Adam and Eve

The Fall of Man by Peter Paul Rubens

Adam and Eve, according to the creation myth of the Abrahamic religions,^[1][2] were the first man and woman. They are central to the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors.^[3] It also provides the basis for the doctrines of the fall of man and original sin that are important beliefs in Christianity, although not held in Judaism or Islam.^[4]

In the Book of Genesis of the Hebrew Bible, chapters one through five, there are two creation narratives with two distinct perspectives. In the first, Adam and Eve are not mentioned (at least not mentioned by name). Instead, God created humankind in God's image and instructed them to multiply and to be stewards over everything else that God had made. In the second narrative, God fashions Adam from dust and places him in the Garden of Eden. Adam is told that he can eat freely of all the trees in the garden, except for a tree of the knowledge of good and evil. Subsequently, Eve is created from one of Adam's ribs to be Adam's companion. They are innocent and unembarrassed about their nakedness. However, a serpent deceives Eve into eating fruit from the forbidden tree, and she gives some of the fruit to Adam. These acts give them additional knowledge, but it gives them the ability to conjure negative and destructive concepts such as shame and evil. God later curses the serpent and the ground. God prophetically tells the woman and the man what will be the consequences of their sin of disobeying God. Then he banishes them from the Garden of Eden.

The story underwent extensive elaboration in later Abrahamic traditions, and it has been extensively analyzed by modern biblical scholars. Interpretations and beliefs regarding Adam and Eve and the story revolving around them vary across religions and sects; for example, the Islamic version of the story holds that Adam and Eve were equally responsible for their sins of hubris, instead of Eve being the first one to be unfaithful. The story of Adam and Eve is often depicted in art, and it has had an important influence in literature and poetry. The story of the fall of Adam is often understood to be an allegory.

There is no physical evidence that Adam and Eve ever existed, and their literal existence is incompatible with human evolutionary genetics. However, there is in some countries a large discrepancy between the scientific consensus and popular opinion; a 2014 poll reports that 56% of Americans believe that "Adam and Eve were real people", and 44% believe so with strong or absolute certainty.^[5]

Hebrew Bible narrative[edit]

The Creation of Adam depicted in the Sistine Chapel by Michelangelo

Adam and Eve are figures from the Primeval History (Genesis 1 to 11), the Bible's mythic history of the first years of the world's existence.^[6] The History tells how God creates the world and all its beings and places the first man and woman (Adam and Eve) in his Garden of Eden, how the first couple are expelled from God's presence, of the first murder which follows, and God's decision to destroy the world and save only the righteous Noah and his sons; a new humanity then descends from these sons and spreads throughout the world. Although the new world is as sinful as the old, God has resolved never again to destroy the world by flood, and the History ends with Terah, the father of Abraham, from whom will descend God's chosen people, the Israelites.^[7]

Creation narrative[edit]

Adam and Eve are the Bible's first man and first woman.^[8][9] Adam's name appears first in Genesis 1 with a collective sense, as "mankind"; subsequently in Genesis 2-3 it carries the definite article ha, equivalent to English "the", indicating that this is "the man".^[8] In these chapters God fashions "the man" (ha adam) from earth (adamah), breathes life into his nostrils, and makes him a caretaker over creation.^[8] God next creates for the man an ezer kenegdo, a "helper corresponding to him", from his side or rib.^[9] She is called ishsha, "woman", because, the text says, she is formed from ish, "man".^[9] The man receives her with joy, and the reader is told that from this moment a man will leave his parents to "cling" to a woman, the two becoming one flesh.^[9]

Eden narrative (the Fall)[edit]

The first man and woman are in God's Garden of Eden, where all creation is vegetarian and there is no violence. They are permitted to eat of all the trees except one, the tree of the knowledge of good and evil, the woman is tempted by a talking serpent to eat the forbidden fruit, and gives some to the man, who eats also.^[9] (Contrary to popular myth she does not beguile the man, who appears to have been present at the encounter with the serpent).^[9] God curses all three, the man to a lifetime of hard labour followed by death, the woman to the pain of childbirth and to subordination to her husband, and the serpent to go on his belly and suffer the enmity of both man and woman.^[9] God then clothes the nakedness of the man and woman, who have become god-like in knowing good and evil, then banishes them from the garden lest they eat the fruit of a second tree, the tree of life, unmentioned up to this point, and live forever.^[10]

The Generations of Adam[edit]

Genesis 4 introduces the humans in their life outside God's garden. The chapter deals with the birth of Adam's sons Cain and Abel and the story of the first murder, followed by the birth of a third son, Seth. Genesis 5, the Book of the Generations of Adam, lists the descendants of Adam from Seth to Noah with their ages at the birth of their first sons (except Adam himself, for whom his age at the birth of Seth, his third son, is given) and their ages at death (Adam lives 930 years). The chapter notes that Adam had other sons and daughters after Seth, but does not name them. Adam has already named the woman Eve at the end of the Eden narrative, and in Genesis 4:25 and for the first time, he is called Adam as a personal name.

The Fall and expulsion from Eden[edit]

God Judging Adam by William Blake, 1795, Tate Collection

The Adam and Eve story continues in Genesis 3 with the "expulsion from Eden" narrative. A form analysis of Genesis 3 reveals that this portion of the story can be characterized as a parable or "wisdom tale" in the wisdom tradition. The poetic addresses of the chapter belong to a speculative type of wisdom that questions the paradoxes and harsh realities of life. This characterization is determined by the narrative's format, settings, and the plot. The form of Genesis 3 is also shaped by its vocabulary, making use of various puns and double entendres.^[11]

The expulsion from Eden narrative begins with a dialogue between the woman and a serpent,^[12] identified in Genesis 3:1 as an animal that was more crafty than any other animal made by God, although Genesis does not identify the serpent with Satan.^[13]:16 The woman is willing to talk to the serpent and respond to the creature's cynicism by repeating God's prohibition against eating fruit from the tree of knowledge (Genesis 2:17).^[14] The woman is lured into dialogue on the serpent's terms which directly disputes God's command.^[15] The serpent assures the woman that God will not let her die if she ate the fruit, and, furthermore, that if she ate the fruit, her "eyes would be opened" and she would "be like God, knowing good and evil" (Genesis 3:5). The woman sees that the fruit of the tree of knowledge is a delight to the eye and that it would be desirable to acquire wisdom by eating the fruit. The woman eats the fruit and gives some to the man (Genesis 3:6). With this the man and woman recognize their own nakedness, and they make loincloths of fig leaves (Genesis 3:7).^[16]

In the next narrative dialogue, God questions the man and the woman (Genesis 3:8–13),^[12] and God initiates a dialogue by calling out to the man with a rhetorical question designed to consider his wrongdoing. The man explains that he hid in the garden out of fear because he realized his own nakedness (Genesis 3:10).^[17] This is followed by two more rhetorical questions designed to show awareness of a defiance of God's command. The man then points to the woman as the real offender, and he implies that God is responsible for the tragedy because the woman was given to him by God (Genesis 3:12).^[18] God challenges the woman to explain herself, whereby she shifts the blame to the serpent (Genesis 3:13).^[19]

The Fall of Adam and Eve as depicted in the Sistine Chapel by Michelangelo

Divine pronouncement of three judgments are then laid against all the culprits, Genesis 3:14–19.^[12] A judgement oracle and the nature of the crime is first laid upon the serpent, then the woman, and, finally, the man. On the serpent, God places a divine curse.^[20] The woman receives penalties that impact her in two primary roles: she shall experience pangs during childbearing, pain during childbirth, and while she shall desire her husband, he will rule over her.^[21] The man's penalty results in God cursing the ground from which he came, and the man then receives a death oracle, although the man has not been described, in the text, as immortal.^[13]:18;[22] Abruptly, in the flow of text, in Genesis 3:20, the man names the woman "Eve" (Heb. hawwah), "because she was the mother of all living". God makes skin garments for Adam and Eve (Genesis 3:20).

The chiasmus structure of the death oracle given to Adam in Genesis 3:19, is a link between man's creation from "dust" (Genesis 2:7) to the "return" of his beginnings:^[23]" you return, to the ground, since from it you were taken, for dust you are, and to dust, you will return."

The garden account ends with an intradivine monologue, determining the couple's expulsion, and the execution of that deliberation (Genesis 3:22–24}.^[12] The reason given for the expulsion was to prevent the man from eating from the tree of life and becoming immortal: "Behold, the man is become as one of us, to know good and evil; and now, lest he put forth his hand, and take also of the tree of life, and eat, and live for ever" (Genesis 3:22).^[13]:18;[24] God exiles Adam and Eve from the Garden and installs cherubs (supernatural beings that provide protection) and the "ever-turning sword" to guard the entrance (Genesis 3:24).^[25]

Offspring[edit]

Genesis 4 tells of the birth of Cain and Abel, Adam and Eve's first children, while Genesis 5 gives Adam's genealogy past that. Adam and Eve are listed as having three children, Cain, Abel and Seth, then "other sons and daughters", Genesis 5:4. According to the Book of Jubilees (which is usually not considered canonical), Cain married his sister Awan, a daughter of Adam and Eve.^[26]

Textual history[edit]

The Primeval History forms the opening chapters of the Torah, the five books making up the history of the origins of Israel. This achieved something like its current form in the 5th century BCE,^[27] but Genesis 1-11 shows little relationship to the rest of the Bible:^[28] for example, the names of its characters and its geography - Adam (man) and Eve (life), the Land of Nod ("Wandering"), and so on - are symbolic rather than real,^[29] and almost none of the persons, places and stories mentioned in it are ever met anywhere else.^[29] This has led scholars to suppose that the History forms a late composition attached to Genesis and the Pentateuch to serve as an introduction.^[30] Just how late is a subject for debate: at one extreme are those who see it as a product of the Hellenistic period, in which case it cannot be earlier than the first decades of the 4th century BCE;^[31] on the other hand the Yahwist source has been dated by some scholars, notably John Van Seters, to the exilic pre-Persian period (the 6th century BCE) precisely because the Primeval History contains so much Babylonian influence in the form of myth.^{[32][Note 1]} The Primeval History draws on two distinct "sources", the Priestly source and what is sometimes called the Yahwist source and sometimes simply the "non-Priestly"; for the purpose of discussing Adam and Eve in the Book of Genesis the terms "non-Priestly" and "Yahwist" can be regarded as interchangeable.^[33]

Certain concepts, such as the serpent being identified as Satan, Eve being a sexual temptation, or Adam's first wife being Lilith, come from literary works found in various Jewish apocrypha, but they are not found anywhere in the Book of Genesis or the Torah itself.^{[citation needed]} Writings dealing with these subjects are extant literature in Greek, Latin, Slavonic, Syriac, Armenian, and Arabic, extending back to ancient Jewish thought. The concepts are not part of Rabbinic Judaism,^{[citation needed]} but they did influence Christian theology, and this marks a radical split between the two religions. Some of the oldest Jewish portions of apocrypha are called Primary Adam Literature where some works became Christianized. Examples of Christianized works are Life of Adam and Eve, Conflict of Adam and Eve with Satan^[34] and an original Syriac work entitled Cave of Treasures^[35] which has close affinities to the Conflict as noted by August Dillmann.

Some modern scholars, such as James Barr, Moshe Greenberg, and Michael Fishbane, see the story of Adam and Eve as a representation of a rise to moral agency, at least as much as, if not more than the story of a fall from grace. Carol Meyers and Bruce Naidoff view the tale as an explanation of agricultural conditions in the highlands of Canaan.^[36]

Abrahamic traditions[edit]

Judaism[edit]

It was also recognized in ancient Judaism, that there are two distinct accounts for the creation of man. The first account says "male and female [God] created them", implying simultaneous creation, whereas the second account states that God created Eve subsequent to the creation of Adam. The Midrash Rabbah – Genesis VIII:1 reconciled the two by stating that Genesis one, "male and female He created them", indicates that God originally created Adam as a hermaphrodite,^[37] bodily and spiritually both male and female, before creating the separate beings of Adam and Eve. Other rabbis suggested that Eve and the woman of the first account were two separate individuals, the first being identified as Lilith, a figure elsewhere described as a night demon.

According to traditional Jewish belief, Adam and Eve are buried in the Cave of Machpelah, in Hebron.

In Reform Judaism, Harry Orlinsky analyzes the Hebrew word nefesh in Genesis 2:7 where "God breathes into the man's nostrils and he becomes nefesh hayya." Orlinsky argues that the earlier translation of the phrase "living soul" is incorrect. He points out that "nefesh" signifies something like the English word "being", in the sense of a corporeal body capable of life; the concept of a "soul" in the modern sense, did not exist in Hebrew thought until around the 2nd century B.C., when the idea of a bodily resurrection gained popularity.^[38]

Christianity[edit]

Adam, Eve, and the (female) serpent (often identified as Lilith) at the entrance to Notre Dame Cathedral in Paris

Some early fathers of the Christian church held Eve responsible for the Fall of man and all subsequent women to be the first sinners because Eve tempted Adam to commit the taboo. "You are the devil's gateway" Tertullian told his female readers, and went on to explain that they were responsible for the death of Christ: "On account of your desert [i.e., punishment for sin, that is, death], even the Son of God had to die."^[39] In 1486, the Dominicans Kramer and Sprengler used similar tracts in Malleus Maleficarum ("Hammer of Witches") to justify the persecution of "witches".

Medieval Christian art often depicted the Edenic Serpent as a woman (often identified as Lilith), thus both emphasizing the serpent's seductiveness as well as its relationship to Eve. Several early Church Fathers, including Clement of Alexandria and Eusebius of Caesarea, interpreted the Hebrew "Heva" as not only the name of Eve, but in its aspirated form as "female serpent."

Based on the Christian doctrine of the Fall of man, came the doctrine of original sin. St Augustine of Hippo (354–430), working with a Latin translation of the Epistle to the Romans, interpreted the Apostle Paul as having said that Adam's sin was hereditary: "Death passed upon [i.e., spread to] all men because of Adam, [in whom] all sinned", Romans 5:12^[40] Original sin became a concept that man is born into a condition of sinfulness and must await redemption. This doctrine became a cornerstone of Western Christian theological tradition, however, not shared by Judaism or the Orthodox churches.

Over the centuries, a system of unique Christian beliefs had developed from these doctrines. Baptism became understood as a washing away of the stain of hereditary sin in many churches, although its original symbolism was apparently rebirth. Additionally, the serpent that tempted Eve was interpreted to have been Satan, or that Satan was using a serpent as a mouthpiece, although there is no mention of this identification in the Torah and it is not held in Judaism.

Conservative Protestants typically interpret Genesis 3 as defining humanity's original parents as Adam and Eve who disobeyed God's prime directive that they were not to eat "the fruit of the tree of the knowledge of good and evil" (NIV). When they disobeyed, they committed a major transgression against God and were immediately punished, which led to "the fall" of humanity. Thus, sin and death entered the universe for the first time. Adam and Eve were ejected from the Garden of Eden, never to return.^[41]

Gnostic traditions[edit]

Gnostic Christianity discussed Adam and Eve in two known surviving texts, namely the "Apocalypse of Adam" found in the Nag Hammadi documents and the "Testament of Adam". The creation of Adam as Protoanthropos, the original man, is the focal concept of these writings.

Another Gnostic tradition held that Adam and Eve were created to help defeat Satan. The serpent, instead of being identified with Satan, is seen as a hero by the Ophites. Still other Gnostics believed that Satan's fall, however, came after the creation of humanity. As in Islamic tradition, this story says that Satan refused to bow to Adam due to pride. Satan said that Adam was inferior to him as he was made of fire, whereas Adam was made of clay. This refusal led to the fall of Satan recorded in works such as the Book of Enoch.

Islam[edit]

Painting from Manafi al-Hayawan (The Useful Animals), depicting Adam and Eve. From Maragheh in Iran, 1294–99

In Islam, Adam (Ādam; Arabic: آدم‎), whose role is being the father of humanity, is looked upon by Muslims with reverence. Eve (Ḥawwāʼ; Arabic: حواء ) is the "mother of humanity".^[42] The creation of Adam and Eve is referred to in the Qurʼān, although different Qurʼanic interpreters give different views on the actual creation story (Qurʼan, Surat al-Nisaʼ, verse 1).^[43]

In al-Qummi's tafsir on the Garden of Eden, such place was not entirely earthly. According to the Qurʼān, both Adam and Eve ate the forbidden fruit in a Heavenly Eden (see also Jannah). As a result, they were both sent down to Earth as God's representatives. Each person was sent to a mountain peak: Adam on al-Safa, and Eve on al-Marwah. In this Islamic tradition, Adam wept 40 days until he repented, after which God sent down the Black Stone, teaching him the Hajj. According to a prophetic hadith, Adam and Eve reunited in the plain of ʻArafat, near Mecca.^[44] They had two sons together, Qabil and Habil. There is also a legend of a younger son, named Rocail, who created a palace and sepulcher containing autonomous statues that lived out the lives of men so realistically they were mistaken for having souls.^[45]

The concept of "original sin" does not exist in Islam, because according to Islam Adam and Eve were forgiven by God. When God orders the angels to bow to Adam, Iblīs questioned, "Why should I bow to man? I am made of pure fire and he is made of soil."^[46] The liberal movements within Islam have viewed God's commanding the angels to bow before Adam as an exaltation of humanity, and as a means of supporting human rights; others view it as an act of showing Adam that the biggest enemy of humans on earth will be their ego.^[47]

Bahá'í Faith[edit]

In the Bahá'í Faith, the Adam and Eve narrative is seen as symbolic. In Some Answered Questions, 'Abdu'l-Bahá rejects a literal reading and states that the story contains "divine mysteries and universal meanings".^[48] Adam symbolizes the "heavenly spirit", Eve symbolizes the "human soul", the Tree of Knowledge symbolizes "the human world", and the serpent symbolizes "attachment to the human world".^[49][50][51] The fall of Adam thus represents the way humanity became conscious of good and evil.^[52] In another sense, Adam and Eve represent God's Will and Determination, the first two of the seven stages of Divine Creative Action.^[53]

Historicity[edit]

While a traditional view was that the Book of Genesis was authored by Moses and has been considered historical and metaphorical, modern scholars consider the Genesis creation narrative as one of various ancient origin myths.^[54][55]

Analysis like the documentary hypothesis also suggests that the text is a result of the compilation of multiple previous traditions, explaining apparent contradictions.^[56][57] Other stories of the same canonical book, like the Genesis flood narrative, are also understood as having been influenced by older literature, with parallels in the older Epic of Gilgamesh.^[58]

With scientific developments in paleontology, geology, biology and other disciplines, it was discovered that humans, and all other living things, share a common ancestor and evolved through natural processes, with earlier life forms going back to billions of years.^[59][60]

In biology the most recent common ancestors, when traced back using the Y-chromosome for the male lineage and mitochondrial DNA for the female lineage, are commonly called the Y-chromosomal Adam and Mitochondrial Eve, respectively. These do not fork from a single couple at the same epoch even if the names were borrowed from the Tanakh.^[61]

Arts and literature[edit]

John Milton's Paradise Lost, a famous 17th-century epic poem written in blank verse, explores and elaborates upon the story of Adam and Eve in great detail. As opposed to the Biblical Adam, Milton's Adam is given a glimpse of the future of mankind, by the archangel Michael, before he has to leave Paradise.

American painter Thomas Cole painted The Garden of Eden (1828), with lavish detail of the first couple living amid waterfalls, vivid plants, and attractive deer.^[62]

Mark Twain wrote humorous and satirical diaries for Adam and Eve in both Eve's Diary (1906) and The Private Life of Adam and Eve (1931), posthumously published.

C. L. Moore's 1940 story Fruit of Knowledge is a re-telling of the Fall of Man as a love triangle between Lilith, Adam and Eve – with Eve's eating the forbidden fruit being in this version the result of misguided manipulations by the jealous Lilith, who had hoped to get her rival discredited and destroyed by God and thus regain Adam's love.

In Stephen Schwartz's musical Children of Eden, "Father" (God) creates Adam and Eve at the same time and considers them His children. They even assist Him in naming the animals. When Eve is tempted by the serpent and eats the forbidden fruit, Father makes Adam choose between Him and Eden, or Eve. Adam chooses Eve and eats the fruit, causing Father to banish them into the wilderness and destroying the Tree of Knowledge, from which Adam carves a staff. Eve gives birth to Cain and Abel, and Adam forbids his children from going beyond the waterfall in hopes Father will forgive them and bring them back to Eden. When Cain and Abel grow up, Cain breaks his promise and goes beyond the waterfall, finding the giant stones made by other humans, which he brings the family to see, and Adam reveals his discovery from the past: during their infancy, he discovered these humans, but had kept it secret. He tries to forbid Cain from seeking them out, which causes Cain to become enraged and he tries to attack Adam, but instead turns his rage to Abel when he tries to stop him and kills him. Later, when an elderly Eve tries to speak to Father, she tells how Adam continually looked for Cain, and after many years, he dies and is buried underneath the waterfall. Eve also gave birth to Seth, which expanded hers and Adam's generations. Finally, Father speaks to her to bring her home. Before she dies, she gives her blessings to all her future generations, and passes Adam's staff to Seth. Father embraces Eve and she also reunited with Adam and Abel. Smaller casts of the American version usually have the actors cast as Adam and Eve double as Noah and Mama Noah.

In Ray Nelson's novel Blake's Progress the poet William Blake and his wife Kate travel to the end of time where the demonic Urizen offers them his own re-interpretation of the Biblical story: "In this painting you see Adam and Eve listening to the wisdom of their good friend and adviser, the serpent. One might even say he was their Savior. He gave them freedom, and he would have given them eternal life if he'd been allowed to."^{[citation needed]}

John William "Uncle Jack" Dey painted "Adam and Eve Leave Eden" (1973), using stripes and dabs of pure color to evoke Eden's lush surroundings.^[63]

In C.S.Lewis' science fiction novel "Perelandra", the story of Adam and Eve is re-enacted on the Planet Venus - but with a different ending. A green-skinned pair, who are destined to be the ancestors of Venusian humanity, are living in naked innocence on wonderful floating islands which are the Venusian Eden; a demonically-possessed Earth scientist arrives in a spaceship, acting the part of the snake and trying to tempt the Venusian Eve into disobeying God; but the protagonist, Cambridge scholar Ransom, succeeds in thwarting him - so that Venusian humanity will have a glorious future, free of Original Sin.

Image gallery[edit]

• 

  The Woman, the Man, and the Serpent by Byam Shaw

• 

  Adam and Eve by Titian

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  Depiction of the Fall in Kunsthalle Hamburg, by Master Bertram

• 

  Adam and Eve by Albrecht Dürer

• 

  Eve giving Adam the forbidden fruit, by Lucas Cranach the Elder

• 

  Adam and Eve from a copy of the Falnama (Book of Omens) ascribed to Ja´far al-Sadiq, ca. 1550, Safavid dynasty, Iran

• 

  Detail of a stained glass window (12th century) in Saint-Julien cathedral - Le Mans, France

• 

  Adam & Eve, illuminated manuscript circa 950, Escorial Beatus

• 

  Adam and Eve by Maarten van Heemskerck

• 

  Early Christian depiction of Adam and Eve in the Catacombs of Marcellinus and Peter

• 

  Adam and Eve Driven From Paradise by James Tissot

• 

  Adam and Eve depicted in a mural in Abreha wa Atsbeha Church, Ethiopia

See also[edit]

• Adam and Eve (LDS Church)
• Ask and Embla, the first two humans created by Norse gods
• Balbira & Kalmana
• Biblical narratives and the Qur'an
• Christian naturism
• Conflict of Adam and Eve with Satan
• Generations of Adam
• Líf and Lífþrasir
• Malakas and Maganda, the first two humans according to some Philippine Myths
• Manu and Shatarupa
• Mashya and Mashyana, the first two humans in Zoroastrian cosmogony
• Pre-Adamite
• Tree of Jiva and Atman

Notes[edit]

References[edit]

Bibliography[edit]

• Alter, Robert (2004). The Five Books of Moses. W. W. Norton & Company. ISBN 0-393-33393-0.
• Galambush, Julie (2000). "Eve". In Freedman, David Noel; Myers, Allen C. Eerdmans Dictionary of the Bible. Amsterdam University Press. ISBN 9789053565032.
• Greenblatt, Stephen (2017). The Rise and Fall of Adam and Eve. New York: W. W. Norton. ISBN 978-0-393-24080-1.
• Hearne, Stephen Z. (1990). "Adam". In Mills, Watson E.; Bullard, Roger Aubrey. Mercer Dictionary of the Bible. Mercer University Press. ISBN 9780865543737.
• Hendel, Ronald S (2000). "Adam". In David Noel Freedman. Eerdmans Dictionary of the Bible. Amsterdam University Press. ISBN 9789053565032.
• Mathews, K. A. (1996). Genesis 1–11:26. B&H Publishing Group. ISBN 978-0805401011.
• Mckenzie, John L. (1995). The Dictionary of the Bible. Simon and Schuster. ISBN 9780684819136.
• Kissling, Paul (2004). Genesis, Volume 1. College Press. ISBN 978-0899008752.
• Almond, Philip C. Adam and Eve in Seventeenth-Century Thought (Cambridge: Cambridge University Press, 1999, 2008)
• Ayoub, Mahmoud. The Qur'an and its Interpreters, SUNY: Albany, 1984
• Murdoch, Brian O. The Apocryphal Adam and Eve in Medieval Europe: Vernacular Translations and Adaptations of the Vita Adae et Evae. Oxford University Press, 2009. ISBN 978-0-19-956414-9
• Patai, R. The Jewish Alchemists, Princeton University Press, 1994.
• Rana & Hugh. Fazale Rana and Ross, Hugh, Who Was Adam: A Creation Model Approach to the Origin of Man, 2005, ISBN 1-57683-577-4
• Sykes, Bryan. The Seven Daughters of Eve

External links[edit]

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• First Human Beings (Library of Congress)
• The Story of Lilith in The Alphabet of Ben Sira
• Islamic view of the fall of Adam (audio)
• 98 classical images of Adam and Eve
• The Book of Jubilees
• Adam and Eve in Medieval Reliefs, Capitals, Frescoes, Roof Bosses and Mosaics Cynistory and Phantamangas of Finceland
• "Adam and Eve" at the Christian Iconography website
• Translation of Grimm's Fairy Tale No. 180, Eve's Unequal Children, a German Fairy Tale about Adam and Eve
• Jewish Encyclopedia