1.
Yiddish
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Yiddish is the historical language of the Ashkenazi Jews. Yiddish is written with a fully vocalized alphabet based on the Hebrew script, the earliest surviving references date from the 12th century and call the language לשון־אַשכּנז or טײַטש, a variant of tiutsch, the contemporary name for Middle High German. Colloquially, the language is sometimes called מאַמע־לשון, distinguishing it from לשון־קדש, the term Yiddish, short for Yiddish-Teitsch, did not become the most frequently used designation in the literature until the 18th century. In the late 19th and into the 20th century the language was commonly called Jewish, especially in non-Jewish contexts. Modern Yiddish has two major forms, Eastern Yiddish is far more common today. It includes Southeastern, Mideastern, and Northeastern dialects, Eastern Yiddish differs from Western both by its far greater size and by the extensive inclusion of words of Slavic origin. Western Yiddish is divided into Southwestern, Midwestern, and Northwestern dialects, the term Yiddish is also used in the adjectival sense, synonymously with Jewish, to designate attributes of Ashkenazi culture. Prior to the Holocaust, there were over 10 million speakers of Yiddish, 85% of the Jews who died in the Holocaust were Yiddish speakers, assimilation following World War II further decreased the use of Yiddish both among survivors and Yiddish-speakers from other countries. However, the number of speakers is increasing in global Hasidic communities, the established view is that, as with other Jewish languages, Jews speaking distinct languages learned new co-territorial vernaculars, which they then Judaized. Exactly what German base lies behind the earliest form of Yiddish is disputed, both Weinreich and Solomon Birnbaum developed this model further in the mid-1950s. In Weinreichs view, this Old Yiddish substrate later bifurcated into two versions of the language, Western and Eastern Yiddish. They retained the Semitic vocabulary needed for religious purposes and created a Judeo-German form of speech, recent linguistic research has finessed, contested, or challenged the Weinreich model, providing alternative approaches to the origins of Yiddish. Some theorists argue that the fusion occurred with a Bavarian dialect base, the two main candidates for the germinal matrix of Yiddish, the Rhineland and Bavaria, are not necessarily incompatible. There may have been developments in the two regions, seeding the Western and Eastern dialects of Modern Yiddish. Dovid Katz proposes that Yiddish emerged from contact between speakers of High German and Aramaic-speaking Jews from the Middle East, wexlers model has met with little academic support, and strong critical challenges, especially among historical linguists. Alternative theories recognize the extent of Yiddishs Germanic vocabulary. Ashkenaz was centered on the Rhineland and the Palatinate, in what is now the westernmost part of Germany and its geographic extent did not coincide with the German principalities of the time, and it included northern France. Ashkenaz bordered on the inhabited by another distinctive Jewish cultural group, the Sephardim or Spanish Jews
2.
Zarasai
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Lakes Zarasaitis and Griežtas are connected by the River Laukesa. In Polish, the town was known since the first third of the 16th century as Jeziorosy, in 1836, the town was renamed to Novoalexandrovsk in honor of Tsar Nicholas Is son Alexander. This name was maintained until 1918, from 1919 to 1929, in the newly independent Lithuania, the town was called Ežerėnai, from ežeras, the Lithuanian word for lake. The Yiddish name Ezherene is derived from Ežerėnai, the current Lithuanian name Zarasai was adopted only in 1929. Zarasai holds the record for the highest recorded temperature in Lithuania of 38.5 °C. A few music festivals are held in Zarasai in summer, such as, Mėnuo Juodaragis, Roko naktys. The exact date of the foundation is unknown, but a date around the turn of the 15th/16th centuries is generally accepted and 1506 is the official date of foundation. At that time a manor stood in the present town’s territory, the settlement was located on one of the largest ancient trade-routes from Riga to Pskov. The terrain itself was one of the domains of the diocese of Vilnius from the 14th century to the 18th century, Zarasai manor was mentioned in written sources at the end of the 15th century and in 1522 Zarasai was recorded as a small town. In 1598 Zarasai was termed a volost, in 1613 Zarasai was marked on a map of the Grand Duchy of Lithuania, with the place-name written in Polish as Jeziorosa. By 1669 the town had a population of over 300, there were craftsmens workshops and an inn, a network of streets and main roads to the nearby towns. However further development was obstructed by wars, diseases and fires, the Great Northern War and the plague at the beginning of the 18th century caused great damage to the small town and its citizens. According to an inventory of 1721 there were only 100 people living in the town, the first Orthodox church of the Old Believers was built in Barauka, Zarasai, in 1735. Significant growth occurred during the half of the 18th century, when a school and a customs agency were established. In 1795 after the partition of the Polish-Lithuanian Commonwealth, Zarasai. Zarasai manor and the town were given to Vilnius Guberniya, Zarasai was on the road between St. Petersburg and Warsaw, construction of which began during the first half of the 19th century. The section from Zarasai to Kaunas was built in 1830-1836, which increased the importance of the town. In 1836 Tsar Nicholas I of Russia visited the town and was so impressed by the landscape that he decided to rename the town in the name of his son Alexander
3.
Lithuania
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Lithuania, officially the Republic of Lithuania, is a country in Northern Europe. One of the three Baltic states, it is situated along the shore of the Baltic Sea, to the east of Sweden. It is bordered by Latvia to the north, Belarus to the east and south, Poland to the south, Lithuania has an estimated population of 2.9 million people as of 2015, and its capital and largest city is Vilnius. The official language, Lithuanian, along with Latvian, is one of two living languages in the Baltic branch of the Indo-European language family. For centuries, the shores of the Baltic Sea were inhabited by various Baltic tribes. In the 1230s, the Lithuanian lands were united by Mindaugas, the King of Lithuania, and the first unified Lithuanian state, with the Lublin Union of 1569, Lithuania and Poland formed a voluntary two-state union, the Polish–Lithuanian Commonwealth. The Commonwealth lasted more than two centuries, until neighboring countries systematically dismantled it from 1772–95, with the Russian Empire annexing most of Lithuanias territory. As World War I neared its end, Lithuanias Act of Independence was signed on 16 February 1918, in the midst of the Second World War, Lithuania was first occupied by the Soviet Union and then by Nazi Germany. As World War II neared its end and the Germans retreated, Lithuania is a member of the European Union, the Council of Europe, a full member of the Eurozone, Schengen Agreement and NATO. It is also a member of the Nordic Investment Bank, the United Nations Human Development Index lists Lithuania as a very high human development country. Lithuania has been among the fastest growing economies in the European Union and is ranked 21st in the world in the Ease of Doing Business Index, the first people settled in the territory of Lithuania after the last glacial period in the 10th millennium BC. Over a millennium, the Indo-Europeans, who arrived in the 3rd – 2nd millennium BC, mixed with the local population, the first written mention of Lithuania is found in a medieval German manuscript, the Annals of Quedlinburg, in an entry dated 9 March 1009. Initially inhabited by fragmented Baltic tribes, in the 1230s the Lithuanian lands were united by Mindaugas, after his assassination in 1263, pagan Lithuania was a target of the Christian crusades of the Teutonic Knights and the Livonian Order. Despite the devastating century-long struggle with the Orders, the Grand Duchy of Lithuania expanded rapidly, by the end of the 14th century, Lithuania was one of the largest countries in Europe and included present-day Belarus, Ukraine, and parts of Poland and Russia. The geopolitical situation between the west and the east determined the multicultural and multi-confessional character of the Grand Duchy of Lithuania, the ruling elite practised religious tolerance and Chancery Slavonic language was used as an auxiliary language to the Latin for official documents. In 1385, the Grand Duke Jogaila accepted Polands offer to become its king, Jogaila embarked on gradual Christianization of Lithuania and established a personal union between Poland and Lithuania. It implied that Lithuania, the fiercely independent land, was one of the last pagan areas of Europe to adopt Christianity, after two civil wars, Vytautas the Great became the Grand Duke of Lithuania in 1392. During his reign, Lithuania reached the peak of its expansion, centralization of the state began
4.
Vitebsk
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Vitebsk or Vitsebsk, is a city in Belarus. The capital of the Vitebsk Region, in 2004 it had 342,381 inhabitants and it is served by Vitebsk Vostochny Airport and Vitebsk air base. Vitebsk developed from a harbor where the Vitba River flows into the larger Western Dvina. Archaeological research indicates that at the mouth of Vitba there were settlements by Baltic tribes, according to the Chronicle of Michael Brigandine, Vitebsk was founded by Princess Olga of Kiev in 974. Other versions give 947 or 914, academician Boris Rybakov and historian Leonid Alekseyev, based on the chronicles, have come to the conclusion that Princess Olga of Kiev could have established Vitebsk in 947. Leonid Alekseyev suggested that the chroniclers, moving the date from the account of the Byzantine era to a new era, got the year 947, but later mistakenly written in copying manuscripts 974. In the 12th and 13th centuries Vitebsk was the capital of the Principality of Vitebsk, in 1320 the city was incorporated into the Grand Duchy of Lithuania as a dowry of the Princess Maria, the first wife of Grand Duke of Lithuania Algirdas. By 1351 the city had erected a stone Upper and Lower Castle, in 1410 Vitebsk participated in the Battle of Grunwald. In 1597, the townsfolk of Vitebsk were privileged with Magdeburg rights, however, the rights were taken away in 1623 after the citizens revolted against the imposed Union of Brest and killed Archbishop Josaphat Kuntsevych. During the First Partition of Poland in 1772, Vitebsk was annexed by the Russian Empire, under the Russian Empire the historic centre of Vitebsk was rebuilt with Neoclassical architecture. By World War II, Vitebsk had a significant Jewish population, according to Russian census of 1897, out of the population of 65,900. The most famous of its Jewish natives was the painter Marc Chagall, in 1924, it was returned to the Byelorussian Soviet Socialist Republic. During World War II, the city was under Nazi Germany occupation, much of the old city was destroyed in the ensuing battles between the Germans and the Red Army soldiers. Most of the local Jews perished in the Vitebsk Ghetto massacre, in the first postwar five-year period the city was rebuilt. In the structure of its industrial complex stands machinery and light industry, in 1959, a TV tower was commissioned and started broadcasting the 1st Central Television program. In the same year during excavations on the Liberation Square, a scroll was found dating from the turn of the 13th and 14th centuries. It read, From Stpana to Nezhilovi, also, if hast sold trousers, buy me rye for 6 hryvnia. And if some didst not sold, send to my person, and if thou hast sold, do good to buy rye for me In January 1991, Vitebsk celebrated the first Marc Chagall Festival
5.
Belarus
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Its capital and most populous city is Minsk. Over 40% of its 207,600 square kilometres is forested and its strongest economic sectors are service industries and manufacturing. In the aftermath of the 1917 Russian Revolution, Belarus declared independence as the Belarusian Peoples Republic, the Socialist Soviet Republic of Byelorussia became a founding constituent republic of the Soviet Union in 1922 and was renamed as the Byelorussian Soviet Socialist Republic. Belarus lost almost half of its territory to Poland after the Polish–Soviet War of 1919–1921, during WWII, military operations devastated Belarus, which lost about a third of its population and more than half of its economic resources. The republic was redeveloped in the post-war years, in 1945 the Byelorussian SSR became a founding member of the United Nations, along with the Soviet Union and the Ukrainian SSR. The parliament of the declared the sovereignty of Belarus on 27 July 1990. Alexander Lukashenko has served as the president since 1994. Belarus has been labeled Europes last dictatorship by some Western journalists, Lukashenko continued a number of Soviet-era policies, such as state ownership of large sections of the economy. Though not directly espousing communism like the five remaining communist countries of China, Cuba, Laos, Vietnam and North Korea, in 2000 Belarus and Russia signed a treaty for greater cooperation, with some hints of forming a Union State. Over 70% of Belaruss population of 9.49 million resides in urban areas, more than 80% of the population is ethnic Belarusian, with sizable minorities of Russians, Poles and Ukrainians. Since a referendum in 1995, the country has had two official languages, Belarusian and Russian, the Constitution of Belarus does not declare any official religion, although the primary religion in the country is Eastern Orthodox Christianity. Belarus is the only European country to retain capital punishment in both law and practice, the name Belarus is closely related with the term Belaya Rus, i. e. White Rus. There are several claims to the origin of the name White Rus, an alternate explanation for the name comments on the white clothing worn by the local Slavic population. A third theory suggests that the old Rus lands that were not conquered by the Tatars had been referred to as white, other sources claim that, before 1267, the land not conquered by the Mongols was considered White Rus. The name Rus is often conflated with its Latin forms Russia and Ruthenia, in some languages, including German and Dutch, the country is generally called White Russia to this day. The Latin term Alba Russia was used again by Pope Pius VI in 1783 to recognize the Society of Jesus there, exclaiming Approbo Societatem Jesu in Alba Russia degentem, approbo, approbo. The first known use of White Russia to refer to Belarus was in the century by Englishman Sir Jerome Horsey. During the 17th century, the Russian tsars used White Rus to describe the lands added from the Grand Duchy of Lithuania
6.
Daugavpils
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Daugavpils is a city in southeastern Latvia, located on the banks of the Daugava River, from which the city gets its name. It is the second largest city in the country after the capital Riga, Daugavpils is located relatively close to Belarus and Lithuania, and some 120 km from the Latvian border with Russia. Daugavpils is a railway junction and industrial centre and lies approximately midway between Riga and Minsk. The city is surrounded by lakes and nature parks. It is also known for its overwhelmingly Russian-speaking population, historically, several names in various languages have identified Daugavpils. Some are still in use today, as of 1 January 2012, the city had a population of 101,057. In Daugavpils 85% of the supported the proposal to make Russian the second state language in the 2012 referendum. The towns history began in 1275 when the Livonian Order built Dünaburg castle 20 km up the Daugava river from where Daugavpils is now situated, in 1561 it became part of the Grand Duchy of Lithuania and, subsequently, of the Polish–Lithuanian Commonwealth in 1569. In 1621 Daugavpils became the capital of the newly formed Inflanty Voivodeship, in 1577 the Russian tsar Ivan the Terrible captured and destroyed Dünaburg castle. That same year, a new castle was built 20 km downriver, in 1582 Daugavpils was granted Magdeburg town rights. Russia returned the area to Polish–Lithuanian Commonwealth following the Treaty of Andrusovo and it became part of the Russian Empire after First Partition of Poland in 1772. From 1784 onwards the city had a large and active Jewish population among them a number of prominent figures, according to the Russian census of 1897, out of a total population of 69,700, Jews numbered 32,400. As part of the Russian Empire the city was called Dvinsk from 1893 to 1920, the newly independent Latvian state renamed it Daugavpils in 1920. Latvians, Poles and Soviet troops fought the Battle of Daugavpils in the area from 1919 to 1920, Daugavpils and the whole of Latvia was under the Soviet Union rule between 1940–41 and 1944–1991, while Germany occupied it between 1941 and 1944. The Nazis established the Daugavpils Ghetto where the towns Jews were forced to live, during the Cold War the Lociki air-base operated 12 km northeast of Daugavpils itself. On 16 April 2010 an assassin shot vice-mayor Grigorijs Ņemcovs in the center of the city and he died almost immediately and the crime remains unsolved. Daugavpils is an important cultural centre in eastern Latvia, there are 22 primary and secondary schools, four vocational schools, and the Saules College of Art. More than 1,000 teachers and engineers graduate from Daugavpils University, there is also one Polish school, the only in the city, on Varšavas iela
7.
Latvia
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Latvia, officially the Republic of Latvia, is a country in the Baltic region of Northern Europe, one of the three Baltic states. It is bordered by Estonia to the north, Lithuania to the south, Russia to the east, Latvia has 1,957,200 inhabitants and a territory of 64,589 km2. The country has a seasonal climate. Latvia is a parliamentary republic established in 1918. The capital city is Riga, the European Capital of Culture 2014, Latvia is a unitary state, divided into 119 administrative divisions, of which 110 are municipalities and 9 are cities. Latvians and Livs are the people of Latvia. Latvian and Lithuanian are the two surviving Baltic languages. Despite foreign rule from the 13th to 20th centuries, the Latvian nation maintained its identity throughout the generations via the language, Latvia and Estonia share a long common history. Until World War II, Latvia also had significant minorities of ethnic Germans, Latvia is historically predominantly Protestant Lutheran, except for the Latgale region in the southeast, which has historically been predominantly Roman Catholic. The Russian population has brought a significant portion of Eastern Orthodox Christians. The Republic of Latvia was founded on 18 November 1918, however, its de facto independence was interrupted at the outset of World War II. The peaceful Singing Revolution, starting in 1987, called for Baltic emancipation of Soviet rule and it ended with the Declaration on the Restoration of Independence of the Republic of Latvia on 4 May 1990, and restoring de facto independence on 21 August 1991. Latvia is a democratic and developed country and member of the European Union, NATO, the Council of Europe, the United Nations, CBSS, the IMF, NB8, NIB, OECD, OSCE, and WTO. For 2014, Latvia was listed 46th on the Human Development Index and it used the Latvian lats as its currency until it was replaced by the euro on 1 January 2014. The name Latvija is derived from the name of the ancient Latgalians, one of four Indo-European Baltic tribes, henry of Latvia coined the Latinisations of the countrys name, Lettigallia and Lethia, both derived from the Latgalians. The terms inspired the variations on the name in Romance languages from Letonia. Around 3000 BC, the ancestors of the Latvian people settled on the eastern coast of the Baltic Sea. The Balts established trade routes to Rome and Byzantium, trading local amber for precious metals, by 900 AD, four distinct Baltic tribes inhabited Latvia, Curonians, Latgalians, Selonians, Semigallians, as well as the Livonians speaking a Finnic language
8.
Imperial Academy of Arts
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The Russian Academy of Arts in Saint Petersburg, informally known as the Saint Petersburg Academy of Arts, was founded in 1757 by Ivan Shuvalov under the name Academy of the Three Noblest Arts. Catherine the Great renamed it the Imperial Academy of Arts and commissioned a new building, the academy promoted the neoclassical style and technique, and sent its promising students to European capitals for further study. Training at the academy was virtually required for artists to make successful careers, formally abolished in 1918 after the Russian Revolution, the academy was renamed several times. It established free tuition, students from across the country competed fiercely for its few places annually, in 1947 the national institution was moved to Moscow, and much of its art collection was moved to the Hermitage. The building in Leningrad was devoted to the Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture, since 1991 it has been called the St. Petersburg Institute for Painting, Sculpture and Architecture. The academy was located in the Shuvalov Palace on Sadovaya Street, in 1764, Catherine the Great renamed it the Imperial Academy of Arts and commissioned its first rector, Alexander Kokorinov, to design a new building. It took 25 years to complete the Neoclassical edifice, which opened in 1789, konstantin Thon was responsible for the sumptuous decoration of the interiors. He also designed a quayside in front of the building, with stairs down to the Neva River, Ivan Betskoy reorganized the academy into a de facto government department, it supervised matters concerning art throughout the country, distributing orders and awarding ranks to artists. The academy vigorously promoted the principles of Neoclassicism by sending the most notable Russian painters abroad, in order to learn the ancient and Renaissance styles of Italy and it also had its own sizable collection of choice artworks intended for study and copying. The adherents of this movement became known as peredvizhniki, led by Ivan Kramskoi, they publicly broke with the Academy and organized their own exhibitions, which traveled from town to town across Russia. Ilya Repin, Mikhail Vrubel and some other painters still regarded the academys training as indispensable for the development of professional and technical skills. After the Russian Revolution of 1917, the Imperial Academy passed through a series of transformations, after the Academys move to Moscow that year, the building in what was then called Leningrad was renamed Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture. The national academy has stayed in Moscow, in 1991 it was renamed the Russian Academy of Arts. The old academys art collection, which included works by Poussin, David. During the Soviet era, academies were free of tuition fees as they were financed by the government, many would-be students would apply to the Academy for as many as six or seven years in a row without success. With just twenty places available and thousands of applicants, the competition was brutal, well-known graduates of Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture in 1930–1950s include, The Russian Academy of Arts has been headquartered in Moscow since 1947. Its current president is Zurab Tsereteli and its vice-president is Tair Salakhov and it is also called the St. Petersburg State Academic Institute of Fine Arts, Sculpture and Architecture. - Saint Petersburg, NP-Print Edition,2007, the Leningrad School Russian Academy of Arts The St. Petersburg State Academic Institute of Fine Arts Sergei V. Ivanov
9.
Pavel Chistyakov
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Pavel Petrovich Chistyakov (Russian, Павел Петрович Чистяков, was a Russian painter and art teacher, known for historical and genre scenes as well as portraits. His father was a serf who had worked as an estate manager. Despite the financial burdens, he saw to it that his son had an education, first at a parish school in Krasny Kholm. In 1849, he entered the Imperial Academy of Arts, where he studied with Pyotr Basin, from 1854 to 1858, he received two silver medals and one gold, for his depiction of Hermogenes in prison. In 1861, he graduated with the title of Artist, another gold medal, before leaving, he taught for a short time at a preparatory school in Saint Petersburg. In 1862, he headed for Germany, followed by visits to Paris. Upon returning in 1870, he was awarded the title of Academician for several works he had sent home and his few works were mostly of an historical nature, which he attempted to infuse with a psychological depth, rather than merely representing the events. He became an Associate Professor at the Academy in 1872 and, following the reorganization of 1892, from 1890 to 1912, he served as head of the Department of Mosaics and oversaw several mosaic projects, notably at the Cathedral of Christ the Saviour and Saint Isaacs Cathedral. His wife Vera, daughter of the painter Yegor Meyer, was also an artist of some note, the street where he lived was named in his honor and, in 1987, his home became a museum. Чистяков и его педагогическая система, Искусство,1940 Olga Lyaskovskaya, Чистяков, Tretyakov Gallery,1950 Чистяков П. Чистяков — теоретик и пед, 590pgs, Искусство,1953 Ely Bielutin and Nina Moleva, Павел Петрович Чистяков. теоретик и педагог, Академии художесть,1954, yelena Churilova, Я ещё могу съездить к Чистякову, Прана,2004 ISBN 5-86761-054-3 Biography and appreciation @ the Bezhetsk website
10.
Valentin Serov
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Valentin Alexandrovich Serov was a Russian painter, and one of the premier portrait artists of his era. Serov was born in Saint Petersburg, son of the Russian composer and music critic Alexander Serov, Serovs early creativity was sparked by the realistic art of Repin and strict pedagogical system of Chistyakov. The greatest works of Serovs early period were portraits, The Girl with Peaches, in these paintings Serov concentrated on spontaneity of perception of the model and nature. From 1890 on, the became the basic genre in Serovs art. It was in this field that his style would become apparent. Serovs favorite models were actors, artists, and writers, initially abstaining from the polychromatic, brightly colored painting style of the 1880s, Serov often preferred a dominant scale of black-grey or brown tones. Impressionistic features appeared sometimes in construction of a portrait, or to capture a sense of spontaneous movement. As in the work of his contemporaries John Singer Sargent and Anders Zorn, the impressionism is not doctrinaire, receiving wide popularity, in 1894 Serov joined with the Peredvizhniki, and took on important commissions, among them portraits of grand duke Pavel Alexandrovich, S. M. Botkin,1899, and Felix Yusupov,1903 as well as Princess Olga Orlova, in these truthful, compositionally skillful, and picturesque executions in the grand manner, Serov consistently used linear-rhythmic drawing coupled with decorative color combinations. At the same time, he developed a contrasting direction, he frequently produced intimate, heartfelt, chamber portraits, mainly of children and women. In portraits of children Serov aspired to capture pose and gesture, to reveal and emphasize a spontaneity of internal movement, Serov frequently called upon various graphic techniques - watercolors, pastels, lithographs and so forth. Figures in Serovs portraits gradually became more and more refined and economical. From 1890 to 1900 Serov produced many landscape compositions on country themes, Serov married Olga Trubnikova in 1889. His wife and his children were the subject of many of his works, notably, his painting Children was of his sons Yura and Sasha. M. Gorkis museum, Moscow, Maria Yermolova, Feodor Chaliapin - both in the Tretyakov Gallery, and Helena Roerich, Serovs democratic beliefs were clearly shown during the Revolution from 1905 to 1907, he depicted a number of satirical figures exposing chastisers. A full member of the St. Petersburg Academy of Arts since 1903, in 1905 he resigned as a gesture of protest against the execution of striking workers and their families on 9 January, Bloody Sunday. His late creativity found expression in painting, and depth of comprehension of the historical maintenance of an epoch. The last years of Serovs life were marked by works on themes from classical mythology, while addressing images from the ancient tradition, Serov endowed classical subject matter with a personal interpretation
11.
Mikhail Vrubel
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Mikhail Aleksandrovich Vrubel is usually regarded amongst the Russian painters of the Symbolist movement and of Art Nouveau. In reality, he stood aloof from contemporary art trends, so that the origin of his unusual manner should be sought in Late Byzantine. Vrubel was born in Omsk, Russia and his paternal grandfather Mikhail Antonovich Vrubel was of Polish heritage, he served in the Imperial Russian Army, then headed the Astrakhan Cossacks. Aleksandr Mikhailovich Vrubel followed his fathers steps and made a military career and his wife Anna Karlovna von Krabbe was Danish. Vrubel was one of the four children and his mother died when he was three years old. The next year he entered the Imperial Academy of Arts, where he studied by direction of Pavel Chistyakov, even in his earliest works, he exhibited great talent for drawing and an idiosyncratic style. He would later develop a penchant for fragmentary composition and an unfinished touch, in 1884, he was summoned to replace the lost 12th-century murals and mosaics in the St. Cyrils Church of Kiev with new ones. In order to execute this commission, he went to Venice to study medieval Christian art and it was here that, in the words of an art historian, his palette acquired new strong saturated tones resembling the iridescent play of precious stones. Most of his works painted in Venice have been lost, because the artist was interested in creative process than in promoting his artwork. In 1886, he returned to Kiev, where he submitted designs to the newly built St Volodymir Cathedral. The jury, however, failed to appreciate the novelty of his works, at that period, he executed some illustrations for Hamlet and Anna Karenina, which had little in common with his later Demon and Prophet themes. In 1905 he created the mosaics of the hotel Metropol in Moscow, while in Kiev, Vrubel started painting sketches and watercolours illustrating the demon, from a long Romantic poem by Mikhail Lermontov. The poem described the carnal passion of an eternal nihilistic spirit for a Georgian girl Tamara, at that period Vrubel developed a keen interest in Oriental arts, and particularly Persian carpets, and even attempted to imitate their texture in his paintings. In 1890, Vrubel relocated to Moscow where he could best follow the burgeoning innovations, like other artists associated with the Art Nouveau style, he excelled not only in painting but also in applied arts, such as ceramics, majolics, and stained glass. He also produced architectural masks, stage sets, and costumes and it is the large painting of Seated Demon that brought notoriety to Vrubel. During 1896, he met the opera singer Nadezhda Zabela. Half a year later married and settled in Moscow, where Zabela was invited by Mamontov to perform in his private opera theatre. While in Moscow, Vrubel designed stage sets and costumes for his wife, who sang the parts of the Snow Maiden, the Swan Princess, using Russian fairy tales, he executed some of his most acclaimed pieces, including Pan, The Swan Princess, and Lilacs
12.
Ilya Repin
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Ilya Yefimovich Repin was a Russian realist painter. He was the most renowned Russian artist of the 19th century and he played a major role in bringing Russian art into the mainstream of European culture. His major works include Barge Haulers on the Volga, Religious Procession in Kursk Province, Repin was born in Chuguyev, in Kharkov Governorate, Ukraine into a family of military settlers. His father traded horses and his grandmother ran an inn and he entered military school to study surveying. In 1863 he went to St. Petersburg Art Academy to study painting but had to enter Ivan Kramskoi preparatory school first and he met fellow artist Ivan Kramskoi and the critic Vladimir Stasov during the 1860s, and his wife, Vera Shevtsova in 1872. In 1874–1876 he showed at the Salon in Paris and at the exhibitions of the Itinerants Society in Saint Petersburg and he was awarded the title of academician in 1876. In 1880 Repin travelled to Zaporozhia in Ukraine to gather material for the 1891 Reply of the Zaporozhian Cossacks and his Religious Procession in Kursk Province was exhibited in 1883, and Ivan the Terrible and His Son Ivan in 1885. In 1892 he published the Letters on Art collection of essays and he taught at the Higher Art School attached to the Academy of Arts from 1894. In 1898 he purchased an estate, the Penates, in Kuokkala, in 1901 he was awarded the Legion of Honour. In 1911 he traveled with his common-law wife Natalia Nordman to the World Exhibition in Italy, in 1916 Repin worked on his book of reminiscences, Far and Near, with the assistance of Korney Chukovsky. He welcomed the Russian Revolution of 1917, celebrations were held in 1924 in Kuokkala to mark Repins 80th birthday, followed by an exhibition of his works in Moscow. In 1925 a jubilee exhibition of his works was held in the Russian Museum in Leningrad, Repin died in 1930 and was buried at the Penates. Repin was born in the town of Chuguyev, in the Kharkov Governorate of the Russian Empire and his father Yefim Vasilyevich Repin was a private in the Uhlan Regiment of the Imperial Russian Army. As a boy Ilya was educated at the school where his mother taught. From 1854 he attended a military Cantonist school and he did not have fond recollections of his childhood, mainly due to the military settlements his family lived in. In 1856 he became a student of Ivan Bunakov, an icon painter. In 1859–1863 he painted icons and wall-paintings by commission for the Society for the Encouragement of Artists, in 1864 he began attending the Imperial Academy of Arts, and met the painter Ivan Kramskoi. In 1869 he was awarded a gold medal for his painting Job
