Curtain wall (architecture)
A curtain wall system is an outer covering of a building in which the outer walls are non-structural, utilized to keep the weather out and the occupants in. Since the curtain wall is non-structural, it can be made of lightweight materials, thereby reducing construction costs; when glass is used as the curtain wall, an advantage is that natural light can penetrate deeper within the building. The curtain wall façade does not carry any structural load from the building other than its own dead load weight; the wall transfers lateral wind loads that are incident upon it to the main building structure through connections at floors or columns of the building. A curtain wall is designed to resist air and water infiltration, absorb sway induced by wind and seismic forces acting on the building, withstand wind loads, support its own dead load weight forces. Curtain wall systems are designed with extruded aluminum framing members, although the first curtain walls were made with steel frames; the aluminum frame is infilled with glass, which provides an architecturally pleasing building, as well as benefits such as daylighting.
However, the effects of light on visual comfort as well as solar heat gain in a building are more difficult to control when using large amounts of glass infill. Other common infills include: stone veneer, metal panels and operable windows or vents. Curtain walls differ from storefront systems in that they are designed to span multiple floors, taking into consideration design requirements such as: thermal expansion and contraction. Buildings have long been constructed with the exterior walls of the building supporting the load of the entire structure; the development and widespread use of structural steel and reinforced concrete allowed small columns to support large loads. The exterior walls could be non-load bearing and thus much lighter and more open than the masonry load-bearing walls of the past; this gave way to increased use of glass as an exterior façade, the modern-day curtain wall was born. Early prototype versions of curtain walls may have existed in buildings of timber construction before the 19th century, should columns have been used to support the building rather than the walls themselves when large panels of glass infill were involved.
When iron began to be used extensively in buildings in late 18th-century Britain such as at Ditherington Flax Mill, when buildings of wrought iron and glass such as The Crystal Palace were built, the building blocks of structural understanding were laid for the development of curtain walls. Oriel Chambers and 16 Cook Street, both built in Liverpool, England, by local architect and civil engineer Peter Ellis, are characterised by their extensive use of glass in their facades. Towards the courtyards they boasted metal-framed glass curtain walls, which makes them two of the world's first buildings to include this architectural feature; the extensive glass walls allowed light to penetrate further into the building, utilizing more floor space and reducing lighting costs. Oriel Chambers comprises 43,000 sq ft set over five floors without an elevator, which had only been invented and was not yet widespread. An early example of an all-steel curtain wall used in the classical style is the Kaufhaus Tietz department store on Leipziger Straße, built in 1901.
Some of the first curtain walls were made with steel mullions, the polished plate glass was attached to the mullions with asbestos- or fiberglass-modified glazing compound. Silicone sealants or glazing tape were substituted for the glazing compound; some designs included an outer cap to hold the glass in place and to protect the integrity of the seals. The first curtain wall installed in New York City, in the United Nations Secretariat Building, was this type of construction. Earlier modernist examples are the Hallidie Building in San Francisco. During the 1970s, the widespread use of aluminium extrusions for mullions began. Aluminum alloys offer the unique advantage of being able to be extruded into nearly any shape required for design and aesthetic purposes. Today, the design complexity and shapes available are nearly limitless. Custom shapes can be manufactured with relative ease; the Omni San Diego Hotel curtain wall in California (developed by JMI Realty, designed by architectural firm Hornberger and Worstel, is an example of a unitized curtain-wall system with integrated sunshades.
The vast majority of ground-floor curtain walls are installed as long pieces between floors vertically and between vertical members horizontally. Framing members may be fabricated in a shop, but installation and glazing is performed at the jobsite. Similar to a stick system, a ladder system has mullions which can be split and either snapped or screwed together consisting of a half box and plate; this allows sections of curtain wall to be fabricated in a shop reducing the time spent installing the system on site. The drawbacks of using such a system is reduced structural performance and visible joint lines down the length of each mullion. Unitized curtain walls entail factory fabrication and assembly of panels and may include factory glazing; these completed units are installed on the building structure to form the building enclosure. Unitized curtain wall has the advantages of: speed.
The Order of Preachers known as the Dominican Order, is a mendicant Catholic religious order founded by the Spanish priest Dominic of Caleruega in France, approved by Pope Honorius III via the Papal bull Religiosam vitam on 22 December 1216. Members of the order, who are referred to as Dominicans carry the letters OP after their names, standing for Ordinis Praedicatorum, meaning of the Order of Preachers. Membership in the order includes friars, active sisters, affiliated lay or secular Dominicans. Founded to preach the Gospel and to oppose heresy, the teaching activity of the order and its scholastic organisation placed the Preachers in the forefront of the intellectual life of the Middle Ages; the order is famed for its intellectual tradition, having produced many leading theologians and philosophers. In the year 2017 there were 5,742 Dominican friars, including 4,302 priests; the Dominican Order is headed by the Master of the Order Bruno Cadoré. A number of other names have been used to refer to its members.
In England and other countries the Dominican friars are referred to as "Black Friars" because of the black cappa or cloak they wear over their white habits. Dominicans were "Blackfriars", as opposed to "Whitefriars" or "Greyfriars", they are distinct from the Augustinian Friars who wear a similar habit. In France, the Dominicans were known as "Jacobins" because their convent in Paris was attached to the Church of Saint-Jacques, now disappeared, on the way to Saint-Jacques-du-Haut-Pas, which belonged to the Italian Order of Saint James of Altopascio Sanctus Iacobus in Latin, their identification as Dominicans gave rise to the pun that they were the "Domini canes", or "Hounds of the Lord". The Dominican Order came into being in the Middle Ages at a time when men of God were no longer expected to stay behind the walls of a cloister. Instead, they travelled among the people, taking as their examples the apostles of the primitive Church. Out of this ideal emerged two orders of mendicant friars: one, the Friars Minor, was led by Francis of Assisi.
Like his contemporary, Dominic saw the need for a new type of organization, the quick growth of the Dominicans and Franciscans during their first century of existence confirms that the orders of mendicant friars met a need. Dominic sought to establish a new kind of order, one that would bring the dedication and systematic education of the older monastic orders like the Benedictines to bear on the religious problems of the burgeoning population of cities, but with more organizational flexibility than either monastic orders or the secular clergy; the Order of Preachers was founded in response to a perceived need for informed preaching. Dominic's new order was to be trained to preach in the vernacular languages. Dominic inspired his followers with loyalty to learning and virtue, a deep recognition of the spiritual power of worldly deprivation and the religious state, a developed governmental structure. At the same time, Dominic inspired the members of his order to develop a "mixed" spirituality.
They were both active in preaching, contemplative in study and meditation. The brethren of the Dominican Order were urban and learned, as well as contemplative and mystical in their spirituality. While these traits affected the women of the order, the nuns absorbed the latter characteristics and made those characteristics their own. In England, the Dominican nuns blended these elements with the defining characteristics of English Dominican spirituality and created a spirituality and collective personality that set them apart; as an adolescent, he had a particular love of theology and the Scriptures became the foundation of his spirituality. During his studies in Palencia, Spain, he experienced a dreadful famine, prompting Dominic to sell all of his beloved books and other equipment to help his neighbors. After he completed his studies, Bishop Martin Bazan and Prior Diego d'Achebes appointed Dominic to the cathedral chapter and he became a Canon Regular under the Rule of Saint Augustine and the Constitutions for the cathedral church of Osma.
At the age of twenty-four or twenty-five, he was ordained to the priesthood. In 1203, Dominic de Guzmán joined Diego de Acebo on an embassy to Denmark for the monarchy of Spain, to arrange the marriage between the son of King Alfonso VIII of Castile and a niece of King Valdemar II of Denmark. At that time the south of France was the stronghold of the Cathar movement; the Cathars were a heretical neo-gnostic sect. They believed that matter was evil and only the spirit was good; the Albigensian Crusade was a 20-year military campaign initiated by Pope Innocent III to eliminate Catharism in Languedoc, in southern France. Dominic saw the need for a response that would attempt to sway members of the Albigensian movement back to mainstream Christian thought. Dominic became inspired into a reforming zeal after they encountered Albigensian Christians at Toulouse. Diego saw one of the paramount reasons for the spread of the unorthodox movement- the representatives of the Holy Church acted and moved with an offensive amount of pomp and ceremony.
In contrast, the Cathars led ascetic lifestyles. For these reasons, Diego suggested that the papal legates begin to live a reformed apostolic l
The bourgeoisie is a polysemous French term that can mean: a sociologically defined class in contemporary times, referring to people with a certain cultural and financial capital belonging to the middle or upper middle class: the upper and petty bourgeoisie. Originally and "those who live in the borough", to say, the people of the city, as opposed to those of rural areas. A defined class of the Middle Ages to the end of the Ancien Régime in France, that of inhabitants having the rights of citizenship and political rights in a city; the "bourgeoisie" in its original sense is intimately linked to the existence of cities recognized as such by their urban charters, so there was no bourgeoisie "outside the walls of the city" beyond which the people were "peasants" submitted to the stately courts and manorialism. In Marxist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialization and whose societal concerns are the value of property and the preservation of capital to ensure the perpetuation of their economic supremacy in society.
Joseph Schumpeter saw the incorporation of new elements into an expanding bourgeoisie entrepreneurs who took risks to bring innovation to industries and the economy through the process of creative destruction, as the driving force behind the capitalist engine. The Modern French word bourgeois derived from the Old French burgeis, which derived from bourg, from the Old Frankish burg. In its literal sense, bourgeois in Old French means "town dweller". In English, the word "bourgeoisie" identified a social class oriented to economic materialism and hedonism, to upholding the extreme political and economic interests of the capitalist ruling-class. In the 18th century, before the French Revolution, in the French feudal order, the masculine and feminine terms bourgeois and bourgeoise identified the rich men and women who were members of the urban and rural Third Estate – the common people of the French realm, who violently deposed the absolute monarchy of the Bourbon King Louis XVI, his clergy, his aristocrats in the French Revolution of 1789-1799.
Hence, since the 19th century, the term "bourgeoisie" is politically and sociologically synonymous with the ruling upper-class of a capitalist society. The medieval French word bourgeois denoted the inhabitants of the bourgs, the craftsmen, artisans and others, who constituted "the bourgeoisie", they were the socio-economic class between the peasants and the landlords, between the workers and the owners of the means of production; as the economic managers of the materials, the goods, the services, thus the capital produced by the feudal economy, the term "bourgeoisie" evolved to denote the middle class – the businessmen and businesswomen who accumulated and controlled the capital that made possible the development of the bourgs into cities. Contemporarily, the terms "bourgeoisie" and "bourgeois" identify the ruling class in capitalist societies, as a social stratum; the 18th century saw a partial rehabilitation of bourgeois values in genres such as the drame bourgeois and "bourgeois tragedy".
The bourgeoisie emerged as a historical and political phenomenon in the 11th century when the bourgs of Central and Western Europe developed into cities dedicated to commerce. This urban expansion was possible thanks to economic concentration due to the appearance of protective self-organisation into guilds. Guilds arose when individual businessmen conflicted with their rent-seeking feudal landlords who demanded greater rents than agreed. In the event, by the end of the Middle Ages, under régimes of the early national monarchies of Western Europe, the bourgeoisie acted in self-interest, politically supported the king or queen against legal and financial disorder caused by the greed of the feudal lords. In the late-16th and early 17th centuries, the bourgeoisies of England and the Netherlands had become the financial – thus political – forces that deposed the feudal order. During the 17th and 18th centuries, the bourgeoisie were the politically progressive social class who
Jacques-Émile Blanche was a French artist self-taught, who became a successful portrait painter, working in London and Paris. Blanche was born in Paris, his father was a successful psychiatrist who ran a fashionable clinic, he was brought up in the rich Parisian neighborhood of Passy in a house that had belonged to the Princesse de Lamballe. Although Blanche received some instruction in painting from Henri Gervex, he may be regarded as self-taught, he became a successful portrait painter, with a style derived from 18th-century English painters such as Thomas Gainsborough as well as Édouard Manet and John Singer Sargent. He worked in London, where he spent time from 1870 on, as well as Paris, where he exhibited at the Salon and the Société Nationale des Beaux-Arts. One of his closest friends was Marcel Proust, he knew Henry James and is mentioned in Gertrude Stein's The Autobiography of Alice B. Toklas. In 1902 Jacques-Émile Blanche took over the direction of the Académie de La Palette, where he would remain director until 1911.
He taught at the Académie Vitti in 1903. Among the painter's most famous works are portraits of his father, Marcel Proust, the poet Pierre Louÿs, the Thaulow family, Aubrey Beardsley, Yvette Guilbert and the infamous beauty Virginia Oldoini, Countess of Castiglione whom his father had treated for mental illness. Others he painted included James Joyce, Julia Stephen, Edgar Degas, Claude Debussy, Auguste Rodin, Thomas Hardy, John Singer Sargent, Charles Conder, Percy Grainger, Tamara Karsavina as Stravinsky's Firebird, he was the author of the unreliable Portraits of a Lifetime: the late Victorian era: the Edwardian pageant: 1870–1914 and More Portraits of a Lifetime, 1918–1938, about which Walter Sickert said "he is liable to twist things he hears or doesn't into monstrous fibs". General44 paintings by or after Jacques-Émile Blanche at the Art UK site Abdy, Jane. "Blanche, Jacques-Emile" in Oxford Art Online. This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed..
"Blanche, Jacques Émile". Encyclopædia Britannica. Cambridge University Press. Works by or about Jacques-Émile Blanche at Internet Archive Media related to Jacques-Émile Blanche at Wikimedia Commons
New York City
The City of New York called either New York City or New York, is the most populous city in the United States. With an estimated 2017 population of 8,622,698 distributed over a land area of about 302.6 square miles, New York is the most densely populated major city in the United States. Located at the southern tip of the state of New York, the city is the center of the New York metropolitan area, the largest metropolitan area in the world by urban landmass and one of the world's most populous megacities, with an estimated 20,320,876 people in its 2017 Metropolitan Statistical Area and 23,876,155 residents in its Combined Statistical Area. A global power city, New York City has been described as the cultural and media capital of the world, exerts a significant impact upon commerce, research, education, tourism, art and sports; the city's fast pace has inspired the term New York minute. Home to the headquarters of the United Nations, New York is an important center for international diplomacy.
Situated on one of the world's largest natural harbors, New York City consists of five boroughs, each of, a separate county of the State of New York. The five boroughs – Brooklyn, Manhattan, The Bronx, Staten Island – were consolidated into a single city in 1898; the city and its metropolitan area constitute the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York, making it the most linguistically diverse city in the world. New York City is home to more than 3.2 million residents born outside the United States, the largest foreign-born population of any city in the world. In 2017, the New York metropolitan area produced a gross metropolitan product of US$1.73 trillion. If greater New York City were a sovereign state, it would have the 12th highest GDP in the world. New York is home to the highest number of billionaires of any city in the world. New York City traces its origins to a trading post founded by colonists from the Dutch Republic in 1624 on Lower Manhattan.
The city and its surroundings came under English control in 1664 and were renamed New York after King Charles II of England granted the lands to his brother, the Duke of York. New York served as the capital of the United States from 1785 until 1790, it has been the country's largest city since 1790. The Statue of Liberty greeted millions of immigrants as they came to the U. S. by ship in the late 19th and early 20th centuries and is an international symbol of the U. S. and its ideals of liberty and peace. In the 21st century, New York has emerged as a global node of creativity and entrepreneurship, social tolerance, environmental sustainability, as a symbol of freedom and cultural diversity. Many districts and landmarks in New York City are well known, with the city having three of the world's ten most visited tourist attractions in 2013 and receiving a record 62.8 million tourists in 2017. Several sources have ranked New York the most photographed city in the world. Times Square, iconic as the world's "heart" and its "Crossroads", is the brightly illuminated hub of the Broadway Theater District, one of the world's busiest pedestrian intersections, a major center of the world's entertainment industry.
The names of many of the city's landmarks and parks are known around the world. Manhattan's real estate market is among the most expensive in the world. New York is home to the largest ethnic Chinese population outside of Asia, with multiple signature Chinatowns developing across the city. Providing continuous 24/7 service, the New York City Subway is the largest single-operator rapid transit system worldwide, with 472 rail stations. Over 120 colleges and universities are located in New York City, including Columbia University, New York University, Rockefeller University, which have been ranked among the top universities in the world. Anchored by Wall Street in the Financial District of Lower Manhattan, New York has been called both the most economically powerful city and the leading financial center of the world, the city is home to the world's two largest stock exchanges by total market capitalization, the New York Stock Exchange and NASDAQ. In 1664, the city was named in honor of the Duke of York.
James's older brother, King Charles II, had appointed the Duke proprietor of the former territory of New Netherland, including the city of New Amsterdam, which England had seized from the Dutch. During the Wisconsinan glaciation, 75,000 to 11,000 years ago, the New York City region was situated at the edge of a large ice sheet over 1,000 feet in depth; the erosive forward movement of the ice contributed to the separation of what is now Long Island and Staten Island. That action left bedrock at a shallow depth, providing a solid foundation for most of Manhattan's skyscrapers. In the precolonial era, the area of present-day New York City was inhabited by Algonquian Native Americans, including the Lenape, whose homeland, known as Lenapehoking, included Staten Island; the first documented visit into New York Harbor by a European was in 1524 by Giovanni da Verrazzano, a Florentine explorer in the service of the French crown. He named it Nouvelle Angoulême. A Spanish expedition led by captain Estêvão Gomes, a Portuguese sailing for Emperor Charles V, arrived in New York Harbor in January 1525 and charted the mouth of the Hudson River, which he named Río de San Antonio.
The Padrón Rea
Painting is the practice of applying paint, color or other medium to a solid surface. The medium is applied to the base with a brush, but other implements, such as knives and airbrushes, can be used; the final work is called a painting. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, narration, or abstraction. Paintings can be naturalistic and representational, abstract, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by religious art. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes Sistine Chapel ceiling, to scenes from the life of Buddha or other images of Eastern religious origin. In art, the term painting describes the result of the action; the support for paintings includes such surfaces as walls, canvas, glass, pottery, leaf and concrete, the painting may incorporate multiple other materials including sand, paper, gold leaf, as well as objects.
Color, made up of hue and value, dispersed over a surface is the essence of painting, just as pitch and rhythm are the essence of music. Color is subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West; some painters, theoreticians and scientists, including Goethe and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent; the word "red", for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a formalized register of different colors in the way that there is agreement on different notes in music, such as F or C♯. For a painter, color is not divided into basic and derived colors. Painters deal with pigments, so "blue" for a painter can be any of the blues: phthalocyanine blue, Prussian blue, Cobalt blue, so on. Psychological and symbolical meanings of color are not speaking, means of painting.
Colors only add to the potential, derived context of meanings, because of this, the perception of a painting is subjective. The analogy with music is quite clear—sound in music is analogous to "light" in painting, "shades" to dynamics, "coloration" is to painting as the specific timbre of musical instruments is to music; these elements do not form a melody of themselves. Modern artists have extended the practice of painting to include, as one example, which began with Cubism and is not painting in the strict sense; some modern painters incorporate different materials such as sand, straw or wood for their texture. Examples of this are the works of Anselm Kiefer. There is a growing community of artists who use computers to "paint" color onto a digital "canvas" using programs such as Adobe Photoshop, Corel Painter, many others; these images can be printed onto traditional canvas. Jean Metzinger's mosaic-like Divisionist technique had its parallel in literature. I make a kind of chromatic versification and for syllables I use strokes which, variable in quantity, cannot differ in dimension without modifying the rhythm of a pictorial phraseology destined to translate the diverse emotions aroused by nature.
Rhythm, for artists such as Piet Mondrian, is important in painting as it is in music. If one defines rhythm as "a pause incorporated into a sequence" there can be rhythm in paintings; these pauses allow creative force to intervene and add new creations—form, coloration. The distribution of form, or any kind of information is of crucial importance in the given work of art, it directly affects the aesthetic value of that work; this is because the aesthetic value is functionality dependent, i.e. the freedom of perception is perceived as beauty. Free flow of energy, in art as well as in other forms of "techne", directly contributes to the aesthetic value. Music was important to the birth of abstract art, since music is abstract by nature—it does not try to represent the exterior world, but expresses in an immediate way the inner feelings of the soul. Wassily Kandinsky used musical terms to identify his works. Kandinsky theorized that "music is the ultimate teacher," and subsequently embarked upon the first seven of his ten Compositions.
Hearing tones and chords as he painted, Kandinsky theorized that, yellow is the color of middle C on a brassy trumpet. In 1871 the young Kandinsky learned to play the cello. Kandinsky's stage design for a performance of Mussorgsky's "Pictures at an Exhibition" illustrates his "synaesthetic" concept of a universal correspondence of forms and musical sounds. Music d
Charles-Édouard Jeanneret, known as Le Corbusier, was a Swiss-French architect, painter, urban planner and one of the pioneers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930, his career spanned five decades, he designed buildings in Europe, Japan and North and South America. Dedicated to providing better living conditions for the residents of crowded cities, Le Corbusier was influential in urban planning, was a founding member of the Congrès International d'Architecture Moderne. Le Corbusier prepared the master plan for the city of Chandigarh in India, contributed specific designs for several buildings there. On 17 July 2016, seventeen projects by Le Corbusier in seven countries were inscribed in the list of UNESCO World Heritage Sites as The Architectural Work of Le Corbusier, an Outstanding Contribution to the Modern Movement. Charles-Édouard Jeanneret was born on 6 October 1887 in La Chaux-de-Fonds, a small city in the French-speaking Neuchâtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres across the border from France.
It was an industrial town, devoted to the manufacture of watches. His father was an artisan who enameled watches, while his mother gave piano lessons, his elder brother Albert was an amateur violinist. He attended a kindergarten. Like his contemporaries Frank Lloyd Wright and Mies van der Rohe, Le Corbusier did not have formal academic training as an architect, he was attracted to the visual arts and at the age of fifteen he entered the municipal art school in La-Chaux-de-Fonds which taught the applied arts connected with watchmaking. Three years he attended the higher course of decoration, founded by the painter Charles L'Eplattenier, who had studied in Budapest and Paris. Le Corbusier wrote that L'Eplattenier had made him "a man of the woods" and taught him painting from nature, his father took him into the mountains around the town. He wrote "we were on mountaintops, his architecture teacher in the Art School was the architect René Chapallaz, who had a large influence on Le Corbusier's earliest house designs.
However, he reported that it was the art teacher L'Eplattenier who made him choose architecture. "I had a horror of architecture and architects," he wrote. "... I was sixteen, I accepted the verdict and I obeyed. I moved into architecture." Le Corbusier began teaching himself by going to the library to read about architecture and philosophy, by visiting museums, by sketching buildings, by constructing them. In 1905, he and two other students, under the supervision of their teacher, René Chapallaz and built his first house, the Villa Fallet, for the engraver Louis Fallet, a friend of his teacher Charles L'Eplattenier. Located on the forested hillside near Chaux-de-fonds, it was a large chalet with a steep roof in the local alpine style and crafted colored geometric patterns on the façade. The success of this house led to his construction of two similar houses, the Villas Jacquemet and Stotzer, in the same area. In September 1907, he made his first trip outside of Switzerland. In Florence, he visited the Florence Charterhouse in Galluzzo, which made a lifelong impression on him.
"I would have liked to live in one of what they called their cells," he wrote later. "It was the solution for a unique kind of worker's housing, or rather for a terrestrial paradise." He traveled to Paris, during fourteen months between 1908 until 1910 he worked as a draftsman in the office of the architect Auguste Perret, the pioneer of the use of reinforced concrete in residential construction and the architect of the Art Deco landmark Théâtre des Champs-Élysées. Two years between October 1910 and March 1911, he traveled to Germany and worked four months in the office Peter Behrens, where Ludwig Mies van der Rohe and Walter Gropius were working and learning. In 1911, he traveled again for five months, he spoke of what he saw during this trip in many of his books, it was the subject of his last book, Le Voyage d'Orient. In 1912, he began his most ambitious project. Located on the forested hillside near La-Chaux-de-Fonds; the Jeanneret-Perret house was larger than the others, in a more innovative style.
The interior spaces were organized around the four pillars of the salon in the center, foretelling the open interiors he would create in his buildings. The project was more expensive to build. However, it led to a commission to build an more imposing villa in the nearby village of Le Locle for a wealthy watch manufacturer. Georges Favre-Jacot. Le Corbusier designed the new house in less than a month; the building was designed to fit its hillside site, interior plan was spacious and designed around a courtyard for maximum light, significant de