1.
Mask of Agamemnon
–
The Mask of Agamemnon is an artifact discovered at Mycenae in 1876 by Heinrich Schliemann. The mask is displayed in the National Archaeological Museum of Athens. The mask is one of five discovered in the shaft graves at Mycenae—three in Grave IV. The faces and hands of two children in Grave III are covered with gold leaf, one covering having holes for the eyes, the mask was designed to be a funeral mask covered in gold. The faces of the men are not all covered with masks and that they are men and warriors is suggested by the presence of weapons in their graves. The quantities of gold and carefully worked artifacts indicate honor, wealth, the custom of clothing leaders in gold leaf is known elsewhere. The Mask of Agamemnon was named by Schliemann after the legendary Greek king of Homers Iliad and this mask adorned one of the bodies in the shaft graves at Mycenae. Schliemann took this as evidence the Trojan War was a historical event. The mask of Agamemnon was created from a thick gold sheet. In the later half of the 20th century and the beginning of the 21st century, archaeology magazine has run a series of articles presenting both sides of the debate. Proponents of the fraud argument centre their case on Schliemanns reputation for salting digs with artifacts from elsewhere, the resourceful Schliemann, they assert, could have had the mask manufactured on the general model of the other Mycenaean masks and found an opportunity to place it in the excavation. The defending advocate point out that the excavation was closed on November 26–27 for Sunday holiday and it was not allowed to reopen until Stamatakis had provided the work with credible witnesses. The three other masks were not discovered until the 28th, the Mask of Agamemnon was found on the 30th. A second attack is based on style, Schliemanns duplicity, they claim, has been greatly exaggerated, and they also claim that the attackers were conducting a vendetta. Behind the mask of Agamemnon, July/August 1999 Is the Mask a Hoax. op. cit, the Case for Authenticity op. cit. Questioning The Mycenaean Death Mask Of Agamemnon op. cit
Mask of Agamemnon
–
Mask of Agamemnon
Mask of Agamemnon
–
Portrait of
Heinrich Schliemann
Mask of Agamemnon
–
Antikythera Ephebe
2.
Heinrich Schliemann
–
Heinrich Schliemann was a German businessman and a pioneer in the field of archaeology. His work lent weight to the idea that Homers Iliad and Virgils Aeneid reflect historical events, along with Arthur Evans, Schliemann was a pioneer in the study of Aegean civilization in the Bronze Age. The two men knew of other, Evans having visited Schliemanns sites. Schliemann had planned to excavate at Knossos but died before fulfilling that dream, Evans bought the site and stepped in to take charge of the project, which was then still in its infancy. Schliemann was born in Neubukow, Mecklenburg-Schwerin in 1822 and his father, Ernst Schliemann, was a Lutheran minister. The family moved to Ankershagen in 1823, heinrichs Father was a poor Pastor. His mother, Luise Therese Sophie Schliemann, died in 1831, after his mothers death, his father sent Heinrich to live with his uncle. When he was years old, his father paid for him to enroll in the Gymnasium at Neustrelitz. Schliemann later claimed that at the age of 8, he had declared he would one day excavate the city of Troy. However, Heinrich had to transfer to the Realschule after his father was accused of embezzling funds and had to leave that institution in 1836 when his father was no longer able to pay for it. His familys poverty made a university education impossible, so it was Schliemanns early academic experiences that influenced the course of his education as an adult, in his archaeological career, however, there was often a division between Schliemann and the educated professionals. At age 14, after leaving Realschule, Heinrich became an apprentice at Herr Holtzs grocery in Fürstenberg and he later told that his passion for Homer was born when he heard a drunkard reciting it at the grocers. He laboured for five years, until he was forced to leave because he burst a blood vessel lifting a heavy barrel, in 1841, Schliemann moved to Hamburg and became a cabin boy on the Dorothea, a steamer bound for Venezuela. After twelve days at sea, the ship foundered in a gale, the survivors washed up on the shores of the Netherlands. Schliemann became a messenger, office attendant, and later, a bookkeeper in Amsterdam, on March 1,1844, 22-year-old Schliemann took a position with B. H. Schröder & Co. an import/export firm. In 1846, the firm sent him as a General Agent to St. Petersburg, in time, Schliemann represented a number of companies. By the end of his life, he could converse in English, French, Dutch, Spanish, Portuguese, Swedish, Polish, Italian, Greek, Latin, Russian, Arabic, and Turkish as well as German. Schliemanns ability with languages was an important part of his career as a businessman in the importing trade, in 1850, he learned of the death of his brother, Ludwig, who had become wealthy as a speculator in the California gold fields
Heinrich Schliemann
–
Heinrich Schliemann
Heinrich Schliemann
–
Schliemann as a young man
Heinrich Schliemann
–
The '
Mask of Agamemnon ', discovered by Heinrich Schliemann in 1876 at
Mycenae now exhibited at the
National Archaeological Museum of Athens.
Heinrich Schliemann
–
Sophia Schliemann (née Engastromenos) wearing treasures recovered at
Hisarlik.
3.
Mycenae
–
Mycenae is an archaeological site in Greece, located about 90 kilometres southwest of Athens, in the north-eastern Peloponnese. Argos is 11 kilometres to the south, Corinth,48 kilometres to the north, from the hill on which the palace was located, one can see across the Argolid to the Saronic Gulf. In the second millennium BC, Mycenae was one of the centres of Greek civilization. The period of Greek history from about 1600 BC to about 1100 BC is called Mycenaean in reference to Mycenae, at its peak in 1350 BC, the citadel and lower town had a population of 30,000 and an area of 32 hectares. Although the citadel was built by Greeks, the name Mukanai is thought not to be Greek, legend has it that the name was connected to the Greek word mycēs. Thus, Pausanias ascribes the name to the legendary founder Perseus, the earliest written form of the name is Mykēnē, which is found in Homer. The reconstructed Mycenaean Greek name of the site is Mukānai, which has the form of a plural like Athānai, the change of ā to ē in more recent versions of the name is the result of a well-known sound change in later Attic-Ionic. An EH–MH settlement was discovered near a well on top of the Kalkani hill southwest of the acropolis. The first burials in pits or cist graves manifest in the MH period on the west slope of the acropolis, during the Bronze Age, the pattern of settlement at Mycenae was a fortified hill surrounded by hamlets and estates, in contrast to the dense urbanity on the coast. Richer grave goods mark the burials as possibly regal, mounds over the top contained broken drinking vessels and bones from a repast, testifying to a more than ordinary farewell. A walled enclosure, Grave Circle A, included six more shaft graves, with nine female, eight male, Grave goods were more costly than in Circle B. The presence of engraved and inlaid swords and daggers, with points and arrowheads, leave little doubt that warrior chieftains. Some art objects obtained from the graves are the Silver Siege Rhyton, the Mask of Agamemnon, the Cup of Nestor, Alan Wace divided the nine tholos tombs of Mycenae into three groups of three, each based on architecture. His earliest – the Cyclopean Tomb, Epano Phournos, and the Tomb of Aegisthus – are dated to LHIIA, burial in tholoi is seen as replacing burial in shaft graves. The care taken to preserve the shaft graves testifies that they were by then part of the royal heritage, being more visible, the tholoi all had been plundered either in antiquity, or in later historic times. Within these walls, much of which can still be seen, the final palace, remains of which are currently visible on the acropolis of Mycenae, dates to the start of LHIIIA,2. Earlier palaces must have existed, but they had cleared away or built over. The construction of palaces at that time with an architecture was general throughout southern Greece
Mycenae
–
The
Lion Gate at Mycenae.
Mycenae
–
A view of the citadel.
Mycenae
–
The Tomb of Aegisthus outside the walls of the citadel.
Mycenae
–
View from the
acropolis, or high city.
4.
Greek mythology
–
It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
Greek mythology
–
Bust of
Zeus,
Otricoli (Sala Rotonda,
Museo Pio-Clementino,
Vatican).
Greek mythology
–
Greek Mythology
Greek mythology
–
Prometheus (1868 by
Gustave Moreau). The myth of Prometheus first was attested by
Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of
Prometheus Bound,
Prometheus Unbound, and
Prometheus Pyrphoros.
Greek mythology
–
The Roman poet
Virgil, here depicted in the fifth-century manuscript, the
Vergilius Romanus, preserved details of Greek mythology in many of his writings.
5.
Greek language
–
Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
Greek language
–
Idealized portrayal of
Homer
Greek language
–
regions where Greek is the official language
Greek language
–
Greek language road sign, A27 Motorway, Greece
6.
Atreus
–
In Greek mythology, Atreus was a king of Mycenae in the Peloponnese, the son of Pelops and Hippodamia, and the father of Agamemnon and Menelaus. Collectively, his descendants are known as Atreidai or Atreidae, Atreus and his twin brother Thyestes were exiled by their father for murdering their half-brother Chrysippus in their desire for the throne of Olympia. They took refuge in Mycenae, where they ascended to the throne in the absence of King Eurystheus, Eurystheus had meant for their stewardship to be temporary, but it became permanent after his death in battle. According to most ancient sources, Atreus was the father of Pleisthenes, the word Atreides refers to one of the sons of Atreus—Agamemnon and Menelaus. The plural form Atreidae or Atreidai refers to both sons collectively, in English, the form Atreides is often used and this term is sometimes used for more distant descendants of Atreus. The House of Atreus begins with Tantalus, Tantalus was a son of Zeus who enjoyed cordial relations with the gods until he decided to slay his son Pelops and feed him to the gods as a test of their omniscience. But Demeter, who was distracted due to the abduction by Hades of her daughter Persephone, the gods threw Tantalus into the underworld, where he spends eternity standing in a pool of water beneath a fruit tree with low branches. Whenever he reaches for the fruit, the branches raise his intended meal from his grasp, whenever he bends down to get a drink, the water recedes before he can drink. Thus is derived the word tantalising, the gods brought Pelops back to life, replacing the bone in his shoulder with a bit of ivory, thus marking the family forever afterwards. Pelops married Hippodamia after winning a race against her father, King Oenomaus, by arranging for the sabotage of his would-be-father-in-laws chariot. The versions of the story differ, as Myrtilus died, he cursed Pelops and his line, further adding to the houses curse. Pelops and Hippodamia had many sons, two of them were Atreus and Thyestes, depending on myth versions, they murdered Chrysippus, who was their half-brother. Because of the murder, Hippodamia, Atreus, and Thyestes were banished to Mycenae, Atreus vowed to sacrifice his best lamb to Artemis. Upon searching his flock, however, Atreus discovered a golden lamb which he gave to his wife, Aerope and she gave it to Thyestes, her lover and Atreus brother, who then convinced Atreus to agree that whoever had the lamb should be king. Thyestes produced the lamb and claimed the throne, Atreus retook the throne using advice he received from Hermes. Thyestes agreed to give the back when the sun moved backwards in the sky. Atreus retook the throne and banished Thyestes, Atreus then learned of Thyestes and Aeropes adultery and plotted revenge. He killed Thyestes sons and cooked them, save their hands and he tricked Thyestes into eating the flesh of his own sons and then taunted him with their hands and feet
Atreus
–
Entrance to the tomb (
tholos) of Atreus ("
Treasury of Atreus ") built around
1250 BC at
Mycenae.
7.
Menelaus
–
In Greek mythology, Menelaus was a king of Mycenaean Sparta, the husband of Helen of Troy, and a central figure in the Trojan War. He was the son of Atreus and Aerope, brother of Agamemnon, king of Mycenae and, according to the Iliad, although early authors such as Aeschylus refer in passing to Menelaus’ early life, detailed sources are quite late, post-dating 5th-century BC Greek tragedy. According to these sources, Menelaus father, Atreus, had been feuding with his brother Thyestes over the throne of Mycenae, after a back-and-forth struggle that featured adultery, incest and cannibalism, Thyestes gained the throne after his son Aegisthus murdered Atreus. As a result, Atreus’ sons, Menelaus and Agamemnon, went into exile and they first stayed with King Polyphides of Sicyon, and later with King Oeneus of Calydon. But when they thought the time was ripe to dethrone Mycenae’s hostile ruler, assisted by King Tyndareus of Sparta, they drove Thyestes away, and Agamemnon took the throne for himself. When it was time for Tyndareus’ step-daughter Helen to marry, many kings, among the contenders were Odysseus, Menestheus, Ajax the Great, Patroclus, and Idomeneus. Tyndareus would accept none of the gifts, nor would he send any of the suitors away for fear of offending them, Odysseus promised to solve the problem in a satisfactory manner if Tyndareus would support him in his courting of Tyndareus’s niece Penelope, the daughter of Icarius. Tyndareus readily agreed, and Odysseus proposed that, before the decision was made, then it was decreed that straws were to be drawn for Helen’s hand. The suitor who won was Menelaus, the rest of the suitors swore their oaths, and Helen and Menelaus were married, Menelaus becoming a ruler of Sparta with Helen after Tyndareus and Leda abdicated the thrones. Menelaus and Helen had a daughter Hermione as supported, for example, by Sappho and their palace has been discovered in Pellana, Laconia, to the north-west of modern Sparta. Other archaeologists consider that Pellana is too far away from other Mycenaean centres to have been the capital of Menelaus, in a return for awarding her a golden apple inscribed to the fairest, Aphrodite promised Paris the most beautiful woman in all the world. Homers Iliad is the most expansive source for Menelaus’s exploits during the Trojan War, in Book 3, Menelaus challenges Paris to a duel for Helen’s return. Menelaus soundly beats Paris, but before he can kill him and claim victory, in Book 4, while the Greeks and Trojans squabble over the duel’s winner, Athena inspires the Trojan Pandarus to shoot Menelaus with his bow and arrow. However, Athena never intended for Menelaus to die and she protects him from the arrow of Pandarus, Menelaus is wounded in the abdomen, and the fighting resumes. Later, in Book 17, Homer gives Menelaus an extended aristeia as the hero retrieves the corpse of Patroclus from the battlefield, according to Hyginus, Menelaus killed eight men in the war, and was one of the Greeks hidden inside the Trojan Horse. During the sack of Troy, Menelaus killed Deiphobus, who had married Helen after the death of Paris, there are four versions of Menelaus’ and Helen’s reunion on the night of the sack of Troy, Angry at Helen, Menelaus looked for and found her. In a fit of rage, he decided to kill her for leaving him for Paris, in a split second, Menelaus wrath went away instantly. He took pity on her, and decided to take her back as wife, Menelaus resolved to kill Helen but her striking beauty prompted him to drop his sword and take her back to his ship “to punish her at Sparta”, as he claimed
Menelaus
–
Marble bust of Menelaus
Menelaus
–
Menelaus regains Helen, detail of an Attic red-figure crater, c. 450–440 BC, found in
Gnathia (now Egnazia,
Italy).
Menelaus
–
Lelegids
8.
Clytemnestra
–
Clytemnestra was the wife of Agamemnon and queen of Mycenae in ancient Greek legend. Her Greek name Klytaimnḗstra is also sometimes latinized as Clytaemnestra and it is commonly glossed as famed for her suitors. However, this form is a later misreading motivated by an erroneous etymological connection to the verb mnáomai, the original name form is believed to have been Klytaimḗstra without the -n-. The present form of the name does not appear before the middle Byzantine period, Aeschylus, in certain wordplays on her name, appears to assume an etymological link with the verb mḗdomai. Clytemnestra was the daughter of Tyndareus and Leda, the King, according to the myth, Zeus appeared to Leda in the form of a swan, seducing and impregnating her. Leda produced four offspring from two eggs, Castor and Clytemnestra from one egg, and Helen and Polydeuces from the other, therefore, Castor and Clytemnestra were fathered by Tyndareus, whereas Helen and Polydeuces were fathered by Zeus. Agamemnon and his brother Menelaus were in exile at the home of Tyndareus, in due time Agamemnon married Clytemnestra and Menelaus married Helen. In a late variation, Euripidess Iphigenia at Aulis, Clytemnestras first husband was Tantalus, King of Pisa, Agamemnon kills him and his infant son, in another version, her first husband was King of Lydia. The kings of Lydia, according to Plutarchs The Greek Questions,45, having succeeded Omphale who had received from Herakles Hippolytes axe, after Helen went from Sparta to Troy, her husband, Menelaus, asked his brother Agamemnon for help. However, consistently weak winds prevented the fleet from sailing, through a subplot involving the gods and omens, the priest Calchas said the winds would be favorable if Agamemnon sacrificed his daughter Iphigenia to the goddess Artemis. Agamemnon persuaded Clytemnestra to send Iphigenia to him, telling her he was going to marry her to Achilles, when Iphigenia arrived at Aulis, she was sacrificed, the winds turned, and the troops set sail for Troy. The Trojan War lasted ten years, during this period of Agamemnons long absence, Clytemnestra began a love affair with Aegisthus, her husbands cousin. Whether Clytemnestra was seduced into the affair or entered into it independently differs according to the author of the myth. Nevertheless, Clytemnestra and Aegisthus began plotting Agamemnons demise, Clytemnestra was enraged by Iphigenias murder. Aegisthus saw his father Thyestes betrayed by Agamemnons father Atreus, in old versions of the story, on returning from Troy, Agamemnon is murdered by Aegisthus, the lover of his wife, Clytemnestra. In some later versions Clytemnestra helps him or does the killing herself in his own home, Clytemnestra waited until he was in the bath, and then entangled him in a cloth net and stabbed him. Trapped in the web, Agamemnon could neither escape nor resist his murderer, meanwhile, Cassandra saw a vision of herself and Agamemnon being murdered. Her attempts to elicit help failed and she realized she was fated to die, and resolutely walked into the palace to receive her death
Clytemnestra
–
Clytemnestra trying to awake the
Erinyes while her son is being purified by
Apollo,
Apulian red-figure
krater, 480–470 BC,
Louvre (Cp 710)
Clytemnestra
–
After the murder (1882), by
John Collier, Guildhall Art Gallery (London)
Clytemnestra
–
Murder of Agamemnon, painting by
Pierre-Narcisse Guérin.
Clytemnestra
–
Orestes Pursued by the Furies by
William-Adolphe Bouguereau. Clytemnestra was killed by Orestes and the
Furies torment him for this killing
9.
Iphigenia
–
In Greek mythology, Iphigenia was a daughter of King Agamemnon and Queen Clytemnestra, and thus a princess of Argos. According to other myths she is the daughter of Theseus and Helen but was raised by Clytemnestra. Agamemnon offends the goddess Artemis, who retaliates by commanding him to kill Iphigenia as a sacrifice so his ships can sail to Troy, in some versions, Iphigenia is sacrificed at Aulis, but in others, Artemis rescues her. In the version where she is saved, she goes to the Taurians, Iphigenia means strong-born, born to strength, or she who causes the birth of strong offspring. Iphianassa is the name of one of Agamemnons three daughters in Homers Iliad The name Iphianassa may be simply a variant of the name Iphigenia. In Greek mythology, Iphigenia appears as the Greek fleet gathers in Aulis to prepare for war against Troy, at Aulis, the leader of the Greeks, Agamemnon, accidentally kills a deer in a grove sacred to the goddess Artemis. She punishes him by interfering with the winds so that his fleet cannot sail to Troy, the seer Calchas reveals that, to appease Artemis, Agamemnon must sacrifice his eldest daughter, Iphigenia. Agamemnon at first refuses, but, pressured by the other commanders eventually agrees, Iphigenia and her mother Clytemnestra are brought to Aulis under the pretext of a marriage to Achilles, but soon discover the marriage is a ruse. In some versions of the story, Iphigenia remains unaware of her imminent sacrifice until the last moment, in some versions, Iphigenia is not actually sacrificed. According to Hyginus Fabulae, Iphigenia was not sacrificed, some sources claim that Iphigenia was taken by Artemis to Tauris in Crimea at the moment of the sacrifice, and that the goddess left a deer or a goat in her place. The Hesiodic Catalogue of Women called her Iphimede and told that Artemis transformed her into the goddess Hecate, antoninus Liberalis said that Iphigenia was transported to the island of Leuke, where she was wedded to immortalized Achilles under the name Orsilochia. In Aeschyluss Agamemnon, the first play in the Oresteia, the sacrifice of Iphigenia is given as one of the reasons that Clytemnestra, in Euripides’ Iphigenia at Aulis, it is Menelaus who convinces Agamemnon to heed the seer Calchass advice. After Agamemnon sends a message to Clytemnestra informing her of Iphigenias supposed marriage, he regrets his decision. Menelaus intercepts the letter and he and Agamemnon argue, Menelaus insists that it is Agamemnons duty to do all he can to aid the Greeks. Clytemnestra arrives at Aulis with Iphigenia and the infant Orestes, Agamemnon tries to convince Clytemnestra to go back to Argos, but Clytemnestra insists on staying for the wedding. When she sees Achilles, Clytemnestra mentions the marriage, Achilles, however, appears to be unaware of it, Achilles, angry that Agamemnon has used him in his plot, vows to help prevent the murder of Iphigenia. Iphigenia and Clytemnestra plead with Agamemnon to spare his daughters life, Achilles informs them that the Greek army, eager for war, has learned of the seers advice and now demand that Iphigenia be sacrificed. If Agamemnon refuses, it is likely they will turn on him and kill him, Iphigenia, knowing she is doomed, decides to be sacrificed willingly, reasoning that as a mere mortal, she cant go against the will of a goddess
Iphigenia
–
François Perrier 's The Sacrifice of Iphigenia (17th century), depicting
Agamemnon 's sacrifice of his daughter Iphigenia.
Iphigenia
–
Iphigenie (1862) by
Anselm Feuerbach
10.
Electra
–
In Greek mythology, Elektra was the daughter of King Agamemnon and Queen Clytemnestra, and thus princess of Argos. She and her brother Orestes plotted revenge against their mother Clytemnestra and stepfather Aegisthus for the murder of their father, Electra is one of the most popular mythological characters in tragedies. She is the character in two Greek tragedies, Electra by Sophocles and Electra by Euripides. She is also the figure in plays by Aeschylus, Alfieri, Voltaire, Hofmannsthal. In psychology, the Electra complex is named after her, electras parents were King Agamemnon and Queen Clytemnestra. Her sisters were Iphigeneia and Chrysothemis, and her brother was Orestes, in the Iliad, Homer is understood to be referring to Electra in mentioning Laodice as a daughter of Agamemnon. Electra was absent from Mycenae when her father, King Agamemnon, returned from the Trojan War to be murdered, either by Clytemnestras lover Aegisthus, by Clytemnestra herself, or by both. Clytemnestra had held a grudge against her husband Agamemnon for agreeing to sacrifice their eldest daughter, Iphigenia, when he came back, he brought with him his war prize, Cassandra, who had already borne his twin sons. Aegisthus and/or Clytemnestra killed Agamemnon upon his arrival, and they killed Cassandra as well, eight years later, Electra was brought from Athens with her brother, Orestes. According to Pindar, Orestes was saved by his old nurse or by Electra, and was taken to Phanote on Mount Parnassus, when Orestes was 20, the Oracle of Delphi ordered him to return home and avenge his fathers death. Orestes and his friend Pylades, son of King Strophius of Phocis and Anaxibia, killed Clytemnestra, before her death, Clytemnestra cursed Orestes. The Erinyes or Furies, whose duty it is to punish any violation of the ties of family piety and they pursue Orestes, urging him to end his life. Electra was not hounded by the Erinyes, in Iphigeneia in Tauris, Euripides tells the tale somewhat differently. In his version, Orestes was led by the Furies to Tauris on the Black Sea, the two met when Orestes and Pylades were brought to Iphigeneia to be prepared for sacrifice to Artemis. Iphigeneia, Orestes, and Pylades escaped from Tauris, the Furies, appeased by the reunion of the family, abated their persecution. This poem forms part of the cycle referred to as the New Oresteia. Electra is the narrator of her story in the book Electra by Henry Treece. In the Marvel Comics universe, the character Elektra Natchios is partly based on Electra, media related to Electra at Wikimedia Commons Electra public domain audiobook at LibriVox
Electra
–
Electra at the Tomb of
Agamemnon,
Frederic Leighton c. 1869
Electra
–
Orestes, Electra and
Hermes at the tomb of
Agamemnon,
lucanian red-figure
pelike,
c. 380–370 BC,
Louvre (K 544)
11.
Orestes
–
In Greek mythology, Orestes was the son of Clytemnestra and Agamemnon. He is the subject of several Ancient Greek plays and of various myths connected with his madness and purification, in the Homeric telling of the story, Orestes is a member of the doomed house of Atreus which is descended from Tantalus and Niobe. Seven years later, Orestes returns from Athens and avenges his fathers death by slaying both Aegisthus and his own mother Clytemnestra, in the Odyssey, Orestes is held up as a favorable example to Telemachus, whose mother Penelope is plagued by suitors. According to Pindar, the young Orestes was saved by his nurse Arsinoe or his sister Electra, in the familiar theme of the heros early eclipse and exile, he escaped to Phanote on Mount Parnassus, where King Strophius took charge of him. In his twentieth year, he was urged by Electra to return home and he returned home along with his friend Pylades, Strophiuss son. The same myth is told differently by Sophocles and Euripides in their Electra plays, graves asserts that the sacrilege for which the Erinyes pursued Orestes was actually the killing of his mother, who represented matriarchy. The story of Orestes was the subject of the Oresteia of Aeschylus, of the Electra of Sophocles, in Aeschyluss Eumenides, Orestes goes mad after the deed and is pursued by the Erinyes, whose duty it is to punish any violation of the ties of family piety. He takes refuge in the temple at Delphi, but, even though Apollo had ordered him to do the deed, at last Athena receives him on the acropolis of Athens and arranges a formal trial of the case before twelve judges, including herself. The Erinyes demand their victim, he pleads the orders of Apollo, Athena votes last announcing that she is for acquittal, then the votes are counted and the result is a tie, resulting in an acquittal according to the rules previously stipulated by Athena. The Erinyes are propitiated by a new ritual, in which they are worshipped as Semnai Theai, Venerable Ones and he went to Tauris with Pylades, and the pair were at once imprisoned by the people, among whom the custom was to sacrifice all Greek strangers to Artemis. The priestess of Artemis, whose duty it was to perform the sacrifice, was Orestes sister Iphigenia. She offered to him if he would carry home a letter from her to Greece, he refused to go. After his return to Greece, Orestes took possession of his fathers kingdom of Mycenae to which were added Argos and he was said to have died of a snakebite in Arcadia. His body was conveyed to Sparta for burial or, according to a Roman legend, to Aricia, before the Trojan War, Orestes was to marry his cousin Hermione, daughter of Menelaus and Helen. Things soon changed after Orestes committed matricide, Menelaus then gave his daughter to Neoptolemus, son of Achilles, according to Euripides play Andromache, Orestes slew Neoptolemus just outside a temple and took off with Hermione. He seized Argos and Arcadia after their thrones had become vacant and his son by Hermione, Tisamenus, became ruler after him but was eventually killed by the Heracleidae. There is extant a Latin epic poem, consisting of about 1000 hexameters, called Orestes Tragoedia, Orestes appears also to be a dramatic prototype for all persons whose crime is mitigated by extenuating circumstances. In one version of the story of Telephus, the infant Orestes was kidnapped by King Telephus, according to some sources, Orestes fathered Penthilus by his half-sister, Erigone
Orestes
–
Orestes at
Delphi flanked by
Athena and
Pylades among the Erinyes and
priestesses of the
oracle, perhaps including
Pythia behind the tripod - Paestan
red-figured bell-krater, c. 330 BC
Orestes
–
Orestes, Elektra, and Pylades at the tomb of Agamemnon - Campanian
red-figure hydria, c. 330 BC
Orestes
–
For other uses, see
Orestes (disambiguation).
Orestes
–
Orestes Pursued by the Furies by
William-Adolphe Bouguereau
12.
Helen of Troy
–
In Greek mythology, Helen of Troy, also known as Helen of Sparta, or simply Helen, was the daughter of Zeus and Leda, and was a sister of Castor, Pollux, and Clytemnestra. In Greek myths, she was considered the most beautiful woman in the world, by marriage she was Queen of Laconia, a province within Homeric Greece, the wife of King Menelaus. Her abduction by Prince Paris of Troy brought about the Trojan War, elements of her putative biography come from classical authors such as Aristophanes, Cicero, Euripides and Homer. In her youth, she was abducted by Theseus, a competition between her suitors for her hand in marriage sees Menelaus emerge victorious. An oath sworn beforehand by all the suitors requires them to military assistance in the case of her abduction. When she marries Menelaus she is very young, whether her subsequent involvement with Paris is an abduction or a seduction is ambiguous. The legends recounting Helens fate in Troy are contradictory, Homer depicts her as a wistful figure, even a sorrowful one, who comes to regret her choice and wishes to be reunited with Menelaus. Other accounts have a treacherous Helen who simulates Bacchic rites and rejoices in the carnage, ultimately, Paris was killed in action, and in Homers account Helen was reunited with Menelaus, though other versions of the legend recount her ascending to Olympus instead. A cult associated with her developed in Hellenistic Laconia, both at Sparta and elsewhere, at Therapne she shared a shrine with Menelaus and she was also worshiped in Attica and on Rhodes. Her beauty inspired artists of all time to represent her, frequently as the personification of ideal beauty, Christopher Marlowes lines from his tragedy Doctor Faustus are frequently cited, Was this the face that launchd a thousand ships/And burnt the topless towers of Ilium. However, in the play this meeting and the ensuing temptation are not unambiguously positive, closely preceding death, images of her start appearing in the 7th century BC. In classical Greece, her abduction by—or elopement with—Paris was a popular motif, in medieval illustrations, this event was frequently portrayed as a seduction, whereas in Renaissance painting it is usually depicted as a rape by Paris. The fact that rape and kidnapping were interchangeable terms lends additional ambiguity to the story, the etymology of Helens name continues to be a problem for scholars. Georg Curtius related Helen to the moon, Émile Boisacq considered Ἑλένη to derive from the noun ἑλένη meaning torch. It has also suggested that the λ of Ἑλένη arose from an original ν. Linda Lee Clader, however, says none of the above suggestions offers much satisfaction. Inversely, others have connected this etymology to a hypothetical proto-indo-european sun goddess, in particular, her marriage myth may be connected to a broader indo-european marriage drama of the sun goddess, and she is related to the divine twins, just as many of these goddesses are. The origins of Helens myth date back to the Mycenaean age, the first record of her name appears in the poems of Homer, but scholars assume that such myths invented or received by the Mycenaean Greeks made their way to Homer
Helen of Troy
–
Helen and Menelaus: Menelaus intends to strike Helen; captivated by her beauty, he drops his sword. A flying
Eros and
Aphrodite (on the left) watch the scene. Detail of an Attic
red-figure krater, c. 450–440 BC (
Paris,
Louvre)
Helen of Troy
–
Leda and the Swan by
Cesare da Sesto (c. 1506–1510,
Wilton). The artist has been intrigued by the idea of Helen's unconventional birth; she and Clytemnestra are shown emerging from one egg; Castor and Pollux from another.
Helen of Troy
–
Theseus pursuing a woman, probably Helen. Side A from an Attic red-figure bell-krater, c. 440–430 BC (
Louvre, Paris).
Helen of Troy
–
In this painting by
Maarten van Heemskerck Helen, queen of the Greek city-state Sparta, is abducted by Paris, a prince of Troy in Asian Minor. The Walters Art Museum.
13.
Troy
–
The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, a new capital called Ilium was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople and declined gradually in the Byzantine era and these excavations revealed several cities built in succession. Troy VII has been identified with the city that the Hittites called Wilusa, the origin of the Greek Ἴλιον. Today, the hill at Hisarlık has given its name to a village near the ruins. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, the map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Troy was added to the UNESCO World Heritage list in 1998, Ancient Greek historians variously placed the Trojan War in the 12th, 13th, or 14th centuries BC, Eratosthenes to 1184 BC, Herodotus to 1250 BC, Duris of Samos to 1334 BC. Modern archaeologists associate Homeric Troy with archaeological Troy VII, in the Iliad, the Achaeans set up their camp near the mouth of the River Scamander, where they had beached their ships. The city of Troy itself stood on a hill, across the plain of Scamander, recent geological findings have permitted the identification of the ancient Trojan coastline, and the results largely confirm the accuracy of the Homeric geography of Troy. In November 2001, the geologist John C, kraft from the University of Delaware and the classicist John V. Luce from Trinity College, Dublin, presented the results of investigations, begun in 1977, into the geology of the region. Besides the Iliad, there are references to Troy in the major work attributed to Homer. The Homeric legend of Troy was elaborated by the Roman poet Virgil in his Aeneid, the Greeks and Romans took for a fact the historicity of the Trojan War and the identity of Homeric Troy with the site in Anatolia. Alexander the Great, for example, visited the site in 334 BC and there made sacrifices at tombs associated with the Homeric heroes Achilles and Patroclus. After the 1995 find of a Luwian biconvex seal at Troy VII, with the rise of critical history, Troy and the Trojan War were, for a long time, consigned to the realms of legend. However, the location of ancient Troy had from classical times remained the subject of interest. The Troad peninsula was anticipated to be the location, leChavaliers location, published in his Voyage de la Troade, was the most commonly accepted theory for almost a century. In 1822, the Scottish journalist Charles Maclaren was the first to identify with confidence the position of the city as it is now known, the hill, near the city of Çanakkale, was known as Hisarlık. In 1868, Heinrich Schliemann visited Calvert and secured permission to excavate Hisarlık, in 1871–73 and 1878–79, he excavated the hill and discovered the ruins of a series of ancient cities dating from the Bronze Age to the Roman period
Troy
–
The walls of the
acropolis belong to Troy VII, which is identified as the site of the
Trojan War (c. 1200 BC).
Troy
–
Silver
tetradrachm from Troy with head of
Athena, c. 165–150 BC
Troy
–
The
odeon dates to the
Roman Troy IX and was renovated by
Hadrian in 124 AD.
Troy
–
The view from
Hisarlık across the plain of Ilium to the
Aegean Sea.
14.
Paris (mythology)
–
Paris, also known as Alexander, the son of King Priam and Queen Hecuba of Troy, appears in a number of Greek legends. Probably the best-known was his elopement with Helen, queen of Sparta, later in the war, he fatally wounds Achilles in the heel with an arrow as foretold by Achilles’s mother Thetis. The name Paris is probably Luwian and comparable to Pari-zitis attested as a Hittite scribes name, Paris was a child of Priam and Hecuba. Just before his birth, his mother dreamed that she gave birth to a flaming torch and this dream was interpreted by the seer Aesacus as a foretelling of the downfall of Troy, and he declared that the child would be the ruin of his homeland. Though Paris was indeed born before nightfall, he was spared by Priam, Hecuba, too, was unable to kill the child, despite the urging of the priestess of Apollo, one Herophile. Instead, Pariss father prevailed upon his chief herdsman, Agelaus, to remove the child, the herdsman, unable to use a weapon against the infant, left him exposed on Mount Ida, hoping he would perish there, he was, however, suckled by a she-bear. Returning after nine days, Agelaus was astonished to find the still alive. He returned to Priam bearing a dogs tongue as evidence of the deeds completion and it was at this time that Oenone became Pariss first lover. She was a nymph from Mount Ida in Phrygia and her father was Cebren, a river-god. She was skilled in the arts of prophecy and medicine, which she had been taught by Rhea and Apollo respectively. When Paris later left her for Helen she told him if he ever was wounded, he should come to her for she could heal any injury. Pariss chief distraction at this time was to pit Agelauss bulls against one another, one bull began to win these bouts consistently, and Paris began to set it against rival herdsmens own prize bulls, it defeated them all. Finally Paris offered a crown to any bull that could defeat his champion. Ares responded to this challenge by transforming himself into a bull, in celebration of the marriage of Peleus and Thetis, Lord Zeus, father of the Greek pantheon, hosted a banquet on Mount Olympus. Every deity and demi-god had been invited, except Eris, the goddess of strife, the goddesses thought to be the most beautiful were Hera, Athena, and Aphrodite, and each one claimed the apple. They started a quarrel so they asked Zeus to choose one of them, knowing that choosing any of them would bring him the hatred of the other two, Zeus did not want to take part in the decision. He thus appointed Paris to select the most beautiful, escorted by Hermes, the three goddesses bathed in the spring of Mount Ida and approached Paris as he herded his cattle. Having been given permission by Zeus to set any conditions he saw fit, Paris chose Aphrodite— and, therefore, Helen
Paris (mythology)
–
Prince Paris with apple by
H.W. Bissen,
Ny Carlsberg Glyptotek, Copenhagen
Paris (mythology)
–
Judgement of Paris,
Capodimonte porcelain (
Capitoline Museums,
Rome)
Paris (mythology)
–
El Juicio de Paris by
Enrique Simonet, ca. 1904. Paris is studying Aphrodite, who is standing before him naked. The other two goddesses watch nearby.
Paris (mythology)
–
Abduction of Helen, ceiling fresco, Venetian, mid-18th century
15.
Trojan War
–
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
Trojan War
–
Achilles tending the wounded
Patroclus (
Attic red-figure kylix, c. 500 BC)
Trojan War
–
The Burning of Troy (1759/62),
oil painting by Johann Georg Trautmann
Trojan War
–
The Judgment of Paris (1904) by
Enrique Simonet
Trojan War
–
Thetis gives her son Achilles weapons forged by Hephaestus (detail of Attic
black-figure hydria, 575–550 BC)
16.
Odyssey
–
The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature, the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the poem mainly focuses on the Greek hero Odysseus, king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of suitors, the Mnesteres or Proci. The Odyssey continues to be read in the Homeric Greek and translated into languages around the world. Many scholars believe the poem was composed in an oral tradition by an aoidos, perhaps a rhapsode. The details of the ancient oral performance and the conversion to a written work inspire continual debate among scholars. The Odyssey was written in a dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek. Among the most noteworthy elements of the text are its non-linear plot, in the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer and it was usually attributed in antiquity to Cinaethon of Sparta. In one source, the Telegony was said to have stolen from Musaeus by either Eugamon or Eugammon of Cyrene. The Odyssey begins ten years after the end of the ten-year Trojan War, and Odysseus has still not returned home from the war. Odysseus protectress, the goddess Athena, requests to Zeus, king of the gods, to finally allow Odysseus to return home when Odysseus enemy, then, disguised as a Taphian chieftain named Mentes, she visits Telemachus to urge him to search for news of his father. He offers her hospitality, they observe the suitors dining rowdily while the bard Phemius performs a poem for them. Penelope objects to Phemius theme, the Return from Troy, because it reminds her of her missing husband and that night Athena, disguised as Telemachus, finds a ship and crew for the true prince. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the suitors. Accompanied by Athena, he departs for the Greek mainland and the household of Nestor, most venerable of the Greek warriors at Troy, now at home in Pylos
Odyssey
–
Charles Gleyre,
Odysseus and
Nausicaä
Odyssey
–
Greek text of the Odyssey' s opening passage
Odyssey
–
Odysseus Overcome by
Demodocus ' Song, by
Francesco Hayez, 1813–15
Odyssey
–
Odysseus and the Sirens, eponymous vase of the
Siren Painter, ca. 480-470 BC, (
British Museum)
17.
Aegisthus
–
Aegisthus is a figure in Greek mythology. He was the son of Thyestes and his daughter, Pelopia, the product of an incestuous union motivated by his fathers rivalry with the house of Atreus for the throne of Mycenae, Aegisthus murdered Atreus to restore his father to power. Later, he lost the throne to Atreuss son Agamemnon, while Agamemnon was at the Trojan war, Aegisthus became the lover of the kings estranged wife Clytemnestra. The couple killed Agamemnon on his return and he became king of Mycenae for seven years before he was killed in his turn by Agamemnons son Orestes. Thyestes felt he had deprived of the Mycenean throne unfairly by his brother. The two battled back and forth several times, in addition, Thyestes had an affair with Atreus wife, Aerope. In revenge, Atreus killed Thyestes sons and served them to him unknowingly, after eating his own sons corpses, Thyestes asked an oracle how best to gain revenge. The advice was to father a son with his own daughter, Pelopia, Thyestes raped Pelopia after she performed a sacrifice, hiding his identity from her. When Aegisthus was born, his mother abandoned him, ashamed of his origin, Atreus, not knowing the babys origin, took Aegisthus in and raised him as his own son. In the night in which Pelopia had been raped by her father, when she discovered that the sword belonged to her own father, she realised that her son was the product of incestuous intercourse. Aegisthus and his father now took possession of their inheritance from which they had been expelled by Atreus. Agamemnon and Clytemnestra had four children, one son, Orestes, after the death of Tyndareus, Meneleaus became king of Sparta. He used the Spartan army to drive out Aegisthus and Thyestes from Mycenae, Agamemnon extended his dominion by conquest and became the most powerful prince in Greece. However, when Agamemnon sacrificed his own daughter Iphigenia to appease the gods before the war with Troy, while Agamemnon was away at the Trojan War, Aegisthus became Clyemnestras lover. He helped Clytemnestra kill her husband upon his return from Troy, in the older versions of the story, such as Homer, Aegisthus himself kills Agamemnon. In later accounts Clytemnestra stabs him when he is naked and vulnerable after a bath, after this event Aegisthus reigned seven years longer over Mycenae. He and Clytemnestra had a son Aletes, and two daughters, Erigone and Helen, in the eighth year of his reign Orestes, the son of Agamemnon, returned home and avenged the death of his father by killing Aegisthus and Clytemnestra. The impiety of matricide was such that Orestes was forced to flee from Mycenae, Aletes became king until Orestes returned several years later and killed him
Aegisthus
–
Aegisthus being murdered by
Orestes and
Pylades –
The Louvre
Aegisthus
–
Pierre-Narcisse Guérin 's Clytemnestra and Agamemnon, in which Aegisthus appears as a shadowy figure pushing Clytemnestra forward
18.
Adultery
–
Adultery is extramarital sex that is considered objectionable on social, religious, moral, or legal grounds. A single act of intercourse is generally sufficient to constitute adultery. Historically, many cultures have considered adultery to be a serious crime. Adultery often incurred severe punishment, usually for the woman and sometimes for the man, with penalties including capital punishment, mutilation, such punishments have gradually fallen into disfavor, especially in Western countries from the 19th century. In most Western countries, adultery itself is no longer a criminal offense, Adultery is not a ground for divorce in jurisdictions which have adopted a no-fault divorce model. In some societies and among certain religious adherents, adultery may affect the status of those involved. In countries where adultery is an offense, punishments range from fines to caning. A joint statement by the United Nations Working Group on discrimination against women in law and in states that. In Muslim countries that follow Sharia law for justice, the punishment for adultery may be stoning. There are fifteen countries in which stoning is authorized as lawful punishment, though in recent times it has been carried out only in Iran. In some jurisdictions, having sexual relations with the wife or the wife of his eldest son constitutes treason. The term adultery refers to acts between a married person and someone who is not that persons spouse. It may arise in criminal law or in family law, for instance, in the United Kingdom, adultery is not a criminal offense, but is a ground for divorce, with the legal definition of adultery being physical contact with an alien and unlawful organ. Extramarital sexual acts not fitting this definition are not adultery though they may constitute unreasonable behavior, the application of the term to the act appears to arise from the idea that criminal intercourse with a married woman. Tended to adulterate the issue of an innocent husband, and to expose him to support and provide for another mans. Thus, the purity of the children of a marriage is corrupted, the term adultery, rather than extramarital sex, implies a moral condemnation of the act, as such it is usually not a neutral term because it carries an implied judgment that the act is wrong. In the traditional English common law, adultery was a felony, although the legal definition of adultery differs in nearly every legal system, the common theme is sexual relations outside of marriage, in one form or another. Traditionally, many cultures, particularly Latin American ones, had double standards regarding male and female adultery
Adultery
–
Public punishment of adulterers in Venice, 17th century
Adultery
–
Anne Boleyn was found guilty of adultery and treason and executed in 1536. There is controversy among historians as to whether she had actually committed adultery.
Adultery
–
Le supplice des adultères, by Jules Arsène Garnier, showing adulteresses being punished
Adultery
–
Joan II of Navarre - her paternity and succession rights were disputed her whole life because her mother
Margaret of Burgundy was claimed to have committed adultery
19.
Tyndareus
–
Tyndareus had a brother named Hippocoon, who seized power and exiled Tyndareus. He was reinstated by Heracles, who killed Hippocoon and his sons, tyndareus’ other brother was Icarius, the father of Penelope. Tyndareus’ wife Leda was seduced by Zeus, who disguised himself as a swan and she laid two eggs, each producing two children. When Thyestes seized control in Mycenae, two exiled princes, Agamemnon and Menelaus came to Sparta, where they were received as guests, the princes eventually married Tyndareus daughters, Clytemnestra and Helen respectively. Helen was the most beautiful woman in the world, and when it was time for her to marry, many Greek kings, among the contenders were Odysseus, Ajax the Great, Diomedes, Idomeneus, and both Menelaus and Agamemnon. All but Odysseus brought many and rich gifts with them, Tyndareus would accept none of the gifts, nor would he send any of the suitors away for fear of offending them and giving grounds for a quarrel. Odysseus promised to solve the problem in a manner if Tyndareus would support him in his courting of Penelope. This stratagem succeeded and Helen and Menelaus were married, eventually, Tyndareus resigned in favour of his son-in-law and Menelaus became king. Some years later, Paris, a Trojan prince came to Sparta to marry Helen, Menelaus attempted to retrieve Helen by calling on all her former suitors to fulfil their oaths, leading to the Trojan War
Tyndareus
–
Tyndareus’ stepdaughter
Helen of Troy
Tyndareus
–
Lelegids
20.
Sparta
–
Sparta was a prominent city-state in ancient Greece. In antiquity the city-state was known as Lacedaemon, while the name Sparta referred to its settlement on the banks of the Eurotas River in Laconia. Around 650 BC, it rose to become the dominant military land-power in ancient Greece, given its military pre-eminence, Sparta was recognized as the overall leader of the combined Greek forces during the Greco-Persian Wars. Between 431 and 404 BC, Sparta was the enemy of Athens during the Peloponnesian War, from which it emerged victorious. Spartas defeat by Thebes in the Battle of Leuctra in 371 BC ended Spartas prominent role in Greece, however, it maintained its political independence until the Roman conquest of Greece in 146 BC. It then underwent a period of decline, especially in the Middle Ages. Modern Sparta is the capital of the Greek regional unit of Laconia, Sparta was unique in ancient Greece for its social system and constitution, which completely focused on military training and excellence. Its inhabitants were classified as Spartiates, mothakes, perioikoi, Spartiates underwent the rigorous agoge training and education regimen, and Spartan phalanges were widely considered to be among the best in battle. Spartan women enjoyed more rights and equality to men than elsewhere in the classical world. Sparta was the subject of fascination in its own day, as well as in the West following the revival of classical learning and this love or admiration of Sparta is known as Laconism or Laconophilia. At its peak around 500 BC the size of the city would have been some 20,000 –35,000 free residents, plus numerous helots, olliers theory of the Spartan mirage has been widely accepted by scholars. The ancient Greeks used one of three words to refer to the location of the Spartans. The first refers primarily to the cluster of settlements in the valley of the Eurotas River. The second word was Lacedaemon, this was used sometimes as an adjective and is the name commonly used in the works of Homer. Herodotus seems to denote by it the Mycenaean Greek citadel at Therapne and it could be used synonymously with Sparta, but typically it was not. It denoted the terrain on which Sparta was situated, in Homer it is typically combined with epithets of the countryside, wide, lovely, shining and most often hollow and broken. The hollow suggests the Eurotas Valley, Sparta on the other hand is the country of lovely women, a people epithet. The name of the population was used for the state of Lacedaemon
Sparta
–
Territory of ancient Sparta
Sparta
–
Hollow Lacedaemon. Site of the Menelaion, the ancient shrine to Helen and Menelaus constructed in the Bronze Age city that stood on the hill of
Therapne on the left bank of the
Eurotas River overlooking the future site of Dorian Sparta. Across the valley the successive ridges of Mount
Taygetus are in evidence.
Sparta
–
Eurotas River
Sparta
–
The theater of ancient Sparta with
Mt. Taygetus in the background.
21.
Orestes (mythology)
–
In Greek mythology, Orestes was the son of Clytemnestra and Agamemnon. He is the subject of several Ancient Greek plays and of various myths connected with his madness and purification, in the Homeric telling of the story, Orestes is a member of the doomed house of Atreus which is descended from Tantalus and Niobe. Seven years later, Orestes returns from Athens and avenges his fathers death by slaying both Aegisthus and his own mother Clytemnestra, in the Odyssey, Orestes is held up as a favorable example to Telemachus, whose mother Penelope is plagued by suitors. According to Pindar, the young Orestes was saved by his nurse Arsinoe or his sister Electra, in the familiar theme of the heros early eclipse and exile, he escaped to Phanote on Mount Parnassus, where King Strophius took charge of him. In his twentieth year, he was urged by Electra to return home and he returned home along with his friend Pylades, Strophiuss son. The same myth is told differently by Sophocles and Euripides in their Electra plays, graves asserts that the sacrilege for which the Erinyes pursued Orestes was actually the killing of his mother, who represented matriarchy. The story of Orestes was the subject of the Oresteia of Aeschylus, of the Electra of Sophocles, in Aeschyluss Eumenides, Orestes goes mad after the deed and is pursued by the Erinyes, whose duty it is to punish any violation of the ties of family piety. He takes refuge in the temple at Delphi, but, even though Apollo had ordered him to do the deed, at last Athena receives him on the acropolis of Athens and arranges a formal trial of the case before twelve judges, including herself. The Erinyes demand their victim, he pleads the orders of Apollo, Athena votes last announcing that she is for acquittal, then the votes are counted and the result is a tie, resulting in an acquittal according to the rules previously stipulated by Athena. The Erinyes are propitiated by a new ritual, in which they are worshipped as Semnai Theai, Venerable Ones and he went to Tauris with Pylades, and the pair were at once imprisoned by the people, among whom the custom was to sacrifice all Greek strangers to Artemis. The priestess of Artemis, whose duty it was to perform the sacrifice, was Orestes sister Iphigenia. She offered to him if he would carry home a letter from her to Greece, he refused to go. After his return to Greece, Orestes took possession of his fathers kingdom of Mycenae to which were added Argos and he was said to have died of a snakebite in Arcadia. His body was conveyed to Sparta for burial or, according to a Roman legend, to Aricia, before the Trojan War, Orestes was to marry his cousin Hermione, daughter of Menelaus and Helen. Things soon changed after Orestes committed matricide, Menelaus then gave his daughter to Neoptolemus, son of Achilles, according to Euripides play Andromache, Orestes slew Neoptolemus just outside a temple and took off with Hermione. He seized Argos and Arcadia after their thrones had become vacant and his son by Hermione, Tisamenus, became ruler after him but was eventually killed by the Heracleidae. There is extant a Latin epic poem, consisting of about 1000 hexameters, called Orestes Tragoedia, Orestes appears also to be a dramatic prototype for all persons whose crime is mitigated by extenuating circumstances. In one version of the story of Telephus, the infant Orestes was kidnapped by King Telephus, according to some sources, Orestes fathered Penthilus by his half-sister, Erigone
Orestes (mythology)
–
Orestes at
Delphi flanked by
Athena and
Pylades among the Erinyes and
priestesses of the
oracle, perhaps including
Pythia behind the tripod - Paestan
red-figured bell-krater, c. 330 BC
Orestes (mythology)
–
Orestes, Elektra, and Pylades at the tomb of Agamemnon - Campanian
red-figure hydria, c. 330 BC
Orestes (mythology)
–
For other uses, see
Orestes (disambiguation).
Orestes (mythology)
–
Orestes Pursued by the Furies by
William-Adolphe Bouguereau
22.
Murder
–
A murder is the unlawful killing of another human without justification or valid excuse, especially the unlawful killing of another human being with malice aforethought. This state of mind may, depending upon the jurisdiction, distinguish murder from other forms of unlawful homicide, manslaughter is a killing committed in the absence of malice, brought about by reasonable provocation, or diminished capacity. Involuntary manslaughter, where it is recognized, is a killing that lacks all but the most attenuated guilty intent, in most countries, a person convicted of murder generally faces a long-term prison sentence, possibly a life sentence where permitted. In many common law jurisdictions, a convicted of murder will receive a mandatory life sentence. In jurisdictions where capital punishment exists, the penalty may be imposed for such an act, however. The modern English word murder descends from the Proto-Indo-European mrtró which meant to die, the Middle English mordre is a noun from Anglo-Saxon morðor and Old French murdre. Middle English mordre is a verb from Anglo-Saxon myrdrian and the Middle English noun, the elements of common law murder are, Unlawful killing through criminal act or omission of a human by another human with malice aforethought. Killing – At common law life ended with cardiopulmonary arrest – the total, with advances in medical technology courts have adopted irreversible cessation of all brain function as marking the end of life. Сriminal act or omission – Killing can be committed by an act or an omission. of a human – This element presents the issue of life begins. At common law, a fetus was not a human being, life began when the fetus passed through the vagina and took its first breath. By another human – In early common law, suicide was considered murder, the requirement that the person killed be someone other than the perpetrator excluded suicide from the definition of murder. With malice aforethought – Originally malice aforethought carried its everyday meaning – a deliberate, Murder necessarily required that an appreciable time pass between the formation and execution of the intent to kill. The courts broadened the scope of murder by eliminating the requirement of actual premeditation and deliberation as well as true malice, all that was required for malice aforethought to exist is that the perpetrator act with one of the four states of mind that constitutes malice. The four states of mind recognized as constituting malice are, Under state of mind, intent to kill, thus, if the defendant intentionally uses a deadly weapon or instrument against the victim, such use authorizes a permissive inference of intent to kill. In other words, intent follows the bullet, examples of deadly weapons and instruments include but are not limited to guns, knives, deadly toxins or chemicals or gases and even vehicles when intentionally used to harm one or more victims. In Australian jurisdictions, the risk must amount to a foreseen probability of death. Under state of mind, the doctrine, the felony committed must be an inherently dangerous felony, such as burglary, arson, rape. Importantly, the underlying felony cannot be a lesser included offense such as assault, as with most legal terms, the precise definition of murder varies between jurisdictions and is usually codified in some form of legislation
Murder
–
Murder in the House,
Jakub Schikaneder.
Murder
–
Aaron Alexis holding shotgun during his rampage.
Murder
–
A group of
Thugs strangling a traveller on a highway in India in the early 19th century.
23.
Incest
–
Incest is sexual activity between family members or close relatives. The incest taboo is and has one of the most widespread of all cultural taboos. Most modern societies have laws regarding incest or social restrictions on closely consanguineous marriages, in societies where it is illegal, consensual adult incest is seen by some as a victimless crime. Some cultures extend the incest taboo to relatives with no consanguinity such as milk-siblings, stepsiblings, third-degree relatives on average share 12. 5% genes, and sexual relations between them is viewed differently in various cultures, from being discouraged to being socially acceptable. The children of incestuous relationships were regarded as illegitimate, and are still so regarded in some societies today, in most cases, the parents did not have the option to marry to remove that status, as incestuous marriages were, and are, normally also prohibited. A common justification for prohibiting incest is avoiding inbreeding, a collection of genetic disorders suffered by the children of parents with a genetic relationship. But inbreeding is not the basis for the incest taboo for two reasons. First, most prohibitions on incest cover affinity relationships—that is, relationships created by marriage —as well as created by adoption. And second, the incest taboo also applies to non-procreative sex—for example, some societies, such as the Balinese and some Inuit tribes, have different views about what constitutes illegal and immoral incest. However, sexual relations with a first-degree relative are almost universally forbidden, the English word incest is derived from the Latin incestus, which has a general meaning of impure, unchaste. It was introduced into Middle English, both in the generic Latin sense and in the modern sense. The derived adjective incestuous appears in the 16th century, before the Latin term came in, incest was known in Old English as sib-leger or mǣġhǣmed but in time, both words fell out of use. In ancient China, first cousins with the surnames were not permitted to marry. Several of the Egyptian Pharaohs married their siblings and had children with them. For example, Tutankhamun married his half-sister Ankhesenamun, and was himself the child of an union between Akhenaten and an unidentified sister-wife. It is now accepted that sibling marriages were widespread among all classes in Egypt during the Graeco-Roman period. Numerous papyri and the Roman census declarations attest to many husbands and wives being brother and sister, in the sequel to Oedipus, Antigone, his four children are also punished for their parents incestuousness. Incest appears in the accepted version of the birth of Adonis
Incest
–
Maya king
Shield Jaguar II with his
aunt-wife,
Lady Xoc. AD 709
Incest
–
The number in each box indicates the degree of relationship
Incest
–
Charles II of Spain was born mentally and physically disabled due to centuries of inbreeding in the
House of Habsburg
Incest
–
Maximilian II, Holy Roman Emperor married his first cousin
Maria of Spain.
24.
Tantalus
–
Tantalus was a Greek mythological figure, most famous for his eternal punishment in Tartarus. He was made to stand in a pool of water beneath a tree with low branches, with the fruit ever eluding his grasp. He was the father of Pelops, Niobe and Broteas, and was a son of Zeus, thus, like other heroes in Greek mythology such as Theseus and the Dioskouroi, Tantalus had both a hidden, divine parent and a mortal one. Plato in the Cratylus interprets Tantalos as ταλάντατος talantatos, who has to much from τάλας talas wretched. R. S. P. Beekes has rejected an Indo-European interpretation, there may have been a historical Tantalus – possibly the ruler of an Anatolian city named Tantalís, the city of Tantalus, or of a city named Sipylus. Pausanias reports that there was a port under his name and a sepulchre of him by no means obscure, references to his son as Pelops the Lydian led some scholars to the conclusion that there would be good grounds for believing that he belonged to a primordial house of Lydia. Other versions name his father as Tmolus, the name of a king of Lydia and, like Sipylus, the location of Tantalus mortal mountain-fathers generally placed him in Lydia, and more seldom in Phrygia or Paphlagonia, all in Asia Minor. Tantalus, through Pelops, was the progenitor of the House of Atreus, Tantalus was also the great-grandfather of Agamemnon and Menelaus. The geographer Strabo, quoting earlier sources, states that the wealth of Tantalus was derived from the mines of Phrygia, near Mount Sipylus are archaeological features that have been associated with Tantalus and his house since Antiquity. A more famous monument, a statue carved in rock mentioned by Pausanias is a statue of Cybele. Further afield, based on a similarity between the names Tantalus and Hantili, it has suggested that the name Tantalus may have derived from that of these two Hittite kings. In mythology, Tantalus became one of the inhabitants of Tartarus, the association of Tantalus with the underworld is underscored by the names of his mother Plouto, and grandmother, Chthonia. Tantalus was initially known for having been welcomed to Zeus table in Olympus, there he is said to have misbehaved and stolen ambrosia and nectar to bring it back to his people, and revealed the secrets of the gods. Most famously, Tantalus offered up his son, Pelops, as a sacrifice and he cut Pelops up, boiled him, and served him up in a banquet for the gods. Clotho, one of the three Fates, ordered by Zeus, brought the boy to life again, rebuilding his shoulder with one wrought of ivory made by Hephaestus, the revived Pelops grew to be an extraordinarily handsome youth. The god Poseidon took him to Mount Olympus to teach him to use chariots, later, Zeus threw Pelops out of Olympus due to his anger at Tantalus. The Greeks of classical times claimed to be horrified by Tantaluss doings, cannibalism and kinslaying were atrocities, Tantaluss punishment for his act, now a proverbial term for temptation without satisfaction, was to stand in a pool of water beneath a fruit tree with low branches. Whenever he reached for the fruit, the branches raised his intended meal from his grasp, whenever he bent down to get a drink, the water receded before he could get any
Tantalus
–
Karagöl ("The black lake") in
Mount Yamanlar,
İzmir,
Turkey, associated with the accounts surrounding Tantalus and named after him as "Lake Tantalus".
Tantalus
–
Engraving by
Hendrik Goltzius and C. Cornelius (1588)
Tantalus
–
Oil painting by
Gioacchino Assereto (circa 1640s)
Tantalus
–
Etching by
Francisco Goya (1797)
25.
Pelops
–
In Greek mythology, Pelops, was king of Pisa in the Peloponnesus. His father, Tantalus, was the founder of the House of Atreus through Pelopss son of that name. At the sanctuary at Olympia, chthonic night-time libations were offered each time to dark-faced Pelops in his sacrificial pit before they were offered in the daylight to the sky-god Zeus. Pelops was a son of Tantalus and either Dione, Euryanassa or Eurythemista, of Phrygian or Lydian birth, he departed his homeland for Greece, and won the crown of Pisa or Olympia from King Oenomaus in a chariot race then married Oenomauss daughter, Hippodameia. Pelops and Hippodameia had at least sixteen children and their sons include Pittheus, Troezen, Alcathous, Dimoetes, Pleisthenes, Atreus, Thyestes, Copreus, Hippalcimus, Sciron, Cleones and Letreus. Four of their daughters married into the House of Perseus, Astydameia, Nicippe, by the nymph Axioche or Danais Pelops was father of Chrysippus Pelops is believed to have Anatolian origins. He may have been worshipped in Phrygia or Lydia. Other ancient mythographers connect him with Paphlagonia and he may have come from the Paphlagonian town of Enete. Others represent him as a native of Greece, who came from Olenos in Achaia, also, according to Strabo, Pelops cult may have come to the Peloponnese originally from Phthiotis, and was first based in Laconia. The Achaeans of Phthiotis came down with Pelops into the Peloponnesus, Pelops father was Tantalus, king at Mount Sipylus in Anatolia. Wanting to make an offering to the Olympians, Tantalus cut Pelops into pieces and made his flesh into a stew, demeter, deep in grief after the abduction of her daughter Persephone by Hades, absentmindedly accepted the offering and ate the left shoulder. The other gods sensed the plot, however, and held off from eating of the boys body, while Tantalus was banished to Tartarus, Pelops was ritually reassembled and brought back to life, his shoulder replaced with one of ivory made for him by Hephaestus. Pindar mentioned this tradition in his First Olympian Ode, only to reject it as a malicious invention, after Pelops resurrection, Poseidon took him to Olympus, and made him the youth apprentice, teaching him also to drive the divine chariot. Later, Zeus found out about the stolen food and their now revealed secrets. Having grown to manhood, Pelops wanted to marry Hippodamia, worried about losing, Pelops went to the seaside and invoked Poseidon, his former lover. Reminding Poseidon of their love, he asked Poseidon for help, smiling, Poseidon caused a chariot drawn by untamed winged horses to appear. Two episodes involving charioteers were added into the account of the heroic chariot race. In the first related by Theopompus, having received the horses, on the way, his charioteer Cillus dies and stands in a dream over Pelops, who was highly distressed about him, to make requests for a funeral
Pelops
–
Pelops
Pelops
–
"Throne of Pelops" at Yarıkkaya locality in
Mount Sipylus
Pelops
–
Pelops and
Hippodamia racing in a base relief (
Metropolitan Museum of Art)
Pelops
–
Pelops and Hippodamia; base relief, Metropolitan Museum of Art
26.
Myrtilus
–
In Greek mythology, Myrtilus was a divine hero and son of Hermes. His mother is said variously to be an Amazon, either Theobule or Myrto, Phaethusa, daughter of Danaus, or a nymph or mortal woman named Clymene, Clytie, Myrtilus was the charioteer of King Oenomaus of Pisa in Elis, on the northwest coast of the Peloponnesus. Myrtilus was offered as bribe the privilege of the first night with Hippodamia, Myrtilus, who loved Hippodamia himself but was too afraid to ask her hand of her father, agreed and sabotaged the kings chariot by replacing the bronze linchpins with fake ones made of bees wax. In the ensuing accident Oenomaus lost his life, cursing Myrtilus as he died, shortly thereafter Myrtilus tried to seduce Hippodamia, who ran crying to Pelops, although Myrtilus said this was the bargain. Enraged, Pelops murdered Myrtilus by casting him into the sea off the east coast of the Peloponnesus and his body was later recovered and brought in the temple of Hermes where it was honored with annual sacrifices. Some say that Myrtilus was transformed into the constellation of Auriga, as Myrtilus died, he cursed Pelops. This curse would haunt future generations of Pelops family, including Atreus, Thyestes, Agamemnon, Aegisthus, Menelaus, Orestes, also, the burial place of Myrtilus was a taraxippus in Olympia
Myrtilus
–
Death of Myrtilus depicted on a cinerary urn
27.
House of Atreus
–
In Greek mythology, Atreus was a king of Mycenae in the Peloponnese, the son of Pelops and Hippodamia, and the father of Agamemnon and Menelaus. Collectively, his descendants are known as Atreidai or Atreidae, Atreus and his twin brother Thyestes were exiled by their father for murdering their half-brother Chrysippus in their desire for the throne of Olympia. They took refuge in Mycenae, where they ascended to the throne in the absence of King Eurystheus, Eurystheus had meant for their stewardship to be temporary, but it became permanent after his death in battle. According to most ancient sources, Atreus was the father of Pleisthenes, the word Atreides refers to one of the sons of Atreus—Agamemnon and Menelaus. The plural form Atreidae or Atreidai refers to both sons collectively, in English, the form Atreides is often used and this term is sometimes used for more distant descendants of Atreus. The House of Atreus begins with Tantalus, Tantalus was a son of Zeus who enjoyed cordial relations with the gods until he decided to slay his son Pelops and feed him to the gods as a test of their omniscience. But Demeter, who was distracted due to the abduction by Hades of her daughter Persephone, the gods threw Tantalus into the underworld, where he spends eternity standing in a pool of water beneath a fruit tree with low branches. Whenever he reaches for the fruit, the branches raise his intended meal from his grasp, whenever he bends down to get a drink, the water recedes before he can drink. Thus is derived the word tantalising, the gods brought Pelops back to life, replacing the bone in his shoulder with a bit of ivory, thus marking the family forever afterwards. Pelops married Hippodamia after winning a race against her father, King Oenomaus, by arranging for the sabotage of his would-be-father-in-laws chariot. The versions of the story differ, as Myrtilus died, he cursed Pelops and his line, further adding to the houses curse. Pelops and Hippodamia had many sons, two of them were Atreus and Thyestes, depending on myth versions, they murdered Chrysippus, who was their half-brother. Because of the murder, Hippodamia, Atreus, and Thyestes were banished to Mycenae, Atreus vowed to sacrifice his best lamb to Artemis. Upon searching his flock, however, Atreus discovered a golden lamb which he gave to his wife, Aerope and she gave it to Thyestes, her lover and Atreus brother, who then convinced Atreus to agree that whoever had the lamb should be king. Thyestes produced the lamb and claimed the throne, Atreus retook the throne using advice he received from Hermes. Thyestes agreed to give the back when the sun moved backwards in the sky. Atreus retook the throne and banished Thyestes, Atreus then learned of Thyestes and Aeropes adultery and plotted revenge. He killed Thyestes sons and cooked them, save their hands and he tricked Thyestes into eating the flesh of his own sons and then taunted him with their hands and feet
House of Atreus
–
Entrance to the tomb (
tholos) of Atreus ("
Treasury of Atreus ") built around
1250 BC at
Mycenae.
28.
Boeotia
–
Boeotia, sometimes alternatively Latinised as Beotia, is one of the regional units of Greece. It is part of the region of Central Greece and it was also a region of ancient Greece. Its capital is Livadeia, and its largest city is Thebes, Boeotia lies to the north of the eastern part of the Gulf of Corinth. It also has a coastline on the Gulf of Euboea. It bordered on Megaris in the south, Attica in the southeast, Euboea in the northeast, Opuntian Locris in the north and Phocis in the west. The main mountain ranges of Boeotia are Mount Parnassus in the west, Mount Helicon in the southwest, Cithaeron in the south and its longest river, the Cephissus, flows in the central part, where most of the low-lying areas of Boeotia are found. Lake Copais was a lake in the center of Boeotia. It was drained in the 19th century, lake Yliki is a large lake near Thebes. The earliest inhabitants of Boeotia, associated with the city of Orchomenus, were called Minyans, pausanias mentions that Minyans established the maritime Ionian city of Teos, and occupied the islands of Lemnos and Thera. The Argonauts were sometimes referred to as Minyans, also, according to legend the citizens of Thebes paid an annual tribute to their king Erginus. The early wealth and power of Boeotia is shown by the reputation and visible Mycenean remains of several of its cities, especially Orchomenus, the origin of the name Boeotians may lie in the mountain Boeon in Epirus. Some toponyms and the common Aeolic dialect indicate that the Boeotians were related to the Thessalians and they moved south and settled in another rich plain, while others filtered across the Aegean and settled on Lesbos and in Aeolis in Asia Minor. Others are said to have stayed in Thessaly, withdrawing into the hill country, many ancient Greek legends originated or are set in this region. The older myths took their form during the Mycenean age when the Mycenean Greeks established themselves in Boeotia. Many of them are related to the myths of Argos, and others indicate connections with Phoenicia, Boeotia was also notable for the ancient oracular shrine of Trophonius at Lebadea. Graea, an ancient city in Boeotia, is thought to be the origin of the Latin word Graecus, from which English derives the words Greece. The major poets Hesiod and Pindar were Boeotians, on the other hand, the lack of good harbours hindered its maritime development. The importance of the legendary Minyae has been confirmed by archaeological remains, the Boeotian population entered the land from the north possibly before the Dorian invasion
Boeotia
–
Mount Helicon
Boeotia
–
Municipalities of Boeotia
Boeotia
–
18th century map of ancient Boeotia.
Boeotia
–
Ruins of the Cadmeia, the central fortress of ancient
Thebes.
29.
Artemis
–
Artemis was one of the most widely venerated of the Ancient Greek deities. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek, Homer refers to her as Artemis Agrotera, Potnia Theron, Artemis of the wildland, Mistress of Animals. The Arcadians believed she was the daughter of Demeter, in the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. The deer and the cypress were sacred to her, in later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. The name Artemis is of unknown or uncertain origin and etymology although various ones have been proposed, for example, according to J. T. Jablonski, the name is also Phrygian and could be compared with the royal appellation Artemas of Xenophon. Anton Goebel suggests the root στρατ or ῥατ, to shake, babiniotis, while accepting that the etymology is unknown, states that the name is already attested in Mycenean Greek and is possibly of pre-Hellenic origin. It is believed that a precursor of Artemis was worshiped in Minoan Crete as the goddess of mountains and hunting, R. S. P. Beekes suggested that the e/i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus, various conflicting accounts are given in Classical Greek mythology of the birth of Artemis and her twin brother, Apollo. All accounts agree, however, that she was the daughter of Zeus and Leto, an account by Callimachus has it that Hera forbade Leto to give birth on either terra firma or on an island. Hera was angry with Zeus, her husband, because he had impregnated Leto, but the island of Delos disobeyed Hera, and Leto gave birth there. In ancient Cretan history Leto was worshipped at Phaistos and in Cretan mythology Leto gave birth to Apollo, a scholium of Servius on Aeneid iii. The myths also differ as to whether Artemis was born first, most stories depict Artemis as born first, becoming her mothers mid-wife upon the birth of her brother Apollo. The childhood of Artemis is not fully related in any surviving myth, the Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus. She wished for no city dedicated to her, but to rule the mountains, Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo. All of her companions remained virgins, and Artemis closely guarded her own chastity and her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon. Okeanus daughters were filled with fear, but the young Artemis bravely approached and asked for bow, Callimachus then tells how Artemis visited Pan, the god of the forest, who gave her seven bitches and six dogs. She then captured six golden-horned deer to pull her chariot, Artemis practiced with her bow first by shooting at trees and then at wild beasts. As a virgin, Artemis had interested many gods and men, Orion was accidentally killed either by Artemis or by Gaia
Artemis
–
The
Diana of Versailles, a
Roman copy of a
Greek sculpture by
Leochares (
Louvre Museum)
Artemis
–
Didrachm from
Ephesus,
Ionia, representing the goddess Artemis
Artemis
–
Silver tetradrachm of the
Indo-Greek king
Artemidoros (whose name means "gift of Artemis"), c. 85 BCE, featuring Artemis with a drawn bow and a quiver on her back on the reverse of the coin
Artemis
–
Artemis (on the left, with a deer) and Apollo (on the right, holding a lyre) from
Myrina, dating to approximately 25 BC
30.
Aeschylus
–
Aeschylus was an ancient Greek tragedian. He is often described as the father of tragedy, academics knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater allowing conflict among them, fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work. He was probably the first dramatist to present plays as a trilogy, at least one of his plays was influenced by the Persians second invasion of Greece. This work, The Persians, is the surviving classical Greek tragedy concerned with contemporary events. Despite this, Aeschylus work – particularly the Oresteia – is generally acclaimed by modern critics and scholars. As soon as he woke from the dream, the young Aeschylus began to write a tragedy, and his first performance took place in 499 BC and he won his first victory at the City Dionysia in 484 BC. In 510 BC, when Aeschylus was 15 years old, Cleomenes I expelled the sons of Peisistratus from Athens, Cleisthenes reforms included a system of registration that emphasized the importance of the deme over family tradition. In the last decade of the 6th century, Aeschylus and his family were living in the deme of Eleusis, the Persian Wars played a large role in the playwrights life and career. In 490 BC, Aeschylus and his brother Cynegeirus fought to defend Athens against the army of Darius I of Persia at the Battle of Marathon. The Athenians emerged triumphant, a victory celebrated across the city-states of Greece, Cynegeirus, however, died in the battle, receiving a mortal wound while trying to prevent a Persian ship retreating from the shore, for which his countrymen extolled him as a hero. In 480, Aeschylus was called into service again, this time against Xerxes Is invading forces at the Battle of Salamis. Ion of Chios was a witness for Aeschyluss war record and his contribution in Salamis, Salamis holds a prominent place in The Persians, his oldest surviving play, which was performed in 472 BC and won first prize at the Dionysia. Aeschylus was one of many Greeks who were initiated into the Eleusinian Mysteries, initiates gained secret knowledge through these rites, likely concerning the afterlife. Firm details of specific rites are sparse, as members were sworn under the penalty of not to reveal anything about the Mysteries to non-initiates. Nevertheless, according to Aristotle, Aeschylus was accused of revealing some of the secrets on stage. Other sources claim that a mob tried to kill Aeschylus on the spot. Heracleides of Pontus asserts that the tried to stone Aeschylus
Aeschylus
–
Bust of Aeschylus from the
Capitoline Museums,
Rome
Aeschylus
–
Bust of Aeschylus at
North Carolina Museum of Art
Aeschylus
–
Modern picture of the
Theatre of Dionysus in
Athens, where many of Aeschylus's plays were performed
Aeschylus
–
Mosaic of
Orestes, main character in Aeschylus's only surviving trilogy,
The Oresteia
31.
Agamemnon (play)
–
This trilogy also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC, many consider the Oresteia to be Aeschylus finest work. The principal themes of the include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. Orestia originally included a satyr play Proteus following the tragic trilogy, Agamemnon is the first of the three plays within the Oresteia trilogy. It details the homecoming of Agamemnon, King of Mycene, from the Trojan War, after ten years of warfare, Troy had fallen and all of Greece could lay claim to victory. Waiting at home for Agamemnon is his wife, Queen Clytemnestra, who has been planning his murder. The play opens to a watchman looking down and over the sea, reporting that he has been lying restless like a dog for a year and he laments the fortunes of the house, but promises to keep silent, A huge ox has stepped onto my tongue. The watchman sees a far off in the distance and is overjoyed at the victory. Clytaemnestra is introduced to the audience and she declares that there will be celebrations and sacrifices throughout the city as Agamemnon, upon the return of Agamemnon, his wife laments in full view of Argos how horrible the wait for her husband, and King, has been. After her soliloquy, Clytaemnestra pleads, and later convinces Agamemnon to walk on the laid out for him. This is a very ominous moment in the play as loyalties and motives are questioned, the Kings new concubine, Cassandra, is now introduced and this immediately spawns hatred from the queen, Clytaemnestra. Cassandra is ordered out of her chariot and to the altar where, once she is alone, is crying out insane prophecies to Apollo about the death of Agamemnon. Inside the house a cry is heard, Agamemnon had been stabbed in the bathtub. The chorus separate from one another and ramble to themselves proving their cowardice when another final cry is heard, when the doors are finally opened, Clytaemnestra is seen standing over the dead bodies of Agamemnon and Cassandra. Clytaemnestra describes the murder in detail to the chorus, showing no sign of remorse or regret, suddenly the exiled lover of Clytaemnestra, Aegisthus, bursts into the palace to take his place next to her. Aegisthus proudly states that he devised the plan to murder Agamemnon, Clytaemnestra claims that she and Aegisthus now have all the power and they re-enter the palace with the doors closing behind them. Upon arriving, Orestes reunites with his sister Electra at Agamemnons grave, shortly after the reunion, both Orestes and Electra, influenced by the Chorus, come up with a plan to kill both Clytaemnestra and Aegisthus. Orestes then heads to the door where he is unexpectedly greeted by Clytaemnestra
Agamemnon (play)
–
Agamemnon walks on the carpet of sacred peplos garments.
Agamemnon (play)
–
The murder of
Agamemnon, from an 1879 illustration from Stories from the Greek Tragedians by Alfred Church
Agamemnon (play)
–
Orestes, Electra and Hermes in front of Agamemnon's tomb by Choephoroi Painter
Agamemnon (play)
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"Orestes wird von den Furien verfolgt" (
Orestes Pursued by the Furies) by
William-Adolphe Bouguereau
32.
Sophocles
–
Sophocles is one of three ancient Greek tragedians whose plays have survived. His first plays were later than those of Aeschylus. He competed in 30 competitions, won 18, and was never judged lower than second place, Aeschylus won 14 competitions, and was sometimes defeated by Sophocles, while Euripides won 5 competitions. Sophocles influenced the development of drama, most importantly by adding a third actor and he also developed his characters to a greater extent than earlier playwrights such as Aeschylus. Sophocles, the son of Sophilus, was a member of the rural deme of Hippeios Colonus in Attica, which was to become a setting for one of his plays. Sophocles was born a few years before the Battle of Marathon in 490 BC, Sophocles was born into a wealthy family and was highly educated. Sophocles first artistic triumph was in 468 BC, when he took first prize in the Dionysia theatre competition over the master of Athenian drama. According to Plutarch, the victory came under unusual circumstances, instead of following the usual custom of choosing judges by lot, the archon asked Cimon and the other strategoi present to decide the victor of the contest. Plutarch further contends that following this loss Aeschylus soon left for Sicily, although Plutarch says that this was Sophocles first production, it is now thought that his first production was probably in 470 BC. Triptolemus was probably one of the plays that Sophocles presented at this festival, in 480 BC Sophocles was chosen to lead the paean, celebrating the Greek victory over the Persians at the Battle of Salamis. Early in his career, the politician Cimon might have one of his patrons, although if he was, there was no ill will borne by Pericles, Cimons rival. In 443/2 he served as one of the Hellenotamiai, or treasurers of Athena, in 420 BC, he welcomed and set up an altar for the image of Asclepius at his house, when the deity was introduced to Athens. For this, he was given the posthumous epithet Dexion by the Athenians and he was also elected, in 413 BC, one of the commissioners who responded to the catastrophic destruction of the Athenian expeditionary force in Sicily during the Peloponnesian War. Sophocles died at the age of ninety or ninety-one in the winter of 406/5 BC, as with many famous men in classical antiquity, his death inspired a number of apocryphal stories. The most famous is the suggestion that he died from the strain of trying to recite a long sentence from his Antigone without pausing to take a breath, another account suggests he choked while eating grapes at the Anthesteria festival in Athens. A third holds that he died of happiness after winning his final victory at the City Dionysia, one of his sons, Iophon, and a grandson, also called Sophocles, also became playwrights. Several ancient sources mention Sophocles homosexuality or bisexuality, Athenaios reported that Sophocles loved boys like Euripides loved women. The poet Ion of Chios relates an anecdote involving Sophocles seducing a serving boy at a symposium, Aeschylus, who dominated Athenian playwriting during Sophocles early career, followed suit and adopted the third character into his own work towards the end of his life
Sophocles
–
Sophocles
Sophocles
–
A marble relief of a poet, perhaps Sophocles
Sophocles
–
Portrait of the
Greek actor Euiaon in Sophocles' Andromeda, c. 430 BC.
Sophocles
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Naples Museum, Naples, Italy. Statue of Sophocles
33.
Electra (Sophocles)
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Electra or Elektra is a Greek tragedy by Sophocles. Its date is not known, but various stylistic similarities with the Philoctetes, when King Agamemnon returns from the Trojan War with his new concubine, Cassandra, his wife Clytemnestra kills them. Clytemnestra believes the murder was justified, since Agamemnon had sacrificed their daughter Iphigenia before the war, Electra, daughter of Agamemnon and Clytemnestra, rescued her younger brother Orestes from her mother by sending him to Strophius of Phocis. The play begins years later when Orestes has returned as a man with a plot for revenge. Orestes arrives with his friend Pylades, son of Strophius, and their plan is to have the tutor announce that Orestes has died in a chariot race, and that two men are arriving shortly to deliver an urn with his remains. Meanwhile, Electra continues to mourn the death of her father Agamemnon, when Electra is told of the death of Orestes her grief is doubled, but is to be short-lived. After a choral ode Orestes arrives, carrying the urn containing his ashes. He does not recognize Electra, nor she him and he gives her the urn and she delivers a moving lament over it, unaware that her brother is in fact standing alive next to her. Now realizing the truth, Orestes reveals his identity to his emotional sister and she is overjoyed that he is alive, but in their excitement they nearly reveal his identity, and the tutor comes out from the palace to urge them on. Orestes and Pylades enter the house and slay Clytemnestra, as Aegisthus returns home, they quickly put her corpse under a sheet and present it to him as the body of Orestes. He lifts the veil to discover who it really is, and they escort Aegisthus off set to be killed at the hearth, the same location Agamemnon was slain. The play ends here, before the death of Aegisthus is announced, the story of Orestes revenge was a popular subject in Greek tragedies. L. A. Post noted that the play was unique among Greek tragedies for its emphasis on action, davies, Gilbert Austin,1908 Finglass, P. J. Sophocles, Electra. Cambridge Classical Texts and Commentaries 44, cambridge Classical Texts and Commentaries 44. Lewis Campbell,1883 - verse Richard C
Electra (Sophocles)
–
Electra and Orestes by Alfred Church
34.
Calchas
–
In Greek mythology, Calchas, son of Thestor, was an Argive seer, with a gift for interpreting the flight of birds that he received of Apollo, as an augur, Calchas had no rival in the camp. He also interpreted the entrails of the enemy during the tide of battle, the episode was related at length in the lost Cypria, of the Epic Cycle. He also states that Troy will be sacked on the year of the war. In Sophocles Ajax, Calchas delivers a prophecy to Teucer suggesting that the protagonist will die if he leaves his tent before the day is out, Calchas also plays a role in Quintus of Smyrnas Posthomerica. Calchas said that if they were brief, they could convince Achilles to fight and it is he rather than Helenus that predicts that Troy will only fall once the Argives are able to recruit Philoctetes. It is by his advice that they halt the battle, even though Neoptolemus is slaughtering the Trojans and he also tells the Argives that the city is more easily taken by strategy than by force. He endorses Odysseus suggestion that the Trojan Horse will effectively infiltrate the Trojans and he also foresees that Aeneas will survive the battle and found the city, and tells the Argives that they will not kill him. He did not join the Argives when they boarded the ships and it is also said that Calchas died of laughter when the day that was to be his death day arrived and the prediction didnt seem to materialize. In medieval and later versions of the myth, Calchas is portrayed as a Trojan defector and the father of Chryseis, now called Cressida
Calchas
–
Calchas presides at the sacrifice of
Iphigeneia in a
peristyle fresco from
Pompeii.
35.
Achilles
–
In Greek mythology, Achilles was a Greek hero of the Trojan War and the central character and greatest warrior of Homers Iliad. His mother was the immortal nymph Thetis, and his father, Achilles’ most notable feat during the Trojan War was the slaying of the Trojan hero Hector outside the gates of Troy. Although the death of Achilles is not presented in the Iliad, other sources concur that he was killed near the end of the Trojan War by Paris, later legends state that Achilles was invulnerable in all of his body except for his heel. Alluding to these legends, the term Achilles heel has come to mean a point of weakness, Achilles name can be analyzed as a combination of ἄχος grief and λαός a people, tribe, nation. In other words, Achilles is an embodiment of the grief of the people, Achilles role as the hero of grief forms an ironic juxtaposition with the conventional view of Achilles as the hero of κλέος kleos. Laos has been construed by Gregory Nagy, following Leonard Palmer, to mean a corps of soldiers, a muster. With this derivation, the name would have a meaning in the poem, when the hero is functioning rightly, his men bring grief to the enemy. The poem is in part about the misdirection of anger on the part of leadership, R. S. P. Beekes has suggested a Pre-Greek origin of the name. The name Achilleus was a common and attested name among the Greeks soon after the 7th century BC. It was also turned into the female form Ἀχιλλεία attested in Attica in the 4th century BC and, in the form Achillia, Achilles was the son of the Nereid Thetis and Peleus, the king of the Myrmidons. Zeus and Poseidon had been rivals for the hand of Thetis until Prometheus, for this reason, the two gods withdrew their pursuit, and had her wed Peleus. Thetis, although a daughter of the sea-god Nereus, was brought up by Hera. According to the Achilleid, written by Statius in the 1st century AD, and to no surviving previous sources, however, he was left vulnerable at the part of the body by which she held him, his heel. It is not clear if this version of events was known earlier, in another version of this story, Thetis anointed the boy in ambrosia and put him on top of a fire, to burn away the mortal parts of his body. She was interrupted by Peleus and abandoned both father and son in a rage, however, none of the sources before Statius makes any reference to this general invulnerability. To the contrary, in the Iliad Homer mentions Achilles being wounded, in Book 21 the Paeonian hero Asteropaeus, son of Pelagon and he cast two spears at once, one grazed Achilles elbow, drawing a spurt of blood. Peleus entrusted Achilles to Chiron the Centaur, on Mt. Pelion, Achilles consuming rage is at times wavering, but at other times he cannot be cooled. Thetis foretold that her sons fate was either to gain glory and die young, or to live a long, Achilles chose the former, and decided to take part in the Trojan war
Achilles
–
Achilles and the
Nereid Cymothoe: Attic red-figure
kantharos from
Volci (
Cabinet des Médailles, Bibliothèque nationale, Paris)
Achilles
–
Head of Achilles depicted on a 4th-century BC coin from
Kremaste,
Phthia. Reverse:
Thetis, wearing
chiton and holding shield of Achilles with his AX monogram.
Achilles
–
Greek Mythology
Achilles
–
Thetis Dipping the Infant Achilles into the River Styx (ca. 1625),
Peter Paul Rubens
36.
House of the Tragic Poet
–
The House of the Tragic Poet is a typical 2nd century BC Roman house in Pompeii, Italy. The house, or villa, is famous for its mosaic floors. Discovered in November 1824 by the archaeologist Antonio Bonucci, the House of the Tragic Poet has interested scholars and writers for generations. Although the size of the house itself is in no way remarkable, its decorations are not only numerous but of the highest quality among other frescoes. Because of the mismatch between the size of the house and the quality of its decoration, much has been wondered about the lives of the homeowners, unfortunately, little is known about the family members, who were likely killed by the eruption of Mount Vesuvius in 79 AD. Traditionally, Pompeii is geographically broken up into nine regional areas, the House of the Tragic Poet sat in Regio VI, Insula 8, the far-western part of Pompeii. The house faced the Via di Nola, one of Pompeiis largest streets that linked the forum, across the Via di Nola from the House of the Tragic Poet sat the Forum Baths of Pompeii. Like many Roman homes of the period, the House of the Tragic Poet is divided into two primary sections, the front, south-facing portion of the house serves as a public, presentation-oriented space. Here, two rooms with outward-opening walls serve as shops run by the homeowners, or, less likely. These shops lie on side of a narrow entranceway, or vestibule. At the end of this sits the atrium, the most decorated of the rooms within the House of the Tragic Poet. Here, a large rectangular impluvium, or sunken water basin sits beneath an open ceiling, collecting water to be used by members of the household, near the northern end of the impluvium sits a wellhead to be used for drawing water from the basin. Still farther from the entrance sits the tablinum, a second, from these main areas extend smaller, private rooms, marking the second section of the house. Along the western wall of the atrium lie a series of cubicula, opposite these lie an additional cubiculum, an ala, and an oecus. The northern end of the tablinum opens onto a large, open peristyle, to the right of the peristyle sits the drawing room, which, in the House of the Tragic Poet, is believed to have been used as the main dining salon. Adjacent to the room is a small kitchen area. Near the left side of the peristyle, a back door opens onto an additional street. Finally, into north-western corner of the peristyle is built a small lararium, or shrine to be used in worshiping the Lares Familiares, the vestibule floor was decorated with a mosaic picture of a domesticated dog leashed and chained to an arbitrary point
House of the Tragic Poet
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19th Century photograph of the House of the Tragic Poet
House of the Tragic Poet
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House of the Tragic Poet, Pompeii. Brooklyn Museum Archives, Goodyear Archival Collection
House of the Tragic Poet
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Plan
House of the Tragic Poet
–
Mosaic Dog from floor of vestibule
37.
Pompeii
–
Pompeii was an ancient Roman town-city near modern Naples, in the Campania region of Italy, in the territory of the comune of Pompei. Pompeii, along with Herculaneum and many villas in the area, was mostly destroyed and buried under 4 to 6 m of volcanic ash. Researchers believe that the town was founded in the seventh or sixth century BC by the Osci or Oscans. It came under the domination of Rome in the 4th century BC, by the time of its destruction,160 years later, its population was estimated at 11,000 people, and the city had a complex water system, an amphitheatre, gymnasium, and a port. The eruption destroyed the city, killing its inhabitants and burying it under tons of ash, the site was lost for about 1,500 years until its initial rediscovery in 1599 and broader rediscovery almost 150 years later by Spanish engineer Rocque Joaquin de Alcubierre in 1748. The objects that lay beneath the city have been preserved for centuries because of the lack of air and these artefacts provide an extraordinarily detailed insight into the life of a city during the Pax Romana. During the excavation, plaster was used to fill in the voids in the ash layers that once held human bodies and this allowed archaeologists to see the exact position the person was in when he or she died. Pompeii has been a tourist destination for over 250 years, today it has UNESCO World Heritage Site status and is one of the most popular tourist attractions in Italy, with approximately 2.5 million visitors every year. Pompeii in Latin is a second declension plural, the ruins of Pompeii are located near the modern suburban town of Pompei. It stands on a formed by a lava flow to the north of the mouth of the Sarno River. Today it is some distance inland, but in ancient times was nearer to the coast, Pompeii is about 8 km away from Mount Vesuvius. It covered a total of 64 to 67 hectares and was home to approximately 11,000 to 11,500 people on the basis of household counts and it was a major city in the region of Campania. Three sheets of sediment have been found on top of the lava that lies below the city and, mixed in with the sediment, archaeologists have found bits of bone, pottery shards. Carbon dating has placed the oldest of these layers from the 8th–6th centuries BC, the other two strata are separated either by well-developed soil layers or Roman pavement, and were laid in the 4th century BC and 2nd century BC. It is theorized that the layers of the sediment were created by large landslides. The town was founded around the 7th-6th century BC by the Osci or Oscans and it had already been used as a safe port by Greek and Phoenician sailors. According to Strabo, Pompeii was also captured by the Etruscans, and in recent excavations have shown the presence of Etruscan inscriptions. Pompeii was captured for the first time by the Greek colony of Cumae, allied with Syracuse, in the 5th century BC, the Samnites conquered it, the new rulers imposed their architecture and enlarged the town
Pompeii
–
View into a street of Pompeii
Pompeii
–
The Temple of Jupiter with
Vesuvius in the distance
Pompeii
–
Pompeii, Italy. Pompeii - Forum and Vesuvius. Brooklyn Museum Archives, Goodyear Archival Collection
Pompeii
–
Illustrated reconstruction, from a
CyArk /
University of Ferrara research partnership, of how the
Temple of Apollo may have looked before Mt. Vesuvius erupted
38.
Naples National Archaeological Museum
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The Naples National Archaeological Museum is a museum in Naples, southern Italy, at the northwest corner of the original Greek wall of the city of Neapolis. The museum contains a collection of Roman artifacts from Pompeii, Stabiae. The collection includes works of the highest quality produced in Greek, Roman and it is the most important Italian archaeological museum and is considered one of the most important in the world. Charles of Bourbon founded the museum in the 1750s, the building he used for it had been erected as a cavalry barracks and during its time as the seat of the University of Naples was extended, in the late 18th century. The museum hosts extensive collections of Greek and Roman antiquities and their core is from the Farnese Collection, which includes a collection of engraved gems and the Farnese Marbles. Among the notable works found in the museum are the Herculaneum papyri, carbonized by the eruption of Mount Vesuvius, many of these works, especially the larger ones, have been moved to the Museo di Capodimonte for display in recent years. The Farnese Hercules, which fixed the image of Hercules in the European imagination, a major collection of ancient Roman bronzes from the Villa of the Papyri is housed at the museum. These include the Seated Hermes, a sprawling Drunken Satyr, a bust of Thespis, another variously identified as Seneca or Hesiod, the museums Mosaic Collection includes a number of important mosaics recovered from the ruins of Pompeii and the other Vesuvian cities. This includes the Alexander Mosaic, dating from circa 100 BC and it depicts a battle between the armies of Alexander the Great and Darius III of Persia. Another mosaic found is that of the gladiatorial fighter depicted in a found from the Villa of the Figured Capitals in Pompeii. With 2,500 objects, the museum has one of the largest collection of Egyptian artifacts in Italy after the Turin, Florence and Bologna ones. It is made up primarily of works from two collections, assembled by Cardinal Stefano Borgia in the second half of the 18th century. In its new layout the collection provides both an important record of Egyptian civilization from the Old Kingdom up to the Ptolemaic-Roman era, access was limited to only persons of mature age and known morals. The rooms were also called Cabinets of matters reserved or obscene or pornographic, the highlight of the censorship occurred in 1851 when even nude Venus statues were locked up, and the entrance walled up in the hope that the collection would vanish from memory. In September 1860, when the forces of Garibaldi occupied Naples, since the Royal Butler was no longer available, they broke into the collection. Limiting viewership and censorship have always been part of the history of the collection, censorship was restored during the era of the Kingdom of Italy, and peaked during the Fascist period, when visitors to the rooms needed the permission of the Minister of National Education in Rome. Censorship persisted in the period up to 1967, abating only after 1971 when the Ministry was given the new rules to regulate requests for visits. Completely rebuilt a few years ago with all of the new criteria, visitors under the age of 14 can tour the exhibit only with an adult
Naples National Archaeological Museum
–
Naples National Archaeological Museum
Naples National Archaeological Museum
–
Naples Museum, 1895. Brooklyn Museum Archives, Goodyear Archival Collection
Naples National Archaeological Museum
–
Venus Kallipygos
Naples National Archaeological Museum
–
The
Alexander Mosaic
39.
Human sacrifice
–
Human sacrifice is the act of killing one or more human beings, usually as an offering to a deity, as part of a ritual. Human sacrifice has been practiced in various cultures throughout history, closely related practices found in some tribal societies are cannibalism and headhunting. By the Iron Age, with the developments in religion, human sacrifice was becoming less common throughout the Old World. In the New World, however, human sacrifice continued to be widespread to varying degrees until the European colonization of the Americas, in modern times, even the practice of animal sacrifice has virtually disappeared from all major religions, and human sacrifice has become extremely rare. Most religions condemn the practice, and modern secular laws treat it as murder, in a society which condemns human sacrifice, the term ritual murder is used. Human sacrifice is distinguished from infanticide, infanticide is deliberately causing the death of an unwanted infant or young child, but without a ritualistic or religious purpose. The idea of sacrifice has its roots in deep prehistory. From its historical occurrences it seems mostly associated with neolithic or nomadic cultures, Human sacrifice has been practiced on a number of different occasions and in many different cultures. The various rationales behind human sacrifice are the same that motivate religious sacrifice in general, Human sacrifice is intended to bring good fortune and to pacify the gods, for example in the context of the dedication of a completed building like a temple or bridge. There is a Chinese legend that there are thousands of people entombed in the Great Wall of China, for the re-consecration of the Great Pyramid of Tenochtitlan in 1487, the Aztecs reported that they killed about 80,400 prisoners over the course of four days. According to Ross Hassig, author of Aztec Warfare, between 10,000 and 80,400 persons were sacrificed in the ceremony, Human sacrifice can also have the intention of winning the gods favour in warfare. In Homeric legend, Iphigeneia was to be sacrificed by her father Agamemnon to appease Artemis so she would allow the Greeks to wage the Trojan War. According to the Bible, Jephthah vowed to devote to God the first creature to come out of his house to him if he won the battle against the Ammonites. His daughter was the first to come out and meet him, in some notions of an afterlife, the deceased will benefit from victims killed at his funeral. Mongols, Scythians, early Egyptians and various Mesoamerican chiefs could take most of their household, including servants and concubines, with them to the next world. This is sometimes called a sacrifice, as the leaders retainers would be sacrificed along with their master. Another purpose is divination from the parts of the victim. According to Strabo, Celts stabbed a victim with a sword, headhunting is the practice of taking the head of a killed adversary, for ceremonial or magical purposes, or for reasons of prestige
Human sacrifice
–
The
Ashanti yam festival, early 19th century
Human sacrifice
–
This page from the
Codex Tovar depicts a scene of
gladiatorial sacrificial rite, celebrated on the festival of Tlacaxipehualiztli.
Human sacrifice
–
Hawaiian sacrifice, from
Jacques Arago 's account of
Freycinet 's travels around the world from 1817 to 1820.
Human sacrifice
–
The sacrifice of
Polyxena by the triumphant Greeks,
Trojan War, c. 570-550 BCE
40.
Iphigenia at Aulis
–
Iphigenia in Aulis or at Aulis is the last of the extant works by the playwright Euripides. The conflict between Agamemnon and Achilles over the fate of the young woman presages a similar conflict between the two at the beginning of the Iliad, in his depiction of the experiences of the main characters, Euripides frequently uses tragic irony for dramatic effect. The Greek fleet is waiting at Aulis, Boeotia, with its ships ready to sail for Troy, calchas informs the general that in order to appease the goddess, he must sacrifice his eldest daughter, Iphigenia. He sends a message to his wife, Clytemnestra, telling her to send Iphigenia to Aulis on the pretext that the girl is to be married to the Greek warrior Achilles before he sets off to fight. At the start of the play, Agamemnon has second thoughts about going through with the sacrifice and sends a message to his wife. Clytemnestra never receives it, however, because it is intercepted by Menelaus, Agamemnons brother, by this time, Clytemnestra is already on her way to Aulis with Iphigenia and her baby brother Orestes, making the decision of how to proceed all the more difficult. Iphigenia is thrilled at the prospect of marrying one of the heroes of the Greek army, but she, her mother. Furious at having been used as a prop in Agamemnons plan, Clytemnestra and Iphigenia try in vain to persuade Agamemnon to change his mind, but the general believes that he has no choice. As Achilles prepares to defend Iphigenia by force, Iphigenia, realizing that she has no hope of escape, begs Achilles not to throw his life away in a lost cause. Leading the chorus in a hymn to Artemis, she goes to her death, with her mother Clytemnestra so distraught as to presage her murder of her husband and Orestess matricide years later. The play as it exists in the ends with a messenger reporting that Iphigenia has been replaced on the altar by a deer. It is, however, generally considered that this is not a part of Euripides original text. The earliest extant libretto is by Christian Heinrich Postel, Die wunderbar errettete Iphigenia, other libretti include Ifigenia by Matteo Verazi, that of Vittorio Amadeo Cigna-Santi, that of Luigi Serio, and that of Ferdinando Moretti. However, the best-known opera today is Christoph Willibald Glucks Iphigénie en Aulide, Iphigenia in Aulis has had a significant influence on modern art. Greek director Mihalis Kakogiannis based his 1977 film Iphigenia on Euripidess script, the play also formed the basis for the 2003 novel The Songs of the Kings by Barry Unsworth, as well as the P. D. Q. Neil LaBute drew heavily on the story of Iphigenia for his short play Iphigenia in Orem, the play re-sets Iphigenias story in and around Ciudad Juárez and the murders of the Women of Juárez. Charles L. Mee, an American playwright, adapted the text for the theatre through his project. The New York World Premiere of this version of Iphigenia 2
Iphigenia at Aulis
–
Anger of Achilles by
Jacques-Louis David
41.
Tauris
–
Iphigenia in Tauris is a drama by the playwright Euripides, written between 414 BC and 412 BC. It has much in common with another of Euripidess plays, Helen, as well as the lost play Andromeda, and is described as a romance, a melodrama. Although the play is known in English as Iphigenia in Tauris, this is, strictly speaking, the Latin title of the play. There is no place as Tauris in Euripides play, although Goethe, in his play Iphigenie auf Tauris. Years before the period covered by the play, the young princess Iphigeneia narrowly avoided death by sacrifice at the hands of her father. She has since made a priestess at the temple of Artemis in Tauris. Iphigeneia hates her forced religious servitude and is desperate to contact her family in Greece. She wants to inform them that, thanks to the miraculous swap performed by Artemis, she is alive and wants to return to her homeland. Furthermore, she has had a dream about her younger brother Orestes and believes that he is dead. Meanwhile, Orestes has killed his mother Clytemnestra to avenge his father Agamemnon with assistance from his friend Pylades and he becomes haunted by the Erinyes for committing the crime and goes through periodic fits of madness. He is told by Apollo to go to Athens to be brought to trial, although the trial ends in his favour, the Erinyes continue to haunt him. Apollo sends him to steal a statue of Artemis to bring back to Athens so that he may be set free. The scene represents the front of the temple of Artemis in the land of the Taurians, the altar is in the center. The play begins with Iphigenia reflecting on her brothers death and she recounts her sacrifice at the hands of Agamemnon, and how she was saved by Artemis and made priestess in this temple. She has had a dream in which the structure of her familys house crashed down in ruins and she interprets this dream to mean that Orestes is dead. Orestes and Pylades enter, having just arrived in this land, Orestes was sent by Apollo to retrieve the image of Artemis from the temple, and Pylades has accompanied him. Orestes explains that he has avenged Agamemnons death by killing Clytaemnestra, the two decide to hide and make a plan to retrieve the idol without being captured. They know that the Taurians sacrifice Hellene blood in their temple of Artemis, Iphigenia enters and discusses her sad life with the chorus, composed of captive Greek maidens, attendants of Iphigenia
Tauris
–
The Scythian treasure of
Kul-Oba, in eastern Crimea.
Tauris
–
Satellite image of the
Black Sea. The Crimean peninsula is situated in the north.
Tauris
–
Chersonesos in modern
Sevastopol
Tauris
–
The "Chersonesus Tauricus" of
Antiquity, shown on a map printed in
London, ca 1770
42.
Crimean Peninsula
–
The peninsula is located south of the Ukrainian region of Kherson and west of the Russian region of Kuban. It is connected to Kherson Oblast by the Isthmus of Perekop and is separated from Kuban by the Strait of Kerch, the Arabat Spit is located to the northeast, a narrow strip of land that separates a system of lagoons named Sivash from the Sea of Azov. Crimea has historically been at the boundary between the world and the Pontic–Caspian steppe. Crimea and adjacent territories were united in the Crimean Khanate during the 15th to 18th century, in 1783, Crimea was annexed by the Russian Empire. It became the Autonomous Republic of Crimea within newly independent Ukraine in 1991, with Sevastopol having its own administration, within Ukraine, since 1997, after the Peace and Friendship Treaty signed by Russia and Ukraine, Crimea hosts the Russian Black Sea Fleet naval base in Sevastopol. The ex-Soviet Black Sea Fleet and its facilities were divided between Russias Black Sea Fleet and the Ukrainian Naval Forces, the two navies shared some of the citys harbours and piers, while others were demilitarised or used by either country. Sevastopol remained the location of the Russian Black Sea Fleet headquarters with the Ukrainian Naval Forces Headquarters also based in the city, most of the international community does not recognize the annexation and considers Crimea to be Ukrainian territory. Russia currently administers the peninsula as two federal subjects, the Republic of Crimea and the city of Sevastopol. Ukraine continues to assert its right over the peninsula, the classical name Tauris or Taurica is from the Greek Ταυρική, after the peninsulas Scytho-Cimmerian inhabitants, the Tauri. In English usage since the modern period the Crimean Khanate is referred to as Crim Tartary. The Italian form Crimea also becomes current during the 18th century, the omission of the definite article in English became common during the later 20th century. The name Crimea follows the Italian form from the Crimean Tatar name for the city Qırım which served as a capital of the Crimean province of the Golden Horde, the name of the capital was extended to the entire peninsula at some point during Ottoman suzerainty. The origin of the word Qırım is uncertain, suggestions argued in various sources include, a corruption of Cimmerium. A derivation from the Turkic term qirum, from qori-, other suggestions that have not been supported by sources but are apparently based on similarity in sound include, a derivation from the Greek Cremnoi. However, he identifies the port, not in Crimea, no evidence has been identified that this name was ever in use for the peninsula. The classical name was revived in 1802 in the name of the Russian Taurida Governorate, in the 8th century BCE the Cimmerians migrated to the region and subsequently the Scythians as well it being the site of Greek colonies. The most important city was Chersonesos at the edge of todays Sevastopol, the Persian Achaemenid Empire expanded to Crimea. Later occupiers included the Romans, Goths, Huns, Bulgars, the Byzantine Empire, Khazars, the Kipchaks, the Golden Horde, consideration of the succeeding residents of the peninsula by their linguistic grouping is also of relevance
Crimean Peninsula
–
Ruins of ancient Greek colony of
Chersonesos
Crimean Peninsula
–
Satellite image of the Crimean peninsula
Crimean Peninsula
–
Swallow's Nest, built in 1912 for oil millionaire Baron von Steingel, a landmark of Crimea
Crimean Peninsula
–
Armenian
monastery of the Holy Cross (Սուրբ Խաչ), established in 1358
43.
Hesiod
–
Hesiod was a Greek poet generally thought by scholars to have been active between 750 and 650 BC, around the same time as Homer. He is generally regarded as the first written poet in the Western tradition to regard himself as a persona with an active role to play in his subject. Ancient authors credited Hesiod and Homer with establishing Greek religious customs, modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought, archaic Greek astronomy and ancient time-keeping. The dating of his life is an issue in scholarly circles. Epic narrative allowed poets like Homer no opportunity for personal revelations, however, Hesiods extant work comprises didactic poems in which he went out of his way to let his audience in on a few details of his life. There are three references in Works and Days, as well as some passages in his Theogony that support inferences made by scholars. Some scholars have seen Perses as a creation, a foil for the moralizing that Hesiod develops in Works and Days. Gregory Nagy, on the hand, sees both Persēs and Hēsiodos as fictitious names for poetical personae. The family association with Cyme might explain his familiarity with eastern myths, evident in his poems, however, while his poetry features some Aeolisms there are no words that are certainly Boeotian—he composed in the main literary dialect of the time, Ionian. Pausanias asserted that Boeotians showed him an old tablet made of lead on which the Works were engraved. If he did write or dictate, it was perhaps as an aid to memory or because he lacked confidence in his ability to produce poems extempore and it certainly wasnt in a quest for immortal fame since poets in his era had no such notions. However, some suspect the presence of large-scale changes in the text. Possibly he composed his verses during idle times on the farm and he was in fact a misogynist of the same calibre as the later poet, Semonides. He resembles Solon in his preoccupation with issues of good versus evil and how a just and he resembles Aristophanes in his rejection of the idealised hero of epic literature in favour of an idealised view of the farmer. Yet the fact that he could eulogise kings in Theogony and denounce them as corrupt in Works, two different—yet early—traditions record the site of Hesiods grave. This tradition follows a familiar ironic convention, the oracle that predicts accurately after all, the other tradition, first mentioned in an epigram by Chersias of Orchomenus written in the 7th century BC claims that Hesiod lies buried at Orchomenus, a town in Boeotia. Eventually they came to regard Hesiod too as their hearth-founder, later writers attempted to harmonize these two accounts. Greeks in the fifth and early 4th centuries BC considered their oldest poets to be Orpheus, Musaeus, Hesiod
Hesiod
–
The Dance of the Muses at Mount Helicon by
Bertel Thorvaldsen (1807). Hesiod cites inspiration from the
Muses while on Mount Helicon.
Hesiod
–
Hesiod and the
Muse, by
Gustave Moreau. Here he is presented with a
lyre, which contradicts the account given by Hesiod himself, in which the gift was a laurel staff.
Hesiod
–
Modern Mount Helicon—Hesiod once described his nearby hometown,
Ascra, as "cruel in winter, hard in summer, never pleasant."
Hesiod
–
16th-century manuscript of Theogony
44.
Hecate
–
Hecate or Hekate is a goddess in Ancient Greek religion and mythology, most often shown holding two torches or a key and in later periods depicted in triple form. She was variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy and she appears in the Homeric Hymn to Demeter and in Hesiods Theogony, where she is promoted strongly as a great goddess. The place of origin of her following is uncertain, but it is thought that she had popular followings in Thrace and she was one of the main deities worshiped in Athenian households as a protective goddess and one who bestowed prosperity and daily blessings on the family. Regarding the nature of her cult, it has been remarked, intrinsically ambivalent and polymorphous, she straddles conventional boundaries and eludes definition. The etymology of the name Hecate is not known, suggested derivations include, From the Greek word for will. From Ἑκατός Hekatos, an epithet of Apollo. This has been translated as she that operates from afar, she that removes or drives off, the name of the Egyptian goddess of childbirth, Heqet, has been compared. In Early Modern English, the name was also pronounced disyllabically and it remained common practice in English to pronounce her name in two syllables, even when spelled with final e, well into the 19th century. The spelling Hecat is due to Arthur Goldings 1567 translation of Ovids Metamorphoses, noah Webster in 1866 particularly credits the influence of Shakespeare for the then-predominant disyllabic pronunciation of the name. Hecate may have originated among the Carians of Anatolia, where variants of her name are found as names given to children, Hecate was also worshipped in the ancient city of Colchis. In particular, there is evidence that she might be derived from the local sun goddesses. She also closely parallels the Roman goddess Trivia, with whom she was identified in Rome and her most important sanctuary was Lagina, a theocratic city-state in which the goddess was served by eunuchs. Lagina, where the temple of Hecate drew great festal assemblies every year, lay close to the originally Macedonian colony of Stratonikeia. In Thrace she played a similar to that of lesser-Hermes, namely a governess of liminal regions. Farnell states, The evidence of the monuments as to the character and significance of Hecate is almost as full as that of to express her manifold and mystic nature. The earliest known monument is a small terracotta found in Athens, with a dedication to Hecate, some classical portrayals show her as a triplicate goddess holding a torch, a key, serpents, daggers and numerous other items. Depictions of both a single form Hekate and triple formed, as well as occasional four headed descriptions continued throughout her history. In Egyptian-inspired Greek esoteric writings connected with Hermes Trismegistus, and in magical papyri of Late Antiquity she is described as having three heads, one dog, one serpent, and one horse, in other representations her animal heads include those of a cow and a boar
Hecate
–
The Hecate Chiaramonti, a Roman sculpture of triple Hecate, after a Hellenistic original (
Museo Chiaramonti, Vatican Museums)
Hecate
–
Statuette of Triple-bodied Hekate. Pen, ink and light brown and grey wash.
Hecate
–
Triple Hecate and the
Charites, Attic, 3rd century BCE (
Glyptothek, Munich)
45.
Commander-in-chief
–
A commander-in-chief is the person or body that exercises supreme operational command and control of a nations military forces or significant elements of those forces. In the latter case, the element is those forces within a particular region. Often, a given countrys commander-in-chief need not be or have been an officer or even a veteran. This follows the principle of civilian control of the military, the role of commander-in-chief derives from the Latin, imperator. Imperatores of the Roman Republic and Roman Empire possessed imperium powers, in its modern use, the term first applied to King Charles I of England in 1639. It continued to be used during the English Civil War, a nations head of state usually holds the nominal position of commander-in-chief, even if effective executive power is held by a separate head of government. Governors-general and colonial governors are also often appointed commander-in-chief of the forces within their territory. A commander-in-chief is sometimes referred to as commander, which is sometimes used as a specific term. The term is used for military officers who hold such power and authority, not always through dictatorship. The term is used for officers who hold authority over an individual military branch. According to the Constitution of Albania, The President of the Republic of Albania is the Commander-in-chief of Albanian Armed Forces, the incumbent Commander-in-chief is President Bujar Nishani. The Ministry of Defense is the government department that assists and serves the President in the management of the armed forces, the Minister for Defence and several subordinate ministers exercise this control through the Australian Defence Organisation. The Constitution states, in Article 80, that the President is the Commander-in-Chief of the Federal Armed Forces. e, the cabinet under the chairmanship of the Federal Chancellor, as defined in Article 69. The commander-in-chief is the president, although executive power and responsibility for national defense resides with the prime minister and he retired on 7 April 1972 and relinquished all authority and duties to the President of Bangladesh. Article 142 of the Brazilian Constitution of 1988 states that the Brazilian Armed Forces is under the command of the President of the Republic. The Sultan of Brunei is the Commander-in-Chief of the Royal Brunei Armed Forces, the powers of command-in-chief over the Canadian Armed Forces are vested in the Canadian monarch, and are delegated to the Governor General of Canada, who also uses the title Commander-in-Chief. In this capacity, the general is entitled to the uniform of a general/flag officer, with the crest of the office. According to the National Defence Act, the Minister of National Defence is responsible and accountable to parliament for all related to national defence
Commander-in-chief
–
President Cristina Fernández of
Argentina, as the Commander-in-chief of the
Argentine Armed Forces.
Commander-in-chief
–
Governor General The Lord Gowrie (right) signing the
declaration of war against
Japan with
Prime Minister John Curtin (left) looking on. (8 December 1941)
Commander-in-chief
–
Former
President Lula, with his wife
Marisa Letícia, reviews troops during
Independence Day military parade in
Brasília, Brazil.
Commander-in-chief
46.
Iliad
–
The iLiad was an electronic handheld device, or e-Reader, which could be used for document reading and editing. Like the Barnes and Noble nook, Sony Reader or Amazon Kindle, in 2010, sales of the iLiad ended when its parent company, iRex, filed for bankruptcy. The display used is an active matrix display, which uses E Ink Vizplex Imaging Film manufactured by E Ink Corporation. Underneath the E Ink screen is a tablet by WACOM which requires a stylus for input. When it was introduced, the Iliad had largest screen size of existing e-paper products, the iLiad can display document files in several formats, including PDF, Mobipocket, XHTML and plain text. It can also display JPEG, BMP and PNG images, as of May 3,2007 Mobipocket is supported, making the mobipocket digital rights management content available on this platform. IRexs product page for the states that Support for additional E-book formats will become available over the coming months. Through its wireless service, iDS, the iLiad can also download content. Les Echos, a French financial newspaper, is distributed this way, users can connect to their computer over a wireless network to sync new data onto the iLiads internal memory or an inserted MMC, SD, or CF card. The distributor of the iLiad is iRex Technologies, a Philips spin-off company and it was initially advertised in December 2005, to be launched in April 2006, but was delayed until July, when it started to be sold as a beta product. It was released to the public near the end of July. Its list price in Europe is €649, and in US $699, one of the advanced features of the iLiad is the ability to add notes to existing documents. With the integrated Wacom tablet and stylus, it is possible to directly on almost any document. Using the desktop software, those notes can be merged into the original document and this provides malleability, an important feature of physical books that is missing from most ebook products, allowing users to annotate, highlight, and personalize the text. Because of its open Linux operating system, the iLiad is able to run third party applications created for it, developers and users wishing to create or run third party applications can request shell access from the manufacturer. Developers have been able to improve on the devices functionality by porting viewers such as FBReader, full screen PDF reading is made available by community-supported iPDF releases. Programs for recreation, including audio playback, sudoku, and calendars, are rapidly growing community content available for use on the iLiad, independent users have also reported successful porting of mobile web browsers to iLiads Linux platform, although with limited functionality and many bugs. IRex as a company has had a relationship with its Open Source developers
Iliad
–
iRex iLiad
Iliad
Iliad
–
iLiad in sunlight
Iliad
–
iLiad e-book reader equipped with e-paper display
47.
Chryseis
–
In Greek mythology, Chryseis was a Trojan woman, the daughter of Chryses. Chryseis, her apparent name in the Iliad, means simply Chryses daughter, later writers give her name as Astynome. Apollo then sends a plague sweeping through the Greek armies, and Agamemnon is forced to give Chryseis back in order to end it, so Agamemnon sends Odysseus to return Chryseis to her father. Agamemnon compensates himself for this loss by taking Briseis from Achilles, an act that offends Achilles, a later Greek legend, preserved in Hyginus Fabulae, states that she had a son by Agamemnon. In medieval literature, Chryseis is developed into the character Cressida, I Modi, a work of art which depicts her
Chryseis
–
Odysseus returns Chryseis to her father (by
Claude Lorrain, 1644).
48.
Chryses
–
In Greek mythology, Chryses was a Trojan priest of Apollo at Chryse, near the city of Troy. According to a tradition mentioned by Eustathius of Thessalonica, Chryses and Briseus were brothers, during the Trojan War, Agamemnon took Chryses daughter Chryseis from Moesia as a war prize and when Chryses attempted to ransom her, refused to return her. Chryses prayed to Apollo, and he, in order to defend the honor of his priest, sent a plague sweeping through the Greek armies, the significance of Agamemnons actions lies not in his kidnapping Chryseis, but in his refusal to release her upon her fathers request. Chryses, with help from Orestes, was responsible for the death of Thoas. He killed Thoas after finding out that the son of Chryseis, after he killed Thoas, Chryses went to Mycenae. Bibliotheca, Hyginus, R. Scott Smith, and Stephen M. Trzaskoma, apollodorus Library and Hyginus Fabulae, two handbooks of Greek mythology
Chryses
–
Chryses attempting to ransom his daughter
Chryseis from
Agamemnon,
Apulian red-figure
crater by the Athens 1714 Painter, ca. 360 BC–350 BC,
Louvre.
49.
Cassandra
–
Cassandra, also known as Alexandra or Kassandra, was a daughter of King Priam and of Queen Hecuba of Troy in Greek mythology. In modern usage her name is employed as a device to indicate someone whose accurate prophecies are not believed by those around them. In an alternative version, she fell asleep in a temple, Cassandra became a figure of epic tradition and of tragedy. Hjalmar Frisk notes unexplained etymology, citing various hypotheses found in Wilhelm Schulze, Edgar Howard Sturtevant, J. Davreux, R. S. P. Beekes cites García Ramóns derivation of the name from the Proto-Indo-European root *kend- raise. Cassandra was the daughter of King Priam and Queen Hecuba and the twin sister of Helenus. According to legend, Cassandra had dark curly hair and dark brown eyes and was both beautiful and clever, but considered insane. However, her perceived insanity is the result of being cursed by the god Apollo, many versions of the myth relate that she incurred the gods wrath by refusing him sex, sometimes after first promising herself in exchange for the power of prophecy. Hyginus says, In another version, Cassandra consented to have sex with Apollo in exchange for the gift of prophecy and her punishment was the curse of never being believed. In some versions of the myth, Apollo curses her by spitting into her mouth during a kiss, in Aeschylus Agamemnon, she foretells the betrayal of Clytemnestra. She also bemoans her relationship with Apollo, Cassandra had served as a priestess of Apollo and her cursed gift from Apollo became a source of endless pain and frustration to Cassandra. Cassandra was seen as a liar and a madwoman by her family, in some versions of the story, she was often locked up in a pyramidal building on the citadel on her father King Priam’s orders. She was accompanied there by the wardress who cared for her under orders to inform the King of all of his daughters prophetic utterances. She was driven insane by this in the versions where she was incarcerated, though in the versions where she was not. According to legend, Cassandra had instructed her twin brother Helenus in the power of prophecy so he could be a prophet, like her, Helenus was always correct whenever he had made his predictions, but unlike his sister, people believed him. Cassandra made many predictions, with all of her prophecies being disbelieved except for one and she was believed when she foresaw who Paris was and proclaimed that he was her abandoned brother. This took place after he had sought refuge in the altar of Zeus from their brothers’ wrath, Cassandra foresaw that Paris’ abduction of Helen for his wife would bring about the Trojan War and cause the destruction of Troy. She did warn Paris not to go to Sparta along with Helenus who echoed her prophecy, Cassandra saw Helen coming into Troy at Paris return home from Sparta. She furiously snatched away Helens golden veil and tore at her hair, for she had foreseen that Helens arrival would bring the calamities of the Trojan War, the Trojan people, however, welcomed Helen into their city
Cassandra
–
Cassandra by
Evelyn De Morgan (1898, London); Cassandra in front of the burning city of Troy at the peak of her insanity.
Cassandra
–
Woodcut illustration of Cassandra's prophecy of the fall of Troy (at left) and her death (at right), from an incunable German translation by
Heinrich Steinhöwel of
Giovanni Boccaccio 's
De mulieribus claris, printed by Johann Zainer (de) at Ulm ca. 1474.
Cassandra
–
Ajax and Cassandra by
Johann Heinrich Wilhelm Tischbein, 1806
Cassandra
–
Ajax taking Cassandra, tondo of a
red-figure kylix by the Kodros Painter (el), c. 440-430 BC,
Louvre
50.
Priam
–
In Greek mythology, Priam was the king of Troy during the Trojan War and youngest son of Laomedon. Modern scholars derive his name from the Luwian name Pariya-muwas, which meant “exceptionally courageous” and was attested as the name of a man from Zazlippa, a similar form is attested transcribed in Greek as Paramoas near Kaisareia in Cappadocia. Notable is also Piyama-Radu, a man whose name figures prominently in the Hittite archives. Priam was originally called Podarces and he kept himself from being killed by Heracles by giving him a golden veil embroidered by his sister, after this, Podarces changed his name to Priam. This is a folk etymology based on πριατός priatos, ransomed from πρίασθαι priasthai, in Iliad Book 3, Priam tells Helen of Troy that he once helped King Mygdon of Phrygia defend against the Amazons. When Hector is killed by Achilles, the Greek warrior treats the body with disrespect, Zeus sends the god Hermes to escort King Priam, Hector’s father and the ruler of Troy, into the Greek camp. Priam tearfully pleads with Achilles to take pity on a father bereft of his son and he invokes the memory of Achilles’ own father, Peleus. Priam begs Achilles to pity him, saying I have endured what no one on earth has ever done before — I put my lips to the hands of the man who killed my son, deeply moved, Achilles relents and returns Hector’s corpse to the Trojans. Both sides agree to a truce, and Achilles gives Priam leave to hold a proper funeral for Hector. He promises that no Greek will engage in combat for nine days, but on the day of peace. Priam is killed during the Sack of Troy by Achilles son Neoptolemus and his death is graphically related in Book II of Virgils Aeneid. In Virgils description, Neoptolemus first kills Priams son Polites in front of his father as he seeks sanctuary on the altar of Zeus, Priam rebukes Neoptolemus, throwing a spear at him, harmlessly hitting his shield. Neoptolemus then drags Priam to the altar and there kills him too and it has been suggested by Hittite sources, specifically the Manapa-Tarhunta letter, that there is historical basis for the archetype of King Priam. The letter describes one Piyama-Radu as a rebel who overthrew a Hittite client king. There is also mention of an Alaksandu, suggested to be Paris Alexander, in Apollodorus Library, Telamon was almost killed during the siege of Troy. Telamon was the first one to break through the Trojan wall, Hercules was about to cut him down with his sword when Telamon began to quickly assemble an altar out of nearby stones in honor of Hercules. Hercules was so pleased, after the sack of Troy he gave Telamon Hesione as a wife, Hesione requested that she be able to bring her brother Podarces with her. Hercules would not allow it unless Hesione bought Podarces as a slave, Hesione paid for her brother with a veil
Priam
–
Priam killed by
Neoptolemus, detail of an Attic black-figure amphora, ca. 520–510 BC
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Agamemnon". Encyclopædia Britannica. 1 (11th ed.). Cambridge University Press. pp. 363–364.
