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One of a series of tiny (about 5.1 x 7.9 cm) prints of the Labours of Hercules by Hans Sebald Beham; the Little Masters did not let small size deter t
One of a series of tiny (about 5.1 x 7.9 cm) prints of the Labours of Hercules by Hans Sebald Beham; the Little Masters did not let small size deter them from tackling the largest subjects of history painting. The influence of the friezes of Polidoro di Caravaggio is seen here.
Albrecht Altdorfer, Hercules and a Muse, 7.8 × 4.5 cm.
Albrecht Altdorfer, Hercules and a Muse, 7.8 × 4.5 cm.
Barthel Beham, Genius on a Globe Floating in the Air, engraving, 1520, 5.7 × 3.6 cm, perhaps a parody of Dürer's Nemesis.
Barthel Beham, Genius on a Globe Floating in the Air, engraving, 1520, 5.7 × 3.6 cm, perhaps a parody of Dürer's Nemesis.
Georg Pencz, Wrath (Ira), from a set of The Seven Vices, 8.4 × 5.4 cm
Georg Pencz, Wrath (Ira), from a set of The Seven Vices, 8.4 × 5.4 cm
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The Three Crosses, drypoint by Rembrandt, 1653, state III of IV
The Three Crosses, drypoint by Rembrandt, 1653, state III of IV
Melencolia I, 1514, engraving by Albrecht Dürer
Melencolia I, 1514, engraving by Albrecht Dürer
This donor portrait of about 1455 shows a large coloured print attached to the wall with sealing wax. Petrus Christus, NGA, Washington.
This donor portrait of about 1455 shows a large coloured print attached to the wall with sealing wax. Petrus Christus, NGA, Washington.
Anonymous German 15th-century woodcut, about 1480, with hand-colouring, including (unusually) spots of gold. 5.2 x 3.9 cm (similar to the original siz
Anonymous German 15th-century woodcut, about 1480, with hand-colouring, including (unusually) spots of gold. 5.2 x 3.9 cm (similar to the original size on most screens)