1.
Corfu
–
Corfu is a Greek island in the Ionian Sea. It is the second largest of the Ionian Islands, and, including its satellite islands. The island is part of the Corfu regional unit, and is administered as a single municipality, the municipality has an area of 610.936 km2, the island proper 592.877 km2. The principal city of the island and seat of the municipality is also named Corfu, Corfu is home to the Ionian University. The island is bound up with the history of Greece from the beginnings of Greek mythology and its history is full of battles and conquests. Castles punctuating strategic locations across the island are a legacy of these struggles, two of these castles enclose its capital, which is the only city in Greece to be surrounded in such a way. As a result, Corfus capital has been declared a Kastropolis by the Greek government. From medieval times and into the 17th century, the island was recognised as a bulwark of the European States against the Ottoman Empire, the fortifications of the island were used by the Venetians to defend against Ottoman intrusion into the Adriatic. Corfu repulsed several Ottoman sieges, before falling under British rule following the Napoleonic Wars, in 2007, the citys old quarter was added to the UNESCO World Heritage List, following a recommendation by ICOMOS. Corfu is a popular tourist destination. The island was the location of the 1994 European Union summit, the Greek name, Kerkyra or Korkyra, is related to two powerful water deities, Poseidon, god of the sea, and Asopos, an important Greek mainland river. According to myth, Poseidon fell in love with the beautiful nymph Korkyra, daughter of Asopos and river nymph Metope, Poseidon brought Korkyra to the hitherto unnamed island and, in marital bliss, offered her name to the place, Korkyra, which gradually evolved to Kerkyra. They had a child they called Phaiax, after whom the inhabitants of the island were named Phaiakes, Corfus nickname is the island of the Phaeacians. The name Corfù, an Italian version of the Byzantine Κορυφώ, meaning city of the peaks, derives from the Byzantine Greek Κορυφαί, the northeastern edge of Corfu lies off the coast of Sarandë, Albania, separated by straits varying in width from 3 to 23 km. The southeast side of the island lies off the coast of Thesprotia and its shape resembles a sickle, to which it was compared by the ancients, the concave side, with the city and harbour of Corfu in the centre, lies toward the Albanian coast. With the islands area estimated at 592.9 square kilometres, it runs approximately 64 km long, two high and well-defined ranges divide the island into three districts, of which the northern is mountainous, the central undulating, and the southern low-lying. The more important of the two ranges, that of Pantokrator stretches east and west from Cape Falacro to Cape Psaromita, and attains its greatest elevation in the summit of the same name. The second range culminates in the mountain of Santi Jeca, or Santa Decca, as it is called by misinterpretation of the Greek designation Άγιοι Δέκα, or the Ten Saints
2.
Achilleion (Corfu)
–
Achilleion is a palace built in Gastouri, Corfu by Empress of Austria Elisabeth of Bavaria, also known as Sisi, after a suggestion by Austrian Consul Alexander von Warsberg. Elisabeth was a woman obsessed with beauty, and very powerful, a year later in 1890, she built a summer palace in the region of Gastouri, now the municipality of Achilleion, about ten kilometres to the south of the city of Corfu. The palace was designed with the mythical hero Achilles as its central theme, Corfu was Elizabeths favourite vacation place and she built the palace because she admired Greece and its language and culture. Achilleions location provides a view of Corfu city to the north. The architectural design was intended to represent an ancient Phaeacian palace, the Achilleion property was originally owned by Corfiote philosopher and diplomat Petros Vrailas Armenis and it was known as Villa Vraila. In 1888 the Empress of Austria after visiting the place decided that it was the location for her to build her palace in Corfu. The palace was designed by Italian architect Raffaele Caritto and built on a 200,000 m2 area, Elizabeths husband, emperor Franz Josef of Austria, had owned some nearby land as well. Ernst Herter, a famous German sculptor, was commissioned to create works inspired from Greek mythology and his famous sculpture Dying Achilles, created in Berlin in 1884 as inscribed in the statue, forms the centrepiece of the Achilleion Gardens. The architectural design was intended to represent an ancient Phaecian palace, the building, with the classic Greek statues that surround it, is a monument to platonic romanticism as well as escapism and was, naturally, named after Achilles, Achilleion. The place abounds with paintings and statues of Achilles, both in the hall and in the lavish gardens depicting the heroic and tragic scenes of the Trojan war. The architectural style is Pompeian and has parallels to that of the Russian imperial residence in Crimea. The Imperial gardens on top of the hill provide a view of the surrounding green hill crests. Elisabeth used to visit the place often until 1898 when she was assassinated in Geneva by Italian anarchist Luigi Lucheni, after Elisabeths death, the palace was inherited by her daughter but was not used often. German Kaiser Wilhelm II purchased Achilleion in 1907 and used it as a summer residence, during Kaiser Wilhelms visits a lot of diplomatic activity used to take place in Achilleion and it became a hub of European diplomacy. Archaeologist Reinhard Kekulé von Stradonitz, who was also the Kaisers advisor, was invited by the Kaiser to come to Corfu to give him advice where to position the huge statue. The famous salute to Achilles from the Kaiser, which had been inscribed at the base, was also created by Kekulé. The inscription read, The inscription was removed after WWII. This tall statue is surrounded by trees that complement its graceful outline
3.
Peter Paul Rubens
–
Sir Peter Paul Rubens was a Flemish/Netherlandish draughtsman and painter. He is widely considered as the most notable artist of Flemish Baroque art school, the catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop. His commissioned works were mostly history paintings, which included religious and mythological subjects and he painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house and he also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not overly detailed and he also made great use of oil sketches as preparatory studies. For altarpieces he painted on slate to reduce reflection problems. Rubens was born in the city of Siegen to Jan Rubens and he was named in honour of Saint-Peter and Paul, because he was born on their solemnety. His father, a Calvinist, and mother fled Antwerp for Cologne in 1568, after increased religious turmoil and persecution of Protestants during the rule of the Spanish Netherlands by the Duke of Alba. Jan Rubens became the adviser of Anna of Saxony, the second wife of William I of Orange. Following Jan Rubens imprisonment for the affair, Peter Paul Rubens was born in 1577, the family returned to Cologne the next year. In 1589, two years after his fathers death, Rubens moved with his mother Maria Pypelincks to Antwerp, religion figured prominently in much of his work and Rubens later became one of the leading voices of the Catholic Counter-Reformation style of painting. In Antwerp, Rubens received a Renaissance humanist education, studying Latin, by fourteen he began his artistic apprenticeship with Tobias Verhaeght. Subsequently, he studied under two of the leading painters of the time, the late Mannerist artists Adam van Noort. Much of his earliest training involved copying earlier works, such as woodcuts by Hans Holbein the Younger. Rubens completed his education in 1598, at time he entered the Guild of St. Luke as an independent master. In 1600 Rubens travelled to Italy and he stopped first in Venice, where he saw paintings by Titian, Veronese, and Tintoretto, before settling in Mantua at the court of Duke Vincenzo I Gonzaga. The colouring and compositions of Veronese and Tintoretto had an effect on Rubenss painting. With financial support from the Duke, Rubens travelled to Rome by way of Florence in 1601, there, he studied classical Greek and Roman art and copied works of the Italian masters
4.
Hades
–
Hades was the ancient Greek chthonic god of the underworld, which eventually took his name. In Greek mythology, Hades was regarded as the oldest son of Cronus and Rhea and he and his brothers Zeus and Poseidon defeated their fathers generation of gods, the Titans, and claimed rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, Hades was often portrayed with his three-headed guard dog Cerberus. The Etruscan god Aita and Roman gods Dis Pater and Orcus were eventually taken as equivalent to the Greek Hades and merged as Pluto, the origin of Hades name is uncertain, but has generally been seen as meaning The Unseen One since antiquity. Modern linguists have proposed the Proto-Greek form *Awides, the earliest attested form is Aḯdēs, which lacks the proposed digamma. West argues instead for a meaning of the one who presides over meeting up from the universality of death. In Homeric and Ionic Greek, he was known as Áïdēs, other poetic variations of the name include Aïdōneús and the inflected forms Áïdos, Áïdi, and Áïda, whose reconstructed nominative case *Áïs is, however, not attested. The name as it came to be known in classical times was Háidēs, later the iota became silent, then a subscript marking, and finally omitted entirely. Perhaps from fear of pronouncing his name, around the 5th century BC, Plouton became the Roman god who both rules the underworld and distributed riches from below. This deity was a mixture of the Greek god Hades and the Eleusinian icon Ploutos, and from this he received a priestess. More elaborate names of the genre were Ploutodótēs or Ploutodotḗr meaning giver of wealth. Epithets of Hades include Agesander and Agesilaos, both from ágō and anḗr or laos, describing Hades as the god who carries away all. He was also referred to as Zeus Katachthonios, meaning the Zeus of the Underworld, by avoiding his actual name. In Greek mythology, Hades the god of the underworld, was a son of the Titans Cronus and he had three sisters, Demeter, Hestia, and Hera, as well as two brothers, Zeus, the youngest of the three, and Poseidon. Upon reaching adulthood, Zeus managed to force his father to disgorge his siblings, after their release, the six younger gods, along with allies they managed to gather, challenged the elder gods for power in the Titanomachy, a divine war. The war lasted for ten years and ended with the victory of the younger gods, following their victory, according to a single famous passage in the Iliad, Hades and his two brothers, Poseidon and Zeus, drew lots for realms to rule. Some myths suggest that Hades was dissatisfied with his turnout, but had no choice, Hades obtained his wife and queen, Persephone, through abduction at the behest of Zeus. Despite modern connotations of death as evil, Hades was actually more altruistically inclined in mythology, Hades was often portrayed as passive rather than evil, his role was often maintaining relative balance
5.
Charon (mythology)
–
A coin to pay Charon for passage, usually an obolus or danake, was sometimes placed in or on the mouth of a dead person. Some authors say that those who could not pay the fee, Charon is the son of Nyx and Erebus. Nyx and Erebus were brother and sister and he was also the brother of Thanatos and Hypnos. The word may be a euphemism for death, flashing eyes may indicate the anger or irascibility of Charon as he is often characterized in literature, but the etymology is not certain. The ancient historian Diodorus Siculus thought that the ferryman and his name had been imported from Egypt, Charon is depicted frequently in the art of ancient Greece. Attic funerary vases of the 5th and 4th centuries BC are often decorated with scenes of the dead boarding Charon’s boat. On the earlier such vases, he looks like a rough, unkempt Athenian seaman dressed in reddish-brown, holding his ferrymans pole in his right hand, hermes sometimes stands by in his role as psychopomp. On later vases, Charon is given a more “kindly and refined” demeanor, when the boatman tells Hercules to halt, the Greek hero uses his strength to gain passage, overpowering Charon with the boatmans own pole. In the second century, Lucian employed Charon as a figure in his Dialogues of the Dead, in the 14th century, Dante Alighieri described Charon in his Divine Comedy, drawing from Virgils depiction in Aeneid 6. Charon is the first named mythological character Dante meets in the underworld, Dante depicts him as having eyes of fire. In modern times, he is depicted as a living skeleton in a cowl. The French artist, Gustave Dore, depicted Charon in two of his illustrations for Dantes Divine Comedy, the Flemish painter, Joachim Patinir, depicted Charon in his Crossing the River Styx. And the Spanish painter, Jose Benlliure y Gil, portrayed Charon in his La Barca de Caronte, most accounts, including Pausanias and later Dantes Inferno, associate Charon with the swamps of the river Acheron. Ancient Greek literary sources – such as Pindar, Aeschylus, Euripides, Plato, roman poets, including Propertius, Ovid, and Statius, name the river as the Styx, perhaps following the geography of Virgil’s underworld in the Aeneid, where Charon is associated with both rivers. Charon, the dwarf planet of the Pluto-Charon system, is named after him. Haros is the modern Greek equivalent of Charon, and usage includes the curse you will be eaten by Haros, during the Korean War, the Greek Expeditionary Force defended an outpost called Outpost Harry. The Greek soldiers referred to it as Outpost Haros, Charon Media related to Charon at Wikimedia Commons The Theoi Project, KHARON Images of Charon in the Warburg Institute Iconographic Database
6.
Greek mythology
–
It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
7.
Achilles
–
In Greek mythology, Achilles was a Greek hero of the Trojan War and the central character and greatest warrior of Homers Iliad. His mother was the immortal nymph Thetis, and his father, Achilles’ most notable feat during the Trojan War was the slaying of the Trojan hero Hector outside the gates of Troy. Although the death of Achilles is not presented in the Iliad, other sources concur that he was killed near the end of the Trojan War by Paris, later legends state that Achilles was invulnerable in all of his body except for his heel. Alluding to these legends, the term Achilles heel has come to mean a point of weakness, Achilles name can be analyzed as a combination of ἄχος grief and λαός a people, tribe, nation. In other words, Achilles is an embodiment of the grief of the people, Achilles role as the hero of grief forms an ironic juxtaposition with the conventional view of Achilles as the hero of κλέος kleos. Laos has been construed by Gregory Nagy, following Leonard Palmer, to mean a corps of soldiers, a muster. With this derivation, the name would have a meaning in the poem, when the hero is functioning rightly, his men bring grief to the enemy. The poem is in part about the misdirection of anger on the part of leadership, R. S. P. Beekes has suggested a Pre-Greek origin of the name. The name Achilleus was a common and attested name among the Greeks soon after the 7th century BC. It was also turned into the female form Ἀχιλλεία attested in Attica in the 4th century BC and, in the form Achillia, Achilles was the son of the Nereid Thetis and Peleus, the king of the Myrmidons. Zeus and Poseidon had been rivals for the hand of Thetis until Prometheus, for this reason, the two gods withdrew their pursuit, and had her wed Peleus. Thetis, although a daughter of the sea-god Nereus, was brought up by Hera. According to the Achilleid, written by Statius in the 1st century AD, and to no surviving previous sources, however, he was left vulnerable at the part of the body by which she held him, his heel. It is not clear if this version of events was known earlier, in another version of this story, Thetis anointed the boy in ambrosia and put him on top of a fire, to burn away the mortal parts of his body. She was interrupted by Peleus and abandoned both father and son in a rage, however, none of the sources before Statius makes any reference to this general invulnerability. To the contrary, in the Iliad Homer mentions Achilles being wounded, in Book 21 the Paeonian hero Asteropaeus, son of Pelagon and he cast two spears at once, one grazed Achilles elbow, drawing a spurt of blood. Peleus entrusted Achilles to Chiron the Centaur, on Mt. Pelion, Achilles consuming rage is at times wavering, but at other times he cannot be cooled. Thetis foretold that her sons fate was either to gain glory and die young, or to live a long, Achilles chose the former, and decided to take part in the Trojan war
8.
Homer
–
Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
9.
Iliad
–
The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Then the epic narrative takes up events prophesied for the future, such as Achilles imminent death and the fall of Troy, although the narrative ends before these events take place. However, as events are prefigured and alluded to more and more vividly. The Iliad is paired with something of a sequel, the Odyssey, along with the Odyssey, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the 8th century BC. Recent statistical modelling based on language evolution gives a date of 760–710 BC, in the modern vulgate, the Iliad contains 15,693 lines, it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects. Note, Book numbers are in parentheses and come before the synopsis of the book, after an invocation to the Muses, the story launches in medias res towards the end of the Trojan War between the Trojans and the besieging Greeks. Chryses, a Trojan priest of Apollo, offers the Greeks wealth for the return of his daughter Chryseis, held captive of Agamemnon, although most of the Greek army is in favour of the offer, Agamemnon refuses. Chryses prays for Apollos help, and Apollo causes a plague to afflict the Greek army, after nine days of plague, Achilles, the leader of the Myrmidon contingent, calls an assembly to deal with the problem. Under pressure, Agamemnon agrees to return Chryseis to her father, angered, Achilles declares that he and his men will no longer fight for Agamemnon but will go home. Odysseus takes a ship and returns Chryseis to her father, whereupon Apollo ends the plague, in the meantime, Agamemnons messengers take Briseis away. Achilles becomes very upset, sits by the seashore, and prays to his mother, Achilles asks his mother to ask Zeus to bring the Greeks to the breaking point by the Trojans, so Agamemnon will realize how much the Greeks need Achilles. Thetis does so, and Zeus agrees, Zeus sends a dream to Agamemnon, urging him to attack Troy. Agamemnon heeds the dream but decides to first test the Greek armys morale, the plan backfires, and only the intervention of Odysseus, inspired by Athena, stops a rout. Odysseus confronts and beats Thersites, a soldier who voices discontent about fighting Agamemnons war. After a meal, the Greeks deploy in companies upon the Trojan plain, the poet takes the opportunity to describe the provenance of each Greek contingent. When news of the Greek deployment reaches King Priam, the Trojans too sortie upon the plain, in a list similar to that for the Greeks, the poet describes the Trojans and their allies. The armies approach each other, but before they meet, Paris offers to end the war by fighting a duel with Menelaus, urged by his brother and head of the Trojan army, Hector. While Helen tells Priam about the Greek commanders from the walls of Troy, Paris is beaten, but Aphrodite rescues him and leads him to bed with Helen before Menelaus can kill him
10.
Trojan War
–
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
11.
Samuel Taylor Coleridge
–
Samuel Taylor Coleridge was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan and his critical work, especially on William Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. Coleridge coined many words and phrases, including suspension of disbelief. He was an influence on Ralph Waldo Emerson and American transcendentalism. Throughout his adult life Coleridge had crippling bouts of anxiety and depression, it has been speculated that he had bipolar disorder and he was physically unhealthy, which may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction, Coleridge was born on 21 October 1772 in the town of Ottery St Mary in Devon, England. He had previously been Master of Hugh Squiers School in South Molton, Devon, John Coleridge had three children by his first wife. Samuel was the youngest of ten by the Reverend Mr. Coleridges second wife, Anne Bowden, probably the daughter of John Bowden, Mayor of South Molton, Devon, Coleridge suggests that he took no pleasure in boyish sports but instead read incessantly and played by himself. At that school Coleridge became friends with Charles Lamb, a schoolmate, in fancy I can almost hear him now, exclaiming Harp. Pen and ink, boy, you mean, oh aye. the cloister-pump, I suppose. Be this as it may, there was one custom of our masters and he would often permit our theme exercises. To accumulate, till each lad had four or five to be looked over, throughout his life, Coleridge idealised his father as pious and innocent, while his relationship with his mother was more problematic. His childhood was characterised by attention seeking, which has linked to his dependent personality as an adult. He was rarely allowed to return home during the term. He later wrote of his loneliness at school in the poem Frost at Midnight, With unclosed lids, from 1791 until 1794, Coleridge attended Jesus College, Cambridge. In 1792, he won the Browne Gold Medal for an ode that he wrote on the slave trade, afterwards, he was rumoured to have had a bout of severe depression. His brothers arranged for his discharge a few months later under the reason of insanity and he was readmitted to Jesus College, at Jesus College, Coleridge was introduced to political and theological ideas then considered radical, including those of the poet Robert Southey. Coleridge joined Southey in a plan, soon abandoned, to found a utopian society, called Pantisocracy
12.
Lernaean Hydra
–
The Lernaean Hydra or Hydra of Lerna, more often known simply as the Hydra, was a serpentine water monster in Greek and Roman mythology. Its lair was the lake of Lerna in the Argolid, which was also the site of the myth of the Danaids, Lerna was reputed to be an entrance to the Underworld and archaeology has established it as a sacred site older than Mycenaean Argos. In the canonical Hydra myth, the monster is killed by Heracles, more known as Hercules, using sword and fire. According to Hesiod, the Hydra was the offspring of Typhon and it possessed many heads, the exact number of which varies according to the source. Later versions of the Hydra story add a feature to the monster, for every head chopped off. The Hydra had poisonous breath and blood so virulent that even its scent was deadly, the oldest extant Hydra narrative appears in Hesiods Theogony, while the oldest images of the monster are found on a pair of bronze fibulae dating to ca.700 BCE. In both these sources, the motifs of the Hydra myth are already present, a multi-headed serpent that is slain by Heracles. While the fibulae portray a six-headed Hydra, its number of heads was first fixed in writing by Alcaeus, simonides, writing a century later, increased the number to fifty, while Euripides, Virgil and others did not bother to give an exact figure. Heraclitus the paradoxographer rationalized the myth by suggesting that the Hydra would have been a single-headed snake accompanied by its offspring, like the initial number of heads, the monsters capacity to regenerate lost heads varies with time and author. The first mention of this ability of the Hydra occurs with Euripides, palaephatus, Ovid and Diodorus Siculus concur with Euripides, while Servius has the Hydra grow back three heads each time, the Suda does not give a number. Depictions of the dating to ca.500 BCE show it with a double tail as well as multiple heads, suggesting the same regenerative ability at work. The Hydra had many parallels in ancient Near Eastern religions, the constellation is also sometimes associated in Babylonian contexts with Marduks dragon, the Mushhushshu. Eurystheus sent Heracles to slay the Hydra, which Hera had raised just to slay Heracles, upon reaching the swamp near Lake Lerna, where the Hydra dwelt, Heracles covered his mouth and nose with a cloth to protect himself from the poisonous fumes. He shot flaming arrows into the Hydras lair, the spring of Amymone and he then confronted the Hydra, wielding either a harvesting sickle, a sword, or his famed club. The chthonic creatures reaction to this decapitation was botanical, two back, an expression of the hopelessness of such a struggle for any but the hero. The weakness of the Hydra was that it was only if it retained at least one head. The details of the struggle are explicit in the Bibliotheca, realizing that he could not defeat the Hydra in this way and his nephew then came upon the idea of using a firebrand to scorch the neck stumps after each decapitation. Heracles cut off each head and Iolaus cauterized the open stumps, seeing that Heracles was winning the struggle, Hera sent a giant crab to distract him
