1.
Aphrodite
–
Aphrodite is the Greek goddess of love, beauty, pleasure, and procreation. She is identified with the planet Venus, and her Roman equivalent is the goddess Venus, as with many ancient Greek deities, there is more than one story about her origins. According to Hesiods Theogony, she was born when Cronus cut off Uranuss genitals and threw them into the sea, according to Homers Iliad, she is the daughter of Zeus and Dione. In Plato, these two origins are said to be of hitherto separate entities, Aphrodite Ourania and Aphrodite Pandemos, Aphrodite had many lovers—both gods, such as Ares, and men, such as Anchises. She played a role in the Eros and Psyche legend, and was lover and surrogate mother of Adonis. Many lesser beings were said to be children of Aphrodite, Aphrodite is also known as Cytherea and Cypris after the two cult sites, Cythera and Cyprus, which claimed to be her place of birth. Myrtle, roses, doves, sparrows and swans were sacred to her, the ancient Greeks identified her with the Ancient Egyptian goddess Hathor. Aphrodite had many names such as Acidalia and Cerigo, each used by a different local cult of the goddess in Greece. The Greeks recognized all of these names as referring to the single goddess Aphrodite, despite the differences in what these local cults believed the goddess demanded of them. The Attic philosophers of the 4th century, however, drew a distinction between a celestial Aphrodite of transcendent principles, and a separate, common Aphrodite who was the goddess of the people, hesiod derives Aphrodite from aphrós sea-foam, interpreting the name as risen from the foam. Michael Janda, accepting this as genuine, claims the birth myth as an Indo-European mytheme. Likewise, Witczak proposes an Indo-European compound *abʰor- very and *dʰei- to shine and it has been argued that etymologies based on comparison with Eos are unlikely since Aphrodites attributes are entirely different from those of Eos or the Vedic deity Ushas. A number of improbable non-Greek etymologies have suggested in scholarship. One Semitic etymology compares Aphrodite to the Assyrian barīrītu, the name of a demon that appears in Middle Babylonian. Hammarström looks to Etruscan, comparing prϑni lord, an Etruscan honorific loaned into Greek as πρύτανις and this would make the theonym in origin an honorific, the lady. Hjalmar Frisk and Robert Beekes reject this etymology as implausible, especially since Aphrodite actually appears in Etruscan in the borrowed form Apru, the medieval Etymologicum Magnum offers a highly contrived etymology, deriving Aphrodite from the compound habrodíaitos, she who lives delicately, from habrós and díaita. The alteration from b to ph is explained as a characteristic of Greek obvious from the Macedonians. Aphrodite is usually said to have been born near her chief center of worship, Paphos, on the island of Cyprus, however, other versions of her myth have her born near the island of Cythera, hence another of her names, Cytherea
2.
Thiasus
–
In Greek mythology and religion, the thiasus, was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession, the grandest such version was his triumphant return from India, which influenced symbolic conceptions of the Roman triumph and was narrated in rapturous detail in Nonnus Dionysiaca. In this procession, Dionysus rides a chariot, often drawn by big cats such as tigers, leopards, the thiasos of the sea god Poseidon is depicted as a triumphal wedding procession with Amphitrite, attended by figures such as sea nymphs and hippocamps. In historical Greek society, thiasoi were religious organizations whose existence was protected by law, the most significant members of the thiasus were the human female devotees, the maenads, who gradually replaced immortal nymphs. In Greek vase-paintings or bas-reliefs, lone female figures can be recognized as belonging to the thiasus by their brandishing the thyrsos, other regulars of the retinue were various nature spirits, including the sileni, phalluses much in evidence, satyrs, and Pan. The ithyphallic sileni are often shown dancing on vase paintings, the tutor of Dionysus is represented by a single aged Silenus. The retinue is sometimes shown being brought before a recipient, the tragic human welcomer of the gift of wine, Ikarios or Semachos. In the triumphal form of procession, Ariadne sometimes rides with Dionysus as his consort, heracles followed the thiasus for a short while following his loss of a drinking contest to Dionysus. On the 6th-century BC François Vase, Dionysus is accompanied in procession by the three Horae, other notable depictions in art include the silver Great Dish from the Mildenhall Treasure, the Lycurgus Cup, and in the Renaissance Titians Bacchus and Ariadne. The Dionysian retinue was a subject for Roman art, especially bas-reliefs. The marine or sea thiasos depicted Poseidon and his retinue, an original work of Skopas on this theme was taken to Rome and lost, but the scene is well represented in Roman art, from tiny decorative reliefs and large sarcophagus panels to extensive mosaics
3.
Roman mosaic
–
A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Empire. Mosaics were used in a variety of private and public buildings, the outstanding examples of the Late Imperial period are the mosaics in the villa of Casale in Sicily. The mosaic decoration of the palace complex culminates in the gallery. Roman mosaics are constructed from geometrical blocks called tesserae, placed together to create the shapes of figures, motifs, polychrome patterns were most common, but monochrome examples are known. Marble and glass were used as tesserae, as were small pebbles. Mosaic decoration was not just confined to floors but featured on walls, traces of guidelines have been found beneath some mosaics, either scored into or painted onto the mortar bedding. The design might also be pegged out in string, or mounted in a wooden frame, the collapse of buildings in antiquity can, paradoxically, both irrevocably destroy mosaics or protect and preserve them. As well as patterns and designs, Roman mosaics frequently depicted divine characters or mythological scenes. Imagery of famous individuals or entertaining scenes are common on Roman mosaics, the Alexander Mosaic from the House of the Faun, Pompeii depicts the Battle of Issus between Alexander the Great and Darius III. In addition to people from antiquity, mosaics can depict aspects of daily life. The Gladiator Mosaic from Rome depicts a scene, naming each gladiator involved. A gladiatorial scene is known from Leptis Magna. One of the earliest depictions of Roman Christianity is a mosaic from Hinton St Mary which shows Christ with a Chi-Rho behind his head, the mosaic is now in the British Museum. Progression within the technique developed the emblem, the heart of all mosaics. The Alexander Mosaic from the House of the Faun, Pompeii, the Tomb of the Julii in the Vatican Necropolis, beneath St. Peters Basilica, Rome. The Gladiator Mosaic from the Via Casilina outside Rome, the Zliten Mosaic from Zliten in Libya
4.
Cirta
–
Cirta was the capital city of the Berber Kingdom of Numidia in northern Africa. Its strategically important port city was Russicada, although Numidia was a key ally of the ancient Roman Republic during the Punic Wars, Cirta was subject to Roman invasions during the 1st and 2nd centuries BC. Eventually went under Roman dominion during the rule of Julius Caesar, vandals damaged Cirta, but emperor Justinianus I reconquered and improved the Roman city. Arabs finally captured it in 698 AD, pliny calls the city as the first century Roman colonia Cirta Sittianorum, together with Rusicade, Milevum and Chullu in what was an autonomous territory of the new province Africa Nova. Indeed, Rome allowed Publius Sittius and his Italian legionaries from Campania to rule the territory of Cirta, however, under Publius Sittius, Cirta was a special colony with some autonomy from Rome. Under the emperor Augustus, the city obtained full Roman status as colonia with the name Iulia Iuvenalis Honoris et Virtutis Cirta in 27 BC, since then Cirta started to grow enormously as an economic center of Roman Africa. The city by the end of the second century -when Christianity started to be important- had nearly 50,000 inhabitants, according to historian Robin Daniel. Cirtas populace was as diverse as the Roman Republic itself — alongside native Numidians were Carthaginians displaced by the Second and Third Punic Wars, as well as Greeks, Romans, and Italians. It served as a hub for Rome’s African empire, as it was inhabited by Roman and Italian merchants, bankers. Not only was Cirta an important economic site, it was also a key political, during the Second Punic War, the Battle of Cirta marked a decisive Roman victory for Scipio Africanus against Romes most formidable rival in the Mediterranean — Carthage. Moreover, Rome illustrated its willingness to defend its interests in Cirta into the late 2nd century BC following the death of Micipsa, King of Numidia, a power struggle ensued between his adopted son Jugurtha and his natural son Adherbal. Adherbal appealed to Rome to help broker a truce and to help evenly split the kingdom between the two heirs, despite a senatorial commission’s seemingly successful mediation, Jugurtha besieged Cirta, killing Adherbal and Italian elites who defended him. Subsequently, Rome declared war on the kingdom to assert its hegemony in the region, jugurtha’s defeat at Cirta at the hands of the Roman army is commonly referred to as the Jugurthine War. Caesars conquest of Northern Africa officially brought Cirta under direct Roman rule in 46 BC and it was during the rule of Augustus, however, when Cirtas territory expanded and assimilated into the empire. Augustus split Cirta into communities, or pagis, dividing Numidians and this helped facilitate Cirtas assumption into the Roman realm, culturally and economically. These settlers, of course, were augmenting those Romans who had inhabited the city since the earlier periods of the Punic Wars, in the first two centuries AD Christianity began to take root in Cirta. While little remains of African Christianity before 200 AD, records of martyred Christians at Cirta existed by mid-century, civil war in 311 marked the destruction of the city, however, the first Christian emperor Constantine rebuilt it in his own name in 313 AD, calling it Constantine. The town of Cirta had become a Roman colony, probably as early as the time of Sittius, at the beginning of the 2d c. it was the capital of a curious administrative district, one of those anomalies common to the administrative history of Africa
5.
Africa (Roman province)
–
The Roman province of Africa Proconsularis was established after the Romans defeated Carthage in the Third Punic War. It roughly comprised the territory of present-day Tunisia, the northeast of modern-day Algeria, and it was one of the wealthiest provinces in the western part of the empire, second only to Italia. The Arabs later named roughly the same region as the original province Ifriqiya, the land acquired for the province of Africa was the site of the ancient city of Carthage. Other large cities in the region included Hadrumetum, capital of Byzacena, the province was established by the Roman Republic in 146 BC, following the Third Punic War. Rome established its first African colony, Africa Proconsularis or Africa Vetus, governed by a proconsul, utica was formed as the administrative capital. The remaining territory was left in the domain of the Numidian client king Massinissa, at this time, the Roman policy in Africa was simply to prevent another great power from rising on the far side of Sicily. In 118 BC, the Numidian prince Jugurtha attempted to reunify the smaller kingdoms, however, upon his death, much of Jugurthas territory was placed in the control of the Mauretanian client king Bocchus, and, by that time, the romanization of Africa was firmly rooted. In 27 BC, when the Republic had transformed into an Empire, several political and provincial reforms were implemented by Augustus and later by Caligula, but Claudius finalized the territorial divisions into official Roman provinces. After Diocletians administrative reforms, it was split into Africa Zeugitana in the north, the region remained a part of the Roman Empire until the Germanic migrations of the 5th century. The Vandals crossed into North Africa from Spain in 429 and overran the area by 439 and founded their own kingdom, including Sicily, Corsica, Sardinia, the Vandals controlled the country as a warrior-elite. They also persecuted Catholicism, as the Vandals were adherents of Arianism, towards the end of the 5th century, the Vandal state fell into decline, abandoning most of the interior territories to the Mauri and other Berber tribes of the desert. In AD533, Emperor Justinian, using a Vandal dynastic dispute as pretext, in a short campaign, Belisarius defeated the Vandals, entered Carthage in triumph and re-established Roman rule over the province. The North African provinces, together with the Roman possessions in Spain, were grouped into the Exarchate of Africa by Emperor Maurice, the exarchate prospered, and from it resulted the overthrow of the emperor Phocas by Heraclius in 610. Heraclius briefly considered moving the capital from Constantinople to Carthage. After 640, the managed to stave off the Muslim Conquest, but in 698. Historian Theodore Mommsen estimated that under Hadrian nearly 1/3 of the eastern Numidia population was descended from Roman veterans, even so, the Roman military presence of North Africa was relatively small, consisting of about 28,000 troops and auxiliaries in Numidia and the two Mauretanian provinces. Starting in the 2nd century AD, these garrisons were manned mostly by local inhabitants, a sizable Latin speaking population developed that was multinational in background, sharing the north African region with those speaking Punic and Berber languages. Imperial security forces began to be drawn from the local population, however, the Roman territory in Africa was unevenly penetrated by Roman culture
6.
Louvre
–
The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
7.
Greek mythology
–
It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
8.
Greek language
–
Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
9.
Poseidon
–
Poseidon was one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain was the ocean, and he is called the God of the Sea, additionally, he is referred to as Earth-Shaker due to his role in causing earthquakes, and has been called the tamer of horses. He is usually depicted as a male with curly hair. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology, both were sea gods analogous to Poseidon. According to some folklore, he was saved by his mother Rhea, who concealed him among a flock of lambs and pretended to have birth to a colt. There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, according to the references from Plato in his dialogues Timaeus and Critias, the island of Atlantis was the chosen domain of Poseidon. The form Ποτειδάϝων appears in Corinth, the origins of the name Poseidon are unclear. Walter Burkert finds that the second element da- remains hopelessly ambiguous, another theory interprets the second element as related to the word *δᾶϝον dâwon, water, this would make *Posei-dawōn into the master of waters. There is also the possibility that the word has Pre-Greek origin, Plato in his dialogue Cratylus gives two alternative etymologies, either the sea restrained Poseidon when walking as a foot-bond, or he knew many things. If surviving Linear B clay tablets can be trusted, the name occurs with greater frequency than does di-u-ja. A feminine variant, po-se-de-ia, is found, indicating a lost consort goddess. Poseidon carries frequently the title wa-na-ka in Linear B inscriptions, as king of the underworld, the chthonic nature of Poseidon-Wanax is also indicated by his title E-ne-si-da-o-ne in Mycenean Knossos and Pylos, a powerful attribute. In the cave of Amnisos Enesidaon is related with the cult of Eileithyia and she was related with the annual birth of the divine child. During the Bronze Age, a goddess of nature, dominated both in Minoan and Mycenean cult, and Wanax was her companion in Mycenean cult. It is possible that Demeter appears as Da-ma-te in a Linear B inscription, in Linear B inscriptions found at Pylos, E-ne-si-da-o-ne is related with Poseidon, and Si-to Po-tini-ja is probably related with Demeter. Tablets from Pylos record sacrificial goods destined for the Two Queens, the Two Queens may be related with Demeter and Persephone, or their precursors, goddesses who were not associated with Poseidon in later periods. The violated Demeter was Demeter Erinys, in Arcadia, Demeters mare-form was worshiped into historical times. Her xoanon of Phigaleia shows how the local cult interpreted her, a Medusa type with a horses head with snaky hair, holding a dove and a dolphin, probably representing her power over air and water
.jpg)
