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History
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Akzidenz-Grotesk seems to be a derivative of this shadowed sans-serif (Schattierte Grotesk, detail below) released by the Bauer & Co. foundry of Stutt
Akzidenz-Grotesk seems to be a derivative of this shadowed sans-serif (Schattierte Grotesk, detail below) released by the Bauer & Co. foundry of Stuttgart in 1896, the year before it was taken over by Berthold.
A 1905 advertisement for Berthold in a Swedish printing journal, offering Royal-Grotesk, later branded as the light weight of Akzidenz-Grotesk, for sa
A 1905 advertisement for Berthold in a Swedish printing journal, offering Royal-Grotesk, later branded as the light weight of Akzidenz-Grotesk, for sale. The sans-serif type is used in a secondary role underneath a more decorative heading face.
Font designer Dan Reynolds (above) and graphic design professor Indra Kupferschmid (below) have documented many aspects of the early history of Akzide
Font designer Dan Reynolds (above) and graphic design professor Indra Kupferschmid (below) have documented many aspects of the early history of Akzidenz-Grotesk.
A German banknote from 1918, using a range of sans-serifs of the period
A German banknote from 1918, using a range of sans-serifs of the period
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Rothbury, an early modulated sans-serif typeface from 1915. The strokes vary in width considerably.
Rothbury, an early modulated sans-serif typeface from 1915. The strokes vary in width considerably.
Sans-serif letterforms in ancient Etruscan on the Cippus Perusinus
Sans-serif letterforms in ancient Etruscan on the Cippus Perusinus
Roman square capitals, the inspiration for serif letters
Roman square capitals, the inspiration for serif letters
A 12th-century Medieval Latin inscription in Italy featuring sans-serif capitals
A 12th-century Medieval Latin inscription in Italy featuring sans-serif capitals