Straight From My Heart were released on his own Swamp Dogg Presents label, with distribution by Jamie/Guyden Distribution Corporation. It was manufactured by Jamie Record Co. of Philadelphia, PA, the B-side of the record is blank. The first 12-inch single made specifically for DJs was actually a 10-inch acetate used by a mix engineer in need of a Friday-night test copy for famed disco mixer Tom Moulton, the song was Ill be holding on by Al Downing
7.
Compact Cassette
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The Compact Cassette or Musicassette, also commonly called cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. It was released by Philips in 1962, having developed in Hasselt. Compact cassettes come in two forms, either already containing content as a cassette, or as a fully recordable blank cassette. Its uses ranged from portable audio to home recording to data storage for early microcomputers, the first cassette player designed for use in car dashes was introduced in 1968. Between the early 1970s and the early 2000s, the cassette was one of the two most common formats for prerecorded music, first alongside the LP record and later the compact disc. Compact Cassettes contain two miniature spools, between which a magnetically coated, polyester-type plastic film is passed and wound and these spools and their attendant parts are held inside a protective plastic shell. This reversal is achieved either by flipping the cassette, or by having the machine itself change the direction of tape movement. In 1935, decades before the introduction of the Compact Cassette, AEG released the first reel-to-reel tape recorder and it was based on the invention of the magnetic tape by Fritz Pfleumer, which used similar technology but with open reels. These instruments were expensive and relatively difficult to use and were therefore used mostly by professionals in radio stations. In 1958, following four years of development, RCA Victor introduced the stereo, quarter-inch, reversible, however, it was a large cassette, and offered few pre-recorded tapes. Despite the multiple versions, it failed, consumer use of tape only took off in the early 1960s, after playback machines reached a comfortable, user-friendly design. This was achieved primarily by the introduction of transistors which replaced the bulky, fragile, reel-to-reel tape then became more suitable to household use, but still remained an esoteric product. The team at Philips was led by Lou Ottens in Hasselt, Philips was competing with Telefunken and Grundig in a race to establish its cassette tape as the worldwide standard, and it wanted support from Japanese electronics manufacturers. However, the Philips Compact Cassette became dominant as a result of Philips decision to license the format free of charge, Philips also released the Norelco Carry-Corder 150 recorder/player in the US in November 1964. By 1966 over 250,000 recorders had been sold in the US alone, by 1968,85 manufacturers had sold over 2.4 million players. By the end of the 1960s, the business was worth an estimated 150 million dollars. In the early years sound quality was mediocre, but it improved dramatically by the early 1970s when it caught up with the quality of 8-track tape, the Compact Cassette went on to become a popular alternative to the 12-inch vinyl LP during the late 1970s. The mass production of blank Compact Cassettes began in 1964 in Hanover, prerecorded music cassettes were launched in Europe in late 1965
8.
Recording studio
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A recording studio is a facility for sound recording and mixing. Ideally both the recording and monitoring spaces are designed by an acoustician or audio engineer to achieve optimum acoustic properties. The engineers and producers listen to the music and the recorded tracks on monitor speakers and/or headphones. Major recording studios typically have a range of large, heavy, Isolation booths are small sound-insulated rooms with doors, designed for instrumentalists. This equipment may interfere with the recording process, Recording studios are carefully designed around the principles of room acoustics to create a set of spaces with the acoustical properties required for recording sound with precision and accuracy. This will consist of both room treatment and soundproofing to prevent sound from leaving the property. Even though sound isolation is a key goal, the musicians, singers, audio engineers and record producers still need to be able to see other, to see cue gestures. As such, the room, isolation booths, vocal booths. Some smaller studios do not have instruments, and bands and artists are expected to bring their own instruments, having musical instruments and equipment in the studio creates additional costs for a studio, as pianos have to be tuned and instruments need to be maintained. However, it makes it convenient for recording artists, as they do not have to bring in large. As well, less costly studio time is spent moving in gear, drummers bring their own snare drum, cymbals and sticks/brushes. The types and brands of equipment owned by a studio depends on the styles of music for the bands. A studio that mainly records heavy metal music will be likely to have large, powerful guitar amp heads, in contrast, a studio which mainly records country bands will likely have a selection of small, vintage combo amps. A studio that records a lot of 1970s-style funk may have an electric piano. General purpose computers have rapidly assumed a role in the recording process. A computer thus outfitted is called a Digital Audio Workstation, or DAW, other software applications include Ableton Live, Mixcraft, Cakewalk Sonar, ACID Pro, FL Studio, Adobe Audition, Auto-Tune, Audacity, and Ardour. While Apple Macintosh is used for most studio work, there is a breadth of available for Microsoft Windows. If no mixing console is used and all mixing is done using only a keyboard and mouse, the OTB is used when mixing with other hardware and not just the PC software
9.
Marbella
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Marbella is a city and municipality in southern Spain, belonging to the province of Málaga in the autonomous community of Andalusia. It is part of the Costa del Sol and is the headquarters of the Association of Municipalities of the region, Marbella is situated on the Mediterranean Sea, between Málaga and the Strait of Gibraltar, in the foothills of the Sierra Blanca. The municipality covers an area of 117 square kilometres crossed by highways on the coast, in 2012 the population of the city was 140,473 inhabitants, making it the second most populous municipality in the province of Málaga and the eighth in Andalusia. It is one of the most important tourist cities of the Costa del Sol and throughout most of the year is an international tourist attraction, due mainly to its climate and tourist infrastructure. The city also has a significant archaeological heritage, several museums and performance spaces, and a cultural calendar with events ranging from reggae concerts to opera performances. Due to the proximity of the mountains to the coast, the city has a gap between its north and south sides, thus providing views of the sea and mountain vistas from almost every part of the city. The coastline is heavily urbanised, most of the land not built up with golf courses has been developed with residential areas. Marbella is bordered on the north by the municipalities of Istán and Ojén, on the northwest by Benahavís, on the west by Estepona, the Mediterranean Sea lies to the south. There are five units, the Sierra Blanca, the Sierra Blanca piedmont, the lower hill country, the plains. The Sierra Blanca is most centrally located in the province, looming over the old village, Marbellas topography is characterised by extensive coastal plains formed from eroded mountains. After the plain lies an area of higher elevations of between 100 and 400 m, occupied by low hills, behind which rise the foothills, the coast is generally low and sandy beaches that are more extensive further east, between the fishing port and the Cabopino. Despite the intense urbanisation of the coast, it retains a natural area of dunes at the eastern end of town. The entire region lies within the Andalusian Mediterranean Basin, the rivers are short and have very steep banks, so that flash floods are common. These include the Guadalmina, the Guadaiza, the Verde and the Rio Real, the irregularity of rainfall has resulted in intermittent rivers that often run dry in summer, most of the many streams that cross the city have been bridged. Marbella is protected on its side by the coastal mountains of the Cordillera Penibética. The highest peaks of the mountains are covered with snow. Average rainfall is 628 l/m², while hours of sunshine average 2,900 annually. The fauna is represented by golden eagles, Bonellis eagles, short-toed eagles, hawks, falcons, vultures, genets or musk cats, badgers, wild goats, deer, martens, foxes and rabbits
10.
Polar Studios
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Polar Studios was a recording studio in Stockholm, Sweden, which operated from 1978 through 2004. The studio was formed by ABBA musicians Björn Ulvaeus and Benny Andersson, the studio was used to record each of the last three ABBA albums, Voulez-Vous, Super Trouper and The Visitors, as well as their two final non-LP singles The Day Before You Came and Under Attack. Following the demise of ABBA, all members of the group continued using the studio to record their solo projects, in addition to ABBA, a range of other well-known artists recorded at Polar. Among the most notable albums to have recorded at the studio are Led Zeppelins In Through the Out Door. The studio was created in 1978 at a cinema theatre on the ground floor of a building known as Sportpalatset in central Stockholm. The massive edifice, built around 1930, owed its name to an indoor public bath. ABBA had been looking for a studio with a good, spacious live sound where they would be able to work at their own leisure. Among the early non-ABBA albums recorded at the studio were the Genesis album Duke, Led Zeppelin recorded their 1979 album In Through the Out Door here. The centrepiece of the studio was a Harrison mixing console, which was modified by technician Leif Mases to give it a sound that in some respects resembled a Neve. ABBAs 1981 album The Visitors marked a point for Polar. The music video for ABBAs 1979 song Gimme, Gimme. was filmed in the studio, it depicted the group recording the track, although in reality the audio recording was already complete. On the same day, the group filmed the Spanish language video for Estoy Soñando there. The studios original location was a cinema theatre, in an early 1930s building at Sankt Eriksgatan 58-60 on Kungsholmen. Construction began on the studio in 1977, and it opened for production on May 18,1978, in 1984 Stig Anderson bought out his partners in the company. Shortly afterwards, he sold the studio to his daughter Marie Ledin, her husband Tomas Ledin, in 2004, the private housing cooperative that owned the building which housed Polar raised the spaces yearly rent to $184, 000—triple the amount asked of other renters in the building. As a result, the studio was forced to move out, some time later, the former owners of Polar relocated to a new facility at Kingside Studio. The studio has since moved several times, the last address was in Hammarby Sjöstad in Stockholm. In the fall of 2015 business was scaled down and equipment was moved to a warehouse, in 2010, ABBA The Museum premiered an exhibit that attempted to recreate the bands Polar Studios setup
11.
Stockholm
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The city is spread across 14 islands on the coast in the southeast of Sweden at the mouth of Lake Mälaren, by the Stockholm archipelago and the Baltic Sea. The area has settled since the Stone Age, in the 6th millennium BC. It is also the capital of Stockholm County, Stockholm is the cultural, media, political, and economic centre of Sweden. The Stockholm region alone accounts for over a third of the countrys GDP and it is an important global city, and the main centre for corporate headquarters in the Nordic region. The city is home to some of Europes top ranking universities, such as the Stockholm School of Economics, Karolinska Institute and it hosts the annual Nobel Prize ceremonies and banquet at the Stockholm Concert Hall and Stockholm City Hall. One of the citys most prized museums, the Vasa Museum, is the most visited museum in Scandinavia. The Stockholm metro, opened in 1950, is known for its decoration of the stations. Swedens national football arena is located north of the city centre, Ericsson Globe, the national indoor arena, is in the southern part of the city. The city was the host of the 1912 Summer Olympics, and hosted the equestrian portion of the 1956 Summer Olympics otherwise held in Melbourne, Victoria, Australia. Stockholm is the seat of the Swedish government and most of its agencies, including the highest courts in the judiciary, and the official residencies of the Swedish monarch and the Prime Minister. The government has its seat in the Rosenbad building, the Riksdag is seated in the Parliament House, and the Prime Ministers residence is adjacent at the Sager House. After the Ice Age, around 8,000 BCE, there were already a number of people living in the present-day Stockholm area. Thousands of years later, as the ground thawed, the climate became tolerable, at the intersection of the Baltic Sea and lake Mälaren is an archipelago site where the Old Town of Stockholm was first built from about 1000 CE by Vikings. They had a positive impact on the area because of the trade routes they created. Stockholms location appears in Norse sagas as Agnafit, and in Heimskringla in connection with the legendary king Agne, the earliest written mention of the name Stockholm dates from 1252, by which time the mines in Bergslagen made it an important site in the iron trade. The first part of the name means log in Swedish, although it may also be connected to an old German word meaning fortification, the second part of the name means islet, and is thought to refer to the islet Helgeandsholmen in central Stockholm. Stockholms core, the present Old Town was built on the island next to Helgeandsholmen from the mid 13th century onward. The city originally rose to prominence as a result of the Baltic trade of the Hanseatic League, Stockholm developed strong economic and cultural linkages with Lübeck, Hamburg, Gdańsk, Visby, Reval, and Riga during this time
12.
EMI
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EMI was a British multinational conglomerate founded in March 1931 and was based in London. At the time of its break-up in 2012, it was the fourth-largest business group and its EMI Records Ltd. group of record labels included EMI Records, Parlophone, Virgin Records and Capitol Records. EMI also had a publishing arm, EMI Music Publishing—also based in London with offices globally. The company was once a constituent of the FTSE100 Index, other members of the Sony consortium include the Estate of Michael Jackson, The Blackstone Group, and Abu Dhabi–owned investment fund Mubadala Development Company. The new vertically integrated company produced sound recordings as well as recording, the companys gramophone manufacturing led to forty years of success with larger-scale electronics and electrical engineering. He was killed in 1942 whilst conducting flight trials on an experimental H2S radar set, post-war, the company resumed its involvement in making broadcasting equipment, notably providing the BBCs second television transmitter at Sutton Coldfield. It also manufactured broadcast television cameras for British television production companies as well as for the BBC, the commercial television ITV companies also used them alongside cameras made by Pye and Marconi. Exports of this piece of equipment were low, however, the company was also for many years an internationally respected manufacturer of photomultipliers. This part of the business was transferred to Thorn as part of Thorn-EMI, in 1958 the EMIDEC1100, the UKs first commercially available all-transistor computer, was developed at Hayes under the leadership of Godfrey Hounsfield, an electrical engineer at EMI. In 1973 EMI was awarded a prestigious Queens Award for Technological Innovation for what was called the EMI scanner. After brief, but brilliant, success in the imaging field, EMIs manufacturing activities were sold off to other companies. Subsequently, development and manufacturing activities were sold off to companies and work moved to other towns such as Crawley. Emihus Electronics, based in Glenrothes, Scotland, was owned 51% by Hughes Aircraft, of California, US and it manufactured integrated circuits electrolytic capacitors and, for a short period in the mid-1970s, hand-held calculators under the Gemini name. Early in its life, the Gramophone Company established subsidiary operations in a number of countries in the British Commonwealth, including India, Australia. Over 150,000 78-rpm recordings from around the world are held in EMIs temperature-controlled archive in Hayes, in 1931, the year the company was formed, it opened the legendary recording studios at Abbey Road, London. During the 1930s and 1940s, its roster of artists included Arturo Toscanini, Sir Edward Elgar, during this time EMI appointed its first A&R managers. These included George Martin, who brought the Beatles into the EMI fold. When the Gramophone Company merged with the Columbia Graphophone Company in 1931, at this point RCA had a majority shareholding in the new company, giving RCA chair David Sarnoff a seat on the EMI board
13.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
14.
Per Gessle
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Per Håkan Gessle is a Swedish pop singer-songwriter, guitarist, and harmonicist. He is the singer of the Swedish pop group Gyllene Tider. With Fredrikssons illness in 2002, he went back to recording albums, reformed Gyllene Tider in 2004 and became a successful artist in his native Sweden. Per Gessle was a member of Gyllene Tider, in 1976. They quickly became a group in Sweden, but after their fourth album, The Heartland Café, sold poorly compared to their previous albums. We decided to put Gyllene Tider to rest, in 1982, Gessle released his first solo album, Per Gessle and after Gyllene Tider split-up his second album, Scener, quickly appeared in 1985. Gessle and Marie Fredriksson had been friends for a few years before came together as Roxette in 1986. After the success of their first hit Neverending Love, which was written by Gessle, Roxette went on to achieve four U. S. #1s and two #2s, with their albums Look Sharp. and Joyride attaining platinum status in a number of countries. After Roxettes early nineties success, Per released a compilation album in 1992, På väg. Bang. and subsequent world tour, Roxette took a break, in 1996, after a reunion and subsequent tour of Gyllene Tider, Gessle recorded his first English solo album, using Brainpool and Gyllene Tider as backing musicians. Christoffer Lundquist from Brainpool would also come to collaborate with Per on later releases, the World According to Gessle, released in 1997, produced three singles, Do You Wanna Be My Baby. Kix and I Want You to Know, the videos to all three songs were directed by Jonas Åkerlund. The World According to Gessle was re-released in 2008, with bonus material. In 1997 Hjärtats trakt – en samling was released as a best-of album, after Roxette released Have a Nice Day and Room Service to moderate success, Per continued with his solo work. The subsequent album Mazarin, was successful in Sweden, going five times platinum in 2004. His first album involving singer Helena Josefsson brought Gessle numerous awards, four Grammis awards, Best Artist, Best Male Pop Performer, Best Composer and Best Song. He also won three Rockbjörnen awards, Best Swedish Male Artist, Best Swedish Album and Best Swedish Song —, the song Här kommer alla känslorna, is Gessles most successful release in Sweden, spending two months at No. Also in 2004, saw Gessle and Gyllene Tider reunited for a 25th-anniversary celebration that included the bands first album in 20 years, Finn 5 fel. and another very successful tour in Sweden
15.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
16.
Marie Fredriksson
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In 2002, after fainting at home, she was diagnosed with brain cancer. During her rehabilitation she continued to make music, resulting in the album The Change and she later reunited with Gessle to record more Roxette albums, embarked on worldwide tour and continued to record as a solo artist in her native Sweden. Marie Fredriksson, who was born in Össjö, was the youngest of five children, the family later moved to the small Swedish town of Östra Ljungby. Being poor, both parents were forced to work, often leaving the children on their own, together with her siblings or neighbourhood children, Fredriksson began to play music and sing. She was often asked by her mother to perform in front of friends who were impressed by her Olivia Newton-John-like singing voice, Maries interest grew stronger in her teens as she discovered artists such as Joni Mitchell, The Beatles, and Deep Purple. At 17, Fredriksson enrolled in a college and performed in local theatre. However, she found it boring, instead longing for the thrill of an audience. As she phrased it, I wanted to perform and she became involved in theatre, and after moving to the town of Halmstad, she found herself involved in the local music scene. Joining her boyfriend Stefans band Strul, they played local gigs, after that group split, Marie and a new boyfriend, Martin Sternhuvsvud, performed as MaMas Barn. Per Gessle, the lead singer of the famous Swedish group Gyllene Tider, shared a rehearsal studio with Fredriksson. Lindbom was suitably impressed with Fredrikssons voice and offered her a contract, Lasse Lindbom asked Fredriksson to record a duet with him, Så nära nu, which lead to her joining his group The Lasse Lindbom Band. Gessle started to encourage her to start a career, but she was too nervous. Fredriksson finally accepted, and she recorded her first solo album, Het vind, Ännu doftar kärlek was the first single. Lindbom, Fredriksson, Per Gessle and Mats MP Persson started a new band called Spännande Ostar and that same year, Fredriksson and Lindbom went to the Canary Islands to write songs for Maries second solo album. They returned to Sweden for the recording, the album was released in 1986, under the name Den sjunde vågen. Den bästa dagen and Silver i din hand were released as singles, Gessle and Fredriksson had talked about working together for many years. Fredrikssons career was soaring in Sweden, but Gessle was a former member whose solo career was not doing as well. Friends and people in the industry were skeptical towards the idea of Marie collaborating with Gessle and his idea was to form a duo, singing in English, and try to have some success in Europe
17.
It Must Have Been Love
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It Must Have Been Love is a song written by Per Gessle and performed by the Swedish pop duo Roxette. The ballad became the third number one hit in the United States. Four different versions of the song have been officially released, world Tour in 1991, the band recorded a country music version of the track in Los Angeles, which was included on their 1992 album Tourism. A Spanish-language version of the Pretty Woman recording was released on their 1996 compilation Baladas en español, finally, an orchestral live performance from the bands 2009 concert at Night of the Proms was included on their 2012 studio album, Travelling. The song was first released as It Must Have Been Love in December 1987 and it was composed after EMI Germany asked the duo to come up with an intelligent Christmas single. It became a top five hit in Sweden, but was not released internationally and this version of the song was never included on any Roxette studio album until the 1997 re-release of their debut Pearls of Passion. A performance from a Swedish TV chart show in 1987 acted as the songs first music video and it features Fredriksson and Gessle sitting on a couch on a stage, lip-syncing to the song. All songs written and composed by Per Gessle, except where noted,7 single It Must Have Been Love –4,48 Turn to Me –2,58 During a run of increasingly successful singles from the duos 1988 album Look Sharp. The film was released in March 1990 and went on to more than US$460 million at the worldwide box office. The corresponding soundtrack album was also a success, which was certified triple-platinum in the US. The soundtrack went on to more than nine million copies worldwide. It was not the first single released from the Pretty Woman soundtrack, the song was certified Gold by the RIAA for sales in excess of 500,000 copies in the US. At the end of the year, Billboard listed it as the second most successful single of 1990, the single peaked at number three in the UK—their highest peaking single there. It stayed on the UK Singles Chart for 14 weeks, and was certified silver by the BPI for sales in excess of 200,000 copies, the song was re-released in the UK and Ireland in September 1993, peaking at number ten in both countries. It became Roxettes second of three number one singles in Australia, spending two weeks at the top spot in July 1990, the song was a massive hit in Norway, where it spent twelve weeks at number one. In Switzerland, the song spent three weeks at number one, and a further five weeks at number two—being held off the top spot in those weeks by Matthias Reims Verdammt. It also reached number one in Canada, Poland and Spain, and the top five in Austria, Belgium, Ireland, Japan, the Netherlands, New Zealand and Germany, in 2005, Gessle received an award from BMI after the songs four millionth radio play. In 2014, he received an award from the same organization after its five millionth radio play
18.
Anyone (song)
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Anyone is the second single from Swedish duo Roxettes Have a Nice Day album. It was released in May 1999, Anyone is like its predecessor Wish I could fly a ballad, with instruments including piano, saxophone and strings. Anyone was initially planned to be the first single from Have A Nice Day, but the group feared it would sound too Roxette-ish for a comeback single, after the success of Wish I Could Fly, fans believed the next single release would be Stars or Crush On You. But in the end, it was Anyone that was picked as the second single, the B-sides are the demo of Anyone, Cooper, and You Dont Understand Me. The maxi-single includes the video of Wish I Could Fly, in Japan, a double A-side with Pay The Price was released, although there is no video for this song. Anyone is often regarded as a flop, because in Europe it never achieved as much success as its predecessor and it charted only in The Netherlands at #73, Germany, Sweden, and Switzerland, where it was a modest success, spending two weeks in the Top 30. EMI UK refused to release Anyone because of the chart results of the single in Europe. However, in South America, Anyone gained far more attention, the video of Anyone, directed by Jonas Åkerlund, was banned by some TV stations because of a scene in which Marie Fredriksson attempts suicide by drowning herself in the sea. The video was recorded in Portugal in the peninsula of Tróia, the clip was only broadcast after 10pm in many countries, because some believed it encouraged young people to commit suicide. Anyone Released, 1999-05-10 // Roxette Recordings /8868920 Anyone Anyone Cooper You Dont Understand Me Wish I Could Fly Lyrics of this song at MetroLyrics
19.
YouTube
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YouTube is an American video-sharing website headquartered in San Bruno, California. The service was created by three former PayPal employees—Chad Hurley, Steve Chen, and Jawed Karim—in February 2005, Google bought the site in November 2006 for US$1.65 billion, YouTube now operates as one of Googles subsidiaries. Unregistered users can watch videos on the site, while registered users are permitted to upload an unlimited number of videos. Videos deemed potentially offensive are available only to registered users affirming themselves to be at least 18 years old, YouTube earns advertising revenue from Google AdSense, a program which targets ads according to site content and audience. YouTube was founded by Chad Hurley, Steve Chen, and Jawed Karim, Hurley had studied design at Indiana University of Pennsylvania, and Chen and Karim studied computer science together at the University of Illinois at Urbana-Champaign. Karim could not easily find video clips of either event online, Hurley and Chen said that the original idea for YouTube was a video version of an online dating service, and had been influenced by the website Hot or Not. YouTube began as a venture capital-funded technology startup, primarily from an $11.5 million investment by Sequoia Capital between November 2005 and April 2006, YouTubes early headquarters were situated above a pizzeria and Japanese restaurant in San Mateo, California. The domain name www. youtube. com was activated on February 14,2005, the first YouTube video, titled Me at the zoo, shows co-founder Jawed Karim at the San Diego Zoo. The video was uploaded on April 23,2005, and can still be viewed on the site, YouTube offered the public a beta test of the site in May 2005. The first video to reach one million views was a Nike advertisement featuring Ronaldinho in November 2005. Following a $3.5 million investment from Sequoia Capital in November, the site grew rapidly, and in July 2006 the company announced that more than 65,000 new videos were being uploaded every day, and that the site was receiving 100 million video views per day. The site has 800 million unique users a month and it is estimated that in 2007 YouTube consumed as much bandwidth as the entire Internet in 2000. The choice of the name www. youtube. com led to problems for a similarly named website, the sites owner, Universal Tube & Rollform Equipment, filed a lawsuit against YouTube in November 2006 after being regularly overloaded by people looking for YouTube. Universal Tube has since changed the name of its website to www. utubeonline. com, in October 2006, Google Inc. announced that it had acquired YouTube for $1.65 billion in Google stock, and the deal was finalized on November 13,2006. In March 2010, YouTube began free streaming of certain content, according to YouTube, this was the first worldwide free online broadcast of a major sporting event. On March 31,2010, the YouTube website launched a new design, with the aim of simplifying the interface, Google product manager Shiva Rajaraman commented, We really felt like we needed to step back and remove the clutter. In May 2010, YouTube videos were watched more than two times per day. This increased to three billion in May 2011, and four billion in January 2012, in February 2017, one billion hours of YouTube was watched every day
20.
Sweden
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Sweden, officially the Kingdom of Sweden, is a Scandinavian country in Northern Europe. It borders Norway to the west and Finland to the east, at 450,295 square kilometres, Sweden is the third-largest country in the European Union by area, with a total population of 10.0 million. Sweden consequently has a low density of 22 inhabitants per square kilometre. Approximately 85% of the lives in urban areas. Germanic peoples have inhabited Sweden since prehistoric times, emerging into history as the Geats/Götar and Swedes/Svear, Southern Sweden is predominantly agricultural, while the north is heavily forested. Sweden is part of the area of Fennoscandia. The climate is in very mild for its northerly latitude due to significant maritime influence. Today, Sweden is a monarchy and parliamentary democracy, with a monarch as head of state. The capital city is Stockholm, which is also the most populous city in the country, legislative power is vested in the 349-member unicameral Riksdag. Executive power is exercised by the government chaired by the prime minister, Sweden is a unitary state, currently divided into 21 counties and 290 municipalities. Sweden emerged as an independent and unified country during the Middle Ages, in the 17th century, it expanded its territories to form the Swedish Empire, which became one of the great powers of Europe until the early 18th century. Swedish territories outside the Scandinavian Peninsula were gradually lost during the 18th and 19th centuries, the last war in which Sweden was directly involved was in 1814, when Norway was militarily forced into personal union. Since then, Sweden has been at peace, maintaining a policy of neutrality in foreign affairs. The union with Norway was peacefully dissolved in 1905, leading to Swedens current borders, though Sweden was formally neutral through both world wars, Sweden engaged in humanitarian efforts, such as taking in refugees from German-occupied Europe. After the end of the Cold War, Sweden joined the European Union on 1 January 1995 and it is also a member of the United Nations, the Nordic Council, Council of Europe, the World Trade Organization and the Organisation for Economic Co-operation and Development. Sweden maintains a Nordic social welfare system that provides health care. The modern name Sweden is derived through back-formation from Old English Swēoþēod and this word is derived from Sweon/Sweonas. The Swedish name Sverige literally means Realm of the Swedes, excluding the Geats in Götaland, the etymology of Swedes, and thus Sweden, is generally not agreed upon but may derive from Proto-Germanic Swihoniz meaning ones own, referring to ones own Germanic tribe
21.
Ballad
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A ballad /ˈbæləd/ is a form of verse, often a narrative set to music. Ballads derive from the medieval French chanson balladée or ballade, which were originally danced songs, Ballads were particularly characteristic of the popular poetry and song of the British Isles from the later medieval period until the 19th century. They were widely used across Europe, and later in the Americas, Australia, Ballads are 13 lines with an ABABBCBC form, consisting of couplets of rhymed verse, each of 14 syllables. Many ballads were written and sold as single sheet broadsides, the form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the took on the meaning of a slow form of popular love song and is now often used for any love song. The ballad derives its name from medieval French dance songs or ballares, from which ballet is also derived, as a narrative song, their theme and function may originate from Scandinavian and Germanic traditions of storytelling that can be seen in poems such as Beowulf. Musically they were influenced by the Minnesinger, the earliest example of a recognizable ballad in form in England is Judas in a 13th-century manuscript. This means that the two words, ballad and ballet, are derived from the French language. Ballads were originally written to accompany dances, and so were composed in couplets with refrains in alternate lines and these refrains would have been sung by the dancers in time with the dance. Most northern and west European ballads are written in ballad stanzas or quatrains of alternating lines of iambic tetrameter and iambic trimeter, known as ballad meter. Usually, only the second and fourth line of a quatrain are rhymed, there is considerable variation on this pattern in almost every respect, including length, number of lines and rhyming scheme, making the strict definition of a ballad extremely difficult. Ballads usually use the dialect of the people and are heavily influenced by the region in which they originate. Scottish ballads in particular are distinctively un-English, even showing some pre-Christian influences in the inclusion of elements such as the fairies in the Scottish ballad Tam Lin. The ballads do not have any known author or correct version, instead, having passed down mainly by oral tradition since the Middle Ages. The ballads remained a tradition until the increased interest in folk songs in the 18th century led collectors such as Bishop Thomas Percy to publish volumes of popular ballads. In all traditions most ballads are narrative in nature, with a story, often concise, and rely on imagery, rather than description. Themes concerning rural laborers and their sexuality are common, and there are many ballads based on the Robin Hood legend. Another common feature of ballads is repetition, sometimes of fourth lines in succeeding stanzas, as a refrain, sometimes of third and fourth lines of a stanza and sometimes of entire stanzas
22.
Billboard (magazine)
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Billboard is an American entertainment media brand owned by the Hollywood Reporter-Billboard Media Group, a division of Eldridge Industries. It publishes pieces involving news, video, opinion, reviews, events and it is also known for its music charts, including the Billboard Hot 100 and Billboard 200, tracking the most popular singles and albums in different genres. It also hosts events, owns a publishing firm, and operates several TV shows, Billboard was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegens interest in 1900 for $500, in the 1900s, it covered the entertainment industry, such as circuses, fairs and burlesque shows. It also created a service for travelling entertainers. Billboard began focusing more on the industry as the jukebox, phonograph. Many topics it covered were spun-off into different magazines, including Amusement Business in 1961 to cover outdoor entertainment so that it could focus on music. After Donaldson died in 1925, Billboard was passed down to his children and Hennegans children, until it was sold to investors in 1985. The first issue of Billboard was published in Cincinnati, Ohio, on November 1,1894 by William Donaldson, initially, it covered the advertising and bill posting industry and was called Billboard Advertising. At the time, billboards, posters and paper advertisements placed in public spaces were the means of advertising. Donaldson handled editorial and advertising, while Hennegan, who owned Hennegan Printing Co. managed magazine production, the first issues were just eight pages long. The paper had columns like The Bill Room Gossip and The Indefatigable, a department for agricultural fairs was established in 1896. The title was changed to The Billboard in 1897, after a brief departure over editorial differences, Donaldson purchased Hennegans interest in the business in 1900 for $500, to save it from bankruptcy. That May, Donaldson changed it from a monthly to a paper with a greater emphasis on breaking news. He improved editorial quality and opened new offices in New York, Chicago, San Francisco, London and he also re-focused the magazine on outdoor entertainment like fairs, carnivals, circuses, vaudeville and burlesque shows. A section devoted to circuses was introduced in 1900, followed by more prominent coverage of events in 1901. Billboard also covered topics including regulation, a lack of professionalism, economics and it had a stage gossip column covering the private lives of entertainers, a tent show section covering traveling shows and a sub-section called Freaks to order. According to The Seattle Times, Donaldson also published articles attacking censorship, praising productions exhibiting good taste
23.
The Ballad Hits
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The Ballad Hits is part one of two best of albums by Roxette, released on 4 November 2002. The other is The Pop Hits, released in March 2003, the tracks A Thing About You and Breathe were recorded especially for this album. Only the first one was released as a single, the limited edition of the CD included an EP featuring four tracks, The Weight of the World, It Hurts, See Me and Every Day. The European version is copy protected, the album proved to be a reasonable success in Europe, reaching the top 10 in many countries and reaching #11 and achieving Silver status in the UK. A Thing About You Previously unreleased It Must Have Been Love from Pretty Woman Listen to Your Heart from Look Sharp, fading Like a Flower from Joyride Spending My Time from Joyride Queen of Rain from Tourism Almost Unreal from Super Mario Bros Crash. You Dont Understand Me from Dont Bore Us, Get to the Chorus
24.
Drum machine
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A drum machine is an electronic musical instrument designed to imitate the sound of drums, cymbals, other percussion instruments, and often basslines. Drum machines are most commonly associated with electronic music such as house music. They are usually used when session drummers are not available or if the production cannot afford the cost of a drummer. Also, many modern drum machines can also produce sounds, as well as allowing the user to compose unique drum beats. In the 2010s, most modern machines are sequencers with a sample playback or synthesizer component that specializes in the reproduction of drum timbres. The invention could produce sixteen different rhythms, each associated with a pitch, either individually or in any combination, including en masse. Received with considerable interest when it was introduced in 1932. The next generation of rhythm machines played only pre-programmed rhythms such as mambo, tango, Chamberlin Rhythmate In 1957 Californian Harry Chamberlin constructed a tape loop-based drum machine called the Chamberlin Rhythmate. It had 14 tape loops with a head that allowed playback of different tracks on each piece of tape. It contained a volume and a control and also had a separate amplifier with bass, treble, and volume controls. The tape loops were of real acoustic jazz drum kits playing different style beats, with additions to tracks such as bongos, clave, castanets. First commercial product – Wurlitzer Side Man In 1959 Wurlitzer released a drum machine called the Side Man. The Side Man was intended as an accompaniment for the Wurlitzer organ range. The Side Man offered a choice of 12 electronically generated, predefined rhythm patterns with variable tempos, the sound source was a series of vacuum tubes which created 10 preset electronic drum sounds. Combinations of these different sets of rhythms and drum sounds created popular rhythmic patterns of the day, e. g. waltzes and these combinations were selected by a rotary knob on the top of the Side Man box. The tempo of the patterns was controlled by a slider that increased the speed of rotation of the wiper arm, the Side Man had a panel of 10 buttons for manually triggering drum sounds, and a remote player to control the machine while playing from an organ keyboard. The Side Man was housed in a cabinet that contained the sound-generating circuitry. Raymond Scott In 1960, Raymond Scott constructed the Rhythm Synthesizer and, in 1963, scotts machines were used for recording his album Soothing Sounds for Baby series
25.
Ultimate Guitar Archive
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Ultimate Guitar Archive, also known as Ultimate-Guitar. It was started on October 9,1998 by Eugeny Naidenov, UG is home of over 12,000,000 registered users. It is a community of forum users who frequent the site. The website is regulated by an administrator and moderators which are privileged members who can edit, moderators are users that are rewarded for being particularly helpful and knowledgeable in a specific subject and are responsible for moderating forums that focus on the subject they specialize in. Community members may also create guitar lessons, and have their works published on the website. Reviews of albums, DVDs, or gear and news articles can also be submitted by members. Like the tabs, the lessons and column are also rated by users, although UG encourages participation, they also have a strict guideline and set of rules that all UG users must follow. Members must be over the age of 13 to use the services offered by the site, strong media is also prohibited from use on the site. The projects community page can be here, and the digital download is available on iTunes. Although The Pit is a section, all standards are upheld. On August 12,2007, the Ultimate Guitar site launched UG Profiles and this added another feature to UG that other tablature sites do not feature. In late 2004–05, after taborama and mxtabs. net began closing due to threats from the Music Publishers Association of America. On April 10,2010, Ultimate Guitar entered an agreement with Harry Fox Agency. The agreement included rights for lyrics display, title search and tablature display with download, hFAs over 44,000 represented publishers have the opportunity to opt-in to the licensing arrangement with UG. Tabs may be requested in the Tab Talk forum, tabs can be voted from 1 star to 5 stars, and comments can be made about the tab. Tabs of entire albums can also be submitted, files such as basic guitar tabs and bass tabs can be read from an Internet browser in ASCII format. Guitar Pro and Power Tab files are run through programs that can play the tablature and these files can be saved and opened on the users computer. Tabs are searchable by artist, album, or song name, list of Internet forums Ultimate Guitar Website
26.
Orchestra
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The term orchestra derives from the Greek ὀρχήστρα, the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus. A full-size orchestra may sometimes be called an orchestra or philharmonic orchestra. The actual number of employed in a given performance may vary from seventy to over one hundred musicians, depending on the work being played. The term chamber orchestra usually refers to smaller-sized ensembles of about fifty musicians or fewer, the typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with the large orchestras called for in the works of Richard Wagner, and later, Gustav Mahler. Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, the conductor unifies the orchestra, sets the tempo and shapes the sound of the ensemble. The first violin, commonly called the concertmaster, also plays an important role in leading the musicians, the typical symphony orchestra consists of four groups of related musical instruments called the woodwinds, brass, percussion, and strings. The orchestra, depending on the size, contains almost all of the instruments in each group. Chamber orchestra usually refers to smaller-sized ensembles, a chamber orchestra might employ as many as fifty musicians. The term concert orchestra may also be used, as in the BBC Concert Orchestra, the so-called standard complement of doubled winds and brass in the orchestra from the first half of the 19th century is generally attributed to the forces called for by Beethoven. The composers instrumentation almost always included paired flutes, oboes, clarinets, bassoons, horns, the exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No,4, which each specify a single flute. Beethoven carefully calculated the expansion of this particular timbral palette in Symphonies 3,5,6, the third horn in the Eroica Symphony arrives to provide not only some harmonic flexibility, but also the effect of choral brass in the Trio movement. Piccolo, contrabassoon, and trombones add to the finale of his Symphony No.5. A piccolo and a pair of trombones help deliver the effect of storm and sunshine in the Sixth, for several decades after his death, symphonic instrumentation was faithful to Beethovens well-established model, with few exceptions. Apart from the core orchestral complement, various instruments are called for occasionally. These include the guitar, heckelphone, flugelhorn, cornet, harpsichord. Saxophones, for example, appear in some 19th- through 21st-century scores.6 and 9 and William Waltons Belshazzars Feast, and many other works as a member of the orchestral ensemble. The euphonium is featured in a few late Romantic and 20th-century works, usually playing parts marked tenor tuba, including Gustav Holsts The Planets, cornets appear in Pyotr Ilyich Tchaikovskys ballet Swan Lake, Claude Debussys La Mer, and several orchestral works by Hector Berlioz
27.
Chord progression
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A chord progression or harmonic progression is a succession of musical chords. Chord progressions are the foundation of harmony in Western musical tradition, in tonal music, chord progressions have the function of establishing or contradicting a tonality. Chord progressions are usually expressed by Roman numerals, a chord may be built upon any note of a musical scale, therefore a seven-note scale allows seven basic chords, each degree of the scale becoming the root of its own chord. A chord built upon the note A is an A chord of some type The harmonic function of any particular chord depends on the context of the chord progression in which it is found. The diatonic harmonization of any major results in three major triads. They are based on the first, fourth, and fifth scale degrees and these three triads include, and therefore can harmonize, every note of that scale. The same scale also provides three relative minor chords, one related to each of the three major chords, separate from these six common chords there is one degree of the scale, the seventh, that results in a diminished chord. In addition, extra notes may be added to any chord, if these notes are also selected from the original scale the harmony remains diatonic. If new chromatic intervals are introduced then a change of scale or modulation occurs and this in turn may lead to a resolution back to the original key, so that the entire sequence of chords helps create an extended musical form. In western classical notation, chords built on the scale are numbered with Roman numerals, other forms of chord notation have been devised, from figured bass to the chord chart. These usually allow or even require an amount of improvisation. Diatonic scales such as the major and minor scales lend themselves well to the construction of common chords because they contain a large number of perfect fifths. Such scales predominate in those regions where harmony is an part of music, as, for example. Alternation between two chords may be thought of as the most basic chord progression, many well-known pieces are built harmonically upon the mere repetition of two chords of the same scale. The Isley Brothers Shout uses I - vi throughout, three-chord tunes, though, are more common, since a melody may then dwell on any note of the scale. They are often presented as successions of four chords, in order to produce a binary harmonic rhythm, often the chords may be selected to fit a pre-conceived melody, but just as often it is the progression itself that gives rise to the melody. (Common in Elizabethan music, this also underpins the American college song Goodnight Ladies, is the exclusive progression used in Kwela, similar progressions abound in African popular music. They may be varied by the addition of sevenths to any chord or by substitution of the minor of the IV chord to give, for example
28.
Guitar chord
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In music, a guitar chord is a set of notes played on a guitar. A chords notes are played simultaneously, but they can be played sequentially in an arpeggio. The implementation of guitar chords depends on the guitar tuning, standard tuning requires four chord-shapes for the major triads. There are separate chord-forms for chords having their root note on the third, fourth, fifth, for a six-string guitar in standard tuning, it may be necessary to drop or omit one or more tones from the chord, this is typically the root or fifth. The layout of notes on the fretboard in standard tuning often forces guitarists to permute the order of notes in a chord. The playing of chords is simplified by open tunings, which are especially popular in folk, blues guitar. For example, the typical twelve-bar blues uses only three chords, each of which can be played by fretting six-strings with one finger, open tunings are used especially for steel guitar and slide guitar. Open tunings allow one-finger chords to be played with greater consonance than do other tunings, the playing of guitar chords is simplified by the class of alternative tunings called regular tunings, in which the musical intervals are the same for each pair of consecutive strings. Regular tunings include major-thirds tuning, all-fourths, and all-fifths tunings, for each regular tuning, chord patterns may be diagonally shifted down the fretboard, a property that simplifies beginners learning of chords and that simplifies advanced players improvisation. On the other hand, in regular tunings 6-string chords are more difficult to play and it can make a possible a chord which is composed of the all same note on different strings. Many chords can be played with the notes in more than one place on the fretboard. The theory of guitar-chords respects harmonic conventions of Western music, discussions of basic guitar-chords rely on fundamental concepts in music theory, the twelve notes of the octave, musical intervals, chords, and chord progressions. The octave consists of twelve notes and its natural notes constitute the C major scale. The unison and octave intervals have perfect consonance, octave intervals were popularized by the jazz playing of Wes Montgomery. The perfect-fifth interval is highly consonant, which means that the playing of the two notes from the perfect fifth sounds harmonious. A semitone is the distance between two adjacent notes on the circle, which displays the twelve notes of an octave. As indicated by their having been emboldened in the table, a handful of intervals—thirds, perfect fifths, as already stated, the perfect-fifths interval is the most harmonious, after the unison and octave intervals. An explanation of perception of harmony relates the mechanics of a vibrating string to the musical acoustics of sound waves using the harmonic analysis of Fourier series
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G minor
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G minor is a minor scale based on G, consisting of the pitches G, A, B♭, C, D, E♭, and F. For the harmonic scale, the F is raised to F♯. Its relative major is B-flat major, and its parallel major is G major, changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. G minor is one of two flat key signatures that require a sharp for the leading-tone, though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies. In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B-flat alto
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Song structure
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Song structure or the musical forms of songs in traditional music and music are typically sectional, repeating forms used in songs, such as strophic form and is a part of the songwriting process. Other common forms include thirty-two-bar form, verse-chorus form, and the twelve-bar blues, popular music songs traditionally use the same music for each verse of stanza of lyrics. Pop and traditional forms can be used even with songs that have differences in melodies. The most common format is intro, verse, pre-chorus, chorus, verse, pre-chorus, chorus, bridge, verse, chorus and outro. The formal sections found in songs have been identified as the verse, chorus, bridge, hook, the foundation of popular music is the verse and chorus structure. Pop and rock songs nearly always have both a verse and a chorus, both are essential elements, with the verse usually played first. Exceptions abound, with She Loves You by The Beatles being an example in the rock music genre. Each verse usually employs the melody, while the lyrics usually change for each verse. The chorus usually consists of a melodic and lyrical phrase which is repeated, pop songs may have an introduction and coda, but these elements are not essential to the identity of most songs. Pop songs often connect the verse and chorus via a bridge, the verse and chorus are usually repeated throughout a song though the bridge, intro, and coda are usually only used once. Some pop songs may have a section, particularly in rock or blues influenced pop. During the solo section one or more instruments play a line which may be the melody used by the singer, or. The introduction is a section that comes at the beginning of the piece. Generally speaking, an introduction will contain just music and no words and it usually builds up suspense for the listener so when the downbeat drops in, it creates a release or surprise. In some songs, the intro is one or more bars of the tonic chord, the introduction may also be based around the chords used in the verse, chorus, or bridge, or a stock turnaround progression may be played, such as the I–vi–ii–V progression. In some cases, a contains only drums or percussion parts which set the rhythm. Alternately the introduction may consist of a sung by the lead singer. In popular music, a verse roughly corresponds to a poetic stanza because it consists of rhyming lyrics most often with an AABB or ABAB rhyme scheme, when two or more sections of the song have almost identical music and different lyrics, each section is considered one verse
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Refrain
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A refrain is the line or lines that are repeated in music or in verse, the chorus of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, the use of refrains is particularly associated with where the verse-chorus-verse song structure typically places a refrain in almost every song. The refrain or chorus often contrasts the verse melodically, rhythmically, and harmonically. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one section or block played repeatedly. In music, a refrain has two parts, the lyrics of the song, and the melody, a similar refrain is found in the Battle Hymn of the Republic, which affirms in successive verses that Our God, or His Truth, is marching on. Refrains usually, but not always, come at the end of the verse, some songs, especially ballads, incorporate refrains into each verse. Fa la la la la la la la la, as one grew bright as is the sun, Lay the bent to the bonny broom So coal black grew the other one. Here, the refrain is syntactically independent of the poem in the song, and has no obvious relationship to its subject. The device can also convey material which relates to the subject of the poem, such a refrain is found in Dante Gabriel Rossettis Troy Town, Heavenborn Helen, Spartas queen, O Troy Town. Had two breasts of heavenly sheen, The sun and moon of the desire, All Loves lordship lay between, A sheen on the breasts I Love. O Troys down, Tall Troys on fire, phrases of apparent nonsense in refrains, and solfege syllables such as fa la la, familiar from the Christmas carol Deck the Halls with Boughs of Holly, have given rise to much speculation. Some believe that the traditional refrain Hob a derry down O encountered in some English folksongs is in fact an ancient Celtic phrase meaning dance around the oak tree, there are two distinct uses of the word chorus. In the thirty-two bar song form that was most common in the earlier twentieth-century popular music, beginning in the rock music of the 1950s, another form became more common in commercial pop music, which was based in an open-ended cycle of verses instead of a fixed 32-bar form. In this form, choruses with fixed lyrics are alternated with verses in which the lyrics are different with each repetition, in this use of the word, chorus contrasts with the verse, which usually has a sense of leading up to the chorus. Many popular songs, particularly early in this century, are in a verse. Most popular songs from the middle of the century consist only of a chorus, according to the musicologists Ralf von Appen and Markus Frei-Hauenschild, In German, the term, Refrain, is used synonymously with chorus when referring to a chorus within the verse/chorus form. At least one English-language author, Richard Middleton, uses the term in the same way, in this usage, the refrain does not constitute a discrete, independent section within the form. A large number of Tin-Pan Alley songs using thirty-two bar form are central to the jazz repertoire
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Bridge (music)
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In music, especially western popular music, a bridge is a contrasting section that prepares for the return of the original material section. The bridge may be the third eight-bar phrase in a form, or may be used more loosely in verse-chorus form, or, in a compound AABA form. The term comes from a German word for bridge, Steg, the bridge is often used to contrast with and prepare for the return of the verse and the chorus. The b section of the song chorus is often called the bridge or release. For example, the B of AABA in thirty-two-bar form, with the surrounding the whole. While the bridge in verse-chorus and other forms is C, for example, lyrically, the bridge is typically used to pause and reflect on the earlier portions of the song or to prepare the listener for the climax. The term may refer to the section between the verse and the chorus, though this is more commonly called the pre-chorus or link. Similarly, in the Axis of Awesome song This Is How You Write a Love Song, in the song Get Up Sex Machine, James Brown asks if he can take the band to the bridge. Led Zeppelin makes an in-joke regarding the use of bridges in popular music in their song The Crunge, asking, at the end, the song, humorously, does not have a bridge. Bridges are also common in music, and are known as a specific Sequence form—also known as transitions. The latter work also provides good examples of a short bridge to smooth a modulation. Instead of simply repeating the whole exposition in the key, as would be done in a symphony of the classical period. A two-bar bridge achieves this transition with Franks characteristic combination of enharmonic and chromatic modulation, after the repeat of the first subject, another bridge of four bars leads into the transition theme in F major, the key of the true second subject. In a fugue, a bridge is. a short passage at the end of the first entrance of the answer and its purpose is to modulate back to the tonic key from the answer. Not all fugues include a bridge, an example of a bridge-passage that separates two sections of a more loosely organized work occurs in George Gershwins An American in Paris. As Deems Taylor described it in the notes for the first performance. The Americans itinerary becomes somewhat obscured, however, since what immediately ensues is technically known as a bridge-passage, one is reasonably justified in assuming that the Gershwin pen. has perpetrated a musical pun and that. Our American has crossed the Seine, and is somewhere on the Left Bank, break Montgomery-Ward bridge Sears Roebuck bridge Song structure Appen, Ralf von / Frei-Hauenschild, Markus AABA, Refrain, Chorus, Bridge, Prechorus — Song Forms and their Historical Development
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Conclusion (music)
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In music, the conclusion is the ending of a composition and may take the form of a coda or outro. Pieces using sonata form typically use the recapitulation to conclude a piece, for example, The slow movement of Bachs Brandenburg Concerto No. 2, where a chord progression interrupts the final cadence. The slow movement of Symphony No.5 by Beethoven, where, echoing afterthoughts, follow the initial statements of the first theme and only return expanded in the coda. Varèses Density 21.5, where partitioning of the scale into whole tone scales provides the missing tritone of b implied in the previously exclusive partitioning by diminished seventh chords. Coda is a used in music in a number of different senses. An outro is the opposite of an intro, outro is a blend as it replaces the element in of the intro with its opposite, to create a new word. The term is used only in the realm of pop music. It can refer to the track of an album or to an outro-solo. Jeremy as recorded by Pearl Jam, outro - The final track of the M83 album Hurry Up, Were Dreaming. Repeat and fade is a direction used in sheet music when more than one repeat of the last few measures or so of a piece is desired with a fade-out as the manner in which to end the music. It originated as an effect made possible by the volume controls on sound recording equipment. No equivalent Italian term was in the lexicon of musical terms, so it was written in English. Repeat and fade endings are found in live performances, but are often used in studio recordings. Examples include, Hey Jude as recorded by The Beatles Time and a Word as recorded by Yes Crazy. as recorded by PaRappa and The Moonlight Da capo Epilogue
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Hyde Park, London
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Hyde Park is one of the largest parks in London and one of its Royal Parks. The park is divided by the Serpentine and the Long Water, the park is contiguous with Kensington Gardens, which are often assumed to be part of Hyde Park, Kensington Gardens has been separate since 1728, when Queen Caroline divided them. To the southeast, outside the park, is Hyde Park Corner, during daylight, the two parks merge seamlessly into each other, but Kensington Gardens closes at dusk, and Hyde Park remains open throughout the year from 5 a. m. until midnight. The Great Exhibition of 1851 was held in the park, for which the Crystal Palace, the park became a traditional location for mass demonstrations. The Chartists, the Reform League, the suffragettes, and the Stop the War Coalition have all held protests there, many protesters on the Liberty and Livelihood March in 2002 started their march from Hyde Park. Hyde Park is also a ward of the City of Westminster, the population of the ward at the 2011 Census was 12,462. Hyde Park was created for hunting by Henry Vlll in 1536, Charles I created the Ring, and in 1637 he opened the park to the general public. In 1652, during the Interregnum, Parliament ordered the then 620-acre park to be sold for ready money and it realised £17,000 with an additional £765 6s 2d for the resident deer. In 1689, when William III moved his residence to Kensington Palace on the far side of Hyde Park, public transport entering London from the west runs parallel to the Kings private road along Kensington Gore, just outside the park. In the late 1800s, the row was used by the wealthy for horseback rides, the first coherent landscaping was undertaken by Charles Bridgeman for Queen Caroline, under the supervision of Charles Withers, the Surveyor-General of Woods and Forests, who took some credit. It was completed in 1733 at a cost to the public purse of £20,000, the 2nd Viscount Weymouth was made Ranger of Hyde Park in 1739 and shortly after began digging the Serpentine lakes at Longleat. The Serpentine is divided from the Long Water by a bridge designed by George Rennie, one of the most important events to take place in the park was the Great Exhibition of 1851. The Crystal Palace was constructed on the side of the park. The public did not want the building to remain after the closure of the exhibition and he had it moved to Sydenham Hill in South London. At the age of twenty-five, Decimus Burton was commissioned by the Office of Woods and he laid out the paths and driveways and designed a series of lodges, the Screen/Gate at Hyde Park Corner and the Wellington Arch. The Screen and the Arch originally formed a single composition, designed to provide a transition between Hyde Park and Green Park, although the arch was later moved. An early description reports, It consists of a screen of handsome fluted Ionic columns, the extent of the whole frontage is about 107 ft. The two side gateways, in their elevations, present two insulated Ionic columns, flanked by antae, all these entrances are finished by a blocking, the sides of the central one being decorated with a beautiful frieze, representing a naval and military triumphal procession
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BBC One
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BBC One is the flagship television channel of the British Broadcasting Corporation in the United Kingdom, Isle of Man and Channel Islands. It was launched on 2 November 1936 as the BBC Television Service and it was renamed BBC TV in 1960, using this name until the launch of sister channel BBC2 in 1964, whereupon the BBC TV channel became known as BBC1, with the current spelling adopted in 1997. The channels annual budget for 2012–13 is £1.14 billion, the channel is funded by the television licence fee together with the BBCs other domestic television stations, and therefore shows uninterrupted programming without commercial advertising. It is currently the most watched channel in the United Kingdom, ahead of its traditional rival for ratings leadership. As of June 2013 the channel controller for BBC One is Charlotte Moore, the BBC began its own regular television programming from the basement of Broadcasting House, London, on 22 August 1932. BBC Television returned on 7 June 1946 at 15,00, Jasmine Bligh, one of the original announcers, made the first announcement, saying, Good afternoon everybody. Do you remember me, Jasmine Bligh, the Mickey Mouse cartoon of 1939 was repeated twenty minutes later. The competition quickly forced the channel to change its identity and priorities following a reduction in its audience. The 1962 Pilkington Report on the future of broadcasting noticed this, and it therefore decided that Britains third television station should be awarded to the BBC. The station, renamed BBC TV in 1960, became BBC1 when BBC2 was launched on 20 April 1964 transmitting an incompatible 625-line image on UHF. The only way to all channels was to use a complex dual-standard 405- and 625-line, VHF and UHF, receiver. Old 405-line-only sets became obsolete in 1985, when transmission in the standard ended, although standards converters have become available for enthusiasts who collect, BBC1 was based at the purpose-built BBC Television Centre at White City, London between 1960 and 2013. In the weeks leading up to 15 November 1969, BBC1 unofficially transmitted the occasional programme in its new colour system, to test it. At midnight on 15 November, simultaneously with ITV and two years after BBC2, BBC1 officially began 625-line PAL colour programming on UHF with a broadcast of a concert by Petula Clark, colour transmissions could be received on monochrome 625-line sets until the end of analogue broadcasting. In terms of share, the most successful period for BBC1 was under Bryan Cowgill between 1973 and 1977, when the channel achieved an average audience share of 45%. On 30 December 1980, the BBC announced their intention to introduce a new breakfast television service to compete with TV-am. On 17 January 1983, the first edition of Breakfast Time was shown on BBC One, becoming the first UK wide breakfast television service and continued to lead in the rating until 1984. The first major overhaul was to axe the deeply unpopular Sixty Minutes current affairs programme and its replacement was the BBC Six OClock News, a straight new programme in a bid to shore up its failing early evening slot
