1.
Philipp Kilian
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Philipp Kilian, was a German Baroque engraver. According to Houbraken he engraved the portrait of Johann Heinrich Roos which Rooss teacher Barent Graat sent him when he was writing his Schouburgh, Kilian made the engraving for Joachim von Sandrart, whose Teutsche Academie he illustrated. According to the RKD he was the son of the engraver Wolfgang Kilian, besides engraving Sandrarts portrait, he made engravings after paintings by Karel Skreta, Philippe de Champaigne, and Johann Carl Loth. Philipp Kilian on Sandrart. net Media related to Philipp Kilian at Wikimedia Commons
2.
Regensburg
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Regensburg is a city in south-east Germany, situated at the confluence of the Danube, Naab and Regen rivers. With over 140,000 inhabitants, Regensburg is the fourth-largest city in the State of Bavaria after Munich, the city is the political, economic and cultural centre of Eastern Bavaria and the capital of the Bavarian administrative region Upper Palatinate. The medieval centre of the city is a UNESCO World Heritage Site, in 2014, Regensburg was among the top sights and travel attractions in Germany. Generally known in English as Ratisbon until well into the twentieth century, the first settlements in Regensburg date from the Stone Age. The Celtic name Radasbona was the oldest given to a settlement near the present city, around AD90, the Romans built a fort there. In 179, a new Roman fort Castra Regina was built for Legio III Italica during the reign of Emperor Marcus Aurelius. It is believed that as early as in late Roman times the city was the seat of a bishop, from the early 6th century, Regensburg was the seat of a ruling family known as the Agilolfings. From about 530 to the first half of the 13th century, Regensburg remained an important city during the reign of Charlemagne. After the partition of the Carolingian Empire in 843, the city became the seat of the Eastern Frankish ruler, two years later, fourteen Bohemian princes came to Regensburg to receive baptism there. This was the point of Christianization of the Czechs. These events had a impact on the cultural history of the Czech lands, as they were consequently part of the Roman Catholic. A memorial plate at St Johns Church was unveiled a few years ago, commemorating the incident in the Czech, on 8 December 899 Arnulf of Carinthia, descendant of Charlemagne, died at Regensburg, Bavaria, Germany. In 800 AD the city had 23,000 inhabitants and by 1000 AD this had almost doubled to 40,000 people. In 1096, on the way to the First Crusade, Peter the Hermit led a mob of Crusaders that attempted to force the conversion of the Jews of Regensburg. Between 1135 and 1146, the Stone Bridge across the Danube was built at Regensburg and this bridge opened major international trade routes between northern Europe and Venice, and this began Regensburgs golden age as a residence of wealthy trading families. Regensburg became the centre of southern Germany and was celebrated for its gold work. In 1245 Regensburg became a Free Imperial City and was a centre before the shifting of trade routes in the late Middle Ages. At the end of the 15th century in 1486, Regensburg became part of the Duchy of Bavaria, the city adopted the Protestant Reformation in 1542 and its Town Council remained entirely Lutheran
3.
Lucas Cranach the Elder
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Lucas Cranach the Elder was a German Renaissance painter and printmaker in woodcut and engraving. He also painted religious subjects, first in the Catholic tradition and he continued throughout his career to paint nude subjects drawn from mythology and religion. He had a workshop and many works exist in different versions, his son Lucas Cranach the Younger. Lucas Cranach the Elder has been considered the most successful German artist of his time and he was born at Kronach in upper Franconia, probably in 1472. His exact date of birth is unknown and he learned the art of drawing from his father Hans Maler. His mother, with surname Hübner, died in 1491, later, the name of his birthplace was used for his surname, another custom of the times. How Cranach was trained is not known, but it was probably with local south German masters, as with his contemporary Matthias Grünewald, there are also suggestions that Cranach spent some time in Vienna around 1500. According to Gunderam Cranach demonstrated his talents as a painter before the close of the 15th century and his work then drew the attention of Duke Friedrich III, Elector of Saxony, known as Frederick the Wise, who attached Cranach to his court in 1504. Cranach was to remain in the service of the Elector and his successors for the rest of his life, Cranach married Barbara Brengbier, the daughter of a burgher of Gotha and also born there, she died at Wittenberg on 26 December 1540. Cranach later owned a house at Gotha, but most likely he got to know Barbara near Wittenberg, where her family owned a house. The first evidence of Cranachs skill as an artist comes in a picture dated 1504, in 1509 Cranach went to the Netherlands, and painted the Emperor Maximilian and the boy who afterwards became Emperor Charles V. Until 1508 Cranach signed his works with his initials, in that year the elector gave him the winged snake as an emblem, or Kleinod, which superseded the initials on his pictures after that date. Cranach was the painter to the electors of Saxony in Wittenberg. His patrons were powerful supporters of Martin Luther, and Cranach used his art as a symbol of the new faith, Cranach made numerous portraits of Luther, and provided woodcut illustrations for Luthers German translation of the Bible. Somewhat later the duke conferred on him the monopoly of the sale of medicines at Wittenberg, Cranachs presses were used by Martin Luther. His apothecary shop was open for centuries, and was only lost by fire in 1871, Cranach, like his patron, was friendly with the Protestant Reformers at a very early stage, yet it is difficult to fix the time of his first meeting with Martin Luther. The oldest reference to Cranach in Luthers correspondence dates from 1520, in a letter written from Worms in 1521, Luther calls him his gossip, warmly alluding to his Gevatterin, the artists wife. He was also godfather to their first child, Johannes Hans Luther, in 1530 Luther lived at the citadel of Veste Coburg under the protection of the Duke of Saxe-Coburg and his room is preserved there along with a painting of him
4.
Wolf Huber
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Wolf Huber was an Austrian painter, printmaker, and architect, a leading member of the Danube School. Records show that Huber was born in Feldkirch, Vorarlberg, and his relationship with other painters of that name living in Feldkirch is unknown, although it is widely believed that he was related to Hans Huber. Hubers birthdate has been estimated at around 1485 on the basis of several works, nothing is known of Hubers training, although he likely worked in a family workshop before setting out as a journeyman painter. He likely visited northern Italy, as much of his shows a thorough grounding in the stylistic techniques of the Italian Renaissance. Drawings of local subjects reveal that he visited the Salzkammergut at least once, after his relocation to Passau, Huber in 1517 became court painter to the Duke of Bavaria, Ernst, who administered the local diocese until 1540. In 1529 another local nobleman, Count Niklas II von Salm, commissioned him to rebuild Neuberg Palace on the Inn River, not far from the town and these indicate the addition of wings in the style of the Italian Renaissance, complete with rich decorative paintings. Huber probably also designed the reliefs on the tomb of the Counts father, Niklas I von Salm, for his work on the palace Huber was awarded a pension and a manor house, Neufels. When Count Wolfgang von Salm became Passaus bishop in 1542, he confirmed Hubers status as court painter, further recording that he was not subject to the laws of the guild of painters, the artist died in his manor house in Passau in 1553. None of Hubers architectural work has survived, and few of his paintings are extant and those paintings still in existence show a heavy influence from the work of Albrecht Dürer, some also show distinct Mannerist tendencies. Hubers surviving drawings suggest a number of multi-figured compositions, now lost, Hubers drawings were copied from an early date, his landscapes in particular bear a deal of resemblance to similar works by Albrecht Altdorfer. He influenced his contemporary, the draughtsman Augustin Hirschvogel, the Collection, Early German painting, 1350-1550
5.
Danube School
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The Danube School or Donau School was a circle of painters of the first third of the 16th century in Bavaria and Austria. Many also were innovative printmakers, usually in etching and they were among the first painters to regularly use pure landscape painting, and their figures, influenced by Matthias Grünewald, are often highly expressive, if not expressionist. They show little Italian influence, and also represent a break with the high finish of Northern Renaissance painting, using a more painterly style that was in many ways ahead of its time. Early Renaissance painting Stanisław Samostrzelnik Stange, Alfred, der Wald in der Malerei und der Graphik des Donaustils
6.
Little Masters
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The Little Masters, were a group of German printmakers who worked in the first half of the 16th century, primarily in engraving. They specialized in very small finely detailed prints, some no larger than a postage stamp, the leading members were Hans Sebald Beham, his brother Barthel, and George Pencz, all from Nuremberg, and Heinrich Aldegrever and Albrecht Altdorfer. Many of the Little Masters subjects were mythological or Old Testament stories, often treated erotically, the size and subject matter of the prints shows that they were designed for a market of collectors who would keep them in albums, of which a number have survived. Hans Sebald Beham and Pencz continued to produce engravings until shortly before their deaths in 1550, Aldegrever was a convinced Lutheran who developed Anabaptist leanings, which perhaps led to him spending much of his time producing ornament prints with no human figures. Raimondi, and the exterior fresco friezes of Polidoro di Caravaggio, influenced their choice of subjects and compositional style, to which Northern themes of death, the prints of Hans Baldung Grien contain similar treatments of sexual themes. Minor members of the group were Jacob Binck and Hans Brosamer, and there are some prints by a Master IB, named after his monogram, who may be either Pencz, Sebald Beham, or a separate artist. The etched work of the Hopfer family is similar in size and must have appealed to a similar market. Bartrum, Giulia, German Renaissance Prints, 1490–1550, British Museum Press,1995, ISBN 0-7141-2604-7 Arthur M. Hind, A History of Engraving and Etching, Houghton Mifflin Co. Diane Russell, Eva/Ave, Women in Renaissance and Baroque Prints, National Gallery of Art, Washington,1990, ISBN 1-55861-039-1 Goddard, Stephen H. The World in Miniature, Engravings by the German Little Masters, 1500-1550,1988, Spencer Museum of Art University of Kansas, ISBN 978-0-913689-26-4 Möseneder, Karl, Zwischen Dürer und Raffael. Graphikserien Nürnberger Kleinmeister, Petersberg 2010, ISBN 978-3-86568-571-1 Wake Forest University Print Collection article A Small World, dealers exhibition of 44 prints
7.
Free imperial city
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The evolution of some German cities into self-ruling constitutional entities of the Empire was slower than that of the secular and ecclesiastical princes. In the course of the 13th and 14th centuries, some cities were promoted by the emperor to the status of Imperial Cities, essentially for fiscal reasons. The Free Cities were those, such as Basel, Augsburg, Cologne or Strasbourg, like the other Imperial Estates, they could wage war, make peace, and control their own trade, and they permitted little interference from outside. In the later Middle Ages, a number of Free Cities formed City Leagues, such as the Hanseatic League or the Alsatian Décapole, to promote and defend their interests. In the course of the Middle Ages, cities gained, and sometimes — if rarely — lost, some favored cities gained a charter by gift. Others purchased one from a prince in need of funds, some won it by force of arms during the troubled 13th and 14th centuries and other lost their privileges during the same period by the same way. Some cities became free through the created by the extinction of dominant families. Some voluntarily placed themselves under the protection of a territorial ruler, a few, like Protestant Donauwörth, which in 1607 was annexed to the Catholic Duchy of Bavaria, were stripped by the Emperor of their status as a Free City — for genuine or trumped-up reasons. There were approximately four thousand towns and cities in the Empire, during the late Middle Ages, fewer than two hundred of these places ever enjoyed the status of Free Imperial Cities, and some of those did so only for a few decades. The military tax register of 1521 listed eighty-five such cities, from the Peace of Westphalia of 1648 to 1803, their number oscillated at around fifty. These cities were located in small territories where the ruler was weak. They were nevertheless the exception among the multitude of territorial towns, Cities of both latter categories normally had representation in territorial diets, but not in the Imperial Diet. The cities divided themselves into two groups, or benches, in the Imperial Diet, the Rhenish and the Swabian Bench. To avoid the possibility that they would have the vote in case of a tie between the Electors and the Princes, it was decided that these should decide first and consult the cities afterward. Constitutionally, if in no way, the diminutive Free Imperial City of Isny was the equal of the Margraviate of Brandenburg. Instead, many found it more profitable to maintain agents at the Aulic Council in Vienna. At the opposite end, the authority of Cologne, Aachen, Worms, Goslar, Wetzlar and they were the most economically significant burgher families who had asserted themselves politically over time. The burgher status was usually a privilege renewed pro-forma in each generation of the family concerned
8.
Danube River
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The Danube is Europes second-longest river, after the Volga River, and also the longest river in the European Union region. It is located in Central and Eastern Europe, the Danube was once a long-standing frontier of the Roman Empire, and today flows through 10 countries, more than any other river in the world. Its drainage basin extends into nine more countries, the Latin name Dānuvius is one of a number of Old European river names derived from a Proto-Indo-European *dānu. Other river names from the root include the Dunajec, Dzvina/Daugava, Don, Donets, Dnieper, Dniestr. In Rigvedic Sanskrit, dānu means fluid, drop, in Avestan, in the Rigveda, Dānu once appears as the mother of Vrtra. Known to the ancient Greeks as the Istros a borrowing from a Daco-Thracian name meaning strong, in Latin, the Danube was variously known as Danubius, Danuvius or as Ister. The Dacian/Thracian name was Donaris for the upper Danube and Istros for the lower Danube, the Thraco-Phrygian name was Matoas, the bringer of luck. The Latin name is masculine, as are all its Slavic names, the German Donau is feminine, as it has been re-interpreted as containing the suffix -ouwe wetland. Classified as a waterway, it originates in the town of Donaueschingen, in the Black Forest of Germany, at the confluence of the rivers Brigach. The Danube then flows southeast for about 2,800 km, passing through four capital cities before emptying into the Black Sea via the Danube Delta in Romania and its drainage basin extends into nine more. The highest point of the basin is the summit of Piz Bernina at the Italy–Switzerland border. The land drained by the Danube extends into other countries. Many Danubian tributaries are important rivers in their own right, navigable by barges, from its source to its outlet into the Black Sea, its main tributaries are, The Danube flows through many cities, including four national capitals, more than any other river in the world. Danube remains a mountain river until Passau, with average bottom gradient 0. 0012%. Middle Section, From Devín Gate to Iron Gate, at the border of Serbia and Romania, the riverbed widens and the average bottom gradient becomes only 0. 00006%. Lower Section, From Iron Gate to Sulina, with average gradient as little as 0. 00003%, about 60 of its tributaries are also navigable. In 1994 the Danube was declared one of ten Pan-European transport corridors, routes in Central, the amount of goods transported on the Danube increased to about 100 million tons in 1987. In 1999, transport on the river was difficult by the NATO bombing of three bridges in Serbia during the Kosovo War
9.
Niello
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Niello is a black mixture of copper, silver, and lead sulphides, used as an inlay on engraved or etched metal. The resulting design, called a niello, was of much higher contrast, during the 10th to 13th century AD, Kievan Rus craftsmen possessed a high degree of skill in jewelry making. John Tsetses, a 12th-century Byzantine writer, praised the work of Kievan Rus artisans and likened their work to the creations of Daedalus, the Kievan Rus technique for niello application was first shaping silver or gold by repoussé work, embossing, and casting. The heat of the furnace would blacken the niello and make the other stand out more vividly. During the Mongol invasion from 1237 to 1240 AD, nearly all of Kievan Rus was overrun, settlements and workshops were burned and razed and most of the craftsmen and artisans were killed. Afterwards, skill in niello and cloisonné enamel diminished greatly, the Ukrainian Museum of Historic Treasures, located in Kiev, has a large collection of nielloed items mostly recovered from tombs found throughout Ukraine. Nielloware jewelry and related items from Thailand were popular gifts from American soldiers taking R&R in Thailand to their girlfriends/wives back home from the 1930s to the 1970s, most of it was completely handmade jewelry. The technique is as follows, The artisan would carve a particular character or pattern into the silver and he would then use the niello inlay to fill in the background. After being baked in a fire, the alloy would harden. It would then be sanded smooth and buffed, finally, a silver artisan would add minute details by hand. Filigree was often used for additional ornamentation, Nielloware is classified as only being black and silver colored. Other colored jewelry originating during this time uses a different technique and is not considered niello, many of the characters shown in nielloware are characters originally found in the Hindu legend Ramayana. The Thai version is called Ramakien, important Thai cultural symbols were also frequently used. Collecting Thai jewelry is a hobby with many jewelry enthusiasts. The Kiev museum of historic treasures, overview of Siam Sterling Nielloware, Tampa, FL Dittell, C. Survey of Siam Sterling Nielloware, Bookbaby Publishers Maryon, Herbert, untracht, Oppi Metal techniques For Craftsmen, New York 1968. The Siam Sterling Nielloware Site Nielloware in Thailand Niello information site
10.
Jacopo de Barbari
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He moved from Venice to Germany in 1500, thus becoming the first Italian Renaissance artist of stature to work in Northern Europe. His few surviving paintings include the first known example of trompe loeil since antiquity and his twenty-nine engravings and three very large woodcuts were also highly influential. Since the earlier part of the range would have him achieve sudden prominence at the age of nearly fifty, there have also been suggestions he was of German extraction, but it now seems clear he was Italian, there are surviving documents of his in Italian addressed to Germans. He signed most of his engravings with a caduceus, the sign of Mercury, and he was probably not of the important Venetian Barbaro family as he was never listed in that familys genealogy. Nothing is known about his first decades, although Alvise Vivarini has been suggested as his master and he left Venice for Germany in 1500, and thereafter is better documented. In Germany he was known as Jacop Walch, probably from Wälsch meaning foreigner. He may have returned to Venice with Philip the Handsome of Burgundy, by March 1510 he was working for Philips successor Archduchess Margaret in Brussels and Mechelen. In January 1511 he fell ill and made a will, and in March the Archduchess gave him a pension for life, on account of his age and weakness. His earliest documented work is his huge and impressive aerial view Map of Venice, for which a privilege was granted to its publisher in 1500. This clearly drew on the work of many surveyors, but was a spectacular feat nonetheless and it was later updated by others to reflect major new building projects in a second state of the print. These may have also produced before 1500, they are clearly strongly influenced by Mantegna. He showed me a man and a woman which he had according to measure. Jacobus did not want to show his principles to me clearly, de Barberi spent a year in Nuremberg, where Dürer lived, in 1500–1, and influences flowed in both directions between him and Dürer for a number of years. None of his engravings are dated, so much of the dating of them depends on resemblances to dated prints by Dürer, five of his engravings were in an album of Hartmann Schedels, which was bound up in December 1504, which gives further evidence as to dating. De Barberi had probably made some engravings before leaving Italy, some of his paintings are dated as,1500,1503,1504,1508. Documents relating to his employment by Maximilian suggest his work was to include illuminating manuscripts and his only generally accepted drawing is a Cleopatra in the British Museum, apparently done as a study for an engraving which has not survived. His style is related to his master, Alvise Vivarini and to Giovanni Bellini. Apart from Dürer, the influence of Mantegnas technique also appears in what are probably the earlier engravings, done around the turn of the century and his engravings are mostly small, showing just a few figures
11.
Landscape painting
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In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition, detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. The two main traditions spring from Western painting and Chinese art, going well over a thousand years in both cases. Landscape views in art may be imaginary, or copied from reality with varying degrees of accuracy. If the primary purpose of a picture is to depict an actual, specific place, especially including buildings prominently, within a few decades it was used to describe vistas in poetry, and eventually as a term for real views. However the cognate term landscaef or landskipe for a patch of land had existed in Old English. The earliest pure landscapes with no figures are frescos from Minoan Greece of around 1500 BCE. The frescos from the Tomb of Nebamun, now in the British Museum, are a famous example. These were frequently used, as in the illustrated, to bridge the gap between a foreground scene with figures and a distant panoramic vista, a persistent problem for landscape artists. The Chinese style generally showed only a distant view, or used dead ground or mist to avoid that difficulty, aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist. They were often also poets whose lines and images illustrated each other, a revival in interest in nature initially mainly manifested itself in depictions of small gardens such as the Hortus Conclusus or those in millefleur tapestries. The frescos of figures at work or play in front of a background of trees in the Palace of the Popes. Several frescos of gardens have survived from Roman houses like the Villa of Livia, a particular advance is shown in the less well-known Turin-Milan Hours, now largely destroyed by fire, whose developments were reflected in Early Netherlandish painting for the rest of the century. Landscape backgrounds for various types of painting became prominent and skilful during the 15th century. The Italian development of a system of graphical perspective was now known all over Europe. Indeed, certain styles were so popular that they became formulas that could be copied again and again, after the publication of the Small Landscapes, landscape artists in the Low Countries either continued with the world landscape or followed the new mode presented by the Small Landscapes. The popularity of landscape scenes can be seen in the success of the painter Frans Post. Salvator Rosa gave picturesque excitement to his landscapes by showing wilder Southern Italian country, there are different styles and periods, and subgenres of marine and animal painting, as well as a distinct style of Italianate landscape
12.
Germany
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Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed
13.
Maximilian I, Holy Roman Emperor
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Maximilian I was King of the Romans from 1486 and Holy Roman Emperor from 1493 until his death, though he was never crowned by the Pope, as the journey to Rome was always too risky. He was the son of Frederick III, Holy Roman Emperor and he ruled jointly with his father for the last ten years of his fathers reign, from c.1483 to 1493. Charles father Philip died in 1506, so Charles succeeded Maximilian as Holy Roman Emperor in 1519, Maximilian was born at Wiener Neustadt on 22 March 1459. His father, Frederick III, Holy Roman Emperor, named him for an obscure saint whom Frederick believed had once warned him of imminent peril in a dream, in his infancy, he and his parents were besieged in Vienna by Albert of Austria. One source relates that, during the sieges bleakest days, the prince would wander about the castle garrison, begging the servants. The young prince was an excellent hunter, his hobby was the hunting for birds as a horse archer. The reigning duke of Burgundy, Charles the Bold, was the political opponent of Maximilians father Frederick III. After the Siege of Neuss, he was successful, the wedding between Maximilian and Mary took place on the evening of 16 August 1477. Maximilians wife had inherited the large Burgundian domains in France and the Low Countries upon her fathers death in the Battle of Nancy on 5 January 1477. Already before his coronation as the King of the Romans in 1486, Maximilian decided to secure this distant and extensive Burgundian inheritance to his family, the House of Habsburg, at all costs. Maximilian undertook the defence of his wifes dominions from an attack by Louis XI and defeated the French forces at Guinegate, the wedding contract between Maximilian and Mary stipulated that only the children of bride and groom had a right to inherit from each, not the surviving parent. Mary tried to bypass this rule with a promise to transfer territories as a gift in case of her death, but her plans were confounded. After Marys death in an accident on 27 March 1482 near the Wijnendale Castle, Maximilians aim was now to secure the inheritance to one of his and Marys children. Some of the Netherlander provinces were hostile to Maximilian, and they signed a treaty with Louis XI in 1482 that forced Maximilian to give up Franche-Comté and they openly rebelled twice in the period 1482–1492, attempting to regain the autonomy they had enjoined under Mary. Flemish rebels managed to capture Philip and even Maximilian himself, Maximilian continued to govern Marys remaining inheritance in the name of Philip the Handsome. After the regency ended, Maximilian and Charles VIII of France exchanged these two territories for Burgundy and Picardy in the Treaty of Senlis, thus a large part of the Netherlands stayed in the Habsburg patrimony. Maximilian was elected King of the Romans on 16 February 1486 in Frankfurt-am-Main at his fathers initiative and he became emperor of the Holy Roman Empire upon the death of his father in 1493. Much of Austria was under Hungarian rule when he took power, in 1490, Maximilian reconquered the territory and entered Vienna
14.
Innsbruck
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Innsbruck is the capital city of Tyrol in western Austria. It is located in the Inn valley, at its junction with the Wipp valley, Innsbruck lies about halfway between Munich in Germany and Verona in Italy. Located in the valley between high mountains, the so-called North Chain in the Karwendel Alps to the north. Innsbruck is an internationally renowned winter sports centre, and hosted the 1964 and 1976 Winter Olympics as well as the 1984 and 1988 Winter Paralympics, Innsbruck also hosted the first Winter Youth Olympics in 2012. The name translates as Inn bridge, earliest traces suggest initial inhabitation in the early Stone Age. Surviving pre-Roman place names show that the area has been populated continuously, in the 4th century the Romans established the army station Veldidena at Oenipons, to protect the economically important commercial road from Verona-Brenner-Augsburg in their province of Raetia. The first mention of Innsbruck dates back to the name Oeni Pontum or Oeni Pons which is Latin for bridge over the Inn, the Counts of Andechs acquired the town in 1180. In 1248 the town passed into the hands of the Counts of Tyrol, the citys arms show a birds-eye view of the Inn bridge, a design used since 1267. The route over the Brenner Pass was then a major transport, the revenues generated by serving as a transit station enabled the city to flourish. Innsbruck became the capital of all Tyrol in 1429 and in the 15th century the city became a centre of European politics, the city benefited from the emperors presence as can be seen for example in the Hofkirche. Here a funeral monument for Maximilian was planned and erected partly by his successors, the ensemble with a cenotaph and the bronze statues of real and mythical ancestors of the Habsburgian emperor are one of the main artistic monuments of Innsbruck. A regular postal service between Innsbruck and Mechelen was established in 1490 by the Thurn-und-Taxis-Post, in 1564 Ferdinand II, Archduke of Austria received the rulership over Tirol and other Further Austrian possessions administrated from Innsbruck up to the 18th century. He had Schloss Ambras built and arranged there his unique Renaissance collections nowadays mainly part of Viennas Kunsthistorisches Museum, up to 1665 a stirps of the Habsburgian dynasty ruled in Innsbruck with an independent court. In the 1620s the first opera house north of the Alps was erected in Innsbruck, in 1669 the university was founded. Also as a compensation for the court as Emperor Leopold I again reigned from Vienna, during the Napoleonic Wars Tyrol was ceded to Bavaria, ally of France. Andreas Hofer led a Tyrolean peasant army to victory in the Battles of Bergisel against the combined Bavarian and French forces, the combined army later overran the Tyrolean militia army and until 1814 Innsbruck was part of Bavaria. After the Vienna Congress Austrian rule was restored, until 1918, the town was part of the Austrian monarchy, head of the district of the same name, one of the 21 Bezirkshauptmannschaften in the Tyrol province. The Tyrolean hero Andreas Hofer was executed in Mantua, his remains were returned to Innsbruck in 1823, during World War I, the only recorded action taking place in Innsbruck was near the end of the war
15.
Protestant Reformation
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The period is usually considered to have begun with the publication of the Ninety-five Theses by Luther in 1517 to the Thirty Years War and ended with the Peace of Westphalia in 1648. The Protestant position, however, would come to incorporate doctrinal changes such as sola scriptura, the initial movement within Germany diversified, and other reform impulses arose independently of Luther. The spread of Gutenbergs printing press provided the means for the dissemination of religious materials in the vernacular. The largest groups were the Lutherans and Calvinists, Lutheran churches were founded mostly in Germany, the Baltics and Scandinavia, while the Reformed ones were founded in Switzerland, Hungary, France, the Netherlands and Scotland. The new movement influenced the Church of England decisively after 1547 under Edward VI and Elizabeth I, there were also reformation movements throughout continental Europe known as the Radical Reformation, which gave rise to the Anabaptist, Moravian and other Pietistic movements. The Roman Catholic Church responded with a Counter-Reformation initiated by the Council of Trent, much work in battling Protestantism was done by the well-organised new order of the Jesuits. In general, Northern Europe, with the exception of most of Ireland, southern Europe remained Roman Catholic, while Central Europe was a site of a fierce conflict, culminating in the Thirty Years War, which left it devastated. The oldest Protestant churches, such as the Unitas Fratrum and Moravian Church, the later Protestant Churches generally date their doctrinal separation from the Roman Catholic Church to the 16th century. The Reformation began as an attempt to reform the Roman Catholic Church, by priests who opposed what they perceived as false doctrines and ecclesiastic malpractice. They especially objected to the teaching and the sale of indulgences, and the abuses thereof, and to simony, the reformers saw these practices as evidence of the systemic corruption of the Churchs hierarchy, which included the pope. Unrest due to the Great Schism of Western Christianity excited wars between princes, uprisings among the peasants, and widespread concern over corruption in the Church, New perspectives came from John Wycliffe at Oxford University and from Jan Hus at the Charles University in Prague. Hus rejected indulgences and adopted a doctrine of justification by grace through faith alone, the Roman Catholic Church officially concluded this debate at the Council of Constance by condemning Hus, who was executed by burning despite a promise of safe-conduct. Wycliffe was posthumously condemned as a heretic and his corpse exhumed and burned in 1428, the Council of Constance confirmed and strengthened the traditional medieval conception of church and empire. The council did not address the national tensions or the theological tensions stirred up during the century and could not prevent schism. Pope Sixtus IV established the practice of selling indulgences to be applied to the dead, Pope Alexander VI was one of the most controversial of the Renaissance popes. He was the father of seven children, including Lucrezia and Cesare Borgia, in response to papal corruption, particularly the sale of indulgences, Luther wrote The Ninety-Five Theses. The Reformation was born of Luthers dual declaration – first, the discovering of Jesus and salvation by faith alone, the Protestant reformers were unanimous in agreement and this understanding of prophecy furnished importance to their deeds. It was the point and the battle cry that made the Reformation nearly unassailable
16.
Nativity of the Virgin (Altdorfer)
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The Nativity of the Virgin is a painting by the German Renaissance artist Albrecht Altdorfer, dating to c. 1520, which is housed in the Alte Pinakothek of Munich. The work uses a scenic composition typical of the Danube school of the time, the subject, the birth of Mary, is shown in a secondary location of the lower part of the painting. It includes St. Annes bed, the midwives with the daughter, the predominant part of the work is the church background, where angels fly to form a large circle, in the middle is a young angel with a thurible for the incense. This attention to architectural elements was typical of Altdorfers work in the period he spent at the court of Maximilian I
17.
The Battle of Alexander at Issus
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The Battle of Alexander at Issus is a 1529 oil painting by the German artist Albrecht Altdorfer, a pioneer of landscape art and a founding member of the Danube school. It portrays the 333 BC Battle of Issus, in which Alexander the Great secured a victory over Darius III of Persia. Duke William IV of Bavaria commissioned The Battle of Alexander at Issus in 1528 as part of a set of pieces that was to hang in his Munich residence. In particular, the defeat of Suleiman the Magnificent at the Siege of Vienna may have been an inspiration for Altdorfer, the Battle of Alexander at Issus and four others that were part of Williams initial set are in the Alte Pinakothek art museum in Munich. Alexander III of Macedon, best known as Alexander the Great, was an Ancient Greek king of Macedon who reigned from 336 BC until his death and he is widely regarded as one of the greatest military tacticians and strategists in history, and is presumed undefeated in battle. Renowned for his leadership and charisma, he always led his armies personally. By conquering the Persian Empire and unifying Greece, Egypt and Babylon, he forged the largest empire of the ancient world and effected the spread of Hellenism throughout Europe and Northern Africa. Alexander embarked on his expedition to conquer the Persian Empire in the spring of 334 BC, having pacified the warring Greek states and consolidated his military might. During the first months of the Macedonian passage into Persian Asia Minor, the Battle of the Granicus, fought in May, was Persias first major effort to confront the invaders, but resulted in an easy victory for Alexander. Over the next year, Alexander took most of western and coastal Asia Minor by forcing the capitulation of the satrapies in his path and he continued inland, travelling northeast through Phyrgia before turning southeast toward Cilicia. After passing the Cilician Gates in October, Alexander was delayed by fever in Tarsus, Darius meanwhile mustered an army of up to 100,000 and personally directed it over the eastern slopes of the Amanus Mountains. In early November, as Alexander proceeded about the Gulf of Issus from Mallus via Issus and this was decidedly to Darius advantage, now at the rear of Alexander, he was able to prevent retreat and block the supply lines Alexander had established at Issus. It was not until Alexander had encamped at Myriandrus, a seaport on the shores of the Gulf of İskenderun. He immediately retraced his route to the Pinarus River, just south of Issus, Darius initial response was defensive, he immediately stockaded the river bank with stakes to impede the enemys crossing. A group of Persian light infantry was sent to the foothills, as it was suspected that Alexander would make an approach from the right. A mass of cavalry commanded by Nabarsanes occupied the Persian right, Alexander made a cautious and slow advance, intending to base his strategy on the structure of the Persian force. He led a flank of his Companion cavalry on the right, while the Thessalian cavalry were dispatched to the left, as a counter to Nabarsanes mounted unit. Aware of the importance of the foothills to his right, Alexander sent a band of light infantry, archers, the enterprise was successful – those Persians not killed were forced to seek refuge higher in the mountains
18.
William IV of Bavaria
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William IV was Duke of Bavaria from 1508 to 1550, until 1545 together with his younger brother Louis X, Duke of Bavaria. He was born in Munich to Albert IV and Kunigunde of Austria, with support of his mother and the States-General, Louis forced William to accept him as co-regent in 1516. Louis then ruled the districts of Landshut and Straubing, in general in concord with his brother, William initially sympathized with the Reformation but changed his mind as it grew more popular in Bavaria. In 1522 William issued the first Bavarian religion mandate, banning the promulgation of Martin Luthers works, both dukes also suppressed the peasant uprising in South Germany in an alliance with the archbishop of Salzburg in 1525. The conflict with Habsburg ended in 1534 when both dukes reached an agreement with Ferdinand I in Linz, William then supported Charles V in his war against the Schmalkaldic League in 1546, but however did not succeed in preserving the Palatine electoral dignity. Williams chancellor for 35 years was the forceful Leonhard von Eck, William was a significant collector and commissioner of art. Among other works he commissioned an important suite of paintings from various artists and this, like most of Williams collection, is now housed in the Alte Pinakothek in Munich. With his order to expand the Neuveste with the so-called Rundstubenbau, to the history cycle of the garden pavilion belonged Albrecht Altdorfers painting. In 1546 he ordered to upgrade Dachau Palace from a Gothic ruin into a renaissance palace, in 1523 with the appointment of Ludwig Senfl began the rise of the Bavarian State Orchestra. This regulation remained in force until it was abolished as an obligation in 1986 by Paneuropean regulations of the European Union. It is also interesting in terms of linguistics because it is not written in the East German Saxon, William died in 1550 in Munich and was succeeded by his son Albert. He is buried in the Frauenkirche in Munich. Hegnenberg with Margarete Hausner v. Stettberg, hofkleiderbuch des Herzogs Wilhelm IV. und Albrecht V. 1508–1551
19.
Giorgione
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Giorgione was an Italian painter of the Venetian school in the High Renaissance from Venice, whose career was ended by his death at a little over 30. Giorgione is known for the poetic quality of his work. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art, what little is known of Giorgiones life is given in Giorgio Vasaris Lives of the Most Excellent Painters, Sculptors, and Architects. The painter came from the town of Castelfranco Veneto,40 km inland from Venice. His name sometimes appears as Zorzo, the variant Giorgione may be translated Big George. Contemporary documents record that his gifts were recognized early, in 1500, when he was only twenty-three, he was chosen to paint portraits of the Doge Agostino Barbarigo and the condottiere Consalvo Ferrante. In 1504, he was commissioned to paint an altarpiece in memory of another condottiere, Matteo Costanzo, in the cathedral of his native town, Castelfranco. In 1507, he received, at the order of the Council of Ten, very little of this work survives today. Vasari mentions an important event in Giorgiones life, and one which influenced his work and he was very closely associated with Titian, while Vasari says Giorgione was Titians master, Ridolfi says that they both were pupils of Giovanni Bellini, and lived in his house. They worked together on the Fondaco dei Tedeschi frescoes, and Titian finished at least some paintings of Giorgione after his death, Giorgione also introduced a new range of subjects. In the Venetian mainland, Giorgionismo strongly influenced Morto da Feltre, Domenico Capriolo, Giorgione died, probably of the plague then raging, by October,1510. October 1510 is also the date of a letter by Isabella dEste to a Venetian friend, asking him to buy a painting by Giorgione, significantly, the reply a month later said the painting was not to be had at any price. His name and work continue to exercise a spell on posterity, for his home town of Castelfranco, Giorgione painted the Castelfranco Madonna, an altarpiece in sacra conversazione form—Madonna enthroned, with saints on either side forming an equilateral triangle. This gave the background an importance which marks an innovation in Venetian art. Giorgione began to use the very refined chiaroscuro called sfumato—the delicate use of shades of color to depict light, whether Vasari is correct in saying he learned it from Leonardos works is unclear—he is always keen to ascribe all advances to Florentine sources. Leonardos delicate color modulations result from the tiny disconnected spots of paint that he derived from Illuminated manuscript techniques. These gave Giorgiones works the magical glow of light for which they are celebrated, Most central and typical of all of Giorgiones extant works is the Sleeping Venus now in Dresden. It was first recognized by Giovanni Morelli, and is now accepted, as being the same as the picture seen by Marcantonio Michiel
20.
Vienna
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Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north
21.
Danube
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The Danube is Europes second-longest river, after the Volga River, and also the longest river in the European Union region. It is located in Central and Eastern Europe, the Danube was once a long-standing frontier of the Roman Empire, and today flows through 10 countries, more than any other river in the world. Its drainage basin extends into nine more countries, the Latin name Dānuvius is one of a number of Old European river names derived from a Proto-Indo-European *dānu. Other river names from the root include the Dunajec, Dzvina/Daugava, Don, Donets, Dnieper, Dniestr. In Rigvedic Sanskrit, dānu means fluid, drop, in Avestan, in the Rigveda, Dānu once appears as the mother of Vrtra. Known to the ancient Greeks as the Istros a borrowing from a Daco-Thracian name meaning strong, in Latin, the Danube was variously known as Danubius, Danuvius or as Ister. The Dacian/Thracian name was Donaris for the upper Danube and Istros for the lower Danube, the Thraco-Phrygian name was Matoas, the bringer of luck. The Latin name is masculine, as are all its Slavic names, the German Donau is feminine, as it has been re-interpreted as containing the suffix -ouwe wetland. Classified as a waterway, it originates in the town of Donaueschingen, in the Black Forest of Germany, at the confluence of the rivers Brigach. The Danube then flows southeast for about 2,800 km, passing through four capital cities before emptying into the Black Sea via the Danube Delta in Romania and its drainage basin extends into nine more. The highest point of the basin is the summit of Piz Bernina at the Italy–Switzerland border. The land drained by the Danube extends into other countries. Many Danubian tributaries are important rivers in their own right, navigable by barges, from its source to its outlet into the Black Sea, its main tributaries are, The Danube flows through many cities, including four national capitals, more than any other river in the world. Danube remains a mountain river until Passau, with average bottom gradient 0. 0012%. Middle Section, From Devín Gate to Iron Gate, at the border of Serbia and Romania, the riverbed widens and the average bottom gradient becomes only 0. 00006%. Lower Section, From Iron Gate to Sulina, with average gradient as little as 0. 00003%, about 60 of its tributaries are also navigable. In 1994 the Danube was declared one of ten Pan-European transport corridors, routes in Central, the amount of goods transported on the Danube increased to about 100 million tons in 1987. In 1999, transport on the river was difficult by the NATO bombing of three bridges in Serbia during the Kosovo War
22.
National Gallery, London
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The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London. Founded in 1824, it houses a collection of over 2,300 paintings dating from the century to 1900. The Gallery is a charity, and a non-departmental public body of the Department for Culture, Media. Its collection belongs to the public of the United Kingdom and entry to the collection is free of charge. It is among the most visited art museums in the world, after the Musée du Louvre, the British Museum, unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein, after that initial purchase the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which comprise two-thirds of the collection. It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, the present building, the third to house the National Gallery, was designed by William Wilkins from 1832 to 1838. Only the façade onto Trafalgar Square remains essentially unchanged from this time, wilkinss building was often criticised for the perceived weaknesses of its design and for its lack of space, the latter problem led to the establishment of the Tate Gallery for British art in 1897. The Sainsbury Wing, an extension to the west by Robert Venturi, the current Director of the National Gallery is Gabriele Finaldi. The late 18th century saw the nationalisation of royal or princely art collections across mainland Europe, great Britain, however, did not emulate the continental model, and the British Royal Collection remains in the sovereigns possession today. In 1777 the British government had the opportunity to buy an art collection of international stature, the MP John Wilkes argued for the government to buy this invaluable treasure and suggested that it be housed in a noble gallery. The twenty-five paintings from that now in the Gallery, including NG1, have arrived by a variety of routes. This offer was declined and Bourgeois bequeathed the collection to his old school, Dulwich College, the collection opened in Britains first purpose-built public gallery, the Dulwich Picture Gallery, in 1814. The British Institution, founded in 1805 by a group of aristocratic connoisseurs, the members lent works to exhibitions that changed annually, while an art school was held in the summer months. However, as the paintings that were lent were often mediocre, some resented the Institution. One of the Institutions founding members, Sir George Beaumont, Bt, in 1823 another major art collection came on the market, which had been assembled by the recently deceased John Julius Angerstein. Angerstein was a Russian-born émigré banker based in London, his collection numbered 38 paintings, including works by Raphael, on 1 July 1823 George Agar Ellis, a Whig politician, proposed to the House of Commons that it purchase the collection. The appeal was given added impetus by Beaumonts offer, which came with two conditions, that the government buy Angersteins collection, and that a building was to be found
23.
Anthropomorphize
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Anthropomorphism is the attribution of human traits, emotions, and intentions to non-human entities and is considered to be an innate tendency of human psychology. Personification is the attribution of human form and characteristics to abstract concepts such as nations, emotions and natural forces like seasons. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters, people have also routinely attributed human emotions and behavioural traits to wild as well as domestic animals. Anthropomorphism derives from its verb form anthropomorphize, itself derived from the Greek ánthrōpos and it is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God. One of the oldest known is a sculpture, the Löwenmensch figurine, Germany. It is not possible to say what these prehistoric artworks represent, in either case there is an element of anthropomorphism. This anthropomorphic art has been linked by archaeologist Steven Mithen with the emergence of more systematic hunting practices in the Upper Palaeolithic. In religion and mythology, anthropomorphism refers to the perception of a divine being or beings in human form, ancient mythologies frequently represented the divine as deities with human forms and qualities. They resemble human beings not only in appearance and personality, they exhibited many human behaviors that were used to explain phenomena, creation. The deities fell in love, married, had children, fought battles, wielded weapons and they feasted on special foods, and sometimes required sacrifices of food, beverage, and sacred objects to be made by human beings. Some anthropomorphic deities represented specific concepts, such as love, war, fertility, beauty. Anthropomorphic deities exhibited human qualities such as beauty, wisdom, and power, and sometimes human weaknesses such as greed, hatred, jealousy, Greek deities such as Zeus and Apollo often were depicted in human form exhibiting both commendable and despicable human traits. Anthropomorphism in this case is referred to as anthropotheism, from the perspective of adherents to religions in which humans were created in the form of the divine, the phenomenon may be considered theomorphism, or the giving of divine qualities to humans. Anthropomorphism has cropped up as a Christian heresy, particularly prominently with the Audians in third century Syria, but also in fourth century Egypt and tenth century Italy. This often was based on an interpretation of Genesis 1,27, So God created man in His own image, in the image of God created He him. Some religions, scholars, and philosophers objected to anthropomorphic deities. Ethiopians say that their gods are snub–nosed and blackThracians that they are pale and he said that the greatest god resembles man neither in form nor in mind. Both Judaism and Islam reject an anthropomorphic deity, believing that God is beyond human comprehension, judaisms rejection of an anthropomorphic deity grew during the Hasmonean period, when Jewish belief incorporated some Greek philosophy. Judaisms rejection grew further after the Islamic Golden Age in the tenth century, hindus do not reject the concept of a deity in the abstract unmanifested, but note practical problems
24.
Watercolour
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Watercolor or watercolour, also aquarelle, a diminutive of the Latin for water, is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork, the traditional and most common support—material to which the paint is applied—for watercolor paintings is paper. Other supports include papyrus, bark papers, plastics, vellum, leather, fabric, wood, Watercolor paper is often made entirely or partially with cotton, which gives a good texture and minimizes distortion when wet. Watercolors are usually translucent, and appear luminous because the pigments are laid down in a form with few fillers obscuring the pigment colors. Watercolors can also be made opaque by adding Chinese white, in East Asia, watercolor painting with inks is referred to as brush painting or scroll painting. In Chinese, Korean and Japanese painting it has been the dominant medium, india, Ethiopia and other countries have long watercolor painting traditions as well. Fingerpainting with watercolor paints originated in mainland China, however, its continuous history as an art medium begins with the Renaissance. The German Northern Renaissance artist Albrecht Dürer, who painted several fine botanical, wildlife, an important school of watercolor painting in Germany was led by Hans Bol as part of the Dürer Renaissance. Despite this early start, watercolors were used by Baroque easel painters only for sketches, copies or cartoons. Notable early practitioners of watercolor painting were Van Dyck, Claude Lorrain, Giovanni Benedetto Castiglione, however, botanical illustration and wildlife illustration perhaps form the oldest and most important traditions in watercolor painting. Botanical illustrations became popular during the Renaissance, both as hand-tinted woodblock illustrations in books or broadsheets and as tinted ink drawings on vellum or paper. Wildlife illustration reached its peak in the 19th century with such as John James Audubon. Several factors contributed to the spread of watercolor painting during the 18th century, Watercolor artists were commonly brought with the geological or archaeological expeditions, funded by the Society of Dilettanti, to document discoveries in the Mediterranean, Asia, and the New World. This example popularized watercolors as a form of personal tourist journal, the confluence of these cultural, engineering, scientific, tourist, and amateur interests culminated in the celebration and promotion of watercolor as a distinctly English national art. William Blake published several books of hand-tinted engraved poetry, provided illustrations to Dantes Inferno, from the late 18th century through the 19th century, the market for printed books and domestic art contributed substantially to the growth of the medium. Satirical broadsides by Thomas Rowlandson, many published by Rudolph Ackermann, were extremely popular. Among the important and highly talented contemporaries of Turner and Girtin, were John Varley, John Sell Cotman, Anthony Copley Fielding, Samuel Palmer, William Havell, the Swiss painter Louis Ducros was also widely known for his large format, romantic paintings in watercolor. These societies provided annual exhibitions and buyer referrals for many artists, in particular, the graceful, lapidary, and atmospheric watercolors by Richard Parkes Bonington created an international fad for watercolor painting, especially in England and France in the 1820s
25.
Middle Ages
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In the history of Europe, the Middle Ages or Medieval Period lasted from the 5th to the 15th century. It began with the fall of the Western Roman Empire and merged into the Renaissance, the Middle Ages is the middle period of the three traditional divisions of Western history, classical antiquity, the medieval period, and the modern period. The medieval period is subdivided into the Early, High. Population decline, counterurbanisation, invasion, and movement of peoples, the large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the seventh century, North Africa and the Middle East—once part of the Byzantine Empire—came under the rule of the Umayyad Caliphate, although there were substantial changes in society and political structures, the break with classical antiquity was not complete. The still-sizeable Byzantine Empire survived in the east and remained a major power, the empires law code, the Corpus Juris Civilis or Code of Justinian, was rediscovered in Northern Italy in 1070 and became widely admired later in the Middle Ages. In the West, most kingdoms incorporated the few extant Roman institutions, monasteries were founded as campaigns to Christianise pagan Europe continued. The Franks, under the Carolingian dynasty, briefly established the Carolingian Empire during the later 8th, the Crusades, first preached in 1095, were military attempts by Western European Christians to regain control of the Holy Land from Muslims. Kings became the heads of centralised nation states, reducing crime and violence, intellectual life was marked by scholasticism, a philosophy that emphasised joining faith to reason, and by the founding of universities. Controversy, heresy, and the Western Schism within the Catholic Church paralleled the conflict, civil strife. Cultural and technological developments transformed European society, concluding the Late Middle Ages, the Middle Ages is one of the three major periods in the most enduring scheme for analysing European history, classical civilisation, or Antiquity, the Middle Ages, and the Modern Period. Medieval writers divided history into periods such as the Six Ages or the Four Empires, when referring to their own times, they spoke of them as being modern. In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua, leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People. Bruni and later argued that Italy had recovered since Petrarchs time. The Middle Ages first appears in Latin in 1469 as media tempestas or middle season, in early usage, there were many variants, including medium aevum, or middle age, first recorded in 1604, and media saecula, or middle ages, first recorded in 1625. The alternative term medieval derives from medium aevum, tripartite periodisation became standard after the German 17th-century historian Christoph Cellarius divided history into three periods, Ancient, Medieval, and Modern. The most commonly given starting point for the Middle Ages is 476, for Europe as a whole,1500 is often considered to be the end of the Middle Ages, but there is no universally agreed upon end date. English historians often use the Battle of Bosworth Field in 1485 to mark the end of the period
26.
St. Sebastian
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Saint Sebastian was an early Christian saint and martyr. According to Christian belief, he was killed during the Roman emperor Diocletians persecution of Christians and he is commonly depicted in art and literature tied to a post or tree and shot with arrows. Despite this being the most common depiction of Sebastian, he was, according to legend. Shortly afterwards he went to Diocletian to warn him about his sins and he is venerated in the Catholic and Orthodox Churches. The details of Saint Sebastians martyrdom were first spoken of by 4th -century bishop Ambrose of Milan, Ambrose stated that Sebastian came from Milan and that he was already venerated there at that time. Saint Sebastian is a male saint, especially among athletes. In 283, Sebastian entered the army in Rome under Emperor Carinus to assist the martyrs, because of his courage he became one of the captains of the Praetorian Guards under Diocletian and Maximian, who were unaware that he was a Christian. According to tradition, Marcus and Marcellian were twin brothers from a family and were deacons. Both brothers married, and they resided in Rome with their wives, the brothers refused to sacrifice to the Roman gods and were arrested. They were visited by their parents Tranquillinus and Martia in prison, Sebastian succeeded in converting Tranquillinus and Martia, as well as Saint Tiburtius, the son of Chromatius, the local prefect. Another official, Nicostratus, and his wife Zoe were also converted and it has been said that Zoe had been a mute for six years, however, she made known to Sebastian her desire to be converted to Christianity. As soon as she had, her returned to her. Nicostratus then brought the rest of the prisoners, these 16 persons were converted by Sebastian, Chromatius and Tiburtius converted, Chromatius set all of his prisoners free from jail, resigned his position, and retired to the country in Campania. Marcus and Marcellian, after being concealed by a Christian named Castulus, were martyred, as were Nicostratus, Zoe. Sebastian had prudently concealed his faith, but in 286 was detected, Diocletian reproached him for his supposed betrayal, and he commanded him to be led to a field and there to be bound to a stake so that certain archers from Mauritania would shoot arrows at him. And the archers shot at him till he was as full of arrows as an urchin is full of pricks, miraculously, the arrows did not kill him. The widow of Castulus, Irene of Rome, went to retrieve his body to bury it and she brought him back to her house and nursed him back to health. Sebastian later stood by a staircase where the emperor was to pass, Sebastian was said to be a defense against the plague
27.
Passion of Christ
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Those parts of the four Gospels that describe these events, as well as the non-canonical Gospel of Peter, are known as the Passion narratives. In the liturgical calendar of the Roman Catholic Church, the Passion is commemorated in Holy Week, beginning on Friday of Sorrows, the Palm Sunday and culminating on his death on Good Friday. The word passion has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs. The accounts of the Passion are found in the four gospels, Matthew, Mark, Luke. Three of these, Matthew, Mark, and Luke, known as the Synoptic Gospels, the Gospel of John accounts varies slightly. The events include, The conspiracy against Jesus by the Jewish Sanhedrin priests, triumphal entry into Jerusalem, his anger and outburst at the Cleansing of the Temple A meal a few days before Passover. He says that for this she always be remembered. In Jerusalem, the Last Supper shared by Jesus and his disciples, Jesus gives final instructions, predicts his betrayal, and tells them all to remember him. On the path to Gethsemane after the meal, Jesus tells them they will all fall away that night, after Peter protests he will not, Jesus says Peter will deny him three times before the cock crows. Gethsemane, later that night, Jesus prays, meanwhile, the disciples rest, during the arrest in Gethsemane, someone takes a sword and cuts off the ear of the high priests servant, Malchus. The high priests palace, later that night, According to Matthews Gospel, the court then spat in his face and struck him with their fists. They then send him to Pontius Pilate, According to the synoptic gospels, the high priest who examines Jesus is Caiaphas, in John, Jesus is also interrogated by Annas, Caiaiphas father-in-law. The courtyard outside the high palace, the same time. Peter has followed Jesus and joined the mob awaiting Jesus’ fate, they suspect he is a sympathizer, suddenly, the cock crows and Peter remembers what Jesus had said. Pilate, the Roman governor, examines Jesus, decides he is innocent, the Jewish leaders and the crowd demand Jesus’ death, Pilate gives them the choice of saving Barabbas, in response to the screaming mob Pilate sends Jesus out to be crucified. According to the Gospel of Matthew, Judas, the betrayer, is filled with remorse, when the high priests say that that is his affair, Judas throws the money into the temple, goes off, and hangs himself. Golgotha, a hill outside Jerusalem, later morning through mid afternoon, the Gospel of Luke states that Pilate sends Jesus to be judged by Herod Antipas because as a Galilean he is under his jurisdiction. Herod is excited at first to see Jesus and hopes Jesus will perform a miracle for him, he asks Jesus several questions, Herod then mocks him and sends him back to Pilate after giving him an elegant robe to wear
28.
St. Florian's Priory
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St. Florian Monastery is an Augustinian monastery in the town of Sankt Florian, Austria. The monastery is dedicated to Saint Florian, whose fourth century grave lies beneath the monastery, stephan Zainkgraben, officiated 1382–1407 Jodok I. Seisenecker, officiated 1417–1436 Lukas Fridensteiner von Maur, officiated1436–1459, bekam 1458 von Papst Pius II, das Recht der Pontifikalien Johann II. Sieghartner, officiated 1481–1483 Leonhard Riesenschmied, officiated 1483–1508 Peter III, maurer, officiated 1508–1545, resigned Florian Muth, officiated 1545–1553 Siegmund Pfaffenhofer, officiated 1553–1572 Georg I. Freuter, officiated 1573–1598 Vitus Widmann, officiated 1599–1612, died 20 January 1612 Leopold I, födermayr, officiated 1716–1732 Johann Georg II. Wiesmayr, born 4 April 1695, officiated 1732–1755 Engelbert II, ziegler, born 22 February 1744, officiated 1793–1823, died 5 May 1823 in St. Florian Michael II. January 1771, amtierte als Propst 1823–1854, died 24 March 1854 in St. Florian Friedrich Mayer, born 4 October 1793 in Stockheim, officiated 1854–1858, died 29 December 1858 in Rom Jodok II. Since 1071 it has housed a community of Augustinian Canons, and is thus is one of the oldest operational monasteries in the following the Rule of St. Augustine. Between 1686 and 1708 the monastery complex was reconstructed in Baroque style by Carlo Antonio Carlone, after his death, Jakob Prandtauer continued the work. The result is the biggest Baroque monastery in Upper Austria, construction of the library wing began in 1744, under Johann Gotthard Hayberger. The library comprises about 130,000 items, including many manuscripts, the gallery contains numerous works of the 16th and 17th centuries, but also some late medieval works of the Danube School, particularly by Albrecht Altdorfer. In 1827, Polish librarian Father Josef Chmel found one of the oldest Polish literary artifacts, because of the site of discovery, it has been named the Sankt Florian Psalter, and now resides in the National Library of Poland. In January 1941, the Gestapo seized the facility and expelled the monks, from 1942, the Reichsrundfunkgesellschaft, under general director Heinrich Glasmeier, operated from here. The canons returned after the end of the war, the premises now also house the Upper Austrian Fire Brigade Museum. The canons church was elevated to a minor in 1999. It is dedicated to Saint Florian and Saint Augustine, St. Florians Priory possesses two organs, the larger one of which is known as the Bruckner organ and contains four manuals,103 stops and 7,343 pipes. It was played by composer and organist Anton Bruckner, previously a choir boy at the monastery and he is buried beneath the organ inside the church. St. Florian is also known for the St. Florian Boys Choir and this choir has been a traditional part of the monastic worship from its foundation
29.
Linz
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Linz is the third-largest city of Austria and capital of the state of Upper Austria. It is located in the centre of Austria, approximately 30 kilometres south of the Czech border. The population of the city is 200,839, and that of the Greater Linz conurbation is about 271,000, in 2009 Linz, together with the Lithuanian capital Vilnius, was chosen as the European Capital of Culture. Since 1 December 2014 Linz is a member of the UNESCO Creative Cities network as a City of Media Arts, Cities receive this title for enriching the urban lifestyle through the sponsorship and successful integration of media art and involving society in these electronic art forms. Linz is well known for the Linzer torte, which is said to be the oldest cake in the world, Linz is located in the centre of Europe, lying on the Paris–Budapest west–east axis and the Malmö–Trieste north–south axis. The Danube is the tourism and transport connection that runs through the city. Approximately 29. 27% of the city’s 96 km2 wide area are grassland, further 17. 95% are covered with forest. All the rest areas fall on water, traffic areas and land, since January 2014 the city is divided into 16 statistical districts, Before 2014 Linz was divided into 9 districts and 36 statistical quarters. Magdalena, St. Magdalena, Katzbach, Elmberg St, the name Linz was first recorded in AD799. Being the city where the Habsburg Emperor Friedrich III spent his last years, it was, for a period of time. It lost its status to Vienna and Prague after the death of the Emperor in 1493, one important inhabitant of the city was Johannes Kepler, who spent several years of his life in the city teaching mathematics. He discovered, on 15 May 1618, the distance-cubed-over-time-squared — or third — law of planetary motion, the local public university, Johannes Kepler University, is named after him. Another famous citizen was Anton Bruckner, who spent the years between 1855 and 1868 working as a composer and organist in the Old Cathedral, Linz. The Brucknerhaus is named after him, Adolf Hitler was born in the border town of Braunau am Inn but moved to Linz in his childhood. Hitler spent most of his youth in the Linz area, from 1898 until 1907, the family lived first in the village of Leonding on the outskirts of town, and then on the Humboldtstrasse in Linz. After elementary education in Leonding, Hitler was enrolled in the Realschule in Linz, notorious Holocaust architect Adolf Eichmann also spent his youth in Linz. To the end of his life, Hitler considered Linz to be his home town, in order to make the city economically vibrant, Hitler initiated a major industrialisation of Linz shortly before, and during, the Second World War. In addition to a depot, Linz has a benzol plant which was bombed during the Oil Campaign on 16 October 1944
30.
Upper Austria
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Upper Austria is one of the nine states or Bundesländer of Austria. Upper Austria borders on Germany and the Czech Republic, as well as on the other Austrian states of Lower Austria, Styria, and Salzburg. With an area of 11,982 km2 and 1.437 million inhabitants, Upper Austria is the fourth-largest Austrian state by land area and the third-largest by population. For a long period of the Middle Ages, much of what would become Upper Austria constituted Traungau, in the mid 13th century it became known as the Principality above the Enns River, this name being first recorded in 1264. In 1490, the area was given a measure of independence within the Holy Roman Empire, by 1550, there was a Protestant majority. In 1564, Upper Austria, together with Lower Austria and the Bohemian territories, at the start of the 17th century, the counter-reformation was instituted under Emperor Rudolf II and his successor Matthias. After a military campaign, the area was under the control of Bavaria for some years in the early 17th century, the Innviertel was ceded from the Electorate of Bavaria to Upper Austria in the Treaty of Teschen in 1779. During the Napoleonic Wars, Upper Austria was occupied by the French army on more than one occasion, in 1918, after the collapse of Austria-Hungary, the name Oberösterreich was used to describe the province of the new Austria. In 1945, Upper Austria was partitioned between the American zone to the south and the Soviet zone to the north, today, Upper Austria is Austrias leading industrial region. As of 2009, it accounted for approximately a quarter of the countrys exports, Upper Austria is traditionally divided into four regions, Hausruckviertel, Innviertel, Mühlviertel, and Traunviertel. Administratively, the state is divided into 15 districts, three Statutarstädte and 442 municipalities
31.
Stations of the Cross
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Stations of the Cross or the Way of the Cross, also known as Way of Sorrows or Via Crucis, refers to a series of images depicting Jesus Christ on the day of his crucifixion and accompanying prayers. The stations grew out of imitations of Via Dolorosa in Jerusalem which is believed to be the actual path Jesus walked to Mount Calvary, the object of the stations is to help the Christian faithful to make a spiritual pilgrimage through contemplation of the Passion of Christ. This will be individually or in a procession most commonly during Lent, especially on Good Friday, in a spirit of reparation for the sufferings. The style, form, and placement of the stations vary widely, the typical stations are small plaques with reliefs or paintings placed around a church nave. Modern minimalist stations can be simple crosses with a numeral in the centre, occasionally the faithful might say the stations of the cross without there being any image, such as when the pope leads the stations of the cross around the Colosseum in Rome on Good Friday. The older stations can be a series of chapels in a landscape, known as a Calvary. Examples include Sacred Mount Calvary in Italy, Kalwaria Zebrzydowska in Poland, Via Crucis of Valinhos, Fátima, in Portugal, the Stations of the Cross originated in pilgrimages to Jerusalem and a desire to reproduce Via Dolorosa. Imitating holy places was not a new concept, for example, the religious complex of Santo Stefano in Bologna, Italy, replicated the Church of the Holy Sepulchre and other religious sites, including Mount of Olives and Valley of Josaphat. After the siege of 1187, Jerusalem fell to Muslims, forty years later Franciscans were allowed back into the Holy Land. Their founder, Saint Francis of Assisi, held the Passion of Christ in special veneration and was the first person to receive stigmata, in 1217, St. Francis also founded the Custody of the Holy Land to guard and promote the devotion to holy places. Their efforts were recognized when Franciscans were officially proclaimed custodians of holy places by Pope Clement VI in 1342, in 1521, a book called Geystlich Strass was printed with illustrations of the stations in the Holy Land. During the 15th and 16th centuries the Franciscans began to build a series of shrines in Europe to duplicate their counterparts in the Holy Land. The number of stations varied between seven and thirty, seven was common and these were usually placed, often in small buildings, along the approach to a church, as in a set of 1490 by Adam Kraft, leading to the Johanneskirche in Nuremberg. A number of examples were established as attractions in their own right. In these the sculptures are often approaching life-size and very elaborate, remnants of these are often referred to as calvary hills. In 1686, in answer to their petition, Pope Innocent XI granted to the Franciscans the right to erect stations within their churches. In 1731, Pope Clement XII extended to all churches the right to have the stations, provided that a Franciscan father erected them, at the same time the number was fixed at fourteen. The early set of seven scenes was usually numbers 2,3,4,6,7,11, out of the fourteen traditional Stations of the Cross, only eight have clear scriptural foundation
32.
Predella
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A predella is the platform or step on which an altar stands. In painting, the predella is the painting or sculpture along the frame at the bottom of an altarpiece, typically there would be three to five small scenes, in a horizontal format. They are significant in art history, as the artist had more freedom from conventions than in the main panel. As the main panels themselves became more dramatic, during Mannerism, predellas were no longer painted, predella scenes are now often separated from the rest of the altarpiece in museums. Examples of predellas include, Duccio – the predella of his Maestà – one of the earliest predellas, media related to Predellas at Wikimedia Commons
33.
Entombment
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Burial or interment is the ritual act of placing a dead person or animal, sometimes with objects, into the ground. This is accomplished by excavating a pit or trench, placing the deceased and objects in it, humans have been burying their dead for at least 100,000 years. Burial is often seen as indicating respect for the dead, sometimes objects or grave goods are buried with the body, which may be dressed in fancy or ceremonial garb. Depending on the culture, the way the body is positioned may have great significance, the location of the burial may be determined taking into account concerns surrounding health and sanitation, religious concerns, and cultural practices. Some cultures keep the close to provide guidance to the living. Some religions consecrate special ground to bury the dead, and some families build private family cemeteries, most modern cultures document the location of graves with headstones, which may be inscribed with information and tributes to the deceased. However, some people are buried in anonymous or secret graves for various reasons, sometimes multiple bodies are buried in a single grave either by choice, due to space concerns, or in the case of mass graves as a way to deal with many bodies at once. Alternatives to burial may include cremation, burial at sea, promession, cryopreservation, some human cultures may bury the remains of beloved animals. Humans are not the species which bury their dead, the practice has been observed in chimpanzees, elephants. Evidence suggests that the Neanderthals were the first human species to practice burial behavior and intentionally bury their dead, doing so in shallow graves along with stone tools, exemplary sites include Shanidar in Iraq, Kebara Cave in Israel and Krapina in Croatia. Some scholars, however, argue that these bodies may have been disposed of for secular reasons, the earliest undisputed human burial dates back 100,000 years. Human skeletal remains stained with red ochre were discovered in the Skhul cave at Qafzeh, a variety of grave goods were present at the site, including the mandible of a wild boar in the arms of one of the skeletons. Prehistoric cemeteries are referred to by the neutral term grave field. After death, a body will decay, Burial is not necessarily a public health requirement. Contrary to conventional wisdom, the WHO advises that only corpses carrying an infectious disease strictly require burial, human burial practices are the manifestation of the human desire to demonstrate respect for the dead. Cultures vary in their mode of respect, some reasons follow, Respect for the physical remains. If left lying on top of the ground, scavengers may eat the corpse, in Tibet, Sky burials return the remains to the cycle of life and acknowledge the body as food, a core tenet of some Buddhist practices. Burial can be seen as an attempt to bring closure to the deceaseds family, psychologists in some Western Judeo-Christian quarters, as well as the US funeral industry, claim that by interring a body away from plain view the pain of losing a loved one can be lessened
34.
Resurrection
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Resurrection is the concept of a living being coming back to life after death. In a number of ancient religions, a god is a deity which dies. The death and resurrection of Jesus, an example of resurrection, is the focus of Christianity. The resurrection of the dead is a standard eschatological belief in the Abrahamic religions, some believe the soul is the actual vehicle by which people are resurrected. While most Christians believe Jesus resurrection from the dead and ascension to Heaven was in a material body, the concept of resurrection is found in the writings of some ancient non-Abrahamic religions in the Middle East. A few extant Egyptian and Canaanite writings allude to dying and rising gods such as Osiris, sir James Frazer in his book The Golden Bough relates to these dying and rising gods, but many of his examples, according to various scholars, distort the sources. In ancient Greek religion a number of men and women were made physically immortal as they were resurrected from the dead, asclepius was killed by Zeus, only to be resurrected and transformed into a major deity. Memnon, who was killed by Achilles, seems to have received a similar fate, alcmene, Castor, Heracles, and Melicertes, were also among the figures sometimes considered to have been resurrected to physical immortality. According to Herodotuss Histories, the seventh century BC sage Aristeas of Proconnesus was first found dead, later he found not only to have been resurrected but to have gained immortality. Indeed, in Greek religion, immortality originally always included a union of body. The philosophical idea of a soul was a later invention. This traditional religious belief in immortality was generally denied by the Greek philosophers. Plutarch openly scorned such beliefs held in traditional ancient Greek religion, writing, many such improbabilities do your fabulous writers relate, the parallel between these traditional beliefs and the later resurrection of Jesus was not lost on the early Christians, as Justin Martyr argued, when we say. Jesus Christ, our teacher, was crucified and died, and rose again, the notion of a general resurrection of the dead was therefore apparently quite preposterous to the Greeks. This is made clear in Pauls Areopagus discourse, now when they heard of the resurrection of the dead, some began to sneer, but others said, We shall hear you again concerning this. Some churches distinguish between raising the dead and a resurrection, Christians regard the resurrection of Jesus as the central doctrine in Christianity. Others take the Incarnation of Jesus to be central, however, it is the miracles –. According to Paul, the entire Christian faith hinges upon the centrality of the resurrection of Jesus, the Apostle Paul wrote in his first letter to the Corinthians, If only for this life we have hope in Christ, we are to be pitied more than all men
35.
Kunsthistorisches Museum
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The Kunsthistorisches Museum is an art museum in Vienna, Austria. Housed in its festive palatial building on Ringstraße, it is crowned with an octagonal dome, the term Kunsthistorisches Museum applies to both the institution and the main building. It is the largest art museum in the country and it was opened around 1891 at the same time as the Naturhistorisches Museum, by Emperor Franz Joseph I of Austria-Hungary. The two museums have similar exteriors and face each other across Maria-Theresien-Platz, both buildings were built between 1871 and 1891 according to plans drawn up by Gottfried Semper and Karl Freiherr von Hasenauer. The two Ringstraße museums were commissioned by the Emperor in order to find a shelter for the Habsburgs formidable art collection. The façade was built of sandstone, the building is rectangular in shape, and topped with a dome that is 60 meters high. The inside of the building is decorated with marble, stucco ornamentations, gold-leaf. It was featured in an episode of Museum Secrets on the History Channel and it had been the biggest art theft in Austrian history. Treasure of Nagyszentmiklós Media related to Kunsthistorisches Museum at Wikimedia Commons Official website Spherical panorama of entrance Hofburgs Armory - photo gallery in Flickr
36.
Alexander the Great
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Alexander III of Macedon, commonly known as Alexander the Great, was a king of the Ancient Greek kingdom of Macedon and a member of the Argead dynasty. He was born in Pella in 356 BC and succeeded his father Philip II to the throne at the age of twenty and he was undefeated in battle and is widely considered one of historys most successful military commanders. During his youth, Alexander was tutored by Aristotle until the age of 16, after Philips assassination in 336 BC, he succeeded his father to the throne and inherited a strong kingdom and an experienced army. Alexander was awarded the generalship of Greece and used this authority to launch his fathers Panhellenic project to lead the Greeks in the conquest of Persia, in 334 BC, he invaded the Achaemenid Empire and began a series of campaigns that lasted ten years. Following the conquest of Anatolia, Alexander broke the power of Persia in a series of battles, most notably the battles of Issus. He subsequently overthrew Persian King Darius III and conquered the Achaemenid Empire in its entirety, at that point, his empire stretched from the Adriatic Sea to the Indus River. He sought to reach the ends of the world and the Great Outer Sea and invaded India in 326 BC and he eventually turned back at the demand of his homesick troops. Alexander died in Babylon in 323 BC, the city that he planned to establish as his capital, without executing a series of planned campaigns that would have begun with an invasion of Arabia. In the years following his death, a series of civil wars tore his empire apart, resulting in the establishment of several states ruled by the Diadochi, Alexanders surviving generals, Alexanders legacy includes the cultural diffusion which his conquests engendered, such as Greco-Buddhism. He founded some twenty cities that bore his name, most notably Alexandria in Egypt, Alexander became legendary as a classical hero in the mold of Achilles, and he features prominently in the history and mythic traditions of both Greek and non-Greek cultures. He became the measure against which military leaders compared themselves, and he is often ranked among the most influential people in human history. He was the son of the king of Macedon, Philip II, and his wife, Olympias. Although Philip had seven or eight wives, Olympias was his wife for some time. Several legends surround Alexanders birth and childhood, sometime after the wedding, Philip is said to have seen himself, in a dream, securing his wifes womb with a seal engraved with a lions image. Plutarch offered a variety of interpretations of dreams, that Olympias was pregnant before her marriage, indicated by the sealing of her womb. On the day Alexander was born, Philip was preparing a siege on the city of Potidea on the peninsula of Chalcidice. That same day, Philip received news that his general Parmenion had defeated the combined Illyrian and Paeonian armies, and it was also said that on this day, the Temple of Artemis in Ephesus, one of the Seven Wonders of the World, burnt down. This led Hegesias of Magnesia to say that it had burnt down because Artemis was away, such legends may have emerged when Alexander was king, and possibly at his own instigation, to show that he was superhuman and destined for greatness from conception
37.
William IV, Duke of Bavaria
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William IV was Duke of Bavaria from 1508 to 1550, until 1545 together with his younger brother Louis X, Duke of Bavaria. He was born in Munich to Albert IV and Kunigunde of Austria, with support of his mother and the States-General, Louis forced William to accept him as co-regent in 1516. Louis then ruled the districts of Landshut and Straubing, in general in concord with his brother, William initially sympathized with the Reformation but changed his mind as it grew more popular in Bavaria. In 1522 William issued the first Bavarian religion mandate, banning the promulgation of Martin Luthers works, both dukes also suppressed the peasant uprising in South Germany in an alliance with the archbishop of Salzburg in 1525. The conflict with Habsburg ended in 1534 when both dukes reached an agreement with Ferdinand I in Linz, William then supported Charles V in his war against the Schmalkaldic League in 1546, but however did not succeed in preserving the Palatine electoral dignity. Williams chancellor for 35 years was the forceful Leonhard von Eck, William was a significant collector and commissioner of art. Among other works he commissioned an important suite of paintings from various artists and this, like most of Williams collection, is now housed in the Alte Pinakothek in Munich. With his order to expand the Neuveste with the so-called Rundstubenbau, to the history cycle of the garden pavilion belonged Albrecht Altdorfers painting. In 1546 he ordered to upgrade Dachau Palace from a Gothic ruin into a renaissance palace, in 1523 with the appointment of Ludwig Senfl began the rise of the Bavarian State Orchestra. This regulation remained in force until it was abolished as an obligation in 1986 by Paneuropean regulations of the European Union. It is also interesting in terms of linguistics because it is not written in the East German Saxon, William died in 1550 in Munich and was succeeded by his son Albert. He is buried in the Frauenkirche in Munich. Hegnenberg with Margarete Hausner v. Stettberg, hofkleiderbuch des Herzogs Wilhelm IV. und Albrecht V. 1508–1551
38.
Cyprus
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Cyprus, officially the Republic of Cyprus, is an island country in the Eastern Mediterranean and the third largest and third most populous island in the Mediterranean. It is located south of Turkey, west of Syria and Lebanon, northwest of Israel and Palestine, north of Egypt, the earliest known human activity on the island dates to around the 10th millennium BC. Archaeological remains from this include the well-preserved Neolithic village of Khirokitia. Cyprus was settled by Mycenaean Greeks in two waves in the 2nd millennium BC, Cyprus was placed under British administration based on Cyprus Convention in 1878 and formally annexed by Britain in 1914. While Turkish Cypriots made up 18% of the population, the partition of Cyprus and creation of a Turkish state in the north became a policy of Turkish Cypriot leaders, following nationalist violence in the 1950s, Cyprus was granted independence in 1960. On 15 July 1974, a coup détat was staged by Greek Cypriot nationalists and elements of the Greek military junta in an attempt at enosis and these events and the resulting political situation are matters of a continuing dispute. The Cyprus Republic has de jure sovereignty over the island of Cyprus, as well as its territorial sea and exclusive economic area, another nearly 4% of the islands area is covered by the UN buffer zone. The international community considers the part of the island as territory of the Republic of Cyprus occupied by Turkish forces. The occupation is viewed as illegal under law, amounting to illegal occupation of EU territory since Cyprus became a member of the European Union. Cyprus is a major tourist destination in the Mediterranean, on 1 January 2008, the Republic of Cyprus joined the eurozone. The earliest attested reference to Cyprus is the 15th century BC Mycenaean Greek
39.
Red Sea
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The Red Sea is a seawater inlet of the Indian Ocean, lying between Africa and Asia. The connection to the ocean is in the south through the Bab el Mandeb strait, to the north lie the Sinai Peninsula, the Gulf of Aqaba, and the Gulf of Suez. The Red Sea is a Global 200 ecoregion, the sea is underlain by the Red Sea Rift which is part of the Great Rift Valley. The Red Sea has an area of roughly 438,000 km2, is about 2250 km long and. It has a depth of 2211 m in the central median trench. However, there are also extensive shallow shelves, noted for their marine life, the sea is the habitat of over 1,000 invertebrate species, and 200 soft and hard corals. It is the worlds northernmost tropical sea, the International Hydrographic Organization defines the limits of the Red Sea as follows, On the North. The Southern limits of the Gulfs of Suez and Aqaba, a line joining Husn Murad and Ras Siyyan. Red Sea is a translation of the Greek Erythra Thalassa, Latin Mare Rubrum, Arabic, البحر الأحمر. Al-Baḥr Al-Aḥmar, Somali Badda Cas and Tigrinya Qeyyiḥ bāḥrī, the name of the sea may signify the seasonal blooms of the red-coloured Trichodesmium erythraeum near the waters surface. A theory favored by modern scholars is that the name red is referring to the direction south. The basis of this theory is that some Asiatic languages used color words to refer to the cardinal directions, herodotus on one occasion uses Red Sea and Southern Sea interchangeably. Historically, it was known to western geographers as Mare Mecca. Some ancient geographers called the Red Sea the Arabian Gulf or Gulf of Arabia. C, in that version, the Yam Suph is translated as Erythra Thalassa. The Red Sea is one of four seas named in English after common color terms — the others being the Black Sea, the White Sea and the Yellow Sea. The direct rendition of the Greek Erythra thalassa in Latin as Mare Erythraeum refers to the part of the Indian Ocean. The earliest known exploration of the Red Sea was conducted by ancient Egyptians, one such expedition took place around 2500 BC, and another around 1500 BC. Both involved long voyages down the Red Sea, historically, scholars argued whether these trips were possible
40.
Illuminated manuscript
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An illuminated manuscript is a manuscript in which the text is supplemented with such decoration as initials, borders and miniature illustrations. Comparable Far Eastern and Mesoamerican works are described as painted, islamic manuscripts may be referred to as illuminated, illustrated or painted, though using essentially the same techniques as Western works. This article covers the technical, social and economic history of the subject, for an art-historical account, the earliest surviving substantive illuminated manuscripts are from the period 400 to 600, produced in the Kingdom of the Ostrogoths and the Eastern Roman Empire. The significance of these works lies not only in their inherent artistic and historical value, had it not been for the monastic scribes of Late Antiquity, most literature of Greece and Rome would have perished in Europe. As it was, the patterns of textual survivals were shaped by their usefulness to the severely constricted literate group of Christians, the majority of surviving manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiquity. The majority of manuscripts are of a religious nature. However, especially from the 13th century onward, a number of secular texts were illuminated. Most illuminated manuscripts were created as codices, which had superseded scrolls, a very few illuminated manuscript fragments survive on papyrus, which does not last nearly as long as vellum or parchment. Most medieval manuscripts, illuminated or not, were written on parchment, beginning in the late Middle Ages manuscripts began to be produced on paper. Illuminated manuscripts continued to be produced in the early 16th century, Manuscripts are among the most common items to survive from the Middle Ages, many thousands survive. They are also the best surviving specimens of medieval painting, indeed, for many areas and time periods, they are the only surviving examples of painting. There are a few examples from later periods, the type of book that was most often heavily and richly illuminated, sometimes known as a display book, varied between periods. In the first millennium, these were most likely to be Gospel Books, such as the Lindisfarne Gospels, the Romanesque period saw the creation of many huge illuminated complete Bibles – one in Sweden requires three librarians to lift it. Many Psalters were also illuminated in both this and the Gothic period. Finally, the Book of Hours, very commonly the personal book of a wealthy layperson, was often richly illuminated in the Gothic period. Other books, both liturgical and not, continued to be illuminated at all periods, the Byzantine world also continued to produce manuscripts in its own style, versions of which spread to other Orthodox and Eastern Christian areas. See Medieval art for other regions, periods and types, reusing parchments by scraping the surface and reusing them was a common practice, the traces often left behind of the original text are known as palimpsests. The Gothic period, which saw an increase in the production of these beautiful artifacts, also saw more secular works such as chronicles
41.
Triumphal Procession
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The Triumphal Procession or Triumphs of Maximilian is a monumental 16th-century series of woodcut prints by several artists, commissioned by the Holy Roman Emperor Maximilian I. The composite image was printed from over 130 separate wood blocks, approximately 54 metres long, it is one of the largest prints ever produced. Maximilians papers show that he intended the procession to grace the walls of council chambers and great halls of the empire and it could also be bound as a book, and it is copies treated this way which have survived, as well as those from later reprints. The work is one of three huge prints created for Maximilian and these monumental projects reflect Maximilians position as Holy Roman Emperor, and link him to the triumphal arches and triumphs of Ancient Rome. Only the Triumphal Arch was completed before Maximilians death in 1519, other projects were the verse and print books Theuerdank, an allegorical chivalrous romance account of Maximilians courtship of Mary of Burgundy, and Der Weisskunig. The programme for the Triumphal Procession was worked out by Maximilian and Johannes Stabius in 1512, Hans Burgkmair designed much of the Triumphal Procession, starting in about 1512 and contributing designs for 67 woodblocks. Other contributions were made by Albrecht Altdorfer, Hans Springinklee, Leonhard Beck, Hans Schäufelein, Wolf Huber, the designs were cut from 1516 to 1519 by a large team of block-cutters led by Jost de Negker, including Hieronymus Andreae, Cornelis Liefrinck and Willem Liefrinck. Dürer ceased to receive the pension of 100 florins paid under Maximilian, and he published his Large Triumphal Carriage separately in 1522. The last block shows a wagon laden with cooking-pots and a man carrying rods with shoes hanging from them, the procession is an important documentary source for the details of the musical instruments and the weapons and armour of the period. A first edition of 137 blocks running to 200 copies was published in 1526, a second edition of 135 blocks was printed in 1777, with further editions published by Adam Bartsch and then in 1883-4 by Franz Schestag. The British Museum has a set of 137 woodcuts drawn from three different editions,97 from the 1526 edition,36 from 1777, and 4 from 1796. The manuscript text has survived in Vienna, and 135 of the 139 woodblocks are in the Albertina in Vienna
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Alte Pinakothek
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The Alte Pinakothek is an art museum located in the Kunstareal area in Munich, Germany. It is one of the oldest galleries in the world and houses one of the most famous collections of Old Master paintings, the name Alte Pinakothek refers to the time period covered by the collection—from the fourteenth to the eighteenth century. The Neue Pinakothek covers nineteenth-century art, and the recently opened Pinakothek der Moderne exhibits modern art, all three galleries are part of the Bavarian State Picture Collection, an organization of the Free state of Bavaria. King Ludwig I of Bavaria ordered Leo von Klenze to erect a new building for the gallery for the Wittelsbach collection in 1826, even the neo-renaissance exterior of the Pinakothek clearly stands out from the castle-like museum type usual in the early 19th Century. It is closely associated with the function and structure of the building as a museum, the museum galleries were designed to display Rubenss Last Judgment, one of the largest canvasses ever painted. The museum building was damaged by bombing in World War II but was reconstructed and reopened to the public in the late 1950s. The ornate, pre-war interior including the large loggia facing the south façade in the floor were not restored. A new wall covering was created in 2008 for the rooms on the floor of the Alte Pinakothek with a woven. The new color scheme of green and red draws on the design of the rooms, Elector Maximilian I commissioned in 1616 four hunt paintings from Peter Paul Rubens and acquired many other paintings, especially the work of Albrecht Dürer. He even obtained The Four Apostles in the year 1627 due to pressure on the Nuremberg city fathers, a few years later however 21 paintings were confiscated and moved to Sweden during the occupation of Munich in the Thirty Years war. Maximilians grandson Maximilian II Emanuel purchased a number of Dutch. Under Max Emanuels successors, the purchases were discontinued due to the tight budget. Also Max Emanuels cousin Johann Wilhelm, Elector Palatine collected Netherlandish paintings and he ordered from Peter Paul Rubens the The Big Last Judgment and received Raphaels Canigiani Holy Family as a dowry of his wife. Charles Theodore, Elector of Bavaria had a preference for Netherlandish paintings as well. By the late 18th century a number of the paintings were already displayed in Schleissheim Palace. Even though 72 paintings including The Battle of Alexander at Issus were taken to Paris in 1800 by the armies of Napoleon I. The Louvre held it until 1804, when Napoleon declared himself Emperor of France, when the Prussians captured the Château de Saint-Cloud in 1814 as part of the War of the Sixth Coalition, they supposedly found the painting hanging in Napoleons bathroom. Most of the paintings have not been returned, with the secularisation many paintings from churches and former monasteries entered into state hands
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Parchment
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Parchment is a writing material made from specially prepared untanned skins of animals—primarily sheep, calves, and goats. It has been used as a medium for over two millennia. Vellum is a finer quality parchment made from the skins of kids, lambs and it may be called animal membrane by libraries and museums that wish to avoid distinguishing between parchment and the more restricted term vellum. Today the term parchment is often used in non-technical contexts to refer to any animal skin, particularly goat, sheep or cow, that has been scraped or dried under tension. Vellum in theory refers exclusively to calfskin, and is used to denote a quality of material. The term parchment originally referred only to the skin of sheep and, occasionally, the word parchment evolved from the name of the city of Pergamon which was a thriving center of parchment production during the Hellenistic period. This account, originated in the writings of Pliny the Elder, is dubious because parchment had been in use in Anatolia, in the 2nd century BC a great library was set up in Pergamon that rivaled the famous Library of Alexandria. Writing on prepared animal skins had a history, however. H. Ibscher, and preserved in the Cairo Museum, a roll of the Twelfth Dynasty now in Berlin, the text now in the British Museum. Though the Assyrians and the Babylonians impressed their cuneiform on clay tablets, early Islamic texts are also found on parchment. In the later Middle Ages, especially the 15th century, parchment was largely replaced by paper for most uses except luxury manuscripts, new techniques in paper milling allowed it to be much cheaper than parchment, it was still made of textile rags and of very high quality. With the advent of printing in the fifteenth century, the demands of printers far exceeded the supply of animal skins for parchment. Although most copies of the Gutenberg Bible are on paper, some were printed on parchment,12 of the 48 surviving copies, in 1490, Johannes Trithemius preferred the older methods, because handwriting placed on parchment will be able to endure a thousand years. But how long will printing last, which is dependent on paper and it lasts for two hundred years that is a long time. In fact high quality paper from this period has survived 500 years or more very well, the heyday of parchment use was during the medieval period, but there has been a growing revival of its use among artists since the late 20th century. Although parchment never stopped being used it had ceased to be a choice for artists supports by the end of 15th century Renaissance. This was partly due to its expense and partly due to its working properties. When the water in paint media touches parchments surface, the collagen melts slightly, forming a bed for the paint
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National Museum, Warsaw
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The National Museum in Warsaw, popularly abbreviated as MNW, is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. The museum is home to numismatic collections, a gallery of applied arts. The National Museum in Warsaw was established on 20 May 1862, as the Museum of Fine Arts, Warsaw, the collection, on Jerusalem Avenue, is housed in a building designed by Tadeusz Tolwiński, developed between 1927 and 1938. In 1932 an exhibition of decorative art opened in the two earlier erected wings of the building, the new building was inaugurated on 18 June 1938. The purpose-built modernistic edifice, was situated on the edge of Na Książęcem Park established between 1776–79 for Prince Kazimierz Poniatowski, from 1935 the museum director was Stanisław Lorentz, who directed an effort to save the most valuable works of art during World War II. The Gestapo headquarters presented Rembrandts portrait of Maerten Soolmans as a gift to Hans Frank in occupied Kraków, after the war the Polish Government, under the supervision of Professor Lorentz, retrieved many of the works seized by the Germans. More than 5,000 artifacts are still missing, in 2008 the Polish Archaeological Mission Tyritake of National Museum in Warsaw commenced works at Tyritake, Crimea. It is headed by Alfred Twardecki curator of the Ancient Art Gallery, in 2010 the National Museum, as one of the first state institutions in the world, held an exhibition entirely consecrated to homoerotic art - Ars Homo Erotica. Since the 2011–12 renovation, the museum is considered as one of the most modern in Europe with a computer-led LED lighting allowing to enhance unique qualities of every painting. In 2012 the permanent galleries underwent revolutionary changes, the curators of the museum re-arranged it and supplemented it with new works from the museums warehouses. Paintings were not hung chronologically, but thematically, genre painting, still lifes, landscapes, cityscapes, biblical, mythological, works by Italian, Flemish, Dutch, German and Polish artists were hung together, making it easy to observe and compare similarities and differences. The Gallery of Medieval Art mainly presents objects from the late Middle Ages, originating from different regions of todays Poland and these works were originally designed almost exclusively for churches. The exhibition was designed to allow the audience to understand the role of art in the life of the Middle Ages. The new techniques implemented in the gallery allow the presentation of large polyptychs, such as the famous Grudziądz Polyptych. The new arrangement of the exhibition was designed by WWAA, the Gallery of Old Masters on the second floor was conceived from the former Gallery of Decorative Art, Gallery of Old European Painting and the Gallery of Old Polish and European Portrait in 2016. It combines species of pictorial art - painting, sculpture, drawings and these social spaces have provided the key to the division of the gallery,1. Church, chapel and domestic altar,3, in the redesigned gallery, the works are presented not according to national schools, but as a confrontation of artistic circles of the South and North. The new system reflects the hierarchy of the created by Renaissance art theory
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Warsaw
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Warsaw is the capital and largest city of Poland. It stands on the Vistula River in east-central Poland, roughly 260 kilometres from the Baltic Sea and 300 kilometres from the Carpathian Mountains. Its population is estimated at 1.750 million residents within a metropolitan area of 3.101 million residents. The city limits cover 516.9 square kilometres, while the area covers 6,100.43 square kilometres. In 2012 the Economist Intelligence Unit ranked Warsaw as the 32nd most liveable city in the world and it was also ranked as one of the most liveable cities in Central Europe. Today Warsaw is considered an Alpha– global city, an international tourist destination. Warsaws economy, by a variety of industries, is characterised by FMCG manufacturing, metal processing, steel and electronic manufacturing. The city is a significant centre of research and development, BPO, ITO, the Warsaw Stock Exchange is one of the largest and most important in Central and Eastern Europe. Frontex, the European Union agency for external security, has its headquarters in Warsaw. It has been said that Warsaw, together with Frankfurt, London, Paris, the city is positioning itself as Eastern Europe’s chic cultural capital with thriving art and club scenes and serious restaurants. The first historical reference to Warsaw dates back to the year 1313, after the Third Partition of Poland in 1795, Warsaw was incorporated into the Kingdom of Prussia. In 1806 during the Napoleonic Wars, the city became the capital of the Grand Duchy of Warsaw. In accordance with the decisions of the Congress of Vienna, the Russian Empire annexed Warsaw in 1815, only in 1918 did it regain independence from the foreign rule and emerge as a new capital of the independent Republic of Poland. Warsaw gained the title of the Phoenix City because it has survived wars, conflicts. Most notably, the city required painstaking rebuilding after the damage it suffered in World War II. On 9 November 1940, the city was awarded Polands highest military decoration for heroism, the historic city-centre of Warsaw with its picturesque Old Town in 1980 was listed as a UNESCO World Heritage Site. Buildings represent examples of nearly every European architectural style and historical period, folk etymology attributes the city name to a fisherman, Wars, and his wife, Sawa. According to legend, Sawa was a living in the Vistula River with whom Wars fell in love
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Printmaker
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Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is not considered a copy but rather is considered an original, a print may be known as an impression. Printmaking is not chosen only for its ability to multiple impressions. Prints are created by transferring ink from a matrix or through a screen to a sheet of paper or other material. Screens made of silk or synthetic fabrics are used for the screenprinting process, other types of matrix substrates and related processes are discussed below. Multiple impressions printed from the matrix form an edition. Prints may also be printed in book form, such as illustrated books or artists books, Printmaking techniques are generally divided into the following basic categories, Relief, where ink is applied to the original surface of the matrix. Relief techniques include woodcut or woodblock as the Asian forms are known, wood engraving. Intaglio, where ink is applied beneath the surface of the matrix. Intaglio techniques include engraving, etching, mezzotint, aquatint, planographic, where the matrix retains its original surface, but is specially prepared and/or inked to allow for the transfer of the image. Planographic techniques include lithography, monotyping, and digital techniques, stencil, where ink or paint is pressed through a prepared screen, including screenprinting and pochoir. Other types of printmaking techniques outside these groups include collagraphy and viscosity printing, collagraphy is a printmaking technique in which textured material is adhered to the printing matrix. This texture is transferred to the paper during the printing process, Contemporary printmaking may include digital printing, photographic mediums, or a combination of digital, photographic, and traditional processes. Many of these techniques can also be combined, especially within the same family, for example, Rembrandts prints are usually referred to as etchings for convenience, but very often include work in engraving and drypoint as well, and sometimes have no etching at all. Woodcut, a type of print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, woodcuts of images on paper developed around 1400 in Japan, and slightly later in Europe. These are the two areas where woodcut has been most extensively used purely as a process for making images without text, the artist draws a design on a plank of wood, or on paper which is transferred to the wood
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Engraving
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Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it. Wood engraving is a form of printing and is not covered in this article. Engraving was an important method of producing images on paper in artistic printmaking, in mapmaking. Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving, hand engraving is a term sometimes used for engraving objects other than printing plates, to inscribe or decorate jewellery, firearms, trophies, knives and other fine metal goods. Traditional engravings in printmaking are also engraved, using just the same techniques to make the lines in the plate. Each graver is different and has its own use, engravers use a hardened steel tool called a burin, or graver, to cut the design into the surface, most traditionally a copper plate. Modern professional engravers can engrave with a resolution of up to 40 lines per mm in high grade work creating game scenes, dies used in mass production of molded parts are sometimes hand engraved to add special touches or certain information such as part numbers. In addition to engraving, there are engraving machines that require less human finesse and are not directly controlled by hand. They are usually used for lettering, using a pantographic system, there are versions for the insides of rings and also the outsides of larger pieces. Such machines are used for inscriptions on rings, lockets. Gravers come in a variety of shapes and sizes that yield different line types, the burin produces a unique and recognizable quality of line that is characterized by its steady, deliberate appearance and clean edges. The angle tint tool has a curved tip that is commonly used in printmaking. Florentine liners are flat-bottomed tools with multiple lines incised into them, ring gravers are made with particular shapes that are used by jewelry engravers in order to cut inscriptions inside rings. Flat gravers are used for work on letters, as well as wriggle cuts on most musical instrument engraving work, remove background. Knife gravers are for line engraving and very deep cuts, round gravers, and flat gravers with a radius, are commonly used on silver to create bright cuts, as well as other hard-to-cut metals such as nickel and steel. Square or V-point gravers are typically square or elongated diamond-shaped and used for cutting straight lines, V-point can be anywhere from 60 to 130 degrees, depending on purpose and effect. These gravers have very small cutting points, other tools such as mezzotint rockers, roulets and burnishers are used for texturing effects. Burnishing tools can also be used for stone setting techniques
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Danube school
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The Danube School or Donau School was a circle of painters of the first third of the 16th century in Bavaria and Austria. Many also were innovative printmakers, usually in etching and they were among the first painters to regularly use pure landscape painting, and their figures, influenced by Matthias Grünewald, are often highly expressive, if not expressionist. They show little Italian influence, and also represent a break with the high finish of Northern Renaissance painting, using a more painterly style that was in many ways ahead of its time. Early Renaissance painting Stanisław Samostrzelnik Stange, Alfred, der Wald in der Malerei und der Graphik des Donaustils
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