Amédée Ozenfant was a French cubist painter and writer. Together with Charles-Edouard Jeanneret he founded the Purist movement.
Amédée Ozenfant, 1920–21, Nature morte (Still Life), oil on canvas, 81.28 cm x 100.65 cm, San Francisco Museum of Modern Art
L'Esprit Nouveau, No. 1, October 1920. Edited by Paul Dermée and Michel Seuphor, later by Charles-Edouard Jeanneret (Le Corbusier) and Amédée Ozenfant. Published by Éditions de l'Esprit Nouveau, Paris
Amédée Ozenfant, 1920, Still Life, Dishes, oil on canvas, 72 x 59.5 cm, Hermitage Museum
Amédée Ozenfant, 1921, Nature morte au verre de vin rouge (Still Life with Glass of Red Wine), oil on canvas, 50.6 x 61.2 cm, Kunstmuseum Basel
Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and sculpture, and inspired artistic movements in music, literature, and architecture. In Cubist works of art, the subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, Museum of Modern Art, New York
Pablo Picasso, Les Demoiselles d'Avignon, 1907, considered to be a major step towards the founding of the Cubist movement
Albert Gleizes, L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud), 1912, oil on canvas, 195.6 × 114.9 cm (77 × 45 1/4 in.), Philadelphia Museum of Art. Completed the same year that Albert Gleizes co-authored the book Du "Cubisme" with Jean Metzinger. Exhibited at Salon d'Automne, Paris, 1912, Armory show, New York, Chicago, Boston, 1913.
The "Cubists" Dominate Paris' Fall Salon, The New York Times, October 8, 1911. Picasso's 1908 Seated Woman (Meditation) is reproduced along with a photograph of the artist in his studio (upper left). Metzinger's Baigneuses (1908–09) is reproduced top right. Also reproduced are works by Derain, Matisse, Friesz, Herbin, and a photo of Braque.
