Albrecht Dürer, sometimes spelled in English as Durer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I.
Dürer's Self-portrait at 26 at Prado Museum
Self-portrait silverpoint drawing by the thirteen-year-old Dürer, 1484. Albertina, Vienna.
The earliest painted Self-Portrait (1493) by Albrecht Dürer, oil, originally on vellum (Louvre, Paris)
Dürer's sketch of his wife Agnes Frey (1494)
An old master print is a work of art produced by a printing process within the Western tradition. The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that they are classed as old master prints even if they are of crude or merely workmanlike artistic quality. A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term.
The Three Crosses, drypoint by Rembrandt, 1653, state III of IV
Melencolia I, 1514, engraving by Albrecht Dürer
This donor portrait of about 1455 shows a large coloured print attached to the wall with sealing wax. Petrus Christus, NGA, Washington.
Anonymous German 15th-century woodcut, about 1480, with hand-colouring, including (unusually) spots of gold. 5.2 x 3.9 cm (similar to the original size on most screens)