Albrecht Altdorfer was a German painter, engraver and architect of the Renaissance working in Regensburg, Bavaria. Along with Lucas Cranach the Elder and Wolf Huber he is regarded to be the main representative of the Danube School, setting biblical and historical subjects against landscape backgrounds of expressive colours. He is remarkable as one of the first artists to take an interest in landscape as an independent subject. As an artist also making small intricate engravings he is seen to belong to the Nuremberg Little Masters.
Albrecht Altdorfer portrait by Philipp Kilian
Resurrection by Altdorfer, 1518
Christ taking Leave of his Mother, c. 1520
Albrecht Altdorfer: Sebastian Altar in St. Florian's Priory, c. 1509–16 Upper Austria
The Little Masters, were a group of German printmakers who worked in the first half of the 16th century, primarily in engraving. They specialized in very small finely detailed prints, some no larger than a postage stamp. The leading members were Hans Sebald Beham, his brother Barthel, and George Pencz, all from Nuremberg, and Heinrich Aldegrever and Albrecht Altdorfer. Many of the Little Masters' subjects were mythological or Old Testament stories, often treated erotically, or genre scenes of peasant life. The size and subject matter of the prints shows that they were designed for a market of collectors who would keep them in albums, of which a number have survived.
One of a series of tiny (about 5.1 x 7.9 cm) prints of the Labours of Hercules by Hans Sebald Beham; the Little Masters did not let small size deter them from tackling the largest subjects of history painting. The influence of the friezes of Polidoro di Caravaggio is seen here.
Albrecht Altdorfer, Hercules and a Muse, 7.8 × 4.5 cm.
Barthel Beham, Genius on a Globe Floating in the Air, engraving, 1520, 5.7 × 3.6 cm, perhaps a parody of Dürer's Nemesis.
Georg Pencz, Wrath (Ira), from a set of The Seven Vices, 8.4 × 5.4 cm