1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Robert Del Naja
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Robert Del Naja, also known as 3D, is a British artist, musician, singer and songwriter. He emerged as a graffiti artist and member of the Bristol collective The Wild Bunch, Del Naja is one of the founding members of Bristol trip hop collective Massive Attack. In addition to his work with Massive Attack, he provided vocals to Invasion on Unkles album Never, Never, Land and he counted with the collaboration of artists such as Guy Garvey, and the Higgins Waterproof Black Magic Band. In December 2014, Del Naja donated ten unreleased tracks to the Game Jam site Ludum Dare. The songs will be used by the developers to make soundtracks for the games. This new music material is available for free download. In February 2015, Del Naja and Thom Yorke released the soundtrack for documentary The UK Gold, the songs are available for free download. In 2015 he also collaborated with Jean-Michel Jarre on the Electronica 1, The Time Machine album, Del Naja was a graffiti artist before becoming a vocalist. His work has featured on all of Massive Attacks record sleeves. The graffiti artist Banksy cites his work as an influence, Del Naja is credited as being the first graffiti artist in Bristol. He is also regarded as the pioneer of the graffiti movement and bringing hip hop. Del Naja has co-designed all of Massive Attacks lighting shows with UVA, Del Naja took part in a group show in 2007 called Warpaint at the Lazarides Gallery in London, featuring his art from the Unkle album War Stories. He also created an exhibition of flags at Massive Attacks Meltdown Festival on Londons South Bank in 2008, the installation was called Favoured Nations. In the exhibition, alternative flags of the British Commonwealth were recoloured in the anarchist red and black, Del Naja and Davidge collaborated with United Visual Artists on the large scale installation Volume at Londons V&A museum in 2006. It consists of a field of 48 luminous, sound-emitting columns that respond to movement, visitors weave a path through the sculpture, creating their own unique journey in light and music. In a 2010 interview, Del Naja said Painting is difficult for me because Im colour blind, back in the day, I had to label my spray cans with what colour they were because I couldnt tell. Its like the new clothes, telling me its great. Del Najas first solo art show ran in the Lazarides gallery, the show featured many of the works he created for Massive Attack, reinterpreted especially for the exhibition
3.
Electronic music
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In general, a distinction can be made between sound produced using electromechanical means and that produced using electronic technology. Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, purely electronic sound production can be achieved using devices such as the theremin, sound synthesizer, and computer. During the 1920s and 1930s, electronic instruments were introduced and the first compositions for instruments were composed. Musique concrète, created in Paris in 1948, was based on editing together recorded fragments of natural and industrial sounds, Music produced solely from electronic generators was first produced in Germany in 1953. Electronic music was created in Japan and the United States beginning in the 1950s. An important new development was the advent of computers for the purpose of composing music, algorithmic composition was first demonstrated in Australia in 1951. In America and Europe, live electronics were pioneered in the early 1960s, during the 1970s to early 1980s, the monophonic Minimoog became once the most widely used synthesizer at that time in both popular and electronic art music. In the 1980s, electronic music became dominant in popular music, with a greater reliance on synthesizers, and the adoption of programmable drum machines. Electronically produced music became prevalent in the domain by the 1990s. Contemporary electronic music includes many varieties and ranges from art music to popular forms such as electronic dance music. Today, pop music is most recognizable in its 4/4 form. At the turn of the 20th century, experimentation with emerging electronics led to the first electronic musical instruments and these initial inventions were not sold, but were instead used in demonstrations and public performances. The audiences were presented with reproductions of existing music instead of new compositions for the instruments, while some were considered novelties and produced simple tones, the Telharmonium accurately synthesized the sound of orchestral instruments. It achieved viable public interest and made progress into streaming music through telephone networks. Critics of musical conventions at the time saw promise in these developments, ferruccio Busoni encouraged the composition of microtonal music allowed for by electronic instruments. He predicted the use of machines in future music, writing the influential Sketch of a New Esthetic of Music, futurists such as Francesco Balilla Pratella and Luigi Russolo began composing music with acoustic noise to evoke the sound of machinery. They predicted expansions in timbre allowed for by electronics in the influential manifesto The Art of Noises, developments of the vacuum tube led to electronic instruments that were smaller, amplified, and more practical for performance. In particular, the theremin, ondes Martenot and trautonium were commercially produced by the early 1930s, from the late 1920s, the increased practicality of electronic instruments influenced composers such as Joseph Schillinger to adopt them
4.
Damon Albarn
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Damon Albarn, OBE is an English musician, singer-songwriter, multi-instrumentalist and record producer. He is best known as the singer of the British rock band Blur as well as co-founder, vocalist, instrumentalist. After spending long periods of time touring the US, Albarns songwriting became influenced by British bands from the 1960s. The result of these came in the form of Modern Life Is Rubbish, Parklife. All three albums received critical acclaim while Blur gained mass popularity in the UK, aided by a Britpop rivalry with Oasis, subsequent albums such as Blur,13, Think Tank and The Magic Whip contained influences from lo-fi, electronic and hip hop music. Along with Tank Girl creator Jamie Hewlett, Albarn formed the virtual band Gorillaz in 1998, drawing influences from alternative rock, trip hop, hip hop, electronica, dub, reggae and pop music, the band released their self-titled debut album in 2001 to worldwide success. Although Albarn is the only permanent musical contributor, the albums feature collaborations from a range of artists. Gorillaz are cited by the Guinness Book of World Records as the Most Successful Virtual Band and he has also ventured into the world of opera with Dr Dee and Monkey, Journey to the West. In 2008 The Daily Telegraph ranked Albarn number 18 in their list of the 100 most powerful people in British culture, in a 2010 UK poll for Q magazine Albarn was voted the fourth-greatest frontman of all time. He was appointed Officer of the Order of the British Empire in the 2016 New Year Honours for services to music, Albarn was born on 23 March 1968, is the eldest child of artist Keith Albarn and his wife Hazel, née Dring. Their daughter Jessica, born in 1971, also went on to become an artist, Keith Albarn, originally from Nottinghamshire, was briefly the manager of Soft Machine and once a guest on BBCs Late Night Line-Up. He was head of The School of Art and Design at Colchester Institute, damons paternal grandfather Edward, an architect, had been a conscientious objector during the Second World War and was involved in a farming community in Lincolnshire, becoming a peace activist. In 2002 Edward Albarn died, Damon stated in an interview that Edward did not want to any longer. The Apollo Cumfycraft and The Tailendcharlie produced by his fathers company Keith Albarn & Partners Ltd under the trade-name of Playlearn, when Damon and Jessica were growing up, their family moved to Leytonstone, East London. The household was described as bohemian and their upbringing as liberal, Albarn agreed with his parents views, later claiming, I always thought my parents were absolutely dead right. I went against the grain in a weird way – by continually following them and his parents primarily listened to blues, Indian ragas and African music. The population of the area was predominantly white as opposed to the ethnically mixed part of London which he had used to. He described himself as not really fitting in with the politics of the place, Albarn was interested in music from an early age, attending an Osmonds concert at the age of six
5.
Jazz
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Jazz is a music genre that originated amongst African Americans in New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in Blues and Ragtime. Since the 1920s jazz age, jazz has become recognized as a form of musical expression. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms, Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Although the foundation of jazz is deeply rooted within the Black experience of the United States, different cultures have contributed their own experience, intellectuals around the world have hailed jazz as one of Americas original art forms. As jazz spread around the world, it drew on different national, regional, and local musical cultures, New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging musicians music which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments. In the early 1980s, a form of jazz fusion called smooth jazz became successful. Other styles and genres abound in the 2000s, such as Latin, the question of the origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a term dating back to 1860 meaning pep. The use of the word in a context was documented as early as 1915 in the Chicago Daily Tribune. Its first documented use in a context in New Orleans was in a November 14,1916 Times-Picayune article about jas bands. In an interview with NPR, musician Eubie Blake offered his recollections of the slang connotations of the term, saying, When Broadway picked it up. That was dirty, and if you knew what it was, the American Dialect Society named it the Word of the Twentieth Century. Jazz has proved to be difficult to define, since it encompasses such a wide range of music spanning a period of over 100 years. Attempts have been made to define jazz from the perspective of other musical traditions, in the opinion of Robert Christgau, most of us would say that inventing meaning while letting loose is the essence and promise of jazz. As Duke Ellington, one of jazzs most famous figures, said, although jazz is considered highly difficult to define, at least in part because it contains so many varied subgenres, improvisation is consistently regarded as being one of its key elements
6.
Jazz fusion
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Jazz fusion is a musical genre that developed in the late 1960s when musicians combined aspects of jazz harmony and improvisation with styles such as funk, rock, rhythm and blues, and Latin jazz. During this time many jazz musicians began experimenting with electric instruments and amplified sound for the first time, as well as electronic effects, many of the developments during the late 1960s and early 1970s have since become established elements of jazz fusion musical practice. Fusion arrangements vary in complexity—some employ groove-based vamps fixed to a key, or even a single chord. Others can feature odd or shifting time signatures with elaborate chord progressions, melodies, typically, these arrangements, whether simple or complex, will feature extended improvised sections that can vary in length. As with jazz, fusion often employs brass and woodwind instruments such as trumpet and saxophone as melody and soloing instruments, the rhythm section typically consists of electric bass, electric guitar, electric piano/synthesizer and drums. As with traditional jazz improvisation, fusion instrumentalists generally require a level of technical proficiency. The term jazz-rock is often used as a synonym for jazz fusion as well as for music performed by late 1960s, experimentation continued in the 1990s and 2000s. Fusion albums, even those that are made by the group or artist. Rather than being a musical style, fusion can be viewed as a musical tradition or approach. Afro-Cuban jazz, one the earliest form of Latin jazz, is a fusion of Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz first emerged in the early 1940s with the Cuban musicians Mario Bauza and Frank Grillo Machito in the band Machito and his Afro-Cubans, based in New York City. Early combinations of jazz with Cuban music, such as Dizzys and Pozos Manteca and Charlie Parkers and Machitos Mangó Mangüé, were referred to as Cubop. During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cuba itself, allmusic Guide states that until around 1967, the worlds of jazz and rock were nearly completely separate. One of the earliest releases from Pink Floyd, London 66–67 incorporated jazz-influenced improvisation to their psychedelic compositions, nevertheless, these developments made little impact in the United States. Jazz vibraphonist Gary Burton was an innovator in the 1960s, in 1967, Burton worked with electric guitarist Larry Coryell and recorded Duster, which is considered one of the first fusion records. Texas-born guitarist Coryell was also a pioneer of jazz in the same era. Trumpeter and composer Miles Davis had a influence on the development of jazz fusion with his 1968 album Miles in the Sky. It is the first of Davis albums to incorporate electric instruments, with Herbie Hancock and Ron Carter playing electric piano and bass guitar, respectively
7.
The Guardian
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The Guardian is a British daily newspaper, known from 1821 until 1959 as the Manchester Guardian. Along with its sister papers The Observer and The Guardian Weekly, The Guardian is part of the Guardian Media Group, the Scott Trust became a limited company in 2008, with a constitution to maintain the same protections for The Guardian. Profits are reinvested in journalism rather than to the benefit of an owner or shareholders, the Guardian is edited by Katharine Viner, who succeeded Alan Rusbridger in 2015. In 2016, The Guardians print edition had a daily circulation of roughly 162,000 copies in the country, behind The Daily Telegraph. The newspaper has an online UK edition as well as two international websites, Guardian Australia and Guardian US, the newspapers online edition was the fifth most widely read in the world in October 2014, with over 42.6 million readers. Its combined print and online editions reach nearly 9 million British readers, notable scoops include the 2011 News International phone hacking scandal, in particular the hacking of murdered English teenager Milly Dowlers phone. The investigation led to the closure of the UKs biggest selling Sunday newspaper, and one of the highest circulation newspapers in the world, in 2016, it led the investigation into the Panama Papers, exposing the then British Prime Minister David Camerons links to offshore bank accounts. The Guardian has been named Newspaper of the Year four times at the annual British Press Awards, the paper is still occasionally referred to by its nickname of The Grauniad, given originally for the purported frequency of its typographical errors. The Manchester Guardian was founded in Manchester in 1821 by cotton merchant John Edward Taylor with backing from the Little Circle and they launched their paper after the police closure of the more radical Manchester Observer, a paper that had championed the cause of the Peterloo Massacre protesters. They do not toil, neither do they spin, but they better than those that do. When the government closed down the Manchester Observer, the champions had the upper hand. The influential journalist Jeremiah Garnett joined Taylor during the establishment of the paper, the prospectus announcing the new publication proclaimed that it would zealously enforce the principles of civil and religious Liberty. Warmly advocate the cause of Reform, endeavour to assist in the diffusion of just principles of Political Economy and. Support, without reference to the party from which they emanate, in 1825 the paper merged with the British Volunteer and was known as The Manchester Guardian and British Volunteer until 1828. The working-class Manchester and Salford Advertiser called the Manchester Guardian the foul prostitute, the Manchester Guardian was generally hostile to labours claims. The Manchester Guardian dismissed strikes as the work of outside agitators –, if an accommodation can be effected, the occupation of the agents of the Union is gone. CP Scott made the newspaper nationally recognised and he was editor for 57 years from 1872, and became its owner when he bought the paper from the estate of Taylors son in 1907. Under Scott, the moderate editorial line became more radical, supporting William Gladstone when the Liberals split in 1886
8.
Los Angeles Times
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The Los Angeles Times, commonly referred to as the Times or LA Times, is a paid daily newspaper published in Los Angeles, California, since 1881. It was the largest metropolitan newspaper in circulation in the United States in 2008, the Times is owned by tronc. The Times was first published on December 4,1881, as the Los Angeles Daily Times under the direction of Nathan Cole Jr. and it was first printed at the Mirror printing plant, owned by Jesse Yarnell and T. J. Unable to pay the bill, Cole and Gardiner turned the paper over to the Mirror Company. Mathes had joined the firm, and it was at his insistence that the Times continued publication, in July 1882, Harrison Gray Otis moved from Santa Barbara to become the papers editor. Otis made the Times a financial success, in an era where newspapers were driven by party politics, the Times was directed at Republican readers. As was typical of newspapers of the time, the Times would sit on stories for several days, historian Kevin Starr wrote that Otis was a businessman capable of manipulating the entire apparatus of politics and public opinion for his own enrichment. Otiss editorial policy was based on civic boosterism, extolling the virtues of Los Angeles, the efforts of the Times to fight local unions led to the October 1,1910 bombing of its headquarters, killing twenty-one people. Two union leaders, James and Joseph McNamara, were charged, the American Federation of Labor hired noted trial attorney Clarence Darrow to represent the brothers, who eventually pleaded guilty. Upon Otiss death in 1917, his son-in-law, Harry Chandler, Harry Chandler was succeeded in 1944 by his son, Norman Chandler, who ran the paper during the rapid growth of post-war Los Angeles. Family members are buried at the Hollywood Forever Cemetery near Paramount Studios, the site also includes a memorial to the Times Building bombing victims. The fourth generation of family publishers, Otis Chandler, held that position from 1960 to 1980, Otis Chandler sought legitimacy and recognition for his familys paper, often forgotten in the power centers of the Northeastern United States due to its geographic and cultural distance. He sought to remake the paper in the model of the nations most respected newspapers, notably The New York Times, believing that the newsroom was the heartbeat of the business, Otis Chandler increased the size and pay of the reporting staff and expanded its national and international reporting. In 1962, the paper joined with the Washington Post to form the Los Angeles Times-Washington Post News Service to syndicate articles from both papers for news organizations. During the 1960s, the paper won four Pulitzer Prizes, more than its previous nine decades combined, eventually the coupon-clipping branches realized that they could make more money investing in something other than newspapers. Under their pressure the companies went public, or split apart, thats the pattern followed over more than a century by the Los Angeles Times under the Chandler family. The papers early history and subsequent transformation was chronicled in an unauthorized history Thinking Big and it has also been the whole or partial subject of nearly thirty dissertations in communications or social science in the past four decades. In 2000, the Tribune Company acquired the Times, placing the paper in co-ownership with then-WB -affiliated KTLA, which Tribune acquired in 1985
9.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
10.
Massive Attack
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Massive Attack are an English trip hop group formed in 1988 in Bristol, consisting of Robert 3D Del Naja, Grant Daddy G Marshall and formerly Andy Mushroom Vowles & Adrian Tricky Kid Thaws. Their debut album Blue Lines was released in 1991, with the single Unfinished Sympathy reaching the charts, 1998s Mezzanine, containing Teardrop, and 2003s 100th Window charted in the UK at number one. Both Blue Lines and Mezzanine feature in Rolling Stones list of the 500 Greatest Albums of All Time, the group has won numerous music awards throughout their career, including a Brit Award—winning Best British Dance Act, two MTV Europe Music Awards, and two Q Awards. They have released five albums that have sold over 11 million copies worldwide. DJs Daddy G and Andrew Vowles and graffiti artist-turned-rapper Robert Del Naja met as members of partying collective The Wild Bunch, One of the first homegrown soundsystems in the UK, The Wild Bunch became dominant on the Bristol club scene in the mid-1980s. Circa became a subsidiary of, and was subsumed into, Virgin Records. Blue Lines, was co-produced by Jonny Dollar and Cameron McVey, Geoff Barrow, who went on to form Portishead, was an intern and trainee tape operator at Bristols Coach House studio when the album was recorded. In the nineties, the became known for often not being able to easily get along with one another. Marshall returned to a role in 2005, having joined the touring line-up in 2003 and 2004. Unsigned, Mushroom, Daddy G and 3D put out Any Love as a single, 3D co-wrote Neneh Cherrys Manchild, which peaked at number 5 in the UK single chart. Cameron McVey and Neneh Cherry helped them to record their first LP Blue Lines, partly in their house, the album used vocalists including Horace Andy and Shara Nelson, a former Wild Bunch cohort. MCs Tricky and Willie Wee, also part of The Wild Bunch, featured. Neneh Cherry sang backing vocals on environmentalist anthem, Hymn of the Big Wheel, the group temporarily shortened their name to Massive on the advice of McVey to avoid controversy relating to the Gulf War. They went back to being Massive Attack for their next single, after Shara Nelson left, the band brought in Everything but the Girls Tracey Thorn as a vocalist and released Protection on 26 September 1994. With McVey out of the picture, Massive Attack enlisted the talents of former Wild Bunch Nellee Hooper to co-produce some songs on it. Other tracks were co-produced by The Insects and 3D, a dub version, No Protection, was released the following year by Mad Professor. Protection won a Brit award for Best Dance Act, the other collaborators on Protection were Marius de Vries, Craig Armstrong, a Scottish classical pianist, and Tricky. Trickys solo career was taking off at time and he decided not to collaborate with Massive Attack after this
11.
Trip hop
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Trip hop is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. Trip hop can be highly experimental and it was pioneered by acts like Massive Attack, Tricky, and Portishead. Trip hop achieved commercial success in the 1990s, and has described as Europes alternative choice in the second half of the 90s. DJs, MCs, b-boys and graffiti artists grouped together into informal soundsystems, Bristols soundsystem DJs, drawing heavily on Jamaican dub music, typically used a laid-back, slow and heavy drum beat. Bristols Wild Bunch crew became one of the soundsystems to put a spin on the international phenomenon, helping to birth Bristols signature sound of trip hop. As the hip hop scene matured in Bristol and musical trends evolved further toward acid jazz and house in the late 1980s, another influence came from Gary Clails Tackhead soundsystem. Clail often worked with former The Pop Group singer Mark Stewart, produced by Adrian Sherwood, the music combined hiphop with experimental rock and dub and sounded like a premature version of what later became trip hop. In 1993, Kirsty MacColl released Angel, one of the first examples of the crossing over to pop. In the 1990s, Janet Jackson brought trip hop into the American charts with the song If, several songs on her Janet. and The Velvet Rope used this genre of music, Songs like Got Til Its Gone and You. Massive Attacks first album Blue Lines was released in 1991 to huge success in the UK, Massive Attack released their second album entitled Protection in 1994. The term trip hop was coined that year, but not in reference to anything on the Massive Attack albums, in 1993, Icelandic musician Björk released Debut, produced by Wild Bunch member Nellee Hooper. The album, although rooted in four-on-the-floor house music, contained elements of trip hop and is credited as one of the first albums to introduce electronic music into mainstream pop. She had been in contact with Londons underground electronic music scene and was involved with trip hop musician Tricky. Björk embraced trip hop even more with her 1995 album Post by collaborating with Tricky, homogenic, her 1997 album, has been described as a pinnacle of trip hop music. 1994 and 1995 saw trip hop near the peak of its popularity, with such as Howie B, Naked Funk. The period also marked the debut of two acts who, along with Massive Attack, would define the Bristol scene for years to come, in 1994 Portishead, a trio comprising singer Beth Gibbons, Geoff Barrow, and Adrian Utley, released their debut album Dummy. Their background differed from Massive Attack in many ways, one of Portisheads primary influences was 1960s and 1970s film soundtrack LPs, nevertheless, Portishead shared the scratchy, jazz-sample-based aesthetic of early Massive Attack, and the sullen, fragile vocals of Gibbons also brought them wide acclaim. In 1995, Dummy was awarded the Mercury Music Prize as the best British album of the year, Tricky also released his debut solo album Maxinquaye in 1995, to great critical acclaim
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