1.
Potato
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The potato is a starchy, tuberous crop from the perennial nightshade Solanum tuberosum. The word potato may refer either to the plant itself or to the edible tuber, in the Andes, where the species is indigenous, there are some other closely related cultivated potato species. Potatoes were introduced to Europe in the half of the 16th century by the Spanish. It is the worlds fourth-largest food crop, following maize, wheat, the green leaves and green skins of tubers exposed to the light are toxic. Wild potato species can be throughout the Americas from the United States to southern Chile. Following centuries of breeding, there are now over a thousand different types of potatoes. However, the importance of the potato is variable and changing rapidly. As of 2007 China led the world in production, and nearly a third of the worlds potatoes were harvested in China. The English word potato comes from Spanish patata, the Spanish Royal Academy says the Spanish word is a compound of the Taíno batata and the Quechua papa. The 16th-century English herbalist John Gerard used the terms bastard potatoes and Virginia potatoes for this species, potatoes are occasionally referred to as Irish potatoes or white potatoes in the United States, to distinguish them from sweet potatoes. The name spud for a small potato comes from the digging of soil prior to the planting of potatoes, the word spud traces back to the 16th century. It subsequently transferred over to a variety of digging tools, around 1845, the name transferred to the tuber itself. It was Mario Peis 1949 The Story of Language that can be blamed for the false origin. Pei writes, the potato, for its part, was in disrepute some centuries ago, some Englishmen who did not fancy potatoes formed a Society for the Prevention of Unwholesome Diet. The initials of the words in this title gave rise to spud. Like most other pre-20th century acronymic origins, this is false, Potato plants are herbaceous perennials that grow about 60 cm high, depending on variety, with the leaves dying back after flowering, fruiting and tuber formation. They bear white, pink, red, blue, or purple flowers with yellow stamens, in general, the tubers of varieties with white flowers have white skins, while those of varieties with colored flowers tend to have pinkish skins. Potatoes are mostly cross-pollinated by insects such as bumblebees, which carry pollen from other potato plants, tubers form in response to decreasing day length, although this tendency has been minimized in commercial varieties
2.
Reed bed
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Reed beds are natural habitats found in floodplains, waterlogged depressions, and estuaries. Reed beds are part of a succession from young reeds colonising open water or wet ground through a gradation of increasingly dry ground. As reed beds age, they build up a considerable litter layer that eventually rises above the water level, artificial reed beds are used to remove pollutants from grey water. Reed beds vary in the species that they can support, depending upon water levels within the system, climate, seasonal variations. Reed swamps have 20 cm or more of water during the summer and often have high invertebrate. Reed fens have water levels at or below the surface during the summer and are often more botanically complex, reeds and similar plants do not generally grow in very acidic water, so, in these situations, reed beds are replaced by bogs and vegetation such as poor fen. Although common reeds are characteristic of reed beds, not all dominated by this species is characteristic of reed beds. It also commonly occurs in unmanaged, damp grassland and as an understorey in certain types of damp woodland, many dicotyledons also occur, such as water mint, gipsywort, skull-cap, touch-me-not balsam, brooklime and water forget-me-nots. Many animals are adapted to living in and around reed-beds, constructed wetlands are artificial swamps using reed or other marshland plants to form part of small-scale sewage treatment systems. Water trickling through the bed is cleaned by microorganisms living on the root system. These organisms utilize the sewage for growth nutrients, resulting in a clean effluent, the process is very similar to aerobic conventional sewage treatment, as the same organisms are used, except that conventional treatment systems require artificial aeration. Treatment ponds are small versions of constructed wetlands which uses reed beds or other plants to form an even smaller water treatment system. Similar to constructed wetlands, water trickling through the bed is cleaned by microorganisms living on the root system. Treatment ponds are used for the treatment of a single house or a small neighbourhood. Organisms used in water purification South Milton Ley
3.
Constructed wetland
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A constructed wetland is an artificial wetland created for the purpose of treating anthropogenic discharge such as municipal or industrial wastewater, or stormwater runoff. It may also be created for land reclamation after mining, refineries, constructed wetlands are engineered systems that use natural functions of vegetation, soil, and organisms to treat different water streams. Depending on the type of wastewater that has to be treated the system has to be adjusted accordingly which means that pre- or post-treatments might be necessary. Constructed wetlands can be designed to emulate the features of natural wetlands, some constructed wetlands may also serve as a habitat for native and migratory wildlife, although that is usually not their main purpose. The two main types of constructed wetlands are subsurface flow and surface flow wetlands, the planted vegetation plays a role in contaminant removal but the filter bed, consisting usually of a combination of sand and gravel, has an equally important role to play. Many terms are used to denote constructed wetlands, such as reed beds, soil infiltration beds, constructed treatment wetlands, treatment wetlands, beside engineered wetlands, the terms of man-made or artificial wetlands are often found as well. A biofilter has some similarities with a wetland, but is usually without plants. However, the term of constructed wetlands can also be used to describe restored and recultivated land that was destroyed in the past through draining and converting into farmland, ponds for wastewater treatment or water purification are not considered as constructed wetlands. They are referred to as ponds or treatment ponds, respectively. A constructed wetland is a sequence of water bodies designed to filter and treat waterborne pollutants found in sewage. Constructed wetlands are used for treatment or for greywater treatment. They can be used after a tank for primary treatment. Some CW designs however do not use upfront primary treatment, vegetation in a wetland provides a substrate upon which microorganisms can grow as they break down organic materials. This community of microorganisms is known as the periphyton, the periphyton and natural chemical processes are responsible for approximately 90 percent of pollutant removal and waste breakdown. The plants remove about seven to ten percent of pollutants, different species of aquatic plants have different rates of heavy metal uptake, a consideration for plant selection in a constructed wetland used for water treatment. Constructed wetlands are of two types, subsurface flow and surface flow wetlands. Many regulatory agencies list treatment wetlands as one of their recommended best management practices for controlling urban runoff, in most cases, the bottom is lined with either a polymer geomembrane, concrete or clay in order to protect the water table and surrounding grounds. The substrate can be either gravel—generally limestone or pumice/volcanic rock, depending on local availability, subsurface flow wetlands can be further classified as horizontal flow and vertical flow constructed wetlands
4.
Aaru (film)
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Aaru peersupport support is a 2005 Indian Tamil language gangster film written and directed by Hari. It stars Suriya and Trisha Krishnan in lead role, jyothika was the Original Cast as Lead actress but was replaced by Trisha Krishnan due to date clashes. The films score and soundtrack were composed by Devi Sri Prasad, the film released on 9 December 2005 and was average at the box office. The film was dubbed and released in Telugu under the same title. The movie was dubbed in Hindi as The Return of Ghajini, aarumugam aka Aaru, is a thug and dealmaker with a band of boys handpicked from the slums of Chennai. Aaru’s mentor Viswanathan protects him, because Aaru gives him the violent undercover he needs, when Vishwanthan declares war on his bitter rival Reddy, Aaru assists him. But Vishwanthan betrays him, resulting in the deaths of Aarus subordinates, Aaru thus realizes Vishwanathans true, evil nature and vows to destroy his power. There is also a subplot involving Aarus romance with the college student Mahalakshmi, director Saran made his debut as a producer in this film by floating a production house Gemini Productions. The soundtrack was composed by Devi Sri Prasad and released by Star Music in India, the album was made up of 6 tracks. The audio was launched in a soft manner, the satellite rights of the film were secured by Sun TV. The film was given an A certificate by the Indian Censor Board, the film was released on 9 December 2005 alongside Vetrivel Sakthivel, Sandakozhi. The film was given an A certificate by the Indian Censor Board due to excessive violence, sify wrote, Aaru offers neither insight nor content-just unmitigated violence. Aaru at the Internet Movie Database
5.
Egyptian mythology
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Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion, Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain an account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew maat, events from the present that might be regarded as myths include Ras daily journey through the world and its otherworldly counterpart, the Duat. The details of these sacred events differ greatly from one text to another, Egyptian myths are primarily metaphorical, translating the essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians understanding of the gods and it inspired or influenced many religious rituals and provided the ideological basis for kingship. Scenes and symbols from myth appeared in art in tombs, temples, in literature, myths or elements of them were used in stories that range from humor to allegory, demonstrating that the Egyptians adapted mythology to serve a wide variety of purposes. The development of Egyptian myth is difficult to trace, Egyptologists must make educated guesses about its earliest phases, based on written sources that appeared much later. One obvious influence on myth is the Egyptians natural surroundings, thus the Egyptians saw water and the sun as symbols of life and thought of time as a series of natural cycles. This orderly pattern was at constant risk of disruption, unusually low floods resulted in famine, the hospitable Nile valley was surrounded by harsh desert, populated by peoples the Egyptians regarded as uncivilized enemies of order. For these reasons, the Egyptians saw their land as an place of stability, or maat. These themes—order, chaos, and renewal—appear repeatedly in Egyptian religious thought, another possible source for mythology is ritual. Many rituals make reference to myths and are based directly on them. But it is difficult to determine whether a cultures myths developed before rituals or vice versa, questions about this relationship between myth and ritual have spawned much discussion among Egyptologists and scholars of comparative religion in general. In ancient Egypt, the earliest evidence of religious practices predates written myths, rituals early in Egyptian history included only a few motifs from myth. For these reasons, some scholars have argued that, in Egypt, but because the early evidence is so sparse, the question may never be resolved for certain. In private rituals, which are often called magical, the myth, many of the myth-like stories that appear in the rituals texts are not found in other sources
6.
Egyptian language
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The language spoken in ancient Egypt was a branch of the Afroasiatic language family. The earliest known complete sentence in the Egyptian language has been dated to about 2690 BCE, making it one of the oldest recorded languages known. Egyptian was spoken until the seventeenth century in the form of Coptic. The national language of modern Egypt is Egyptian Arabic, which gradually replaced Coptic as the language of life in the centuries after the Muslim conquest of Egypt. Coptic is still used as the language of the Coptic Orthodox Church of Alexandria. It has several hundred fluent speakers today, the Egyptian language belongs to the Afroasiatic language family. Of the other Afroasiatic branches, Egyptian shows its greatest affinities with Semitic, in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/, e. g. Eg. Afroasiatic */l/ merged with Egyptian ⟨n⟩, ⟨r⟩, ⟨ꜣ⟩, and ⟨j⟩ in the dialect on which the language was based. Original */k g ḳ/ palatalize to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others, Egyptian has many biradical and perhaps monoradical roots, in contrast to the Semitic preference for triradical roots. Egyptian probably is more archaic in this regard, whereas Semitic likely underwent later regularizations converting roots into the triradical pattern, scholars group the Egyptian language into six major chronological divisions, Archaic Egyptian language Old Egyptian language Middle Egyptian language, characterizing Middle Kingdom. Demotic Coptic The earliest Egyptian glyphs date back to around 3300 BC and these early texts are generally lumped together under the general term Archaic Egyptian. They record names, titles and labels, but a few of them show morphological and syntactic features familiar from later, more complete, Old Egyptian is dated from the oldest known complete sentence, found in the tomb of Seth-Peribsen and dated to around 2690 BCE. It reads, dmḏ. n. f t3wj n z3. f nswt-bjt pr-jb. snj He has united the Two Lands for his son, extensive texts appear from about 2600 BCE. Demotic first appears about 650 BCE and survived as a written language until the fifth century CE and it probably survived in the Egyptian countryside as a spoken language for several centuries after that. Bohairic Coptic is still used by the Coptic Churches, Old, Middle, and Late Egyptian were all written using hieroglyphs and hieratic. Demotic was written using a script derived from hieratic, its appearance is similar to modern Arabic script and is also written from right to left. Coptic is written using the Coptic alphabet, a form of the Greek alphabet with a number of symbols borrowed from Demotic for sounds that did not occur in ancient Greek. Arabic became the language of Egypts political administration soon after the early Muslim conquests in the seventh century, today, Coptic survives as the sacred language of the Coptic Orthodox Church of Alexandria and the Coptic Catholic Church
7.
Heaven
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According to the beliefs of some religions, heavenly beings can descend to earth or incarnate, and earthly beings can ascend to Heaven in the afterlife, or in exceptional cases enter Heaven alive. Some believe in the possibility of a Heaven on Earth in a World to Come, another belief is in an axis mundi or world tree which connects the heavens, the terrestrial world, and the underworld. In Indian religions, Heaven is considered as Svarga loka, and this cycle can be broken after a soul achieves Moksha or Nirvana. Any place of existence, either of humans, souls or deities, the modern English word heaven is derived from the earlier heven, this in turn was developed from the previous Old English form heofon. By about 1000, heofon was being used in reference to the Christianized place where God dwells, all of these have been derived from a reconstructed Proto-Germanic form *Hemina-. In Ancient Egyptian religion, belief in an afterlife is much more stressed than in ancient Judaism, Heaven was a physical place far above the Earth in a dark area of space where there were no stars, basically beyond the Universe. Their heart would finally be weighed with the feather of truth, almost nothing is known of Bronze Age Canaanite views of Heaven, and the archeological findings at Ugarit have not provided information. The 1st century Greek author Philo of Byblos may preserve elements of Iron Age Phoenician religion in his Sanchuniathon, in the Middle Hittite myths, Heaven is the abode of the gods. In the Song of Kumarbi, Alalu was king in Heaven for nine years before giving birth to his son, Anu was himself overthrown by his son, Kumarbi. The Baháí Faith regards the description of Heaven as a specific place as symbolic. The Baháí writings describe Heaven as a condition where closeness to God is defined as Heaven. For Baháís, entry into the life has the potential to bring great joy. Baháulláh likened death to the process of birth and he explains, The world beyond is as different from this world as this world is different from that of the child while still in the womb of its mother. Accordingly, Baháís view life as a stage, where one can develop. The key to progress is to follow the path outlined by the current Manifestation of God. Baháulláh wrote, Know thou, of a truth, that if the soul of man hath walked in the ways of God, it will, assuredly return, in Buddhism there are several Heavens, all of which are still part of samsara. Those who accumulate good karma may be reborn in one of them, however, their stay in Heaven is not eternal—eventually they will use up their good karma and will undergo rebirth into another realm, as a human, animal or other being. Because Heaven is temporary and part of samsara, Buddhists focus more on escaping the cycle of rebirth, Nirvana is not a heaven but a mental state
8.
Paradise
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Paradise is the term for a place of timeless harmony. Paradise is a place of contentment, a land of luxury, Paradise is often described as a higher place, the holiest place, in contrast to this world, or underworlds such as Hell. In eschatological contexts, paradise is imagined as an abode of the virtuous dead, in Christian and Islamic understanding, Heaven is a paradisaical relief. In old Egyptian beliefs, the otherworld is Aaru, the reed-fields of ideal hunting and fishing grounds where the dead lived after judgment, for the Celts, it was the Fortunate Isle of Mag Mell. For the classical Greeks, the Elysian fields was a land of plenty where the heroic. The Vedic Indians held that the body was destroyed by fire. In the Zoroastrian Avesta, the Best Existence and the House of Song are places of the righteous dead, on the other hand, in cosmological contexts paradise describes the world before it was tainted by evil. The concept is a theme in art and literature, particularly of the pre-Enlightenment era, the word paradise entered English from the French paradis, inherited from the Latin paradisus, from Greek parádeisos, from an Old Iranian *paridayda- walled enclosure. By the 6th/5th century BCE, the Old Iranian word had been adopted as Assyrian pardesu domain and it subsequently came to indicate the expansive walled gardens of the First Persian Empire. The term eventually appeared in Greek as parádeisos park for animals in the Anabasis of the early 4th century BCE Athenian Xenophon, aramaic pardaysa similarly reflects royal park. Hebrew פרדס appears thrice in the Tanakh, in the Song of Solomon 4,13, Ecclesiastes 2,5, in those contexts it could be interpreted as an orchard or a fruit garden. In the Septuagint, Greek παράδεισος parádeisos was used to translate both Hebrew pardes and Hebrew gan, garden, it is from this usage that the use of paradise to refer to the Garden of Eden derives. The same usage appears in Arabic and in the Quran as firdaws فردوس. The words etymology is derived from a PIE root *dheigʷ to stick. It is reflected in Avestan as pairi-daêza-, the literal meaning of this Eastern Old Iranian language word is walled, from pairi- around and -diz to make, form, build. The word is not attested in other Old Iranian languages, the idea of a walled enclosure was not preserved in most Iranian usage, and generally came to refer to a plantation or other cultivated area, not necessarily walled. For example, the Old Iranian word survives as Pardis in New Persian as well as its derivative pālīz, later in Second Temple era Judaism paradise came to be associated with the Garden of Eden and prophesies of restoration of Eden, and transferred to heaven. The Septuagint uses the word around 30 times, both of Eden, and of Eden restored, in the Apocalypse of Moses, Adam and Eve are expelled from paradise after having been tricked by the serpent
9.
Osiris
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Osiris was an Egyptian god, usually identified as the god of the afterlife, the underworld, and the dead, but more appropriately as the god of transition, resurrection, and regeneration. He was also associated with the epithet Khenti-Amentiu, meaning Foremost of the Westerners, as ruler of the dead, Osiris was also sometimes called king of the living, ancient Egyptians considered the blessed dead the living ones. Osiris was considered the brother of Isis, Set, Nephthys, and Horus the Elder and he was described as the Lord of love, He Who is Permanently Benign and Youthful and the Lord of Silence. The Kings of Egypt were associated with Osiris in death – as Osiris rose from the dead they would, in union with him, inherit eternal life through a process of imitative magic. By the New Kingdom all people, not just pharaohs, were believed to be associated with Osiris at death, Osiris was widely worshipped as Lord of the Dead until the suppression of the Egyptian religion during the rise of Christianity in the Roman Empire. Osiris is a Latin transliteration of the Ancient Greek Ὄσιρις IPA, in Egyptian hieroglyphs the name is appears as wsjr or jsjrt. Since hieroglyphic writing lacks vowels, Egyptologists have vocalized the name in various ways as Asar, Yasar, Aser, Asaru, Ausar, Ausir, Wesir, Usir, several proposals have been made for the etymology and meaning of the original name wsjr. John Gwyn Griffiths proposed a derivation from wsr signifying the powerful, moreover, one of the oldest attestations of the god Osiris appears in the mastaba of the deceased Netjer-wser. David Lorton proposed that Wsjr is composed by the morphemes set-jret signifying ritual activity, wolfhart Westendorf proposed an etymology from Waset-jret she who bears the eye. He also carries the crook and flail, the crook is thought to represent Osiris as a shepherd god. The symbolism of the flail is more uncertain with shepherds whip, fly-whisk and he was commonly depicted as a pharaoh with a complexion of either green or black in mummiform. The Pyramid Texts describe early conceptions of an afterlife in terms of travelling with the sun god amongst the stars. Amongst these mortuary texts, at the beginning of the 4th dynasty, is found, An offering the king gives, by the end of the 5th dynasty, the formula in all tombs becomes An offering the king gives and Osiris. Osiris is the father of the god Horus, whose conception is described in the Osiris myth. The myth described Osiris as having been killed by his brother Set, Isis joined the fragmented pieces of Osiris, but the only body part missing was the phallus. Isis fashioned a golden phallus, and briefly brought Osiris back to life by use of a spell that she learned from her father and this spell gave her time to become pregnant by Osiris before he again died. Isis later gave birth to Horus, as such, since Horus was born after Osiris resurrection, Horus became thought of as a representation of new beginnings and the vanquisher of the evil Set. Ptah-Seker thus gradually became identified with Osiris, the two becoming Ptah-Seker-Osiris, Osiris soul, or rather his Ba, was occasionally worshipped in its own right, almost as if it were a distinct god, especially in the Delta city of Mendes
10.
Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
11.
Anubis
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Anubis or Anpu is the Greek name of a god associated with mummification and the afterlife in ancient Egyptian religion, usually depicted as a canine or a man with a canine head. Like many ancient Egyptian deities, Anubis assumed different roles in various contexts, depicted as a protector of graves as early as the First Dynasty, Anubis was also an embalmer. By the Middle Kingdom he was replaced by Osiris in his role as lord of the underworld, one of his prominent roles was as a god who ushered souls into the afterlife. He attended the weighing scale during the Weighing of the Heart, despite being one of the most ancient and one of the most frequently depicted and mentioned gods in the Egyptian pantheon, Anubis played almost no role in Egyptian myths. Anubis was depicted in black, a color that symbolized both rebirth and the discoloration of the corpse after embalming, Anubis is associated with Wepwawet, another Egyptian god portrayed with a dogs head or in canine form, but with grey or white fur. Historians assume that the two figures were eventually combined and his daughter is the serpent goddess Kebechet. Anubis is a Greek rendering of this gods Egyptian name, in Egypts Early Dynastic period, Anubis was portrayed in full animal form, with a jackal head and body. A jackal god, probably Anubis, is depicted in stone inscriptions from the reigns of Hor-Aha, Djer, the oldest known textual mention of Anubis is in the Pyramid Texts of the Old Kingdom, where he is associated with the burial of the pharaoh. In the Old Kingdom, Anubis was the most important god of the dead and he was replaced in that role by Osiris during the Middle Kingdom. In the Roman era, which started in 30 BC, tomb paintings depict him holding the hand of deceased persons to them to Osiris. The parentage of Anubis varied between myths, times and sources, in early mythology, he was portrayed as a son of Ra. In the Coffin Texts, which were written in the First Intermediate Period, another tradition depicted him as the son of his father Ra and mother Nephthys. George Hart sees this story as an attempt to incorporate the independent deity Anubis into the Osirian pantheon, an Egyptian papyrus from the Roman period simply called Anubis the son of Isis. In the Ptolemaic period, when Egypt became a Hellenistic kingdom ruled by Greek pharaohs, Anubis was merged with the Greek god Hermes, the two gods were considered similar because they both guided souls to the afterlife. The center of this cult was in uten-ha/Sa-ka/ Cynopolis, a place whose Greek name means city of dogs, in Book XI of The Golden Ass by Apuleius, there is evidence that the worship of this god was continued in Rome through at least the 2nd century. Indeed, Hermanubis also appears in the alchemical and hermetical literature of the Middle Ages, in contrast to real wolves, Anubis was a protector of graves and cemeteries. Several epithets attached to his name in Egyptian texts and inscriptions referred to that role, the Jumilhac papyrus recounts another tale where Anubis protected the body of Osiris from Set. Set attempted to attack the body of Osiris by transforming himself into a leopard, Anubis stopped and subdued Set, however, and he branded Sets skin with a hot iron rod
12.
Ogdoad (Egyptian)
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In Egyptian mythology, the Ogdoad were eight primordial deities worshipped in Hermopolis during the Old Kingdom period. Budge compares the concept to a group of four pairs of primeval gods mentioned in the Babylonian Enûma Eliš, texts of the Late Period describe them as having the heads of frogs and serpents, and they are often depicted in this way in reliefs of the Greco-Roman period. The eight deities were arranged in four pairs, as follows. The names of Nu and Nut are written with the determiners for sky and water, but from the context of a number of passages in which Ḥeḥu is mentioned, Brugsch also suggested that he may be a personification of the atmosphere between heaven and earth. The fourth pair appears with varying names, sometimes the name Qerḥ is replaced by Ni, Nenu, Nut, or Amun, the common meaning of qerḥ is night, but the determinative also suggests the principle of inactivity or repose. There is no way to attribute four functions to the four pairs of gods. Ennead Butler, Edward P. Hermopolitan Ogdoad
13.
Ancient Egyptian concept of the soul
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The ancient Egyptians believed that a human soul was made up of five parts, the Ren, the Ba, the Ka, the Sheut, and the Ib. In addition to these components of the soul there was the human body, the other souls were aakhu, khaibut, and khat. An important part of the Egyptian soul was thought to be the jb, the heart was believed to be formed from one drop of blood from the childs mothers heart, taken at conception. To ancient Egyptians, the heart was the seat of emotion, thought, will and this is evidenced by the many expressions in the Egyptian language which incorporate the word jb. This word was transcribed by E. A. Wallis Budge as Ab, in Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the world, where it gave evidence for, or against. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony, if the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit. A persons shadow or silhouette, Sheut, is always present, because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows, the shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people had a box in which part of their Sheut was stored. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name, a cartouche often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the insertion of the name of a successor. The greater the number of places a name was used, the greater the possibility it would survive to be read, the Bâ was everything that makes an individual unique, similar to the notion of personality. In the Coffin Texts one form of the Bâ that comes into existence after death is corporeal, louis Žabkar argued that the Bâ is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The word bau, plural of the ba, meant something similar to impressiveness, power. When a deity intervened in human affairs, it was said that the Bau of the deity were at work. The Ka was the Egyptian concept of essence, which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body
14.
Soul
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In many religious, philosophical and mythological traditions, the soul is the incorporeal essence of a living being. Depending on the system, a soul can either be mortal or immortal. In Judeo-Christianity, only human beings have immortal souls, for example, the Catholic theologian Thomas Aquinas attributed soul to all organisms but argued that only human souls are immortal. Other religions hold that all organisms have souls, as did Aristotle, while some teach that even non-biological entities possess souls. The latter belief is called animism, Greek philosophers, such as Socrates, Plato, and Aristotle, understood that the soul must have a logical faculty, the exercise of which was the most divine of human actions. Anima mundi is the concept of a world soul connecting all living organisms on planet Earth, the Modern English word soul, derived from Old English sáwol, sáwel, was first attested in the 8th-century poem Beowulf v.2820 and in the Vespasian Psalter 77.50. Further etymology of the Germanic word is uncertain, the Koine Greek word ψυχή psychē, life, spirit, consciousness, is derived from a verb meaning to cool, to blow, and hence refers to the breath, as opposed to σῶμα, meaning body. Vulgate, et nolite timere eos qui occidunt corpus animam autem non possunt occidere sed potius eum timete qui potest et animam et corpus perdere in gehennam. Authorized King James Version And fear not them which kill the body, but are not able to kill the soul, vulgate Creavitque Deus cete grandia, et omnem animam viventem atque motabilem. KJV And God created great whales, and every living creature that moveth, Paul of Tarsus used ψυχή and πνεῦμα specifically to distinguish between the Jewish notions of נפש nephesh and רוח ruah. The ancient Greeks used the word alive for the concept of being ensouled, the soul was considered the incorporeal or spiritual breath that animates the living organism. Francis M. Cornford quotes Pindar by saying that the soul sleeps while the limbs are active, but when one is sleeping, the soul is active and reveals an award of joy or sorrow drawing near in dreams. Erwin Rohde writes that an early pre-Pythagorean belief presented the soul as lifeless when it departed the body, drawing on the words of his teacher Socrates, Plato considered the psyche to be the essence of a person, being that which decides how we behave. He considered this essence to be an incorporeal, eternal occupant of our being, Socrates says that even after death, the soul exists and is able to think. He believed that as bodies die, the soul is reborn in subsequent bodies and Plato believed this as well, however. Thymos is located near the chest region and is related to anger, eros is located in the stomach and is related to ones desires. Plato also compares the three parts of the soul or psyche to a caste system. According to Platos theory, the soul is essentially the same thing as a states class system because, to function well
15.
Nile Delta
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The Nile Delta is the delta formed in Northern Egypt where the Nile River spreads out and drains into the Mediterranean Sea. It is one of the worlds largest river deltas—from Alexandria in the west to Port Said in the east, from north to south the delta is approximately 160 kilometres in length. The Delta begins slightly down-river from Cairo, from north to south, the delta is approximately 160 kilometres in length. From west-to-east, it covers some 240 kilometres of coastline, the delta is sometimes divided into sections, with the Nile dividing into two main distributaries, the Damietta and the Rosetta, flowing into the Mediterranean at port cities with the same name. In the past, the delta had several distributaries, but these have been lost due to flood control, one such defunct distributary is Wadi Tumilat. The Suez Canal runs to the east of the delta, entering the coastal Lake Manzala in the north-east of the delta, to the north-west are three other coastal lakes or lagoons, Lake Burullus, Lake Idku and Lake Maryut. The Nile is considered to be a delta, as it resembles a triangle or flower when seen from above. The outer edges of the delta are eroding, and some coastal lagoons have seen increasing salinity levels as their connection to the Mediterranean Sea increases, topsoil in the delta can be as much as 70 feet in depth. People have lived in the Delta region for thousands of years, the Delta River used to flood on an annual basis, but this ended with the construction of the Aswan Dam. The Rosetta Stone was found in the Nile Delta in 1799 in the city of Rosetta. The delta was a constituent of Lower Egypt. The Biblical Land of Goshen was located in an area on the west bank of the Pelusiac distributary. There are many sites in and around the Nile Delta. About 39 million people live in the Delta region, outside of major cities, population density in the delta averages 1,000 persons/km² or more. Alexandria is the largest city in the delta with a population of more than 4.5 million. Other large cities in the delta include Shubra al Khaymah, Port Said, El-Mahalla El-Kubra, El Mansura, Tanta, during autumn, parts of the Nile River are red with lotus flowers. The Lower Nile and the Upper Nile have plants that grow in abundance, the Upper Nile plant is the Egyptian lotus, and the Lower Nile plant is the Papyrus Sedge, although it is not nearly as plentiful as it once was, and is becoming quite rare. Several hundred thousand birds winter in the delta, including the world’s largest concentrations of little gulls
16.
Duat
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Duat was the realm of the dead in ancient Egyptian mythology. It was the realm of the deity Osiris and the residence of other gods, the Duat was the region through which the sun god Ra traveled from west to east during the night, and where he battled Apep. It was also the place where peoples souls went after death for judgement, burial chambers formed touching-points between the mundane world and the Duat, and spirits could use tombs to travel back and forth from the Duat. What is known of the Duat derives principally from funerary texts such as the Book of Gates, the Book of Caverns, the Coffin Texts, the Amduat, and the Book of the Dead. Each of these fulfilled a different purpose and gave a different perspective on the Duat. Surviving texts differ in age and origin, and there likely was never a single interpretation of the Duat. The geography of Duat is similar in outline to the world the Egyptians knew, there are realistic features like rivers, islands, fields, lakes, mounds and caverns, along with fantastic lakes of fire, walls of iron and trees of turquoise. In the Book of Two Ways, one of the Coffin Texts, the Book of the Dead and Coffin Texts were intended to guide people who had recently died through the Duats dangerous landscape and to a life as an akh or blessed spirit amongst the gods. The dead person must pass a series of gates guarded by dangerous spirits, depicted as human bodies with heads of animals, insects. These beings have equally grotesque names, for instance Blood-drinker who comes from the Slaughterhouse or One who eats the excrement of his hindquarters, other features emphasised in these texts are mounds and caverns, inhabited by gods or supernatural animals, which threatened the spirits of the dead. The purpose of the books is not to lay out a geography, if the deceased successfully passed these unpleasant demons, he or she would reach the Weighing of the Heart. In this ritual, the heart of the deceased was weighed by Anubis, using a feather, representing Maat, any hearts heavier than her feather were rejected and eaten by the Ammit, the Devourer of Souls. Those souls that were lighter than a feather passed the test would be allowed to travel toward the paradise of Aaru, in spite of the unpleasant inhabitants of the Duat, this was no Hell to which souls were condemned, the nature of Duat is more complex than that. The grotesque spirits of the underworld were not evil, but under the control of the Gods. The Duat was also a residence of gods themselves, as well as Osiris, Anubis, Thoth, Horus, Hathor and Maat all appear as a dead soul makes its way toward judgement. It was also in the underworld that the sun, Ra, travelled under the Earth upon his Atet barge from west to east and was transformed from its aged Atum form into Khepri, the new dawning Sun. Just as a person faced many challenges in the Duat. The Egyptian Book of the Dead, The Book of Going Forth by Day, chronicle Books,2000 Pinch, G. Magic in Ancient Egypt
17.
Maat
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Maat or Maat was the ancient Egyptian concept of truth, balance, order, harmony, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, cuneiform texts indicate that the word mˤ3t was pronounced /múʕʔa/ during the New Kingdom period, having lost the feminine ending t. Sound shifts from u to e later produced the cognate Coptic word ⲙⲉⲉ/ⲙⲉ truth, later, as a goddess in other traditions of the Egyptian pantheon, where most goddesses were paired with a male aspect, her masculine counterpart was Thoth, as their attributes are similar. In other accounts, Thoth was paired off with Seshat, goddess of writing and measure and her feather was the measure that determined whether the souls of the departed would reach the paradise of afterlife successfully. Pharaohs are often depicted with the emblems of Maat to emphasise their role in upholding the laws of the Creator, Maat represents the ethical and moral principle that every Egyptian citizen was expected to follow throughout their daily lives. They were expected to act with honor and truth in manners that involve family, the community, the nation, the environment, Maat as a principle was formed to meet the complex needs of the emergent Egyptian state that embraced diverse peoples with conflicting interests. The development of such rules sought to avert chaos and it became the basis of Egyptian law, from an early period the King would describe himself as the Lord of Maat who decreed with his mouth the Maat he conceived in his heart. The ancient Egyptians had a conviction of an underlying holiness. Cosmic harmony was achieved by public and ritual life. Any disturbance in cosmic harmony could have consequences for the individual as well as the state, an impious King could bring about famine or blasphemy blindness to an individual. In opposition to the order expressed in the concept of Maat is the concept of Isfet, chaos, lies. In one Middle Kingdom text the Creator declares I made every man like his fellow, a passage in the Instruction of Ptahhotep presents Maat as follows, Maat is good and its worth is lasting. It has not been disturbed since the day of its creator and it lies as a path in front even of him who knows nothing. Wrongdoing has never yet brought its venture to port and it is true that evil may gain wealth but the strength of truth is that it lasts, a man can say, It was the property of my father. There is little surviving literature that describes the practice of ancient Egyptian law, Maat was the spirit in which justice was applied rather than the detailed legalistic exposition of rules. Maat represented the normal and basic values that formed the backdrop for the application of justice that had to be carried out in the spirit of truth and fairness. From the 5th dynasty onwards the Vizier responsible for justice was called the Priest of Maat, later scholars and philosophers also would embody concepts from the wisdom literature, or Sebayt. These spiritual texts dealt with social or professional situations and how each was best to be resolved or addressed in the spirit of Maat
18.
Ammit
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Ammit was a female demon in ancient Egyptian religion with a body that was part lion, hippopotamus and crocodile—the three largest man-eating animals known to ancient Egyptians. A funerary deity, her titles included Devourer of the Dead, Eater of Hearts, Ammit lived near the scales of justice in Duat, the Egyptian underworld. In the Hall of Two Truths, Anubis weighed the heart of a person against the feather of Maat, the goddess of truth, which was depicted as an ostrich feather. If the heart was judged to be not pure, Ammit would devour it, once Ammit swallowed the heart, the soul was believed to become restless forever, this was called to die a second time. Ammit was also said to stand by a lake of fire. In some traditions, the hearts were cast into the fiery lake to be destroyed. Some scholars believe Ammit and the lake represent the concept of destruction. Ammit was not worshipped, instead she embodied all that the Egyptians feared, Ammit has been linked with the goddess Tawaret, who has a similar physical appearance and, as a companion of Bes, also protected others from evil. Other authors have noted that Ammits lion characteristics, and the lake of fire, the relation to afterlife punishment and lake of fire location are also shared with the baboon deity Babi. Ammit was made male as a character in the Palladium RPG, a monster of the same name is also a card in Yu-Gi-Oh. In addition, Ammit also intermittenly appears in The Kane Chronicles, in the book series, Ammit follows suit as the original myths, being the servant and companion of Anubis. Ammit is also featured in the Lara Croft and the Temple of Osiris video game, Ammit Cryearth is a Grimoire in form of a hand mirror that reflects the true form of the holder, it appears in BlazBlue, Remix Heart manga. Book of the Dead Media related to Ammit at Wikimedia Commons
19.
Demon
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A demon is a supernatural, mythological and often malevolent being prevalent in religion, occultism, literature, fiction, mythology and folklore. The original Greek word daimon does not carry the negative connotation initially understood by implementation of the Koine δαιμόνιον, the Ancient Greek word δαίμων daimōn denotes a spirit or divine power, much like the Latin genius or numen. Daimōn most likely came from the Greek verb daiesthai, the Greek conception of a daimōn notably appears in the works of Plato, where it describes the divine inspiration of Socrates. To distinguish the classical Greek concept from its later Christian interpretation, the Greek terms do not have any connotations of evil or malevolence. In fact, εὐδαιμονία eudaimonia, means happiness, far into the Byzantine period Christians eyed their cities old pagan statuary as a seat of the demons presence. It was no longer beautiful, it was infested, the term had first acquired its negative connotations in the Septuagint translation of the Hebrew Bible into Greek, which drew on the mythology of ancient Semitic religions. This was then inherited by the Koine text of the New Testament, the Western medieval and neo-medieval conception of a demon derives seamlessly from the ambient popular culture of Late Antiquity. The Hellenistic daemon eventually came to include many Semitic and Near Eastern gods as evaluated by Christianity, the supposed existence of demons remains an important concept in many modern religions and occultist traditions. Demons are still feared largely due to their power to possess living creatures. In the contemporary Western occultist tradition, a demon is a metaphor for certain inner psychological processes. According to the Jewish Encyclopedia, In Chaldean mythology the seven evil deities were known as shedu, storm-demons and they were represented as winged bulls, derived from the colossal bulls used as protective jinn of royal palaces. From Chaldea, the term shedu traveled to the Israelites, the writers of the Tanach applied the word as a dialogism to Canaanite deities. There are indications that demons in popular Hebrew mythology were believed to come from the nether world, various diseases and ailments were ascribed to them, particularly those affecting the brain and those of internal nature. Examples include catalepsy, headache, epilepsy and nightmares, there also existed a demon of blindness, Shabriri who rested on uncovered water at night and blinded those who drank from it. Demons supposedly entered the body and caused the disease while overwhelming or seizing the victim, to cure such diseases, it was necessary to draw out the evil demons by certain incantations and talismanic performances, at which the Essenes excelled. In mythology, there were few defences against Babylonian demons, the mythical mace Sharur had the power to slay demons such as Asag, a legendary gallu or edimmu of hideous strength. As referring to the existence or non-existence of shedim there are converse opinions in Judaism, there are practically nil roles assigned to demons in the Jewish Bible. In conclusion, Jews are not obligated to believe in the existence of shedim, the word shedim appears only in two places in the Tanakh
20.
Sun
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The Sun is the star at the center of the Solar System. It is a perfect sphere of hot plasma, with internal convective motion that generates a magnetic field via a dynamo process. It is by far the most important source of energy for life on Earth. Its diameter is about 109 times that of Earth, and its mass is about 330,000 times that of Earth, accounting for about 99. 86% of the total mass of the Solar System. About three quarters of the Suns mass consists of hydrogen, the rest is mostly helium, with smaller quantities of heavier elements, including oxygen, carbon, neon. The Sun is a G-type main-sequence star based on its spectral class and it formed approximately 4.6 billion years ago from the gravitational collapse of matter within a region of a large molecular cloud. Most of this matter gathered in the center, whereas the rest flattened into a disk that became the Solar System. The central mass became so hot and dense that it eventually initiated nuclear fusion in its core and it is thought that almost all stars form by this process. The Sun is roughly middle-aged, it has not changed dramatically for more than four billion years and it is calculated that the Sun will become sufficiently large enough to engulf the current orbits of Mercury, Venus, and probably Earth. The enormous effect of the Sun on Earth has been recognized since prehistoric times, the synodic rotation of Earth and its orbit around the Sun are the basis of the solar calendar, which is the predominant calendar in use today. The English proper name Sun developed from Old English sunne and may be related to south, all Germanic terms for the Sun stem from Proto-Germanic *sunnōn. The English weekday name Sunday stems from Old English and is ultimately a result of a Germanic interpretation of Latin dies solis, the Latin name for the Sun, Sol, is not common in general English language use, the adjectival form is the related word solar. The term sol is used by planetary astronomers to refer to the duration of a solar day on another planet. A mean Earth solar day is approximately 24 hours, whereas a mean Martian sol is 24 hours,39 minutes, and 35.244 seconds. From at least the 4th Dynasty of Ancient Egypt, the Sun was worshipped as the god Ra, portrayed as a falcon-headed divinity surmounted by the solar disk, and surrounded by a serpent. In the New Empire period, the Sun became identified with the dung beetle, in the form of the Sun disc Aten, the Sun had a brief resurgence during the Amarna Period when it again became the preeminent, if not only, divinity for the Pharaoh Akhenaton. The Sun is viewed as a goddess in Germanic paganism, Sól/Sunna, in ancient Roman culture, Sunday was the day of the Sun god. It was adopted as the Sabbath day by Christians who did not have a Jewish background, the symbol of light was a pagan device adopted by Christians, and perhaps the most important one that did not come from Jewish traditions
21.
Eternity
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Eternity in common parlance is either an infinite or an indeterminately long period of time. In classical philosophy, however, eternity is defined as what exists outside time while sempiternity is the concept that corresponds to the definition of eternity. Eternity is an important concept in many religions, where the God or the gods are said to endure eternally. Some, such as Aristotle, would say the same about the cosmos in regard to both past and future eternal duration, and like the eternal Platonic forms, immutability was considered essential. Aristotle argued that the cosmos has no beginning, in Aristotles metaphysics, eternity is the unmoved mover, understood as the gradient of total synergy. Boethius defined eternity as simultaneously full and perfect possession of interminable life, eternity is often symbolized by the image of a snake swallowing its own tail, known as the Ouroboros. The circle is commonly used as a symbol for eternity, as is the mathematical symbol of infinity. Http, //www. iep. utm. edu/g/god-time. htm Entry in the Internet Encyclopedia of Philosophy on the relationship between God and Time
22.
Island
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An island or isle is any piece of sub-continental land that is surrounded by water. Very small islands such as emergent land features on atolls can be called islets, skerries, an island in a river or a lake island may be called an eyot or ait, and a small island off the coast may be called a holm. A grouping of geographically or geologically related islands is called an archipelago, an island may be described as such, despite the presence of an artificial land bridge. Example, Singapore and its causeway, or the various Dutch delta islands, there are two main types of islands in the sea, continental and oceanic. The word island derives from Middle English iland, from Old English igland, Old English ieg is actually a cognate of Swedish ö and German Aue, and related to Latin aqua. There is a difference between islands and continents in terms of geology, continents sit on continental lithosphere which is part of tectonic plates floating high on Earths mantle. Oceanic crust is also part of tectonic plates, but it is denser than continental lithosphere, Islands are either extensions of the oceanic crust or geologically they are part of some continent sitting on continental lithosphere. This holds true for Australia, which sits on its own continental lithosphere, continental islands are bodies of land that lie on the continental shelf of a continent. A special type of island is the microcontinental island, which is created when a continent is rifted. Examples are Madagascar and Socotra off Africa, the Kerguelen Islands, New Caledonia, New Zealand, another subtype is an island or bar formed by deposition of tiny rocks where water current loses some of its carrying capacity. While some are transitory and may disappear if the volume or speed of the current changes, others are stable, oceanic islands are islands that do not sit on continental shelves. The vast majority are volcanic in origin, such as Saint Helena in the South Atlantic Ocean, the few oceanic islands that are not volcanic are tectonic in origin and arise where plate movements have lifted up the ocean floor above the surface. Examples are Saint Peter and Paul Rocks in the Atlantic Ocean, one type of volcanic oceanic island is found in a volcanic island arc. These islands arise from volcanoes where the subduction of one plate under another is occurring, examples are the Aleutian Islands, the Mariana Islands, and most of Tonga in the Pacific Ocean. The only examples in the Atlantic Ocean are some of the Lesser Antilles, another type of volcanic oceanic island occurs where an oceanic rift reaches the surface. There are two examples, Iceland, which is the second largest volcanic island, and Jan Mayen. A third type of oceanic island is formed over volcanic hotspots. A hotspot is more or less stationary relative to the tectonic plate above it
23.
Typha
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Typha /ˈtaɪfə/ is a genus of about 30 species of monocotyledonous flowering plants in the family Typhaceae. Other taxa of plants may be known as bulrush, including some sedges in Scirpus, the genus is largely distributed in the Northern Hemisphere, where it is found in a variety of wetland habitats. Evidence of preserved starch grains on grinding stones suggests they were eaten in Europe 30,000 years ago. Typha are aquatic or semi-aquatic, rhizomatous, herbaceous perennial plants, the leaves are glabrous, linear, alternate and mostly basal on a simple, jointless stem that bears the flowering spikes. The plants are monoecious, with flowers that develop in dense racemes. The numerous male flowers form a spike at the top of the vertical stem. Each male flower is reduced to a pair of stamens and hairs, large numbers of tiny female flowers form a dense, sausage-shaped spike on the stem below the male spike. In larger species this can be up to 30 centimetres long and 1 to 4 centimetres thick, the seeds are minute,0.2 millimetres long, and attached to fine hairs. When ripe, the heads disintegrate into a cottony fluff from which the seeds disperse by wind, Typha are often among the first wetland plants to colonize areas of newly exposed wet mud, with their abundant wind dispersed seeds. Buried seeds can survive in the soil for long periods of time and they germinate best with sunlight and fluctuating temperatures, which is typical of many wetland plants that regenerate on mud flats. The plants also spread by rhizomes, forming large, interconnected stands, Typha are considered to be dominant competitors in wetlands in many areas, and they often exclude other plants with their dense canopy. In the bays of the Great Lakes, for example, they are among the most abundant wetland plants, different species of cattails are adapted to different water depths. Well-developed aerenchyma make the plants tolerant of submersion, even the dead stalks are capable of transmitting oxygen to the rooting zone. Although Typha are native plants, they can be aggressive in their competition with other native species. They have been problematic in regions in North America, from the Great Lakes to the Everglades. Native sedges are displaced and wet meadows shrink, likely as a response to altered hydrology of the wetlands, an introduced or hybrid species may be contributing to the problem. The most successful strategy appears to be mowing or burning to remove the aerenchymous stalks and it may be more important to prevent invasion by preserving water level fluctuations, including periods of drought, and to maintain infertile conditions. Typha are frequently eaten by mammals such as muskrats, that also use them to construct feeding platforms and dens
24.
Elysium
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Elysium or the Elysian Fields is a conception of the afterlife that developed over time and was maintained by some Greek religious and philosophical sects and cults. Initially separate from the realm of Hades, admission was reserved for mortals related to the gods, the Elysian Fields were, according to Homer, located on the western edge of the Earth by the stream of Okeanos. In the time of the Greek oral poet Hesiod, Elysium would also be known as the Fortunate Isles or the Isles of the Blessed, located in the ocean at the end of the earth. The Isles of the Blessed would be reduced to an island by the Thebean poet Pindar, describing it as having shady parks, with residents indulging in athletic. The ruler of Elysium varies from author to author, Pindar and Hesiod name Cronus as the ruler, another suggestion is from ελυθ-, ἔρχομαι. The Greek oral poet Hesiod refers to the Isles of the Blessed in his didactic poem Works, pindars Odes describes the reward waiting for those living a righteous life, In Virgils Aeneid, Aeneas, like Heracles and Odysseus before him, travels to the underworld. Virgil describes those who travel to Elysium, and those who will travel to Tartarus. Virgils Elysium knows perpetual spring and shady groves, with its own sun and lit by its own stars, solemque suum, sua sidera norunt. He further intimated that the Greek prophet Orpheus composed his fables about the afterlife when he traveled to Egypt, Elysium as a pagan expression for paradise would eventually pass into usage by early Christian writers. In the Renaissance, the population of the Elysian Fields tended to outshine its formerly dreary pagan reputation. After the Renaissance, an even cheerier Elysium evolved for some poets, sometimes it is imagined as a place where heroes have continued their interests from their lives. Others suppose it is a filled with feasting, sport, song. The poet Heinrich Heine explicitly parodied Schillers sentiment in referring to the Jewish Sabbath food cholent as the daughter of Elysium in his poem Princess Shabbat. Christian and classical attitudes to the afterlife are put in contrast by Christopher Marlowes Doctor Faustus in saying, This word damnation terrifies not me and my ghost be with the old philosophers. When in William Shakespeares Twelfth Night shipwrecked Viola is told This is Illyria, and what should I do in Illyria. My brother he is in Elysium. is her answer, Elysium for her and her first Elizabethan hearers simply means Paradise, in the Percy Jackson & the Olympians series by Rick Riordan, Elysium is described as the path for some of the protagonists and antagonists of the series. The mythical island is described in terms a WWII sailor in the South Pacific would liken to the Greek paradise, the term and concept of Elysium has had influence in modern popular culture, reference to Elysium can be found in literature, art, film, and music. New Orleans Elysian Fields also provides the second act setting of Elmer Rices The Adding Machine, in his poem Middlesex, John Betjeman describes how a few hedges Keep alive our lost Elysium – rural Middlesex again
25.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
26.
Paganism
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Paganism is a term that derives from Latin word pagan, which means nonparticipant, one excluded from a more distinguished, professional group. The term was used in the 4th century, by early Christian community, the term competed with polytheism already in use in Judaism, by Philo in the 1st century. Pagans and paganism was a pejorative for the same polytheistic group, Paganism has broadly connoted religion of the peasantry, and for much of its history a derogatory term. Alternate terms in Christian texts for the group was hellene. In and after the Middle Ages, paganism was a pejorative that was applied to any non-Abrahamic or unfamiliar religion, there has been much scholarly debate as to the origin of the term paganism, especially since no one before the 20th century self-identified as a pagan. In the 19th century, paganism was re-adopted as a self-descriptor by members of various artistic groups inspired by the ancient world. Forms of these religions, influenced by various historical pagan beliefs of pre-modern Europe, exist today and are known as contemporary or modern paganism, while most pagan religions express a worldview that is pantheistic, polytheistic, or animistic, there are some monotheistic pagans. It is crucial to stress right from the start that until the 20th century people did not call themselves pagans to describe the religion they practised, the notion of paganism, as it is generally understood today, was created by the early Christian Church. It was a label that Christians applied to others, one of the antitheses that were central to the process of Christian self-definition, as such, throughout history it was generally used in a derogatory sense. The term pagan is from Late Latin paganus, revived during the Renaissance and it is related to pangere and ultimately comes from Proto-Indo-European *pag-. The evolution occurred only in the Latin west, and in connection with the Latin church, elsewhere, Hellene or gentile remained the word for pagan, and paganos continued as a purely secular term, with overtones of the inferior and the commonplace. However, this idea has multiple problems, first, the words usage as a reference to non-Christians pre-dates that period in history. Second, paganism within the Roman Empire centered on cities, the concept of an urban Christianity as opposed to a rural paganism would not have occurred to Romans during Early Christianity. Third, unlike words such as rusticitas, paganus had not yet acquired the meanings used to explain why it would have been applied to pagans. Paganus more likely acquired its meaning in Christian nomenclature via Roman military jargon, Early Christians adopted military motifs and saw themselves as Milites Christi. As early as the 5th century, paganos was metaphorically used to persons outside the bounds of the Christian community. In response, Augustine of Hippo wrote De Civitate Dei Contra Paganos, in it, he contrasted the fallen city of Man to the city of God of which all Christians were ultimately citizens. Hence, the invaders were not of the city or rural
27.
Pantheism
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Pantheism is the belief that all reality is identical with divinity, or that everything composes an all-encompassing, immanent god. Pantheists thus do not believe in a personal or anthropomorphic god. The term pantheism was not coined until after Spinozas death, and his work, Ethics, was the major source from which Western pantheism spread. Pantheistic concepts may date back thousands of years, and some religions in the East continue to contain pantheistic elements, Pantheism derives from the Greek πᾶν pan and θεός theos. There are a variety of definitions of pantheism, some consider it a theological and philosophical position concerning God. As a religious position, some describe pantheism as the polar opposite of atheism, from this standpoint, pantheism is the view that everything is part of an all-encompassing, immanent God. All forms of reality may then be considered either modes of that Being, some hold that pantheism is a non-religious philosophical position. To them, pantheism is the view that the Universe and God are identical, pantheistic tendencies existed in a number of early Gnostic groups, with pantheistic thought appearing throughout the Middle Ages. These included a section of Johannes Scotus Eriugenas 9th-century work De divisione naturae, the Roman Catholic Church has long regarded pantheistic ideas as heresy. Giordano Bruno, an Italian monk who evangelized about an immanent and he has since become known as a celebrated pantheist and martyr of science. Bruno influenced many later thinkers including Baruch Spinoza, in the West, pantheism was formalized as a separate theology and philosophy based on the work of the 17th-century philosopher Baruch Spinoza. Spinoza was a Dutch philosopher of Sephardi Portuguese origin, whose book Ethics was an answer to Descartes famous dualist theory that the body, Spinoza held the monist view that the two are the same, and monism is a fundamental part of his philosophy. He was described as a God-intoxicated man, and used the word God to describe the unity of all substance, although the term pantheism was not coined until after his death, Spinoza is regarded as its most celebrated advocate. His work, Ethics, was the source from which Western pantheism spread. The breadth and importance of Spinozas work was not fully realized until years after his death. Spinozas magnum opus, the posthumous Ethics, in which he opposed Descartes mind–body dualism, has earned him recognition as one of Western philosophys most important thinkers, Hegel said, You are either a Spinozist or not a philosopher at all. His philosophical accomplishments and moral character prompted 20th-century philosopher Gilles Deleuze to name him the prince of philosophers, Spinoza was raised in the Portuguese Jewish community in Amsterdam. He developed highly controversial ideas regarding the authenticity of the Hebrew Bible, the Jewish religious authorities issued a cherem against him, effectively excluding him from Jewish society at age 23
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Polytheism
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Polytheism is the worship of or belief in multiple deities, which are usually assembled into a pantheon of gods and goddesses, along with their own religions and rituals. Polytheism is a type of theism, within theism, it contrasts with monotheism, the belief in a singular God, in most cases transcendent. Polytheists do not always worship all the gods equally, but they can be henotheists, other polytheists can be kathenotheists, worshiping different deities at different times. Polytheism was the form of religion during the Bronze Age and Iron Age up to the Axial Age and the development of Abrahamic religions. Important polytheistic religions practiced today include Chinese traditional religion, Hinduism, Japanese Shinto, the term comes from the Greek πολύ poly and θεός theos and was first invented by the Jewish writer Philo of Alexandria to argue with the Greeks. When Christianity spread throughout Europe and the Mediterranean, non-Christians were just called Gentiles or pagans or by the pejorative term idolaters. The modern usage of the term is first revived in French through Jean Bodin in 1580, a central, main division in polytheism is between soft polytheism and hard polytheism. Hard polytheism is the belief that gods are distinct, separate, real divine beings, hard polytheists reject the idea that all gods are one god. Hard polytheists do not necessarily consider the gods of all cultures as being equally real, Polytheism cannot be cleanly separated from the animist beliefs prevalent in most folk religions. The gods of polytheism are in cases the highest order of a continuum of supernatural beings or spirits. In some cases these spirits are divided into celestial or chthonic classes, since divinity is intellectual, and all intellect returns into itself, this myth expresses in allegory the essence of divinity. Myths may be regarded physically when they express the activities of gods in the world, the psychological way is to regard the activities of the soul itself and or the souls acts of thought. The material is to regard material objects to actually be gods, for example, to call the earth Gaia, ocean Okeanos, Some well-known historical polytheistic pantheons include the Sumerian gods and the Egyptian gods, and the classical-attested pantheon which includes the ancient Greek religion and Roman religion. Post-classical polytheistic religions include Norse Æsir and Vanir, the Yoruba Orisha, the Aztec gods, an example of a religious notion from this shared past is the concept of *dyēus, which is attested in several distinct religious systems. In many civilizations, pantheons tended to grow over time, deities first worshipped as the patrons of cities or places came to be collected together as empires extended over larger territories. Conquests could lead to the subordination of the elder cultures pantheon to a one, as in the Greek Titanomachia. Most ancient belief systems held that gods influenced human lives, epicurus believed that these gods were material, human-like, and that they inhabited the empty spaces between worlds. Though it is suggested that Hestia stepped down when Dionysus was invited to Mount Olympus, robert Graves The Greek Myths cites two sources that obviously do not suggest Hestia surrendered her seat, though he suggests she did
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Ancient Egyptian funerary practices
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The ancient Egyptians had an elaborate set of funerary practices that they believed were necessary to ensure their immortality after death. These rituals and protocols included mummifying the body, casting of magic spells, the burial process used by the ancient Egyptians evolved throughout time as old customs were discarded and new ones adopted, but several important elements of the process persisted. Although specific details changed over time, the preparation of the body, the rituals involved. Though no writing survives from Predynastic Egypt, scholars believe the importance of the physical body and this would explain why people of that time did not follow the common practice of cremation, but rather buried the dead. Some also believe they may have feared the bodies would rise again if mistreated after death, early bodies were buried in simple, shallow oval pits, with a few burial goods. Sometimes multiple people and animals were placed in the same grave, over time, graves became more complex, with the body placed in a wicker basket, then later in wooden or terracotta coffins. The latest tombs Egyptians made were sarcophaguses and these graves contained burial goods like jewelry, food, games and sharpened splint. This demonstrates that this ancient period had a sense of the afterlife and this may be because admission required that the deceased must be able to serve a purpose there. The pharaoh was allowed in because of his role in life, human sacrifices found in early royal tombs reinforce this view. These people were meant to serve the pharaoh during his eternal life. Eventually, figurines and wall paintings begin to replace human victims, some of these figurines may have been created to resemble certain people, so they could follow the pharaoh after their lives ended. Note that not only the classes had to rely on the pharaoh’s favor. They believed that when he died, the became a type of god. This belief existed from the period through the Old Kingdom. In the First Intermediate Period, however, the importance of the pharaoh declined, funerary texts, previously restricted to royal use, became more widely available. The first farmers in Egypt are known from the villages of Omari, the people of these villages buried their dead in a simple, round graves with one pot. The body was neither treated nor arranged in a way as would be the case later in the historical period. Without any written evidence, there is little to provide information about contemporary beliefs concerning the afterlife except for the inclusion of a single pot in the grave
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Mortuary temple
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Mortuary temples were temples that were erected adjacent to, or in the vicinity of, royal tombs in Ancient Egypt. The temples were designed to commemorate the reign of the Pharaoh by whom they were constructed, mortuary temples were built around pyramids in the Old Kingdom and Middle Kingdom. However, once the New Kingdom pharaohs began constructing tombs in the Valley of the Kings and these New Kingdom temples were called mansions of millions of years by the Egyptians. These temples were used as a resting place for the boat of Amun at the time of the Beautiful Festival of the Valley. The first mortuary temple was built for Amenhotep I of the 18th dynasty during the New Kingdom, later rulers of the 18th Dynasty either failed to build here at all or, in the case of Tutankhamun, Ay and Horemheb, their construction was not completed. The 19th Dynasty ruler Seti I constructed his temple at what is now known as Gurna. Ramesses II constructed his own temple, referred to as the Ramesseum, Temple of a years of Usermaatre Setepenre which is linked with Thebes-the-Quoted in the Field of Amun. Much later, during the 20th Dynasty, Ramesses III constructed his own temple at Medinet Habu
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Ancient Egyptian offering formula
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The Ancient Egyptian offering formula, generally referred to as the ḥtp-dỉ-nsw formula by Egyptologists, was written as an offering for the deceased in the ancient Egyptian religion. All ancient Egyptian offering formulas share the basic structure, but there is a great deal of variety in which deities and offerings are mentioned. That he may give a voice-offering of bread, beer, oxen, birds, alabaster, clothing, for the ka of the revered Senwosret, True of Voice. The offering formula is found carved or painted onto funerary stelae, false doors, coffins. Each person would, of course, have their own name, the offering formula was not a royal prerogative like some of the other religious texts such as the Litany of Re, and was used by anyone who could afford to have one made. The offering formula always begins with the phrase, ḥtp dỉ nsw This phrase comes from Old Egyptian, because the king was seen as an intermediary between the people of Egypt and the gods, the offering was made through him. Next the formula names a god of the dead and several of his epithets, usually Osiris, Anubis, or Geb or another deity. The following phrase is an invocation of Osiris, wsỉr nb ḏdw, nṯr ꜥꜣ, nb ꜣbḏw which means Osiris, the lord of Busiris, the great god. There was apparently no set rule about what epithets were used, however Lord of Busiris, Great God, after the list of deities and their titles, the formula proceeds with a list of the ḫrt-prw, or invocation offerings. The list is always preceded by the phrase, or dỉ=f prt-ḫrw or dỉ=sn prt-ḫrw which means He give invocation offerings, the last part of the offering formula lists the name and titles of the recipient of the invocation offerings. For example, n kꜣ n ỉmꜣḫy s-n-wsrt, mꜣꜥ-ḫrw which means for the ka of the revered Senwosret, Egyptian mythology Egyptian soul Ancient Egyptian burial customs Ancient Egyptian funerary texts Bennett, C. Growth of the ḤTP-DI-NSW Formula in the Middle Kingdom, the Middle Kingdom Offering Formulas—A Challenge. Die Opferformel des Alten Reiches unter Berücksichtigung einiger später Formen, mainz am Rhein, Verlag Philipp von Zabern. The Writing of the ḤTP-DI-NSW Formula in the Middle and New Kingdoms, telford, Mark Patrick, Death And The Afterlife
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Egyptian temple
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Egyptian temples were built for the official worship of the gods and in commemoration of the pharaohs in ancient Egypt and regions under Egyptian control. Temples were seen as houses for the gods or kings to whom they were dedicated and these rituals were seen as necessary for the gods to continue to uphold maat, the divine order of the universe. Housing and caring for the gods were the obligations of pharaohs, nevertheless, a temple was an important religious site for all classes of Egyptians, who went there to pray, give offerings, and seek oracular guidance from the god dwelling within. The most important part of the temple was the sanctuary, which contained a cult image. These edifices are among the largest and most enduring examples of Egyptian architecture and their typical design consisted of a series of enclosed halls, open courts, and massive entrance pylons aligned along the path used for festival processions. Beyond the temple proper was a wall enclosing a wide variety of secondary buildings. A large temple also owned sizable tracts of land and employed thousands of laymen to supply its needs, temples were therefore key economic as well as religious centers. The priests who managed these powerful institutions wielded considerable influence, temple-building in Egypt continued despite the nations decline and ultimate loss of independence to the Roman Empire. With the coming of Christianity, however, Egyptian religion faced increasing persecution, for centuries, the ancient buildings suffered destruction and neglect. Dozens of temples survive today, and some have become world-famous tourist attractions that contribute significantly to the modern Egyptian economy, Egyptologists continue to study the surviving temples and the remains of destroyed ones, as they are invaluable sources of information about ancient Egyptian society. Ancient Egyptian temples were meant as places for the gods to reside on earth, indeed, the term the Egyptians most commonly used to describe the temple building, ḥwt-nṯr, means mansion of a god. A gods presence in the temple linked the human and divine realms and these rituals, it was believed, sustained the god and allowed it to continue to play its proper role in nature. They were therefore a key part of the maintenance of maat, maintaining maat was the entire purpose of Egyptian religion, and it was the purpose of a temple as well. Because he was credited with divine power himself, the pharaoh, as a king, was regarded as Egypts representative to the gods. Thus, it was theoretically his duty to perform the temple rites, the pharaoh was nevertheless obligated to maintain, provide for, and expand the temples throughout his realm. Although the pharaoh delegated his authority, the performance of rituals was still an official duty. The participation of the populace in most ceremonies was prohibited. Much of the lay religious activity in Egypt instead took place in private and community shrines, however, as the primary link between the human and divine realms, temples attracted considerable veneration from ordinary Egyptians
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Veneration of the dead
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The veneration of the dead, including ones ancestors, is based on love and respect for the deceased. In some cultures, it is related to beliefs that the dead have a continued existence, the social or non-religious function of ancestor veneration is to cultivate kinship values, such as filial piety, family loyalty, and continuity of the family lineage. Ancestor veneration occurs in societies with every degree of social, political, and technological complexity, ancestor reverence is not the same as the worship of a deity or deities. In some Afro-diasporic cultures, ancestors are seen as being able to intercede on behalf of the living, as spirits who were once human themselves, they are seen as being better able to understand human needs than would a divine being. In other cultures, the purpose of ancestor veneration is not to ask for favors, some cultures believe that their ancestors actually need to be provided for by their descendants, and their practices include offerings of food and other provisions. Others do not believe that the ancestors are even aware of what their descendants do for them, most cultures who practice ancestor veneration do not call it ancestor worship. In English, the word usually refers to the reverent love. However, in cultures, this act of worship does not confer any belief that the departed ancestors have become some kind of deity. Rather, the act is a way to respect, honor, in this regard, many cultures and religions have similar practices. Some may visit the graves of their parents or other ancestors, leave flowers and pray to them in order to honor and remember them, however, this would not be considered as worshipping them since the term worship shows no such meaning. This is consistent with the meaning of the veneration in English. Although there is no accepted theory concerning the origins of ancestor veneration. Although some historians claim that ancient Egyptian society was a “death cult” because of its tombs and mummification rituals. The philosophy that “this world is but a vale of tears” and this was not to say that they were unacquainted with the harshness of life, rather, their ethos included a sense of continuity between this life and the next. Tombs were housing in the Hereafter and so they were constructed and decorated. Mummification was a way to preserve the corpse so the ka of the deceased could return to receive offerings of the things s/he enjoyed while alive, if mummification was not affordable, a “ka-statue” in the likeness of the deceased was carved for this purpose. The Blessed Dead were collectively called the akhu, or “shining ones” and they were described as “shining as gold in the belly of Nut and were indeed depicted as golden stars on the roofs of many tombs and temples. If the heart was in balance with the Feather of Maat, at this point only was the ka deemed worthy to be venerated by the living through rites and offerings
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Amun
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Amun was a major Ancient Egyptian deity. He was attested since the Old Kingdom together with his wife Amaunet, with the 11th dynasty, he rose to the position of patron deity of Thebes by replacing Monthu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I, Amun acquired national importance, expressed in his fusion with the Sun god, Ra, Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom. Amun-Ra in this period held the position of transcendental, self-created creator deity par excellence, he was the champion of the poor or troubled and his position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods, as the chief deity of the Egyptian Empire, Amun-Ra also came to be worshipped outside of Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. As Zeus Ammon he came to be identified with Zeus in Greece, Amun and Amaunet are mentioned in the Old Egyptian Pyramid Texts. The name Amun meant something like the one or invisible. Amun rose to the position of tutelary deity of Thebes after the end of the First Intermediate Period, as the patron of Thebes, his spouse was Mut. In Thebes, Amun as father, Mut as mother and the Moon god Khonsu formed a family or Theban Triad. The history of Amun as the god of Thebes begins in the 20th century BC. The city of Thebes does not appear to have been of great significance before the 11th dynasty, major construction work in the Precinct of Amun-Re took place during the 18th dynasty when Thebes became the capital of the unified ancient Egypt. Construction of the Hypostyle Hall may have begun during the 18th dynasty, though most building was undertaken under Seti I. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court and this Great Inscription shows the kings campaigns and eventual return with booty and prisoners. Next to this inscription is the Victory Stela, which is largely a copy of the more famous Israel Stela found in the complex of Merenptah on the west bank of the Nile in Thebes. Merenptahs son Seti II added 2 small obelisks in front of the Second Pylon, and this was constructed of sandstone, with a chapel to Amun flanked by those of Mut and Khonsu. The last major change to the Precinct of Amun-Res layout was the addition of the first pylon, the local patron deity of Thebes, Amun, therefore became nationally important. The pharaohs of that new dynasty attributed all their enterprises to Amun. The victory accomplished by pharaohs who worshipped Amun against the rulers, brought him to be seen as a champion of the less fortunate
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Amunet
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Amunet was a primordial goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun and her name, meaning the female hidden one, was simply the feminine form of Amuns own name. It is possible that she was never an independent deity, as the first mention of either of them is in a pair, at Karnak, Amuns cult center, priests were dedicated to Amunets service. The goddess also played a part in ceremonies such as the Sed festival. Amunet was depicted as a woman wearing the Red Crown and carrying a staff of papyrus, in late texts from Karnak she was syncretized with Neith, although she remained a distinct deity as late as the Ptolemaic period. In the TV series Penny Dreadful, the character of Vanessa Ives is implied to be an incarnation of Amunet, in the TV series Stargate SG-1, Amaunet is a recurring Goauld character and consort of Apophis. Amunet will appear portrayed by Sofia Boutella in a fictionalized characterization, the film will serve as the first official installment in the Universal Monsters Cinematic Universe
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Heh (god)
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Ḥeḥ was in Egyptian mythology, the deification of infinity or eternity in the Ogdoad, his name itself meaning endlessness. His female counterpart was known as Hauhet, which is simply the feminine form of his name, like the other concepts in the Ogdoad, his male form was often depicted as a frog, or a frog-headed human, and his female form as a snake or snake-headed human. Depictions of this also had a shen ring at the base of each palm stem. Depictions of Huh were also used in hieroglyphs to represent one million, thus this deity is also known as the god of millions of years. The primary meaning of the term ḥeḥ was million or millions, subsequently, together with his female counterpart Ḥauḥet, Ḥeḥ represented a member of the Ogdoad of eight primeval deities whose worship was centred at Hermopolis Magna. The other members of the Ogdoad are Nu and Naunet, Amun and Amaunet, Kuk, the god Ḥeḥ was usually depicted anthropomorphically, as in the hieroglyphic character, as a male figure with divine beard and lappet wig. Normally kneeling, the god typically holds in each hand a palm branch. Occasionally, a palm branch is worn on the gods head. The personified, somewhat abstract god of eternity Ḥeḥ possessed no known cult centre or sanctuary, rather, his veneration revolved around symbolism, barta, Winfried, Die Bedeutung der Personifikation Huh im Unterschied zu den Personifikationen Hah und Nun, Göttinger Miszellen 127, pp. 7–12
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Kek (mythology)
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Kek is the deification of the concept of primordial darkness in the Ancient Egyptian Ogdoad cosmogony. As a concept, Kek was viewed as androgynous, his form being known as Keket. Kek and Keket in some aspects also represent night and day, and were called raiser up of the light, the name is written as kk or kkwy with a variant of the sky hieroglyph in ligature with the staff associated with the word for darkness kkw. In the oldest representations, Kekui is given the head of a serpent, and Kekuit the head of either a frog or a cat. In one scene, they are identified with Ka and Kait, in this scene, Ka-Kekui has the head of a frog surmounted by a beetle and Kait-Kekuit has the head of a serpent surmounted by a disk. In the Greco-Roman period, Keks male form was depicted as a man. In relation to the 2016 United States presidential election, individuals associated with message boards, such as 4chan. This resulted in a resurgence of interest of the ancient deity, some members of 4chan jokingly attribute the victory of Donald J. Trump in the 2016 United States presidential election to meme magic. Kek and Kauket, Deities of Darkness, Obscurity and Night
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Nu (mythology)
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Nu, feminine Nut, is the deification of the primordial watery abyss in the Hermopolitan Ogdoad cosmogony of ancient Egyptian religion. The name is paralleled with nen inactivity in a play of words in, I raised them up out of the watery mass. The name has also been compared Coptic noun abyss, deep, Nut is also the name of the sky goddess of the Ennead of Heliopolis. The Ancient Egyptians envisaged the oceanic abyss of the Nun as surrounding a bubble in which the sphere of life is encapsulated, in Ancient Egyptian creation accounts the original mound of land comes forth from the waters of the Nun. The Nun is the source of all that appears in a world, encompassing all aspects of divine. In the Ennead cosmogony Nun is perceived as transcendent at the point of creation alongside Atum the creator god, beginning with the Middle Kingdom Nun is described as the Father of the Gods and he is depicted on temple walls throughout the rest of Ancient Egyptian religious history. The Ogdoad includes along with Naunet and Nun, Amaunet and Amun, Hauhet and Heh, like the other Ogdoad deities, Nu did not have temples or any center of worship. Even so, Nu was sometimes represented by a lake, or, as at Abydos. In the 12th Hour of the Book of Gates Nu is depicted with upraised arms holding a solar bark, the boat is occupied by eight deities, with the scarab deity Khepri standing in the middle surrounded by the seven other deities. During the late period when Egypt became occupied, the aspect of the Nun became the dominant perception. Abzu Benben stone E. A. Wallis Budge, The Gods of the Egyptians, Or, Studies in Egyptian Mythology, vol
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Ennead
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The Great Ennead was only one of several such groupings of nine deities in ancient Egypt and its claims to preëminence by its Heliopolitan priests were not respected throughout Egypt. As close as Memphis, the priests of Ptah celebrated him as superior to the Nine, Ennead is borrowing via Latin of the Greek name Enneás, meaning the Nine. The term was a calque of the Egyptian name, written Psḏt and its original pronunciation is uncertain, since hieroglyphs do not record vowels, but Egyptologists conventionally transcribe it as Pesedjet. The ancient Egyptians created several enneads as their unification under Dynasty I brought numerous local cults into contact with one another, the Pyramid Texts of Dynasties V and VI mention the Great Ennead, the Lesser Ennead, the Dual Ennead, and the Seven Enneads. Some pharaohs established enneads that incorporated themselves as gods, the most notable case is Seti I of Dynasty XIX, whose temple at Redesiyah celebrated an ennead of six major gods and three deified forms of himself. In the Calendar of Lucky and Unlucky Days, the ennead mentioned may reference the Pleiades, the most important was the Great or Heliopolitan Ennead of Awanu, known under the Greeks and Romans as Heliopolis. It celebrated the family of the sun god Atum and thrived from the Old Kingdom to the Ptolemaic period and its development remains uncertain, although it appears to have first appeared when Ras cult—supreme under Dynasty V—declined in importance under Dynasty VI. The most prominent of such deities was Osiris, god of vegetation and the afterlife, however, in the 20th century, some Egyptologists question the whole scenario. After the Great Ennead was well established, the cult of Ra—identified with Atum—recovered much of its importance until superseded by the cult of Horus, the two were then combined as Ra–Horus of the Horizons. According to the story of the Heliopolitan priests, the world originally consisted of the primeval waters personified as Nun. From it arose a mound, separately identified by the Memphite priests as Ptah, upon the mound sat the self-begotten god Atum, who was equated with the sun god Ra. Bored and alone, Atum either spat or masturbated, producing air personified as Shu, the siblings Shu and Tefnut mated to produce the earth personified as Geb and the nighttime sky personified as Nut. These siblings engaged in continuous copulation until separated by their father Shu, Geb and Nut were the parents of Osiris and Isis and of Set and Nephthys, who became respective couples in turn. Shifting Milestones of Natural Sciences, The Ancient Egyptian Discovery of Algols Period Confirmed, PLOS One, Vol.10, No
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Atum
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Atum, sometimes rendered as Atem or Tem, is an important deity in Egyptian mythology. Atums name is thought to be derived from the word tem which means to complete or finish, thus he has been interpreted as being the complete one and also the finisher of the world, which he returns to watery chaos at the end of the creative cycle. As creator he was seen as the substance of the world. In the Heliopolitan creation myth, Atum was considered to be the first god, having created himself, sitting on a mound, early myths state that Atum created the god Shu and goddess Tefnut by spitting them out of his mouth. To explain how Atum did this, the uses the metaphor of masturbation. Other interpretations state that he has made union with his shadow, in the Old Kingdom the Egyptians believed that Atum lifted the dead kings soul from his pyramid to the starry heavens. He was also a deity, associated with the primary sun god Ra. Atum was linked specifically with the sun, while Ra or the closely linked god Khepri were connected with the sun at morning. Atum is the god of pre-existence and post-existence, in the binary solar cycle, the serpentine Atum is contrasted with the ram-headed scarab Khepri—the young sun god, whose name is derived from the Egyptian hpr to come into existence. Khepri-Atum encompassed sunrise and sunset, thus reflecting the solar cycle. Atum was a deity, the first being to emerge from the darkness and endless watery abyss that existed before creation. A product of the energy and matter contained in this chaos, he created his children—the first deities and he produced from his own sneeze, or in some accounts, semen, Shu, the god of air, and Tefnut, the goddess of moisture. The brother and sister, curious about the waters that surrounded them, went to explore the waters. Unable to bear his loss, Atum sent a fiery messenger, the tears of joy he shed on their return were the first human beings. He is usually depicted as a man wearing either the royal head-cloth or the white and red crown of Upper Egypt and Lower Egypt. Sometimes he also is shown as a serpent, the form he returns to at the end of the creative cycle, atums cult centered on the city of Heliopolis. The only surviving remnant of Heliopolis is the Temple of Re-Atum obelisk located in Al-Masalla of Al-Matariyyah and it was erected by Senusret I of the Twelfth dynasty, and still stands in its original position. The 68 ft high red granite obelisk weighs 120 tons, band I, Die heiligen Tiere des Atum
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Shu (Egyptian god)
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Shu was one of the primordial Egyptian gods, a personification of air, one of the Ennead of Heliopolis. In some myths, Shu was the son of Atum and Iusaaset, in other versions, Shu and his sister Tefnut were created by Atum alone, via parthenogenesis. With Tefnut, Shu was the father of Nut and Geb and grandfather of Osiris, Isis, Set and his great-grandsons are Horus and Anubis. As the air, Shu was considered to be cooling, and thus calming, influence, due to the association with air, calm, and thus Maat, Shu was portrayed in art as wearing an ostrich feather. Shu was seen with one and four feathers. The ostrich feather was symbolic of lightness and emptiness, fog and clouds were also Shus elements and they were often called his bones. Because of his position between the sky and earth, he was known as the wind. In a much later myth, representing a terrible weather disaster at the end of the Old Kingdom, it was said that Tefnut and Shu once argued, and Tefnut left Egypt for Nubia. It was said that Shu quickly decided that he missed her, thoth, disguised, eventually succeeded in convincing her to return. The Greeks associated Shu with Atlas, the primordial Titan who held up the celestial spheres, according to the Heliopolitan cosmology, Shu and Tefnut, the first pair of cosmic elements, created the sky goddess, Nut, and the earth god, Geb. Shu separated Nut from Geb as they were in the act of love, creating duality in the manifest world, above and below, light and dark, good and evil. Prior to their separation, however, Nut had given birth to the gods Isis, Osiris, Nephthys, the Egyptians believed that if Shu did not hold Nut and Geb apart there would be no way for physically-manifest life to exist. Shu is mostly represented as a man, only in his function as a fighter and defender as the sun god does he sometimes receive a lions head. He carries an ankh, the symbol of life
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Tefnut
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Tefnut is a goddess of moisture, moist air, dew and rain in Ancient Egyptian religion. She is the sister and consort of the air god Shu, like most Egyptian deities, including her brother, Tefnut has no single ideograph or symbol. Her name in hieroglyphics consists of four single phonogram symbols t-f-n-t, although the n phonogram is a representation of waves on the surface of water, it was never used as an ideogram or determinative for the word water, or for anything associated with water. Tefnut is a daughter of the solar god Ra-Atum, married to her brother, Shu, she is mother of Nut, the sky and Geb, the earth. Tefnuts grandchildren were Osiris, Isis, Set, Nephthys, and in some versions and she was also a great grandmother of Horus the Younger. Alongside her father, brother, children, grandchildren, and great-grandchild, there are a number of variants to the myth of the creation of Tefnut and her twin brother Shu. In all versions, Tefnut is the product of parthenogenesis, in the Heliopolitan creation myth, the solar god Atum masturbates to produce Tefnut and Shu. Atum was creative in that he proceeded to himself in Heliopolis. He took his penis in his hand so that he obtain the pleasure of orgasm thereby. And brother and sister were born - that is Shu and Tefnut, Pyramid Text 527 In some versions of this myth, Atum also swallows his semen, and spits it out to form the twins, or else the spitting of his saliva forms the act of procreation. Both of these contain a play on words, the tef sound which forms the first syllable of the name Tefnut also constitutes a word meaning to spit or to expectorate. The Coffin Texts contain references to Shu being sneezed out by Atum from his nose, the Bremner-Rind Papyrus and the Memphite Theology describe Atum masturbating into his mouth, before spitting out his semen to form the twins. Tefnut is a deity, and appears as human with a lioness head when depicted as part of the Great Ennead of Heliopolis. The other frequent depiction is as a lioness, but Tefnut can also be depicted as fully human. In her fully or semi anthropomorphic form, she is depicted wearing a wig, topped either with a serpent, or a uraeus and solar disk. Her face is used in a double headed form with that of her brother Shu on collar counterpoises. During the 18th and 19th Dynasties, particularly during the Amarna period, Tefnut was depicted in human form wearing a low flat headdress, akhenatens mother, Tiye was depicted wearing a similar headdress, and identifying with Hathor-Tefnut. The iconic blue crown of Nefertiti is thought by archaeologist Joyce Tyldesley to be derived from Tiyes headdress, Heliopolis and Leontopolis were the primary cult centres
