1.
1917 in poetry
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Nationality words link to articles with information on the nations poetry or literature. February — The Little Review moves from Chicago to New York City with the help of Ezra Pound. May 2 — English poet Marian Allen completes the poem To A. T. G. a few days after hearing of the death in action of her fiancé Arthur Greg, the first of several to his memory. May–June — T. S. Eliot takes over as editor of The Egoist, a London literary monthly, when Richard Aldington leaves for the British Army. With his encouragement, Owen writes Anthem for Doomed Youth and Dulce et Decorum est, like almost all Owens poetry, these remain unpublished until after his death in action next year. With the United States not yet fighting in World War I, Americans John Dos Passos, E. E. Cummings,60 of the Norton-Harjes Ambulance Corps. S. Eliot, Amy Lowell, Hilda Doolittle, Djuna Barnes, Man Ray, Skipwith Cannell and this becomes known as The Eisteddfodd of the Black Chair. Summer — The Siuru expressionistic and neo-romantic literary movement in Estonia is formed by a group of young poets, october 20 — 51-year-old poet W. B. November — Publication of The Muse in Arms, an anthology of British war poetry, listed alphabetically by first name, regardless of surname, Balawantrai Thakore, Bhanakar, Gujarati language Ci. Subrahamaniya Bharati, Kannan Pattu, Tamil language C. R. N. E
2.
1920 in art
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February 1 – National Art Gallery opens in Tblisi. November 7 – The mass action The Storming of the Winter Palace, the Cologne Dadaist group is formed by Jean Arp, Max Ernst and Alfred Grünwald. Katherine Dreier, Man Ray and Marcel Duchamp form Société Anonyme, bernard Leach and Shoji Hamada set up the Leach Pottery in St Ives, Cornwall. Heckscher Museum of Art established in Huntington, New York, latvian Museum of Foreign Art established in Riga. Art historian Daniel-Henry Kahnweiler publishes Der Weg Zum Kubismus, W. January 17 – Georges Pichard, French comics artist. January 30 – Patrick Heron, English painter, writer and designer, march 3 – Ronald Searle, English cartoonist. March 14 – Hank Ketcham, American cartoonist, march 27 – Robin Jacques, English illustrator. April 8 – Hans Coper, German-born studio potter, april 24 – Paul Wonner, American painter. May – Hans Josephsohn, German-born sculptor, may 8 Saul Bass, American graphic designer and filmmaker. Tom of Finland, Finnish fetish artist, may 10 - Erna Viitol, Estonian sculptor June 4 – Alejandro Obregón, Colombian painter, muralist, sculptor and engraver. June 24 John Coplans, painter, photographer Jimmy Ernst, American painter born in Germany, June 29 – Ray Harryhausen, stop-motion animator, sculptor. July 20 – Arthur Boyd, Australian painter and sculptor, july 21 – Constant Nieuwenhuys, Dutch painter, one of the innovators of Unitary Urbanism. August 5 – George Tooker, painter, august 15 – Judy Cassab, born Judit Kaszab, Austrian-born Australian portrait painter. August 22 – Gene Davis, American painter, august 26 Mauri Favén, Finnish painter. October 31 – Helmut Newton, photographer, november 23 – Wayne Thiebaud, American painter. December 18 – Enrique Grau, Colombian painter and sculptor, december 21 – Bob Bindig, American illustrator Elaine Hamilton, American painter
3.
Eugene O'Neill
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Eugene Gladstone ONeill was an American playwright and Nobel laureate in Literature. ONeills plays were among the first to include speeches in American vernacular and they struggle to maintain their hopes and aspirations, but ultimately slide into disillusionment and despair. Of his very few comedies, only one is well-known, nearly all of his other plays involve some degree of tragedy and personal pessimism. ONeill was born in a hotel, the Barrett House, at Broadway and 43rd Street, a commemorative plaque was first dedicated there in 1957. The site is now occupied by 1500 Broadway, which offices, retail. He was the son of Irish immigrant actor James ONeill and Mary Ellen Quinlan and his father suffered from alcoholism, his mother from an addiction to morphine, prescribed to relieve the pains of the difficult birth of her third son, Eugene. ONeill spent his summers at the Monte Cristo Cottage in New London and he attended Princeton University for one year. Accounts vary as to why he left, ONeill spent several years at sea, during which he suffered from depression and alcoholism. Despite this, he had a love for the sea and it became a prominent theme in many of his plays. ONeill joined the Marine Transport Workers Union of the Industrial Workers of the World, ONeills parents and elder brother Jamie died within three years of one another, not long after he had begun to make his mark in the theater. After his experience in 1912–13 at a sanatorium where he was recovering from tuberculosis, ONeill had previously been employed by the New London Telegraph, writing poetry as well as reporting. In the fall of 1914, he entered Harvard University to attend a course in dramatic technique given by Professor George Baker and he left after one year and did not complete the course. During the 1910s ONeill was a regular on the Greenwich Village literary scene, ONeill also had a brief romantic relationship with Reeds wife, writer Louise Bryant. ONeill was portrayed by Jack Nicholson in the 1981 film Reds and his involvement with the Provincetown Players began in mid-1916. ONeill is said to have arrived for the summer in Provincetown with a full of plays. He was not left alone in the dining-room when the reading had finished, the Provincetown Players performed many of ONeills early works in their theaters both in Provincetown and on MacDougal Street in Greenwich Village. Some of these early plays began downtown and then moved to Broadway, ONeills first published play, Beyond the Horizon, opened on Broadway in 1920 to great acclaim, and was awarded the Pulitzer Prize for Drama. His first major hit was The Emperor Jones, which ran on Broadway in 1920 and his best-known plays include Anna Christie, Desire Under the Elms, Strange Interlude, Mourning Becomes Electra, and his only well-known comedy, Ah, Wilderness
4.
Richard Bennett (actor)
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Clarence Charles William Henry Richard Bennett was an American actor who became a stage and silent screen matinee idol over the early decades of the 20th century. He was the father of actresses Constance Bennett, Barbara Bennett and Joan Bennett by his second wife, Bennett was born in Deer Creek Township, Cass County, Indiana, in May 1870. Called Clarence until he was 10, he was the eldest child of George Washington Bennett and his younger sister was Ina Blanche Bennett. For a time, he was a sailor on Great Lakes steamer, Bennett made his stage debut May 10,1891, in Chicago, in the The Limited Mail. He went to New York, where his Broadway debut was in His Excellency the Governor, in his third Broadway production, he played the role as Father Anselm in Frohmans production of A Royal Family. Bennett was married to Grena Heller in 1901 in San Francisco and they soon separated, and were divorced in 1903. Using her married name, she starred in a few plays on Broadway, on November 8,1903, Bennett and actress Adrienne Morrison were married in Jersey City. They had three daughters, all notable actresses, Constance Bennett, Barbara Bennett and Joan Bennett, in 1905, Bennett won fame as the leading man, Hector Malone, Jr. in Shaws Man and Superman. That was followed by his role as Jefferson Ryder in the hit, The Lion. A series of spectacular roles followed, in 1908, he played the role as John Shand opposite Maude Adams in J. M. Barries What Every Woman Knows. Bennett is also known for adapting socially conscious works of Eugène Brieux, in 1913, Bennett had a theatrical success starring as Georges Dupont in the social disease stage drama Damaged Goods, which he also co-produced. He developed this penchant until his ab-lib speeches won greater applause than many of the plays in which he acted, Bennett reprised his stage role for his feature film debut, Damaged Goods, which co-starred his wife, Adrienne Morrison. He helped adapt the screenplay and direct the drama, in the drama The Valley of Decision, which he wrote, Bennett appeared on the screen with his wife, Morrison, and his three daughters. In 1922, Bennett starred in Broadways English-language version of Leonid Andreyevs melodrama, He Who Gets Slapped, the success of the play led to a film adaptation by Metro-Goldwyn-Mayer, with Lon Chaney in Bennetts role. Bennett and Morrison appeared together on stage in the 1923 play The Dancers and they were divorced in April 1925. In 1925, he acquainted with Aimee Raisch in San Francisco, during the production of Creoles. She was a socialite and aspiring actress who was divorcing her millionaire clubman and polo player husband. Bennett and Raisch were married July 11,1927, in Chicago and his daughter Joan made her stage debut acting with Bennett in Jarnegan
5.
Novo Mesto
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Novo Mesto is the city on a bend of the Krka River in the City Municipality of Novo Mesto in southeastern Slovenia, close to the border with Croatia. The town is considered the economic and cultural centre of the historical Lower Carniola region. Novo Mesto was attested in sources in 1365 as Růdolfswerde. The parallel German name Neustadtl was also in use, the name used for the settlement before 1365 is unknown. The Slovene name Novo mesto literally means new town, names like this are common in Europe, from 1865 to 1918, the town was officially named Rudolfovo in Slovene, based on the German name. Following World War I and the dissolution of Austria-Hungary, the city part of the Kingdom of Yugoslavia and was officially renamed Novo mesto. Novo Mesto has been settled since pre-history, the city is one of the most important archeological sites of the Hallstatt culture and has been nicknamed the City of Situlas after numerous situlas found in the area. Graben Castle down the Krka River, ancestral seat of the noble House of Graben von Stein, was first mentioned in an 1170 deed, the town itself was founded by the Habsburg archduke Rudolf IV of Austria on 7 April 1365 as Rudolfswerth. The Austrian Habsburgs received the Carniolan March from the hands of Emperor Louis IV in 1335, during World War II the city passed back and forth between Nazi Germany and the Kingdom of Italy, finally settling to Germany. In 1958, the authorities of the Socialist Federal Republic of Yugoslavia had a motorway connecting the Slovenian capital Ljubljana and Zagreb in Croatia. The A2 motorway is part of the European route E70. With its construction, Novo Mesto became much better connected to the rest of Slovenia and the rest of Yugoslavia, Novo Mesto has been a hub of artistic creation in various fields, music, literature, and visual arts. The turning point is the September 1920 exhibition named Novo Mesto Spring, the development of music in Novo Mesto may be traced to the 16th century, with the clergy, e. g. the provost Jurij Slatkonja, promulgating the development of vocal music. Accelerated development took place in the 19th century with the establishment of a band in 1846. The society laid the foundations of the music in the wider Lower Carniola area. A significant part in the development of the town was contributed by students. The school had a quality singing choir led by Hugolin Sattner, Aleš Ottokar, in 1886, a male choir was established in the town in the frame of the Catholic Craftsman Assistants Society. Several classical composers were connected to Novo Mesto, the best known of them being Marjan Kozina, after whom the school of the town is named
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Modernism
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Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by reactions of horror to World War I. Modernism also rejected the certainty of Enlightenment thinking, and many modernists rejected religious belief, the poet Ezra Pounds 1934 injunction to Make it new. Was the touchstone of the approach towards what it saw as the now obsolete culture of the past. In this spirit, its innovations, like the novel, atonal and twelve-tone music, divisionist painting and abstract art. Modernism explicitly rejected the ideology of realism and makes use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision, others focus on modernism as an aesthetic introspection. While J. M. W. Art critic Clement Greenberg describes the Pre-Raphaelite Brotherhood as proto-Modernists, There the proto-Modernists were, of all people, the Pre-Raphaelites actually foreshadowed Manet, with whom Modernist painting most definitely begins. They acted on a dissatisfaction with painting as practiced in their time, rationalism has also had opponents in the philosophers Søren Kierkegaard and later Friedrich Nietzsche, both of whom had significant influence on existentialism. A major 19th-century engineering achievement was The Crystal Palace, the huge cast-iron, Glass and iron were used in a similar monumental style in the construction of major railway terminals in London, such as Paddington Station and Kings Cross Station. These technological advances led to the building of structures like the Brooklyn Bridge. The latter broke all previous limitations on how tall man-made objects could be and these engineering marvels radically altered the 19th-century urban environment and the daily lives of people. Arguments arose that the values of the artist and those of society were not merely different, but that Society was antithetical to Progress, the philosopher Schopenhauer called into question the previous optimism, and his ideas had an important influence on later thinkers, including Nietzsche. Darwins theory of evolution by natural selection undermined religious certainty and the idea of human uniqueness, in particular, the notion that human beings were driven by the same impulses as lower animals proved to be difficult to reconcile with the idea of an ennobling spirituality. Karl Marx argued that there were fundamental contradictions within the capitalist system, historians, and writers in different disciplines, have suggested various dates as starting points for modernism. Everdell also thinks modernism in painting began in 1885–86 with Seurats Divisionism, the poet Baudelaires Les Fleurs du mal, and Flauberts novel Madame Bovary were both published in 1857. In the arts and letters, two important approaches developed separately in France, the first was Impressionism, a school of painting that initially focused on work done, not in studios, but outdoors. Impressionist paintings demonstrated that human beings do not see objects, the school gathered adherents despite internal divisions among its leading practitioners, and became increasingly influential. A significant event of 1863 was the Salon des Refusés, created by Emperor Napoleon III to display all of the paintings rejected by the Paris Salon. While most were in standard styles, but by artists, the work of Manet attracted tremendous attention
7.
The Blue Flame (play)
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The Blue Flame is a four-act play written by George V. Hobart and John Willard, who revised an earlier version by Leta Vance Nicholson. In 1920, producer Albert H. Woods staged it on Broadway, the main character is a religious young woman who dies and is revived by her scientist fiancé as a soulless femme fatale. She seduces several men and involves them in crimes, including drug use, in the final act, her death and resurrection are revealed to be a dream. The production starred Theda Bara, a silent film actress who was known for playing similar roles in movies. The play received negative reviews, with critics ridiculing the plot, dialog. It has been called one of the worst plays ever written, however, Baras movie fame drew large crowds to theaters, making the play a commercial success, with the production breaking attendance records at some of its venues. The Blue Flame was Baras only Broadway role and one of her last professional acting projects, in the first of the plays four acts, irreligious scientist John Varnum has developed a device to bring the recently dead back to life. His sweet, religious fiancée, Ruth Gordon, does not approve of his experiments, however, when she is struck by lightning and killed, she becomes the first person to be revived by his machine. Before she is reanimated, the audience sees her soul visibly leave her body as the flame of the title. With no soul, the revived Ruth has a different personality. Upon waking, she asks John for a kiss, then suggests they marry immediately so they can begin having sex, in the second and third acts, Ruth seduces a young man named Larry Winston and steals him away from his own fiancée. She takes Larry to New Yorks Chinatown, where she gets him hooked on cocaine and she seduces Ned Maddox and kills him for insurance money, framing another man for the murder. In the final act, Ruths death and revival is revealed to be a dream John Varnum was having, upon waking he now understands the importance of the soul, he embraces religion and destroys his life restoration device. The characters and cast from the Broadway production are given below, The first version of The Blue Flame was written by Leta Vance Nicholson and she sold it to theatrical agent Walter C. Jordan, who had it rewritten by George V. Hobart, jordan paid the three writers $10,000 for their work, then resold the play to producer Albert H. Woods for $35,000. Actress Theda Bara was one of the most popular stars of silent films. From her first leading role as the Vampire in the 1915 movie A Fool There Was, Bara had been typecast as a vamp, playing femme fatale roles, with her characters seducing and ruining innocent men. Although she sometimes performed in films playing other types of roles and she played dozens of similar roles while contracted with Fox Film from 1915 to 1919
8.
Broadway theatre
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Along with Londons West End theatres, Broadway theatres are widely considered to represent the highest level of commercial theatre in the English-speaking world. The Theater District is a popular tourist attraction in New York City, the great majority of Broadway shows are musicals. They presented Shakespeare plays and ballad operas such as The Beggars Opera, in 1752, William Hallam sent a company of twelve actors from Britain to the colonies with his brother Lewis as their manager. They established a theatre in Williamsburg, Virginia and opened with The Merchant of Venice, the company moved to New York in the summer of 1753, performing ballad operas and ballad-farces like Damon and Phillida. The Revolutionary War suspended theatre in New York, but thereafter theatre resumed in 1798, the Bowery Theatre opened in 1826, followed by others. Blackface minstrel shows, a distinctly American form of entertainment, became popular in the 1830s, by the 1840s, P. T. Barnum was operating an entertainment complex in lower Manhattan. In 1829, at Broadway and Prince Street, Niblos Garden opened, the 3, 000-seat theatre presented all sorts of musical and non-musical entertainments. In 1844, Palmos Opera House opened and presented opera for four seasons before bankruptcy led to its rebranding as a venue for plays under the name Burtons Theatre. The Astor Opera House opened in 1847, booth played the role for a famous 100 consecutive performances at the Winter Garden Theatre in 1865, and would later revive the role at his own Booths Theatre. Other renowned Shakespeareans who appeared in New York in this era were Henry Irving, Tommaso Salvini, Fanny Davenport, lydia Thompson came to America in 1868 heading a small theatrical troupe, adapting popular English burlesques for middle-class New York audiences. Thompsons troupe called the British Blondes, was the most popular entertainment in New York during the 1868–1869 theatrical season, the six-month tour ran for almost six extremely profitable years. Theatre in New York moved from downtown gradually to midtown beginning around 1850, in 1870, the heart of Broadway was in Union Square, and by the end of the century, many theatres were near Madison Square. Broadways first long-run musical was a 50-performance hit called The Elves in 1857, New York runs continued to lag far behind those in London, but Laura Keenes musical burletta The Seven Sisters shattered previous New York records with a run of 253 performances. It was at a performance by Keenes troupe of Our American Cousin in Washington, the production was a staggering five-and-a-half hours long, but despite its length, it ran for a record-breaking 474 performances. The same year, The Black Domino/Between You, Me and the Post was the first show to call itself a musical comedy, Tony Pastor opened the first vaudeville theatre one block east of Union Square in 1881, where Lillian Russell performed. Comedians Edward Harrigan and Tony Hart produced and starred in musicals on Broadway between 1878 and 1890, with book and lyrics by Harrigan and music by his father-in-law David Braham. They starred high quality singers, instead of the women of repute who had starred in earlier musical forms. Plays could run longer and still draw in the audiences, leading to better profits, as in England, during the latter half of the century, the theatre began to be cleaned up, with less prostitution hindering the attendance of the theatre by women
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Theda Bara
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Theda Bara was an American silent film and stage actress. Bara was one of the most popular actresses of the silent era and her femme fatale roles earned her the nickname The Vamp. Bara made more than 40 films between 1914 and 1926, but most were lost in the 1937 Fox vault fire, after her marriage to Charles Brabin in 1921, she made two more feature films and retired from acting in 1926 having never appeared in a sound film. She died of cancer on April 7,1955, at the age of 69. She was born Theodosia Burr Goodman in the Avondale section of Cincinnati and her father was Bernard Goodman, a prosperous Jewish tailor born in Poland. Her mother, Pauline Louise Françoise, was born in Switzerland, Bernard and Pauline married in 1882. She had two siblings, Marque and Esther, who became a film actress as Lori Bara. She was named after the daughter of US Vice President Aaron Burr, Bara attended Walnut Hills High School graduating in 1903. After attending the University of Cincinnati for two years, she worked mainly in theater productions, but did explore other projects, after moving to New York City in 1908, she made her Broadway debut in The Devil. Most of Baras early films were shot around the East Coast, primarily at the Fox Studios in Fort Lee, Bara lived with her family in New York City during this time. The rise of Hollywood as the center of the American film industry forced her to relocate to Los Angeles to film the epic Cleopatra, no known prints of Cleopatra exist today, but numerous photographs of Bara in costume as the Queen of the Nile have survived. Between 1915 and 1919, Bara was Fox studios biggest star and her final Fox film was The Lure of Ambition. In 1920, she turned briefly to the stage, appearing on Broadway in The Blue Flame, Baras fame drew large crowds to the theater, but her acting was savaged by critics. Her career suffered without Fox studios support, and she did not make another film until The Unchastened Woman for Chadwick Pictures Corporation. Bara retired after making one more film, the short comedy Madame Mystery, made for Hal Roach and directed by Stan Laurel. At the height of her fame, Bara earned $4,000 per week and she was one of the most popular movie stars, ranking behind only Charlie Chaplin and Mary Pickford. Baras best-known roles were as the vamp, although she attempted to avoid typecasting by playing wholesome heroines in films such as Under Two Flags and she also appeared as Juliet in a version of Shakespeares Romeo and Juliet. Although Bara took her seriously, she was too successful as an exotic wanton woman to develop a more versatile career
10.
F. Scott Fitzgerald
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Francis Scott Key Fitzgerald, known professionally as F. Scott Fitzgerald, was an American novelist and short story writer, whose works illustrate the Jazz Age. While he achieved limited success in his lifetime, he is now regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the Lost Generation of the 1920s and he finished four novels, This Side of Paradise, The Beautiful and Damned, The Great Gatsby, and Tender Is the Night. A fifth, unfinished novel, The Last Tycoon, was published posthumously, Fitzgerald also wrote numerous short stories, many of which treat themes of youth and promise, and age and despair. He was also named after his sister, Louise Scott Fitzgerald. Well, three months before I was born, he wrote as an adult, my mother lost her two children. I think I started then to be a writer and his mother was Mary Molly McQuillan Fitzgerald, the daughter of an Irish immigrant who had made his fortune in the wholesale grocery business. Fitzgerald was the first cousin once removed of Mary Surratt, hanged in 1865 for conspiring to assassinate Abraham Lincoln, Edward Fitzgerald had earlier worked as a wicker furniture salesman, he joined Procter & Gamble when the business failed. His parents, both Catholic, sent Fitzgerald to two Catholic schools on the West Side of Buffalo, first Holy Angels Convent and then Nardin Academy and his formative years in Buffalo revealed him to be a boy of unusual intelligence with a keen early interest in literature. His doting mother ensured that her son had all the advantages of an upper-middle-class upbringing and her inheritance and donations from an aunt allowed the family to live a comfortable lifestyle. In a rather unconventional style of parenting, Fitzgerald attended Holy Angels with the arrangement that he go for only half a day—and was allowed to choose which half. In 1908, his father was fired from Procter & Gamble, and the returned to Minnesota. When he was 13, he saw his first piece of writing appear in print—a detective story published in the school newspaper. In 1911, when Fitzgerald was 15 years old, his parents sent him to the Newman School, Fitzgerald played on the 1912 Newman football team. At Newman, he met Father Sigourney Fay, who noticed his incipient talent with the written word, after graduating from the Newman School in 1913, Fitzgerald decided to stay in New Jersey to continue his artistic development at Princeton University. He tried out for the football team, but was cut the first day of practice. He firmly dedicated himself at Princeton to honing his craft as a writer and he wrote for the Princeton Triangle Club, the Nassau Lit, and the Princeton Tiger. He also was involved in the American Whig-Cliosophic Society, which ran the Nassau Lit and his absorption in the Triangle—a kind of musical-comedy society—led to his submission of a novel to Charles Scribners Sons where the editor praised the writing but ultimately rejected the book
11.
Femme fatale
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A femme fatale is a stock character of a mysterious and seductive woman whose charms ensnare her lovers, often leading them into compromising, dangerous, and deadly situations. She is an archetype of literature and art, in American early 20th century film, femme fatale characters were referred to as vamps, an allusion to their role as sexual vampires. The phrase is French for fatal woman, a femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, and sexual allure. In some situations, she uses lies or coercion rather than charm and she may also make use of some subduing weapon such as sleeping gas, a modern analog of magical powers in older tales. She may also be a victim, caught in a situation from which she cannot escape, a younger version of a femme fatale is called a fille fatale, or fatal girl. Femmes fatale are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, the femme fatale archetype exists in the culture, folklore and myth of many cultures. Ancient mythical or legendary examples include Mohini, Lilith, the Sirens, historical examples from Classical times include Cleopatra and Messalina, as well as the Biblical figures Delilah, Jezebel and Salome. An example from Chinese literature and traditional history is Daji, the femme fatale was a common figure in the European Middle Ages, often portraying the dangers of unbridled female sexuality. The pre-medieval inherited Biblical figure of Eve offers an example, as does the wicked, along with them, there rose the gothic novel, The Monk featuring Matilda, a very powerful femme fatale. This led to her appearing in the work of Edgar Allan Poe, pre-Raphaelite painters frequently used the classic personifications of the femme fatale as a subject. Later, Salome was the subject of an opera by Strauss, and was popularized on stage, screen, another enduring icon of glamour, seduction, and moral turpitude is Margaretha Geertruida Zelle, 1876–1917. While working as a dancer, she took the stage name Mata Hari. Although she may have been innocent, she was accused of German espionage and was put to death by a French firing squad, after her death she became the subject of many sensational films and books. Other considerably famous femmes fatales are Isabella of France, Hedda Gabler of Kristiania, Marie Antoinette of Austria, one traditional view portrays the femme fatale as a sexual vampire, her charms leech the virility and independence of lovers, leaving them shells of themselves. Rudyard Kipling took inspiration from a vampire painted by Philip Burne-Jones, the poem inspired the 1913 eponymous film The Vampire by Robert Vignola, sometimes cited as the first vamp movie. Like much of Kiplings verse it became popular, and its refrain. Describing a seduced man, became the title of the popular 1915 film A Fool There Was that made Theda Bara a star, the poem was used in the publicity for the film. On this account, in the American slang of the era the femme fatale was called a vamp, from the American film-audience perspective, the femme fatale often appeared foreign, usually either of indeterminate Eastern European or Asian ancestry
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1918 in poetry
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Nationality words link to articles with information on the nations poetry or literature. January 23 — English poet Robert Graves marries the painter Nancy Nicholson in London, wedding guests include Wilfred Owen, who will be killed by the end of the year, and whose first nationally published poem appears 3 days later. June — English poet Basil Bunting is imprisoned as a conscientious objector, august 17 — English poets Wilfred Owen and Siegfried Sassoon meet for the last time, in London, and spend what Sassoon later describes as the whole of a hot cloudless afternoon together. November 4 — English war poet Wilfred Owen is killed in action, aged 25, news of his death reaches his parents in Oswestry a week later on Armistice Day. Marie Joussaye, Selections from Anglo-Saxon Songs, wilson MacDonald, The Song Of The Prairie Land and Other Poems. The Bengali Writers of English Verse, A Record and an Appreciation, Calcutta, Thacker, john Gogarty, The Ship, and Other Poems Helen Hamilton, Napoo. A. P. Herbert, The Bomber Gipsy, and Other Poems Gerard Manley Hopkins, Poems of Gerard Manley Hopkins C. H. C
