1.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
–
In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
–
Gold coins minted by the Parisii (1st century BC)
Paris
–
The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
2.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
Painting
–
The
Mona Lisa, by
Leonardo da Vinci, is one of the most recognizable paintings in the world.
Painting
–
Chen Hongshou (1598–1652), Leaf album painting (
Ming Dynasty)
Painting
–
Circus Sideshow (
French: Parade de cirque),
Georges Seurat, 1887–88
Painting
–
Cave painting of aurochs, (
French: Bos primigenius primigenius),
Lascaux,
France,
prehistoric art
3.
Rococo
–
Rococo artists and architects used a more jocular, florid, and graceful approach to the Baroque. Their style was ornate and used light colours, asymmetrical designs, curves, unlike the political Baroque, the Rococo had playful and witty themes. By the end of the 18th century, Rococo was largely replaced by the Neoclassic style. In 1835 the Dictionary of the French Academy stated that the word Rococo usually covers the kind of ornament, style and design associated with Louis XVs reign and it includes therefore, all types of art from around the middle of the 18th century in France. The word is seen as a combination of the French rocaille and coquilles, the term may also be a combination of the Italian word barocco and the French rocaille and may describe the refined and fanciful style that became fashionable in parts of Europe in the 18th century. The Rococo love of shell-like curves and focus on decorative arts led some critics to say that the style was frivolous or merely modish, when the term was first used in English in about 1836, it was a colloquialism meaning old-fashioned. While there is some debate about the historical significance of the style to art in general. Italian architects of the late Baroque/early Rococo were wooed to Catholic Germany, Bohemia and Austria by local princes, an exotic but in some ways more formal type of Rococo appeared in France where Louis XIVs succession brought a change in the court artists and general artistic fashion. By the end of the long reign, rich Baroque designs were giving way to lighter elements with more curves. These elements are obvious in the designs of Nicolas Pineau. During the Régence, court life moved away from Versailles and this change became well established, first in the royal palace. The delicacy and playfulness of Rococo designs is seen as perfectly in tune with the excesses of Louis XVs reign. The 1730s represented the height of Rococo development in France, the style had spread beyond architecture and furniture to painting and sculpture, exemplified by the works of Antoine Watteau and François Boucher. The Rococo style was spread by French artists and engraved publications, william Hogarth helped develop a theoretical foundation for Rococo beauty. Though not intentionally referencing the movement, he argued in his Analysis of Beauty that the lines and S-curves prominent in Rococo were the basis for grace. The development of Rococo in Great Britain is considered to have connected with the revival of interest in Gothic architecture early in the 18th century. The beginning of the end for Rococo came in the early 1760s as figures like Voltaire and Jacques-François Blondel began to voice their criticism of the superficiality, Blondel decried the ridiculous jumble of shells, dragons, reeds, palm-trees and plants in contemporary interiors. By 1785, Rococo had passed out of fashion in France, replaced by the order, in Germany, late 18th century Rococo was ridiculed as Zopf und Perücke, and this phase is sometimes referred to as Zopfstil
Rococo
–
Pair of lovers group of
Nymphenburg porcelain, c. 1760, modelled by
Franz Anton Bustelli
Rococo
–
The Rococo
Basilica at Ottobeuren (Bavaria): architectural spaces flow together and swarm with life.
Rococo
–
Rococo-style
House of the Good Shepherd in
Bratislava (
Slovakia) - an example of the 18th century
bourgeoisie house.
Rococo
–
François Boucher, Le Déjeuner, (1739,
Louvre), shows a rocaille interior of a French bourgeois family in the 18th century. The porcelain statuette and vase add a touch of
chinoiserie.
4.
Neoclassicism
–
The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
Neoclassicism
–
Antonio Canova 's
Psyche Revived by Love's Kiss
Neoclassicism
–
Henry Fuseli, The artist moved to despair at the grandeur of antique fragments, 1778–79
Neoclassicism
–
Johann Joachim Winckelmann, often called "the father of archaeology"
Neoclassicism
–
Print of a drawing by
John Flaxman of a scene in
Homer 's
Iliad, 1795
5.
Marie Antoinette
–
Marie Antoinette (/ˈmæriˌæntwəˈnɛt/, /ˌɑ̃ːntwə-/, /ˌɑ̃ːtwə-/, US /məˈriː-/, French, born Maria Antonia Josepha Johanna, was the last Queen of France and Navarre before the French Revolution. She was born an Archduchess of Austria, and was the fifteenth and second youngest child of Empress Maria Theresa and Francis I, in April 1770, upon her marriage to Louis-Auguste, heir apparent to the French throne, she became Dauphine of France. After eight years of marriage, Marie Antoinette gave birth to a daughter, Marie-Thérèse Charlotte, the Diamond Necklace affair damaged her reputation further. On 10 August 1792, the attack on the Tuileries forced the family to take refuge at the Assembly. On 21 September 1792, the monarchy was abolished, after a two-day trial begun on 14 October 1793, Marie Antoinette was convicted by the Revolutionary Tribunal of high treason, and executed by guillotine on Place de la Révolution on 16 October 1793. Maria Antonia was born on 2 November 1755, at the Hofburg Palace and she was the youngest daughter of Empress Maria Theresa, ruler of the Habsburg Empire, and her husband Francis I, Holy Roman Emperor. Her godparents were Joseph I and Mariana Victoria, King and Queen of Portugal, Archduke Joseph, shortly after her birth, she was placed under the care of the Governess of the Imperial children, Countess von Brandeis. Maria Antonia was raised with her older sister Maria Carolina. As to her relationship with her mother, it was difficult, despite the private tutoring she received, results of her schooling were less than satisfactory. At the age of ten she could not write correctly in German or in any language used at court, such as French. Under the teaching of Christoph Willibald Gluck, Maria Antonia developed into a good musician and she learned to play the harp, the harpsichord and the flute. During the familys gatherings in the evenings, she would sing and she also excelled at dancing, had an exquisite poise, and loved dolls. Following the Seven Years War and the Diplomatic Revolution of 1756, Empress Maria Theresa decided to end hostilities with her longtime enemy, on 14 May she met her husband at the edge of the forest of Compiègne. Upon her arrival in France, she adopted the French version of her name, a further ceremonial wedding took place on 16 May 1770 in the Palace of Versailles and, after the festivities, the day ended with the ritual bedding. The lack of consummation of the marriage plagued the reputation of both Louis-Auguste and Marie Antoinette for the seven years. The initial reaction to the marriage between Marie Antoinette and Louis-Auguste was mixed, on the one hand, the Dauphine was beautiful, personable and well-liked by the common people. Her first official appearance in Paris on 8 June 1773 was a resounding success, on the other hand, those opposed to the alliance with Austria, and others, for personal reasons, had a difficult relationship with Marie Antoinette. Madame du Barry, for example, was Louis XVs mistress and had political influence over him
Marie Antoinette
–
Marie Antoinette with the Rose Portrait by
Louise Élisabeth Vigée Le Brun, 1783.
Marie Antoinette
–
Archduchesses Maria Carolina (in blue dress) and Maria Antonia (in pink dress). Watercolor on ivory by Antonio Pencini, 1764. Vienna, Hofburg.
Marie Antoinette
–
Maria Antonia aged 12 by
Martin van Meytens, c. 1767-1768.
6.
Hermitage Museum
–
The State Hermitage Museum is a museum of art and culture in Saint Petersburg, Russia. One of the largest and oldest museums in the world, it was founded in 1754 by Catherine the Great and has open to the public since 1852. Its collections, of only a small part is on permanent display. The collections occupy a complex of six historic buildings along Palace Embankment, including the Winter Palace. Apart from them, the Menshikov Palace, Museum of Porcelain, Storage Facility at Staraya Derevnya, the museum has several exhibition centers abroad. The Hermitage is a state property. Since July 1992, the director of the museum has been Mikhail Piotrovsky, of the six buildings in the main museum complex, five, namely the Winter Palace, Small Hermitage, Old Hermitage, New Hermitage and Hermitage Theatre, are open to the public. The entrance ticket for foreign tourists more than the fee paid by citizens of Russia. However, entrance is free of charge the first Thursday of every month for all visitors, the museum is closed on Mondays. The entrance for visitors is located in the Winter Palace. A hermitage is the dwelling of a hermit or recluse, the word derives from Old French hermit, ermit hermit, recluse, from Late Latin eremita, from Greek eremites, literally people who live alone, which is in turn derived from ἐρημός, desert. Originally, the building housing the collection was the Small Hermitage. Today, the Hermitage Museum encompasses many buildings on the Palace Embankment, apart from the Small Hermitage, the museum now also includes the Old Hermitage, the New Hermitage, the Hermitage Theatre, and the Winter Palace, the former main residence of the Russian tsars. In recent years, the Hermitage has expanded to the General Staff Building on the Palace Square facing the Winter Palace, the Western European Art collection includes European paintings, sculpture, and applied art from the 13th to the 20th centuries. It is displayed, in about 120 rooms, on the first, drawings and prints are displayed in temporary exhibitions. Since 1940, the Egyptian collection, dating back to 1852 and it serves as a passage to the exhibition of Classical Antiquities. A modest collection of the culture of Ancient Mesopotamia, including a number of Assyrian reliefs from Babylon, Dur-Sharrukin, the collection of Classical Antiquities occupies most of the ground floor of the Old and New Hermitage buildings. Its floor is made of a marble mosaic imitating ancient tradition, while the stucco walls
Hermitage Museum
–
Winter Palace
Hermitage Museum
–
The Hermitage Museum complex. From left to right: Hermitage Theatre – Old Hermitage – Small Hermitage – Winter Palace (the "New Hermitage" is situated behind the Old Hermitage).
Hermitage Museum
–
Egyptian Hall
Hermitage Museum
–
The Pavilion Hall
7.
National Gallery
–
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London. Founded in 1824, it houses a collection of over 2,300 paintings dating from the century to 1900. The Gallery is a charity, and a non-departmental public body of the Department for Culture, Media. Its collection belongs to the public of the United Kingdom and entry to the collection is free of charge. It is among the most visited art museums in the world, after the Musée du Louvre, the British Museum, unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein, after that initial purchase the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which comprise two-thirds of the collection. It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, the present building, the third to house the National Gallery, was designed by William Wilkins from 1832 to 1838. Only the façade onto Trafalgar Square remains essentially unchanged from this time, wilkinss building was often criticised for the perceived weaknesses of its design and for its lack of space, the latter problem led to the establishment of the Tate Gallery for British art in 1897. The Sainsbury Wing, an extension to the west by Robert Venturi, the current Director of the National Gallery is Gabriele Finaldi. The late 18th century saw the nationalisation of royal or princely art collections across mainland Europe, great Britain, however, did not emulate the continental model, and the British Royal Collection remains in the sovereigns possession today. In 1777 the British government had the opportunity to buy an art collection of international stature, the MP John Wilkes argued for the government to buy this invaluable treasure and suggested that it be housed in a noble gallery. The twenty-five paintings from that now in the Gallery, including NG1, have arrived by a variety of routes. This offer was declined and Bourgeois bequeathed the collection to his old school, Dulwich College, the collection opened in Britains first purpose-built public gallery, the Dulwich Picture Gallery, in 1814. The British Institution, founded in 1805 by a group of aristocratic connoisseurs, the members lent works to exhibitions that changed annually, while an art school was held in the summer months. However, as the paintings that were lent were often mediocre, some resented the Institution. One of the Institutions founding members, Sir George Beaumont, Bt, in 1823 another major art collection came on the market, which had been assembled by the recently deceased John Julius Angerstein. Angerstein was a Russian-born émigré banker based in London, his collection numbered 38 paintings, including works by Raphael, on 1 July 1823 George Agar Ellis, a Whig politician, proposed to the House of Commons that it purchase the collection. The appeal was given added impetus by Beaumonts offer, which came with two conditions, that the government buy Angersteins collection, and that a building was to be found
National Gallery
National Gallery
–
The Raising of Lazarus by
Sebastiano del Piombo, from the collection of
John Julius Angerstein. This became the founding collection of the National Gallery in 1824. The painting has the
accession number NG1, making it officially the first painting to enter the Gallery.
National Gallery
–
100
Pall Mall, the home of the National Gallery from 1824 to 1834.
National Gallery
–
The Baptism of Christ by
Piero della Francesca, one of Eastlake's purchases.
8.
Metropolitan Museum of Art
–
The Metropolitan Museum of Art, colloquially the Met, is located in New York City and is the largest art museum in the United States, and is among the most visited art museums in the world. Its permanent collection contains two million works, divided among seventeen curatorial departments. The main building, on the edge of Central Park along Manhattans Museum Mile, is by area one of the worlds largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains a collection of art, architecture. On March 18,2016, the museum opened the Met Breuer museum at Madison Avenue in the Upper East Side, it extends the museums modern, the Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. The museum is home to collections of musical instruments, costumes and accessories, as well as antique weapons. Several notable interiors, ranging from first-century Rome through modern American design, are installed in its galleries, the Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day and it opened on February 20,1872, and was originally located at 681 Fifth Avenue. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, the museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. A number of interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Mets galleries. In addition to its permanent exhibitions, the Met organizes and hosts traveling shows throughout the year. The director of the museum is Thomas P. Campbell, a long-time curator and it was announced on February 28th,2017 that Campbell will be stepping down as the Mets director and CEO, effective June. On March 1st,2017 the BBC reported that Daniel Weiss shall be the acting CEO until a replacement is found, Beginning in the late 19th century, the Met started to acquire ancient art and artifacts from the Near East. From a few tablets and seals, the Mets collection of Near Eastern art has grown to more than 7,000 pieces. The highlights of the include a set of monumental stone lamassu, or guardian figures. The Mets Department of Arms and Armor is one of the museums most popular collections. Among the collections 14,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry VIII of England, Henry II of France, Rockefeller donated his more than 3, 000-piece collection to the museum. The Mets Asian department holds a collection of Asian art, of more than 35,000 pieces, the collection dates back almost to the founding of the museum, many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections
Metropolitan Museum of Art
–
The Metropolitan Museum of Art
Metropolitan Museum of Art
Metropolitan Museum of Art
–
The facade of the Met dominates the city's "
Museum Mile ".
Metropolitan Museum of Art
–
The Great Hall
9.
Palais Royal
–
The Palais-Royal, originally called the Palais-Cardinal, is a palace located in the 1st arrondissement of Paris. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre, the larger inner courtyard, the Cour dHonneur, has since 1986 contained Daniel Burens site-specific art piece Les Deux Plateaux, known as Les Colonnes de Buren. In 1830 the Cour dHonneur was enclosed to the north by what was probably the most famous of Pariss covered arcades, demolished in the 1930s, its flanking rows of columns still stand between the Cour dHonneur and the popular Palais-Royal Gardens. Originally called the Palais-Cardinal, the palace was the residence of Cardinal Richelieu. The architect Jacques Lemercier began his design in 1629, construction commenced in 1633 and was completed in 1639, upon Richelieus death in 1642 the palace became the property of the King and acquired the new name Palais-Royal. After Louis XIII died the year, it became the home of the Queen Mother Anne of Austria and her young sons Louis XIV and Philippe, duc dAnjou. From 1649, the palace was the residence of the exiled Henrietta Maria and Henrietta Anne Stuart, wife, the two had escaped England in the midst of the English Civil War and were sheltered by Henrietta Marias nephew, King Louis XIV. Henrietta Anne was later married to Louis younger brother, Philippe de France, the following year the new duchesse dOrléans gave birth to a daughter, Marie Louise dOrléans, inside the palace. After their marriage, the became the main residence of the House of Orléans. The Duchess created the gardens of the palace, which were said to be among the most beautiful in Paris. Under the new couple, the Palais-Royal would become the social center of the capital. The court gatherings at the Palais-Royal were famed all around the capital as well as all of France and it was at these parties that the crème de la crème of French society came to see and be seen. Guests included the members of the royal family like the Queen Mother, Anne of Austria, the duchesse de Montpensier, the Princes de Condé. Philippes favourites were also frequent visitors, the palace was redecorated and new apartments were created for the maids and staff of the Duchess. After Henrietta Anne died in 1670 the Duke took a wife, the Princess Palatine. Saint-Cloud thus became the residence of her eldest son and the heir to the House of Orléans. For the convenience of the bride, new apartments were built and it was at this time that Philippe commissioned the gallery for his famous Orleans Collection of paintings, which was easily accessible to the public. The architect was Jules Hardouin-Mansart, and the cost of reconstruction was totaled to be 400,000 livres
Palais Royal
–
Entrance front of the Palais-Royal on the
rue Saint-Honoré
Palais Royal
–
Garden-side view with the columns of the former Galerie d'Orléans
Palais Royal
–
The Palais-Cardinal (c. 1641)
Palais Royal
–
Philippe de France, duc d'Orléans the younger brother of
Louis XIV.
10.
Jean-Baptiste Greuze
–
Jean-Baptiste Greuze was a French painter of portraits, genre scenes, and history painting. Greuze was born at Tournus, a town in Burgundy. In 1755 Greuze exhibited his Aveugle trompé, upon which, presented by Pigalle the sculptor, towards the close of the same year he left France for Italy, in company with the Abbé Louis Gougenot. In 1759,1761 and 1763 Greuze exhibited with ever-increasing success, in 1765 he reached the zenith of his powers, Greuze wished to be received as a historical painter, and produced a work which he intended to vindicate his right to despise his qualifications as a genre artist. This unfortunate canvas was exhibited in 1769 side by side with Greuzes portrait of Jeaurat, Greuze, greatly incensed, quarrelled with his confreres, and ceased to exhibit until, in 1804, the Revolution had thrown open the doors of the Academy to all the world. In the following year, on 4 March 1805, he died in the Louvre in great poverty, around the stem was a paper inscribed, These flowers offered by the most grateful of his students are emblems of his glory. It was Mlle Mayer, later the friend of Prudhon and that return to nature which inspired Rousseaus attacks upon an artificial civilization demanded expression in art. La Jeune Fille à lagneau fetched, indeed, at the Pourtals sale in 1865, one of Greuzes pupils, Madame Le Doux, imitated with success the manner of her master, his daughter and granddaughter, Madame de Valory, also inherited some traditions of his talent. Were the real subject of the picture, in the sixteenth chapter of E. M. Chinese author Xiao Yi mentions Greuzes work The Broken Pitcher throughout the first half of her novel Blue Nails. The Broken Pitcher is also mentioned in the first scene of the Jean-Paul Sartre play, / We like Beardsley and Green Chartreuse. / Faded boys, jaded boys, come what may, / Art is our inspiration / And as we are the reason for the “Nineties” being gay, edgar Munhall organized the first major exhibition devoted to the artist, Jean-Baptiste Greuze, 1725-1805. The exhibition opened at the Wadsworth Atheneum in Hartford and then traveled to the California Legion of Honor in San Francisco, in 2002, the first exhibition of Greuzes drawings was held at The Frick Collection in New York. It was also organized by Munhall, who wrote the catalog, Jean-Baptiste Greuzes works Les Neuf Sœurs References Sources Normand, J. B. Emma Barker, Greuze and the Painting of Sentiment and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Greuze, Jean Baptiste. Works and literature at PubHist Europe in the age of enlightenment and revolution, a catalog from The Metropolitan Museum of Art Libraries, which contains material on Greuze
Jean-Baptiste Greuze
–
Self-portrait (
Louvre)
Jean-Baptiste Greuze
–
The Guitarist (1757),
National Museum in
Warsaw.
Jean-Baptiste Greuze
–
The White Hat, 1780
Jean-Baptiste Greuze
–
Portrait of
Benjamin Franklin, 1777
11.
Joseph Vernet
–
Claude-Joseph Vernet was a French painter. His son, Antoine Charles Horace Vernet, was also a painter, when only fourteen years of age he aided his father, Antoine Vernet, a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, in 1734, Vernet left for Rome to study landscape designers and maritime painters, like Claude Gellee, where we find the styles and subjects of Vernets paintings. Slowly Vernet attracted notice in the milieu of Rome. With a certain conventionality in design, proper to his day, he allied the results of constant and honest observation of effects of atmosphere. Perhaps no painter of landscapes or sea-pieces has ever made the figure so completely a part of the scene depicted or so important a factor in his design. In this respect he was influenced by Giovanni Paolo Panini. Vernets work draws on themes, but in a way that is neither sentimental or emotive. The overall effect of his style is wholly decorative, others may know better, he said, with just pride, how to paint the sky, the earth, the ocean, no one knows better than I how to paint a picture. His style remained relatively static throughout his life and his works attentiveness to atmospheric effects is combined with a sense of harmony that is reminiscent of Claude Lorrain. In 1745 he married an Englishwoman whom he met in the city, in 1753 he was recalled to Paris, there, by royal command, he executed the series of the seaports of France by which he is best known. His The Port of Rochefort is particularly notable, in the piece Vernet is able to achieve, according to art historian Michael Levey, one of his most crystalline and atmospherically sensitive skies. In 1757, he painted a series of four paintings titled Four Times of the Day depicting, not surprisingly, throughout his life Vernet returned to Italian themes, as shown through one of his later works – A Beached Whale. Amongst the very numerous engravers of his works may be specially cited Le Bas, Cochin, Basan, Duret, Flipart and Le Veau in France and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Vernet. Life and works of Vernet C. J. Vernet online
Joseph Vernet
–
Joseph Vernet, by
Élisabeth Vigée-Lebrun
Joseph Vernet
–
The Shipwreck (1772),
National Gallery of Art,
Washington D.C
Joseph Vernet
–
View of Dieppe
Joseph Vernet
–
The Night
12.
Charles Le Brun
–
Charles Le Brun was a French painter and art theorist. Declared by Louis XIV the greatest French artist of all time, he was a dominant figure in 17th-century French art, born in Paris, he attracted the notice of Chancellor Séguier, who placed him at the age of eleven in the studio of Simon Vouet. He was also a pupil of François Perrier, in Rome he remained four years in the receipt of a pension due to the liberality of the chancellor. There he worked under Poussin, adapting the latters theories of art, on his return to Paris in 1646, Le Brun found numerous patrons, of whom Superintendent Fouquet was the most important, for whom he painted a large portrait of Anne of Austria. Employed at Vaux-le-Vicomte, Le Brun ingratiated himself with Mazarin, then secretly pitting Colbert against Fouquet, Colbert also promptly recognized Le Bruns powers of organization, and attached him to his interests. Together they took control of the Academy of Painting and Sculpture, and the Academy of France at Rome, another project Le Brun worked on was Hôtel Lambert. The ceiling in the gallery of Hercules was painted by him, Le Brun started work on the project in 1650, shortly after his return from Italy. The decoration continued intermittently over twelve years or so, as it was interrupted by the renovation of Vaux le Vicomte. In 1660 they established the Gobelins, which at first was a school for the manufacture, not of tapestries only. He was the originator of Louis XIV Style and gave a direction to the national tendencies which endured centuries after his death, the King had declared him the greatest French artist of all time. From this date all that was done in the palaces was directed by Le Brun. In 1663, he director of the Académie royale de peinture et de sculpture. While he was working on The Battles, Le Bruns style became more personal as he moved away from the ancient masters that influenced him. Le Bruns decoration is not only a work of art, it is the monument of a reign. This contributed to the illness which on 22 February 1690 ended in his death in his private mansion, Le Brun primarily worked for King Louis XIV, for whom he executed large altarpieces and battle pieces. His most important paintings are at Versailles, besides his gigantic labours at Versailles and the Louvre, the number of his works for religious corporations and private patrons is enormous. Le Brun was also a fine portraitist and an excellent draughtsman, but he was not fond of portrait or landscape painting, what mattered was scholarly composition, whose ultimate goal was to nourish the spirit. For Le Brun, a painting represented a story one could read, nearly all his compositions have been reproduced by celebrated engravers
Charles Le Brun
–
Charles Le Brun, portrait by
Nicolas de Largilliere
Charles Le Brun
–
Portrait of Nicolas Le Brun by Charles Le Brun, ca. 1635,
Residenzgalerie, Salzburg
Charles Le Brun
–
Venus Clipping Cupid’s Wings, ca. 1655,
Museo de Arte de Ponce,
Ponce, Puerto Rico
Charles Le Brun
–
Part of the ceilling of the
Hall of Mirrors in the
Palace of Versailles.
13.
Flanders
–
Flanders is the Dutch-speaking northern portion of Belgium, although there are several overlapping definitions, including ones related to culture, language, politics and history. It is one of the communities, regions and language areas of Belgium, the demonym associated with Flanders is Fleming, while the corresponding adjective is Flemish. The official capital of Flanders is Brussels, although Brussels itself has an independent regional government, in historical contexts, Flanders originally refers to the County of Flanders, which around AD1000 stretched from the Strait of Dover to the Scheldt estuary. In accordance with late 20th century Belgian state reforms the area was made two political entities, the Flemish Community and the Flemish Region. These entities were merged, although geographically the Flemish Community, which has a cultural mandate, covers Brussels. Flanders has figured prominently in European history, as a consequence, a very sophisticated culture developed, with impressive achievements in the arts and architecture, rivaling those of northern Italy. Belgium was one of the centres of the 19th century industrial revolution, geographically, Flanders is generally flat, and has a small section of coast on the North Sea. Much of Flanders is agriculturally fertile and densely populated, with a density of almost 500 people per square kilometer. It touches France to the west near the coast, and borders the Netherlands to the north and east, the Brussels Capital Region is an enclave within the Flemish Region. Flanders has exclaves of its own, Voeren in the east is between Wallonia and the Netherlands and Baarle-Hertog in the consists of 22 exclaves surrounded by the Netherlands. It comprises 6.5 million Belgians who consider Dutch to be their mother tongue, the political subdivisions of Belgium, the Flemish Region and the Flemish Community. The first does not comprise Brussels, whereas the latter does comprise the Dutch-speaking inhabitants of Brussels, the political institutions that govern both subdivisions, the operative body Flemish Government and the legislative organ Flemish Parliament. The two westernmost provinces of the Flemish Region, West Flanders and East Flanders, forming the central portion of the historic County of Flanders, a feudal territory that existed from the 8th century until its absorption by the French First Republic. Until the 1600s, this county also extended over parts of France, one of the regions conquered by the French in Flanders, namely French Flanders in the Nord department. French Flanders can be divided into two regions, Walloon Flanders and Maritime Flanders. The first region was predominantly French-speaking already in the 1600s, the latter became so in the 20th century, the city of Lille identifies itself as Flemish, and this is reflected, for instance, in the name of its local railway station TGV Lille Flandres. The region conquered by the Dutch Republic in Flanders, now part of the Dutch province of Zeeland, the significance of the County of Flanders and its counts eroded through time, but the designation remained in a very broad sense. In the Early modern period, the term Flanders was associated with the part of the Low Countries
Flanders
–
The
Sack of Antwerp in 1576, in which about 7,000 people died.
Flanders
–
Flag
Flanders
–
Winter scene by
Sebastian Vrancx, 1622
Flanders
–
1609 map of the county of Flanders
14.
William I of the Netherlands
–
William I was a Prince of Orange and the first King of the Netherlands and Grand Duke of Luxembourg. In Germany, he was ruler of the Principality of Nassau-Orange-Fulda from 1803 until 1806 and of the Principality of Orange-Nassau in the year 1806, in 1813 he proclaimed himself Sovereign Prince of the United Netherlands. He proclaimed himself King of the Netherlands and Duke of Luxembourg on 16 March 1815, in the same year on 9 June William I became also the Grand Duke of Luxembourg and after 1839 he was furthermore the Duke of Limburg. After his abdication in 1840 he styled himself King William Frederick, King William Is parents were the last stadtholder William V, Prince of Orange of the Dutch Republic, and his wife Wilhelmina of Prussia. Until 1806, William was formally known as William VI, Prince of Orange-Nassau, in Berlin on 1 October 1791, William married his first cousin Wilhelmina, born in Potsdam. She was the daughter of King Frederick William II of Prussia, after Wilhelmina died in 1837, William married Countess Henriette dOultremont de Wégimont, created Countess of Nassau, on 17 February 1841, also in Berlin. Like his younger brother Prince Frederick of Orange-Nassau he was tutored by the Swiss mathematician Leonhard Euler and they were both tutored in the military arts by general Prince Frederick Stamford. After the Patriot revolt had been suppressed in 1787, he in 1788-89 attended the academy in Brunswick which was considered an excellent military school. In 1790 he visited a number of foreign courts like the one in Nassau and the Prussian capital Berlin, William subsequently studied briefly at the University of Leiden. As such he commanded the troops took part in the Flanders Campaign of 1793-95. He took part in the battles of Veurne, Menin, and Wervik in 1793, the siege of Landrecies, which surrendered to him. In May 1794 he had replaced general Kaunitz as commander of the combined Austro-Dutch forces on the instigation of Emperor Francis II who apparently had an opinion of him. But the French armies proved too strong, and the allied leadership too inept, the French first entered Dutch Brabant which they dominated after the Battle of Boxtel. When in the winter of 1794-95 the rivers in the Rhine delta froze over, the French breached the southern Hollandic Water Line, in many places Dutch revolutionaries took over the local government. After the Batavian Revolution in Amsterdam on 18 January 1795 the stadtholder decided to flee to Britain, the next day the Batavian Republic was proclaimed. However, the neutral Prussian government forbade this, in 1799, William landed in the current North Holland as part of an Anglo-Russian invasion of Holland. The local Dutch population, however, was not pleased with the arrival of the prince, one local Orangist was even executed. The hoped-for popular uprising failed to materialise, after several minor battles the Hereditary Prince was forced to leave the country again after the Convention of Alkmaar
William I of the Netherlands
–
King William I of the Netherlands in Coronation Robes by
Joseph Paelinck, ca. 1818–1819
William I of the Netherlands
–
Portrait of William (1775)
William I of the Netherlands
–
Young William and his brother
Frederick in 1790
William I of the Netherlands
–
William Frederick, Prince of Orange in c. 1805–1810
15.
Catherine Grand
–
Catherine Noele Grand was the mistress and later the wife of French diplomat Charles Maurice de Talleyrand-Périgord, the first Prime Minister of France. From their marriage in 1802 until her death she was Catherine Noele Grand de Talleyrand-Périgord, Madame Grand was known for her striking Nordic beauty, as well as her ingenuous public comments. Catherine Noele Worlée was born in the Danish possession of Tranquebar, Tamil Nadu, India, in 1777, her family moved to Chandannagar, where she met George Francis Grand, a British civil servant of Huguenot descent stationed at Calcutta. They were wed in Calcutta in 1778, when Catherine was barely sixteen, the couple separated soon after, because of her brief but scandalous affair with Sir Philip Francis, deputy of Warren Hastings, and Madame Grand removed to London. By 1783, when Vigee Le Brun painted her portrait there, Catherine Grand had become a courtesan in Paris, after marriage the two gradually drifted apart. Madame Talleyrand began living alone, her husband eventually giving her money to live luxuriously in London. In the last few years of her life, the Princesse de Bénévent returned to Paris and she died there on December 10,1834, and her body was buried in Montparnasse Cemetery
Catherine Grand
–
1783 portrait of Madame Grand by
Élisabeth-Louise Vigée-Le Brun, now at the
Metropolitan Museum of Art
16.
Palace of Versailles
–
The Palace of Versailles, Château de Versailles, or simply Versailles, is a royal château in Versailles in the Île-de-France region of France. Versailles is therefore not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime. First built by Louis XIII in 1623, as a lodge of brick and stone. The first phase of the expansion was designed and supervised by the architect Louis Le Vau and it culminated in the addition of three new wings of stone, which surrounded Louis XIIIs original building on the north, south, and west. After Le Vaus death in 1670, the work was taken over and completed by his assistant, charles Le Brun designed and supervised the elaborate interior decoration, and André Le Nôtre landscaped the extensive Gardens of Versailles. Le Brun and Le Nôtre collaborated on the fountains, and Le Brun supervised the design. During the second phase of expansion, two enormous wings north and south of the wings flanking the Cour Royale were added by the architect Jules Hardouin-Mansart. He also replaced Le Vaus large terrace, facing the garden on the west, with became the most famous room of the palace. The Royal Chapel of Versailles, located at the end of the north wing, was begun by Mansart in 1688. One of the most baffling aspects to the study of Versailles is the cost – how much Louis XIV, owing to the nature of the construction of Versailles and the evolution of the role of the palace, construction costs were essentially a private matter. Initially, Versailles was planned to be a residence for Louis XIV and was referred to as the kings house. Once Louis XIV embarked on his campaigns, expenses for Versailles became more of a matter for public record. To counter the costs of Versailles during the years of Louis XIVs personal reign. Accordingly, all materials that went into the construction and decoration of Versailles were manufactured in France, even the mirrors used in the decoration of the Hall of Mirrors were made in France. While Venice in the 17th century had the monopoly on the manufacture of mirrors, to meet the demands for decorating and furnishing Versailles, Colbert nationalised the tapestry factory owned by the Gobelin family, to become the Manufacture royale des Gobelins. In 1667, the name of the enterprise was changed to the Manufacture royale des Meubles de la Couronne, the Comptes meticulously list the expenditures on the silver furniture – disbursements to artists, final payments, delivery – as well as descriptions and weight of items purchased. Entries for 1681 and 1682 concerning the silver used in the salon de Mercure serve as an example. 5 In anticipation, For the silver balustrade for the bedroom,90,000 livres II
Palace of Versailles
–
Aerial view of the Palace from above the
Gardens of Versailles
Palace of Versailles
–
Bust of Louis XIV by
Bernini in the
Diana Salon of the Palace of Versailles
Palace of Versailles
–
View of the Palace from the garden
Palace of Versailles
–
Marble Court
17.
Louis XVI of France
–
Louis XVI, born Louis-Auguste, was the last King of France and Navarre before the French Revolution, during which he was also known as Louis Capet. In 1765, at the death of his father, Louis, Dauphin of France, son and heir apparent of Louis XV of France, Louis XVI was guillotined on 21 January 1793. The first part of his reign was marked by attempts to reform France in accordance with Enlightenment ideas and these included efforts to abolish serfdom, remove the taille, and increase tolerance toward non-Catholics. The French nobility reacted to the reforms with hostility. Louis implemented deregulation of the market, advocated by his liberal minister Turgot. In periods of bad harvests, it would lead to food scarcity which would prompt the masses to revolt, from 1776, Louis XVI actively supported the North American colonists, who were seeking their independence from Great Britain, which was realized in the 1783 Treaty of Paris. The ensuing debt and financial crisis contributed to the unpopularity of the Ancien Régime and this led to the convening of the Estates-General of 1789. In 1789, the storming of the Bastille during riots in Paris marked the beginning of the French Revolution. Louiss indecisiveness and conservatism led some elements of the people of France to view him as a symbol of the tyranny of the Ancien Régime. The credibility of the king was deeply undermined, and the abolition of the monarchy, Louis XVI was the only King of France ever to be executed, and his death brought an end to more than a thousand years of continuous French monarchy. Louis-Auguste de France, who was given the title Duc de Berry at birth, was born in the Palace of Versailles. Out of seven children, he was the son of Louis, the Dauphin of France. His mother was Marie-Josèphe of Saxony, the daughter of Frederick Augustus II of Saxony, Prince-Elector of Saxony and King of Poland. A strong and healthy boy, but very shy, Louis-Auguste excelled in his studies and had a taste for Latin, history, geography, and astronomy. He enjoyed physical activities such as hunting with his grandfather, and rough-playing with his brothers, Louis-Stanislas, comte de Provence. From an early age, Louis-Auguste had been encouraged in another of his hobbies, locksmithing, upon the death of his father, who died of tuberculosis on 20 December 1765, the eleven-year-old Louis-Auguste became the new Dauphin. His mother never recovered from the loss of her husband, and died on 13 March 1767, throughout his education, Louis-Auguste received a mixture of studies particular to religion, morality, and humanities. His instructors may have also had a hand in shaping Louis-Auguste into the indecisive king that he became
Louis XVI of France
–
King Louis XVI by
Antoine-François Callet
Louis XVI of France
–
Marie Antoinette Queen of France with her three eldest children,
Marie-Thérèse,
Louis-Charles and
Louis-Joseph. By
Marie Louise Élisabeth Vigée-Lebrun
Louis XVI of France
–
Louis XVI at the age of 20
Louis XVI of France
–
Louis-Charles, the dauphin of France and future Louis XVII. By
Marie Louise Élisabeth Vigée-Lebrun.
18.
Alexander Kucharsky
–
Alexander Kucharsky also Alexandre Kucharsky, was a Polish portrait painter who spent his adult life in France. He himself used the spelling Kucharsky, but Kucharski is also often used, in the past, in France, the name has been given as Couaski. As a boy, he was a page to King Stanisław II Augustus and he trained first as an artist in Warsaw, in the studio of the famous painter Marcello Bacciarelli. With a bursary from King Stanisław Augustus, he travelled to Paris to work under Joseph-Marie Vien and Carle van Loo at the Académie Royale. The king of Poland wanted Kucharsky to train as a historical painter, from 1776 to 1778, Kucharsky was in the service of the Princes de Condé. Kucharsky liked to paint half-length portraits in pastels or in oils and his clients were mostly from the French and Polish aristocracy. The latter had increased in numbers in France as a result of the alliance between King Louis XV and Marie Leszczyńska, after the departure from the French court of Élisabeth-Louise Vigée-Le Brun in 1789, Kucharsky became painter to Queen Marie-Antoinette. Kucharskys best-known work today includes his portraits of the doomed French royal family, especially the future King Louis XVII, the final portrait, painted in 1793 of Marie Antoinette, was sold at auction by Piasa on 21 May 2003 and is attributed to Kucharsky. When signing his work, the artist used the spelling Kucharsky, throughout the years of the French Revolution, Kucharskys allegiance remained with the ancien régime. In retirement he lived near Paris at Sainte-Périne, living on a pension granted by Louis XVIII of France, list of Poles Media related to Alexander Kucharsky at Wikimedia Commons Alexander Kucharski at artnet. com Alexandre Kucharski at pere-lachaise. bleublog. ch
Alexander Kucharsky
–
Alexander Kucharski (1797)
Alexander Kucharsky
–
Louis Charles, Dauphin of France, 1789, now in the
Palace of Versailles
Alexander Kucharsky
–
Marie Antoinette around 1790
Alexander Kucharsky
–
Marie Josephine Louise of Savoy
19.
French Revolution
–
Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
French Revolution
–
The
August Insurrection in 1792 precipitated the last days of the monarchy.
French Revolution
–
The French government faced a fiscal crisis in the 1780s, and King Louis XVI was blamed for mishandling these affairs.
French Revolution
–
Caricature of the Third Estate carrying the First Estate (clergy) and the Second Estate (nobility) on its back.
French Revolution
–
The meeting of the Estates General on 5 May 1789 at Versailles.
20.
Accademia di San Luca
–
Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named after Saint Luke the evangelist who, legend has it, made a portrait of the Virgin Mary, designed by the Baroque architect, Pietro da Cortona, its main facade overlooks the Forum. Included among its members, was the famous painter Melozzo da Forlì. In 1605, Pope Paul V granted the Academy the right to pardon a condemned man on the feast of St. Luke. In the 1620s, Urban VIII extended its rights to decide who was considered an artist in Rome and it came under the patronage of his nephew, in 1633, Urban VIII gave it the right to tax all artists as well as art-dealers, and monopolize all public commissions. These latter measures raised strong opposition and apparently were poorly enforced, over the early years, the papal authorities exerted a large degree of control over the leadership of the institution. Some modern critics have stated with the purpose of giving artists a higher education. The prìncipi of the institution have included some of the pre-eminent painters of the 17th century, including Domenichino, Bernini, Cortona, however, many prominent artists never joined or were admitted to the academy. Artistic issues debated within the Academy included the Cortona-Sacchi controversy about the number of figures in a painting, disdain was espressed by many academicians for the Bamboccianti. Giovanni Bellori gave famous lectures on painting in the Academy, in the early 18th century, the painter Marco Benefial was inducted, and then expelled for criticizing the academy as an insider. The Academy is still active, the Accademia Nazionale di San Luca is its modern descendant, from the very beginning, the statutes of the Academy directed that each candidate-academician was to donate a work of his art in perpetual memory and, later, a portrait. Prominent artists to become Principi of the academy over the first 200 years include, Claude Lorrain was a member, the Academy can also boast modern members, including sculptors Ernesto Biondi and Piccirilli Brothers. Accademia Nazionale di San Luca Official site Galleria Nazionale di San Luca Accademia San Luca The History of the Accademia di San Luca, 1590–1635, Documents from the Archivio di Stato di Roma
Accademia di San Luca
–
St. Luke Displaying a Painting of the Virgin by
Guercino
21.
Catherine II of Russia
–
Catherine II of Russia, also known as Catherine the Great, was a Russian monarch. She was the female leader of Russia, reigning from 1762 until her death in 1796 at the age of 67. She came to following a coup détat when her husband. Russia was revitalised under her reign, growing larger and stronger than ever, in both her accession to power and in rule of her empire, Catherine often relied on her noble favourites, most notably Grigory Orlov and Grigory Potemkin. In the west, the Polish–Lithuanian Commonwealth, ruled by Catherines former lover, king Stanisław August Poniatowski, was eventually partitioned, in the east, Russia started to colonise Alaska, establishing Russian America. Catherine reformed the administration of Russian guberniyas, and many new cities, an admirer of Peter the Great, Catherine continued to modernise Russia along Western European lines. However, military conscription and the continued to depend on serfdom. This was one of the reasons behind several rebellions, including the large-scale Pugachevs Rebellion of cossacks. The period of Catherine the Greats rule, the Catherinian Era, is considered the Golden Age of the Russian Empire. The Manifesto on Freedom of the Nobility, issued during the reign of Peter III and confirmed by Catherine. Construction of many mansions of the nobility, in the classical style endorsed by the Empress and she enthusiastically supported the ideals of The Enlightenment, thus earning the status of an enlightened despot. Catherine was born in Stettin, Pomerania, Kingdom of Prussia as Princess Sophie Friederike Auguste von Anhalt-Zerbst-Dornburg, she was nicknamed Figchen. Her father, Christian August, Prince of Anhalt-Zerbst, belonged to the ruling German family of Anhalt, two of her first cousins became Kings of Sweden, Gustav III and Charles XIII. In accordance with the then prevailing in the ruling dynasties of Germany, she received her education chiefly from a French governess. She once wrote to her correspondent Baron Grimm, I see nothing of interest in it, although Catherine was born a princess, her family had very little money. Catherines rise to power was supported by her mothers relatives who were both wealthy nobles and royal relations. Catherine first met Peter III at the age of 10, based on her writings, she found Peter detestable upon meeting him. She disliked his pale complexion and his fondness for alcohol at such a young age, Peter also still played with toy soldiers
Catherine II of Russia
–
Catherine II by
Dmitry Levitsky
Catherine II of Russia
–
Young Catherine soon after her arrival in Russia, by
Louis Caravaque
Catherine II of Russia
–
Portrait by George Christoph Grooth of the Grand Duchess Ekaterina Alekseyevna around the time of her wedding, 1745
Catherine II of Russia
–
Tsar Peter III reigned only six months; he died on 17 July 1762.
22.
Paul I of Russia
–
Paul I reigned as Emperor of Russia between 1796 and 1801. His reign lasted five years, ending with his assassination by conspirators and his most important achievement was the adoption of the laws of succession to the Russian throne - rules that lasted until the end of the Romanov dynasty and of the Russian Empire. He became de facto Grand Master of the Order of Hospitallers, Paul was born in the Palace of Empress Elizabeth in Saint Petersburg. He was the son of the Grand Duchess Catherine, later Empress Catherine the Great, who was the wife of Elizabeths heir and nephew, the Grand Duke Peter, later Emperor Peter III. During his infancy, Paul was taken immediately from his mother by the Empress Elizabeth, as a boy, he was reported to be intelligent and good-looking. His pug-nosed facial features in later life are attributed to an attack of typhus, some claim that his mother Catherine hated him, and was restrained from putting him to death. Paul was put in the charge of a governor, Nikita Ivanovich Panin. It is interesting to note that Panins nephew went on to one of Pauls assassins. The Russian Imperial court, first of Elizabeth and then of Catherine, was not a home for a lonely, needy. His tutor, Poroshin, complained that he was always in a hurry, the use made of his name by the rebel Yemelyan Pugachev, who impersonated his father Peter, tended no doubt to render Pauls position more difficult. On the birth of his first child in 1777 the Empress gave him an estate, Paul and his wife gained leave to travel through western Europe in 1781–1782. In 1783 the Empress granted him another estate at Gatchina, where he was allowed to maintain a brigade of soldiers whom he drilled on the Prussian model, an unpopular stance at the time. Catherine the Great and her son and heir, the future Paul I, the aunt of Catherines husband, Empress Elizabeth, took up the child as a passing fancy. Elizabeth proved an obsessive but incapable caretaker, as she had raised no children of her own, Paul was supervised by a variety of caregivers. Roderick McGrew briefly relates the neglect to which the infant heir was sometimes subject, On one occasion he fell out of his crib, even after Elizabeths death, relations with Catherine hardly improved. Paul was often jealous of the favours she would shower upon her lovers, in one instance the empress gave to one of her court favourites fifty thousand Rubles on her birthday, while Paul received a cheap watch. Pauls early isolation from his mother created a distance between them which later events would reinforce and she never considered inviting him to share her power in governing Russia. And once Pauls son Alexander was born, it appeared that she had found a suitable heir
Paul I of Russia
–
Portrait by
Vladimir Borovikovsky
Paul I of Russia
–
Signature
Paul I of Russia
–
Maria Feodorovna, portrait by
Alexander Roslin
Paul I of Russia
–
A statue of Emperor Paul in front of the
Pavlovsk Palace
23.
George Gordon Byron, 6th Baron Byron
–
George Gordon Byron, 6th Baron Byron, FRS, commonly known simply as Lord Byron, was a British poet, peer, politician, and a leading figure in the Romantic movement. Among his best-known works are the narrative poems, Don Juan and Childe Harolds Pilgrimage. Byron is regarded as one of the greatest British poets and remains widely read and influential and he travelled extensively across Europe, especially in Italy, where he lived for seven years with the struggling poet Percy Bysshe Shelley. Later in his life, Byron joined the Greek War of Independence fighting the Ottoman Empire. He died in 1824 at the age of 36 from a fever contracted while in Missolonghi, ethel Colburn Mayne states that George Gordon Byron was born on 22 January 1788 in a house on 24 Holles Street in London. However, Robert Charles Dallas in his Recollections states that Byron was born in Dover and he was the son of Captain John Mad Jack Byron and his second wife, the former Catherine Gordon, a descendant of Cardinal Beaton and heiress of the Gight estate in Aberdeenshire, Scotland. Byrons father had seduced the married Marchioness of Carmarthen and, after she divorced her husband. His treatment of her was described as brutal and vicious, in order to claim his second wifes estate in Scotland, Byrons father took the additional surname Gordon, becoming John Byron Gordon, and he was occasionally styled John Byron Gordon of Gight. Byron himself used this surname for a time and was registered at school in Aberdeen as George Byron Gordon, at the age of 10, he inherited the English Barony of Byron of Rochdale, becoming Lord Byron, and eventually dropped the double surname. Byrons paternal grandparents were Vice-Admiral the Hon. John Foulweather Jack Byron, vice Admiral John Byron had circumnavigated the globe, and was the younger brother of the 5th Baron Byron, known as the Wicked Lord. He was christened, at St Marylebone Parish Church, George Gordon Byron after his maternal grandfather George Gordon of Gight, a descendant of James I of Scotland, Mad Jack Byron married his second wife for the same reason that he married his first, her fortune. In a move to avoid his creditors, Catherine accompanied her husband to France in 1786. He was born on 22 January in lodgings at Holles Street in London, Catherine moved back to Aberdeenshire in 1790, where Byron spent his childhood. His father soon joined them in their lodgings in Queen Street, Catherine regularly experienced mood swings and bouts of melancholy, which could be partly explained by her husbands continuing to borrow money from her. As a result, she fell even further into debt to support his demands and it was one of these importunate loans that allowed him to travel to Valenciennes, France, where he died in 1791. When Byrons great-uncle, the wicked Lord Byron, died on 21 May 1798, described as a woman without judgment or self-command, Catherine either spoiled and indulged her son or vexed him with her capricious stubbornness. Her drinking disgusted him, and he often mocked her for being short and corpulent and she once retaliated and, in a fit of temper, referred to him as a lame brat. Langley-Moore questions the Galt claim that she over-indulged in alcohol, upon the death of Byrons mother-in-law Judith Noel, the Hon
George Gordon Byron, 6th Baron Byron
–
Portrait of Lord Byron by
Richard Westall
George Gordon Byron, 6th Baron Byron
–
An engraving of Byron's father, Captain
John "Mad Jack" Byron, date unknown
George Gordon Byron, 6th Baron Byron
–
Catherine Gordon, Byron's mother, by
Thomas Stewardson
George Gordon Byron, 6th Baron Byron
–
John FitzGibbon, 2nd Earl of Clare
24.
Hubert Robert
–
Hubert Robert was a French painter, noted for his landscape paintings and capriccio, or semi-fictitious picturesque depictions of ruins in Italy and of France. Hubert Robert was born in Paris in 1733 and his father, Nicolas Robert, was in the service of François-Joseph de Choiseul, marquis de Stainville a leading diplomat from Lorraine. The contrast between the ruins of ancient Rome and the life of his time excited his keenest interest and he worked for a time in the studio of Pannini, whose influence can be seen in the Vue imaginaire de la galerie du Louvre en ruine. The albums of sketches and drawings he assembled in Rome supplied him with motifs that he worked into paintings throughout his career. Roberts first exhibition at the Salon of 1767, consisting of thirteen paintings, Robert subsequently showed work at every Salon until 1802. He was successively appointed Designer of the Kings Gardens, Keeper of the Kings Pictures and Keeper of the Museum, Robert was arrested in October 1793, during the French Revolution. During the ten months of his detention at Sainte-Pélagie and Saint-Lazare he made drawings, painted at least 53 canvases. He was freed one week after the fall of Robespierre, Robert narrowly escaped the guillotine when through error another prisoner died in his place. Subsequently he was placed on the committee of five in charge of the new museum at the Palais du Louvre. The Revolution also resulted in the destruction of some of Roberts work, Robert had designed the decorations for a little theatre in the new wing at the location of the current staircase Gabriel in the Palace of Versailles. Designed to seat about 500, this theatre was built from the summer of 1785 and it was intended to serve as an ordinary court theatre, replacing the Theatre of the Princes Court which was too old and too small, but was destroyed during the time of Louis Philippe. A watercolour of Roberts design is in the National Archives in Paris, Robert died of a stroke on 15 April 1808. The quantity of his work is immense, comprising one thousand paintings. The Louvre alone contains nine paintings by his hand and specimens are frequently to be met with in provincial museums, Roberts work has more or less of that scenic character which justified his selection by Voltaire to paint the decorations of his theatre at Ferney. He is noted for the liveliness and point with which he treated the subjects he painted, along with this incessant activity as an artist, his daring character and many adventures attracted general admiration and sympathy. In the fourth canto of his LImagination Jacques Delille celebrated Roberts miraculous escape when lost in the catacombs, Roberts contribution to garden design was not in making practical ground plans for improvements but in providing atmospheric inspiration for the proposed effect. Huberts paintings of the Moulin Joly of his friend Claude-Henri Watelet render the fully-grown atmosphere of a garden that had been under way since 1754, references and notes Sources Adams, William Howard, The French Garden 1500–18001979. Huisman, Philippe, French Watercolours of the 18th Century London, Thames and Hudson ISBN 978-0-500-23105-0 Wiebenson and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. article name needed
Hubert Robert
–
Hubert Robert by
Élisabeth Vigée-Lebrun (
Louvre)
Hubert Robert
–
The Artist's Studio, 1760,
Städelsches Kunstinstitut
Hubert Robert
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The ca. 1766 painting View of the Port of Rippeta in Rome, which locates the Ancient Roman Pantheon next to an imaginary port
Hubert Robert
–
1796 painting by Robert showing a design for the Grand Gallery of the Louvre Museum in Paris
25.
Louveciennes
–
Louveciennes is a commune in the Yvelines department in the Île-de-France region in north-central France. It is located in the suburbs of Paris, between Versailles and Saint-Germain-en-Laye, and adjacent to Marly-le-Roi. Many castles from the 17th and 18th century, the Château de Louveciennes, built in 1700 by Louis XIV and given to Madame du Barry by Louis XV. The composer Camille Saint-Saëns lived in Louveciennes from 1865 to 1870, marie Louise Élisabeth Vigée-Lebrun, the most famous female painter of the 18th century, died in Louveciennes on 30 March 1842. Anaïs Nin was a popular Cuban novelist born in Neuilly, an area in Paris and lived in Louveciennes from 1930 to 1936 at 2 bis, the start of her career as an author started in this very special town. Louis, 7th duc de Broglie, physicist and Nobel Prize laureate, orchestra conductor Charles Munch resided in Louveciennes at Place Emile Dreux, in the village of Voisins during the last decade of his life. A plaque to that effect has been placed on the residence, until 1964, Louveciennes belonged to the former Seine-et-Oise département. NATO had barracks for SHAPE here from 1959–1967, and the American School of Paris was located nearby from 1959 to 1967, after SHAPE left France, the French government allocated the property to CII, which soon thereafter became part of CII Honeywell Bull. Groupe Bull still has offices in Louveciennes
Louveciennes
–
First snow in Louveciennes by
Alfred Sisley, 1870
Louveciennes
–
Chateau of Voisins
Louveciennes
–
Chateau of Pont
Louveciennes
–
Entrée du village de Voisins by
Camille Pissarro, 1872
26.
Kingdom of Prussia
–
It was the driving force behind the unification of Germany in 1871 and was the leading state of the German Empire until its dissolution in 1918. Although it took its name from the region called Prussia, it was based in the Margraviate of Brandenburg, the kings of Prussia were from the House of Hohenzollern. Prussia was a power from the time it became a kingdom, through its predecessor, Brandenburg-Prussia. Prussia continued its rise to power under the guidance of Frederick II, more known as Frederick the Great. After the might of Prussia was revealed it was considered as a power among the German states. Throughout the next hundred years Prussia went on to win many battles and it was because of its power that Prussia continuously tried to unify all the German states under its rule. Attempts at creation of a federation remained unsuccessful and the German Confederation collapsed in 1866 when war ensued between its two most powerful states, Prussia and Austria. The North German Confederation which lasted from 1867–1871, created a union between the Prussian-aligned states while Austria and most of Southern Germany remained independent. The North German Confederation was seen as more of an alliance of military strength in the aftermath of the Austro-Prussian War, the German Empire lasted from 1871–1918 with the successful unification of all the German states under Prussian hegemony. This was due to the defeat of Napoleon III in the Franco-Prussian War of 1870–71, in 1871, Germany unified into a single country, minus Austria and Switzerland, with Prussia the dominant power. Prussia is considered the predecessor of the unified German Reich. The Kingdom left a significant cultural legacy, today notably promoted by the Prussian Cultural Heritage Foundation, in 1415 a Hohenzollern Burgrave came from the south to the March of Brandenburg and took control of the area as elector. In 1417 the Hohenzollern was made an elector of the Holy Roman Empire, after the Polish wars, the newly established Baltic towns of the German states including Prussia, suffered many economic setbacks. Many of the Prussian towns could not even afford to attend political meetings outside of Prussia, the towns were poverty stricken, with even the largest town, Danzig, having to borrow money from elsewhere to pay for trade. Poverty in these towns was partly caused by Prussias neighbors, who had established and developed such a monopoly on trading that these new towns simply could not compete and these issues led to feuds, wars, trade competition and invasions. However, the fall of these gave rise to the nobility, separated the east and the west. It was clear in 1440 how different Brandenburg was from the other German territories, not only did it face partition from within but also the threat of its neighbors. It prevented the issue of partition by enacting the Dispositio Achillea which instilled the principle of primogeniture to both the Brandenburg and Franconian territories, the second issue was solved through expansion
Kingdom of Prussia
–
Prussian territorial acquisitions in the 18th century
Kingdom of Prussia
–
Flag
Kingdom of Prussia
–
Prussia (orange) and its territories lost after the
War of the Fourth Coalition (other colours).
Kingdom of Prussia
–
Prussian King's Crown (
Hohenzollern Castle Collection)
27.
Napoleonic Wars
–
The wars resulted from the unresolved disputes associated with the French Revolution and the Revolutionary Wars, which had raged on for years before concluding with the Treaty of Amiens in 1802. Napoleon became the First Consul of France in 1799, then Emperor five years later, inheriting the political and military struggles of the Revolution, he created a state with stable finances, a strong central bureaucracy, and a well-trained army. The British frequently financed the European coalitions intended to thwart French ambitions, by 1805, they had managed to convince the Austrians and the Russians to wage another war against France. At sea, the Royal Navy destroyed a combined Franco-Spanish fleet at Trafalgar in October 1805, Prussian worries about increasing French power led to the formation of the Fourth Coalition in 1806. France then forced the defeated nations of the Fourth Coalition to sign the Treaties of Tilsit in July, although Tilsit signified the high watermark of the French Empire, it did not bring a lasting peace for Europe. Hoping to extend the Continental System and choke off British trade with the European mainland, Napoleon invaded Iberia, the Spanish and the Portuguese revolted with British support. The Peninsular War lasted six years, featured extensive guerrilla warfare, the Continental System caused recurring diplomatic conflicts between France and its client states, especially Russia. Unwilling to bear the consequences of reduced trade, the Russians routinely violated the Continental System. The French launched an invasion of Russia in the summer of 1812. The resulting campaign witnessed the collapse and retreat of the Grand Army along with the destruction of Russian lands. In 1813, Prussia and Austria joined Russian forces in a Sixth Coalition against France, a lengthy military campaign culminated in a large Allied army defeating Napoleon at the Battle of Leipzig in October 1813. The Allies then invaded France and captured Paris in the spring of 1814 and he was exiled to the island of Elba near Rome and the Bourbons were restored to power. However, Napoleon escaped from Elba in February 1815 and took control of France once again, the Allies responded by forming a Seventh Coalition, which defeated Napoleon at the Battle of Waterloo in June. The Congress of Vienna, which started in 1814 and concluded in 1815, established the new borders of Europe and laid out the terms, Napoleon seized power in 1799, creating a de facto military dictatorship. The Napoleonic Wars began with the War of the Third Coalition, Kagan argues that Britain was irritated in particular by Napoleons assertion of control over Switzerland. Furthermore, Britons felt insulted when Napoleon stated that their country deserved no voice in European affairs, for its part, Russia decided that the intervention in Switzerland indicated that Napoleon was not looking toward a peaceful resolution of his differences with the other European powers. The British quickly enforced a blockade of France to starve it of resources. Napoleon responded with economic embargoes against Britain, and sought to eliminate Britains Continental allies to break the coalitions arrayed against him, the so-called Continental System formed a league of armed neutrality to disrupt the blockade and enforce free trade with France
Napoleonic Wars
–
Top:
Battle of Austerlitz Bottom:
Battle of Waterloo
Napoleonic Wars
–
"Maniac-raving's-or-Little Boney in a strong fit" by
James Gillray. His caricatures ridiculing Napoleon greatly annoyed the Frenchman, who wanted them suppressed by the British government.
Napoleonic Wars
–
The British
HMS Sandwich fires to the French
flagship Bucentaure (completely dismasted) in the battle of
Trafalgar. The Bucentaure also fights
HMS Victory (behind her) and
HMS Temeraire (left side of the picture). In fact, HMS Sandwich never fought at Trafalgar and her depiction is a mistake by
Auguste Mayer, the painter.
Napoleonic Wars
–
European strategic situation in 1805 before the War of the Third Coalition
28.
Epitaph
–
An epitaph is a short text honouring a deceased person. Strictly speaking, it refers to text that is inscribed on a tombstone or plaque, some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in verse, poets have been known to compose their own epitaphs prior to their death. Most epitaphs are brief records of the family, and perhaps the career, of the deceased, often with an expression of love or respect—for example. Notably, the Laudatio Turiae, the longest known Ancient Roman epitaph, exceeds almost all of these at 180 lines, it celebrates the virtues of an honored wife, some are quotes from holy texts, or aphorisms. One approach of many epitaphs is to speak to the reader, a wry trick of others is to request the reader to get off their resting place, inasmuch as the reader would have to be standing on the ground above the coffin to read the inscription. Nearly all note name, year or date of birth, many list family members and the relationship of the deceased to them. Heroes and Kings your distance keep, In peace let one poor poet sleep, Who never flattered folks like you, Let Horace blush, — Alexander Pope Wir müssen wissen. — David Hilbert He never killed a man that did not need killing, — Clay Allison Here lies One whose Name was writ in Water — John Keats Undefeated — Hans-Joachim Marseille And the beat goes on. — Sonny Bono Sleep after toyle, port after stormie seas, Ease after warre, death after life, — Joseph Conrad Thats all folks. — Mel Blanc Ive finally stopped getting dumber, — Paul Erdős Go tell the Spartans, stranger passing by that here, obedient to their law, we lie. — Simonidess epigram at Thermopylae I told you I was ill, — Spike Milligan Here sleeps at peace a Hampshire Grenadier Who caught his early death by drinking cold small beer. Soldiers, be wise at his fall, And when youre hot. — Thomas Thetcher tombstone epitaph in Winchester Cathedral To save your world you asked this man to die, Would this man, could he see you now, ask why. — Epitaph for the Unknown Soldier, written by W. H. Auden There is borne an empty hearsecovered over for such as appear not. Heroes have the earth for their tomb. — Unknown Soldiers epitaph, Athens, passages taken from Pericles Funeral Oration Against you I will fling myself, unvanquished and unyielding, O Death. — Virginia Woolf Good frend for Iesvs sake forebeare, To digg the dvst encloased heare. Bleste be man spares thes stones, Good friend for Jesus sake forbear, To dig the dust enclosed here. Blessed be the man that spares these stones, And cursed be he moves my bones
Epitaph
–
Epitaph on the base of the
Haymarket Riot Memorial, Waldheim Cemetery Chicago.
Epitaph
–
Lengthy epitaph for Johann Wauer a (German pastor), died 1728, concluding with a short Biblical quotation
Epitaph
–
Plaque marking
Heather O'Rourke 's interment
Epitaph
–
Ezzatollah Sahabi, Glory of Iran and his patriotic daughter
Haleh
29.
Metropolitan Museum
–
The Metropolitan Museum of Art, colloquially the Met, is located in New York City and is the largest art museum in the United States, and is among the most visited art museums in the world. Its permanent collection contains two million works, divided among seventeen curatorial departments. The main building, on the edge of Central Park along Manhattans Museum Mile, is by area one of the worlds largest art galleries. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains a collection of art, architecture. On March 18,2016, the museum opened the Met Breuer museum at Madison Avenue in the Upper East Side, it extends the museums modern, the Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, Indian, and Islamic art. The museum is home to collections of musical instruments, costumes and accessories, as well as antique weapons. Several notable interiors, ranging from first-century Rome through modern American design, are installed in its galleries, the Metropolitan Museum of Art was founded in 1870. The founders included businessmen and financiers, as well as leading artists and thinkers of the day and it opened on February 20,1872, and was originally located at 681 Fifth Avenue. The Met maintains extensive holdings of African, Asian, Oceanian, Byzantine, the museum is also home to encyclopedic collections of musical instruments, costumes and accessories, and antique weapons and armor from around the world. A number of interiors, ranging from 1st century Rome through modern American design, are permanently installed in the Mets galleries. In addition to its permanent exhibitions, the Met organizes and hosts traveling shows throughout the year. The director of the museum is Thomas P. Campbell, a long-time curator and it was announced on February 28th,2017 that Campbell will be stepping down as the Mets director and CEO, effective June. On March 1st,2017 the BBC reported that Daniel Weiss shall be the acting CEO until a replacement is found, Beginning in the late 19th century, the Met started to acquire ancient art and artifacts from the Near East. From a few tablets and seals, the Mets collection of Near Eastern art has grown to more than 7,000 pieces. The highlights of the include a set of monumental stone lamassu, or guardian figures. The Mets Department of Arms and Armor is one of the museums most popular collections. Among the collections 14,000 objects are many pieces made for and used by kings and princes, including armor belonging to Henry VIII of England, Henry II of France, Rockefeller donated his more than 3, 000-piece collection to the museum. The Mets Asian department holds a collection of Asian art, of more than 35,000 pieces, the collection dates back almost to the founding of the museum, many of the philanthropists who made the earliest gifts to the museum included Asian art in their collections
Metropolitan Museum
–
The Metropolitan Museum of Art
Metropolitan Museum
Metropolitan Museum
–
The facade of the Met dominates the city's "
Museum Mile ".
Metropolitan Museum
–
The Great Hall
30.
Let Them Eat Cake (TV series)
–
Let Them Eat Cake is a British sitcom that aired on BBC One in 1999. Starring Dawn French and Jennifer Saunders, it is one of the few programmes in which French and it is 1782, seven years before the French Revolution. Her loyal maid is the nymphomaniacal, former prostitute Lisette and her acid-tongued manservant is Bouffant, colombines constant rival is Madame de Plonge, along with her naive yet sharp-witted daughter, Eveline. It is also available in Region 4, mark Lewisohn, Radio Times Guide to TV Comedy, BBC Worldwide Ltd,2003 Let Them Eat Cake at the Internet Movie Database
Let Them Eat Cake (TV series)
–
Let Them Eat Cake DVD cover
31.
Dawn French
–
Dawn Roma French is a British actress, writer, and comedian. French has been nominated for seven British Academy Television Awards and also won a BAFTA Fellowship with Jennifer Saunders, French was born in Holyhead, Wales to English parents Denys Vernon French and Felicity Roma French, who married in their hometown of Plymouth in 1953. She was educated at the independent St Dunstans Abbey School and her father served in the Royal Air Force, stationed at RAF Valley. The RAF partly funded her private education, when her father was stationed at the former RAF Faldingworth, she attended Caistor Grammar School in Caistor, boarding in the schools Lindsey house. She later won a scholarship that brought her to study at the Spence School in New York. French has claimed that her self-confidence and self-belief stem from her father and she stated, He taught me to value myself. He told me that I was beautiful and the most precious thing in his life and he had a history of severe depression and attempted suicides but managed to conceal his illness from Dawn and her brother. She studied at the Central School of Speech and Drama in 1977 and they had grown up on the same base, even having had the same best friend, although never meeting. At first, as far as Saunders was concerned, French was a cocky little upstart, French considered Saunders snooty and aloof. French and Saunders shared a flat whilst at college and were influenced to do comedy by their flatmates as part of their projects for college, after talking in depth for the first time, they came to be friends. While at college she broke up with her fiancé, a former Royal Navy officer, after they graduated, they formed a double-act called the Menopause Sisters. Saunders has described the act, which involved wearing tampons in their ears, the manager of the club recalled, They didnt seem to give a damn. There was no star quality about them at all, French and Saunders came to public attention as members of the Comic Strip, part of the alternative comedy scene in the early 1980s. French has also written a best-selling epistolary autobiography, which she has titled Dear Fatty, French was paid a £1.5 million advance for the book, which was released in 2008. On an appearance on The Paul OGrady Show on 6 October 2008, French said that Fatty is her nickname for Jennifer Saunders, French said that she became great friends with Saunders well before they started working together, which was over 30 years ago. The book consists of letters to the different people who have been in her life, French has had an extensive career on television, debuting on Channel 4s The Comic Strip Presents series in an episode called Five Go Mad in Dorset in 1982. Each episode presented a story and, in addition to French and Saunders, showcased Comic Strip performers Peter Richardson, Rik Mayall, Robbie Coltrane. She acted in 27 of the 37 episodes and wrote two of them, One episode featured a parody of spaghetti westerns and another a black and white film about a hopelessly goofy boy
Dawn French
–
French at the 2005 Make Poverty History march
32.
Jennifer Saunders
–
Jennifer Jane Saunders is an English comedian, screenwriter, and actress. She has won three BAFTAs, an International Emmy Award, a British Comedy Award, a Rose dOr Light Entertainment Festival Award, two Writers Guild of Great Britain Awards, and a Peoples Choice Award. She first found widespread attention in the 1980s when she became a member of The Comic Strip after graduating from the Central School of Speech and Drama in London. With her comedy partner Dawn French, she wrote and starred in their eponymous sketch show, French and Saunders, for which she and she received worldwide acclaim through the early to mid-1990s for writing and playing the lead role of Edina Monsoon in the sitcom Absolutely Fabulous. She has guest-starred in the American sitcoms Roseanne and Friends and won the Peoples Choice Awards for voicing the evil Fairy Godmother in DreamWorks animated Shrek 2, in 2015, she voiced Queen Elizabeth II in the animated comedy film Minions. Jennifer Saunders was born on 6 July 1958 in Sleaford, Lincolnshire, England. Her mother, Jane, was a teacher, and her father, Robert Thomas Saunders, served as a pilot in the Royal Air Force, reached the rank of Air Marshal. Because her father was in the forces, Saunders moved to different schools many times. She was educated from the age of five to 18 in boarding schools and then at St Pauls Girls School, after school, she worked for a year in Italy as an au pair. She later received a place at the Central School of Speech and Drama in London on a teachers course in 1977. They had grown up on the base, even having had the same best friend. The comic duo originally did not get on well, and as far as Saunders was concerned, the distrust was mutual, French considered Saunders snooty and uptight. Saunders was shocked to find that she was taking courses to become a teacher. Her mother, however, was saddened when Saunders chose not to apply for an Oxbridge university education, after the initial friction while at college, Saunders and French shared a flat together. French has remarked on Saunderss messy habits when sharing the house, stating, When we lived together in Chalk Farm and we got broken into and the police said, Well, it is quite bad, but the worst is that room at the top. And, of course, nobody had been in there, the two performed together after graduation, working the festival, cabaret, and stand-up circuits. They formed a double-act called The Menopause Sisters, Saunders described the act, which involved wearing tampons in their ears, as cringeworthy. The manager of the club where they performed recalled, They didnt seem to give a damn, there was no star quality about them at all
Jennifer Saunders
–
Saunders in Melbourne, Australia on 23 April 2014
33.
Varvara Golovina
–
She was the youngest child of Lieutenant-General Nikolai Fyodorovich Golitsyn and Princess Praskovia Ivanovna Shuvalova. She had two brothers, Fyodor and Ivan, varvaras father was from the House of Golitsyn. Her mother, Praskovia Ivanovna, was a sister of Ivan Shuvalov, Varvara grew up on the Petrovsky estate in the Moscow province. Her mother was mild, kind, although indecisive character, who loved art, in 1777, Varvara moved with her parents to Saint Petersburg. After the death of her father, she moved with her mother to the house of her uncle, Ivan Shuvalov, on the corner of Nevsky Prospekt, Varvara was fond of painting and music. She participated in concerts of Tsarskoe Selo and the Winter Palace, in 1783, she was appointed a maid of honor at the court of Catherine the Great. At the court, Varvara met a handsome Count Nikolai Nikolayevich Golovin and they liked each other, but Princess Golitsyna opposed an immediate marriage, finding it premature. Golitsyna went on four years of travel, spending much of her time in Paris. Upon returning from a trip, Varvara married Count Golovin, on 4 October 1786, the wedding was celebrated at the Winter Palace. The Golovins were very fond of other, and gave the impression of a happy couple. Descriptions of Nikolai Golovin by his contemporaries were controversial, most of them unfriendly, promoted to the rank of colonel, he felt no inclination to any military or the civil service, but his strict honesty was noted. In 1796, Nikolai Golovin was appointed to the court of Grand Duke Alexander Pavlovich, at the same time, the Countess Golovin became closer to the French emigrant Princess de Tarant and under her influence, converted to Roman Catholicism. In 1802, Varvara Golovina went to Paris for several years, a few months later the Countess Golovin with his family followed her. In Paris, they were accepted in the society of Château de Saint-Germain-en-Laye. With scarce resources, Golovina accepted the Tarants offer and moved to her home, the two friends were inseparable till the Princesss death in 1814. Thanks to the efforts of her husband, on April 9,1816 Countess Golovin was granted in chevaliers ladies of the Order of St. Catherine, Golovina was close friends with Louise of Baden, later Empress Elizabeth, who was deeply unhappy in Russia. In her memoirs, written with the direction of the empress, she described the life at the courts of Catherine the Great, in 1818, for health reasons she made her second trip to France. Returning briefly to Russia in 1820, she come back to France
Varvara Golovina
–
Countess Golovina, by Elisabeth Vigée-Lebrun
Varvara Golovina
–
Varvara Golovina.
Varvara Golovina
–
Varvara Golovina in her youth
Varvara Golovina
–
Husband Nikolai Golovin
34.
Emma, Lady Hamilton
–
Emma, Lady Hamilton, model and actress, is best remembered as the mistress of Lord Nelson and as the muse of George Romney. She was born Amy Lyon in Ness near Neston, Cheshire, England, the daughter of Henry Lyon and she was raised by her mother, the former Mary Kidd, at Hawarden, and received no formal education. She later changed her name to Emma Hart, details of Emmas early life are unclear, but at age 12, she was known to be working as a maid at the Hawarden home of Doctor Honoratus Leigh Thomas, a surgeon working in Chester. Then she worked for the Budd family in Chatham Place, Blackfriars, London, and met a maid called Jane Powell, Emma joined in with Janes rehearsals for various tragic roles. Emma started work at the Drury Lane theatre in Covent Garden, as maid to various actresses, Emma next worked as a model and dancer at the Goddess of Health for James Graham, a Scottish quack doctor. The establishments greatest attraction was a bed through which electricity was passed and this supposedly aided conception, and many infertile couples paid high prices to try it. At fifteen, Emma met Sir Harry Fetherstonhaugh, who hired her for months as hostess. She is said to have entertained Harry and his friends by dancing nude on the dining room table, Fetherstonhaugh took Emma there as a mistress, but frequently ignored her in favour of drinking and hunting with his friends. Emma soon formed a friendship with one of the guests, the dull but sincere Honourable Charles Francis Greville, second son of the then Earl of Warwick and it was about this time that she conceived a child by Fetherstonhaugh. Fetherstonhaugh was furious at the unwanted pregnancy but is thought to have accommodated Emma in one of his houses in London. Soon thereafter, Emma formed an attachment to Greville. When the child was born, she was removed to be raised by a Mr, as a young woman, Emmas daughter saw her mother reasonably frequently, but later when Emma fell into debt, her daughter, Emma Carew, worked abroad as a companion or governess. Emma was at Grevilles mercy and acceded to his request to change her name to Emma Hart. Greville kept Emma in a house at Edgeware Row, but he was in love with her and, wanting a painting of her, sent her to sit for his friend and it was then that Emma became the subject of many of Romneys most famous portraits. In fact, so began Romneys lifelong obsession with her, sketching her nude, through the popularity of Romneys work and particularly of his striking-looking young model, Emma became well known in society circles, under the name of Emma Hart. She was witty, intelligent, a learner, elegant and, as paintings of her attest. George Romney was fascinated by her looks and ability to adapt to the ideals of the age, Romney and other artists painted her in many guises. In 1783, Greville needed to find a wife to replenish his finances
Emma, Lady Hamilton
–
Emma Hamilton as a young woman c. 1782, by George Romney
Emma, Lady Hamilton
–
Emma as
Circe by George Romney, 1782
Emma, Lady Hamilton
–
Emma by George Romney, circa 1785
Emma, Lady Hamilton
35.
Charles-Alexandre de Calonne
–
Charles Alexandre, vicomte de Calonne was a French statesman, best known for his involvement in the French Revolution. Realizing that the Parlement of Paris would never agree to reform, when they refused, Calonnes reputation plummeted and he was forced to leave the country. He seems to have been a man with notable business abilities and he owed the position to the Comte de Vergennes, who for over three years continued to support him. According to the Habsburg ambassador, his image was extremely poor. Calonne immediately set about remedying the fiscal crisis, and he found in Louis XVI enough support to create a vast and ambitious plan of revenue-raising, Calonne focused on maintaining public confidence through building projects and spending, which was mainly designed to maintain the Crowns capacity to borrow funds. He presented the king with his plan on 20 August 1786, at its heart was a new land value tax, which would replace the old vingtieme taxes and finally sweep away the fiscal exemptions of the privileged orders. The new tax would be administered by a system of provincial assemblies elected by the property owners at parish, district. This central proposal was accompanied by a package of rationalizing reform, including free trade in grain. It was in one, if not the most, comprehensive attempt at enlightened reform during the reign of Louis XVI. In taking office he found debts of 110 million livres, debts caused by Frances involvement in the American Revolution among other reasons, at first he attempted to obtain credit, and to support the government by means of loans so as to maintain public confidence in its solvency. In October 1785 he reissued the gold coinage, and he developed the caisse descompte, knowing the Parlement of Paris would veto a single land tax payable by all landowners, Calonne persuaded Lous XVI to call an assembly of notables to vote on his referendum. As a last resort, he proposed to the king the suppression of customs duties. Anne Robert Jacques Turgot and Jacques Necker had attempted these reforms and this suppression of privileges was badly received. Calonnes spendthrift and authoritarian reputation was well-known to the parlements, earning him their enmity, knowing this, he intentionally submitted his reform programme directly to the king and the hand-picked assembly of notables, not to the sovereign courts or parlements, first. Calonne, angered, printed his reports and so alienated the court, Louis XVI dismissed him on 8 April 1787 and exiled him to Lorraine. The joy was general in Paris, where Calonne, accused of wishing to raise taxes, was known as Monsieur Déficit, Calonne soon afterwards left for Great Britain, and during his residence there kept up a polemical correspondence with Necker. After being dismissed, Calonne stated, The King, who assured me a hundred times that he would support me with unshakable firmness, abandoned me, and I succumbed”. In 1789, when the Estates-General were about to assemble, he crossed to Flanders in the hope of offering himself for election, but he was forbidden to enter France
Charles-Alexandre de Calonne
–
Portrait of de Calonne by
Élisabeth-Louise Vigée-Le Brun (1784; London,
Royal Collection)
Charles-Alexandre de Calonne
–
Calonne
36.
Anna Ivanovna Baryatinskaya Tolstoy
–
Daughter of Prince Ivan Baryatinsky, the Russian ambassador in Paris, and Princess Catherine Petrovna Holstein-Beck of Oldenburg, Princess Baryatinskaya held a high position in the world. To be invited to her house was considered a great honor, wealth allowed her to live well and lush. The poet Ivan Dolgorukov was a frequent guest of Princess Baryatinskaya, he participated in performances at her home and took care of her daughter, in 1787, Anna became the wife of Count Nikolai Alexandrovich Tolstoy. At his appointment in May 1793 as the chamberlain of Grand Duke Alexander Pavlovich. From that time, she had a friendship with the young Grand Duchess Elizabeth Alexeievna, the former Louise of Baden. The family life of Countess Anna Ivanovna was not happy, strongly grieving the death in 1797 of her youngest daughter Eudoxia, she and her husband quarreled. Anna fell in love with the English envoy Charles Whitworth, 1st Earl Whitworth, who was indifferent to it. At the same time he was in communication with Olga Zherebtsova and led the planned conspiracy against the emperor Paul I of Russia, with Nikita Petrovich Panin. Count Tolstoy, all the time to see the result of which they were constant quarrels between the couple, soon intrigue with Whitworth was discovered, and emperor Paul I asked the British government to remove the ambassador in 1800. Her husbands jealousy, quick temper and unbridled nature led Anna Ivanovna to decide to leave, but soon the Countess Tolstoy was disappointed in her feelings for Whitworth, and in April 1801 in London he married the widowed Duchess of Dorset. His marriage discovered it, in her own words, eyes to the abyss into which it was ready to use, after Paul I of Russias death in March 1801, at the request of the Empress Elizabeth Alexeievna, Countess Tolstoy returned to her husband in Russia. She was present at the coronation of Tsar Alexander I of Russia in Moscow and she remained a close friend of the Empress. Her letters to the Empress were published in 1909 by Grand Duke Nikolai Mikhailovich and this change of religion, however, forced Countess Tolstoy to go abroad. She settled in Florence in her own villa, Count Felix Golovkin wrote in November 1816 from Italy, Princess Gagarin close friend of my niece Tolstoy, and they associates to Catholicism. They are led by women, departed from the Orthodox Church. Here, where they are free to worship the God of Rome, they observe utmost restraint, widowed in December 1816, Countess Tolstoy died in Paris on April 12,1825 and was buried in the Cimetière du Mont-Valérien. She had two sons and two daughters, Ekaterina, grew up near the Court, the use of constant attention and her name is often found in the correspondence of the Empress Elizabeth Alekseievna and notes Golovina Countess and her daughter, the Countess of PN Fredro. She was married to Lieutenant General Prince Constantine Ksaverevichem Lubomirski, and had a son, eudokia Alexander Nikolayevich Tolstoy, was married to Princess Anna Mikhailovna Scherbatova, died in Nice
Anna Ivanovna Baryatinskaya Tolstoy
–
Painting of Anna Ivanovna Tolstoy by
Louise Élisabeth Vigée Le Brun
37.
Ana Gruzinsky Galitzine
–
Princess Ana Gruzinsky-Golitsyna was a Georgian royal princess of the Bagrationi dynasty of Mukhrani branch. She was the daughter of Alexander Bagration-Gruzinsky, grandchild of Prince Bakar of Kartli and she had one brother, Georgy Gruzinsky. Her mother, Princess Daria Alexandrovna Menshikova, was the granddaughter of Alexander Danilovich Menshikov, in 1790, Ana married Prince Boris Andreevich Golitsyn, who was a close friend of Georgian general Pyotr Bagration. Ana died on 11 October 1842 in Saint Petersburg, and is buried in Coastal Monastery of St. Sergius, yelizaveta Golitsyna Andrei Golitsyn Alexander Golitsyn Nikolai Golitsyn Sofia Golitsyna Tatiana Golitsyna Alexandra Golitsyna Irina Golitsyna Великий князь Николай Михайлович
Ana Gruzinsky Galitzine
–
Portrait by
Louise Élisabeth Vigée Le Brun
Ana Gruzinsky Galitzine
–
Boris Golitsyn, husband
Ana Gruzinsky Galitzine
–
Yelizaveta, daughter
Ana Gruzinsky Galitzine
–
Sofia, daughter
38.
Women artists
–
While women artists have been involved in making art throughout history, their work often has not been as well acknowledged as that of men. Often certain media are associated with artists, such as textile arts. Womens roles in relation to art, of course, vary in different cultures and communities, many art forms considered to be created predominantly by women have been historically dismissed from the art historical canon as craft, as opposed to fine art. Women artists faced challenges due to biases in the mainstream fine art world. They have often encountered difficulties in training, travelling and trading their work, collaboration on large projects was typical. Extrapolation to the artwork and skills of the Paleolithic era suggests that these cultures followed similar patterns, cave paintings of this era often have human hand prints, 75% of which are identifiable as womens. For about three years, the women – and only the women – of Mithila have been making devotional paintings of the gods. It is no exaggeration, then, to say that art is the expression of the most genuine aspect of Indian civilization. The earliest records of western cultures rarely mention specific individuals, although women are depicted in all of the art and some are shown laboring as artists. Ancient references by Homer, Cicero, and Virgil mention the prominent roles of women in textiles, poetry, music, Other women include Timarete, Eirene, Kalypso, Aristarete, Iaia, and Olympias. While only some of their work survives, in Ancient Greek pottery there is a hydria in the Torno Collection in Milan. It is attribute to the Leningrad painter from circa 460-450 B. C. Artists from the Medieval period include Claricia, Diemudus, Ende, Guda, Herrade of Landsberg and Hildegard of Bingen. In the early Medieval period, women worked alongside men. Manuscript illuminations, embroideries, and carved capitals from the period clearly demonstrate examples of women at work in these arts, documents show that they also were brewers, butchers, wool merchants, and iron mongers. Artists of the period, including women, were from a small subset of society whose status allowed them freedom from these more strenuous types of work. Women artists often were of two classes, either wealthy aristocratic women or nuns. Women in the category often created embroideries and textiles, those in the later category often produced illuminations. It is presumed that women were almost entirely responsible for this production, one of the most famous embroideries of the Medieval period is the Bayeux Tapestry, which was embroidered with wool and is 230 feet long
Women artists
–
Adélaïde Labille-Guiard, Self-portrait with two pupils, 1785,
Metropolitan Museum of Art, the two pupils are
Marie-Gabrielle Capet and Carreaux de Rosemond.
Women artists
–
Portrait of a Young Woman Painter by
Jean-Marc Nattier.
Women artists
–
Herrad of Landsberg,
Self portrait from
Hortus deliciarum, ca. 1180
Women artists
–
Hildegard of Bingen, "Universal Man" illumination from Hildegard's Liber Divinorum Operum, 1165
39.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
–
A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
40.
Public domain
–
The term public domain has two senses of meaning. Anything published is out in the domain in the sense that it is available to the public. Once published, news and information in books is in the public domain, in the sense of intellectual property, works in the public domain are those whose exclusive intellectual property rights have expired, have been forfeited, or are inapplicable. Examples for works not covered by copyright which are therefore in the domain, are the formulae of Newtonian physics, cooking recipes. Examples for works actively dedicated into public domain by their authors are reference implementations of algorithms, NIHs ImageJ. The term is not normally applied to situations where the creator of a work retains residual rights, as rights are country-based and vary, a work may be subject to rights in one country and be in the public domain in another. Some rights depend on registrations on a basis, and the absence of registration in a particular country, if required. Although the term public domain did not come into use until the mid-18th century, the Romans had a large proprietary rights system where they defined many things that cannot be privately owned as res nullius, res communes, res publicae and res universitatis. The term res nullius was defined as not yet appropriated. The term res communes was defined as things that could be enjoyed by mankind, such as air, sunlight. The term res publicae referred to things that were shared by all citizens, when the first early copyright law was first established in Britain with the Statute of Anne in 1710, public domain did not appear. However, similar concepts were developed by British and French jurists in the eighteenth century, instead of public domain they used terms such as publici juris or propriété publique to describe works that were not covered by copyright law. The phrase fall in the domain can be traced to mid-nineteenth century France to describe the end of copyright term. In this historical context Paul Torremans describes copyright as a coral reef of private right jutting up from the ocean of the public domain. Because copyright law is different from country to country, Pamela Samuelson has described the public domain as being different sizes at different times in different countries. According to James Boyle this definition underlines common usage of the public domain and equates the public domain to public property. However, the usage of the public domain can be more granular. Such a definition regards work in copyright as private property subject to fair use rights, the materials that compose our cultural heritage must be free for all living to use no less than matter necessary for biological survival
Public domain
–
Newton's own copy of his
Principia, with hand-written corrections for the second edition
Public domain
–
L.H.O.O.Q. (1919). Derivative work by the
Dadaist Marcel Duchamp based on the
Mona Lisa.
41.
Project Gutenberg
–
Project Gutenberg is a volunteer effort to digitize and archive cultural works, to encourage the creation and distribution of eBooks. It was founded in 1971 by Michael S. Hart and is the oldest digital library, most of the items in its collection are the full texts of public domain books. The project tries to make these as free as possible, in long-lasting, as of 3 October 2015, Project Gutenberg reached 50,000 items in its collection. The releases are available in plain text but, wherever possible, other formats are included, such as HTML, PDF, EPUB, MOBI, most releases are in the English language, but many non-English works are also available. There are multiple affiliated projects that are providing additional content, including regional, Project Gutenberg is also closely affiliated with Distributed Proofreaders, an Internet-based community for proofreading scanned texts. Project Gutenberg was started by Michael Hart in 1971 with the digitization of the United States Declaration of Independence, Hart, a student at the University of Illinois, obtained access to a Xerox Sigma V mainframe computer in the universitys Materials Research Lab. Through friendly operators, he received an account with an unlimited amount of computer time. Hart has said he wanted to back this gift by doing something that could be considered to be of great value. His initial goal was to make the 10,000 most consulted books available to the public at little or no charge and this particular computer was one of the 15 nodes on ARPANET, the computer network that would become the Internet. Hart believed that computers would one day be accessible to the general public and he used a copy of the United States Declaration of Independence in his backpack, and this became the first Project Gutenberg e-text. He named the project after Johannes Gutenberg, the fifteenth century German printer who propelled the movable type printing press revolution, by the mid-1990s, Hart was running Project Gutenberg from Illinois Benedictine College. More volunteers had joined the effort, all of the text was entered manually until 1989 when image scanners and optical character recognition software improved and became more widely available, which made book scanning more feasible. Hart later came to an arrangement with Carnegie Mellon University, which agreed to administer Project Gutenbergs finances, as the volume of e-texts increased, volunteers began to take over the projects day-to-day operations that Hart had run. Starting in 2004, an online catalog made Project Gutenberg content easier to browse, access. Project Gutenberg is now hosted by ibiblio at the University of North Carolina at Chapel Hill, Italian volunteer Pietro Di Miceli developed and administered the first Project Gutenberg website and started the development of the Project online Catalog. In his ten years in this role, the Project web pages won a number of awards, often being featured in best of the Web listings, Hart died on 6 September 2011 at his home in Urbana, Illinois at the age of 64. In 2000, a corporation, the Project Gutenberg Literary Archive Foundation. Long-time Project Gutenberg volunteer Gregory Newby became the foundations first CEO, also in 2000, Charles Franks founded Distributed Proofreaders, which allowed the proofreading of scanned texts to be distributed among many volunteers over the Internet
Project Gutenberg
–
Michael Hart (left) and Gregory Newby (right) of Project Gutenberg, 2006
Project Gutenberg
–
Project Gutenberg
Project Gutenberg
–
Formats
42.
Internet Archive
–
The Internet Archive is a San Francisco–based nonprofit digital library with the stated mission of universal access to all knowledge. As of October 2016, its collection topped 15 petabytes, in addition to its archiving function, the Archive is an activist organization, advocating for a free and open Internet. Its web archive, the Wayback Machine, contains over 150 billion web captures, the Archive also oversees one of the worlds largest book digitization projects. Founded by Brewster Kahle in May 1996, the Archive is a 501 nonprofit operating in the United States. It has a budget of $10 million, derived from a variety of sources, revenue from its Web crawling services, various partnerships, grants, donations. Its headquarters are in San Francisco, California, where about 30 of its 200 employees work, Most of its staff work in its book-scanning centers. The Archive has data centers in three Californian cities, San Francisco, Redwood City, and Richmond, the Archive is a member of the International Internet Preservation Consortium and was officially designated as a library by the State of California in 2007. Brewster Kahle founded the Archive in 1996 at around the time that he began the for-profit web crawling company Alexa Internet. In October 1996, the Internet Archive had begun to archive and preserve the World Wide Web in large quantities, the archived content wasnt available to the general public until 2001, when it developed the Wayback Machine. In late 1999, the Archive expanded its collections beyond the Web archive, Now the Internet Archive includes texts, audio, moving images, and software. It hosts a number of projects, the NASA Images Archive, the contract crawling service Archive-It. According to its web site, Most societies place importance on preserving artifacts of their culture, without such artifacts, civilization has no memory and no mechanism to learn from its successes and failures. Our culture now produces more and more artifacts in digital form, the Archives mission is to help preserve those artifacts and create an Internet library for researchers, historians, and scholars. In August 2012, the Archive announced that it has added BitTorrent to its file download options for over 1.3 million existing files, on November 6,2013, the Internet Archives headquarters in San Franciscos Richmond District caught fire, destroying equipment and damaging some nearby apartments. The nonprofit Archive sought donations to cover the estimated $600,000 in damage, in November 2016, Kahle announced that the Internet Archive was building the Internet Archive of Canada, a copy of the archive to be based somewhere in the country of Canada. The announcement received widespread coverage due to the implication that the decision to build an archive in a foreign country was because of the upcoming presidency of Donald Trump. Kahle was quoted as saying that on November 9th in America and it was a firm reminder that institutions like ours, built for the long-term, need to design for change. For us, it means keeping our cultural materials safe, private and it means preparing for a Web that may face greater restrictions
Internet Archive
–
Since 2009, headquarters have been at 300 Funston Avenue in
San Francisco, a former
Christian Science Church
Internet Archive
–
Internet Archive
Internet Archive
–
Mirror of the Internet Archive in the
Bibliotheca Alexandrina
Internet Archive
–
From 1996 to 2009, headquarters were in the
Presidio of San Francisco, a former U.S. military base
43.
Virtual International Authority File
–
The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
Virtual International Authority File
–
Screenshot 2012
44.
Integrated Authority File
–
The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
Integrated Authority File
–
GND screenshot
45.
Union List of Artist Names
–
The Union List of Artist Names is an online database using a controlled vocabulary currently containing around 293,000 names and other information about artists. Names in ULAN may include names, pseudonyms, variant spellings, names in multiple languages. Among these names, one is flagged as the preferred name, the focus of each ULAN record is an artist. Currently there are around 120,000 artists in the ULAN, in the database, each artist record is identified by a unique numeric ID. Linked to each artist record are names, related artists, sources for the data, the temporal coverage of the ULAN ranges from Antiquity to the present and the scope is global. The ULAN includes proper names and associated information about artists, artists may be either individuals or groups of individuals working together. Artists in the ULAN generally represent creators involved in the conception or production of visual arts, repositories and some donors are included as well. Work on the ULAN began in 1984, when the Getty decided to merge, in 1987 the Getty created a department dedicated to compiling and distributing terminology. The ULAN grows and changes via contributions from the user community, although originally intended only for use by Getty projects, the broader art information community outside the Getty expressed a need to use ULAN for cataloging and retrieval. Its scope was broadened to include corporate bodies such as firms and repositories of art. The ULAN was founded under the management of Eleanor Fink, the ULAN has been constructed over the years by numerous members of the user community and an army of dedicated editors, under the supervision of several managers. The ULAN was published in 1994 in hardcopy and machine-readable files, given the growing size and frequency of changes and additions to the ULAN, by 1997 it had become evident that hard-copy publication was impractical. It is now published in automated formats only, in both a searchable online Web interface and in data files available for licensing, final editorial control of the ULAN is maintained by the Getty Vocabulary Program, using well-established editorial rules. The current managers of the ULAN are Patricia Harpring, Managing Editor, entities in the Person facet typically have no children. Entities in the Corporate Body facet may branch into trees, there may be multiple broader contexts, making the ULAN structure polyhierarchical. In addition to the relationships, the ULAN also has equivalent. Contributors to the Getty Vocabularies and implementers of the licensed vocabulary data may consult these guidelines as well
Union List of Artist Names
–
Contents
46.
National Library of Australia
–
In 2012–2013, the National Library collection comprised 6,496,772 items, and an additional 15,506 metres of manuscript material. In 1901, a Commonwealth Parliamentary Library was established to serve the newly formed Federal Parliament of Australia, from its inception the Commonwealth Parliamentary Library was driven to development of a truly national collection. The present library building was opened in 1968, the building was designed by the architectural firm of Bunning and Madden. The foyer is decorated in marble, with windows by Leonard French. In 2012–2013 the Library collection comprised 6,496,772 items, the Librarys collections of Australiana have developed into the nations single most important resource of materials recording the Australian cultural heritage. Australian writers, editors and illustrators are actively sought and well represented—whether published in Australia or overseas, approximately 92. 1% of the Librarys collection has been catalogued and is discoverable through the online catalogue. The Library has digitized over 174,000 items from its collection and, the Library is a world leader in digital preservation techniques, and maintains an Internet-accessible archive of selected Australian websites called the Pandora Archive. A core Australiana collection is that of John A. Ferguson, the Library has particular collection strengths in the performing arts, including dance. The Librarys considerable collections of general overseas and rare materials, as well as world-class Asian. The print collections are further supported by extensive microform holdings, the Library also maintains the National Reserve Braille Collection. The Library has acquired a number of important Western and Asian language scholarly collections from researchers, williams Collection The Asian Collections are searchable via the National Librarys catalogue. The National Library holds a collection of pictures and manuscripts. The manuscript collection contains about 26 million separate items, covering in excess of 10,492 meters of shelf space, the collection relates predominantly to Australia, but there are also important holdings relating to Papua New Guinea, New Zealand and the Pacific. The collection also holds a number of European and Asian manuscript collections or single items have received as part of formed book collections. Examples are the papers of Alfred Deakin, Sir John Latham, Sir Keith Murdoch, Sir Hans Heysen, Sir John Monash, Vance Palmer and Nettie Palmer, A. D. Hope, Manning Clark, David Williamson, W. M. The Library has also acquired the records of many national non-governmental organisations and they include the records of the Federal Secretariats of the Liberal party, the A. L. P, the Democrats, the R. S. L. Finally, the Library holds about 37,000 reels of microfilm of manuscripts and archival records, mostly acquired overseas and predominantly of Australian, the National Librarys Pictures collection focuses on Australian people, places and events, from European exploration of the South Pacific to contemporary events. Art works and photographs are acquired primarily for their informational value, media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts
National Library of Australia
National Library of Australia
–
National Library of Australia as viewed from
Lake Burley Griffin,
Canberra
National Library of Australia
–
The original National Library building on Kings Avenue, Canberra, was designed by Edward Henderson. Originally intended to be several wings, only one wing was completed and was demolished in 1968. Now the site of the Edmund Barton Building.
National Library of Australia
–
The library seen from Lake Burley Griffin in autumn.
47.
National Diet Library
–
The National Diet Library is the only national library in Japan. It was established in 1948 for the purpose of assisting members of the National Diet of Japan in researching matters of public policy, the library is similar in purpose and scope to the United States Library of Congress. The National Diet Library consists of two facilities in Tokyo and Kyoto, and several other branch libraries throughout Japan. The Diets power in prewar Japan was limited, and its need for information was correspondingly small, the original Diet libraries never developed either the collections or the services which might have made them vital adjuncts of genuinely responsible legislative activity. Until Japans defeat, moreover, the executive had controlled all political documents, depriving the people and the Diet of access to vital information. The U. S. occupation forces under General Douglas MacArthur deemed reform of the Diet library system to be an important part of the democratization of Japan after its defeat in World War II. In 1946, each house of the Diet formed its own National Diet Library Standing Committee, hani Gorō, a Marxist historian who had been imprisoned during the war for thought crimes and had been elected to the House of Councillors after the war, spearheaded the reform efforts. Hani envisioned the new body as both a citadel of popular sovereignty, and the means of realizing a peaceful revolution, the National Diet Library opened in June 1948 in the present-day State Guest-House with an initial collection of 100,000 volumes. The first Librarian of the Diet Library was the politician Tokujirō Kanamori, the philosopher Masakazu Nakai served as the first Vice Librarian. In 1949, the NDL merged with the National Library and became the national library in Japan. At this time the collection gained a million volumes previously housed in the former National Library in Ueno. In 1961, the NDL opened at its present location in Nagatachō, in 1986, the NDLs Annex was completed to accommodate a combined total of 12 million books and periodicals. The Kansai-kan, which opened in October 2002 in the Kansai Science City, has a collection of 6 million items, in May 2002, the NDL opened a new branch, the International Library of Childrens Literature, in the former building of the Imperial Library in Ueno. This branch contains some 400,000 items of literature from around the world. Though the NDLs original mandate was to be a library for the National Diet. In the fiscal year ending March 2004, for example, the library reported more than 250,000 reference inquiries, in contrast, as Japans national library, the NDL collects copies of all publications published in Japan. The NDL has an extensive collection of some 30 million pages of documents relating to the Occupation of Japan after World War II. This collection include the documents prepared by General Headquarters and the Supreme Commander of the Allied Powers, the Far Eastern Commission, the NDL maintains a collection of some 530,000 books and booklets and 2 million microform titles relating to the sciences
National Diet Library
–
Tokyo Main Library of the National Diet Library
National Diet Library
–
Kansai-kan of the National Diet Library
National Diet Library
–
The National Diet Library
National Diet Library
–
Main building in Tokyo
48.
Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
Netherlands Institute for Art History
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As the logos on the window show, the RKD shares the same building located at
Den Haag Centraal with the National Archives, the Nederlands Letterkundig Museum (nl) (LM), the
Huygens ING, the
Netherlands Music Institute (NMI) and the
Koninklijke Bibliotheek.
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This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Vigée-Lebrun, Marie-Anne Elisabeth". Encyclopædia Britannica (11th ed.). Cambridge University Press.. Endnotes:
No. 228: Katherine Baetjer: "Vigée Le Brun: Woman Artist in Revolutionary France.", Modern Arts Notes Podcast
