Apocalyptic and post-apocalyptic fiction
Apocalyptic and post-apocalyptic fiction is a subgenre of science fiction in which the Earth's civilization is collapsing or has collapsed. The apocalypse event may be climatic, such as runaway climate change; astronomical, such as an impact event; destructive, such as nuclear holocaust or resource depletion; medical, such as a pandemic, whether natural or human-caused; end time, such as the Last Judgment, Second Coming or Ragnarök; or any other scenario in which the outcome is apocalyptic, such as a zombie apocalypse, cybernetic revolt, technological singularity, dysgenics or alien invasion.
The apocalypse is also depicted in visual art, for example in Albert Goodwin's painting Apocalypse (1903).
Joseph Pennell's 1918 prophetic Liberty bond poster calls up the pictorial image of a bombed New York City, totally engulfed in a firestorm. At the time, the armaments available to the world's various air forces were not powerful enough to produce such a result.
Imagination magazine cover, depicting an atomic explosion, dated March 1954
An artist's 1922 depiction of a futuristic war
A global catastrophic risk or a doomsday scenario is a hypothetical event that could damage human well-being on a global scale, even endangering or destroying modern civilization. An event that could cause human extinction or permanently and drastically curtail humanity's existence or potential is known as an "existential risk."
Artist's impression of a major asteroid impact. An asteroid caused the extinction of the non-avian dinosaurs.