1.
Weybridge
–
Weybridge /ˈweɪbrɪdʒ/ is a town by the River Wey in the Elmbridge district of Surrey. It is bounded to the north by the River Thames at the mouth of the Wey and it is an outlying suburban town within the Greater London Urban Area, situated 7 miles northeast of Woking and 16 miles southwest of central London. Real estate prices are well above the average, as of 2008. Within the post town, rather than Weybridges other boundaries is Oatlands or Oatlands Village, Weybridge lay within the Elmbridge hundred. Its domesday assets were,6 hides, 1½ ploughs,32 acres of meadow and it rendered £4 per year to it feudal system overlords. It was much smaller than todays post town, and about one quarter of the size of neighbouring Walton. The earliest monuments on the wall of St Jamess C of E Church are 15th century plaques. When it was demolished in 1650, bricks from its walls helped to line the then new Wey Navigation canal, in 1571 commissioners were appointed to report on the condition of the bridge across the Wey. It was accordingly ordered that a new bridge – a horse-bridge like the last – should be built, wood being used for its construction, the expense was to be borne by the queen, as the land on either side belonged to her. St. Georges Hill was the site of the Diggers Commune in the 1640s, the Duchess is buried in St. Jamess Churchyard. In the 19th century Oatlands broke away from the parish of Walton on Thames to become a village in its own right, influenced by the secondary manor of Weybridge, the forerunner of Oatlands Palace, the post town adopted Oatlands as its only village in the 19th century. The entomologist, Horace Donisthorpe, visited Weybridge Heath to investigate the ant colony, Weybridge grew into a commuter town with the advent of the fast train link into London Waterloo and a lot of new houses have been built around the Oatlands Park and Broadwater Lake area. Weybridge railway station was opened by the London and Southampton Railway in 1838, after the station was opened, development of what was until then only a village began and gradually Weybridge became a town. Large houses were built on St Georges Hill from 1911 by local builder and developer Walter George Tarrant of Byfleet, in Weybridge Heath, many rare species of insects, rare birds and insectivorous plant have been recorded. The heath was allowed to become overgrown in recent years. Weybridge is the British headquarters of Alliance Boots, CHEP UK, Sony Corporation, Procter & Gamble, JTI, Abbey Business Centres also have a presence in the town. Eurotax Glass, owners and publishers of Glasss Guide, pricing bible to the motor industry, in addition, retailing also forms part of the local economy, and a range of retailers are represented in the town centre. In H. G. Wells classic novel The War of the Worlds, the title of chapter 12 of the book is, What I saw of the destruction of Weybridge and Shepperton
2.
Surrey
–
Surrey is a county in the south east of England. It shares borders with Kent to the east, East Sussex to the south-east, West Sussex to the south, Hampshire to the west and south-west, Surrey County Council sits extraterritorially at Kingston upon Thames, administered as part of Greater London since 1965. With a resident population of 1.1 million, Surrey is the most densely populated and third most populated county in the South East region, after Kent, the London boroughs of Lambeth, Southwark, Wandsworth, and parts of Lewisham and Bromley were in Surrey until 1889. The boroughs of Croydon, Kingston upon Thames, Merton, Sutton and Richmond upon Thames south of the River Thames were part of Surrey until 1965, when they too were absorbed into Greater London. In the same year, the county was extended north of the Thames by the addition of Spelthorne, due to this expansion, modern Surrey also borders on the London boroughs of Hounslow and Hillingdon. It has the highest GDP per capita of any English county, Surrey is divided in two by the chalk ridge of the North Downs, running east-west. To the north of the Downs the land is mostly flat, the geology of this area is dominated by London Clay in the east, Bagshot Sands in the west and alluvial deposits along the rivers. Much of Surrey is in the Metropolitan Green Belt and it contains a good deal of mature woodland. Among its many notable beauty spots are Box Hill, Leith Hill, Frensham Ponds, Newlands Corner and Puttenham & Crooksbury Commons. Surrey is the most wooded county in England, with 22. 4% coverage compared to an average of 11. 8%. Box Hill has the oldest untouched area of woodland in the UK. Surrey also contains Englands principal concentration of lowland heath, on soils in the west of the county. Agriculture not being intensive, there are many commons and access lands, together with a network of footpaths and bridleways including the North Downs Way. Accordingly, Surrey provides much in the way of leisure activities. The highest elevation in Surrey is Leith Hill near Dorking and it is either 293,294 or 295 metres above sea level and is the second highest point in southeastern England after Walbury Hill 297 metres in West Berkshire. Surrey has a population of approximately 1.1 million people and its largest town is Guildford, with a population of 66,773, Woking comes a close second with 62,796. They are followed by Ewell with 39,994 people and Camberley with 30,155, towns of between 25,000 and 30,000 inhabitants are Ashford, Epsom, Farnham, Staines and Redhill. Guildford is the county town, although the county administration was moved to Newington in 1791
3.
Alternative rock
–
Alternative rock is a genre of rock music that emerged from the independent music underground of the 1980s and became widely popular in the 1990s and 2000s. In this instance, the word refers to the genres distinction from mainstream rock music. The terms original meaning was broader, referring to a generation of musicians unified by their debt to either the musical style or simply the independent. Ethos of punk rock, which in the late 1970s laid the groundwork for alternative music, Alternative rock is a broad umbrella term consisting of music that differs greatly in terms of its sound, its social context, and its regional roots. Most of these subgenres had achieved minor mainstream notice and a few bands representing them, such as Hüsker Dü, with the breakthrough of Nirvana and the popularity of the grunge and Britpop movements in the 1990s, alternative rock entered the musical mainstream and many alternative bands became successful. By the end of the decade, alternative rocks mainstream prominence declined due to a number of events that caused grunge and Britpop to fade, emo attracted attention in the larger alternative rock world, and the term was applied to a variety of artists, including multi-platinum acts. Post-punk revival artists such as Modest Mouse and The Killers had commercial success in the early, before the term alternative rock came into common usage around 1990, the sort of music to which it refers was known by a variety of terms. In 1979, Terry Tolkin used the term Alternative Music to describe the groups he was writing about, in 1979 Dallas radio station KZEW had a late night new wave show entitled Rock and Roll Alternative. College rock was used in the United States to describe the music during the 1980s due to its links to the radio circuit. In the United Kingdom, dozens of small do it yourself record labels emerged as a result of the punk subculture, according to the founder of one of these labels, Cherry Red, NME and Sounds magazines published charts based on small record stores called Alternative Charts. The first national chart based on distribution called the Indie Chart was published in January 1980, at the time, the term indie was used literally to describe independently distributed records. By 1985, indie had come to mean a particular genre, or group of subgenres, at first the term referred to intentionally non–mainstream rock acts that were not influenced by heavy metal ballads, rarefied new wave and high-energy dance anthems. The use of alternative gained further exposure due to the success of Lollapalooza, for which festival founder, in the late 1990s, the definition again became more specific. Defining music as alternative is often difficult because of two conflicting applications of the word, the name alternative rock essentially serves as an umbrella term for underground music that has emerged in the wake of punk rock since the mid-1980s. Alternative bands during the 1980s generally played in clubs, recorded for indie labels. Sounds range from the gloomy soundscapes of gothic rock to the guitars of indie pop to the dirty guitars of grunge to the 1960s/1970s revivalism of Britpop. This approach to lyrics developed as a reflection of the social and economic strains in the United States and United Kingdom of the 1980s, by 1984, a majority of groups signed to independent record labels mined from a variety of rock and particularly 1960s rock influences. This represented a break from the futuristic, hyper-rational post-punk years
4.
Pop punk
–
Pop punk is a punk rock music genre and a fusion genre that combines elements of punk rock with elements of pop music. Pop punk typically combines fast punk rock tempos, power chord changes and loud, distorted guitars with pop-influenced melodies. Pop-influenced punk rock emerged in the mid-1970s with a style that was stylistically similar to power pop. By the mid-1980s, several bands merged hardcore punk with pop music to create a new, faster pop punk sound such as Dag Nasty, Pop punk in the United States began to grow in popularity locally in California in the mid-to-late 1980s. Pop punk particularly thrived in California, where independent record labels adopted a do it approach to releasing music. By the mid-1990s, a few pop punk bands had started to sell millions of records and receive radio and television airplay. By 1994, pop punk was quickly growing in mainstream popularity, the late 1990s, exemplified by the 1999 release of Blink-182s Enema of the State, represented the genres mainstream peak, although some pop punk bands scored successful album chartings in the 2000s. In the mid-2000s, emo pop, a genre combining emo and pop punk. By the end of the 2000s, the pop sound of the 1990s had largely waned in mainstream popularity. Pop punk typically merges upbeat pop melodies with catchy hooks, catchy choruses, harmonies, speedy tempos, punk rock power chord changes and loud, distorted electric guitars. About. com has described second-wave pop punk bands as having a radio friendly sheen to their music, club, pop punk often pits sweet harmonies against bratty, rowdy riffs. Lyrical topics that are common in pop punk include love, lust, drunkenness, adolescence, cartoonish violence, some pop punk lyrics focus on jokes and humor. Some pop punk music features elements of rock, power pop. According to Ryan Cooper of About. com, pop punk is a style that more to the Beatles. It is not clear when the pop punk was first used. Protopunk and power pop bands of the late 1960s and early 1970s helped lay the groundwork for the pop punk sound, the Beatles, the Kinks and the Beach Boys all paved the way for pop punk. With their love of the Beach Boys and late 1960s bubblegum pop, the Ramones loud and fast melodic minimalism differentiated them from other bands in New York Citys budding art rock scene, but pop punk was not considered a separate subgenre until later. An early use of the pop punk appeared in a 1977 New York Times article, Cabaret
5.
Post-hardcore
–
Like post-punk, the term has been applied to a broad constellation of groups. Hardcore punk typically features very fast tempos, loud volume, and heavy bass levels, additionally, many of these bands vocalists were just as likely to deliver their lyrics with a whispered croon as they were a maniacal yelp. Allmusic also claims that post-hardcore bands find creative ways to build and release tension rather than airing their dirty laundry in short, sharp, british post-punk of the late 1970s and early 1980s has been seen as influential on the musical development of post-hardcore bands. As the genre progressed some of these groups also experimented with an array of influences, including soul, dub, funk, jazz. Groups such as Saccharine Trust, Naked Raygun, and The Effigies, during the early to mid-1980s, the desire to experiment with hardcores basic template expanded to many musicians that had been associated with the genre or had strong roots in it. Many of these also took inspiration from the 1980s noise rock scene pioneered by Sonic Youth. Some bands signed to the independent label Homestead Records, including Squirrel Bait, a reviewer noted that the groups 1989s release Wrong was one of the most aggressive and powerful opuses in post-hardcore ever made. During the years 1984 and 1985 in the scene, a new movement had swept over. When The Faith put out the EP Subject to Change in 1983 it marked an evolution in the sound of D. C. hardcore. This movement has been widely known as the Revolution Summer. Other bands have been perceived as taking inspiration from such as funk. According to Eric Grubbs, a nickname was developed for the new sound, with some considering it post-harDCore, the latter, mentioned in skateboarding magazine Thrasher, would come up in discussions around the D. C. area. In the nearby state of Maryland, similar bands that are categorized now as post-hardcore would also emerge and this group has also been considered as one of the earliest emo acts. The second half of the 1980s saw the formation of bands in D. C. which included Shudder to Think, Jawbox, The Nation of Ulysses. MacKaye described this period as the busiest that the Dischord Records label had ever seen. Most of these acts, along with ones, would contribute to the 1989 compilation State of the Union. It has also noted that the groups ever-evolving sound would signal a more experimental turn in hardcore that paved the way for later Dischord releases. Similarly, the debut studio album, 1990s Repeater, has also been generally regarded as a classic
6.
Virgin Records
–
Virgin Records is a British-founded record label originally founded by English entrepreneurs Richard Branson, Simon Draper, Nik Powell, and musician Tom Newman in 1972. It was later sold to Thorn EMI in 1992, today, the operations of Virgin Records America, Inc. are still active and headquartered in Hollywood, California, as it operates exclusively under the Capitol Music Group since 2007. US artists include Knox Hamilton, LTric and Rise Against, in fact the first real store was above a shoe shop at the Tottenham Court Road end of Oxford Street. After making the shop into a success, they turned their business into a fully fledged record label, the name Virgin, according to Branson, arose from Tessa Watts, a colleague of his, when they were brainstorming business ideas. She suggested Virgin – as they were all new to business – like virgins, the original Virgin logo was designed by English artist and illustrator Roger Dean, a young naked woman in mirror image with a large long-tailed serpent and the word Virgin in Deans familiar script. A variation on the logo was used for the spin-off Caroline Records label and this was soon followed by some notable krautrock releases, including electronic breakthrough album Phaedra by Tangerine Dream, and The Faust Tapes and Faust IV by Faust. The Faust Tapes album retailed for 49p and as a result allowed this relatively unknown band to reach number 12 in the album charts, other early albums include Gongs Flying Teapot, which Daevid Allen has been quoted as having never been paid for. Under the guidance of Tessa Watts, Virgins Head of Publicity, shortly afterwards, the Notting Hill record shop was raided by police for having a window display of the Sex Pistols album Never Mind the Bollocks, Heres the Sex Pistols in the window. After modified versions of the label came the red, white and blue design introduced in 1975. The current Virgin logo was created in 1978, commissioned by Simon Draper, brian Cooke of Cooke Key Associates commissioned a graphic designer to produce a stylised signature. In 1983 Virgin purchased Charisma Records, renaming it Charisma/Virgin, then later Virgin/Charisma, before folding the label in 1986, in the process they acquired Genesis and comedy group Monty Python. The Charisma label was reactivated in the US in 1990 and enjoyed success with such as Maxi Priest, Right Said Fred,38 Special. When this Charisma label was retired in 1992, all of its artists were, as before, in 1987, Venture Records was created for new age and modern classical artists including Klaus Schulze, who had been associated with Virgin since the early 1970s. 10 Records Immortal Records Delabel Caroline Records was a label used from 1973 to 1977. The name and logo were used for some American editions of Virgin records in the 1980s and 1990s. Caroline was primarily used for independent distribution until the label was reactivated in 2013, today, Caroline Records acts as an independent label taking the place of EMI Label Services, after Virgins former parent company EMI was purchased by Universal Music Group. Front Line Records was a label for issuing Jamaican and English reggae music from 1978 to approximately 1987, a short-lived associated label, Dindisc, had Orchestral Manoeuvres in the Dark and The Monochrome Set during its brief existence, after which its recordings became part of Virgins catalogue. Noo Trybe Records was a hip hop label that existed from 1994 to 1999
7.
BMG Rights Management
–
BMG Rights Management GmbH is an international music company focused on the management of music publishing, recording rights and music distribution. The company operates as a division of the media conglomerate Bertelsmann. The company was established in 2008 as a joint venture between Bertelsmann and the private equity firm Kohlberg Kravis Roberts. In March 2013, Bertelsmann took over BMG by acquiring KKRs shares, making BMG a fully owned subsidiary of the Bertelsmann group. The companys head office is in Berlin, and it operates offices in New York, Nashville, Los Angeles, London, Madrid, Paris, Stockholm, Hilversum, Beijing, Toronto, Sydney. BMG is the youngest major international company in the music industry, the formation of the company was first announced in October 2008 shortly following Bertelsmanns sale of its music interests to Sony Music Entertainment. BMG opened their first offices in January 2009 in Paris, London, Milan, Madrid, Amsterdam, the company trades under the name BMG Chrysalis in the United States of America, the United Kingdom and Sweden. BMG in 2010 made its biggest acquisition at the time with the purchase of Cherry Lane Music, the Cherry Lane roster of clients includes Elvis Presley, John Denver, the Black Eyed Peas, etc. The acquisition gave BMG a major presence in the U. S, in 2012, BMG was the fourth-largest music publisher in the world, based on revenue. BMG acquired Sanctuary Records Group from Universal Music Group for over €45 million in February 2013, the previous BMG had distributed Sanctuary in certain territories. The deal was approved by the EU in May 2013, in March 2013, Bertelsmann took over BMG by acquiring KKRs shares, making BMG a fully owned subsidiary of the Bertelsmann group. In 2014, it was the most successful publisher in Germany. Soon after completing its acquisition of Mute Records and Sanctuary, BMG arranged for INgrooves to distribute the catalogues in North America, also, Depeche Mode will be distributed through Sony Music Entertainment, while Black Sabbath remained at Universal Music Group until March 2014. Then in 2014, BMG signed multi-platinum selling group Day26, in November 2014, BMG acquired Union Square Music. BMG completed the purchase of Oregon-based metal and hard rock label Rise Records, home to The Devil Wears Prada, Of Mice & Men, in 2015, the Berlin-based company became the 5th biggest recorded music company in the UK. In April 2016, BMG signed a deal with Warner Music Group. On March 7,2017, BMG announced that it would transfer the worldwide rights to 95,000 tracks and 8,000 albums to Warners Alternative Distribution Alliance division. At the end of May 2016, BMG expanded into Brazil by acquiring the local publisher Basement Music, in July 2016, BMG completed two major acquisitions
