1.
Teddy Bear (Red Sovine song)
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Teddy Bear is a song made famous by country music singer Red Sovine. Released in 1976, the song was the track to Sovines album released that same year. The song — actually, a recitation with an instrumental backing — was one of Sovines many recordings that saluted the American truck driver. In the song, the boy, who refers to himself as Teddy Bear, gets on the CB radio. The narrator answers Teddy Bears call, and listens as the boy tells a heart-rending tale, aside from his health and the father being deceased, his mother has been forced into the workplace to provide a meager income. Teddy Bear then says his wish had been to go for a ride in a trailer truck and is resigned to never getting to realize his dream. The narrator is so taken by his tale that he decides to risk being late with his delivery to answer the boys dream. However, when he arrives at the home, numerous truck drivers — who also have been listening to Teddy Bears call — are lined up at the boys home. The boy thoroughly enjoys his experience, at the end of the day, the truckers take up a collection for Teddy Bears mother. Later, his mother goes on the air to express her gratitude and she offers a special prayer to the truckers for their act of kindness. Two different singles — one by Sovine — were billed as sequels to Teddy Bear, the two songs told conflicting stories about the boys future. Not long after Teddy Bear peaked in popularity, singer Diana Williams released a song called Teddy Bears Last Ride. This story, told from the point of view of a friend of Teddy Bears mother, suggests that the boys paraplegia is part of a health condition. The songs ending has a group of truck drivers attending the boys funeral and this song was also recorded by Nev Nicholls. Sovines follow-up-of-sorts to Teddy Bear is Little Joe, in this song, in which Teddy Bear is a character, Sovine says that there was a miracle and that the boy — now older and apparently healthy — could now walk. Teddy Bear is instrumental in helping reunite Little Joe with his now-blinded master and this song was also recorded by Ferlin Husky and Dave Dudley. Neither song reached the Billboard magazine Hot Country Singles Top 40, released in June 1976, Teddy Bear was the last of three Billboard Hot Country Singles No.1 hits in Sovines 25-year recording career. Teddy Bear climbed to #1 in five weeks and was his first since 1966s Giddyup Go, in addition, Teddy Bear was a crossover hit, peaking at No.40 on the Billboard Hot 100
2.
Single (music)
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In music, a single or record single is a type of release, typically a song recording of fewer tracks than an LP record, an album or an EP record. This can be released for sale to the public in a variety of different formats, in most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download or commercial radio airplay and are expected to be the most popular, in other cases a recording released as a single may not appear on an album. As digital downloading and audio streaming have become prevalent, it is often possible for every track on an album to also be available separately. Nevertheless, the concept of a single for an album has been retained as an identification of a heavily promoted or more popular song within an album collection. Despite being referred to as a single, singles can include up to as many as three tracks on them. The biggest digital music distributor, iTunes, accepts as many as three tracks less than ten minutes each as a single, as well as popular music player Spotify also following in this trend. Any more than three tracks on a release or longer than thirty minutes in total running time is either an Extended Play or if over six tracks long. The basic specifications of the single were made in the late 19th century. Gramophone discs were manufactured with a range of speeds and in several sizes. By about 1910, however, the 10-inch,78 rpm shellac disc had become the most commonly used format, the inherent technical limitations of the gramophone disc defined the standard format for commercial recordings in the early 20th century.26 rpm. With these factors applied to the 10-inch format, songwriters and performers increasingly tailored their output to fit the new medium, the breakthrough came with Bob Dylans Like a Rolling Stone. Singles have been issued in various formats, including 7-inch, 10-inch, other, less common, formats include singles on digital compact cassette, DVD, and LD, as well as many non-standard sizes of vinyl disc. Some artist release singles on records, a more common in musical subcultures. The most common form of the single is the 45 or 7-inch. The names are derived from its speed,45 rpm. The 7-inch 45 rpm record was released 31 March 1949 by RCA Victor as a smaller, more durable, the first 45 rpm records were monaural, with recordings on both sides of the disc. As stereo recordings became popular in the 1960s, almost all 45 rpm records were produced in stereo by the early 1970s
3.
Elvis Presley
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Elvis Aaron Presley was an American singer and actor. Regarded as one of the most significant cultural icons of the 20th century, he is referred to as the King of Rock and Roll. Presley was born in Tupelo, Mississippi, and relocated to Memphis and his music career began there in 1954, when he recorded a song with producer Sam Phillips at Sun Records. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was a popularizer of rockabilly. RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, Presleys first RCA single, Heartbreak Hotel, was released in January 1956 and became a number-one hit in the United States. He was regarded as the figure of rock and roll after a series of successful network television appearances. In November 1956, Presley made his debut in Love Me Tender. In 1958, he was drafted into military service, in 1973, Presley featured in the first globally broadcast concert via satellite, Aloha from Hawaii. Several years of drug abuse severely damaged his health. Presley is one of the most celebrated and influential musicians of the 20th century and he won three Grammys, also receiving the Grammy Lifetime Achievement Award at age 36, and has been inducted into multiple music halls of fame. Presley was born on January 8,1935, in Tupelo, Mississippi, to Gladys Love and Vernon Elvis Presley, Jesse Garon Presley, his identical twin brother, was delivered stillborn 35 minutes before his own birth. Thus, as a child, Presley became close to both parents and formed an especially close bond with his mother. The family attended an Assembly of God, where he found his musical inspiration. Although he was in conflict with the Pentecostal church in his later years, rev. Rex Humbard officiated at his funeral, as Presley had been an admirer of Humbards ministry. Presleys ancestry was primarily a Western European mix, including Scots-Irish, Scottish, German, gladyss great-great-grandmother, Morning Dove White, was possibly a Cherokee Native American. Gladys was regarded by relatives and friends as the dominant member of the small family, Vernon moved from one odd job to the next, evincing little ambition. The family often relied on help from neighbors and government food assistance, the Presleys survived the F5 tornado in the 1936 Tupelo–Gainesville tornado outbreak. In 1938, they lost their home after Vernon was found guilty of kiting a check written by the landowner, Orville S. Bean and he was jailed for eight months, and Gladys and Elvis moved in with relatives
4.
Loving You (album)
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Loving You is the third studio album by American singer and musician Elvis Presley, issued on RCA Victor Records in mono, LPM1515, in July 1957. Recording sessions took place on January 15,16,17, and 18,1957, at the Paramount Pictures Scoring Stage, and on January 12,13,19 and these are the first sessions where Steve Sholes is officially listed as producer. It spent ten weeks at No.1 on the Billboard Top Pop Albums chart and it was certified Gold on April 9,1968 by the Recording Industry Association of America. An eighth song intended for but not appearing in the movie, Dont Leave Me Now, was included on the album, and a new recording would appear on the soundtrack for his next film, Jailhouse Rock. The previously released material comprises both sides of the single taken from the soundtrack, Presleys number one hit Teddy Bear backed with the title track. Wallis liked Teddy Bear so much that he insisted it be included in the movie, songs were added to bring up the running time of the album, including the swing-era favorite Blueberry Hill, which had been a big hit for Fats Domino in 1956. Have I Told You Lately That I Love You, had been done previously by the Sons of the Pioneers, as well as Bing Crosby with The Andrews Sisters. RCA reissued the original 12-track album on disc in 1988. The album was reissued in an expanded CD edition on April 15,1997, on January 11,2005, Sony BMG reissued the album again, remastered using DSD technology with the six bonus tracks appended in standard fashion. A two-disc set was released on the Follow That Dream collectors label on January 12,2006, with the bonus tracks, Loving You was issued on CD with the originally albums 12 songs plus the following bonus tracks, Disc 1 Disc 2 The February 14 Session 1-12. Loving You Loving You Special Edition FTD CD Information, http, //shop. elvis. com. au/prod1295. htm LPM-1515 Loving You Guide part of the The Elvis Presley Record Research Database
5.
A-side and B-side
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The terms A-side and B-side refer to the two sides of 78,45, and 33 1/3 rpm phonograph records, whether singles, extended plays, or long-playing records. Creedence Clearwater Revival had hits with both A-side and B-side releases, others took the opposite approach, producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side, the earliest 10-inch,78 rpm, shellac records were single sided. Double-sided recordings, with one song on side, were introduced in Europe by Columbia Records. There were no record charts until the 1930s, and radio stations did not play recorded music until the 1950s, in this time, A-sides and B-sides existed, but neither side was considered more important, the side did not convey anything about the content of the record. The term single came into use with the advent of vinyl records in the early 1950s. At first, most record labels would randomly assign which song would be an A-side, under this random system, many artists had so-called double-sided hits, where both songs on a record made one of the national sales charts, or would be featured on jukeboxes in public places. As time wore on, however, the convention for assigning songs to sides of the record changed. By the early sixties, the song on the A-side was the song that the company wanted radio stations to play. It was not until 1968, for instance, that the production of albums on a unit basis finally surpassed that of singles in the United Kingdom. In the late 1960s stereo versions of pop and rock songs began to appear on 45s. The majority of the 45s were played on AM radio stations, by the early 1970s, double-sided hits had become rare. Album sales had increased, and B-sides had become the side of the record where non-album, non-radio-friendly, with the advent of cassette and compact disc singles in the late 1980s, the A-side/B-side differentiation became much less meaningful. With the decline of cassette singles in the 1990s, the A-side/B-side dichotomy became virtually extinct, as the dominant medium. However, the term B-side is still used to refer to the tracks or coupling tracks on a CD single. With the advent of downloading music via the Internet, sales of CD singles and other media have declined. B-side songs may be released on the record as a single to provide extra value for money. There are several types of material released in this way, including a different version, or, in a concept record
6.
Phonograph record
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The groove usually starts near the periphery and ends near the center of the disc. The phonograph disc record was the medium used for music reproduction until late in the 20th century. It had co-existed with the cylinder from the late 1880s. Records retained the largest market share even when new formats such as compact cassette were mass-marketed, by the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. The phonograph record has made a resurgence in the early 21st century –9.2 million records were sold in the U. S. in 2014. Likewise, in the UK sales have increased five-fold from 2009 to 2014, as of 2017,48 record pressing facilities remain worldwide,18 in the United States and 30 in other countries. The increased popularity of vinyl has led to the investment in new, only two producers of lacquers remains, Apollo Masters in California, USA, and MDC in Japan. Vinyl records may be scratched or warped if stored incorrectly but if they are not exposed to heat or broken. The large cover are valued by collectors and artists for the space given for visual expression, in the 2000s, these tracings were first scanned by audio engineers and digitally converted into audible sound. Phonautograms of singing and speech made by Scott in 1860 were played back as sound for the first time in 2008, along with a tuning fork tone and unintelligible snippets recorded as early as 1857, these are the earliest known recordings of sound. In 1877, Thomas Edison invented the phonograph, unlike the phonautograph, it was capable of both recording and reproducing sound. Despite the similarity of name, there is no evidence that Edisons phonograph was based on Scotts phonautograph. Edison first tried recording sound on a paper tape, with the idea of creating a telephone repeater analogous to the telegraph repeater he had been working on. The tinfoil was wrapped around a metal cylinder and a sound-vibrated stylus indented the tinfoil while the cylinder was rotated. The recording could be played back immediately, Edison also invented variations of the phonograph that used tape and disc formats. A decade later, Edison developed a greatly improved phonograph that used a wax cylinder instead of a foil sheet. This proved to be both a better-sounding and far more useful and durable device, the wax phonograph cylinder created the recorded sound market at the end of the 1880s and dominated it through the early years of the 20th century. Berliners earliest discs, first marketed in 1889, but only in Europe, were 12.5 cm in diameter, both the records and the machine were adequate only for use as a toy or curiosity, due to the limited sound quality
7.
Recording studio
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A recording studio is a facility for sound recording and mixing. Ideally both the recording and monitoring spaces are designed by an acoustician or audio engineer to achieve optimum acoustic properties. The engineers and producers listen to the music and the recorded tracks on monitor speakers and/or headphones. Major recording studios typically have a range of large, heavy, Isolation booths are small sound-insulated rooms with doors, designed for instrumentalists. This equipment may interfere with the recording process, Recording studios are carefully designed around the principles of room acoustics to create a set of spaces with the acoustical properties required for recording sound with precision and accuracy. This will consist of both room treatment and soundproofing to prevent sound from leaving the property. Even though sound isolation is a key goal, the musicians, singers, audio engineers and record producers still need to be able to see other, to see cue gestures. As such, the room, isolation booths, vocal booths. Some smaller studios do not have instruments, and bands and artists are expected to bring their own instruments, having musical instruments and equipment in the studio creates additional costs for a studio, as pianos have to be tuned and instruments need to be maintained. However, it makes it convenient for recording artists, as they do not have to bring in large. As well, less costly studio time is spent moving in gear, drummers bring their own snare drum, cymbals and sticks/brushes. The types and brands of equipment owned by a studio depends on the styles of music for the bands. A studio that mainly records heavy metal music will be likely to have large, powerful guitar amp heads, in contrast, a studio which mainly records country bands will likely have a selection of small, vintage combo amps. A studio that records a lot of 1970s-style funk may have an electric piano. General purpose computers have rapidly assumed a role in the recording process. A computer thus outfitted is called a Digital Audio Workstation, or DAW, other software applications include Ableton Live, Mixcraft, Cakewalk Sonar, ACID Pro, FL Studio, Adobe Audition, Auto-Tune, Audacity, and Ardour. While Apple Macintosh is used for most studio work, there is a breadth of available for Microsoft Windows. If no mixing console is used and all mixing is done using only a keyboard and mouse, the OTB is used when mixing with other hardware and not just the PC software
8.
Rock and roll
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While elements of rock and roll can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until the 1950s. For the purpose of differentiation, this deals with the first definition. The beat is essentially a blues rhythm with an accentuated backbeat, classic rock and roll is usually played with one or two electric guitars, a double bass or string bass or an electric bass guitar, and a drum kit. Beyond simply a style, rock and roll, as seen in movies and on television, influenced lifestyles, fashion, attitudes. In addition, rock and roll may have contributed to the civil rights movement because both African-American and white American teens enjoyed the music and it went on to spawn various genres, often without the initially characteristic backbeat, that are now more commonly called simply rock music or rock. The term rock and roll now has at least two different meanings, both in common usage, the American Heritage Dictionary and the Merriam-Webster Dictionary both define rock and roll as synonymous with rock music. Encyclopædia Britannica, on the hand, regards it as the music that originated in the mid-1950s. In 1934, the song Rock and Roll by the Boswell Sisters appeared in the film Transatlantic Merry-Go-Round, in 1942, Billboard magazine columnist Maurie Orodenker started to use the term rock-and-roll to describe upbeat recordings such as Rock Me by Sister Rosetta Tharpe. By 1943, the Rock and Roll Inn in South Merchantville, in 1951, Cleveland, Ohio disc jockey Alan Freed began playing this music style while popularizing the phrase to describe it. The origins of rock and roll have been debated by commentators. The migration of former slaves and their descendants to major urban centers such as St. The immediate roots of rock and roll lay in the rhythm and blues, then called race music, particularly significant influences were jazz, blues, gospel, country, and folk. The 1940s saw the use of blaring horns, shouted lyrics. In the same period, particularly on the West Coast and in the Midwest, similarly, country boogie and Chicago electric blues supplied many of the elements that would be seen as characteristic of rock and roll. Rock and roll arrived at a time of technological change, soon after the development of the electric guitar, amplifier and microphone. It was the realization that relatively affluent white teenagers were listening to music that led to the development of what was to be defined as rock. Because the development of rock and roll was a process, no single record can be identified as unambiguously the first rock. Other artists with rock and roll hits included Chuck Berry, Bo Diddley, Little Richard, Jerry Lee Lewis
9.
Rhythm and blues
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Rhythm and blues, often abbreviated as R&B or RnB, is a genre of popular African-American music that originated in the 1940s. In the commercial rhythm and blues music typical of the 1950s through the 1970s, R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy. Lyrics focus heavily on the themes of triumphs and failures in terms of relationships, freedom, economics, aspirations, the term rhythm and blues has undergone a number of shifts in meaning. In the early 1950s it was applied to blues records. This tangent of RnB is now known as British rhythm and blues, by the 1970s, the term rhythm and blues changed again and was used as a blanket term for soul and funk. In the 1980s, a style of R&B developed, becoming known as Contemporary R&B. It combines elements of rhythm and blues, soul, funk, pop, hip hop, popular R&B vocalists at the end of the 20th century included Michael Jackson, R. Kelly, Stevie Wonder, Whitney Houston, and Mariah Carey. Although Jerry Wexler of Billboard magazine is credited with coining the term rhythm and blues as a term in the United States in 1948. It replaced the term race music, which came from within the black community. The term rhythm and blues was used by Billboard in its chart listings from June 1949 until August 1969, before the Rhythm and Blues name was instated, various record companies had already begun replacing the term race music with sepia series. In 2010 LaMont Robinson founded the Rhythm & Blues Hall of Fame Museum, writer and producer Robert Palmer defined rhythm & blues as a catchall term referring to any music that was made by and for black Americans. He has used the term R&B as a synonym for jump blues, however, AllMusic separates it from jump blues because of its stronger, gospel-esque backbeat. Lawrence Cohn, author of Nothing but the Blues, writes that rhythm, according to him, the term embraced all black music except classical music and religious music, unless a gospel song sold enough to break into the charts. Well into the 21st century, the term R&B continues in use to music made by black musicians. In the commercial rhythm and blues music typical of the 1950s through the 1970s, arrangements were rehearsed to the point of effortlessness and were sometimes accompanied by background vocalists. Simple repetitive parts mesh, creating momentum and rhythmic interplay producing mellow, lilting, while singers are emotionally engaged with the lyrics, often intensely so, they remain cool, relaxed, and in control. The bands dressed in suits, and even uniforms, an associated with the modern popular music that rhythm. Lyrics often seemed fatalistic, and the music typically followed predictable patterns of chords, there was also increasing emphasis on the electric guitar as a lead instrument, as well as the piano and saxophone
10.
RCA Records
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RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, Inc. It is one of SMEs three flagship labels, alongside Columbia Records and Epic Records. The label has released multiple genres of music, including pop, rock, hip hop, R&B, blues, jazz, the companys name is derived from the initials of the labels former parent company, the Radio Corporation of America. It is the second oldest recording company in US history, after sister label Columbia Records, RCAs Canadian unit is Sonys oldest label in Canada. It was one of only two Canadian record companies to survive the Great Depression, kelly, Enrique Iglesias, Foo Fighters, Kings of Leon, Kesha, Miley Cyrus, Giorgio Moroder, Jennifer Hudson, DAngelo, Pink, Tinashe, G-Eazy, Pitbull, Zayn and Wizkid. In 1929, the Radio Corporation of America purchased the Victor Talking Machine Company, then the worlds largest manufacturer of phonographs and phonograph records. The company then became RCA Victor but retained use of the Victor Records name on their labels until the beginning of 1946 when the labels were finally switched over to RCA Victor. With Victor, RCA acquired New World rights to the famous Nipper His Masters Voice trademark, in Shanghai, China, in 1931, RCA Victors British affiliate the Gramophone Company merged with the Columbia Graphophone Company to form EMI. This gave RCA head David Sarnoff a seat on the EMI board, in September 1931, RCA Victor introduced the first 33⅓ rpm records sold to the public, calling them Program Transcriptions. In the depths of the Great Depression, the format was a commercial failure, during the early part of the depression, RCA made a number of attempts to produce a successful cheap label to compete with the dime store labels. The first was the short-lived Timely Tunes label in 1931 sold at Montgomery Ward, in 1932, Bluebird Records was created as a sub-label of RCA Victor. It was originally an 8-inch record with a blue label. In 1933, RCA reintroduced Bluebird and Electradisk as a standard 10-inch label, another cheap label, Sunrise, was produced. The same musical couplings were issued on all three labels and Bluebird Records still survives eight decades after Electradisk and Sunrise were discontinued, RCA also produced records for Montgomery Ward label during the 1930s. Besides manufacturing records for themselves, RCA Victor operated RCA Custom which was the leading record manufacturer for independent record labels, RCA Custom also pressed record compilations for The Readers Digest Association. RCA sold its interest in EMI in 1935, but EMI continued to distribute RCA recordings in the UK, RCA also manufactured and distributed HMV classical recordings on the RCA and HMV labels in North America. During World War II, ties between RCA and its Japanese affiliate JVC were severed, the Japanese record company is today called Victor Entertainment and is still a JVC subsidiary. From 1942 to 1944, RCA Victor was seriously impacted by the American Federation of Musicians recording ban, virtually all union musicians could not make recordings during that period
11.
Songwriter
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A songwriter is an individual who writes the lyrics, melodies and chord progressions for songs, typically for a popular music genre such as rock or country music. A songwriter can also be called a composer, although the term tends to be used mainly for individuals from the classical music genre. The pressure from the industry to produce popular hits means that songwriting is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with a gift for creating original melodies, pop songs may be written by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own publishers, while others have outside publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees and college diplomas, a knowledge of modern music technology, songwriting elements and business skills are necessary requirements to make a songwriting career in the 2010s. Several music colleges offer songwriting diplomas and degrees with music business modules, the legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law, song pitching can be done on a songwriters behalf by their publisher or independently using tip sheets like RowFax, the MusicRow publication and SongQuarters. Skills associated with song-writing include entrepreneurism and creativity, songwriters who sign an exclusive songwriting agreement with a publisher are called staff writers. In the Nashville country music scene, there is a staff writer culture where contracted writers work normal 9-to-5 hours at the publishing office and are paid a regular salary. This salary is in effect the writers draw, an advance on future earnings, the publisher owns the copyright of songs written during the term of the agreement for a designated period, after which the songwriter can reclaim the copyright. In an interview with HitQuarters, songwriter Dave Berg extolled the benefits of the set-up, unlike contracted writers, some staff writers operate as employees for their respective publishers. Under the terms of work for hire agreements, the compositions created are fully owned by the publisher. In Nashville, young writers are often encouraged to avoid these types of contracts. Staff writers are common across the industry, but without the more office-like working arrangements favored in Nashville. All the major publishers employ writers under contract, songwriter Allan Eshuijs described his staff writer contract at Universal Music Publishing as a starter deal. His success under the arrangement eventually allowed him to found his own publishing company, so that he could. keep as much as possible, songwriters are also often skilled musicians. In addition to selling their songs and musical concepts for other artists to sing, songwriters need to create a number of elements for a song
12.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
13.
All Shook Up
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All Shook Up is a song recorded by Elvis Presley, published by Elvis Presley Music, and composed by Otis Blackwell. The single topped the U. S. Billboard Hot 100 on April 13,1957 and it also topped the Billboard R&B chart for four weeks, becoming Presleys second single to do so, and peaked at No.3 on the country chart. It is certified 2X Platinum by the RIAA and it was ranked #352 on Rolling Stones list of the 500 Greatest Songs of All Time. According to Peter Guralnick the song has a different origin, in his book Last Train To Memphis he wrote that Elvis thought All Shook Up was a good phrase for a refrain. For this he received a credit, his last. Elvis himself, during an interview on October 28,1957, said, I went to bed one night, had quite a dream, and woke up all shook up. I phoned a pal and told him about it, by morning, he had a new song, All Shook Up. Future Last House on the Left actor David Hess, using the stage name David Hill, was the first to record the song and release it a few weeks before Elvis on Aladdin Records, titled Im All Shook Up. Vicki Young recorded a different song with the title, All Shook Up, on Capitol Records with Big Dave and His Orchestra, written by Bill Bellman. On January 12,1957, Presley recorded the song at Radio Recorders in Hollywood, the duet vocal on the record is by the Jordanaires first tenor Gordon Stoker. Take 10 was selected for release, and in March the song entered Billboards Top 100 chart at #25, within three weeks it had knocked Perry Comos Round and Round off the top spot, and stayed there for eight consecutive weeks. The song also became Presleys first No. hit on the UK Singles Chart, sales of the single exceeded two million, and the song was named Billboards Year End number one song for 1957. According to biographer Mark Lewisohn in The Complete Beatles Chronicle, The Beatles regularly performed the song, sadly, there is no known recorded version from that time. However Quarryman Len Garry states that it was one of the songs the group played on July 6,1957, the day John Lennon met Paul McCartney, author Doug Sulpy adds that on Jan. That version of the song remains officially unreleased, in 1999 Paul McCartney cut a hard-rocking version on the album Run Devil Run, while his surviving former bandmates of The Quarrymen recorded it in 2004 on Songs We Remember. In 1991, Billy Joel recorded the song for the movie Honeymoon in Vegas and it was released as a single and peaked at No.92 in the US and No.27 in the UK. Suzi Quatro recorded the song for her solo album Suzi Quatro in 1973. Her recording of the song was released as a single in 1974, Presley invited Quatro to Graceland, commenting that her version was the best since the original
14.
Jailhouse Rock (song)
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Jailhouse Rock is a song written by Jerry Leiber and Mike Stoller that first became a hit for Elvis Presley. The song was released as an RCA Victor 45rpm single on September 24,1957, to coincide with the release of Presleys motion picture, Jailhouse Rock. The song as recorded by Presley is #67 on Rolling Stones list of The 500 Greatest Songs of All Time and was named one of The Rock and Roll Hall of Fames 500 Songs that Shaped Rock and Roll. In 2004, it finished at #21 on AFIs 100 Years.100 Songs survey of top tunes in American cinema, on 27 November 2016, the Grammy Hall of Fame announced its induction, along with that of another 24 songs. The film version differs from the version of the song, featuring backing instrumentation. Some of the named in the song are real people. Shifty Henry was a well-known LA musician, not a criminal, the Purple Gang was a real mob. Sad Sack was a U. S. Army nickname in World War II for a loser, according to Rolling Stone, Leiber and Stollers theme song for Presleys third movie was decidedly silly, the kind of tongue-in-cheek goof they had come up with for The Coasters. The King, however, sang it as straight rock & roll, overlooking the jokes in the lyrics and then introducing Scotty Moores guitar solo with a cry so intense that the take almost collapses. Gender studies scholars cite the song for its famous reference to homoerotics behind bars, while music critic Garry Mulholland writes, Jailhouse Rock was always a queer lyric, douglas Brode writes of the filmed production number that its amazing that the sequence passed by the censors. The single, with its B-side Treat Me Nice was a US #1 hit for seven weeks in the fall of 1957, and it was the first record to enter the UK charts at No.1. In addition, Jailhouse Rock spent one week at the top of the US country charts, and reached the No.2 position on the R&B chart. Also in 1957, Jailhouse Rock was the song in an EP, together with other songs from the film, namely Young and Beautiful, I Want to be Free, Dont Leave Me Now. It topped the Billboard EP charts, eventually selling two million copies and earning a double-platinum RIAA certification. In 2005, the song was re-released in the UK and reached No.1 for a week, when it became the lowest-selling number 1 in UK history. The Beatles regularly performed Jailhouse Rock starting in 1958 and continuing all the way through 1960 with John Lennon on lead vocal, quarryman Len Garry states that the group actually started performing the song in 1957. It is the last song in the motion picture The Blues Brothers, the song is featured in the 1995 film Casper and the 2006 animated television film Leroy & Stitch. American Idol Season 5 contestant Taylor Hicks performed it on May 9,2006, in an episode of Full House, Jesse and Becky sing this song at their wedding reception
15.
(Let Me Be Your) Teddy Bear
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Teddy Bear is a popular song first recorded by Elvis Presley in 1957 for the soundtrack of his second motion picture, Loving You, during which Presley performs the song on screen. It was written by Kal Mann and Bernie Lowe and published in 1957 by Gladys Music, clear melodic roots of this tune can be heard in the many early recordings of Boll Weevil, a traditional blues song. The song was a US number-one hit for Elvis Presley during the summer of 1957, staying at number-one for seven weeks, teddy Bear would also hit number one on the R&B Best Sellers List, becoming his fourth number one on that chart. In addition the song would hit one on the country charts for a single week. Elvis Presley – lead vocal, acoustic guitar Dudley Brooks – piano Bill Black – double bass D. J, fontana – drums The Jordanaires – backing vocals Walter Scharf – producer Thorne Nogar – engineer Pat Boone on his LP Pat Boone Sings Guess Who. Also, during episodes of Full House, the three main adult characters would often sing the song as a lullaby for Michelle Tanner. Disney featured a video in the special DTV Romancin, set entirely to clips featuring the bear characters from the companys animated films
16.
Blueberry Hill (song)
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Blueberry Hill is a popular song published in 1940 best remembered for its 1950s rock n roll version by Fats Domino. The music was written by Vincent Rose, the lyrics by Larry Stock and it was recorded six times in 1940. Victor Records released the recording by the Sammy Kaye Orchestra with vocals by Tommy Ryan on May 31,1940. Gene Krupas version was issued on OKeh Records on June 3 and singer Mary Small did a version on the same label with Nat Brandwynnes orchestra. Other 1940 recordings were by, The Glenn Miller Orchestra on Bluebird Records, Kay Kyser, Russ Morgan, Gene Autry, Connee Boswell, the largest 1940 hit was by The Glenn Miller Orchestra, where it reached #1. Louis Armstrongs 1949 recording charted in the Billboard Top 40, reaching #29 and it was an international hit in 1956 for Fats Domino and has become a rock and roll standard. It reached #2 for three weeks on the Billboard Top 40 charts, becoming his biggest pop hit, and spent eight weeks at #1 on the R&B Best Sellers chart. The version by Fats Domino was also ranked #82 in Rolling Stone magazines list of the 500 Greatest Songs of All Time, the song was Dominos greatest hit and remains the song most associated with him. In reference to pretty girls he dated or wanted to date and it is one of the songs that the time traveling James Cole enjoys in the film,12 Monkeys, and the song is later sung by the scientists upon his return to the future. This song is used in a scene near the beginning of the film The Man Who Fell to Earth. Joe Edwards restaurant Blueberry Hill, on the Delmar Loop in St. Louis, Missouri, the Far Side, a comic written by Gary Larson, features a comic parodying the lyrics of this song. A man is talking in a booth on top of a hill named Blueberry Hill. He says into the phone Norm and you were right—I found my drill. The parody is of the line found my thrill on Blueberry Hill, videos of his performance quickly went viral worldwide. An episode of Family Guy shows Peter Griffin at Blueberry Hill being dismayed at finding only a bunch of blueberries only to see two dogs humping thus finding his thrill. SongFacts, Blueberry Hill Blueberry Hill - Lead sheet at wikifonia. org Lyrics of this song at MetroLyrics
17.
True Love (Cole Porter song)
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True Love is a popular song written by Cole Porter and was published in 1956. The song was introduced by Bing Crosby and Grace Kelly in the musical film High Society, True Love was nominated for the Academy Award for Best Song. Kellys contribution on the record is relatively minor, duetting with Crosby on only the final chorus, nonetheless, the single is co-credited to her and became her only gold record. It was Crosbys 21st gold record, True Love is the name of a yacht on which two of the characters honeymoon in the play The Philadelphia Story, on which the musical is based. Bing Crosby later owned a 55-foot Constellation yacht which he named the True Love, a version of the song by Jane Powell out at the same time as the Crosby–Kelly version was also popular. Richard Chamberlain released a cover of the song as a single in 1963, a version by Nancy Sinatra was released as a single in 1965. A version by George Harrison done in a rock style. A version by Shakin Stevens, from his 1988 album A Whole Lotta Shaky, in 1993, Elton John and Kiki Dee recorded the song as an adult contemporary duet for Johns album Duets, the single reached #2 in the UK. Elvis Presley cut a version of True Love that was featured on his successful album Loving You from 1957, Ricky Nelson included a version of the song on his 1957 debut album Ricky. Shelley Fabares cut a version of the song on her album Shelley, al Hirt released a version on his 1962 album, Trumpet and Strings. The Everly Brothers recorded a version for their 1962 album Instant Party without any commercial success though, in 1961, Patsy Cline covered the song on her second studio album, Patsy Cline Showcase. The short-lived 1980s band Oasis recorded a version on their one album, Oasis, anne Murray recorded a cover of the song for her album Croonin. Neil Diamond covered the song for his 1998 album The Movie Album, deana Martin recorded “True Love” on her 2013 album Destination Moon as a duet with her father, Dean Martin, who originally recorded the song for his 1960 album This Time Im Swingin
18.
Have I Told You Lately That I Love You?
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Have I Told You Lately That I Love You. is a popular song written by Scotty Wiseman and published in 1945. It was the greatest hit of Wiseman and his wife and one of the first country songs to attract major attention in the pop music field. Bing and the gals are in top form as they harmonize it to a spanking fare-thee-well, the record entered the Billboard charts on January 21,1950 and in a four-week stay it peaked at No.24. Lulu Belle and Scotty released their version in 1956 on a Mercury Records 45 rpm single, the earliest and easily most prominent recording of Have I Told You Lately That I Love You in the early rock era was by Elvis Presley. According to the book of the CD-boxset Elvis - The Complete 50s Masters, Presley recorded it on January 19,1957, session musicians for the song included Presley himself on rhythm guitar, his usual lead guitarist Scotty Moore, with Bill Black on bass, D. J. Fontana on drums, piano by Dudley Brooks, organ by Hoyt Hawkins, when the song was included on the Loving You album release in July 1957, it immediately prompted both Ricky Nelson and Eddie Cochran to record cover versions of the song. Nelsons was the B side of a hit single, while Cochrans was an album cut, the impact of the Elvis version was felt across the Atlantic. Eddie Cochran recorded his version in August 1957 and released it on the album Singin to My Baby, musicians on the session were, Eddie Cochran - guitars, ukulele, vocals Perry Botkin Sr. For many years it was the standard, and still is to people today. The Beau Marks The Blue Diamonds Jim Ed Brown Anita Bryant Michael Bublé with Naturally 7 - included in the album To Be Loved. Cliff Richard Riders in the Sky Riders of the Purple Sage Tex Ritter Marty Robbins - included in his album Have I Told You Lately That I Love You, Scotty Wiseman i Nashville Songwriters Foundation
19.
YouTube
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YouTube is an American video-sharing website headquartered in San Bruno, California. The service was created by three former PayPal employees—Chad Hurley, Steve Chen, and Jawed Karim—in February 2005, Google bought the site in November 2006 for US$1.65 billion, YouTube now operates as one of Googles subsidiaries. Unregistered users can watch videos on the site, while registered users are permitted to upload an unlimited number of videos. Videos deemed potentially offensive are available only to registered users affirming themselves to be at least 18 years old, YouTube earns advertising revenue from Google AdSense, a program which targets ads according to site content and audience. YouTube was founded by Chad Hurley, Steve Chen, and Jawed Karim, Hurley had studied design at Indiana University of Pennsylvania, and Chen and Karim studied computer science together at the University of Illinois at Urbana-Champaign. Karim could not easily find video clips of either event online, Hurley and Chen said that the original idea for YouTube was a video version of an online dating service, and had been influenced by the website Hot or Not. YouTube began as a venture capital-funded technology startup, primarily from an $11.5 million investment by Sequoia Capital between November 2005 and April 2006, YouTubes early headquarters were situated above a pizzeria and Japanese restaurant in San Mateo, California. The domain name www. youtube. com was activated on February 14,2005, the first YouTube video, titled Me at the zoo, shows co-founder Jawed Karim at the San Diego Zoo. The video was uploaded on April 23,2005, and can still be viewed on the site, YouTube offered the public a beta test of the site in May 2005. The first video to reach one million views was a Nike advertisement featuring Ronaldinho in November 2005. Following a $3.5 million investment from Sequoia Capital in November, the site grew rapidly, and in July 2006 the company announced that more than 65,000 new videos were being uploaded every day, and that the site was receiving 100 million video views per day. The site has 800 million unique users a month and it is estimated that in 2007 YouTube consumed as much bandwidth as the entire Internet in 2000. The choice of the name www. youtube. com led to problems for a similarly named website, the sites owner, Universal Tube & Rollform Equipment, filed a lawsuit against YouTube in November 2006 after being regularly overloaded by people looking for YouTube. Universal Tube has since changed the name of its website to www. utubeonline. com, in October 2006, Google Inc. announced that it had acquired YouTube for $1.65 billion in Google stock, and the deal was finalized on November 13,2006. In March 2010, YouTube began free streaming of certain content, according to YouTube, this was the first worldwide free online broadcast of a major sporting event. On March 31,2010, the YouTube website launched a new design, with the aim of simplifying the interface, Google product manager Shiva Rajaraman commented, We really felt like we needed to step back and remove the clutter. In May 2010, YouTube videos were watched more than two times per day. This increased to three billion in May 2011, and four billion in January 2012, in February 2017, one billion hours of YouTube was watched every day
20.
Popular music
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Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training and it stands in contrast to both art music and traditional or folk music. Art music was historically disseminated through the performances of music, although since the beginning of the recording industry. Traditional music forms such as blues songs or hymns were passed along orally, or to smaller. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States, although popular music sometimes is known as pop music, the two terms are not interchangeable. Popular music songs and pieces typically have easily singable melodies, in the 2000s, with songs and pieces available as digital sound files, it has become easier for music to spread from one country or region to another. Some popular music forms have become global, while others have an appeal within the culture of their origin. Through the mixture of genres, new popular music forms are created to reflect the ideals of a global culture. The examples of Africa, Indonesia and the Middle East show how Western pop music styles can blend with local traditions to create new hybrid styles. Sales of recordings or sheet music are one measure, middleton and Manuel note that this definition has problems because multiple listens or plays of the same song or piece are not counted. Manuel states that one criticism of music is that it is produced by large media conglomerates and passively consumed by the public. He claims that the listeners in the scenario would not have been able to make the choice of their favorite music, moreover, understandings of popular music have changed with time. A societys popular music reflects the ideals that are prevalent at the time it is performed or published, david Riesman states that the youth audiences of popular music fit into either a majority group or a subculture. The majority group listens to the commercially produced styles while the subcultures find a minority style to transmit their own values and this allows youth to choose what music they identify with, which gives them power as consumers to control the market of popular music. Form in popular music is most often sectional, the most common sections being verse, chorus or refrain, other common forms include thirty-two-bar form, chorus form *, and twelve-bar blues. Popular music songs are rarely composed using different music for each stanza of the lyrics, the verse and chorus are considered the primary elements. Each verse usually has the melody, but the lyrics change for most verses. The chorus usually has a phrase and a key lyrical line which is repeated
21.
Loving You (1957 film)
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Directed by Hal Kanter, the cast is completed by Lizabeth Scott, Wendell Corey, and Dolores Hart in her movie debut. Kanter expanded the script after being inspired by Presleys last appearance on the Louisiana Hayride, a box office success, Loving You opened nationwide on July 9,1957. Paramount Pictures chose to ignore the first-run theater system, opting instead to release the film in sub-run neighborhood theaters, composed by Jerry Leiber and Mike Stoller, Presleys single Teddy Bear backed with Loving You was certified platinum by the Recording Industry Association of America. Walter Tex Warner, a country and western bandleader past his prime. During a campaign stop in the town of Delville, Deke Rivers, while they are unloading, the workmate talks to Glenda about Dekes singing ability, which Glenda jumps on to revive the sagging interest in the event by using local talent. She convinces Deke to sing a song with the backing of Texs Rough Ridin Ramblers, seeing the positive reception by the female audience, Glenda tries to convince Deke to join the Tex Warner Show. Driving in Dekes hotrod, she tells him about his potential, not willing to leave his first steady job in a year, he rejects the offer, but Glenda asks him to think about it. Upon returning to town, Glenda calls the Highway Beverage Company, after which she, later that night, Deke is provoked at a restaurant by the boyfriend of one of his fans, who wants to hear him sing a song. After singing to a tune from the jukebox, he starts a fight with him and he is later exonerated by the police. The following morning, as the group is leaving town, Deke accepts Glendas offer, after being fired because of a complaint by a customer regarding a late delivery, Glenda just happens to have prepared a contract, which grants her half of his income. With Tex headlining, they start touring throughout Texas, along two other acts, Susan Susie Jessup and a singing trio, as Dekes popularity grows, Glenda devises publicity stunts to leverage it. At one show, she pays two aged woman to criticize him, when they start to argue with young fans, Glenda has a press photographer document the incident. As the tour progresses, Deke and Susan become interested in one another, after playing small venues, the group is hired to play in a large Amarillo theater on a four-day run. Convinced that it is his ticket to fame, Tex accepts Glendas suggestion to share the bill with Deke. After the end of the four day engagement, Dekes management is offered a show in Freegate, Texas. Due to the terms of the contract, Tex fires Susan, before he has to begin his new tour, Deke drives Susan to her familys farm. Meanwhile, in another publicity move, Glenda convinces Tex to buy a Cadillac against his life insurance for Deke, inventing a story to tell Deke that it was a gift from the widow of an oil magnate. Back on the farm, Deke and Susan talk, where she tells him about being fired, after which they are about to kiss, when they are interrupted by her parents, who ask him to sing the song he promised
22.
Lead vocalist
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The lead vocalist, lead vocals or lead singer in popular music is typically the member of a group or band whose voice is the most prominent in a performance where multiple voices may be heard. The lead singer either leads the ensemble, or sets against the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, as an example in rock music, Mick Jagger is the lead singer of The Rolling Stones. Similarly in soul music, Smokey Robinson was the singer of The Miracles. The practice of using a lead singer in vocal groups, however, has a longer history, songs of the late nineteenth century frequently used a leading solo voice, followed by a choral response by other singers. From these various points - including Motown - it went on to become a device in much rock. In some bands - most famously, The Beatles - the role of lead singer alternated, while in others - for example, there are as many types and styles of lead singer as there are styles and genres of music. However, the singer of a group or band is usually the main focus of audiences attention. The lead vocalist of a band is called the front man or front woman. Pink Floyd also can be considered a band with two front men, as both the guitarist David Gilmour and the bassist Roger Waters sang and wrote most of the songs. In the beginning of the career, however, Pink Floyds lead singer and guitarist was Syd Barrett. Particularly before the 1970s, many bands were named for the leader or founder, rather than the lead singer, examples include the Dave Clark Five and Harold Melvin. In modern rock music, the singer is often, but not always, also the bands leader. While lead singers or spokespersons for any musical ensembles can be called a front man, since the position commonly has an expanded role from simple lead vocalists, there have been cases in which the front man for a band is someone other than the lead vocalist. In many bands, such as The Who, Fall Out Boy, Led Zeppelin, Living Colour, Queen and Oasis, usually, this is derived from that guitarists specific role as a co-songwriter, co-founder and/or co-vocalist. Also in some cases, there are two frontmen, such as Underoath, with singers Spencer Chamberlain and Aaron Gillespie sharing vocal duties, another example is Blink-182, in which vocal duties are split between bassist Mark Hoppus and guitarist Tom DeLonge. Hoppus usually carries out most media either by himself or together with DeLonge, linkin Park has two vocalists as well, Chester Bennington and Mike Shinoda, both considered as frontmen. Another example is the metal band Metallica, in which James Hetfield
23.
Acoustic guitar
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An acoustic guitar is a guitar that produces sound acoustically—by transmitting the vibration of the strings to the air—as opposed to relying on electronic amplification. The sound waves from the strings of an acoustic guitar resonate through the guitars body and this typically involves the use of a sound board and a sound box to strengthen the vibrations of the strings. The main source of sound in a guitar is the string. The string vibrates at a frequency and also creates many harmonics at various different frequencies. The frequencies produced can depend on string length, mass, gitterns, a small plucked guitar were the first small guitar-like instruments created during the Middle Ages with a round back like that of a lute. Modern guitar shaped instruments were not seen until the Renaissance era where the body, the earliest string instruments that related to the guitar and its structure where broadly known as the vihuelas within Spanish musical culture. Vihuelas where string instruments that were seen in the 16th century during the Renaissance. Later, Spanish writers distinguished these instruments into 2 categories of vihuelas, the vihuela de arco was an instrument that mimicked the violin, and the vihuela de penola was played with a plectrum or by hand. When it was played by hand it was known as the vihuela de mano, vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. The real production of guitars kicked off in France where the popularity, the production became so large that early famous creators such as Gaspard Duyffooprucgars instruments were being sold as copies by other guitar makers in Lyon. Benoist Lejeune, a maker, offered and sold guitar copies of Duyffoprucgars instruments and was later imprisoned for using his mark and work. During this time, the production was increasing tremendously but it was not until Robert and Claude Denis appeared overproducing the early Renaissance guitar in Paris, as father and son, Robert and Claude produced hundreds of guitars that increased the popularity of the instrument greatly. Because of them and the great many guitar inventors of this time, by 1790 only six-course vihuela guitars were being created and had become the main type and model of guitar used in Spain. Most of the older 5-course guitars where still in use but were also being modified to a six-coursed acoustical guitar, by the 19th century, coursed strings where evolved into 6 single-stringed instruments much like that of the guitar today. It had evolved into the modern look except for size, retaining a smaller frame, the acoustic guitars soundboard, or top, also has a strong effect on the loudness of the guitar. No amplification actually occurs in this process, because no energy is added to increase the loudness of the sound. All the energy is provided by the plucking of the string, but without a soundboard, the string would just cut through the air without actually moving it much. The soundboard increases the surface of the area in a process called mechanical impedance matching
24.
Dudley Brooks
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Dudley Brooks was an American jazz pianist, arranger, and composer. Brooks was born on December 22,1913, in Los Angeles, while under contract to Paramount Studios, Brooks spent considerable time working as a session piano player at the Radio Recorders studio in Los Angeles. For many years, Radio Recorders was one of the best known recording studios in the country and hosted performers such as Charlie Parker, Louis Armstrong, Presley was also under contract to Paramount Studios where he was filming movies to include Girls. Paramount, to ensure Presleys recordings and movies stayed on schedule, as a result, Brooks developed a professional relationship with Presley that spanned decades. I. During his career, Brooks also composed a number of songs often in collaboration with other songwriters, among his works is the well-known Christmas song The Man with the Bag. Made popular by Kay Starr in 1950, the song has been covered by artists to include the Brian Setzer Orchestra. Brooks died in his hometown of Los Angeles in 1989
25.
Piano
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The piano is an acoustic, stringed musical instrument invented around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. The word piano is a form of pianoforte, the Italian term for the early 1700s versions of the instrument. The first fortepianos in the 1700s had a sound and smaller dynamic range. An acoustic piano usually has a wooden case surrounding the soundboard and metal strings. Pressing one or more keys on the keyboard causes a padded hammer to strike the strings. The hammer rebounds from the strings, and the continue to vibrate at their resonant frequency. These vibrations are transmitted through a bridge to a soundboard that amplifies by more efficiently coupling the acoustic energy to the air, when the key is released, a damper stops the strings vibration, ending the sound. Notes can be sustained, even when the keys are released by the fingers and thumbs and this means that the piano can play 88 different pitches, going from the deepest bass range to the highest treble. The black keys are for the accidentals, which are needed to play in all twelve keys, more rarely, some pianos have additional keys. Most notes have three strings, except for the bass that graduates from one to two, the strings are sounded when keys are pressed or struck, and silenced by dampers when the hands are lifted from the keyboard. There are two types of piano, the grand piano and the upright piano. The grand piano is used for Classical solos, chamber music and art song and it is used in jazz. The upright piano, which is compact, is the most popular type, as they are a better size for use in private homes for domestic music-making. During the nineteenth century, music publishers produced many works in arrangements for piano, so that music lovers could play. The piano is widely employed in classical, jazz, traditional and popular music for solo and ensemble performances, accompaniment, with technological advances, amplified electric pianos, electronic pianos, and digital pianos have also been developed. The electric piano became an instrument in the 1960s and 1970s genres of jazz fusion, funk music. The piano was founded on earlier technological innovations in keyboard instruments, pipe organs have been used since Antiquity, and as such, the development of pipe organs enabled instrument builders to learn about creating keyboard mechanisms for sounding pitches
26.
Bill Black
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William Patton Bill Black, Jr. was an American musician and bandleader who is noted as one of the pioneers of rock and roll music. Black was the bassist in Elvis Presleys early trio after which he formed Bill Blacks Combo, Black was born in Memphis, Tennessee, to a motorman for the Memphis Street Railway. He was the oldest of nine children and his father played popular songs on the banjo and fiddle to entertain the family. Black learned to play music at the age of 14 on an instrument made by his cigar box with a board nailed to it. At the age of sixteen, Black was performing music on acoustic guitar in local bars. During World War II, Black was stationed with the U. S. Army at Fort Lee in Virginia, while in the Army, he met Evelyn, who played guitar as the member of a musical family. They married in 1946 and returned to Memphis, Black worked at the Firestone plant. He began playing the bass fiddle, modeling his slap bass technique after one of his idols, Fred Maddox of Maddox Brothers. Black also developed a stage clown persona in the way that Maddox entertained audiences. Black performed as a hillbilly with blacked-out teeth, straw hat. According to his son, Black said his goal was always to give his audience a few moments of entertainment, in 1952, Black began playing club and radio shows with guitarist Scotty Moore. Along with two guitarists and a fiddler, they performed country music tunes by Hank Williams and Red Foley in Doug Poindexters band. Black and Moore also played in a band with Paul Burlison, Johnny Burnette, Dorsey Burnette on steel guitar, in July 1954, Sam Phillips of Sun Records asked Black and Moore to play back-up for the as-yet-unknown Elvis Presley. Black played slap bass with guitarist Scotty Moore, while Elvis Presley played rhythm guitar, neither musician was overly impressed with Presley, but they agreed a studio session would be useful to explore his potential. On July 5,1954, the trio met at Sun studios to rehearse, according to Moore, the first song they recorded was I Love You Because, but after a few country music songs that werent impressive they decided to take a break. During the break, Presley began acting the fool with Arthur Crudups Thats All Right, when the other two musicians joined in, Phillips taped the song. Get that on the radio and theyll run us out of town, the next day, the group recorded four more songs, including bluegrass musician Bill Monroes Blue Moon of Kentucky, which he had written and recorded as a slow waltz. Sources credit Bill Black with initiating the song, with Presley, Moore said, Bill is the one who came up with Blue Moon of Kentucky
27.
Double bass
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The double bass, or simply the bass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra. It is an instrument and is typically notated one octave higher than sounding to avoid excessive ledger lines below the staff. The double bass is the modern bowed string instrument that is tuned in fourths, rather than fifths, with strings usually tuned to E1, A1, D2. The instruments exact lineage is still a matter of some debate, the double bass is a standard member of the orchestras string section, as well as the concert band, and is featured in concertos, solo and chamber music in Western classical music. The bass is used in a range of genres, such as jazz, 1950s-style blues and rock and roll, rockabilly, psychobilly, traditional country music, bluegrass, tango. The double bass is played either with a bow or by plucking the strings, in orchestral repertoire and tango music, both arco and pizzicato are employed. In jazz, blues, and rockabilly, pizzicato is the norm, Classical music uses just the natural sound produced acoustically by the instrument, so does traditional bluegrass. In jazz, blues, and related genres, the bass is typically amplified with an amplifier and speaker, the double bass stands around 180 cm from scroll to endpin. However, other sizes are available, such as a 1⁄2 or 3⁄4 and these sizes do not reflect the size relative to a full size, or 4⁄4 bass, a 1⁄2 bass is not half the size of a bass but is only slightly smaller. It is typically constructed from several types of wood, including maple for the back, spruce for the top and it is uncertain whether the instrument is a descendant of the viola da gamba or of the violin, but it is traditionally aligned with the violin family. While the double bass is nearly identical in construction to other violin family instruments, like other violin and viol-family string instruments, the double bass is played either with a bow or by plucking the strings. In orchestral repertoire and tango music, both arco and pizzicato are employed, in jazz, blues, and rockabilly, pizzicato is the norm, except for some solos and also occasional written parts in modern jazz that call for bowing. In classical pedagogy, almost all of the focus is on performing with the bow and producing a good bowed tone, some of these articulations can be combined, for example, the combination of sul ponticello and tremolo can produce eerie, ghostly sounds. Classical bass players do play pizzicato parts in orchestra, but these parts generally require simple notes, vibrato is used to add expression to string playing. In general, very loud, low-register passages are played with little or no vibrato, mid- and higher-register melodies are typically played with more vibrato. The speed and intensity of the vibrato is varied by the performer for an emotional and musical effect, in jazz, rockabilly and other related genres, much or all of the focus is on playing pizzicato. In jazz and jump blues, bassists are required to play extremely rapid pizzicato walking basslines for extended periods, as well, jazz and rockabilly bassists develop virtuoso pizzicato techniques that enable them to play rapid solos that incorporate fast-moving triplet and sixteenth note figures. In jazz and related styles, bassists often add semi-percussive ghost notes into basslines, to add to the rhythmic feel and to add fills to a bassline
28.
Drum kit
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A drum kit consists of a mix of drums and idiophones most significantly cymbals but also including the woodblock and cowbell. In the 2000s, some also include electronic instruments and both hybrid and entirely electronic kits are used. If some or all of them are replaced by electronic drums, the drum kit is usually played while seated on a drum stool or throne. The drum kit differs from instruments that can be used to produce pitched melodies or chords, even though drums are often placed musically alongside others that do, such as the piano or guitar. The drum kit is part of the rhythm section used in many types of popular and traditional music styles ranging from rock and pop to blues. Other standard instruments used in the section include the electric bass, electric guitar. Many drummers extend their kits from this pattern, adding more drums, more cymbals. Some performers, such as some rockabilly drummers, use small kits that omit elements from the basic setup, some drum kit players may have other roles in the band, such as providing backup vocals, or less commonly, lead vocals. Thus, in an early 1800s orchestra piece, if the called for bass drum, triangle and cymbals. In the 1840s, percussionists began to experiment with foot pedals as a way to them to play more than one instrument. In the 1860s, percussionists started combining multiple drums into a set, the bass drum, snare drum, cymbals, and other percussion instruments were all played using hand-held drum sticks. Double-drumming was developed to one person to play the bass and snare with sticks. With this approach, the drum was usually played on beats one. This resulted in a swing and dance feel. The drum set was referred to as a trap set. By the 1870s, drummers were using an overhang pedal, most drummers in the 1870s preferred to do double drumming without any pedal to play multiple drums, rather than use an overhang pedal. Companies patented their pedal systems such as Dee Dee Chandler of New Orleans 1904–05, liberating the hands for the first time, this evolution saw the bass drum played with the foot of a standing percussionist. The bass drum became the central piece around which every other percussion instrument would later revolve and it was the golden age of drum building for many famous drum companies, with Ludwig introducing
29.
The Jordanaires
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The Jordanaires were an American vocal quartet that formed as a gospel group in 1948. They are known for providing vocals for Elvis Presley, in live appearances. The group has worked in the recording studio, on stage. In 1948, Matt and Jack left to become full-time preachers and were replaced by Bob Hubbard, also a minister, and bass singer Culley Holt, after three years Money was replaced as pianist by Gordon Stoker. At that time, they formed the new group as the Melodizing Matthews, in Springfield, Missouri and this starting lineup lasted until 1949, at that time, Bob Hubbard was drafted and was replaced by Hoyt Hawkins. Later that year, Monty and Bill Matthews left, Hawkins switched to baritone, and new lead Neal Matthews was recruited. Don Bruce came in as a new first tenor, however, the group narrowed to a quartet, with Stoker taking over as first tenor. They became members of the Grand Ole Opry in 1949 and they recorded for Capitol Records in the early 1950s, and began providing vocal accompaniment behind solo singers in Nashville, Tennessee. The lineup changed again in 1954, with Culley Holt leaving, the quartet became well known in the southern gospel realm, and what made them stand out from other quartets of that time was how they would bring spirituals to a predominantly white audience. While continuing to turn out albums of their own, the group become better known for the signature background harmonies they have provided on dozens of secular records. Jarrett remained until 1958, at time, he was replaced by Ray Walker. October 31954 a teenage Elvis Presley made the drive from Memphis to Nashville to make his one, debuting his high-energy brand of rockabilly with Blue Moon of Kentucky it was his first live performance on national radio broadcast. He had just recorded his first record at Sun studios, Thats All Right just a few weeks prior, an afternoon in 1955, the Jordanaires played a show in Memphis with Eddy Arnold to publicize their new syndicated TV series, Eddy Arnold Time. He was on Sun Records at that time, on January 10,1956, Presley recorded his first session for RCA with guitarist Scotty Moore, bassist Bill Black, and drummer D. J. Fontana. I Got a Woman, Heartbreak Hotel, and Money Honey were recorded, Presley asked his new label RCA Victor if the Jordanaires could appear on the recordings. The next day Gordon Stoker was called by Chet Atkins to do a session with a new singer named Elvis. RCA had also just signed the Speer Family, Atkins asked Stoker to sing with Ben and Brock Speer so he could use them. The recording session for Im Counting on You and I Was the One was the first session Presley did with vocal background, by April 1956, Heartbreak Hotel was No.1
30.
Backing vocalist
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Backing vocalists are singers who provide vocal harmony with the lead vocalist or other backing vocalists. In some cases, a singer may sing alone as a lead-in to the main vocalists entry or to sing a counter-melody. Backing vocalists are used in a range of popular music, traditional music. Solo artists may employ professional backing vocalists in studio recording sessions as well as during concerts, in many rock and metal bands, the musicians doing backup vocals also play instruments, such as guitar, electric bass, drums, or keyboards. In Latin or Afro-Cuban groups, backup singers may play percussion instruments or shakers while singing, in some pop and hip-hop groups and in musical theater, the backup singers may be required to perform elaborately choreographed dance routines while they sing through headset microphones. The style of singing used by backup singers varies according to the type of song, in pop and country songs, backup vocalists may perform vocal harmony parts to support the lead vocalist. In hardcore punk or rockabilly, other members who play instruments may sing or shout backup vocals during the chorus section of the songs. While some bands use performers whose sole on-stage role is performing backing vocals, two notable examples of band members who sang back-up are The Beach Boys and The Beatles. The Beach Boys were well known for their vocal harmonies, occasionally with all five members singing at once such as In My Room. All five members would sing lead, although most often Brian Wilson or Mike Love would sing lead with guitarists Carl Wilson and Al Jardine, examples of three-part harmonies by Lennon, McCartney and Harrison include Nowhere Man, Because, Day Tripper, and This Boy. Former guitarist John Frusciante of the Red Hot Chili Peppers sang nearly all backing vocals often singing some parts without accompaniment from lead vocalist Anthony Kiedis, the bands bassist Flea occasionally filled in for additional vocals. Frusciante usually sang one song by himself during concerts, another example is No Frontiers by The Corrs, which is sung by Sharon and Caroline. In the recording studio, some lead singers record their own backing vocals by overdubbing, one famous example is Freddie Mercury of Queen singing the first part of Bohemian Rhapsody himself by overdubbing. With the exception of a few songs on album, Dan Fogelberg, Eddie Rabbitt, David Bowie. Some bands, such as Hawthorne Heights and Finch have the backup singers do harsh vocals to highlight specific lyrics. Pop and R&B vocalists such as Diana Ross, Ariana Grande, Mariah Carey, Michael Jackson, Janet Jackson, Beyoncé Knowles, Brandy, Faith Evans, DAngelo, when they perform live, they may have backing vocalists that impersonate their voices. Some bands use backing vocals in order to contrast with the singer who may be performing an unusual vocal technique. In rap music, a rapper who chants and rhymes to support the main artist is often referred to as hype man
31.
Audio engineer
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An audio engineer works on the recording, manipulating the record using equalization and electronic effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the. technical aspect of recording—the placing of microphones, pre-amp knobs, the physical recording of any project is done by an engineer. Many audio engineers creatively use technologies to produce sound for film, radio, television, music, electronic products and computer games. Audio engineers also set up, sound check and do live sound mixing using an audio console, research and development audio engineers invent new technologies, equipment and techniques, to enhance the process and art of audio engineering. They might also be referred to as acoustic engineers, audio engineers in research and development usually possess a bachelors degree, masters degree or higher qualification in acoustics, physics, computer science or another engineering discipline. They might work in consultancy, specializing in architectural acoustics. Alternatively they might work in companies, or other industries that need audio expertise. Some positions, such as faculty require a Doctor of Philosophy, in Germany a Toningenieur is an audio engineer who designs, builds and repairs audio systems. The listed subdisciplines are based on PACS coding used by the Acoustical Society of America with some revision, audio engineers develop algorithms to allow the electronic manipulation of audio signals. These can be processed at the heart of audio production such as reverberation. Alternatively, the algorithms might carry out echo cancellation on Skype, or identify, architectural acoustics is the science and engineering of achieving a good sound within a room. For audio engineers, architectural acoustics can be about achieving good speech intelligibility in a stadium or enhancing the quality of music in a theatre, architectural Acoustic design is usually done by acoustic consultants. Electroacoustics is concerned with the design of headphones, microphones, loudspeakers, sound reproduction systems, examples of electroacoustic design include portable electronic devices, sound systems in architectural acoustics, surround sound in movie theater and vehicle audio. Musical acoustics is concerned with researching and describing the science of music, in audio engineering, this includes the design of electronic instruments such as synthesizers, the human voice, computer analysis of audio, music therapy, and the perception and cognition of music. Psychoacoustics is the study of how humans respond to what they hear. At the heart of audio engineering are listeners who are the final arbitrator as to whether a design is successful. The production, computer processing and perception of speech is an important part of audio engineering, ensuring speech is transmitted intelligibly, efficiently and with high quality, in rooms, through public address systems and through mobile telephone systems are important areas of study. Producer, engineer, and mixer Phil Ek has described audio engineering as the aspect of recording—the placing of microphones, the turning of pre-amp knobs
32.
Peter Kraus
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Peter Kraus is a German singer and actor. Born Peter Siegfried Krausenecker in Munich, Kraus was popular especially in the 1950s, Kraus is the son of Austrian-born director and comedian Fred Krausnecker, and spent his youth alternating in Munich, Vienna and Salzburg where his father owned a small theatre. During his school years he took singing and acting lessons as well as dancing classes. His first acting role was the part of Johnny in Das fliegende Klassenzimmer after the novel by Erich Kästner, in 1969 Kraus married the photo model Ingrid. A few years later their son Mike was born, gaby died in her late thirties from breast cancer. When the German music industry discovered that rock ’n’ roll was a big seller even with German lyrics, they marketed Kraus as an Elvis copy. Kraus soon became – just like his colleague Ted Herold – one of Germanys most popular singers and teen idols, in the first four years after his debut he published 36 hits and sold more than twelve million records. Kraus first disc in 1956 was a German version of Little Richards Tutti Frutti, in mid-1957 his first hit Susi Rock“ followed and made it to number 8 in the charts. From then until 1964 Kraus was regularly in the German charts,1958 he recorded Wenn Teenager träumen“, Hula Baby and the legendary Sugar Baby,1959 followed his version of Fabians Tiger. At first Kraus was heavily influenced by Elvis Presley, but soon he managed to find his own style, both advanced to the most beloved big screen stars of German teenagers in the late fifties. 1959 Peter Kraus appeared together with his father Fred Kraus, playing the role of his father and he also sang together with Connie Francis, Lill Babs, Danny Mann, Alice and Ellen Kessler, Gus Backus as well as Gina Dobra
33.
Johnny Hallyday
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Johnny Hallyday is a French singer and actor. He has been called the French Elvis and he was married for 15 years to popular Bulgarian-French singer Sylvie Vartan and the two were considered a golden couple for 20 years. Hallyday has completed 181 tours, had 18 platinum albums, and has more than 80 million records worldwide. Hallyday remains largely unknown outside of the Francophone world, thus earning the nickname the biggest rock star youve never heard of in English-speaking countries, nevertheless, at an international level he is still considered as the only non-Anglophone rock musician having a large international reputation. He was made Chevalier of the Légion dhonneur in 1997, Hallydays father, Léon Smet, was Belgian, his mother, Huguette Clerc, was French. Johnny was raised by Desta and Lee from a young age. Johnny was always loyal to Lee and secured him a permanent job as a producer and A&R man with his label, Philips Records until Lees retirement. Influenced by Elvis Presley and the 1950s rock n roll revolution, Hallyday became famous in the 1960s for singing rock and his debut single, Laisse les filles was released on the Vogue label in March 1960. His first album, Hello Johnny, was released in 1960, in 1961 his cover of Lets Twist Again sold over one million copies, and was awarded a gold disc. It topped almost every European chart, although the track did not appear in the UK Singles Chart and he appeared on the American The Ed Sullivan Show with American singing star Connie Francis in a show that was taped at the Moulin Rouge nightclub in Paris. He also staged many appearances in the Paris Olympia under the management of the late Bruno Coquatrix, for their first concert, The Jimi Hendrix Experience opened for Johnny Hallyday in Évreux on 13 October 1966. Black-and-white footage, also from October 1966, exists of Hallyday partying with Hendrix, his manager Chas Chandler, there also is a widely published monochrome photograph of Hallyday walking somewhere in Paris in late May 1966 with Bob Dylan. At the end of the 1960s, Hallyday made a string of albums with Mick Jones and Tommy Brown as musical directors, on Je suis né dans la rue, Hallyday also hired both Peter Frampton and the Small Faces. Amongst their contributions are the songs Amen, Reclamation, and Regarde Pour Moi, often forgotten is Hallydays non-LP single and EP track Que Je Taime from the same sessions. By 1969 alone, his sales of records exceeded twelve million, one of Hallydays later concerts, 100% Johnny, Live à La Tour Eiffel in 2000, attracted an audience of 500,000 and 9.5 million television viewers. In December 2005, Hallyday had his third single in France, Mon Plus Beau Noël. Shortly before announcing his retirement from touring, he released an album, Le Cœur dun homme. The album hit No.1 in both France and French-speaking Belgium and his next album, Ça ne finira jamais, released in 2008, another No.1 on the French album chart, and its lead single, Ça nfinira jamais, also reached No.1
34.
Pat Boone
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Charles Eugene Pat Boone is an American singer, composer, actor, writer, television personality, motivational speaker, and spokesman. He was a pop singer in the United States during the 1950s. He sold over 45 million records, had 38 top-40 hits, Boone still holds the Billboard record for spending 220 consecutive weeks on the charts with one or more songs each week. At the age of 23, he began hosting a half-hour ABC variety television series, The Pat Boone Chevy Showroom, many musical performers, including Edie Adams, Andy Williams, Pearl Bailey, and Johnny Mathis, made appearances on the show. His cover versions of rhythm and blues hits had an effect on the development of the broad popularity of rock. Elvis Presley was the act for a 1955 Pat Boone show in Cleveland. As an author, Boone had a bestseller in the 1950s. In the 1960s, he focused on music and is a member of the Gospel Music Hall of Fame. He continues to perform and speak as a speaker, a television personality. Boone was born in Jacksonville, Florida, the son of Margaret Virginia, Boone was reared primarily in Nashville, Tennessee, a place he still visits. His family moved to Nashville from Florida when Boone was two years old and he attended and graduated in 1952 from David Lipscomb High School in Nashville. His younger brother, whose name is Nick Todd, was also a pop singer in the 1950s and is now a church music leader. In a 2007 interview on The 700 Club, Boone claimed that he is the grandson of the American pioneer Daniel Boone. He is a cousin of two stars of Western television series, Richard Boone of CBSs Have Gun – Will Travel and Randy Boone, of NBCs The Virginian, pats siblings were notified and have acknowledged that the research one by The Boone Society is true. In November 1953, when he was 19 years old, Boone married Shirley Lee Foley, daughter of country music great Red Foley and his wife and they have four daughters, Cheryl Lynn, Linda Lee, Deborah Ann, and Laura Gene. Starting in the late 1950s, Boone and his family were residents of Leonia, in college, he primarily attended David Lipscomb College, later Lipscomb University, in Nashville. He graduated in 1958 from Columbia University School of General Studies magna cum laude and also attended North Texas State University, now known as the University of North Texas, in Denton and he began recording in 1954 for Republic Records. His 1955 version of Fats Dominos Aint That a Shame was a hit and this set the stage for the early part of Boones career, which focused on covering R&B songs by black artists for a white American market
