1.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
2.
France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
3.
Neoclassical architecture
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Neoclassical architecture is an architectural style produced by the neoclassical movement that began in the mid-18th century. In its purest form, it is a style derived from the architecture of classical antiquity, the Vitruvian principles. In form, Neoclassical architecture emphasizes the wall rather than chiaroscuro, Neoclassical architecture is still designed today, but may be labelled New Classical Architecture for contemporary buildings. In Central and Eastern Europe, the style is referred to as Classicism. Many early 19th-century neoclassical architects were influenced by the drawings and projects of Étienne-Louis Boullée, the many graphite drawings of Boullée and his students depict spare geometrical architecture that emulates the eternality of the universe. There are links between Boullées ideas and Edmund Burkes conception of the sublime, the baroque style had never truly been to the English taste. The most popular was the four-volume Vitruvius Britannicus by Colen Campbell, the book contained architectural prints of famous British buildings that had been inspired by the great architects from Vitruvius to Palladio. At first the book featured the work of Inigo Jones. Palladian architecture became well established in 18th-century Britain, at the forefront of the new school of design was the aristocratic architect earl, Richard Boyle, 3rd Earl of Burlington, in 1729, he and William Kent, designed Chiswick House. This House was a reinterpretation of Palladios Villa Capra, but purified of 16th century elements and this severe lack of ornamentation was to be a feature of the Palladianism. In 1734 William Kent and Lord Burlington designed one of Englands finest examples of Palladian architecture with Holkham Hall in Norfolk, the main block of this house followed Palladios dictates quite closely, but Palladios low, often detached, wings of farm buildings were elevated in significance. This classicising vein was also detectable, to a degree, in the Late Baroque architecture in Paris. This shift was even visible in Rome at the redesigned façade for S, by the mid 18th century, the movement broadened to incorporate a greater range of Classical influences, including those from Ancient Greece. The shift to neoclassical architecture is conventionally dated to the 1750s, in France, the movement was propelled by a generation of French art students trained in Rome, and was influenced by the writings of Johann Joachim Winckelmann. The style was adopted by progressive circles in other countries such as Sweden. A second neoclassic wave, more severe, more studied and more consciously archaeological, is associated with the height of the Napoleonic Empire, in France, the first phase of neoclassicism was expressed in the Louis XVI style, and the second in the styles called Directoire or Empire. The Scottish architect Charles Cameron created palatial Italianate interiors for the German-born Catherine II the Great in St. Petersburg, indoors, neoclassicism made a discovery of the genuine classic interior, inspired by the rediscoveries at Pompeii and Herculaneum. These had begun in the late 1740s, but only achieved an audience in the 1760s
4.
Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
5.
Architect
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An architect is someone who plans, designs, and reviews the construction of buildings. Etymologically, architect derives from the Latin architectus, which derives from the Greek, practical, technical, and academic requirements for becoming an architect vary by jurisdiction. The terms architect and architecture are used in the disciplines of landscape architecture, naval architecture. In most jurisdictions, the professional and commercial uses of the terms architect, throughout ancient and medieval history, most architectural design and construction was carried out by artisans—such as stone masons and carpenters, rising to the role of master builder. Until modern times, there was no distinction between architect and engineer. In Europe, the architect and engineer were primarily geographical variations that referred to the same person. It is suggested that various developments in technology and mathematics allowed the development of the gentleman architect. Paper was not used in Europe for drawing until the 15th century, pencils were used more often for drawing by 1600. The availability of both allowed pre-construction drawings to be made by professionals, until the 18th-century, buildings continued to be designed and set out by craftsmen with the exception of high-status projects. In most developed countries, only qualified people with appropriate license, certification, or registration with a relevant body, such licensure usually requires an accredited university degree, successful completion of exams, and a training period. To practice architecture implies the ability to independently of supervision. In many places, independent, non-licensed individuals may perform design services outside the professional restrictions, such design houses, in the architectural profession, technical and environmental knowledge, design and construction management, and an understanding of business are as important as design. However, design is the force throughout the project and beyond. An architect accepts a commission from a client, the commission might involve preparing feasibility reports, building audits, the design of a building or of several buildings, structures, and the spaces among them. The architect participates in developing the requirements the client wants in the building, throughout the project, the architect co-ordinates a design team. Structural, mechanical, and electrical engineers and other specialists, are hired by the client or the architect, the architect hired by a client is responsible for creating a design concept that meets the requirements of that client and provides a facility suitable to the required use. In that, the architect must meet with and question the client to ascertain all the requirements, often the full brief is not entirely clear at the beginning, entailing a degree of risk in the design undertaking. The architect may make proposals to the client which may rework the terms of the brief
6.
Germain Boffrand
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Germain Boffrand was a French architect. A pupil of Jules Hardouin-Mansart, Germain Boffrand was one of the creators of the precursor to Rococo called the style Régence. His uncle, Philippe Quinault, introduced him to prospective clients among the aristocracy of Paris, in 1709, he was placed in charge of the interior apartments of the Hôtel de Soubise, where he soon succeeded the architect Pierre-Alexis Delamair. None of his early interiors survive, largely replaced by his spectacular Rococo work of the years following 1735, Boffrand was received by the Académie royale darchitecture in 1709. The following year he was among those employed in the additions to the Palais Bourbon, in 1732, he was appointed inspecteur général des ponts et chaussées and produced plans for restructuring Les Halles. He was a participant in the competition for the design of Place Louis XV, named chief architect to the hôpital général in 1724, he constructed in the Île de la Cité a foundling hospital, the Hôpital des Enfants Trouvés. Boffrand also worked for the hospitals at the Salpêtrière, at Bicêtre and he built a series of hôtels particuliers in Paris as speculative business enterprises. Boffrands pavilion of 1712-15 that inaugurated the new quarter of the Faubourg Saint-Honoré was purchased, abroad, Boffrand worked for the Duke of Lorraine, where he was appointed Premier Architecte to Duke Léopold in 1711, but little of significance remains. He also constructed a fountain and a hunt pavilion, Bouchefort, in the gardens of the schloss belonging to the Elector of Bavaria, in 1724 Boffrand worked on site at Würzburg with Balthasar Neumann, who had been consulting him in Paris, on the Prince-Bishops Residenz. His designs were carried out in the suite of rooms. Among the architects trained in his atelier were François Dominique Barreau de Chefdeville, Charles-Louis Clérisseau and Emmanuel Héré de Corny, Boffrands two sons collaborated in the office, both dying young, in 1732 and 1745. Boffrands folio, Livre darchitecture, was published in 1745, there are no surviving caches of his drawings. In January 1745 he was elected a Fellow of the Royal Society of London, Germain Boffrand died in Paris in 1754 at age 86. The following commissions of Boffrand are largely taken from Fiske Kimball, Hôtel Le Brun,49 rue du Cardinal-Lemoine, for Charles II Le Brun, the nephew and heir of the premier peintre du roi Charles Le Brun and a relative of Boffrands. One of the first hôtels particuliers noted and commended by contemporary critics, remodelling of the Hôtel de Mesme. Remodelling of the Hôtel de Livry, Hôtel de Soubise,60 rue des Francs-Bourgeois, and the suite of interiors, Boffrands last major work and his masterpiece, for the prince de Rohan and his wife Marie Sophie de Courcillon. Façade of the Convent of Fathers of Mercy,45 rue des Archives, built for the prince de Soubise to provide a suitable sdtreet front opposite his new hôtel. Renovation for Anne Henriette of Bavaria, princess Palatine, widow of the Henri Jules, much of Boffrands decoration survives, including the staircase with its coved cornices filled with scrolls and foliage and rounded corners
7.
Classical architecture
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Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in all be said to draw on a common vocabulary of decorative and constructive elements. The term classical architecture also applies to any mode of architecture that has evolved to a highly refined state, such as classical Chinese architecture and it can also refer to any architecture that employs classical aesthetic philosophy. The term might be used differently from traditional or vernacular architecture, for contemporary buildings following authentic classical principles, the term New Classical Architecture may be used. Classical architecture is derived from the architecture of ancient Greece and ancient Rome, with the collapse of the western part of the Roman empire, the architectural traditions of the Roman empire ceased to be practised in large parts of western Europe. In the Byzantine Empire, the ancient ways of building lived on, the first conscious efforts to bring back the disused language of form of classical antiquity into Western architecture can be traced to the Carolingian Renaissance of the late 8th and 9th centuries. In general, therefore, they are not considered classical architectural styles in a strict sense, nonetheless, the classical architecture of the Renaissance from the outset represents a highly specific interpretation of the classical ideas. Most of the styles originating in post-renaissance Europe can be described as classical architecture and this broad use of the term is employed by Sir John Summerson in The Classical Language of Architecture. The elements of architecture have been applied in radically different architectural contexts than those for which they were developed. For example, Baroque or Rococo architecture are styles which, although classical at root, during these periods, architectural theory still referred to classical ideas but rather less sincerely than during the Renaissance. Neoclassical architecture held a strong position on the architectural scene c. With the advent of Modernism during the early 20th century, classical architecture arguably almost completely ceased to be practised, as noted above, classical styles of architecture dominated Western architecture for a very long time, roughly from the Renaissance until the advent of Modernism. That is to say, that classical antiquity at least in theory was considered the source of inspiration for architectural endeavours in the West for much of Modern history. Furthermore, it can even be argued that styles of architecture not typically considered classical, like Gothic, therefore, a simple delineation of the scope of classical architecture is difficult to make. The more or less defining characteristic can still be said to be a reference to ancient Greek or Roman architecture, and the architectural rules or theories that derived from that architecture. In the grammar of architecture, the word petrification is often used when discussing the development of sacred structures, such as temples, during the Archaic and early Classical periods, the architectural forms of the earliest temples had solidified and the Doric emerged as the predominant element. And not everyone within the reach of Mediterranean civilization made this transition. Nor was it the lack of knowledge of working on their part that prevented them from making the transition from timber to dressed stone
8.
Frederick the Great
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Frederick II was King of Prussia from 1740 until 1786, the longest reign of any Hohenzollern king. Frederick was the last titled King in Prussia and declared himself King of Prussia after achieving full sovereignty for all historical Prussian lands, Prussia had greatly increased its territories and became a leading military power in Europe under his rule. He became known as Frederick the Great and was affectionately nicknamed Der Alte Fritz by the Prussian, in his youth, Frederick was more interested in music and philosophy than the art of war. Upon ascending to the Prussian throne, he attacked Austria and claimed Silesia during the Silesian Wars, winning acclaim for himself. Near the end of his life, Frederick physically connected most of his realm by conquering Polish territories in the First Partition of Poland and he was an influential military theorist whose analysis emerged from his extensive personal battlefield experience and covered issues of strategy, tactics, mobility and logistics. Considering himself the first servant of the state, Frederick was a proponent of enlightened absolutism and he modernized the Prussian bureaucracy and civil service and pursued religious policies throughout his realm that ranged from tolerance to segregation. He reformed the system and made it possible for men not of noble stock to become judges. Frederick also encouraged immigrants of various nationalities and faiths to come to Prussia, some critics, however, point out his oppressive measures against conquered Polish subjects during the First Partition. Frederick supported arts and philosophers he favored, as well as allowing complete freedom of the press, Frederick is buried at his favorite residence, Sanssouci in Potsdam. Because he died childless, Frederick was succeeded by his nephew, Frederick William II, son of his brother, historian Leopold von Ranke was unstinting in his praise of Fredericks Heroic life, inspired by great ideas, filled with feats of arms. Immortalized by the raising of the Prussian state to the rank of a power, Johann Gustav Droysen was even more extolling. However, by the 21st century, a re-evaluation of his legacy as a great warrior, Frederick, the son of Frederick William I and his wife, Sophia Dorothea of Hanover, was born in Berlin on 24 January 1712. The birth of Frederick was welcomed by his grandfather, Frederick I, with more than usual pleasure, with the death of his father in 1713, Frederick William became King of Prussia, thus making young Frederick the crown prince. The new king wished for his sons and daughters to be educated not as royalty and he had been educated by a Frenchwoman, Madame de Montbail, who later became Madame de Rocoulle, and he wished that she educate his children. However, he possessed a violent temper and ruled Brandenburg-Prussia with absolute authority. As Frederick grew, his preference for music, literature and French culture clashed with his fathers militarism, in contrast, Fredericks mother Sophia was polite, charismatic and learned. Her father, George Louis of Brunswick-Lüneburg, succeeded to the British throne as King George I in 1714, Frederick was brought up by Huguenot governesses and tutors and learned French and German simultaneously. Although Frederick William I was raised a Calvinist, he feared he was not of the elect, to avoid the possibility of Frederick being motivated by the same concerns, the king ordered that his heir not be taught about predestination
9.
Claude Nicolas Ledoux
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Claude-Nicolas Ledoux was one of the earliest exponents of French Neoclassical architecture. His greatest works were funded by the French monarchy and came to be perceived as symbols of the Ancien Régime rather than Utopia, the French Revolution hampered his career, much of his work was destroyed in the nineteenth century. In 1804, he published a collection of his designs under the title LArchitecture considérée sous le rapport de lart, in this book he took the opportunity of revising his earlier designs, making them more rigorously neoclassical and up to date. This revision has distorted an accurate assessment of his role in the evolution of Neoclassical architecture and his most ambitious work was the uncompleted Royal Saltworks at Arc-et-Senans, an idealistic and visionary town showing many examples of architecture parlante. Conversely his works and commissions included the more mundane and everyday architecture such as approximately sixty elaborate tollgates around Paris in the Wall of the General Tax Farm. Ledoux was born in 1736 in Dormans-sur-Marne, the son of a modest merchant from Champagne, at an early age his mother, Francoise Domino, and godmother, Francoise Piloy, encouraged him to develop his drawing skills. Later the Abbey of Sassenage funded his studies in Paris at the Collège de Beauvais and he then trained under Pierre Contant dIvry, and also made the acquaintance of Jean-Michel Chevotet. These two eminent Parisian architects designed in both the restrained French Rococo manner, known as the Louis XV style and in the Goût grec phase of early Neoclassicism, the two master architects introduced Ledoux to their affluent clientele. One of Ledouxs first patrons was the Baron Crozat de Thiers, another client obtained through the auspices of his teachers was Président Hocquart de Montfermeil and his sister, Mme de Montesquiou. In 1762, the young Ledoux was commissioned to redecorate the Café Godeau, the result was an interior of trompe loeil and mirrors. Pilasters painted on the walls were interspersed with alternating Pier glasses and panels painted with trophies of helmets and weaponry, in 1969 this interior was moved to the Musée Carnavalet. The following year the Marquis de Montesquiou-Fézensac commissioned Ledoux to redesign the old hilltop château on his estate at Mauperthuis, Ledoux rebuilt the château and created new gardens, replete with fountains supplied by an aqueduct. In addition in the gardens and park he built an orangery, in 1764, he designed for Président Hocquart, a Palladian house on the Chaussée dAntin using the colossal order. On 26 July 1764, in the Saint-Eustache Church, Paris, Ledoux married Marie Bureau, a friend from Champagne, Joseph Marin Masson de Courcelles, found him a position as the architect for the Water and Forestry Department. Here between 1764 and 1770 he worked on the renovation and designs of churches, bridges, wells, fountains and schools, in Tonnerrois, Sénonais and Bassigny. In 1766 Ledoux began designing the Hôtel dHallwyll, a building that, according to the Dijon architect Jacques Cellerier, received widespread praise, the owner Franz-Joseph dHallwyll and his wife, Marie-Thérèse Demidorge, were anxious to ensure work was executed economically. Therefore, Ledoux had to reuse portions of the existing buildings and he had envisaged two colonnades in the Doric order leading to a nymphaeum decorated with urns at the foot of the garden. However, the limitations of the site made this impossible, so Ledoux resorted to trompe loeil painting a colonnade on the wall of the neighboring convent
10.
Beaux-Arts architecture
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Beaux-Arts architecture expresses the academic neoclassical architectural style taught at the École des Beaux-Arts in Paris. The style of instruction that produced Beaux-Arts architecture continued without interruption until 1968. The Beaux-Arts style heavily influenced the architecture of the United States in the period from 1880 to 1920, in contrast, many European architects of the period 1860–1914 outside France gravitated away from Beaux-Arts and towards their own national academic centers. American architects of the Beaux-Arts generation often returned to Greek models, for the first time, repertories of photographs supplemented meticulous scale drawings and on-site renderings of details. Beaux-Arts training emphasized the production of quick conceptual sketches, highly finished perspective presentation drawings, close attention to the program, site considerations tended toward social and urbane contexts. In the façade shown to the right, Diana grasps the cornice she sits on in an action typical of Beaux-Arts integration of sculpture with architecture. A sense of appropriate idiom at the craftsman level supported the teams of the first truly modern architectural offices. The prestige of the École gave the style Beaux-Arts a second wind in combining the new manner with the traditional training and they were followed by an entire generation. Henry Hobson Richardson absorbed Beaux-Arts lessons in massing and spatial planning and his Beaux-Arts training taught him to transcend slavish copying and recreate in the essential fully digested and idiomatic manner of his models. Richardson evolved a personal style freed of historicism that was influential in early Modernism. The White City of the Worlds Columbian Exposition of 1893 in Chicago was a triumph of the movement, the Beaux-Arts curriculum was subsequently begun at Columbia University, the University of Pennsylvania, and elsewhere. From 1916, the Beaux-Arts Institute of Design in New York City schooled architects, painters, bosworth, Carnegie Mellon University, designed by Henry Hornbostel, and the University of Texas, designed by Paul Philippe Cret. Beaux-Arts architecture also brought a civic face to the railroad, two of the best American examples of the Beaux-Arts tradition stand within a few blocks of each other, Grand Central Terminal and the New York Public Library. Another prominent U. S. example of the style is the largest academic dormitory in the world, in the late 1800s, during the years when Beaux-Arts architecture was at a peak in France, Americans were one of the largest groups of foreigners in Paris. Many of them were architects and students of architecture who brought this back to America. Beaux-Arts was very prominent in public buildings in Canada in the early 20th century, notably all three prairie provinces legislative buildings are in this style. Buenos Aires is a center of Beaux-Arts architecture which continued to be built as late as the 1950s, national Theatre, Melbourne General Post Office building, Forrest Place, Perth Argus Building. Beaux-Arts Architecture in New York, A Photographic Guide United States, sixteenth Street Architecture – profiles of Beaux-Arts architecture in Washington D. C
11.
Cenotaph
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A cenotaph is an empty tomb or a monument erected in honour of a person or group of people whose remains are elsewhere. It can also be the tomb for a person who has since been reinterred elsewhere. The word derives from the Greek, κενοτάφιον kenotaphion Cenotaphs were common in the ancient world with many built in Ancient Egypt, Ancient Greece and across Northern Europe. The Basilica di Santa Croce in Florence, Italy, contains a number of cenotaphs including one for Dante Alighieri, a cenotaph is the focal point of the Voortrekker Monument in Pretoria, South Africa. It is situated below the main point of interest, a marble Historical Frieze in the Hall of Heroes. The Hall of Heroes itself has a dome from the summit of one can view the interior of the monument. At noon on 16 December each year the sun shines through another opening in the dome onto the middle of the cenotaph, the ray of sunshine symbolises Gods blessing on the lives and endeavours of the Voortrekkers. 16 December is the date in 1838 that the Battle of Blood River was fought, durban, South Africa, has a striking and unusual cenotaph made of granite and lavishly decorated with brightly coloured ceramics. Port Elizabeth, South Africa, has a cenotaph, on either side of the central sarcophagus are statues by Technical College Art School principal, James Gardner, who served in the trenches during the war. One depicts St George and the Dragon, the other depicts the sanctity of family life, surrounding the sarcophagus are a number of bas-relief panels depicting scenes and people during the First World War. It was unveiled by Mrs W F Savage and dedicated by Canon Mayo on 10 November 1929, a surrounding memorial wall commemorates the men and women killed during World War II. In Livingstone there is a cenotaph at the Eastern Cataract of The Victoria Falls with the names of the men of Northern Rhodesia who died during the Great War 1914–18 and it was unveiled by HRH Prince Arthur of Connaught on 1 August 1923. There is also a cenotaph in Lusaka at Embassy Park, opposite the Cabinet Office along Independence Avenue, the cenotaph was commemorated in 1977. A monument which has come to be known to as the Cenotaph was erected in Plaza San Martín, in downtown Buenos Aires, to commemorate the Argentinian soldiers who died during the Falklands War, in 1982. The monument consists of a series of plaques of marble with the names of the fallen, surrounding a flame. Another cenotaph, which is a replica of the Argentine Military Cemetery in Darwin on the Falkland Islands, exists in Campo de Mayo, a limestone replica of the Cenotaph at Whitehall in London was erected outside the Cabinet Building in Hamilton, Bermuda in 1920. In the United States, a cenotaph in Yale Universitys Hewitt Quad honours men of Yale who died in battle, the John Fitzgerald Kennedy Memorial in Dallas is often described as a cenotaph. It has an Egyptian Revival cenotaph base, surmounted by a fasces bound together with ribbons bearing the names of the dead and it was designed by French émigré architect Maximilian Godefroy in 1815, and construction was completed in 1827
12.
Isaac Newton
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His book Philosophiæ Naturalis Principia Mathematica, first published in 1687, laid the foundations of classical mechanics. Newton also made contributions to optics, and he shares credit with Gottfried Wilhelm Leibniz for developing the infinitesimal calculus. Newtons Principia formulated the laws of motion and universal gravitation that dominated scientists view of the universe for the next three centuries. Newtons work on light was collected in his influential book Opticks. He also formulated a law of cooling, made the first theoretical calculation of the speed of sound. Newton was a fellow of Trinity College and the second Lucasian Professor of Mathematics at the University of Cambridge, politically and personally tied to the Whig party, Newton served two brief terms as Member of Parliament for the University of Cambridge, in 1689–90 and 1701–02. He was knighted by Queen Anne in 1705 and he spent the last three decades of his life in London, serving as Warden and Master of the Royal Mint and his father, also named Isaac Newton, had died three months before. Born prematurely, he was a child, his mother Hannah Ayscough reportedly said that he could have fit inside a quart mug. When Newton was three, his mother remarried and went to live with her new husband, the Reverend Barnabas Smith, leaving her son in the care of his maternal grandmother, Newtons mother had three children from her second marriage. From the age of twelve until he was seventeen, Newton was educated at The Kings School, Grantham which taught Latin and Greek. He was removed from school, and by October 1659, he was to be found at Woolsthorpe-by-Colsterworth, Henry Stokes, master at the Kings School, persuaded his mother to send him back to school so that he might complete his education. Motivated partly by a desire for revenge against a bully, he became the top-ranked student. In June 1661, he was admitted to Trinity College, Cambridge and he started as a subsizar—paying his way by performing valets duties—until he was awarded a scholarship in 1664, which guaranteed him four more years until he would get his M. A. He set down in his notebook a series of Quaestiones about mechanical philosophy as he found it, in 1665, he discovered the generalised binomial theorem and began to develop a mathematical theory that later became calculus. Soon after Newton had obtained his B. A. degree in August 1665, in April 1667, he returned to Cambridge and in October was elected as a fellow of Trinity. Fellows were required to become ordained priests, although this was not enforced in the restoration years, however, by 1675 the issue could not be avoided and by then his unconventional views stood in the way. Nevertheless, Newton managed to avoid it by means of a special permission from Charles II. A and he was elected a Fellow of the Royal Society in 1672. Newtons work has been said to distinctly advance every branch of mathematics then studied and his work on the subject usually referred to as fluxions or calculus, seen in a manuscript of October 1666, is now published among Newtons mathematical papers
13.
Cour d'honneur
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The Palace of Versailles and Blenheim Palace both feature such entrance courts. Its open courtyard is presented like the permanent theatre set of a proscenium stage. Like the theatre set the environment is defined and enclosed from the more public space by ornate wrought iron gilded railings. Other 16th century urban palazzi remained resolutely enclosed, like Palazzo Farnese, in Rome, the wings of Carlo Madernos Palazzo Barberini design, were the first that reached forward from a central block to create a cour dhonneur floorplan. On a condensed, urban scale the formula is expressed in Parisian private houses, hôtels particuliers built entre cour et jardin, between court and garden. Nearby, the Tuileries Palace is gone, but the cour dhonneur with its Arc du Carrousel remains, vanderbilt House on the Plaza were the rare exceptions. The much-photographed front façade of Buckingham Palace was refashioned by Sir Aston Webb in 1913, the cour dhonneur, now known as The Quadrangle, still retains the principal entrance to the palace however
14.
Jean Chalgrin
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Jean-François-Thérèse Chalgrin was a French architect, best known for his design for the Arc de Triomphe, Paris. His time in Rome coincided with a fervent new interest in Classicism among the young French pensionnaires, under the influences of Piranesi, in this church, which was built 1772-84, he revived a basilica plan that had not been characteristic of French ecclesiastical architecture since the sixteenth century. In 1775 he was appointed First Architect to the comte de Provence, brother of Louis XVI, in 1779 he was appointed overseer of the building projects of another brother of the king, the comte dArtois. In 1777 Chalgrin partly remodelled the interior of Church of Saint-Sulpice and he also designed the case for the great organ. After the Revolution Chalgrin extended the Collège de France and made alterations in the Palais du Luxembourg to suit it to its new use as the seat of the Directoire, the Arc de Triomphe was commissioned by Napoleon to commemorate the victorious armies of the Empire. The project was under way when Chalgrin died, and it was completed by Jean-Nicolas Huyot, Chalgrin married Émilie, a daughter of the painter Joseph Vernet. Louis Hautcoeur, Histore de larchitecture classique en France, vol, IV second moitié du XVIIIe siècle 1952. Michel Gallet, Demeures parisiennes, époque Louis XVI1964
15.
Aldo Rossi
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Aldo Rossi was an Italian architect and designer who accomplished the unusual feat of achieving international recognition in four distinct areas, theory, drawing, architecture and product design. He was the first Italian to receive the Pritzker Prize for architecture and he was born in Milan, Italy. After early education by the Somascan Religious Order and then at Alessandro Volta College in Lecco and his thesis advisor was Piero Portaluppi and he graduated in 1959. In 1955 he had started writing for, and from 1959 was one of the editors of, Rossi left in 1964, when the chief editorship went to Gian Antonio Bernasconi. Rossi went on to work for Società magazine and Il_contemporaneo, making Rossi one of the most active participants in the fervent cultural debate of the time and he married the Swiss actress Sonia Gessner, who introduced him to the world of film and theater. Culture and his family became central to his life and his son Fausto was active in movie-making both in front of and behind the camera and his daughter Vera was involved with theatre. He began his career at the studio of Ignazio Gardella in 1956. In 1963 also he began teaching, firstly as an assistant to Ludovico Quaroni at the school of urban planning in Arezzo, then to Carlo Aymonino at the Institute of Architecture in Venice. In 1965 he was appointed lecturer at the Polytechnic University of Milan, in 1971 he won the design competition for the extension of the San Cataldo Cemetery in Modena, which made him internationally famous. After suspension from teaching in Italy in those troubled times, he moved to ETH Zurich. In 1975, Rossi returned to the profession in Italy. In 1979 he was made a member of the prestigious Academy of Saint Luke, meanwhile, there was international interest in his skills. He taught at universities in the United States, including Cooper Union in New York City. In 1981 he published his autobiography, A scientific autobiography, in this work the author, in discrete disorder, brings back memories, objects, places, forms, literature notes, quotes, and insights and tries to. Go over things or impressions, describe, or look for ways to describe, in the same year he won first prize at the international competition for the design of an apartment block on the corner of Kochstraße and Wilhelmstraße in central Berlin. In 1984 together with Ignazio Gardella and Fabio Reinhart, he won the competition for the renovation of the Teatro Carlo Felice in Genoa, which was not fully completed until 1991. In 1985 and 1986 Rossi was director of the 3rd International Architecture Exhibition at the Venice Biennale including further away display spaces such as Villa Farsetti in Santa Maria di Sala. In 1987 he won two competitions, one for a site at the Parc de la Villette in Paris, the other for the Deutsches Historisches Museum in Berlin
16.
Peter Greenaway
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Peter Greenaway, CBE is a British film director, screenwriter, and artist. His films are noted for the influence of Renaissance and Baroque painting. Common traits in his film are the composition and illumination. Greenaway was born in Newport, Monmouthshire, Wales, to a teacher mother, greenaways family left South Wales when he was three years old and settled in Chingford, Essex, England. He attended Forest School in northeast London, at an early age Greenaway decided on becoming a painter. He became interested in European cinema, focusing first on the films of Ingmar Bergman, in 1962, Greenaway began studies at Walthamstow College of Art, where a fellow student was musician Ian Dury. Greenaway trained as a muralist for three years, he made his first film, Death of Sentiment, a churchyard furniture essay filmed in four large London cemeteries, in 1965, he joined the Central Office of Information, working there fifteen years as a film editor and director. In that time he created a filmography of experimental films, starting with Train, footage of the last steam trains at Waterloo station, tree, is a homage to the embattled tree growing in concrete outside the Royal Festival Hall on the South Bank in London. By the 1970s he was confident and ambitious and made Vertical Features Remake, the former is an examination of various arithmetical editing structures, and the latter is a journey through the maps of a fictitious country. Greenaways most familiar musical collaborator during this period is composer Michael Nyman, in 1989, he collaborated with artist Tom Phillips on a television serial A TV Dante, dramatising the first few cantos of Dantes Inferno. In the 1990s, he presented Prosperos Books, the controversial The Baby of Mâcon, The Pillow Book, in 1995, Louis Andriessen completed the sixth libretto, Rosa – A Horse Drama. He is currently professor of cinema studies at the European Graduate School in Saas-Fee and he also contributed to Visions of Europe, a short film collection by different European Union directors, his British entry is The European Showerbath. Nightwatching and Rembrandts JAccuse two films on Rembrandt which were released in 2007 and 2008 respectively, nightwatching is the first feature in the series Dutch Masters, with the next project titled as Goltzius and the Pelican Company. This was later reprised at the Optronica festival, London, on 12 October 2007, he created the multimedia installation Peopling the Palaces at Venaria Reale at the Royal Palace of Venaria that animates the Palace with 100 videoprojectors. On 3 May 2016, he received a Honoris Causa doctorate from the University of San Martín, in 2006, Greenaway began a series of digital video installations, Nine Classical Paintings Revisited, with his exploration of Rembrandts Night Watch in the Rijksmuseum in Amsterdam. The performance consisted of superimposing digital imagery and projections onto the painting with music from the composer Marco Robino, Greenaway exhibited his digital exploration of The Wedding at Cana by Paolo Veronese as part of the 2009 Venice Biennial. The 50-minute presentation, set to a soundtrack, incorporates images of faces from the painting along with animated diagrams revealing compositional relations among the figures. These images are projected onto and around the replica of the painting that now stands at the original site, picassos Guernica, Seurats Grande Jatte, works by Jackson Pollock and Claude Monet, Velázquezs Las Meninas and Michelangelos The Last Judgment are possible series subjects
17.
The Belly of an Architect
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The Belly of an Architect is a 1987 film drama written and directed by Peter Greenaway, featuring original music by Glenn Branca and Wim Mertens. Starring Brian Dennehy and Chloe Webb, it was nominated for the Palme dOr award at the 1987 Cannes Film Festival, the American architect Stourley Kracklite has been commissioned to construct an exhibition in Rome dedicated to the architecture of Étienne-Louis Boullée. Doubts arise among his Italian colleagues about the legitimacy of Boullée among the pantheon of famed architects, tirelessly dedicated to the project, Kracklites marriage deteriorates, along with his health. His social and physical decline corresponds to the decline of his idol Boullée, Kracklite becomes obsessed with the historical Caesar Augustus after hearing that Livia, his wife, supposedly poisoned him. Kracklite assumes that his own wife, Louisa, is trying to do the same because he is suffering increasing stomach pains and she informs him that she is pregnant, and is sexually involved with the younger co-organiser of the exhibition. He discovers that he has a cancer and has not long to live. The film ends at opening ceremony, which Kracklite watches from a vantage point. Louisa gives birth to their child, and Kracklite jumps to his death, director Greenaways visual technique heightens Kracklites alienation. There are few shots of the other actors beside Dennehy. Greenaways trademark historical reenactments also compose a theme, many visual images of the film appear to replicate major 18th-century works of art. In addition there are references to Isaac Newton and the law of gravity. The Belly of an Architect at the Internet Movie Database The Belly of an Architect at AllMovie
18.
Jean-de-Dieu Soult
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Nicolas Jean-de-Dieu Soult, 1st Duke of Dalmatia, was a French general and statesman, named Marshal of the Empire in 1804 and often called Marshal Soult. Soult was one of six officers in French history to receive the distinction of Marshal General of France. The Duke also served three times as President of the Council of Ministers, or Prime Minister of France. Soults intrigues while occupying Portugal earned him the nickname, King Nicolas, one historian called him a plunderer in the world class. Soult was born at Saint-Amans-la-Bastide and named after John of God and he was the son of a country notary named Jean Soult by his marriage to Brigitte de Grenier. His paternal grandparents were Jean Soult and Jeanne de Calvet, while his grandparents were Pierre François de Grenier de Lapierre. His younger brother Pierre also became a French general, Soults superior education ensured his promotion to the rank of sergeant after six years service, and in July 1791 he became instructor to the first battalion of volunteers of the Bas-Rhin. He was serving in this battalion in 1792, after the Battle of Fleurus of 1794, in which he distinguished himself for coolness, he was promoted to brigadier general by the representatives on mission. For the next five years Soult was employed in Germany under Jourdan, Moreau, Kléber and Lefebvre, and in 1799 he was promoted general of division and ordered to proceed to Switzerland. It was at time that he laid the foundations of his military fame, he particularly distinguished himself in Massénas great Swiss campaign. He accompanied Masséna to Genoa, and acted as his principal lieutenant throughout the siege of that city. He was wounded and taken prisoner at Monte Cretto on 13 April 1800, the victory of Marengo restored his freedom, and Soult received the command of the southern part of the kingdom of Naples. In 1802 he was appointed one of the four generals commanding the consular guard. Though he was one of those generals who had served under Moreau, in consequence he was appointed in August 1803 as the commander-in-chief of the camp of Boulogne, and in May 1804 he was made one of the first marshals of the Empire. He commanded a corps in the advance on Ulm, and at Austerlitz he led the attack on the allied centre. Soult played a part in many of the famous battles of the Grande Armée, including the Battle of Austerlitz in 1805. However, he was not present at the Battle of Friedland because on that day he was conquering Königsberg. After the conclusion of the Peace of Tilsit, he returned to France, the awarding of this honour greatly displeased him, for he felt that his title should have been Duke of Austerlitz, a title which Napoléon had reserved for himself
19.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
20.
Bibsys
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BIBSYS is an administrative agency set up and organized by the Ministry of Education and Research in Norway. They are a provider, focusing on the exchange, storage and retrieval of data pertaining to research. BIBSYS are collaborating with all Norwegian universities and university colleges as well as research institutions, Bibsys is formally organized as a unit at the Norwegian University of Science and Technology, located in Trondheim, Norway. The board of directors is appointed by Norwegian Ministry of Education, BIBSYS offer researchers, students and others an easy access to library resources by providing the unified search service Oria. no and other library services. They also deliver integrated products for the operation for research. As a DataCite member BIBSYS act as a national DataCite representative in Norway and thereby allow all of Norways higher education, all their products and services are developed in cooperation with their member institutions. The purpose of the project was to automate internal library routines, since 1972 Bibsys has evolved from a library system supplier for two libraries in Trondheim, to developing and operating a national library system for Norwegian research and special libraries. The target group has expanded to include the customers of research and special libraries. BIBSYS is an administrative agency answerable to the Ministry of Education and Research. In addition to BIBSYS Library System, the product consists of BISBYS Ask, BIBSYS Brage, BIBSYS Galleri. All operation of applications and databases is performed centrally by BIBSYS, BIBSYS also offer a range of services, both in connection with their products and separate services independent of the products they supply
21.
Integrated Authority File
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The Integrated Authority File or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also by archives, the GND is managed by the German National Library in cooperation with various regional library networks in German-speaking Europe and other partners. The GND falls under the Creative Commons Zero license, the GND specification provides a hierarchy of high-level entities and sub-classes, useful in library classification, and an approach to unambiguous identification of single elements. It also comprises an ontology intended for knowledge representation in the semantic web, available in the RDF format
22.
National Diet Library
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The National Diet Library is the only national library in Japan. It was established in 1948 for the purpose of assisting members of the National Diet of Japan in researching matters of public policy, the library is similar in purpose and scope to the United States Library of Congress. The National Diet Library consists of two facilities in Tokyo and Kyoto, and several other branch libraries throughout Japan. The Diets power in prewar Japan was limited, and its need for information was correspondingly small, the original Diet libraries never developed either the collections or the services which might have made them vital adjuncts of genuinely responsible legislative activity. Until Japans defeat, moreover, the executive had controlled all political documents, depriving the people and the Diet of access to vital information. The U. S. occupation forces under General Douglas MacArthur deemed reform of the Diet library system to be an important part of the democratization of Japan after its defeat in World War II. In 1946, each house of the Diet formed its own National Diet Library Standing Committee, hani Gorō, a Marxist historian who had been imprisoned during the war for thought crimes and had been elected to the House of Councillors after the war, spearheaded the reform efforts. Hani envisioned the new body as both a citadel of popular sovereignty, and the means of realizing a peaceful revolution, the National Diet Library opened in June 1948 in the present-day State Guest-House with an initial collection of 100,000 volumes. The first Librarian of the Diet Library was the politician Tokujirō Kanamori, the philosopher Masakazu Nakai served as the first Vice Librarian. In 1949, the NDL merged with the National Library and became the national library in Japan. At this time the collection gained a million volumes previously housed in the former National Library in Ueno. In 1961, the NDL opened at its present location in Nagatachō, in 1986, the NDLs Annex was completed to accommodate a combined total of 12 million books and periodicals. The Kansai-kan, which opened in October 2002 in the Kansai Science City, has a collection of 6 million items, in May 2002, the NDL opened a new branch, the International Library of Childrens Literature, in the former building of the Imperial Library in Ueno. This branch contains some 400,000 items of literature from around the world. Though the NDLs original mandate was to be a library for the National Diet. In the fiscal year ending March 2004, for example, the library reported more than 250,000 reference inquiries, in contrast, as Japans national library, the NDL collects copies of all publications published in Japan. The NDL has an extensive collection of some 30 million pages of documents relating to the Occupation of Japan after World War II. This collection include the documents prepared by General Headquarters and the Supreme Commander of the Allied Powers, the Far Eastern Commission, the NDL maintains a collection of some 530,000 books and booklets and 2 million microform titles relating to the sciences
23.
Netherlands Institute for Art History
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
24.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
