1.
Aphrodite
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Aphrodite is the Greek goddess of love, beauty, pleasure, and procreation. She is identified with the planet Venus, and her Roman equivalent is the goddess Venus, as with many ancient Greek deities, there is more than one story about her origins. According to Hesiods Theogony, she was born when Cronus cut off Uranuss genitals and threw them into the sea, according to Homers Iliad, she is the daughter of Zeus and Dione. In Plato, these two origins are said to be of hitherto separate entities, Aphrodite Ourania and Aphrodite Pandemos, Aphrodite had many lovers—both gods, such as Ares, and men, such as Anchises. She played a role in the Eros and Psyche legend, and was lover and surrogate mother of Adonis. Many lesser beings were said to be children of Aphrodite, Aphrodite is also known as Cytherea and Cypris after the two cult sites, Cythera and Cyprus, which claimed to be her place of birth. Myrtle, roses, doves, sparrows and swans were sacred to her, the ancient Greeks identified her with the Ancient Egyptian goddess Hathor. Aphrodite had many names such as Acidalia and Cerigo, each used by a different local cult of the goddess in Greece. The Greeks recognized all of these names as referring to the single goddess Aphrodite, despite the differences in what these local cults believed the goddess demanded of them. The Attic philosophers of the 4th century, however, drew a distinction between a celestial Aphrodite of transcendent principles, and a separate, common Aphrodite who was the goddess of the people, hesiod derives Aphrodite from aphrós sea-foam, interpreting the name as risen from the foam. Michael Janda, accepting this as genuine, claims the birth myth as an Indo-European mytheme. Likewise, Witczak proposes an Indo-European compound *abʰor- very and *dʰei- to shine and it has been argued that etymologies based on comparison with Eos are unlikely since Aphrodites attributes are entirely different from those of Eos or the Vedic deity Ushas. A number of improbable non-Greek etymologies have suggested in scholarship. One Semitic etymology compares Aphrodite to the Assyrian barīrītu, the name of a demon that appears in Middle Babylonian. Hammarström looks to Etruscan, comparing prϑni lord, an Etruscan honorific loaned into Greek as πρύτανις and this would make the theonym in origin an honorific, the lady. Hjalmar Frisk and Robert Beekes reject this etymology as implausible, especially since Aphrodite actually appears in Etruscan in the borrowed form Apru, the medieval Etymologicum Magnum offers a highly contrived etymology, deriving Aphrodite from the compound habrodíaitos, she who lives delicately, from habrós and díaita. The alteration from b to ph is explained as a characteristic of Greek obvious from the Macedonians. Aphrodite is usually said to have been born near her chief center of worship, Paphos, on the island of Cyprus, however, other versions of her myth have her born near the island of Cythera, hence another of her names, Cytherea
2.
Thiasus
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In Greek mythology and religion, the thiasus, was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession, the grandest such version was his triumphant return from India, which influenced symbolic conceptions of the Roman triumph and was narrated in rapturous detail in Nonnus Dionysiaca. In this procession, Dionysus rides a chariot, often drawn by big cats such as tigers, leopards, the thiasos of the sea god Poseidon is depicted as a triumphal wedding procession with Amphitrite, attended by figures such as sea nymphs and hippocamps. In historical Greek society, thiasoi were religious organizations whose existence was protected by law, the most significant members of the thiasus were the human female devotees, the maenads, who gradually replaced immortal nymphs. In Greek vase-paintings or bas-reliefs, lone female figures can be recognized as belonging to the thiasus by their brandishing the thyrsos, other regulars of the retinue were various nature spirits, including the sileni, phalluses much in evidence, satyrs, and Pan. The ithyphallic sileni are often shown dancing on vase paintings, the tutor of Dionysus is represented by a single aged Silenus. The retinue is sometimes shown being brought before a recipient, the tragic human welcomer of the gift of wine, Ikarios or Semachos. In the triumphal form of procession, Ariadne sometimes rides with Dionysus as his consort, heracles followed the thiasus for a short while following his loss of a drinking contest to Dionysus. On the 6th-century BC François Vase, Dionysus is accompanied in procession by the three Horae, other notable depictions in art include the silver Great Dish from the Mildenhall Treasure, the Lycurgus Cup, and in the Renaissance Titians Bacchus and Ariadne. The Dionysian retinue was a subject for Roman art, especially bas-reliefs. The marine or sea thiasos depicted Poseidon and his retinue, an original work of Skopas on this theme was taken to Rome and lost, but the scene is well represented in Roman art, from tiny decorative reliefs and large sarcophagus panels to extensive mosaics
3.
Roman mosaic
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A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Empire. Mosaics were used in a variety of private and public buildings, the outstanding examples of the Late Imperial period are the mosaics in the villa of Casale in Sicily. The mosaic decoration of the palace complex culminates in the gallery. Roman mosaics are constructed from geometrical blocks called tesserae, placed together to create the shapes of figures, motifs, polychrome patterns were most common, but monochrome examples are known. Marble and glass were used as tesserae, as were small pebbles. Mosaic decoration was not just confined to floors but featured on walls, traces of guidelines have been found beneath some mosaics, either scored into or painted onto the mortar bedding. The design might also be pegged out in string, or mounted in a wooden frame, the collapse of buildings in antiquity can, paradoxically, both irrevocably destroy mosaics or protect and preserve them. As well as patterns and designs, Roman mosaics frequently depicted divine characters or mythological scenes. Imagery of famous individuals or entertaining scenes are common on Roman mosaics, the Alexander Mosaic from the House of the Faun, Pompeii depicts the Battle of Issus between Alexander the Great and Darius III. In addition to people from antiquity, mosaics can depict aspects of daily life. The Gladiator Mosaic from Rome depicts a scene, naming each gladiator involved. A gladiatorial scene is known from Leptis Magna. One of the earliest depictions of Roman Christianity is a mosaic from Hinton St Mary which shows Christ with a Chi-Rho behind his head, the mosaic is now in the British Museum. Progression within the technique developed the emblem, the heart of all mosaics. The Alexander Mosaic from the House of the Faun, Pompeii, the Tomb of the Julii in the Vatican Necropolis, beneath St. Peters Basilica, Rome. The Gladiator Mosaic from the Via Casilina outside Rome, the Zliten Mosaic from Zliten in Libya
4.
Cirta
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Cirta was the capital city of the Berber Kingdom of Numidia in northern Africa. Its strategically important port city was Russicada, although Numidia was a key ally of the ancient Roman Republic during the Punic Wars, Cirta was subject to Roman invasions during the 1st and 2nd centuries BC. Eventually went under Roman dominion during the rule of Julius Caesar, vandals damaged Cirta, but emperor Justinianus I reconquered and improved the Roman city. Arabs finally captured it in 698 AD, pliny calls the city as the first century Roman colonia Cirta Sittianorum, together with Rusicade, Milevum and Chullu in what was an autonomous territory of the new province Africa Nova. Indeed, Rome allowed Publius Sittius and his Italian legionaries from Campania to rule the territory of Cirta, however, under Publius Sittius, Cirta was a special colony with some autonomy from Rome. Under the emperor Augustus, the city obtained full Roman status as colonia with the name Iulia Iuvenalis Honoris et Virtutis Cirta in 27 BC, since then Cirta started to grow enormously as an economic center of Roman Africa. The city by the end of the second century -when Christianity started to be important- had nearly 50,000 inhabitants, according to historian Robin Daniel. Cirtas populace was as diverse as the Roman Republic itself — alongside native Numidians were Carthaginians displaced by the Second and Third Punic Wars, as well as Greeks, Romans, and Italians. It served as a hub for Rome’s African empire, as it was inhabited by Roman and Italian merchants, bankers. Not only was Cirta an important economic site, it was also a key political, during the Second Punic War, the Battle of Cirta marked a decisive Roman victory for Scipio Africanus against Romes most formidable rival in the Mediterranean — Carthage. Moreover, Rome illustrated its willingness to defend its interests in Cirta into the late 2nd century BC following the death of Micipsa, King of Numidia, a power struggle ensued between his adopted son Jugurtha and his natural son Adherbal. Adherbal appealed to Rome to help broker a truce and to help evenly split the kingdom between the two heirs, despite a senatorial commission’s seemingly successful mediation, Jugurtha besieged Cirta, killing Adherbal and Italian elites who defended him. Subsequently, Rome declared war on the kingdom to assert its hegemony in the region, jugurtha’s defeat at Cirta at the hands of the Roman army is commonly referred to as the Jugurthine War. Caesars conquest of Northern Africa officially brought Cirta under direct Roman rule in 46 BC and it was during the rule of Augustus, however, when Cirtas territory expanded and assimilated into the empire. Augustus split Cirta into communities, or pagis, dividing Numidians and this helped facilitate Cirtas assumption into the Roman realm, culturally and economically. These settlers, of course, were augmenting those Romans who had inhabited the city since the earlier periods of the Punic Wars, in the first two centuries AD Christianity began to take root in Cirta. While little remains of African Christianity before 200 AD, records of martyred Christians at Cirta existed by mid-century, civil war in 311 marked the destruction of the city, however, the first Christian emperor Constantine rebuilt it in his own name in 313 AD, calling it Constantine. The town of Cirta had become a Roman colony, probably as early as the time of Sittius, at the beginning of the 2d c. it was the capital of a curious administrative district, one of those anomalies common to the administrative history of Africa
5.
Africa (Roman province)
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The Roman province of Africa Proconsularis was established after the Romans defeated Carthage in the Third Punic War. It roughly comprised the territory of present-day Tunisia, the northeast of modern-day Algeria, and it was one of the wealthiest provinces in the western part of the empire, second only to Italia. The Arabs later named roughly the same region as the original province Ifriqiya, the land acquired for the province of Africa was the site of the ancient city of Carthage. Other large cities in the region included Hadrumetum, capital of Byzacena, the province was established by the Roman Republic in 146 BC, following the Third Punic War. Rome established its first African colony, Africa Proconsularis or Africa Vetus, governed by a proconsul, utica was formed as the administrative capital. The remaining territory was left in the domain of the Numidian client king Massinissa, at this time, the Roman policy in Africa was simply to prevent another great power from rising on the far side of Sicily. In 118 BC, the Numidian prince Jugurtha attempted to reunify the smaller kingdoms, however, upon his death, much of Jugurthas territory was placed in the control of the Mauretanian client king Bocchus, and, by that time, the romanization of Africa was firmly rooted. In 27 BC, when the Republic had transformed into an Empire, several political and provincial reforms were implemented by Augustus and later by Caligula, but Claudius finalized the territorial divisions into official Roman provinces. After Diocletians administrative reforms, it was split into Africa Zeugitana in the north, the region remained a part of the Roman Empire until the Germanic migrations of the 5th century. The Vandals crossed into North Africa from Spain in 429 and overran the area by 439 and founded their own kingdom, including Sicily, Corsica, Sardinia, the Vandals controlled the country as a warrior-elite. They also persecuted Catholicism, as the Vandals were adherents of Arianism, towards the end of the 5th century, the Vandal state fell into decline, abandoning most of the interior territories to the Mauri and other Berber tribes of the desert. In AD533, Emperor Justinian, using a Vandal dynastic dispute as pretext, in a short campaign, Belisarius defeated the Vandals, entered Carthage in triumph and re-established Roman rule over the province. The North African provinces, together with the Roman possessions in Spain, were grouped into the Exarchate of Africa by Emperor Maurice, the exarchate prospered, and from it resulted the overthrow of the emperor Phocas by Heraclius in 610. Heraclius briefly considered moving the capital from Constantinople to Carthage. After 640, the managed to stave off the Muslim Conquest, but in 698. Historian Theodore Mommsen estimated that under Hadrian nearly 1/3 of the eastern Numidia population was descended from Roman veterans, even so, the Roman military presence of North Africa was relatively small, consisting of about 28,000 troops and auxiliaries in Numidia and the two Mauretanian provinces. Starting in the 2nd century AD, these garrisons were manned mostly by local inhabitants, a sizable Latin speaking population developed that was multinational in background, sharing the north African region with those speaking Punic and Berber languages. Imperial security forces began to be drawn from the local population, however, the Roman territory in Africa was unevenly penetrated by Roman culture
6.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
7.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
8.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
9.
Poseidon
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Poseidon was one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain was the ocean, and he is called the God of the Sea, additionally, he is referred to as Earth-Shaker due to his role in causing earthquakes, and has been called the tamer of horses. He is usually depicted as a male with curly hair. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology, both were sea gods analogous to Poseidon. According to some folklore, he was saved by his mother Rhea, who concealed him among a flock of lambs and pretended to have birth to a colt. There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, according to the references from Plato in his dialogues Timaeus and Critias, the island of Atlantis was the chosen domain of Poseidon. The form Ποτειδάϝων appears in Corinth, the origins of the name Poseidon are unclear. Walter Burkert finds that the second element da- remains hopelessly ambiguous, another theory interprets the second element as related to the word *δᾶϝον dâwon, water, this would make *Posei-dawōn into the master of waters. There is also the possibility that the word has Pre-Greek origin, Plato in his dialogue Cratylus gives two alternative etymologies, either the sea restrained Poseidon when walking as a foot-bond, or he knew many things. If surviving Linear B clay tablets can be trusted, the name occurs with greater frequency than does di-u-ja. A feminine variant, po-se-de-ia, is found, indicating a lost consort goddess. Poseidon carries frequently the title wa-na-ka in Linear B inscriptions, as king of the underworld, the chthonic nature of Poseidon-Wanax is also indicated by his title E-ne-si-da-o-ne in Mycenean Knossos and Pylos, a powerful attribute. In the cave of Amnisos Enesidaon is related with the cult of Eileithyia and she was related with the annual birth of the divine child. During the Bronze Age, a goddess of nature, dominated both in Minoan and Mycenean cult, and Wanax was her companion in Mycenean cult. It is possible that Demeter appears as Da-ma-te in a Linear B inscription, in Linear B inscriptions found at Pylos, E-ne-si-da-o-ne is related with Poseidon, and Si-to Po-tini-ja is probably related with Demeter. Tablets from Pylos record sacrificial goods destined for the Two Queens, the Two Queens may be related with Demeter and Persephone, or their precursors, goddesses who were not associated with Poseidon in later periods. The violated Demeter was Demeter Erinys, in Arcadia, Demeters mare-form was worshiped into historical times. Her xoanon of Phigaleia shows how the local cult interpreted her, a Medusa type with a horses head with snaky hair, holding a dove and a dolphin, probably representing her power over air and water
10.
Twelve Olympians
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Hades and Persephone were sometimes included as part of the twelve Olympians, although in general Hades was excluded, because he resided permanently in the underworld and never visited Olympus. The Twelve Olympians, also known as the Dodekatheon, were the deities of the Greek pantheon. The Olympians gained their supremacy in a war of gods in which Zeus led his siblings to victory over their predecessor gods. The concept of the Twelve Gods is older than any extant Greek or Roman source, the gods meet in council in the Homeric epics, but the first ancient reference to religious ceremonies for the Olympians collectively is found in the Homeric Hymn to Hermes. The Greek cult of the Twelve Olympians can be traced to 6th-century BC Athens, the Altar of the Twelve Gods at Athens is usually dated to the archonship of the younger Pesistratos, in 522/521 BC. In ancient Greek religion, the Olympian Gods and the Cults of Twelve Gods were often relatively distinct concepts, while the number was fixed at twelve, there was considerable variation as to which deities were included. However, the twelve as most commonly portrayed in art and poetry were Zeus, Hera, Poseidon, Demeter, Athena, Apollo, Artemis, Ares, Aphrodite, Hephaestus, Hermes and either Hestia, or Dionysus. Hades, known in the Eleusinian tradition as Pluto, was not usually included among the Olympians because his realm was the underworld. Plato connected the Twelve Olympians with the months, and implies that he considered Pluto one of the twelve in proposing that the final month be devoted to him. In Phaedrus, Plato seems to exclude Hestia from the rank of the great gods. At Olympia there were six altars dedicated to six pairs of gods, Zeus and Poseidon, Hera and Athena, Hermes and Apollo, the Charites and Dionysus, Artemis and Alpheus, the historian Herodotus states that Heracles was included as one of the Twelve by some. At Kos, Heracles and Dionysus are added to the Twelve, for Pindar, the Bibliotheca, and Herodorus of Heraclea, Heracles is not one of the Twelve Gods, but the one who established their cult. Lucian includes Heracles and Asclepius as members of the Twelve, without explaining which two had to give way for them, hebe, Helios, Selene, Eos, Eros and Persephone are other important gods and goddesses who are sometimes included in a group of twelve. Eros is often depicted alongside the twelve, especially his mother Aphrodite. Notes ^ Romans also associated Phoebus with Helios and the sun itself, however, ^ According to an alternate version of her birth, Aphrodite was born of Uranus, Zeus grandfather, after Cronus threw his castrated genitals into the sea. This supports the etymology of her name, foam-born, as such, Aphrodite would belong to the same generation as Cronus, Zeus father, and would be Zeus aunt. See the birth of Aphrodite The following gods and goddess are sometimes included as one of the twelve Olympians, the following gods and goddesses were not usually counted as Olympians, although they had close ties to them. Aeolus – King of the winds, keeper of the Anemoi, Alpheus – God of the River Alpheus
11.
Roman mythology
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Roman mythology is the body of traditional stories pertaining to ancient Romes legendary origins and religious system, as represented in the literature and visual arts of the Romans. Roman mythology may also refer to the study of these representations. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements, the stories are often concerned with politics and morality, and how an individuals personal integrity relates to his or her responsibility to the community or Roman state. When the stories illuminate Roman religious practices, they are concerned with ritual, augury. Romes early myths and legends also have a relationship with Etruscan religion. In particular, the versions of Greek myths in Ovids Metamorphoses, written during the reign of Augustus, because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of a native mythology. This perception is a product of Romanticism and the scholarship of the 19th century. From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting, the Roman tradition is rich in historical myths, or legends, concerning the foundation and rise of the city. These narratives focus on human actors, with only occasional intervention from deities, in Romes earliest period, history and myth have a mutual and complementary relationship. As T. P. Wiseman notes, The Roman stories still matter, as they mattered to Dante in 1300 and Shakespeare in 1600, what does it take to be a free citizen. Can a superpower still be a republic, how does well-meaning authority turn into murderous tyranny. Major sources for Roman myth include the Aeneid of Vergil and the first few books of Livys history as well as Dionysius s Roman Antiquities. Other important sources are the Fasti of Ovid, a six-book poem structured by the Roman religious calendar, scenes from Roman myth also appear in Roman wall painting, coins, and sculpture, particularly reliefs. The Aeneid and Livys early history are the best extant sources for Romes founding myths, material from Greek heroic legend was grafted onto this native stock at an early date. By extension, the Trojans were adopted as the ancestors of the Roman people. Rape of the Sabine women, explaining the importance of the Sabines in the formation of Roman culture, numa Pompilius, the Sabine second king of Rome who consorted with the nymph Egeria and established many of Romes legal and religious institutions. Servius Tullius, the king of Rome, whose mysterious origins were freely mythologized. The Tarpeian Rock, and why it was used for the execution of traitors, lucretia, whose self-sacrifice prompted the overthrow of the early Roman monarchy and led to the establishment of the Republic
12.
Neptune (mythology)
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Neptune was the god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon, in the Greek-influenced tradition, Neptune was the brother of Jupiter and Pluto, the brothers presided over the realms of Heaven, the earthly world, and the Underworld. Depictions of Neptune in Roman mosaics, especially those of North Africa, are influenced by Hellenistic conventions, Neptune was likely associated with fresh water springs before the sea. Like Poseidon, Neptune was worshipped by the Romans also as a god of horses, under the name Neptunus Equester, Neptune is the creator of horses and is the god of the sea as well as the owner of a powerful weapon, the Trident. Poseidon is the greek Neptune and is one of the big three gods Zeus, Hades, and Poseidon and he accidentally created horses when he had an affair with Medusa, and also created a boy who roams the seas as a pirate past the pillar of Hercules. The etymology of Latin Neptunus is unclear and disputed, the ancient grammarian Varro derived the name from nuptus i. e. covering, with a more or less explicit allusion to the nuptiae, marriage of Heaven and Earth. Among modern scholars Paul Kretschmer proposed a derivation from IE *neptu- moist substance, similarly Raymond Bloch supposed it might be an adjectival form in -no from *nuptu-, meaning he who is moist. Georges Dumézil though remarked words deriving root *nep- are not attested in IE languages other than Vedic and he proposed an etymology that brings together Neptunus with Vedic and Avestan theonyms Apam Napat, Apam Napá and Old Irish theonym Nechtan, all meaning descendant of the waters. By using the approach the Indo-Iranian, Avestan and Irish figures would show common features with the Roman historicised legends about Neptune. Dumézil thence proposed to derive the nouns from IE root *nepot-, descendant, IE root *nebh-, having the original meaning of damp, wet, has given Sanskrit nábhah, Hittite nepis, Latin nubs, nebula, German Nebel, Slavic nebo etc. The concept would be close to that expressed in the name of Greek god Όυράνος, derived from IE root *h2wórso-, to water, irrigate and *h2worsó- and this etymology would be more in accord with Varros. The district was connected to the cult of the god, Messapus and Halesus. Messapus led the Falisci and others to war in the Aeneid, nepi and Falerii have been famed since antiquity for the excellent quality of the water of their springs, scattered in meadows. Nepet is considered a hydronymic toponym of preIndoeuropean origin widespread in Europe and from an appellative meaning damp wide valley, plain, cognate with pre-Greek νάπη, such an identification may well be grounded in the strict relationship between the Latin and Greek theologies of the two deities. Servius the grammarian also explicitly states Neptune is in charge of all the rivers, springs and he also is the lord of horses because he worked with Minerva to make the chariot. He may find a parallel in Irish god Nechtan, master of the well from all the rivers of the world flow out. Poseidon on the other hand underwent the process of becoming the main god of the sea at an earlier time. For a time he was paired with Salacia, the goddess of the salt water, Neptune was also considered the legendary progenitor god of a Latin stock, the Faliscans, who called themselves Neptunia proles
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Nereus
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In Greek mythology, Nereus was the eldest son of Pontus and Gaia, who with Doris fathered the Nereids and Nerites, with whom Nereus lived in the Aegean Sea. R. S. P. Beekes suggests a Pre-Greek origin, in the Iliad the Old Man of the Sea is the father of Nereids, though Nereus is not directly named. Nereus and Proteus seem to be two manifestations of the god of the sea who was supplanted by Poseidon when Zeus overthrew Cronus, the earliest poet to link Nereus with the labours of Heracles was Pherekydes, according to a scholion on Apollonius of Rhodes. Nereus was known for his truthfulness and virtue, But Pontos and they call him the Old Gentleman because he is trustworthy, and gentle, and never forgetful of what is right, but the thoughts of his mind are mild and righteous. The Attic vase-painters showed the torso of Nereus issuing from a long coiling scaly fishlike tail. Bearded Nereus generally wields a staff of authority and he was also shown in scenes depicting the flight of the Nereides as Peleus wrestled their sister Thetis. Nereus was father to Thetis, one of the Nereids, who in turn was mother to the great Greek hero Achilles, and Amphitrite, who married Poseidon. The largest Mediterranean underwater sea cave yet found, lying northwest of Sardinia, was named by the discoverers, also, the deepest-diving underwater ROV, which recently set a record for exploring the Challenger Deep of the Mariana Trench, is named after this figure. It was reported lost May 9,2014, during a dive to the Kermadec Trench. In The Secrets of the Immortal Nicholas Flamel, Nereus appears as an Elder in Book 3 of the series, in it he confronts and battles Perenelle Flamel in an effort to capture and subdue her, thereby making her his wife. He is described as being a man holding a trident from above the waist, Perenelle ends up defeating him and his daughters, the Nereids, who appear as sharp toothed monsters. In Percy Jackson and the Titans Curse, Nereus appears as an old man in some port in San Francisco who is described by Percy as Santas evil twin. He has that smelly ocean stench that differs him from the other homeless and he changes his shape as Percy clings on him in order to get answers. Despite of being a sea-related Ancient Greek creature, he doesnt know the differences between a demigod of Poseidon and other gods. He later appears briefly in The Son of Neptune, in which he recognizes Jackson in San Francisco, in Disneys Hercules cartoon series, Nereus makes occasional appearances. As in the myth, he is a old man who can transform into various monsters and creatures. In the T. V. series Stargate SG-1, a minor Goauld was named Nerus and he was a scientist and inventor of technologies. He was the one who while working for Baal, made the stargates all dial up simultaneously during the battle with the Replicators, Nereus later tricked General Landry into aiding the Ori by claiming that they should throw all their firepower at an Ori beachhead in the Milky Way
14.
Doris (mythology)
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Doris, an Oceanid, was a sea nymph in Greek mythology, whose name represented the bounty of the sea. She was the daughter of Oceanus and Tethys and the wife of Nereus and she was also aunt to Atlas, the titan who was made to carry the sky upon his shoulders, whose mother Clymene was a sister of Doris. Doris was mother to Nerites and the fifty Nereids, including Thetis, who was the mother of Achilles, and Amphitrite, Poseidons wife, Doris is a semi-common female name
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Nereid
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In Greek mythology, the Nereids are sea nymphs, the 50 daughters of Nereus and Doris, sister to Nerites. They often accompany Poseidon, the god of the sea, and can be friendly and helpful to sailors, Nereids are particularly associated with the Aegean Sea, where they dwelt with their father Nereus in the depths within a golden palace. The most notable of them are Thetis, wife of Peleus and mother of Achilles, Amphitrite, wife of Poseidon, and Galatea and they symbolized everything that is beautiful and kind about the sea. Their melodious voices sang as they danced around their father and they are represented as very beautiful girls, crowned with branches of red coral and dressed in white silk robes trimmed with gold, but who went barefoot. They were part of Poseidons entourage and carried his trident, in Homers Iliad XVIII, when Thetis cries out in sympathy for the grief of Achilles for the slain Patroclus, her sisters appear. The Nereid Opis is mentioned in Virgils Aeneid and she is called by the goddess Diana to avenge the death of the Amazon-like female warrior Camilla. Diana gives Opis magical weapons for revenge on Camillas killer, the Etruscan Arruns, Opis sees and laments Camillas death and shoots Arruns in revenge as directed by Diana. In modern Greek folklore, the term nereid has come to be used for all nymphs, fairies, or mermaids, Nereid, a moon of the planet Neptune, is named after the Nereids. This list is correlated from four sources, Homers Iliad, Hesiods Theogony, the Bibliotheca, because of this, the total number of names goes beyond fifty
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Hesiod
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Hesiod was a Greek poet generally thought by scholars to have been active between 750 and 650 BC, around the same time as Homer. He is generally regarded as the first written poet in the Western tradition to regard himself as a persona with an active role to play in his subject. Ancient authors credited Hesiod and Homer with establishing Greek religious customs, modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought, archaic Greek astronomy and ancient time-keeping. The dating of his life is an issue in scholarly circles. Epic narrative allowed poets like Homer no opportunity for personal revelations, however, Hesiods extant work comprises didactic poems in which he went out of his way to let his audience in on a few details of his life. There are three references in Works and Days, as well as some passages in his Theogony that support inferences made by scholars. Some scholars have seen Perses as a creation, a foil for the moralizing that Hesiod develops in Works and Days. Gregory Nagy, on the hand, sees both Persēs and Hēsiodos as fictitious names for poetical personae. The family association with Cyme might explain his familiarity with eastern myths, evident in his poems, however, while his poetry features some Aeolisms there are no words that are certainly Boeotian—he composed in the main literary dialect of the time, Ionian. Pausanias asserted that Boeotians showed him an old tablet made of lead on which the Works were engraved. If he did write or dictate, it was perhaps as an aid to memory or because he lacked confidence in his ability to produce poems extempore and it certainly wasnt in a quest for immortal fame since poets in his era had no such notions. However, some suspect the presence of large-scale changes in the text. Possibly he composed his verses during idle times on the farm and he was in fact a misogynist of the same calibre as the later poet, Semonides. He resembles Solon in his preoccupation with issues of good versus evil and how a just and he resembles Aristophanes in his rejection of the idealised hero of epic literature in favour of an idealised view of the farmer. Yet the fact that he could eulogise kings in Theogony and denounce them as corrupt in Works, two different—yet early—traditions record the site of Hesiods grave. This tradition follows a familiar ironic convention, the oracle that predicts accurately after all, the other tradition, first mentioned in an epigram by Chersias of Orchomenus written in the 7th century BC claims that Hesiod lies buried at Orchomenus, a town in Boeotia. Eventually they came to regard Hesiod too as their hearth-founder, later writers attempted to harmonize these two accounts. Greeks in the fifth and early 4th centuries BC considered their oldest poets to be Orpheus, Musaeus, Hesiod
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Oceanus
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Strictly speaking, Oceanus was the ocean-stream at the Equator in which floated the habitable hemisphere. Thus, the sun rises from the deep-flowing Oceanus in the east, in Greek mythology, this world-ocean was personified as a Titan, the eldest son of Uranus and Gaia. In Hellenistic and Roman mosaics, this Titan was often depicted as having the body of a muscular man with a long beard and horns. In Roman mosaics, such as that from Bardo he might carry a steering-oar, some scholars believe that Oceanus originally represented all bodies of salt water, including the Mediterranean Sea and the Atlantic Ocean, the two largest bodies known to the ancient Greeks. Oceanus consort is his sister Tethys, and from their union came the ocean nymphs, also referred to as the three-thousand Oceanids, and all the rivers of the world, fountains, and lakes. In most variations of this myth, Oceanus also refused to side with Cronus in the revolt against their father. R. S. P. Beekes has suggested a Pre-Greek proto-form *-kay-an-, when Odysseus and Nestor walk together along the shore of the sounding sea they address their prayers to the great Sea-god who girdles the world. It is to Oceanus, not to Poseidon, that their thoughts are directed, Heracles forced Helios to lend him his golden bowl, in order to cross the wide expanse of the Ocean on his trip to the Hesperides. When Oceanus tossed the bowl about, Heracles threatened him and stilled his waves, the journey of Heracles in the sun-bowl upon Oceanus became a favored theme among painters of Attic pottery. Oceanus appears in Hellenic cosmography as well as myth, cartographers continued to represent the encircling equatorial stream much as it had appeared on Achilles shield. Apollonius of Rhodes calls the lower Danube the Keras Okeanoio in Argonautica, accion in the fourth century Gaulish Latin of Rufus Avienus, Ora maritima, was applied to great lakes. At the end of the Okeanos Potamos, is the island of Alba, sacred to the Pelasgian Apollo. Hecateus of Abdera refers to Apollos island from the region of the Hyperboreans and it was on Leuke, in one version of his legend, that the hero Achilles, in a hilly tumulus, was buried. Leto, the Hyperborean goddess, after nine days and nine nights of labour on the island of Delos gave birth to the god of the antique light. Old Romanian folk songs sing of a monastery on a white island with nine priests, nine singers, nine altars. Oceanid Ogyges Rasā Uranus Aeschylus, Persians, edited and translated by Alan H. Sommerstein. Cambridge, MA, Harvard University Press,2009, online version at Harvard University Press. Apollodorus, Apollodorus, The Library, with an English Translation by Sir James George Frazer, Cambridge, MA, Harvard University Press, London, William Heinemann Ltd.1921
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Tethys (mythology)
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In Greek mythology, Tethys, was a Titan daughter of Uranus and Gaia, and the wife of her brother the Titan-god Oceanus, and the mother by him of the river gods and the Oceanids. Tethys had no role in Greek mythology, and no established cults. Tethys was one of the Titan offspring of Uranus and Gaia, Hesiod lists her Titan syblings as Oceanus, Coeus, Crius, Hyperion, Iapetus, Theia, Rhea, Themis, Mnemosyne, Phoebe, and Cronus. Tethys married her brother, Oceanus, an enormous river encircling the world, and was, by him, the mother of sons, who were river-gods. According to Hesiod, there were three thousand river-gods, also according to Hesiod, there were three thousand Oceanids. Passages in a section of the Iliad called the Deception of Zeus, suggest the possibility that Homer knew a tradition in which Oceanus and Tethys were the parents of the Titans. Twice Homer has Hera describe the pair as Oceanus, from whom the gods are sprung, however, for M. L. West, these lines suggests a myth in which Oceanus and Tethys are the first parents of the whole race of gods. Tethys played no part in Greek mythology, the only early story concerning Tethys, is what Homer has Hera briefly relate in the Iliads Deception of Zeus passage. Hera relates this while dissembling that she is on her way to visit Oceanus and Tethys, in hopes of reconciling her foster parents, who angry with each other, are no longer having sexual relations. Originally Oceanus consort, at a later time Tethys came to be identified with the sea, in Ovids Metamorphoses, Tethys turns Aesacus into a diving bird. Tethys was sometimes confused with another sea goddess, the sea-nymph Thetis and this possible correspondence between Oceanus and Tethys, and Apsū and Tiamat, has been noticed by several authors, with Tethys name possibly having been derived from that of Tiamat. Representations of Tethys prior to the Roman period are rare, Tethys appears, identified by inscription, as part of an illustration of the wedding of Peleus and Thetis on the early sixth century BC Attic black-figure Erskine dinos by Sophilos. Tethys, accompanied by Eileithyia, the goddess of childbirth, follows close behind Oceanus, Tethys is also conjectured to be represented in a similar illustration of the wedding of Peleus and Thetis depicted on the early sixth century BC Attic black-figure François Vase. Tethys probably also appeared as one of the fighting the Giants in the Gigantomachy frieze of the second century BC Pergamon Altar. Only fragments of the figure remain, a part of a chiton, below Oceanus left arm, the above are the only artistic representations of Tethys known prior to the Roman period. Her identifying attributes are wings sprouting from her forehead, a rudder/oar, and a ketos, a creature from Greek mythology with the head of a dragon and the body of a snake. The earliest of these mosaics, identified as Tethys, decorated a triclinium overlooking a pool, excavated from the House of the Calendar in Antioch, dated to shortly after AD115. Tethys, reclining on the left, with Oceanus reclining on the right, has long hair, a ketos twines around her raised right arm
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Seawater
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Seawater, or salt water, is water from a sea or ocean. On average, seawater in the oceans has a salinity of about 3. 5% This means that every kilogram of seawater has approximately 35 grams of dissolved salts. Average density at the surface is 1.025 kg/l, seawater is denser than both fresh water and pure water because the dissolved salts increase the mass by a larger proportion than the volume. The freezing point of seawater decreases as salt concentration increases, at typical salinity, it freezes at about −2 °C. The coldest seawater ever recorded was in 2010, in a stream under an Antarctic glacier, seawater pH is typically limited to a range between 7.5 and 8.4. However, there is no universally accepted reference pH-scale for seawater, although the vast majority of seawater has a salinity of between 31 g/kg and 38 g/kg, seawater is not uniformly saline throughout the world. Where mixing occurs with fresh water runoff from river mouths, near melting glaciers or vast amounts precipitation, the most saline open sea is the Red Sea, where high rates of evaporation, low precipitation and low river run-off, and confined circulation result in unusually salty water. The salinity in isolated bodies of water can be considerably greater still, historically, several salinity scales were used to approximate the absolute salinity of seawater. A popular scale was the Practical Salinity Scale where salinity was measured in practical salinity units, the current standard for salinity is the Reference Salinity scale with the salinity expressed in units of g/kg. The density of surface seawater ranges from about 1020 to 1029 kg/m3, depending on the temperature, at a temperature of 25 °C, salinity of 35 g/kg and 1 atm pressure, the density of seawater is 1023.6 kg/m3. Deep in the ocean, under pressure, seawater can reach a density of 1050 kg/m3 or higher. The density of seawater also changes with salinity, brines generated by seawater desalination plants can have salinities up to 120 g/kg. The density of typical seawater brine of 120 g/kg salinity at 25 °C, seawater pH is limited to the range 7.5 to 8.4. The speed of sound in seawater is about 1,500 m/s, and varies with temperature, salinity. The thermal conductivity of seawater is 0.6 W/mK at 25 °C, the thermal conductivity decreases with increasing salinity and increases with increasing temperature. Seawater contains more dissolved ions than all types of freshwater, however, the ratios of solutes differ dramatically. Bicarbonate ions also constitute 48% of river water solutes but only 0. 14% of all seawater ions, differences like these are due to the varying residence times of seawater solutes, sodium and chlorine have very long residence times, while calcium tends to precipitate much more quickly. The most abundant dissolved ions in seawater are sodium, chloride, magnesium, sulfate and its osmolarity is about 1000 mOsm/l
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Triton (mythology)
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Triton is a mythological Greek god, the messenger of the sea. He is the son of Poseidon and Amphitrite, god and goddess of the sea respectively and he is usually represented as a merman where he has the upper body of a human and the tail of a fish, sea-hued, according to Ovid his shoulders barnacled with sea-shells. Like his father, Poseidon, he carried a trident, however, Tritons special attribute was a twisted conch shell, on which he blew like a trumpet to calm or raise the waves. Its sound was such a cacophony, that when blown, it put the giants to flight. According to Hesiods Theogony, Triton dwelt with his parents in a palace in the depths of the sea. The story of the Argonauts places his home on the coast of Libya, when the Argonauts were lost in the desert, he guided them to find the passage from the river back to the sea. Triton was the father of Pallas and foster parent to the goddess Athena, Pallas was killed by Athena accidentally during a sparring fight between the two goddesses. Triton can sometimes be multiplied into a host of Tritones, daimones of the sea, in the Virgils Aeneid, book 6, it is told that Triton killed Misenus, son of Aeolus, by drowning him after he challenged the gods to play as well as he did. Over time, Tritons class and image came to be associated with a class of creatures, the Tritons, which could be male or female. Tritons were a race of sea gods and goddesses born from Triton, Triton lived with his parents, Poseidon and Amphitrite, who was also known as Celaeno, in a golden palace on the bottom of the sea. According to Homer it was called Aegae, unlike their ancestor Poseidon who is always fully anthropomorphic in ancient art, Tritons lower half is that of a fish, while the top half is presented in a human figure. This is debated often because their appearance is described throughout history. Ordinary Tritons were described in detail by the traveller Pausanias, the Tritons have the following appearance. On their heads they grow hair like that of marsh frogs not only in color, the rest of their body is rough with fine scales just as is the shark. Under their ears they have gills and a nose, but the mouth is broader. Their eyes seem to me blue, and they have hands, fingers, under the breast and belly is a tail like a dolphins instead of feet. They are often compared to other Merman/Mermaid like beings, such as Merrows, Selkies and they are also thought of as the aquatic versions of Satyrs. Another description of Tritons is that of the Centaur-Tritons, also known as Ichthyocentaurs who are depicted with two feet in place of arms
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Trident
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A trident /ˈtraɪdənt/ is a three-pronged spear. It is used for fishing and historically as a polearm. The trident is the weapon of Poseidon, or Neptune, the god of the sea in classical mythology, in Hindu mythology it is the weapon of Shiva, known as trishula. The word trident comes from the French word trident, which in turn comes from the Latin word tridens or tridentis, sanskrit trishula is compound of tri त्रि three+ ṣūla शूल thorn. The Greek equivalent is τρίαινα, from Proto-Greek trianja, in Greek, Roman, and Hindu mythology, the trident is said to have the power of control over the ocean. Tridents for fishing usually have barbed tines which trap the fish firmly. In the Southern and Midwestern United States, gigging is used for harvesting suckers, bullfrogs, flounder, the trident, known as dangpa, is featured as a weapon in the 17th- to 18th-century systems of Korean martial arts. In Ancient Rome, in a parody of fishing, tridents were famously used by a type of gladiator called a retiarius or net fighter, the retiarius was traditionally pitted against a secutor, and cast a net to wrap his adversary and then used the trident to kill him. In Hindu legends and stories Shiva, a Hindu God who holds a trident in his hand, the trident is also said to represent three gunas mentioned in Indian vedic philosophy namely sāttvika, rājasika, and tāmasika. In Greek myth, Poseidon used his trident to create water sources in Greece, parallel to its fishing origins, the trident is associated with Poseidon, the god of the sea in Greek mythology, the Roman god Neptune. In Roman myth, Neptune also used a trident to create new bodies of water, a good example can be seen in Gian Berninis Neptune and Triton. In religious Taoism, the trident represents the Taoist Trinity, the Three Pure Ones, in Taoist rituals, a trident bell is used to invite the presence of deities and summon spirits, as the trident signifies the highest authority of Heaven. The trishula of the Hindu god Shiva, a weapon of South-East Asian depiction of Hanuman, a character of Ramayana. A fork Jewish priests used to take their portions of offerings, the glyph or sigil of the planet Neptune in astronomy and astrology. The Tryzub in the Coat of Arms of Ukraine, adopted 1918 The national emblem on the flag of Barbados, the forks of the peoples anger, adopted by the Russian anti-Soviet revolutionary organization, National Alliance of Russian Solidarists. Britannia, the personification of Great Britain, the symbol for Washington and Lee University. The symbol for the teams at the University of Missouri–St. Sparky the Sun Devil, the mascot of Arizona State University, the trident was used as the original cap insignia and original logo for the Seattle Mariners
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Pinax
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Such pinakes feature in the classical collections of most comprehensive museums. To the ancient Greeks pinax seems also to have been a term for a plate. In daily life pinax might equally denote a wax-covered writing tablet, in Christian contexts, painted icons are pinakes. The term pinacotheca for a picture gallery derives from such usages, when they are recovered by archaeologists, painted wooden pinakes have usually lost all but faint traces of their painted images - the Pitsa panels being the outstanding exception. Moulded terracotta pinakes were also brightly painted, a few elaborate gold plaques have survived from the 7th century BC, many made in Rhodes, with deity figures, especially Artemis, shown in an orientalizing Daedalic style. They often have two holes for a cord, and are shown in vase-paintings both hanging on temple walls, and also suspended from trees in the sanctuary area. The Roman architect Vitruvius mentions the pinakes in the cellas of temples, such a collection was a pinakothek, which is a modern German term for an art museum, such as the Alte Pinakothek of Munich. At Locri in southern Italy, thousands of carefully buried pinakes have been recovered, another large group of over 1,000 pottery pinakes was found at the site of Penteskouphia, just outside Corinth. These are mostly in the Antikensammlung Berlin, with some in Corinth, as well as the usual religious scenes, some of these show depictions of potters at work. Berlin also has a group of fragments from the Kerameikos cemetery in Athens. In Etruscan art, rather larger terracotta plaques than are typical in Greek art have found in tombs. Wealthy Etruscan families often had tombs with painted walls, which the Greeks did not, the Boccanera tomb at the Banditaccia necropolis at Cerveteri contained five panels almost a metre high set round the wall, which are now in the British Museum. Three of them form a scene, apparently the Judgement of Paris. They date to about 560 BC, fragments of similar panels have been found in city centre sites, presumably from temples, elite houses and other buildings, where the subjects include scenes of everyday life. Corpus vasorum antiquorum Ex-voto Grave goods Votive site Boardman, John ed, the Oxford History of Classical Art,1993, OUP, ISBN0198143869 Ulrich Hausmann,1960. Masterpieces of Classical Art,2009, British Museum Press, ISBN9780714122540 Marilyn B, skinner, Nossis and Women’s Cult at Locri
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Corinth
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Corinth is a city and former municipality in Corinthia, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality of Corinth, of which it is the seat and it is the capital of Corinthia. It was founded as Nea Korinthos or New Corinth in 1858 after an earthquake destroyed the settlement of Corinth. Corinth derives its name from Ancient Corinth, a city-state of antiquity, in 1858, the old city, now known as Archaia Korinthos, located 3 kilometres SW of the modern city, was totally destroyed by a magnitude 6.5 earthquake. Nea Korinthos or New Corinth was then built a few kilometers away on the coast of the Gulf of Corinth, a magnitude 6.3 earthquake in 1928 devastated the new city, which was then rebuilt on the same site. It was rebuilt again after a fire in 1933. The Municipality of Corinth had a population of 58,192 according to the 2011 census, the second most populous municipality in the Peloponnese Region after Kalamata. The municipal unit of Corinth had 38,132 inhabitants, of which Corinth itself had 30,176 inhabitants, placing it in place behind Kalamata. The municipal unit of Corinth includes apart from Corinth proper the town of Archaia Korinthos, the town of Examilia, the municipal unit has an area of 102.187 km2. Corinth is an industrial hub at a national level. Corinth Refineries are one of the largest oil refining Industrial complex in Europe, copper cables, petroleum products, leather, medical equipment, marble, gypsum, ceramic tiles, salt, mineral water and beverages, meat products, and gums are produced nearby. As of 2005, a period of deindustrialization has commenced as a large complex, a textile factory. Corinth is a road hub. The A7 toll motorway for Tripoli and Kalamata, branches off the A8/European route E94 toll motorway from Athens at Corinth, Corinth is the main entry point to the Peloponnesian peninsula, the southernmost area of continental Greece. KTEL Korinthias provides intercity bus service in the peninsula and to Athens via the Isthmos station southeast of the city center, local bus service is also available. The city has connected to the Proastiakos, the Athens suburban rail network, since 2005. The port of Corinth, located north of the city centre and close to the northwest entrance of the Corinth Canal, at 3756. 0’ N /2256. 0’ E, serves the needs of industry. It is mainly a cargo exporting facility and it is an artificial harbour (depth approximately 9 metres, protected by a concrete mole
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Odyssey
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The Odyssey is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature, the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the poem mainly focuses on the Greek hero Odysseus, king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of suitors, the Mnesteres or Proci. The Odyssey continues to be read in the Homeric Greek and translated into languages around the world. Many scholars believe the poem was composed in an oral tradition by an aoidos, perhaps a rhapsode. The details of the ancient oral performance and the conversion to a written work inspire continual debate among scholars. The Odyssey was written in a dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek. Among the most noteworthy elements of the text are its non-linear plot, in the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer and it was usually attributed in antiquity to Cinaethon of Sparta. In one source, the Telegony was said to have stolen from Musaeus by either Eugamon or Eugammon of Cyrene. The Odyssey begins ten years after the end of the ten-year Trojan War, and Odysseus has still not returned home from the war. Odysseus protectress, the goddess Athena, requests to Zeus, king of the gods, to finally allow Odysseus to return home when Odysseus enemy, then, disguised as a Taphian chieftain named Mentes, she visits Telemachus to urge him to search for news of his father. He offers her hospitality, they observe the suitors dining rowdily while the bard Phemius performs a poem for them. Penelope objects to Phemius theme, the Return from Troy, because it reminds her of her missing husband and that night Athena, disguised as Telemachus, finds a ship and crew for the true prince. The next morning, Telemachus calls an assembly of citizens of Ithaca to discuss what should be done with the suitors. Accompanied by Athena, he departs for the Greek mainland and the household of Nestor, most venerable of the Greek warriors at Troy, now at home in Pylos
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Homer
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Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
26.
Thetis
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Thetis, is encountered in Greek mythology mostly as a sea nymph or known as the goddess of water, one of the 50 Nereids, daughters of the ancient sea god Nereus. When described as a Nereid in Classical myths, Thetis was the daughter of Nereus and Doris, often she seems to lead the Nereids as they attend to her tasks. Sometimes she also is identified with Metis, some sources argue that she was one of the earliest of deities worshipped in Archaic Greece, the oral traditions and records of which are lost. Only one written record, a fragment, exists attesting to her worship, worship of Thetis as the goddess is documented to have persisted in some regions by historical writers such as Pausanias. In the Trojan War cycle of myth, the wedding of Thetis, the pre-modern etymology of her name, from tithemi, to set up, establish, suggests a perception among Classical Greeks of an early political role. Walter Burkert considers her name a transformed doublet of Tethys and you, goddess, went and saved him from that indignity. You quickly summoned to high Olympus the monster of the hundred arms whom the gods call Briareus, but mankind Aegaeon and he squatted by the Son of Cronos with such a show of force that the blessed gods slunk off in terror, leaving Zeus free —E. V. M. Willcock, have understood the episode as an ad hoc invention of Homers to support Achilles request that his mother intervene with Zeus, thus, she is revealed as a figure of cosmic capacity, quite capable of unsettling the divine order. These accounts associate Thetis with a divine past—uninvolved with human events—with a level of divine invulnerability extraordinary by Olympian standards. In order to ensure a mortal father for her offspring, Zeus and his brother Poseidon made arrangements for her to marry a human, Peleus, son of Aeacus. Proteus, an early sea-god, advised Peleus to find the sea nymph when she was asleep and she did shift shapes, becoming flame, water, a raging lioness, and a serpent. Subdued, she consented to marry him. Thetis is the mother of Achilles by Peleus, who became king of the Myrmidons, apollo played the lyre and the Muses sang, Pindar claimed. At the wedding Chiron gave Peleus an ashen spear that had been polished by Athene and had a blade forged by Hephaestus, Poseidon gave him the immortal horses, Balius and Xanthus. Eris, the goddess of discord, had not been invited and she threw, in spite, a golden apple into the midst of the goddesses that was to be awarded only to the fairest. In most interpretations, the award was made during the Judgement of Paris, in the later classical myths Thetis worked her magic on the baby Achilles by night, burning away his mortality in the hall fire and anointing the child with ambrosia during the day, Apollonius tells. When Peleus caught her searing the baby, he let out a cry, in a variant of the myth, Thetis tried to make Achilles invulnerable by dipping him in the waters of the Styx. However, the heel by which she held him was not touched by the Styxs waters, in the story of Achilles in the Trojan War in the Iliad, Homer does not mention this weakness of Achilles heel
27.
Rhea (mythology)
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Rhea is the Titaness daughter of the earth goddess Gaia and the sky god Uranus, in Greek mythology and sister and wife to Cronus. In early traditions, she is known as the mother of gods and therefore is associated with Gaia and Cybele. The classical Greeks saw her as the mother of the Olympian gods and goddesses, the Romans identified her with Magna Mater, and the Goddess Ops. Alternatively, the name Rhea may be connected with words for the pomegranate, ῥόα, the name Rhea may ultimately derive from a pre-Greek or Minoan source. Cronus sired six children by Rhea, Hestia, Hades, Demeter, Poseidon, Hera, and Zeus in that order. Apart from Zeus, he swallowed all as soon as they were born, because he had learned from Gaia and Uranus that, as he had overthrown his own father, he was destined to be overcome by his own child. When Zeus was about to be born, however, Rhea sought Uranus and Gaia to devise a plan to him, so that Cronus would get his retribution for his acts against Uranus. Rhea gave birth to Zeus in Crete, and saved him by handing Cronus a stone wrapped in swaddling clothes, Rhea hid Zeus in a cave on Mount Ida in Crete. Her attendants, the warrior-like Curetes and Dactyls, acted as a bodyguard for the infant Zeus, Rhea had no strong local cult or identifiable activity under her control. She was originally worshiped in the island of Crete, identified in mythology as the site of Zeuss infancy and her cults employed rhythmic, raucous chants and dances, accompanied by the tympanon, to provoke a religious ecstasy. Her priests impersonated her mythical attendants, the Curetes and Dactyls, with a clashing of bronze shields, in Roman religion, her counterpart Cybele was Magna Mater deorum Idaea, who was brought to Rome and was identified in Roman mythology as an ancestral Trojan deity. On a functional level, Rhea was thought equivalent to Roman Ops or Opis, the one at Mycenae is most characteristic, with a lioness placed on either side of a pillar that symbolizes the goddess. In Homer, Rhea is the mother of the gods, although not a mother like Cybele. In the Argonautica by Apollonius of Rhodes, the fusion of Rhea, for her temenos they wrought an image of the goddess, a xoanon, from a vine-stump. They leapt and danced in their armour, For this reason the Phrygians still worship Rhea with tambourines, the name of the bird species rhea is derived from the goddess name Rhea. The second largest moon of the planet Saturn is named after her, gantz, Timothy, Early Greek Myth, A Guide to Literary and Artistic Sources, Johns Hopkins University Press,1996, Two volumes, ISBN 978-0-8018-5360-9, ISBN 978-0-8018-5362-3. Hesiod, Theogony, in The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White, Cambridge, harvard University Press, London, William Heinemann Ltd.1914. Online version at the Perseus Digital Library, Homer, The Iliad with an English Translation by A. T
28.
Theseus
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Theseus was a founder-hero, like Perseus, Cadmus, or Heracles, all of whom battled and overcame foes that were identified with an archaic religious and social order. As Heracles was the Dorian hero, Theseus was a hero, considered by Athenians as their own great reformer, his name comes from the same root as θεσμός. The myths surrounding Theseus—his journeys, exploits, and family—have provided material for fiction throughout the ages, Theseus was responsible for the synoikismos —the political unification of Attica under Athens, represented emblematically in his journey of labours, subduing ogres and monstrous beasts. Because he was the king, Theseus built and occupied a palace on the fortress of the Acropolis that may have been similar to the palace that was excavated in Mycenae. Pausanias reports that after the synoikismos, Theseus established a cult of Aphrodite Pandemos, Plutarchs vita of Theseus makes use of varying accounts of the death of the Minotaur, Theseus escape, and the love of Ariadne for Theseus. Plutarchs sources, not all of whose texts have survived independently, included Pherecydes, Demon, Philochorus, Aegeus, one of the primordial kings of Athens, was childless. Desiring an heir, he asked the oracle at Delphi for advice and her cryptic words were Do not loosen the bulging mouth of the wineskin until you have reached the height of Athens, lest you die of grief. Aegeus did not understand the prophecy and was disappointed and he asked the advice of his host Pittheus, king of Troezen. Pittheus understood the prophecy, got Aegeus drunk, and gave Aegeus his daughter Aethra, but following the instructions of Athena in a dream, Aethra left the sleeping Aegeus and waded across to the island of Sphairia that lay close to Troezens shore. There she poured a libation to Sphairos and Poseidon, and was possessed by the sea god in the night. The mix gave Theseus a combination of divine as well as mortal characteristics in his nature, such double paternity, with one immortal, after Aethra became pregnant, Aegeus decided to return to Athens. In Athens, Aegeus was joined by Medea, who had left Corinth after slaughtering the children she had borne, priestess and consort together represented the old order in Athens. Thus Theseus was raised in his mothers land, when Theseus grew up and became a brave young man, he moved the rock and recovered his fathers tokens. His mother then told him the truth about his fathers identity, young, brave, and ambitious, Theseus decided to go alone by the land route and defeated a great many bandits along the way. At the Isthmian entrance to the Underworld was a robber named Sinis and he would capture travelers, tie them between two pine trees that were bent down to the ground, and then let the trees go, tearing his victims apart. Theseus killed him by his own method and he then became intimate with Siniss daughter, Perigune, fathering the child Melanippus. In another deed north of the Isthmus, at a place called Crommyon, he killed an enormous pig, some versions name the sow herself as Phaea. The Bibliotheca described the Crommyonian Sow as an offspring of Typhon, near Megara, an elderly robber named Sciron forced travellers along the narrow cliff-face pathway to wash his feet
29.
Bacchylides
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Bacchylides was a Greek lyric poet. Later Greeks included him in the canonical list of nine lyric poets which included his uncle Simonides, the elegance and polished style of his lyrics have been noted in Bacchylidean scholarship since at least Longinus. Some scholars, however, have characterized these qualities as superficial charm and he has often been compared unfavourably with his contemporary, Pindar, as a kind of Boccherini to Pindars Haydn. Marvel for missing the grandeur of Milton, Bacchylides lyrics do not seem to have been popular in his own lifetime. It has been inferred from the elegance and quiet charm of his lyrics that he gradually acquired fame towards the end of his life. Being drawn from sources compiled long after his death, the details of Bacchylidess life are sketchy, according to Strabo, he was born in Ioulis, on the island of Ceos, and his mother was the sister of Simonides. According to Suda, his fathers name was Meidon and his grandfather, also named Bacchylides, was a famous athlete, most modern scholars however treat Bacchylides as an exact contemporary of Pindar, placing his birth around 518 BC. Being only thirteen miles from the Athenian cape Sunium, Ceos was in fact necessarily responsive to Athenian influences. Simonides later introduced his nephew to ruling families in Thessaly and to the Sicilian tyrant, Hieron of Syracuse, whose glittering court attracted artists of the calibre of Pindar and Aeschylus. Bacchylides was commissioned by Hieron in 470 BC, this time to celebrate his triumph in the race at the Pythian Games. Pindar also composed an ode for this victory, including however stern. Alexandrian scholars in fact interpreted a number of passages in Pindar as hostile allusions to Bacchylides and Simonides, as a composer of choral lyrics, Bacchylides was probably responsible also for the performance, involving him in frequent travel to venues where musicians and choirs awaited instruction. Ancient authorities testify to his visit to the court of Hieron and this is indeed indicated by his fifth Ode, verses 15 and 16 of his third ode, also for Hieron, indicate that he might have composed that work at Syracuse. All that remained of Bacchylidess poetry by 1896, however, were sixty-nine fragments and these few remains of his writings were collected by Brunck, Bergk, Bland, Hartung, and Neue. The oldest sources on Bacchylides and his work are scholia on Homer, Hesiod, Pindar, Aristophanes,11 Strabo – notice 57 Plutarch – frag. 26 Etymologicum Magnum – frag. s 25,30 Palatine Anthology – frag. s 33,34 and it was snapped up for a preposterous price by the great Egyptologist Wallis Budge, of the British Museum. Budges plan to return to the museum with the papyrus was unacceptable to the British Consul, in an elaborate plan involving a crate of oranges, switched trains and covert embarcations, he eventually sailed from the Suez with the papyrus dismembered and disguised as a packet of photographs. He presented his find in 1896 to Frederic Kenyon in the British Museums Department of Manuscripts, Kenyon reassembled 1382 lines, of which 1070 were perfect or easily restored and, the following year, he published an edition of twenty poems, six of them nearly complete
30.
Jane Ellen Harrison
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Jane Ellen Harrison was a British classical scholar, linguist and feminist. Harrison is one of the founders, with Karl Kerenyi and Walter Burkert, of modern studies in Ancient Greek religion and she applied 19th century archaeological discoveries to the interpretation of ancient Greek religion in ways that have become standard. Contemporary classics scholar Mary Beard, Harrisons biographer, has described her as in a way. Ellen Wordsworth Crofts, later wife of Sir Francis Darwin, was Jane Harrisons best friend from her student days at Newnham. Harrison was born in Cottingham, Yorkshire on 9 September 1850 and her mother died shortly after she was born and she was educated by a series of governesses. These governesses taught Harrison German, Latin, Ancient Greek and Hebrew, Harrison spent most of her professional life at Newnham, the progressive, recently established college for women at Cambridge. At Newnham, one of her students was Eugenie Sellers, the writer and poet, with whom she lived in England and later in Paris, between 1880 and 1897 Harrison studied Greek art and archaeology at the British Museum under Sir Charles Newton. Harrison then supported herself lecturing at the museum and at schools and her lectures became widely popular and 1600 people ended up attending her Glasgow lecture on Athenian gravestones. She travelled to Italy and Germany, where she met the scholar from Prague, Klein introduced her to Wilhelm Dörpfeld who invited her to participate in his archaeological tours in Greece. Her early book The Odyssey in Art and Literature then appeared in 1882, Harrison met the scholar D. S. MacColl, who supposedly asked her to marry him and she declined. Harrison then suffered a depression and started to study the more primitive areas of Greek art in an attempt to cure herself. In 1888 Harrison began to publish in the periodical that Oscar Wilde was editing called Womans World on The Pictures of Sappho and these two major works caused Harrison to be awarded honorary degrees from the universities of Durham and Aberdeen. Harrison was supposed to marry the scholar R. A, neil, but was unable to as he died in 1901 before they could be married. She became the figure of the group known as the Ritualists at Cambridge. Harrison became close to Francis MacDonald Cornford, and when he married in 1909 she became extremely upset and she made a new friendship with Hope Mirrlees whom she referred to as her spiritual daughter. Harrison retired from Newnham in 1922 and then moved to Paris to live with Mirrlees and she and Mirrlees returned to London in 1925 where she was able to publish her memoirs through Leonard and Virginia Woolfs press, The Hogarth Press. She died three years later at her house in Bloomsbury and is now buried in St Marylebone cemetery, Harrison was, at least ideologically, a moderate suffragist of the early feminist movement. Rather than support womens suffrage by protesting, Harrison applied her scholarship in anthropology to defend right to vote
31.
Iliad
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The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Then the epic narrative takes up events prophesied for the future, such as Achilles imminent death and the fall of Troy, although the narrative ends before these events take place. However, as events are prefigured and alluded to more and more vividly. The Iliad is paired with something of a sequel, the Odyssey, along with the Odyssey, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the 8th century BC. Recent statistical modelling based on language evolution gives a date of 760–710 BC, in the modern vulgate, the Iliad contains 15,693 lines, it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects. Note, Book numbers are in parentheses and come before the synopsis of the book, after an invocation to the Muses, the story launches in medias res towards the end of the Trojan War between the Trojans and the besieging Greeks. Chryses, a Trojan priest of Apollo, offers the Greeks wealth for the return of his daughter Chryseis, held captive of Agamemnon, although most of the Greek army is in favour of the offer, Agamemnon refuses. Chryses prays for Apollos help, and Apollo causes a plague to afflict the Greek army, after nine days of plague, Achilles, the leader of the Myrmidon contingent, calls an assembly to deal with the problem. Under pressure, Agamemnon agrees to return Chryseis to her father, angered, Achilles declares that he and his men will no longer fight for Agamemnon but will go home. Odysseus takes a ship and returns Chryseis to her father, whereupon Apollo ends the plague, in the meantime, Agamemnons messengers take Briseis away. Achilles becomes very upset, sits by the seashore, and prays to his mother, Achilles asks his mother to ask Zeus to bring the Greeks to the breaking point by the Trojans, so Agamemnon will realize how much the Greeks need Achilles. Thetis does so, and Zeus agrees, Zeus sends a dream to Agamemnon, urging him to attack Troy. Agamemnon heeds the dream but decides to first test the Greek armys morale, the plan backfires, and only the intervention of Odysseus, inspired by Athena, stops a rout. Odysseus confronts and beats Thersites, a soldier who voices discontent about fighting Agamemnons war. After a meal, the Greeks deploy in companies upon the Trojan plain, the poet takes the opportunity to describe the provenance of each Greek contingent. When news of the Greek deployment reaches King Priam, the Trojans too sortie upon the plain, in a list similar to that for the Greeks, the poet describes the Trojans and their allies. The armies approach each other, but before they meet, Paris offers to end the war by fighting a duel with Menelaus, urged by his brother and head of the Trojan army, Hector. While Helen tells Priam about the Greek commanders from the walls of Troy, Paris is beaten, but Aphrodite rescues him and leads him to bed with Helen before Menelaus can kill him
32.
Herculaneum
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Located in the shadow of Mount Vesuvius, Herculaneum was an ancient Roman town destroyed by volcanic pyroclastic flows in 79 AD. Its ruins are located in the commune of Ercolano, Campania and it had been thought until then that the town had been evacuated by the inhabitants. Herculaneum was a town than Pompeii, possessing an extraordinary density of fine houses with, for example. Ancient tradition connected Herculaneum with the name of the Greek hero Herakles, in fact, it seems that some forefathers of the Samnite tribes of the Italian mainland founded the first civilization on the site of Herculaneum at the end of the 6th century BC. Soon after, the town came under Greek control and was used as a trading post because of its proximity to the Gulf of Naples, the Greeks named the city Ἡράκλειον, Heraklion. In the 4th century BC, Herculaneum again came under the domination of the Samnites. The city remained under Samnite control until it became a Roman municipium in 89 BC, when, having participated in the Social War, it was defeated by Titus Didius, a legate of Sulla. After the eruption of Mount Vesuvius in 79 AD, the town of Herculaneum was buried under approximately 20 metres of ash, excavations continued sporadically up to the present and today many streets and buildings are visible, although over 75% of the town remains buried. Today, the Italian towns of Ercolano and Portici lie on the site of Herculaneum. Until 1969 the town of Ercolano was called Resina and it changed its name to Ercolano, the Italian modernization of the ancient name in honour of the old city. The inhabitants worshipped above all Hercules, who was believed to be the founder of both the town and Mount Vesuvius, Other important deities worshipped include Venus and Apollo. The catastrophic eruption of Mt. Vesuvius occurred on the afternoon of 24 August 79 AD, because Vesuvius had been dormant for approximately 800 years, it was no longer even recognized as a volcano. Based on archaeological excavations and on two letters of Pliny the Younger to the Roman historian Tacitus, the course of the eruption can be reconstructed, at around 1pm on 24 August, Vesuvius began spewing volcanic ash and stone thousands of meters into the sky. When it reached the tropopause, the top of the cloud flattened, the prevailing winds at the time blew toward the southeast, causing the volcanic material to fall primarily on the city of Pompeii and the surrounding area. Since Herculaneum lay to the west of Vesuvius, it was only affected by the first phase of the eruption. While roofs in Pompeii collapsed under the weight of falling debris, only a few centimetres of ash fell on Herculaneum, causing little damage, during the following night, the eruptive column which had risen into the stratosphere collapsed onto Vesuvius and its flanks. The first pyroclastic surge, formed by a mixture of ash and hot gases, a succession of six flows and surges buried the citys buildings, causing little damage in some areas and preserving structures, objects and victims almost intact. In 1709 the digging of a deep well revealed some exceptional statues at the lowest levels which was found to be the site of the theatre
33.
Cult image
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In the practice of religion, a cult image is a human-made object that is venerated or worshipped for the deity, spirit or daemon that it embodies or represents. Cultus, the outward religious formulas of cult, often centers upon the treatment of cult images, religious images cover a wider range of all types of images made with a religious purpose, subject, or connection. In many contexts cult image specifically means the most important image in a temple, kept in an inner space, as opposed to what may be many other images decorating the temple. The term idol is often synonymous with cult image, but may be used especially of an image believed not just to depict or represent a deity or spirit. Sometimes the image is believed to have its own powers, to grant wishes or otherwise affect the world, in cultures where idolatry is not viewed negatively, the word idol is not generally seen as pejorative, such as in Indian English. Cult of images is the practice of worshipping or venerating religious or cult images representing divine figures, common in a number of ancient religions, the practice continues most prominently today in Hinduism. Assertions by others outside the group concerned that such beliefs are held by the group are however common. Cult images were a presence in Ancient Egypt, and still are in modern-day Kemetism. A common example of an image in ancient Egypt was the Apis Bull. The term is confined to the relatively small images, typically in gold. These images usually showed the god in their sacred barque or boat, the Parthenon contained a cult image of Athena, the Greek goddess of civilization and the noble side of war. This cult image, known as Athena Parthenos, was created by Phidias and this cult image was used for religious sacrifices at this Athenian temple. Hinduism allows for many forms of worship and therefore it neither prescribes nor proscribes worship of images, in Hinduism, a murti typically refers to an image that expresses a Divine Spirit. Meaning literally embodiment, a murti is a representation of a divinity, made usually of stone, wood, or metal, hindus consider a murti worthy of serving as a focus of divine worship only after the divine is invoked in it for the purpose of offering worship. The depiction of the divinity must reflect the gestures and proportions outlined in religious tradition, members of Abrahamic religions identify cult images as idols and their worship as idolatry, the worship of hollow forms. The avoidance of such a degrading paradox was expressed in the early Christian idea of miraculous icons that were not made by human hands, acheiropoietoi. Catholic and Eastern Orthodox Christians make an exception for the veneration of image of saints, the word idol entered Middle English in the 13th century from Old French idole adapted in Ecclesiastical Latin from the Greek eidolon. Greek eidos was employed by Plato and the Platonists to signify perfect immutable forms, the local tribes, of the Arabian peninsula, came to this centre of commerce to place their idols in the Kaaba, in the process being charged tithes
34.
Pausanias (geographer)
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Pausanias was a Greek traveler and geographer of the 2nd century AD, who lived in the time of Roman emperors Hadrian, Antoninus Pius and Marcus Aurelius. He is famous for his Description of Greece, a work that describes ancient Greece from his first-hand observations. This work provides crucial information for making links between classical literature and modern archaeology, andrew Stewart assesses him as, A careful, pedestrian writer. interested not only in the grandiose or the exquisite but in unusual sights and obscure ritual. He is occasionally careless, or makes unwarranted inferences, and his guides or even his own notes sometimes mislead him, yet his honesty is unquestionable, before visiting Greece, he had been to Antioch, Joppa and Jerusalem, and to the banks of the River Jordan. In Egypt, he had seen the pyramids, while at the temple of Ammon, in Macedonia, he appears to have seen the alleged tomb of Orpheus in Libethra. Crossing over to Italy, he had something of the cities of Campania. He was one of the first to write of seeing the ruins of Troy, Alexandria Troas, Pausanias Description of Greece is in ten books, each dedicated to some portion of Greece. He begins his tour in Attica, where the city of Athens, subsequent books describe Corinthia, Laconia, Messenia, Elis, Achaea, Arcadia, Boetia, Phocis and Ozolian Locris. He famously leaves out key portions of Greece such as Crete, the project is more than topographical, it is a cultural geography. Pausanias digresses from description of architectural and artistic objects to review the mythological and historical underpinnings of the society that produced them and his work bears the marks of his attempt to navigate that space and establish an identity for Roman Greece. He is not a naturalist by any means, though he does from time to comment on the physical realities of the Greek landscape. He notices the pine trees on the sandy coast of Elis, the deer and the boars in the oak woods of Phelloe. Pausanias is most at home in describing the art and architecture of Olympia. Yet, even in the most secluded regions of Greece, he is fascinated by all kinds of depictions of gods, holy relics, Pausanias has the instincts of an antiquary. Some magnificent and dominating structures, such as the Stoa of King Attalus in the Athenian Agora or the Exedra of Herodes Atticus at Olympia are not even mentioned. While he never doubts the existence of the gods and heroes, he criticizes the myths. His descriptions of monuments of art are plain and unadorned and they bear the impression of reality, and their accuracy is confirmed by the extant remains. He is perfectly frank in his confessions of ignorance, when he quotes a book at second hand he takes pains to say so
35.
Isthmus of Corinth
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The Isthmus of Corinth is the narrow land bridge which connects the Peloponnese peninsula with the rest of the mainland of Greece, near the city of Corinth. The word isthmus comes from the Ancient Greek word for neck, the Isthmus was known in the ancient world as the landmark separating the Peloponnese from mainland Greece. In the first century CE the geographer Strabo noted a stele on the Isthmus of Corinth, to the west of the Isthmus is the Gulf of Corinth, to the east the Saronic Gulf. Since 1893 the Corinth Canal has run through the 6.3 km wide isthmus, today, two road bridges, two railway bridges and two submersible bridges at both ends of the canal connect the mainland side of the isthmus with the Peloponnese side. Also a military emergency bridge is located at the west end of the canal, the idea for a shortcut to save boats sailing all round the Peloponnese was long considered by the Ancient Greeks. The first attempt to build a canal there was carried out by the tyrant Periander in the 7th century BC and he abandoned the project owing to technical difficulties, and instead constructed a simpler and less costly overland stone ramp, named Diolkos, as a portage road. Remnants of Diolkos still exist today next to the modern canal, when the Romans took control of Greece, a number of different solutions were tried. Julius Caesar foresaw the advantages of a link for his newly built Colonia Laus Iulia Corinthiensis, by the reign of Tiberius, engineers tried to dig a canal, but were defeated by lack of modern equipment. Instead they built an Ancient Egyptian device, boats were rolled across the isthmus on logs and this was in use by AD32. In AD67, the philhellene Roman emperor Nero ordered 6,000 slaves to dig a canal with spades, historian Flavius Josephus writes that the 6000 slaves were Jewish pirates, taken captive by Vespasian during the Jewish wars. According to Pliny the Elder, the work advanced four stadia, the following year Nero died, and his successor Galba abandoned the project as being too expensive. In the modern era, the idea was first seriously proposed in 1830, soon after Greeces independence from the Ottoman Empire, near the canal runs an ancient stone trackway, the Diolkos, once used for dragging ships overland. There are major concerns about preservation of this path, Greek campaigners are calling for greater effort by the Greek government to protect this archaeological site. The Hexamilion wall is a Roman defensive wall constructed across the Isthmus of Corinth guarding the land route into the Peloponnese peninsula from mainland Greece
36.
Pindar
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Pindar was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved and his poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they are reduced to silence by the disinclination of the multitude for elegant learning. His poetry, while admired by critics, still challenges the casual reader, Pindar was the first Greek poet to reflect on the nature of poetry and on the poets role. A dream of a shadow Is our mortal being, but when there comes to men A gleam of splendour given of heaven, Then rests on them a light of glory And blessed are their days. His poetry illustrates the beliefs and values of Archaic Greece at the dawn of the classical period, five ancient sources contain all the recorded details of Pindars life. One of them is a short biography discovered in 1961 on an Egyptian papyrus dating from at least 200 AD and it has been claimed that biographical interpretations of the poems are due to a fatal conjunction of historicism and Romanticism. In other words, we know almost nothing about Pindars life based on traditional sources or his own poems. However, the pendulum of fashion has begun to change direction again. He was probably born in 522 BC or 518 BC in Cynoscephalae and his fathers name is variously given as Daiphantus, Pagondas or Scopelinus, and his mothers name was Cleodice. It is reported that he was stung on the mouth by a bee in his youth, Pindar was about twenty years old in 498 BC when he was commissioned by the ruling family in Thessaly to compose his first victory ode. He studied the art of poetry in Athens, where his tutor was Lasos of Hermione. The early-to-middle years of Pindars career coincided with the Persian invasions of Greece in the reigns of Darius and it is possible that Pindar spent much of this time at Aegina. Thrasybulus had driven the winning chariot and he and Pindar were to form a lasting friendship, Pindar seems to have used his odes to advance his, and his friends, personal interests. In 462 BC he composed two odes in honour of Arcesilas, king of Cyrene, pleading for the return from exile of a friend, Demophilus. In the latter ode Pindar proudly mentions his own ancestry, which he shared with the king, as an Aegeid or descendent of Aegeus, the historian Herodotus considered the clan important enough to deserve mention. Pindar might not actually claim to be an Aegeid since his I statements do not necessarily refer to himself. He was possibly the Theban proxenos or consul for Aegina and/or Molossia, as indicated in another of his odes, Nemean 7, in which he glorifies Neoptolemus, a national hero of Aegina and Molossia
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Ovid
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Publius Ovidius Naso, known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists and he enjoyed enormous popularity, but, in one of the mysteries of literary history, was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, a poem and a mistake and his poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology, Ovid talks more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, other sources include Seneca the Elder and Quintilian. Ovid was born in Sulmo, in an Apennine valley east of Rome, to an important equestrian family and that was a significant year in Roman politics. He was educated in rhetoric in Rome under the teachers Arellius Fuscus and Porcius Latro with his brother who excelled at oratory and his father wanted him to study rhetoric toward the practice of law. According to Seneca the Elder, Ovid tended to the emotional, after the death of his brother at 20 years of age, Ovid renounced law and began travelling to Athens, Asia Minor, and Sicily. Ovids first recitation has been dated to around 25 BC, when he was eighteen and he was part of the circle centered on the patron Marcus Valerius Messalla Corvinus, and seems to have been a friend of poets in the circle of Maecenas. 4.10. 41–54, Ovid mentions friendships with Macer, Propertius, Horace, Ovid was very popular at the time of his early works, but was later exiled by Augustus in AD8. He married three times and divorced twice by the time he was thirty years old and he had one daughter, who eventually bore him grandchildren. His last wife was connected in some way to the influential gens Fabia, the first 25 years of Ovids literary career were spent primarily writing poetry in elegiac meter with erotic themes. The chronology of early works is not secure, tentative dates. 2.18. 19–26 that seems to describe the collection as a published work. The authenticity of some of these poems has been challenged, between the publications of the two editions of the Amores can be dated the premiere of his tragedy Medea, which was admired in antiquity but is no longer extant. Ovid may identify this work in his poetry as the carmen, or song. The Ars Amatoria was followed by the Remedia Amoris in the same year and this corpus of elegiac, erotic poetry earned Ovid a place among the chief Roman elegists Gallus, Tibullus, and Propertius, of whom he saw himself as the fourth member
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