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Achilles and Penthesileia by Exekias, c. 540 BC, British Museum, London
Achilles and Penthesileia by Exekias, c. 540 BC, British Museum, London
Prometheus (1868 by Gustave Moreau). The myth of Prometheus first was attested by Hesiod and then constituted the basis for a tragic trilogy of plays,
Prometheus (1868 by Gustave Moreau). The myth of Prometheus first was attested by Hesiod and then constituted the basis for a tragic trilogy of plays, possibly by Aeschylus, consisting of Prometheus Bound, Prometheus Unbound, and Prometheus Pyrphoros.
The Roman poet Virgil, here depicted in the fifth-century manuscript, the Vergilius Romanus, preserved details of Greek mythology in many of his writi
The Roman poet Virgil, here depicted in the fifth-century manuscript, the Vergilius Romanus, preserved details of Greek mythology in many of his writings.
Phaedra with an attendant, probably her nurse, a fresco from Pompeii, c. 60 – c. 20 BC
Phaedra with an attendant, probably her nurse, a fresco from Pompeii, c. 60 – c. 20 BC
Romulus and Remus, the Lupercal, Father Tiber, and the Palatine on a relief from a pedestal dating to the reign of Trajan (AD 98–117)
Romulus and Remus, the Lupercal, Father Tiber, and the Palatine on a relief from a pedestal dating to the reign of Trajan (AD 98–117)
In this wall painting from Pompeii, Venus looks on while the physician Iapyx tends to the wound of her son, Aeneas; the tearful boy is her grandson As
In this wall painting from Pompeii, Venus looks on while the physician Iapyx tends to the wound of her son, Aeneas; the tearful boy is her grandson Ascanius, also known as Iulus, legendary ancestor[citation needed] of Julius Caesar and the Julio-Claudian dynasty
Mucius Scaevola in the Presence of Lars Porsenna (early 1640s) by Matthias Stom
Mucius Scaevola in the Presence of Lars Porsenna (early 1640s) by Matthias Stom
Polyphemus hears of the arrival of Galatea; ancient Roman fresco painted in the "Fourth Style" of Pompeii (45–79 AD)
Polyphemus hears of the arrival of Galatea; ancient Roman fresco painted in the "Fourth Style" of Pompeii (45–79 AD)