1.
Kunstareal
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The Kunstareal is a museum quarter in the city centre of Munich, Germany. It consists of the three Pinakotheken galleries, the Glyptothek, the Staatliche Antikensammlung, the Lenbachhaus, the Museum Brandhorst, also the Staatliche Sammlung für Ägyptische Kunst was moved to the Kunstareal in 2013. As of 2009 a general plan is under discussion to ensure the integration of the different museum buildings. The Alte Pinakotheks rather monolithic structure contains a trove of the works of European masters between the 14th and 18th centuries. The collection reflects the tastes of the Wittelsbachs over four centuries. The gallery houses one of the worlds most comprehensive Rubens collections, the Madonna of the Carnation is the only painting of Leonardo da Vinci in a German gallery. It houses indeed the largest collection of industrial design, the Collection of Works on Paper ranges from masterpieces of Albrecht Dürer, Rembrandt, Michelangelo and Leonardo da Vinci to Paul Cézanne, Henri Matisse, Paul Klee and David Hockney. It is owned by the nearby Staatliche Graphische Sammlung München, a collection of 400,000 prints. The Collection of Modern Art keeps a collection of paintings of Pablo Picasso, Max Beckmann. Before World War I, the Blaue Reiter group of artists worked in Munich, many of their works can now be seen at the Lenbachhaus. The modern Museum Brandhorst focus on the work of Andy Warhol, an important collection of Greek and Roman art is held in the Glyptothek and the Staatliche Antikensammlung. King Ludwig I managed to such famous pieces as the Medusa Rondanini, the Barberini Faun. The internationally renowned collection of pottery is outstanding. The Museum für Abgüsse klassischer Bildwerke displays the worlds most famous ancient Greek, the Kunstareal was further augmented by the completion of the Staatliche Sammlung für Ägyptische Kunst. This museum displays exhibits from all periods of Ancient Egypts history but also reliefs from Assyria and a lion from the Ishtar Gate of Babylon
2.
Munich
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Munich is the capital and largest city of the German state of Bavaria, on the banks of River Isar north of the Bavarian Alps. Munich is the third largest city in Germany, after Berlin and Hamburg, the Munich Metropolitan Region is home to 5.8 million people. According to the Globalization and World Rankings Research Institute Munich is considered an alpha-world city, the name of the city is derived from the Old/Middle High German term Munichen, meaning by the monks. It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich, Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes, black and gold—the colours of the Holy Roman Empire—have been the citys official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, like wide parts of the Holy Roman Empire, the area recovered slowly economically. In 1918, during the German Revolution, the house of Wittelsbach, which governed Bavaria since 1180, was forced to abdicate in Munich. In the 1920s, Munich became home to political factions, among them the NSDAP. During World War II, Munich was heavily bombed and more than 50% of the entire city, the postwar period was characterised by American occupation until 1949 and a strong increase of population and economic power during the years of the Wirtschaftswunder after 1949. The city is home to corporations like BMW, Siemens, MAN, Linde, Allianz and MunichRE as well as many small. Munich is home to national and international authorities, major universities, major museums. Its numerous architectural attractions, international events, exhibitions and conferences. Munich is one of the most prosperous and fastest growing cities in Germany and it is a top-ranked destination for migration and expatriate location, despite being the municipality with the highest density of population in Germany. Munich nowadays hosts more than 530,000 people of foreign background, the year 1158 is assumed to be the foundation date, which is the earliest date the city is mentioned in a document. The document was signed in Augsburg, by that time the Guelph Henry the Lion, Duke of Saxony and Bavaria, had built a bridge over the river Isar next to a settlement of Benedictine monks—this was on the Old Salt Route and a toll bridge. In 1175, Munich was officially granted city status and received fortification, in 1180, with the trial of Henry the Lion, Otto I Wittelsbach became Duke of Bavaria and Munich was handed over to the Bishop of Freising. In 1240, Munich was transferred to Otto II Wittelsbach and in 1255, Duke Louis IV, a native of Munich, was elected German king in 1314 and crowned as Holy Roman Emperor in 1328. He strengthened the position by granting it the salt monopoly
3.
Old Master
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In art history, Old Master refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An old master print is a print made by an artist in the same period. The term old master drawing is used in the same way, therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term. The Oxford English Dictionary defines the term as A pre-eminent artist of the period before the modern, a pre-eminent western European painter of the 13th to 18th centuries. The term is used to refer to a painting or sculpture made by an Old Master. Les Maitres dautrefois of 1876 by Eugene Fromentin may have helped to popularize the concept, the collection in the Dresden museum essentially stops at the Baroque period. The end date is necessarily vague – for example, Goya is certainly an Old Master, the term might also be used for John Constable or Eugène Delacroix, but usually is not. The term tends to be avoided by art historians as too vague, especially when discussing paintings, although the terms Old Master Prints and it remains current in the art trade. Auction houses still usually divide their sales between, for example, Old Master Paintings, Nineteenth-century paintings and Modern paintings, christies defines the term as ranging from the 14th to the early 19th century. S. Master of Flémalle, Master of Mary of Burgundy, Master of Latin 757, Master of the Brunswick Diptych or Master of Schloss Lichtenstein
4.
Art museum
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An art museum or art gallery is a building or space for the exhibition of art, usually visual art. Museums can be public or private, but what distinguishes a museum is the ownership of a collection, the term is used for both public galleries, which are non-profit or publicly owned museums that display selected collections of art. On the other hand, private galleries refers to the commercial enterprises for the sale of art, however, both types of gallery may host traveling exhibits or temporary exhibitions including art borrowed from elsewhere. In broad terms, in North American usage, the word gallery alone often implies a private gallery, the term contemporary art gallery refers usually to a privately owned for-profit commercial gallery. These galleries are found clustered together in large urban centers. Smaller cities are home to at least one gallery, but they may also be found in towns or villages. Contemporary art galleries are open to the general public without charge, however. They usually profit by taking a portion of art sales, from 25% to 50% is typical, there are also many non-profit or collective galleries. Some galleries in cities like Tokyo charge the artists a flat rate per day, curators often create group shows that say something about a certain theme, trend in art, or group of associated artists. Galleries sometimes choose to represent artists exclusively, giving them the opportunity to show regularly, a gallerys definition can also include the artist cooperative or artist-run space, which often operates as a space with a more democratic mission and selection process. A vanity gallery is an art gallery that charges fees from artists in order to show their work, the shows are not legitimately curated and will frequently or usually include as many artists as possible. Most art professionals are able to identify them on an artists resume, University art museums and galleries constitute collections of art that are developed, owned, and maintained by all kinds of schools, community colleges, colleges, and universities. This phenomenon exists in both the West and East, making it a global practice, although largely overlooked, there are over 700 university art museums in America alone. This number, in comparison to other kinds of art museums, throughout history, large and expensive works of art have generally been commissioned by religious institutions and monarchs and been displayed in temples, churches, and palaces. Although these collections of art were private, they were made available for viewing for a portion of the public. In classical times, religious institutions began to function as a form of art gallery. Wealthy Roman collectors of engraved gems and other precious objects often donated their collections to temples and it is unclear how easy it was in practice for the public to view these items. At the Palace of Versailles, entrance was restricted to wearing the proper apparel – the appropriate accessories could be hired from shops outside
5.
Germany
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Germany, officially the Federal Republic of Germany, is a federal parliamentary republic in central-western Europe. It includes 16 constituent states, covers an area of 357,021 square kilometres, with about 82 million inhabitants, Germany is the most populous member state of the European Union. After the United States, it is the second most popular destination in the world. Germanys capital and largest metropolis is Berlin, while its largest conurbation is the Ruhr, other major cities include Hamburg, Munich, Cologne, Frankfurt, Stuttgart, Düsseldorf and Leipzig. Various Germanic tribes have inhabited the northern parts of modern Germany since classical antiquity, a region named Germania was documented before 100 AD. During the Migration Period the Germanic tribes expanded southward, beginning in the 10th century, German territories formed a central part of the Holy Roman Empire. During the 16th century, northern German regions became the centre of the Protestant Reformation, in 1871, Germany became a nation state when most of the German states unified into the Prussian-dominated German Empire. After World War I and the German Revolution of 1918–1919, the Empire was replaced by the parliamentary Weimar Republic, the establishment of the national socialist dictatorship in 1933 led to World War II and the Holocaust. After a period of Allied occupation, two German states were founded, the Federal Republic of Germany and the German Democratic Republic, in 1990, the country was reunified. In the 21st century, Germany is a power and has the worlds fourth-largest economy by nominal GDP. As a global leader in industrial and technological sectors, it is both the worlds third-largest exporter and importer of goods. Germany is a country with a very high standard of living sustained by a skilled. It upholds a social security and universal health system, environmental protection. Germany was a member of the European Economic Community in 1957. It is part of the Schengen Area, and became a co-founder of the Eurozone in 1999, Germany is a member of the United Nations, NATO, the G8, the G20, and the OECD. The national military expenditure is the 9th highest in the world, the English word Germany derives from the Latin Germania, which came into use after Julius Caesar adopted it for the peoples east of the Rhine. This in turn descends from Proto-Germanic *þiudiskaz popular, derived from *þeudō, descended from Proto-Indo-European *tewtéh₂- people, the discovery of the Mauer 1 mandible shows that ancient humans were present in Germany at least 600,000 years ago. The oldest complete hunting weapons found anywhere in the world were discovered in a mine in Schöningen where three 380, 000-year-old wooden javelins were unearthed
6.
Pinakothek der Moderne
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The Pinakothek der Moderne is a modern art museum, situated in the city centre of Munich, Germany. It is one of the worlds largest museums for modern and contemporary art, designed by German architect Stephan Braunfels, the Pinakothek der Moderne was inaugurated in September 2002 after seven years of construction. The $120 million,22, 000-square-meter building took a decade to finish because of objections to design and cost. The rectilinear facade, dominated by white and grey concrete, is interrupted by windows and high rise columns. Each of the four corners of the building, connected by a domed rotunda, is dedicated to a special collection. The Museum is thus divided into Art, Architecture, Design, meaner tongues in Munich, whose inhabitants often express a certain loathing for what they regard as faceless modernism lacking any local and / or regional roots, denounce it as the cardboard box. Before the opening of the Pinakothek der Moderne, art of the 20th century was largely relegated to the Haus der Kunst, or occasional contemporary exhibits in the Lenbachhaus. Since 1945, however, the collection, previously exhibited in the Haus der Kunst, has grown quickly by purchase, as well as donations by individuals, recent enrichment in the year 2006, the collection Eleanor and Michael Stoffel. Very comprehensive are the works of Pablo Picasso and Max Beckmann. Contemporary Art since the 1960s The museum also gives very profound insights into contemporary art. The Collection of applied modernist art was founded in 1925, parts of the expanded collection are exhibited in the basement of the Pinakothek der Moderne. Among others objects about motor vehicle design, computer culture, design of artistic jewelry, the Bavarian State collection of work on paper has its origin in the Wittelsbach collections, especially in the print room collection of Charles Theodore, Elector of Bavaria. g. From Paul Cézanne, Henri Matisse, Paul Klee and David Hockney, the museum of the Technical University of Munich started with a donation of King Ludwig II of Bavaria for the newly founded university in 1868 and is today the largest one in Germany. The museum shows altering exhibitions in the ground floor, official website Panorama Pinakothek der Moderne Architekturmuseum - Homepage Design Collection - Homepage Article about the Pinakothek der Moderne
7.
Ludwig I of Bavaria
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Ludwig I was king of Bavaria from 1825 until the 1848 revolutions in the German states. Born in the Hôtel des Deux-Ponts in Strasbourg, he was the son of Count Palatine Maximilian Joseph of Zweibrücken by his first wife Augusta Wilhelmine of Hesse-Darmstadt, at the time of his birth, his father was an officer in the French army stationed at Strasbourg. He was the godson and namesake of Louis XVI of France and his father assumed the title of King of Bavaria on 1 January 1806. Starting in 1803 Ludwig studied in Landshut where he was taught by Johann Michael Sailer, on 12 October 1810 he married Therese of Saxe-Hildburghausen, the daughter of Frederick, Duke of Saxe-Hildburghausen. The wedding was the occasion of the first-ever Oktoberfest, as commander of the 1st Bavarian Division in VII Corps, he served under Marshal François Joseph Lefebvre in 1809. He led his division in action at the Battle of Abensberg on 20 April, on 14 October, Bavaria made a formal declaration of war against Napoleonic France. The treaty was passionately backed by Crown Prince Ludwig and by Marshal von Wrede, already at the 1815 Congress of Vienna, Ludwig advocated a German national policy. Until 1816 the crown prince served as governor-general of the Duchy of Salzburg and his second son Otto, the later King of Greece, was born there. Between 1816 and 1825, he spent his years in Würzburg and he also made numerous trips to Italy and stayed often in the Villa Malta in Rome, which he later also bought. Ludwig supported generously as a Philhellene the Greek War of Independence, in 1817 Ludwig was also involved in the fall of Prime Minister Count Max Josef von Montgelas whose policies he had opposed. He succeeded his father on the throne in 1825, Ludwigs rule was strongly affected by his enthusiasm for the arts and women and by his overreaching royal assertiveness. An enthusiast for the German Middle Ages, Ludwig ordered the re-erection of several monasteries in Bavaria which had closed during the German Mediatisation. He reorganized the regions of Bavaria in 1837 and re-introduced the old names Upper Bavaria, Lower Bavaria, Franconia, Swabia. He changed his royal titles to Ludwig, King of Bavaria, Duke of Franconia, Duke in Swabia, Ludwigs plan to reunite the eastern part of the Palatinate with Bavaria could not be realized. In 1815, Badens possession of Manheim and Heidelberg was confirmed, Ludwig founded the city of Ludwigshafen there as a Bavarian rival to Mannheim. Ludwig moved the Ludwig-Maximilians-Universität from Landshut to Munich in 1826, the king also encouraged Bavarias industrialization. He initiated the Ludwig Canal between the rivers Main and the Danube, in 1835 the first German railway was constructed in his domain, between the cities of Fürth and Nuremberg. Bavaria joined the Zollverein in 1834, as Ludwig had supported the Greek fight of independence his second son Otto was elected king of Greece in 1832
8.
Leo von Klenze
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Leo von Klenze was a German neoclassicist architect, painter and writer. Court architect of Bavarian King Ludwig I, Leo von Klenze was one of the most prominent representatives of Greek revival style. Von Klenze studied architecture and public building finance under Friedrich Gilly in Berlin, between 1808 and 1813 he was a court architect of Jérôme Bonaparte, King of Westphalia. Later he moved to Bavaria and in 1816 began to work as architect of Ludwig I. The Kings passion for Hellenism shaped the style of von Klenze. He built many buildings in Munich, including the Ruhmeshalle. On Königsplatz he designed probably the best known modern Hellenistic architectural ensemble, near Regensburg he built the Walhalla temple, named after Valhalla, the home of gods in Norse mythology. When Greece won its independence, Ludwig Is son Otto became the countrys first king, von Klenze was invited to Athens to submit plans of city reconstruction in the style of Ancient Greece. Von Klenze was not only an architect, but also an accomplished painter, in many of his paintings ancient buildings were depicted. Those served as models for his own architectural projects, Klenze studied ancient architecture during his travels to Italy and Greece. He also participated in excavations of ancient buildings in Athens and submitted projects for the restoration of the Acropolis, Klenze collected works of important contemporary German painters. He sold his collection, including 58 landscapes and genre paintings and these paintings form the core of the Neue Pinakothek museums collection. Von Klenze married Maria Felicitas Blangini a beauty at the court of Ludwig I and their granddaughter Irene Athenais von Klenze became Countess Courten. Von Klenze died in 1864 and was buried in the Alter Südfriedhof in Munich, Walhalla temple near Regensburg Neues Schloss at Pappenheim New Hermitage in Saint Petersburg, Russia Catholic church of St. 162–166
9.
House of Wittelsbach
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The Wittelsbach family is a European royal family and a German dynasty from Bavaria. The family also provided two Holy Roman Emperors, one King of the Romans, two Anti-Kings of Bohemia, one King of Hungary, one King of Denmark and Norway, the familys head, since 1996, is Franz, Duke of Bavaria. Berthold, Margrave in Bavaria, was the ancestor of Otto I, Count of Scheyern, whose third son Otto II, the Counts of Scheyern left Scheyern Castle in 1119 for Wittelsbach Castle and the former was given to monks to establish Scheyern Abbey. Duke Ottos son Louis I, Duke of Bavaria acquired also the Electorate of the Palatinate in 1214. On Duke Otto IIs death in 1253, his sons divided the Wittelsbach possessions between them, Henry became Duke of Lower Bavaria, and Louis II Duke of Upper Bavaria and Count Palatine of the Rhine. When Henrys branch died out in 1340 the Emperor Louis IV, the Bavarian branch kept the duchy of Bavaria until its extinction in 1777. His six sons succeeded him as Duke of Bavaria and Count of Holland, the Wittelsbachs lost the Tyrol with the death of duke Meinhard and the following Peace of Schärding - the Tyrol was finally renounced to the Habsburgs in 1369. In 1373 Otto, the last Wittelsbach regent of Brandenburg, released the country to the House of Luxembourg, on Duke Alberts death in 1404, he was succeeded in the Netherlands by his eldest son, William. A younger son, John III, became Bishop of Liège, however, on Williams death in 1417, a war of succession broke out between John and Williams daughter Jacqueline of Hainaut. This last episode of the Hook and Cod wars finally left the counties in Burgundian hands in 1432, with the Landshut War of Succession Bavaria was reunited in 1505 against the claim of the Palatinate branch under the Bavarian branch Bavaria-Munich. From 1549 to 1567 the Wittelsbach owned the County of Kladsko in Bohemia, strictly Catholic by upbringing, the Bavarian dukes became leaders of the German Counter-Reformation. From 1583 to 1761, the Bavarian branch of the dynasty provided the Prince-electors and Archbishops of Cologne and many other Bishops of the Holy Roman Empire, namely Liège. Wittelsbach princes served for example as Bishops of Regensburg, Freising, Liège, Münster, Hildesheim, Paderborn and Osnabrück, in 1623 under Maximilian I the Bavarian dukes were invested with the electoral dignity and the duchy became the Electorate of Bavaria. His grandson Maximilian II Emanuel, Elector of Bavaria served also as Governor of the Habsburg Netherlands and his son Emperor Charles VII was also king of Bohemia. With the death of Charles son Maximilian III Joseph, Elector of Bavaria the Bavarian branch died out in 1777, the Palatinate branch kept the Palatinate until 1918 and succeeded also in Bavaria in 1777. With the Golden Bull of 1356 the Counts Palatine were invested with the electoral dignity, princes of the Palatinate branch served as Bishops of the Empire and also as Elector-Archbishops of Mainz and Elector-Archbishops of Trier. Jülich and Berg fell to the Wittelsbach Count Palatine Wolfgang William of Neuburg, in 1619, the Protestant Frederick V, Elector Palatine became King of Bohemia but was defeated by the Catholic Maximilian I, Elector of Bavaria, a member of the Bavarian branch. As a result, the Upper Palatinate had to be ceded to the Bavarian branch in 1623, when the Thirty Years War concluded with the Treaty of Münster in 1648, a new additional electorate was created for the Count Palatine of the Rhine
10.
Skylight
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Skylights are light transmitting fenestration forming all, or a portion of, the roof of a buildings space for daylighting purposes. Open skylights were used in Ancient Roman architecture, such as the oculus of the Pantheon, glazed closed skylights have been in use since the Industrial Revolution made advances in glass production manufacturing. Mass production units since the century have brought skylights to many uses. Uses include, daylighting elements used to allow direct and/or indirect sunlight, providing a visual connection to the outdoor environment to interior occupants. Sustainable building — passive solar heating, and with units, ventilation for passive cooling. Fixed unit skylight A fixed skylight consists of a perimeter frame supporting glazing infill. A fixed skylight is non-operable, meaning there is no ventilation, operable skylight An operable unit skylight uses a hinged sash attached to and supported by the frame. When within reach of the occupants, this type is called a roof window. Retractable skylight A retractable skylight rolls - on a set of tracks - off the frame, so that the interior of the facility is open to the outdoors. The terms retractable skylight and retractable roof are used interchangeably. Tubular daylight device Active daylighting uses a tubular daylight device—TDD and it is a roof-mounted fixed unit skylight element, condensing sunlight, distributed by a light conveying optic conduit to a light diffusing element. Being small in diameter, they can be used for daylighting smaller spaces such as hallways, TDDs harvest daylight through a roof-mounted dome with diameters ranging from about 10 inches for residential applications to 22 inches for commercial buildings. Made from acrylic or polycarbonate formulated to block ultraviolet rays, the dome captures, image, Skylight on the roof terrace of Liverpool Central Library. Skylights are widely used in designing daylighting for residential, public, increased daylighting can result in less electrical lighting use and smaller sized window glazing, saving energy, lowering costs, and reducing environmental impacts. Daylighting can cut lighting energy use in buildings by up to 80%. Modern transparent and/or translucent glazing can be utilized to avoid glare, aid in capturing sunlight at low angles, even on overcast days, toplighting from skylights is three to ten times more efficient than sidelighting. Many recent advances in glass and plastic infill systems have greatly benefited all skylight types. Contemporary skylights using glass infill typically use sealed insulating glass units made with two panes of glass and these types of products are NFRC-ratable for visible transmittance
11.
Renaissance Revival architecture
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The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining and recognizing Neo-Renaissance architecture. The movement grew from scientific observations of nature, in human anatomy. Neo-Renaissance architecture is formed by not only the original Italian architecture, in England the Renaissance tended to manifest itself in large square tall houses such as Longleat House. Often these buildings had symmetrical towers which hint at the evolution from medieval fortified architecture and this is particularly evident at Hatfield House built between 1607 and 1611, where medieval towers jostle with a large Italian cupola. If this were not confusing enough, the new Neo-Renaissance then frequently borrowed architectural elements from the succeeding Mannerist period, mannerism and Baroque being two very opposing styles of architecture. Mannerism was exemplified by the Palazzo del Te and Baroque by the Wurzburg Residenz, as a consequence a self-consciously Neo-Renaissance manner first began to appear circa 1840. By 1890 this movement was already in decline, the Hagues Peace Palace completed in 1913, in a heavy French Neo-Renaissance manner was one of the last notable buildings in this style. Charles Barry introduced the Neo-Renaissance to England with his design of the Travellers Club, the style is characterized by original Renaissance motifs, taken from such Quattrocento architects as Alberti. These motifs included rusticated masonry and quoins, windows framed by architraves and doors crowned by pediments, if a building were of several floors the uppermost floor usually had small square windows representing the minor mezzanine floor of the original Renaissance designs. However, the Neo-renaissance style later came to incorporate Romanesque and Baroque features not found in the original Renaissance architecture which was more severe in its design. Like all architectural styles the Neo-Renaissance did not appear overnight fully formed but evolved slowly, one of the very first signs of its emergence was the Würzburg Womens Prison, which was erected in 1809 designed by Peter Speeth. This building foreshadows similar effects in the work of the American architect Henry Hobson Richardson whose work in the Neo-Renaissance style was popular in the USA during the 1880s, richardsons style at the end or the revival era was a severe mix of both Romanesque and Renaissance features. This was exemplified by his Marshall Field Warehouse in Chicago, however, while the beginning of Neo-Renaissance period can be defined by its simplicity and severity, what came between was far more ornate in its design. This period can be defined by some of the opera houses of the Europe, such as Gottfried Sempers Burgtheater in Vienna. This ornate form of the Neo-Renaissance, originating from France, is known as the Second Empire style. By 1875 it had become the style in Europe for all public and bureaucratic buildings. In England, where Sir George Gilbert Scott designed the London Foreign Office in this style between 1860 and 1875, it also incorporated certain Palladian features. In Austria, it was pioneered by such names as Rudolf Eitelberger
12.
Hermitage Museum
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The State Hermitage Museum is a museum of art and culture in Saint Petersburg, Russia. One of the largest and oldest museums in the world, it was founded in 1754 by Catherine the Great and has open to the public since 1852. Its collections, of only a small part is on permanent display. The collections occupy a complex of six historic buildings along Palace Embankment, including the Winter Palace. Apart from them, the Menshikov Palace, Museum of Porcelain, Storage Facility at Staraya Derevnya, the museum has several exhibition centers abroad. The Hermitage is a state property. Since July 1992, the director of the museum has been Mikhail Piotrovsky, of the six buildings in the main museum complex, five, namely the Winter Palace, Small Hermitage, Old Hermitage, New Hermitage and Hermitage Theatre, are open to the public. The entrance ticket for foreign tourists more than the fee paid by citizens of Russia. However, entrance is free of charge the first Thursday of every month for all visitors, the museum is closed on Mondays. The entrance for visitors is located in the Winter Palace. A hermitage is the dwelling of a hermit or recluse, the word derives from Old French hermit, ermit hermit, recluse, from Late Latin eremita, from Greek eremites, literally people who live alone, which is in turn derived from ἐρημός, desert. Originally, the building housing the collection was the Small Hermitage. Today, the Hermitage Museum encompasses many buildings on the Palace Embankment, apart from the Small Hermitage, the museum now also includes the Old Hermitage, the New Hermitage, the Hermitage Theatre, and the Winter Palace, the former main residence of the Russian tsars. In recent years, the Hermitage has expanded to the General Staff Building on the Palace Square facing the Winter Palace, the Western European Art collection includes European paintings, sculpture, and applied art from the 13th to the 20th centuries. It is displayed, in about 120 rooms, on the first, drawings and prints are displayed in temporary exhibitions. Since 1940, the Egyptian collection, dating back to 1852 and it serves as a passage to the exhibition of Classical Antiquities. A modest collection of the culture of Ancient Mesopotamia, including a number of Assyrian reliefs from Babylon, Dur-Sharrukin, the collection of Classical Antiquities occupies most of the ground floor of the Old and New Hermitage buildings. Its floor is made of a marble mosaic imitating ancient tradition, while the stucco walls
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