1.
William Blake Richmond
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He was the Slade Professor of Fine Art at the University of Oxford from 1879 to 1883. William Blake Richmond was born in 1842 in London and his father George Richmond RA, himself the son of Thomas Richmond, painted the portraits of the most eminent people of his day and played a part in society. He was named after a friend of his father, the artist William Blake. William received some coaching from Ruskin, in 1857 at the age of 14 he entered the Royal Academy schools, where he studied for about three years. A visit to Italy in 1859 gave him opportunity for studying the works of old masters and had an effect on his development and his first Academy picture was a portrait group, and to this succeeded, during the next three years, several other pictures of the same class. In 1864 Richmonds first wife died, the following year he returned to Italy, where he remained for four years, chiefly at Rome. During this time he met Frederic Leighton and the landscapist, Giovanni Costa and he painted the large canvas, A Procession in Honor of Bacchus, which he exhibited at the Royal Academy in 1869 when he came back to Britain. In 1878 Richmond became Slade professor at Oxford University, succeeding Ruskin, Richmonds picture, An Audience at Athens, was exhibited at the Grosvenor Gallery, London in 1885. He was elected an Associate of the Royal Academy in 1888 and he received the degree of D. C. L. in 1896, and a knighthood of the Order of the Bath in 1897, and became professor of painting to the Royal Academy. Although he was a successful portrait-painter, Richmond wished to paint large, allegoric works, and he was elected to the Art Workers Guild in 1884, and became its Master in 1891. In decorative art his most conspicuous achievement was the internal decoration, between 1899 -1901, Richmond was elected as President of the Royal Birmingham Society of Artists. Richmond also took a keen interest in questions, particularly in smoke-prevention in London. He was the father of Admiral Sir Herbert Richmond, a historian, and of Ernest Richmond. Environmental Protection UK – The modern form of the smoke prevention society founded by Sir William, north British Academy of Arts – Inaugural address. This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Richmond. 57 Painting by or after William Blake Richmond at the Art UK site WB Richmonds Electra at the Tomb of Agamemnon used as a basis for a Punch cartoon about Oscar Wildes departure to America. Works written by or about William Blake Richmond at Wikisource William Blake Richmond at Find a Grave
2.
Greek mythology
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It was a part of the religion in ancient Greece. Greek mythology is explicitly embodied in a collection of narratives. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a variety of gods, goddesses, heroes, heroines. These accounts initially were disseminated in a tradition, today the Greek myths are known primarily from ancient Greek literature. The oldest known Greek literary sources, Homers epic poems Iliad and Odyssey, focus on the Trojan War, archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles, in the succeeding Archaic, Classical, and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an influence on the culture, arts. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes, Greek mythology is known today primarily from Greek literature and representations on visual media dating from the Geometric period from c. Mythical narration plays an important role in every genre of Greek literature. Nevertheless, the only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus and this work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c, 180–125 BC and wrote on many of these topics. His writings may have formed the basis for the collection, however the Library discusses events that occurred long after his death, among the earliest literary sources are Homers two epic poems, the Iliad and the Odyssey. Other poets completed the cycle, but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no connection with Homer. They are choral hymns from the part of the so-called Lyric age. Hesiods Works and Days, a poem about farming life, also includes the myths of Prometheus, Pandora. The poet gives advice on the best way to succeed in a dangerous world, lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar, Bacchylides and Simonides, and bucolic poets such as Theocritus and Bion, additionally, myth was central to classical Athenian drama
3.
Ancient Greek
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Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BC to the 6th century AD. It is often divided into the Archaic period, Classical period. It is antedated in the second millennium BC by Mycenaean Greek, the language of the Hellenistic phase is known as Koine. Koine is regarded as a historical stage of its own, although in its earliest form it closely resembled Attic Greek. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects, Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical phases of the language, Ancient Greek was a pluricentric language, divided into many dialects. The main dialect groups are Attic and Ionic, Aeolic, Arcadocypriot, some dialects are found in standardized literary forms used in literature, while others are attested only in inscriptions. There are also several historical forms, homeric Greek is a literary form of Archaic Greek used in the epic poems, the Iliad and Odyssey, and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic, the origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period and they have the same general outline, but differ in some of the detail. The invasion would not be Dorian unless the invaders had some relationship to the historical Dorians. The invasion is known to have displaced population to the later Attic-Ionic regions, the Greeks of this period believed there were three major divisions of all Greek people—Dorians, Aeolians, and Ionians, each with their own defining and distinctive dialects. Often non-west is called East Greek, Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect, thessalian likewise had come under Northwest Greek influence, though to a lesser degree. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, Doric notably had several intermediate divisions as well, into Island Doric, Southern Peloponnesus Doric, and Northern Peloponnesus Doric. The Lesbian dialect was Aeolic Greek and this dialect slowly replaced most of the older dialects, although Doric dialect has survived in the Tsakonian language, which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek, by about the 6th century AD, the Koine had slowly metamorphosized into Medieval Greek
4.
Aeneas
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In Greco-Roman mythology, Aeneas was a Trojan hero, the son of the prince Anchises and the goddess Venus. His father was a first cousin of King Priam of Troy and he is a character in Greek mythology and is mentioned in Homers Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgils Aeneid and he became the first true hero of Rome. Snorri Sturluson identifies him with the Norse Æsir Vidarr, Aeneas is the Latin spelling of Greek Αἰνείας. In the Homeric Hymn to Aphrodite, Aeneas is first introduced with Aphrodite naming him Αἰνείας for the αὶνóν ἄχος he caused her and it is a popular etymology for the name, apparently exploited by Homer in the Iliad. Later in the Medieval period there were writers who held that, as such, in the natural order, the meaning of Aeneas name combines Greek ennos and demas, which becomes ennaios, meaning in-dweller. However, there is no certainty regarding the origin of his name, in imitation of the Iliad, Virgil borrows epithets of Homer, including, Anchisiades, magnanimum, magnus, heros, and bonus. Though he borrows many, Virgil gives Aeneas two epithets of his own in the Aeneid, pater and pius. The epithets applied by Virgil are an example of a different from that of Homer, for whilst Odysseus is poikilios, Aeneas is described as pius. Likewise, Aeneas is called pater when acting in the interest of his men, the story of the birth of Aeneas is told in the Hymn to Aphrodite, one of the major Homeric Hymns. Aphrodite has caused the other gods Zeus, to fall in love with mortal women, in retaliation, Zeus puts desire in her heart for Anchises, who is tending his cattle among the hills near Mount Ida. When Aphrodite sees him she is smitten and she adorns herself as if for a wedding among the gods and appears before him. He is overcome by her beauty, believing that she is a goddess, after they make love, Aphrodite reveals her true identity to him and Anchises fears what might happen to him as a result of their liaison. Aphrodite assures him that he will be protected, and tells him that she bear him a son to be called Aeneas. However, she warns him that he must never tell anyone that he has lain with a goddess, when Aeneas is born, Aphrodite takes him to the nymphs of Mount Ida. She directs them to raise the child to age five, then take him to Anchises, according to other sources, Anchises later brags about his encounter with Aphrodite, and as a result is struck in the foot with a thunderbolt by Zeus. Thereafter he is lame in that foot, so that Aeneas has to carry him from the flames of Troy. Aeneas is a character in the Iliad, where he is twice saved from death by the gods as if for an as-yet-unknown destiny
5.
Troy
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The present-day location is known as Hisarlik. It was the setting of the Trojan War described in the Greek Epic Cycle, in particular in the Iliad, a new capital called Ilium was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople and declined gradually in the Byzantine era and these excavations revealed several cities built in succession. Troy VII has been identified with the city that the Hittites called Wilusa, the origin of the Greek Ἴλιον. Today, the hill at Hisarlık has given its name to a village near the ruins. It lies within the province of Çanakkale, some 30 km south-west of the provincial capital, the map here shows the adapted Scamander estuary with Ilium a little way inland across the Homeric plain. Troy was added to the UNESCO World Heritage list in 1998, Ancient Greek historians variously placed the Trojan War in the 12th, 13th, or 14th centuries BC, Eratosthenes to 1184 BC, Herodotus to 1250 BC, Duris of Samos to 1334 BC. Modern archaeologists associate Homeric Troy with archaeological Troy VII, in the Iliad, the Achaeans set up their camp near the mouth of the River Scamander, where they had beached their ships. The city of Troy itself stood on a hill, across the plain of Scamander, recent geological findings have permitted the identification of the ancient Trojan coastline, and the results largely confirm the accuracy of the Homeric geography of Troy. In November 2001, the geologist John C, kraft from the University of Delaware and the classicist John V. Luce from Trinity College, Dublin, presented the results of investigations, begun in 1977, into the geology of the region. Besides the Iliad, there are references to Troy in the major work attributed to Homer. The Homeric legend of Troy was elaborated by the Roman poet Virgil in his Aeneid, the Greeks and Romans took for a fact the historicity of the Trojan War and the identity of Homeric Troy with the site in Anatolia. Alexander the Great, for example, visited the site in 334 BC and there made sacrifices at tombs associated with the Homeric heroes Achilles and Patroclus. After the 1995 find of a Luwian biconvex seal at Troy VII, with the rise of critical history, Troy and the Trojan War were, for a long time, consigned to the realms of legend. However, the location of ancient Troy had from classical times remained the subject of interest. The Troad peninsula was anticipated to be the location, leChavaliers location, published in his Voyage de la Troade, was the most commonly accepted theory for almost a century. In 1822, the Scottish journalist Charles Maclaren was the first to identify with confidence the position of the city as it is now known, the hill, near the city of Çanakkale, was known as Hisarlık. In 1868, Heinrich Schliemann visited Calvert and secured permission to excavate Hisarlık, in 1871–73 and 1878–79, he excavated the hill and discovered the ruins of a series of ancient cities dating from the Bronze Age to the Roman period
6.
Aphrodite
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Aphrodite is the Greek goddess of love, beauty, pleasure, and procreation. She is identified with the planet Venus, and her Roman equivalent is the goddess Venus, as with many ancient Greek deities, there is more than one story about her origins. According to Hesiods Theogony, she was born when Cronus cut off Uranuss genitals and threw them into the sea, according to Homers Iliad, she is the daughter of Zeus and Dione. In Plato, these two origins are said to be of hitherto separate entities, Aphrodite Ourania and Aphrodite Pandemos, Aphrodite had many lovers—both gods, such as Ares, and men, such as Anchises. She played a role in the Eros and Psyche legend, and was lover and surrogate mother of Adonis. Many lesser beings were said to be children of Aphrodite, Aphrodite is also known as Cytherea and Cypris after the two cult sites, Cythera and Cyprus, which claimed to be her place of birth. Myrtle, roses, doves, sparrows and swans were sacred to her, the ancient Greeks identified her with the Ancient Egyptian goddess Hathor. Aphrodite had many names such as Acidalia and Cerigo, each used by a different local cult of the goddess in Greece. The Greeks recognized all of these names as referring to the single goddess Aphrodite, despite the differences in what these local cults believed the goddess demanded of them. The Attic philosophers of the 4th century, however, drew a distinction between a celestial Aphrodite of transcendent principles, and a separate, common Aphrodite who was the goddess of the people, hesiod derives Aphrodite from aphrós sea-foam, interpreting the name as risen from the foam. Michael Janda, accepting this as genuine, claims the birth myth as an Indo-European mytheme. Likewise, Witczak proposes an Indo-European compound *abʰor- very and *dʰei- to shine and it has been argued that etymologies based on comparison with Eos are unlikely since Aphrodites attributes are entirely different from those of Eos or the Vedic deity Ushas. A number of improbable non-Greek etymologies have suggested in scholarship. One Semitic etymology compares Aphrodite to the Assyrian barīrītu, the name of a demon that appears in Middle Babylonian. Hammarström looks to Etruscan, comparing prϑni lord, an Etruscan honorific loaned into Greek as πρύτανις and this would make the theonym in origin an honorific, the lady. Hjalmar Frisk and Robert Beekes reject this etymology as implausible, especially since Aphrodite actually appears in Etruscan in the borrowed form Apru, the medieval Etymologicum Magnum offers a highly contrived etymology, deriving Aphrodite from the compound habrodíaitos, she who lives delicately, from habrós and díaita. The alteration from b to ph is explained as a characteristic of Greek obvious from the Macedonians. Aphrodite is usually said to have been born near her chief center of worship, Paphos, on the island of Cyprus, however, other versions of her myth have her born near the island of Cythera, hence another of her names, Cytherea
7.
Venus (mythology)
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Venus is the Roman goddess whose functions encompassed love, beauty, desire, sex, fertility, prosperity and victory. In Roman mythology, she was the mother of the Roman people through her son, Aeneas, Julius Caesar claimed her as his ancestor. Venus was central to religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art, in the later classical tradition of the West, Venus becomes one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. It has connections to venerari and venia through a common root in an Indo-European *wenes- or *u̯enis. Their common Proto-Indo-European root is assumed as *wen- or *u̯en- to strive for, wish for, desire, Venus has been described as perhaps the most original creation of the Roman pantheon, and an ill-defined and assimilative native goddess, combined with a strange and exotic Aphrodite. The ambivalence of her persuasive functions has been perceived in the relationship of the root *venes- with Latin venenum, in the sense of a charm, in myth, Venus-Aphrodite was born of sea-foam. Roman theology presents Venus as the yielding, watery female principle, essential to the generation and her male counterparts in the Roman pantheon, Vulcan and Mars, are active and fiery. Venus absorbs and tempers the male essence, uniting the opposites of male and female in mutual affection and she is essentially assimilative and benign, and embraces several otherwise quite disparate functions. She can give military victory, sexual success, good fortune, in one context, she is a goddess of prostitutes, in another, she turns the hearts of men and women from sexual vice to virtue. Images of Venus have been found in murals, mosaics. Petronius, in his Satyricon, places an image of Venus among the Lares of the freedman Trimalchios lararium, prospective brides offered Venus a gift before the wedding, the nature of the gift, and its timing, are unknown. Some Roman sources say that girls who come of age offer their toys to Venus, it is unclear where the offering is made, in dice-games, a popular pastime among Romans of all classes, the luckiest, best possible roll was known as Venus. Venus signs were for the most part the same as Aphrodites, Venus statues, and her worshipers, wore myrtle crowns at her festivals. Likewise, Roman folk-etymology transformed the ancient, obscure goddess Murcia into Venus of the Myrtles, myrtle was thought a particularly potent aphrodisiac. The female pudendum, particularly the clitoris, was known as murtos, as goddess of love and sex, Venus played an essential role at Roman prenuptial rites and wedding nights, so myrtle and roses were used in bridal bouquets. Marriage itself was not a seduction but a condition, under Junos authority. Venus was also a patron of the ordinary, everyday wine drunk by most Roman men and women, in the rites to Bona Dea, a goddess of female chastity, Venus, myrtle and anything male were not only excluded, but unmentionable
8.
Phrygians
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From tribal and village beginnings, the state of Phrygia arose in the eighth century BC with its capital at Gordium. During this period, the Phrygians extended eastward and encroached upon the kingdom of Urartu, the descendants of the Hurrians, the last mention of the Phrygian language in literature dates to the fifth century CE and it was likely extinct by the seventh century. The Phrygians spoke Phrygian, an Indo-European language, some contemporary historians, among which Strabo is the most known, consider the Phrygians a Thracian tribe, part of a wider Thraco-Phrygian group. A conventional date of c.1180 BC is often used for the influx of the pre-Phrygian Bryges or Mushki, following this date, Phrygia retained a separate cultural identity. Phrygia developed an advanced Bronze Age culture, Phrygian Midas, the king of the golden touch, was tutored in music by Orpheus himself, according to the myth. Another musical invention that came from Phrygia was the aulos, an instrument with two pipes. Marsyas, the satyr who first formed the instrument using the hollowed antler of a stag, was a Phrygian follower of Cybele. He unwisely competed in music with the Olympian Apollo and inevitably lost, whereupon Apollo flayed Marsyas alive and provocatively hung his skin on Cybeles own sacred tree, a pine. It was the Great Mother, Cybele, as the Greeks and Romans knew her, who was worshipped in the mountains of Phrygia. In her typical Phrygian form, she wears a belted dress, a polos. It shows her humanized though still enthroned, her hand resting on an attendant lion and the holding the tympanon. The Phrygians also venerated Sabazios, the sky and father-god depicted on horseback, although the Greeks associated Sabazios with Zeus, representations of him, even at Roman times, show him as a horseman god. The name of the earliest known mythical king was Nannacus, the next king mentioned in extant classical sources was called Manis or Masdes. According to Plutarch, because of his exploits, great things were called manic in Phrygia. Thereafter the kingdom of Phrygia seems to have become fragmented among various kings, one of the kings was Tantalus who ruled over the north western region of Phrygia around Mount Sipylus. Tantalus was endlessly punished in Tartarus, because he killed his son Pelops and sacrificially offered him to the Olympians. Tantalus was also accused of stealing from the lotteries he had invented. In the mythic age before the Trojan war, during a time of an interregnum, Gordius, the kingless Phrygians had turned for guidance to the oracle of Sabazios at Telmissus, in the part of Phrygia that later became part of Galatia
9.
Zeus
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Zeus /ˈzjuːs/ is the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter and his mythologies and powers are similar, though not identical, to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, in most traditions, he is married to Hera, by whom he is usually said to have fathered Ares, Hebe, and Hephaestus. At the oracle of Dodona, his consort was said to be Dione, Zeus was also infamous for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, Persephone, Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses. He was equated with many foreign weather gods, permitting Pausanias to observe That Zeus is king in heaven is a common to all men. His symbols are the thunderbolt, eagle, bull, and oak, in addition to his Indo-European inheritance, the classical cloud-gatherer also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses, standing, striding forward with a thunderbolt leveled in his right hand. The gods name in the nominative is Ζεύς Zeús and it is inflected as follows, vocative, Ζεῦ Zeû, accusative, Δία Día, genitive, Διός Diós, dative, Διί Dií. Diogenes Laertius quotes Pherecydes of Syros as spelling the name, Ζάς, Zeus is the Greek continuation of *Di̯ēus, the name of the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr. The god is known under this name in the Rigveda, Latin, Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology. The earliest attested forms of the name are the Mycenaean Greek
10.
Homer
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Homer is the name ascribed by the ancient Greeks to the semi-legendary author of the Iliad and the Odyssey, two epic poems which are the central works of Greek literature. The Odyssey focuses on the home of Odysseus, king of Ithaca. Many accounts of Homers life circulated in classical antiquity, the most widespread being that he was a bard from Ionia. The modern scholarly consensus is that these traditions do not have any historical value, the Homeric question - by whom, when, where and under what circumstances were the Iliad and Odyssey composed - continues to be debated. Broadly speaking, modern scholarly opinion on the authorship question falls into two camps, one group holds that most of the Iliad and the Odyssey is the work of a single poet of genius. The other considers the Homeric poems to be the crystallization of a process of working and re-working by many contributors and it is generally accepted that the poems were composed at some point around the late eighth or early seventh century B. C. Most researchers believe that the poems were transmitted orally. The Homeric epics were the greatest influence on ancient Greek culture and education, to Plato, the chronological period of Homer depends on the meaning to be assigned to the word Homer. Was Homer a single person, an imaginary person representing a group of poets and this information is often called the world of Homer. The Homeric period would in that cover a number of historical periods, especially the Mycenaean Age. Considered word-for-word, the texts as we know them are the product of the scholars of the last three centuries. Each edition of the Iliad or Odyssey is a different, as the editors rely on different manuscripts and fragments. The term accuracy reveals a belief in an original uniform text. The manuscripts of the work currently available date to no earlier than the 10th century. These are at the end of a missing thousand-year chain of copies made as each generation of manuscripts disintegrated or were lost or destroyed and these numerous manuscripts are so similar that a single original can be postulated. The time gap in the chain is bridged by the scholia, or notes, on the existing manuscripts, librarian of the Library of Alexandria, he had noticed a wide divergence in the works attributed to Homer, and was trying to restore a more authentic copy. He had collected several manuscripts, which he named, the Sinopic, the one he selected for correction was the koine, which Murray translates as the Vulgate. Aristarchus was known for his selection of material
11.
Iliad
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The Iliad is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Then the epic narrative takes up events prophesied for the future, such as Achilles imminent death and the fall of Troy, although the narrative ends before these events take place. However, as events are prefigured and alluded to more and more vividly. The Iliad is paired with something of a sequel, the Odyssey, along with the Odyssey, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the 8th century BC. Recent statistical modelling based on language evolution gives a date of 760–710 BC, in the modern vulgate, the Iliad contains 15,693 lines, it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects. Note, Book numbers are in parentheses and come before the synopsis of the book, after an invocation to the Muses, the story launches in medias res towards the end of the Trojan War between the Trojans and the besieging Greeks. Chryses, a Trojan priest of Apollo, offers the Greeks wealth for the return of his daughter Chryseis, held captive of Agamemnon, although most of the Greek army is in favour of the offer, Agamemnon refuses. Chryses prays for Apollos help, and Apollo causes a plague to afflict the Greek army, after nine days of plague, Achilles, the leader of the Myrmidon contingent, calls an assembly to deal with the problem. Under pressure, Agamemnon agrees to return Chryseis to her father, angered, Achilles declares that he and his men will no longer fight for Agamemnon but will go home. Odysseus takes a ship and returns Chryseis to her father, whereupon Apollo ends the plague, in the meantime, Agamemnons messengers take Briseis away. Achilles becomes very upset, sits by the seashore, and prays to his mother, Achilles asks his mother to ask Zeus to bring the Greeks to the breaking point by the Trojans, so Agamemnon will realize how much the Greeks need Achilles. Thetis does so, and Zeus agrees, Zeus sends a dream to Agamemnon, urging him to attack Troy. Agamemnon heeds the dream but decides to first test the Greek armys morale, the plan backfires, and only the intervention of Odysseus, inspired by Athena, stops a rout. Odysseus confronts and beats Thersites, a soldier who voices discontent about fighting Agamemnons war. After a meal, the Greeks deploy in companies upon the Trojan plain, the poet takes the opportunity to describe the provenance of each Greek contingent. When news of the Greek deployment reaches King Priam, the Trojans too sortie upon the plain, in a list similar to that for the Greeks, the poet describes the Trojans and their allies. The armies approach each other, but before they meet, Paris offers to end the war by fighting a duel with Menelaus, urged by his brother and head of the Trojan army, Hector. While Helen tells Priam about the Greek commanders from the walls of Troy, Paris is beaten, but Aphrodite rescues him and leads him to bed with Helen before Menelaus can kill him
12.
Louvre
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The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
13.
Trojan War
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In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homers Iliad. The Iliad relates four days in the year of the decade-long siege of Troy. Other parts of the war are described in a cycle of epic poems, episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. Zeus sent the goddesses to Paris, who judged that Aphrodite, as the fairest, in exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helens husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris insult. After the deaths of heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris. The Achaeans slaughtered the Trojans and desecrated the temples, thus earning the gods wrath, few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, in 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hissarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars, whether there is any historical reality behind the Trojan War remains an open question. The events of the Trojan War are found in works of Greek literature. There is no single, authoritative text which tells the events of the war. Instead, the story is assembled from a variety of sources, the most important literary sources are the two epic poems traditionally credited to Homer, the Iliad and the Odyssey, composed sometime between the 9th and 6th centuries BC. Each poem narrates only a part of the war, the Iliad covers a short period in the last year of the siege of Troy, while the Odyssey concerns Odysseuss return to his home island of Ithaca, following the sack of Troy. Other parts of the Trojan War were told in the poems of the Epic Cycle, also known as the Cyclic Epics, the Cypria, Aethiopis, Little Iliad, Iliou Persis, Nostoi, and Telegony. Though these poems survive only in fragments, their content is known from an included in Proclus Chrestomathy. The authorship of the Cyclic Epics is uncertain, both the Homeric epics and the Epic Cycle take origin from oral tradition. Even after the composition of the Iliad, Odyssey, and the Cyclic Epics, events and details of the story that are only found in later authors may have been passed on through oral tradition and could be as old as the Homeric poems
14.
Ascanius
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Ascanius a legendary king of Alba Longa and is the son of the Trojan hero Aeneas and Creusa, daughter of Priam. He is also an ancestor of Romulus, Remus and the Gens Julia, together with his father, he is a major character in Virgils Aeneid, and he is depicted as one of the founders of the Roman race. In Greek and Roman mythology, Ascanius was the son of the Trojan prince Aeneas and Creusa, daughter of Priam. After the Trojan War, as the city burned, Aeneas escaped to Latium in Italy, taking his father Anchises and his child Ascanius with him, according to Dionysius of Halicarnassus, Ascanius original name was Euryleon and this name was changed to Ascanius after his flight from Troy. According to Virgil, Ascanius was also called Iulus or Julus, according to Dionysius of Halicarnassus, however, Julus was a son of Ascanius who disputed the succession of the kingdom of Alba Longa with Silvius, upon the death of Ascanius. According to another legend mentioned by Livy, Ascanius may have been the son of Aeneas and Lavinia and thus born in Latium, Ascanius later fought in the Italian Wars along with his father Aeneas. After the death of Aeneas, Ascanius became king of Lavinium, Mezentius succeeded in making the city surrender and agree to pay a yearly tribute. Upon his retirement, Ascanius fell upon him and his army unaware and entirely defeated Mezentius, Mezentius was forced to agree to pay a yearly tribute. Subsequent to this, exactly thirty years after the founding of Lavinium, Ascanius founded the city of Alba Longa and he left his mother, Lavinia, in charge of the city of Lavinium. Ascanius was succeeded by Silvius, who was either the brother of Ascanius or his son. Ascanius died in the 28th year of his reign, however, in the Aeneid, Vergil claims that Mezentius fought in the Italian Wars at the time Aeneas was alive. In the Aeneid, it is Aeneas who kills Lausus after harming Mezentius, when the news about Lausus death reaches Mezentius, he comes back to face Aeneas, and is killed too. In this account Ascanius does not participate in these deaths, nevertheless, Vergil shows Ascanius first experience at war. In the Aeneid, Ascanius is a teenager without real war experiences, but while besieged by the Italians, Ascanius launches an arrow against Numanus, the husband of the youngest sister of Turnus. After killing Numanus, Apollo comes and says to Ascanius, Macte nova virtute, puer, sic itur ad astra, dis genite et geniture deos. This phrase can be translated into English as, Go forth with new value, boy, thus is the path to the stars, son of gods that will have gods as sons. Or Blessings on your fresh courage, boy, scion of gods and ancestor of gods yet to be, in this verse, Vergil makes a clear reference to the offspring of Iulus, from whom Augustus Caesar claimed descent. Therefore, in this verse Vergil refers to the Gens Julia, the family of Augustus and Julius Caesar, the sic itur ad astra become almost proverbial and several mottos use an ad astra phrase
15.
Federico Barocci
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Federico Barocci was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio and his work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He was born at Urbino, Duchy of Urbino, and received his earliest apprenticeship with his father, Ambrogio Barocci and he was then apprenticed with the painter Battista Franco in Urbino. He accompanied his uncle, Bartolomeo Genga to Pesaro, then in 1548 to Rome, where he was worked in the pre-eminent studio of the day, that of the Mannerist painters, Taddeo and Federico Zuccari. After passing four years at Rome, he returned to his native city, during this second sojourn, while completing the decorations for the Vatican, Barocci fell ill with intestinal complaints. He suspected that a salad which he had eaten had been poisoned by jealous rivals, fearing his illness was terminal, he left Rome in 1563, four years later he was said to experience a partial remission after prayers to the Virgin. Barocci henceforth often complained of health, though he remained productive for nearly four decades more. While he is described by contemporaries as personally somewhat morose and hypochondriacal, his paintings are lively and brilliant. Although he continued to have major commissions from afar, he never returned to Rome. The Ducal Palace can be seen in the background of his paintings, while Barocci was removed from Rome, the fulcrum of artistic fame and influence, he continued to innovate in his style. At some point he may have seen colored chalk/pastel drawings by Correggio, in pastels and in oil sketches Baroccis soft, opalescent renderings evoke the ethereal. Such studies were part of a complex process Barocci used to complete his altarpieces, an organized series of steps leading up to the final product ensured its speed and success in execution. Barocci did innumerable sketches, gestural, compositional, figural studies, lighting studies, perspective studies, color studies, nature studies, today, over 2,000 drawings by him are extant. Every detail of his subsequent cartoons for canvases was worked out in this way, a good example is his famed Madonna del Popolo. It is a vortex of color and vitality, made possible by the variety of people, poses, perspectives, natural details, colors, lighting. There are many surviving drawings for the Madonna del Popolo, from sketches to color studies of heads. Despite this painstaking process, Baroccis genius kept the brushstrokes passionate and liberated, and a spiritual light seems to flicker as a jewel across faces, hands, drapery, Baroccis embrace of the Counter Reformation would shape his long and fruitful career. By 1566, he joined a lay order of Capuchins, an offshoot of Franciscans and he may have been influenced by Saint Philip Neri, whose Oratorians sought to reconnect the spiritual realm with the lives of everyday people
16.
Galleria Borghese
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The Galleria Borghese is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the building was integrated with its gardens. The Galleria Borghese houses a part of the Borghese collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese. The Villa was built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, other paintings of note include Titians Sacred and Profane Love, Raphaels Entombment of Christ and works by Peter Paul Rubens and Federico Barocci. The Casina Borghese lies on the outskirts of seventeenth-century Rome, by 1644, John Evelyn described it as an Elysium of delight with Fountains of sundry inventions, Groves and small Rivulets of Water. Evelyn also described the Vivarium that housed ostriches, peacocks, swans and cranes, in 1808, Prince Camillo Borghese, Napoleons brother-in-law, was forced to sell the Borghese Roman sculptures and antiquities to the Emperor. The result is that the Borghese Gladiator, renowned since the 1620s as the most admired single sculpture in Villa Borghese, the Borghese Hermaphroditus is also now in the Louvre. The Borghese villa was modified and extended down the years, eventually being sold to the Italian government in 1902, along with the entire Borghese estate and surrounding gardens, the Galleria Borghese includes twenty rooms across two floors. The main floor is devoted to classical antiquities of the 1st–3rd centuries AD. In addition, several portrait busts are included in the gallery, including one of Pope Paul V, the second Scipione Borghese portrait was produced after a large crack was discovered in the marble of the first version during its creation. Official website Amor sacro e amor profano Description of the painting, Roman Map of the area with related services
17.
Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
18.
Julius Caesar (play)
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The Tragedy of Julius Caesar is a tragedy by William Shakespeare, believed to have been written in 1599. It is one of plays written by Shakespeare based on true events from Roman history. The play opens with the commoners of Rome celebrating Caesars triumphant return from defeating Pompeys sons at the battle of Munda, two tribunes, Flavius and Marrullus, discover the commoners celebrating, insult them for their change in loyalty from Pompey to Caesar, and break up the crowd. There are some made by the commoners, who insult them back. They also plan on removing all decorations from Caesars statues and ending any other festivities, in the next scene, during Caesars parade on the feast of Lupercal, a soothsayer warns Caesar to Beware the ides of March, a warning he disregards. The action then turns to the discussion between Brutus and Cassius, in this conversation, Cassius attempts to influence Brutus opinions into believing Caesar should be killed, preparing to have Brutus join his conspiracy to kill Caesar. They then hear from Casca that Mark Antony has offered Caesar the crown of Rome three times and that each time Caesar refused it, fainting after the last refusal. He compares Caesar to A serpents egg/ which hatchd, would, as his kind, grow mischievous, / and kill him in the shell. Caesars assassination is one of the most famous scenes of the play, occurring in Act 3, scene 1. After ignoring the soothsayer, as well as his wifes own premonitions, the conspirators create a superficial motive for coming close enough to assassinate Caesar by means of a petition brought by Metellus Cimber, pleading on behalf of his banished brother. As Caesar, predictably, rejects the petition, Casca grazes Caesar in the back of his neck, at this point, Shakespeare makes Caesar utter the famous line Et tu, Brute. Shakespeare has him add, Then fall, Caesar, suggesting that such treachery destroyed Caesars will to live, the conspirators make clear that they committed this act for Rome, not for their own purposes, and do not attempt to flee the scene. After Caesar is killed, Brutus delivers an oration defending his actions, and for the moment, Antony, even as he states his intentions against it, rouses the mob to drive the conspirators from Rome. Amid the violence, an innocent poet, Cinna, is confused with the conspirator Lucius Cinna and is taken by the mob and that night, Caesars ghost appears to Brutus with a warning of defeat. At the battle, Cassius and Brutus, knowing that they will both die, smile their last smiles to each other and hold hands. During the battle, Cassius has his servant Pindarus kill him after hearing of the capture of his best friend, after Titinius, who was not really captured, sees Cassiuss corpse, he commits suicide. However, Brutus wins that stage of the battle—but his victory is not conclusive, with a heavy heart, Brutus battles again the next day. He loses and commits suicide by running on his own sword, there is then a small hint at the friction between Mark Antony and Octavius which characterizes another of Shakespeares Roman plays, Antony and Cleopatra. The main source of the play is Thomas Norths translation of Plutarchs Lives, Shakespeare makes Caesars triumph take place on the day of Lupercalia instead of six months earlier
19.
Gaius Cassius Longinus
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Gaius Cassius Longinus was a Roman senator, a leading instigator of the plot to kill Julius Caesar, and the brother in-law of Marcus Junius Brutus. He was elected Tribune of the Plebs in 49 B. C and he opposed Caesar, and he commanded a fleet against him during Caesars Civil War, after Caesar defeated Pompey in the Battle of Pharsalus, Caesar overtook Cassius and forced him to surrender. After Caesars death, Cassius fled to the East, where he amassed an army of twelve legions and he was supported and made Governor by the Senate. Though he and Brutus marched west against the allies of the Second Triumvirate, Cassius was defeated at the Battle of Phillippi and he followed the teachings of the philosopher Epicurus, although scholars debate whether or not these beliefs affected his political life. Cassius is a character in Shakespeares play Julius Caesar that depicts the assassination of Caesar. He is also shown in the lowest circle of Hell in Dantes The Inferno as punishment for killing Caesar. Little is known of Gaius Cassius early life, apart from a story that he showed his dislike of despots while still at school and he studied philosophy at Rhodes under Archelaus and became fluent in Greek. He was married to Junia Tertia, who was the daughter of Servilia and they had one son, who was born in about 60 BC. In 53 BC he took part in the Battle of Carrhae lost by Marcus Licinius Crassus against the Parthians, Cassius returned to Rome in 50 BC, when civil war was about to break out between Julius Caesar and Pompey. Cassius was elected tribune of the Plebs for 49 BC, and threw in his lot with the Optimates, Cassius left Italy shortly after Caesar crossed the Rubicon. He met Pompey in Greece, and was appointed to command part of his fleet, in 48 BC, Cassius sailed his ships to Sicily, where he attacked and burned a large part of Caesars navy. He then proceeded to harass ships off the Italian coast, news of Pompeys defeat at the Battle of Pharsalus caused Cassius to head for the Hellespont, with hopes of allying with the king of Pontus, Pharnaces II. Cassius was overtaken by Caesar en route, and was forced to surrender unconditionally, Caesar made Cassius a legate, employing him in the Alexandrian War against the very same Pharnaces whom Cassius had hoped to join after Pompeys defeat at Pharsalus. However, Cassius refused to join in the fight against Cato and Scipio in Africa, Cassius spent the next two years in office, and apparently tightened his friendship with Cicero. In 44 BC, he became praetor peregrinus with the promise of the Syrian province for the ensuing year, the appointment of his junior and brother-in-law, Marcus Brutus, as praetor urbanus deeply offended him. Although Cassius was the spirit in the plot against Caesar, winning over the chief assassins to the cause of tyrannicide. On the Ides of March,44 BC, Cassius urged on his fellow liberators, though they succeeded in assassinating Caesar, the celebration was short-lived, as Mark Antony seized power and turned the public against them. In letters written during 44 BC, Cicero frequently complains that Rome was still subjected to tyranny, according to some accounts, Cassius had wanted to kill Antony at the same time as Caesar, but Brutus dissuaded him
20.
Marcus Junius Brutus the Younger
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Marcus Junius Brutus, often referred to as Brutus, was a politician of the late Roman Republic. After being adopted by his uncle he used the name Quintus Servilius Caepio Brutus and he took a leading role in the assassination of Julius Caesar. Brutus was close to General Julius Caesar, the leader of the Populares faction, however, Caesars attempts to assume greater power for himself put him at greater odds with the Roman elite and members of the Senate. Brutus eventually came to oppose Caesar and fought with the Optimate faction, led by Pompey the Great, Pompey was defeated at the Battle of Pharsalus in 48 B. C. after which Brutus surrendered to Caesar, who granted him amnesty. However, the political tensions which led to the war had not been resolved. Due to Caesars increasingly monarchical behavior, several senators, calling themselves Liberators and they recruited Brutus, who took a leading role in the assassination, which was carried out successfully on March 15,44 B. C. The Senate, at the request of the Consul Mark Antony, however, a populist uprising forced Brutus and his brother-in-law, fellow assassin Gaius Cassius Longinus, to leave the City of Rome. Caesars grandnephew, Consul Gaius Octavian Caesar, immediately after taking office, passed a resolution declaring the conspirators, including Brutus, murderers. Octavian combined his troops with those of Antony, and together they defeated the outnumbered armies of Brutus and Cassius at the Battle of Philippi in October 42 B. C. After the battle, Brutus committed suicide, Marcus Junius Brutus Minor was the son of Marcus Junius Brutus Maior and Servilia. Some sources refer to the possibility of Caesar being his real father, Brutus uncle, Quintus Servilius Caepio, adopted him in about 59 BC, and Brutus was known officially for a time as Quintus Servilius Caepio Brutus before he reverted to using his birth-name. Following Caesars assassination in 44 BC, Brutus revived his adoptive name in order to illustrate his links to another famous tyrannicide, Gaius Servilius Ahala, from whom he was descended. Brutus held his uncle in high regard and his career started when he became an assistant to Cato. During this time, he enriched himself by lending money at high rates of interest and he returned to Rome a rich man, where he married Claudia Pulchra. From his first appearance in the Senate, Brutus aligned with the Optimates against the First Triumvirate of Marcus Licinius Crassus, Gnaeus Pompeius Magnus and Gaius Julius Caesar. When Caesars Civil War broke out in 49 BC between Pompey and Caesar, Brutus followed his old enemy and the present leader of the Optimates, Caesar ordered his officers to leave Brutus alone if he refused his arrest because he believed that Brutus could be his biological son. Although Caesar and Brutus mother, Servilia, were lovers, only a few knew about their relationship, Caesar had nothing against Brutus concerning that, and they had a very close relationship. And everything he did for Brutus was out of affection of Servilia knowing that his mother was in love him, Caesar
21.
Julius Caesar
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Gaius Julius Caesar, known as Julius Caesar, was a Roman politician, general, and notable author of Latin prose. He played a role in the events that led to the demise of the Roman Republic. In 60 BC, Caesar, Crassus, and Pompey formed an alliance that dominated Roman politics for several years. Their attempts to power as Populares were opposed by the Optimates within the Roman Senate. Caesars victories in the Gallic Wars, completed by 51 BC, extended Romes territory to the English Channel, Caesar became the first Roman general to cross both the Channel and the Rhine, when he built a bridge across the Rhine and crossed the Channel to invade Britain. These achievements granted him unmatched military power and threatened to eclipse the standing of Pompey, with the Gallic Wars concluded, the Senate ordered Caesar to step down from his military command and return to Rome. Caesar refused the order, and instead marked his defiance in 49 BC by crossing the Rubicon with the 13th Legion, leaving his province, Civil war resulted, and Caesars victory in the war put him in an unrivalled position of power and influence. After assuming control of government, Caesar began a programme of social and governmental reforms and he centralised the bureaucracy of the Republic and was eventually proclaimed dictator in perpetuity, giving him additional authority. But the underlying political conflicts had not been resolved, and on the Ides of March 44 BC, a new series of civil wars broke out, and the constitutional government of the Republic was never fully restored. Caesars adopted heir Octavian, later known as Augustus, rose to power after defeating his opponents in the civil war. Octavian set about solidifying his power, and the era of the Roman Empire began, much of Caesars life is known from his own accounts of his military campaigns, and from other contemporary sources, mainly the letters and speeches of Cicero and the historical writings of Sallust. The later biographies of Caesar by Suetonius and Plutarch are also major sources, Caesar is considered by many historians to be one of the greatest military commanders in history. Caesar was born into a family, the gens Julia. The cognomen Caesar originated, according to Pliny the Elder, with an ancestor who was born by Caesarean section. The Historia Augusta suggests three alternative explanations, that the first Caesar had a head of hair, that he had bright grey eyes. Caesar issued coins featuring images of elephants, suggesting that he favored this interpretation of his name, despite their ancient pedigree, the Julii Caesares were not especially politically influential, although they had enjoyed some revival of their political fortunes in the early 1st century BC. Caesars father, also called Gaius Julius Caesar, governed the province of Asia and his mother, Aurelia Cotta, came from an influential family. Little is recorded of Caesars childhood, in 85 BC, Caesars father died suddenly, so Caesar was the head of the family at 16
22.
Sicily
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Sicily is the largest island in the Mediterranean Sea. It is an autonomous Region of Italy, along with surrounding minor islands, Sicily is located in the central Mediterranean Sea, south of the Italian Peninsula, from which it is separated by the narrow Strait of Messina. Its most prominent landmark is Mount Etna, the tallest active volcano in Europe, the island has a typical Mediterranean climate. The earliest archaeological evidence of activity on the island dates from as early as 12,000 BC. It became part of Italy in 1860 following the Expedition of the Thousand, a revolt led by Giuseppe Garibaldi during the Italian unification, Sicily was given special status as an autonomous region after the Italian constitutional referendum of 1946. Sicily has a rich and unique culture, especially regard to the arts, music, literature, cuisine. It is also home to important archaeological and ancient sites, such as the Necropolis of Pantalica, the Valley of the Temples, Sicily has a roughly triangular shape, earning it the name Trinacria. To the east, it is separated from the Italian mainland by the Strait of Messina, about 3 km wide in the north, and about 16 km wide in the southern part. The northern and southern coasts are each about 280 km long measured as a line, while the eastern coast measures around 180 km. The total area of the island is 25,711 km2, the terrain of inland Sicily is mostly hilly and is intensively cultivated wherever possible. Along the northern coast, the ranges of Madonie,2,000 m, Nebrodi,1,800 m. The cone of Mount Etna dominates the eastern coast, in the southeast lie the lower Hyblaean Mountains,1,000 m. The mines of the Enna and Caltanissetta districts were part of a leading sulphur-producing area throughout the 19th century, Sicily and its surrounding small islands have some highly active volcanoes. Mount Etna is the largest active volcano in Europe and still casts black ash over the island with its ever-present eruptions and it currently stands 3,329 metres high, though this varies with summit eruptions, the mountain is 21 m lower now than it was in 1981. It is the highest mountain in Italy south of the Alps, Etna covers an area of 1,190 km2 with a basal circumference of 140 km. This makes it by far the largest of the three volcanoes in Italy, being about two and a half times the height of the next largest, Mount Vesuvius. In Greek Mythology, the deadly monster Typhon was trapped under the mountain by Zeus, Mount Etna is widely regarded as a cultural symbol and icon of Sicily. The Aeolian Islands in the Tyrrhenian Sea, to the northeast of mainland Sicily form a volcanic complex, the three volcanoes of Vulcano, Vulcanello and Lipari are also currently active, although the latter is usually dormant
23.
Hades
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Hades was the ancient Greek chthonic god of the underworld, which eventually took his name. In Greek mythology, Hades was regarded as the oldest son of Cronus and Rhea and he and his brothers Zeus and Poseidon defeated their fathers generation of gods, the Titans, and claimed rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, Hades was often portrayed with his three-headed guard dog Cerberus. The Etruscan god Aita and Roman gods Dis Pater and Orcus were eventually taken as equivalent to the Greek Hades and merged as Pluto, the origin of Hades name is uncertain, but has generally been seen as meaning The Unseen One since antiquity. Modern linguists have proposed the Proto-Greek form *Awides, the earliest attested form is Aḯdēs, which lacks the proposed digamma. West argues instead for a meaning of the one who presides over meeting up from the universality of death. In Homeric and Ionic Greek, he was known as Áïdēs, other poetic variations of the name include Aïdōneús and the inflected forms Áïdos, Áïdi, and Áïda, whose reconstructed nominative case *Áïs is, however, not attested. The name as it came to be known in classical times was Háidēs, later the iota became silent, then a subscript marking, and finally omitted entirely. Perhaps from fear of pronouncing his name, around the 5th century BC, Plouton became the Roman god who both rules the underworld and distributed riches from below. This deity was a mixture of the Greek god Hades and the Eleusinian icon Ploutos, and from this he received a priestess. More elaborate names of the genre were Ploutodótēs or Ploutodotḗr meaning giver of wealth. Epithets of Hades include Agesander and Agesilaos, both from ágō and anḗr or laos, describing Hades as the god who carries away all. He was also referred to as Zeus Katachthonios, meaning the Zeus of the Underworld, by avoiding his actual name. In Greek mythology, Hades the god of the underworld, was a son of the Titans Cronus and he had three sisters, Demeter, Hestia, and Hera, as well as two brothers, Zeus, the youngest of the three, and Poseidon. Upon reaching adulthood, Zeus managed to force his father to disgorge his siblings, after their release, the six younger gods, along with allies they managed to gather, challenged the elder gods for power in the Titanomachy, a divine war. The war lasted for ten years and ended with the victory of the younger gods, following their victory, according to a single famous passage in the Iliad, Hades and his two brothers, Poseidon and Zeus, drew lots for realms to rule. Some myths suggest that Hades was dissatisfied with his turnout, but had no choice, Hades obtained his wife and queen, Persephone, through abduction at the behest of Zeus. Despite modern connotations of death as evil, Hades was actually more altruistically inclined in mythology, Hades was often portrayed as passive rather than evil, his role was often maintaining relative balance
24.
Elysium
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Elysium or the Elysian Fields is a conception of the afterlife that developed over time and was maintained by some Greek religious and philosophical sects and cults. Initially separate from the realm of Hades, admission was reserved for mortals related to the gods, the Elysian Fields were, according to Homer, located on the western edge of the Earth by the stream of Okeanos. In the time of the Greek oral poet Hesiod, Elysium would also be known as the Fortunate Isles or the Isles of the Blessed, located in the ocean at the end of the earth. The Isles of the Blessed would be reduced to an island by the Thebean poet Pindar, describing it as having shady parks, with residents indulging in athletic. The ruler of Elysium varies from author to author, Pindar and Hesiod name Cronus as the ruler, another suggestion is from ελυθ-, ἔρχομαι. The Greek oral poet Hesiod refers to the Isles of the Blessed in his didactic poem Works, pindars Odes describes the reward waiting for those living a righteous life, In Virgils Aeneid, Aeneas, like Heracles and Odysseus before him, travels to the underworld. Virgil describes those who travel to Elysium, and those who will travel to Tartarus. Virgils Elysium knows perpetual spring and shady groves, with its own sun and lit by its own stars, solemque suum, sua sidera norunt. He further intimated that the Greek prophet Orpheus composed his fables about the afterlife when he traveled to Egypt, Elysium as a pagan expression for paradise would eventually pass into usage by early Christian writers. In the Renaissance, the population of the Elysian Fields tended to outshine its formerly dreary pagan reputation. After the Renaissance, an even cheerier Elysium evolved for some poets, sometimes it is imagined as a place where heroes have continued their interests from their lives. Others suppose it is a filled with feasting, sport, song. The poet Heinrich Heine explicitly parodied Schillers sentiment in referring to the Jewish Sabbath food cholent as the daughter of Elysium in his poem Princess Shabbat. Christian and classical attitudes to the afterlife are put in contrast by Christopher Marlowes Doctor Faustus in saying, This word damnation terrifies not me and my ghost be with the old philosophers. When in William Shakespeares Twelfth Night shipwrecked Viola is told This is Illyria, and what should I do in Illyria. My brother he is in Elysium. is her answer, Elysium for her and her first Elizabethan hearers simply means Paradise, in the Percy Jackson & the Olympians series by Rick Riordan, Elysium is described as the path for some of the protagonists and antagonists of the series. The mythical island is described in terms a WWII sailor in the South Pacific would liken to the Greek paradise, the term and concept of Elysium has had influence in modern popular culture, reference to Elysium can be found in literature, art, film, and music. New Orleans Elysian Fields also provides the second act setting of Elmer Rices The Adding Machine, in his poem Middlesex, John Betjeman describes how a few hedges Keep alive our lost Elysium – rural Middlesex again
25.
Sicyon
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Sicyon was an ancient Greek city state situated in the northern Peloponnesus between Corinth and Achaea on the territory of the present-day regional unit of Corinthia. An ancient monarchy at the times of the Trojan War, the city was ruled by a number of tyrants during the Archaic and Classical period, Sicyon was celebrated for its contributions to ancient Greek art, producing many famous painters and sculptors. In Hellenistic times it was also the home of Aratus of Sicyon, Sicyon was built on a low triangular plateau about two miles from the Corinthian Gulf. Between the city and its port lay a fertile plain with olive groves, in Mycenean times Sicyon had been ruled by a line of twenty-six mythical kings and then seven priests of Apollo. The king-list given by Pausanias comprises twenty-four kings, beginning with the autochthonous Aegialeus, the penultimate king of the list, Agamemnon, compels the submission of Sicyon to Mycenae, after him comes the Dorian usurper Phalces. After the Dorian invasion the city remained subject to Argos, whence its Dorian conquerors had come, the community was now divided into the ordinary three Dorian tribes and an equally privileged tribe of Ionians, besides which a class of serfs lived on and worked the land. For some centuries the suzerainty remained, but after 676 BC Sicyon regained its independence under a line of tyrants called the Orthagorides after the name of the first ruler Orthagoras. The most important however was the founders grandson Cleisthenes, the uncle of the Athenian legislator Cleisthenes who ruled from 600 to 560 BC and his successor Aeschines was expelled by the Spartans in 556 BC and Sicyon became an ally of the Lacedaemonians for more than a century. During this time, the Sicyonians developed the various industries for which they were known in antiquity, as the abode of the sculptors Dipoenus and Scyllis it gained pre-eminence in woodcarving and bronze work such as is still to be seen in the archaic metal facings found at Olympia. Its pottery, which resembled Corinthian ware, was exported with the latter as far as Etruria, in Sicyon also the art of painting was supposed to have been invented. Henceforth, its policy was usually determined either by Sparta or Corinth, during the Persian Wars, the Sicyonians participated with fifteen triremes in the Battle of Salamis and with 3,000 hoplites in the Battle of Plataea. On the Delphic Serpent Column celebrating the victory Sicyon was named in place after Sparta, Athens, Corinth. In September 479 BC a Sicyonian contingent fought bravely in the Battle of Mycale, later in the 5th century BC, Sicyon, like Corinth, suffered from the commercial rivalry of Athens in the western seas, and was repeatedly harassed by squadrons of Athenian ships. The Sicyonians fought two battles against the Athenians, first against their admiral Tolmides in 455 BC and then in a battle against Pericles with 1000 hoplites in 453 BC. In the Peloponnesian War Sicyon followed the lead of Sparta and Corinth, when these two powers quarrelled during the peace of Nicias, it remained loyal to the Spartans. At the reprise of the war, during the Athenian expedition in Sicily, at the beginning of the 4th century, in the Corinthian war, Sicyon sided again with Sparta and became its base of operations against the allied troops round Corinth. In 369 BC Sicyon was captured and garrisoned by the Thebans in their attack on the Peloponnesian League. From 368 to 366 BC Sicyon was ruled by Euphron who first favoured democracy, Euphron was killed in Thebes by a group af Sicyonian aristocrats, but his compatriots buried him in his home town and continued to honour him like the second founder of the city
26.
Athena
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Athena or Athene, often given the epithet Pallas, is the goddess of wisdom, craft, and war in ancient Greek religion and mythology. Minerva is the Roman goddess identified with Athena, Athena is known for her calm temperament, as she moves slowly to anger. She is noted to have fought for just reasons. Athena is portrayed as a companion of heroes and is the patron goddess of heroic endeavour. She is the patroness of Athens. The Athenians founded the Parthenon on the Acropolis of her city, Athens. Veneration of Athena was so persistent that archaic myths about her were recast to adapt to cultural changes, in her role as a protector of the city, many people throughout the Greek world worshipped Athena as Athena Polias. While the city of Athens and the goddess Athena essentially bear the same name, Athena is associated with Athens, a plural name, because it was the place where she presided over her sisterhood, the Athenai, in earliest times. Mycenae was the city where the Goddess was called Mykene, at Thebes she was called Thebe, and the city again a plural, Thebae. Similarly, at Athens she was called Athena, and the city Athenae, Athena had a special relationship with Athens, as is shown by the etymological connection of the names of the goddess and the city. According to mythical lore, she competed with Poseidon and she won by creating the olive tree, the Athenians would accept her gift and name the city after her. In history, the citizens of Athens built a statue of Athena as a temple to the goddess, which had piercing eyes, a helmet on her head, attired with an aegis or cuirass, and an extremely long spear. It also had a shield with the head of the Gorgon on it. A large snake accompanied her and she held Nike, the goddess of victory, therefore, Mylonas believes that Athena was a Mycenaean creation. On the other hand, Nilsson claims that she was the goddess of the palace who protected the king, a-ta-no-dju-wa-ja is also found in Linear A Minoan, the final part being regarded as the Linear A Minoan equivalent of the Linear B Mycenaean di-u-ja or di-wi-ja. Divine Athena also was a weaver and the deity of crafts, whether her name is attested in Eteocretan or not will have to wait for decipherment of Linear A. Perhaps, however, the name Theonoe may mean she who knows divine things better than others. Thus for Plato her name was to be derived from Greek Ἀθεονόα, Plato also noted that the citizens of Sais in Egypt worshipped a goddess whose Egyptian name was Neith, and which was identified with Athena. Neith was the war goddess and huntress deity of the Egyptians since the ancient Pre-Dynastic period, in addition, ancient Greek myths reported that Athena had visited many mythological places such as Libyas Triton River in North Africa and the Phlegraean plain
27.
Artemis
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Artemis was one of the most widely venerated of the Ancient Greek deities. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek, Homer refers to her as Artemis Agrotera, Potnia Theron, Artemis of the wildland, Mistress of Animals. The Arcadians believed she was the daughter of Demeter, in the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. The deer and the cypress were sacred to her, in later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. The name Artemis is of unknown or uncertain origin and etymology although various ones have been proposed, for example, according to J. T. Jablonski, the name is also Phrygian and could be compared with the royal appellation Artemas of Xenophon. Anton Goebel suggests the root στρατ or ῥατ, to shake, babiniotis, while accepting that the etymology is unknown, states that the name is already attested in Mycenean Greek and is possibly of pre-Hellenic origin. It is believed that a precursor of Artemis was worshiped in Minoan Crete as the goddess of mountains and hunting, R. S. P. Beekes suggested that the e/i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus, various conflicting accounts are given in Classical Greek mythology of the birth of Artemis and her twin brother, Apollo. All accounts agree, however, that she was the daughter of Zeus and Leto, an account by Callimachus has it that Hera forbade Leto to give birth on either terra firma or on an island. Hera was angry with Zeus, her husband, because he had impregnated Leto, but the island of Delos disobeyed Hera, and Leto gave birth there. In ancient Cretan history Leto was worshipped at Phaistos and in Cretan mythology Leto gave birth to Apollo, a scholium of Servius on Aeneid iii. The myths also differ as to whether Artemis was born first, most stories depict Artemis as born first, becoming her mothers mid-wife upon the birth of her brother Apollo. The childhood of Artemis is not fully related in any surviving myth, the Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus. She wished for no city dedicated to her, but to rule the mountains, Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo. All of her companions remained virgins, and Artemis closely guarded her own chastity and her symbols included the golden bow and arrow, the hunting dog, the stag, and the moon. Okeanus daughters were filled with fear, but the young Artemis bravely approached and asked for bow, Callimachus then tells how Artemis visited Pan, the god of the forest, who gave her seven bitches and six dogs. She then captured six golden-horned deer to pull her chariot, Artemis practiced with her bow first by shooting at trees and then at wild beasts. As a virgin, Artemis had interested many gods and men, Orion was accidentally killed either by Artemis or by Gaia
28.
Hestia
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In Ancient Greek religion, Hestia is a virgin goddess of the hearth, architecture, and the right ordering of domesticity, the family, the home, and the state. In Greek mythology, she is a daughter of Cronus and Rhea, Hestia received the first offering at every sacrifice in the household. In the public domain, the hearth of the prytaneum functioned as her official sanctuary, with the establishment of a new colony, flame from Hestias public hearth in the mother city would be carried to the new settlement. Hestias name means hearth, fireplace, altar, the oikos, likewise, the hearth of the later Greek prytaneum was the community and governments ritual and secular focus. Hestias name and functions show the importance in the social, religious. It was essential for warmth, food preparation, and the completion of sacrificial offerings to deities, in the latter, Hestia was the recipient of a preliminary, usually cheap. She was also offered the first and last libations of wine at feasts and her own sacrificial animal was a domestic pig. At the level of the polis, the hearths of Greek colonies, Hestias nearest Roman equivalent, Vesta, had similar functions as a divine personification of Romes public, domestic, and colonial hearths, and bound Romans together within a form of extended family. Responsibility for Hestias domestic cult usually fell to the woman of the household. Evidence of her priesthoods is extremely rare, most stems from the early Roman Imperial era, when Sparta offers several examples of women with the priestly title Hestia, Chalcis offers one, a daughter of the local elite. Existing civic cults to Hestia probably served as stock for the grafting of Greek ruler-cult to the Roman emperor, in Athens, a small seating section at the Theatre of Dionysus was reserved for priesthoods of Hestia on the Acropolis, Livia, and Julia, and of Hestia Romaion. A priest at Delos served Hestia the Athenian Demos and Roma, an eminent citizen of Carian Stratoniceia described himself as a priest of Hestia and several other deities, as well as holding several civic offices. Hestia is a goddess of the first Olympian generation and she was the eldest daughter of the Titans Rhea and Cronus, and sister to Zeus, Poseidon, Demeter, Hera, and Hades. As first to be devoured. and the last to be yielded up again, Hestia rejects the marriage suits of Poseidon and Apollo, and swears herself to perpetual virginity. She thus rejects Aphrodites values and becomes, to some extent, her chaste, domestic complementary, Zeus assigns Hestia a duty to feed and maintain the fires of the Olympian hearth with the fatty, combustible portions of animal sacrifices to the gods. Wherever food was cooked, or an offering was burnt, she thus had her share of honour, among all mortals she was chief of the goddesses. At Athens in Platos time, notes Kenneth Dorter there was a discrepancy in the list of the chief gods. The altar to them at the agora, for example, included Hestia, Hestia was known for her kindness, but no ancient source or myth describes such a surrender or removal
29.
Hermes
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Hermes is an Olympian god in Greek religion and mythology, the son of Zeus and the Pleiad Maia, and the second youngest of the Olympian gods. Hermes is considered a god of transitions and boundaries and he is described as quick and cunning, moving freely between the worlds of the mortal and divine. He is also portrayed as an emissary and messenger of the gods and he has been viewed as the protector and patron of herdsmen, thieves, oratory and wit, literature and poetry, athletics and sports, invention and trade, roads, boundaries and travelers. In some myths, he is a trickster and outwits other gods for his own satisfaction or for the sake of humankind and his attributes and symbols include the herma, the rooster, the tortoise, satchel or pouch, winged sandals, and winged cap. His main symbol is the Greek kerykeion or Latin caduceus, which appears in a form of two snakes wrapped around a staff with carvings of the other gods. The earliest form of the name Hermes is the Mycenaean Greek *hermāhās, most scholars derive Hermes from Greek ἕρμα herma, prop, heap of stones, boundary marker, from which the word hermai also derives. The etymology of ἕρμα itself is unknown, R. S. P. Beekes rejects the connection with herma and suggests a Pre-Greek origin. Scholarly speculation that Hermes derives from a primitive form meaning one cairn is disputed. In Greek, a find is a hermaion. It is also suggested that Hermes is a cognate of the Vedic Sarama, homer and Hesiod portrayed Hermes as the author of skilled or deceptive acts and also as a benefactor of mortals. In the Iliad, he is called the bringer of luck, guide and guardian. He was an ally of the Greeks against the Trojans. However, he did protect Priam when he went to the Greek camp to retrieve the body of his son Hector and he also rescued Ares from a brazen vessel where he had been imprisoned by Otus and Ephialtes. In the Odyssey, Hermes helps his son, the protagonist Odysseus, by informing him about the fate of his companions. Hermes instructed Odysseus to protect himself by chewing a magic herb, when Odysseus killed the suitors of his wife, Hermes led their souls to Hades. Hermes was then instructed to take her as wife to Epimetheus, aesop featured him in several of his fables, as ruler of the gate of prophetic dreams, as the god of athletes, of edible roots, and of hospitality. He also said that Hermes had assigned each person his share of intelligence, Hermes, as an inventor of fire, is a parallel of the Titan Prometheus. In addition to the lyre, Hermes was believed to have invented many types of racing and the sports of wrestling and boxing, in 1820 Shelley translated this hymn
30.
Eos
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In Greek mythology, Ēōs is a Titaness and the goddess of the dawn, who rose each morning from her home at the edge of the Oceanus. Eos had a brother and a sister, Helios, god of the sun, Eos is cognate to the Vedic goddess Ushas, Lithuanian goddess Austrine, and Roman goddess Aurora, all three of whom are also goddesses of the dawn. All four are considered derivatives of the Proto-Indo-European stem *h₂ewsṓs, dawn and this agreement leads to the reconstruction of a Proto-Indo-European dawn goddess. The dawn goddess Eos was almost always described with rosy fingers or rosy forearms as she opened the gates of heaven for the Sun to rise, but soon as early Dawn appeared, the rosy-fingered, then gathered the folk about the pyre of glorious Hector. Hesiod wrote, And after these Erigeneia bore the star Eosphoros, thus Eos, preceded by the Morning Star, is seen as the genetrix of all the stars and planets, her tears are considered to have created the morning dew, personified as Ersa or Herse. Eos is the daughter of Hyperion, a bringer of light and her brother was the Sun god Helios, and her sister was Selene, the Moon goddess. Her team of horses pull her chariot across the sky and are named in the Odyssey as Firebright and Daybright. Eos is the daughter of Hyperion and Theia and sister of Helios the sun and Selene the moon, the generation of Titans preceded all the familiar deities of Olympus, who largely supplanted them. According to Pseudo-Apollodorus, Eos consorted with the war god Ares and was cursed with unsatisfiable sexual desire by the jealous Aphrodite. This caused her to abduct a number of young men, most notably Cephalus, Tithonus, Orion. The good-looking Cleitus was made immortal by her and she also asked for Tithonus to be made immortal, but forgot to ask for eternal youth, which resulted in him living forever as a helpless old man. According to Hesiod by Tithonus Eos had two sons, Memnon and Emathion, Memnon fought among the Trojans in the Trojan War and was slain. Her image with the dead Memnon across her knees, like Thetis with the dead Achilles are icons that inspired the Christian Pietà, in the literary myths Eos kidnapped Cephalus when he was hunting and took him to Syria. The second-century CE traveller Pausanias was informed that the abductor of Cephalus was Hemera, among the Etruscans, the generative dawn-goddess was Thesan. Depictions of the dawn-goddess with a young lover became popular in Etruria in the fifth century, on an Etruscan mirror Thesan is shown carrying off a young man, whose name is inscribed as Tinthu. The Roman equivalent of Eos is Aurora, also a cognate showing the characteristic Latin rhotacism, Dawn became associated in Roman cult with Matuta, later known as Mater Matuta. She was also associated with the sea harbors and ports, and had a temple on the Forum Boarium, on June 11, the Matralia was celebrated at that temple in honor of Mater Matuta, this festival was only for women during their first marriage. Tithonus Memnon Aurora Mater Matuta Zorya Dawn goddess Grimal, Pierre, The Dictionary of Classical Mythology, Wiley-Blackwell,1996, smith, William, Dictionary of Greek and Roman Biography and Mythology, London
31.
Tithonus
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In Greek mythology, Tithonus was the lover of Eos, Titan of the dawn. Eos was known in Roman mythology as Aurora, Tithonus was a Trojan by birth, the son of King Laomedon of Troy by a water nymph named Strymo. The mythology reflected by the fifth-century vase-painters of Athens envisaged Tithonus as a rhapsode, as attested by the lyre in his hand, on an oinochoe of the Achilles Painter, ca.470 BC–460 BCE. Competitive singing, as in the Contest of Homer and Hesiod, is depicted vividly in the Homeric Hymn to Apollo. Eos kidnapped Ganymede and Tithonus, both from the house of Troy, to be her lovers. There he babbles endlessly, and no more has strength at all, in later tellings he eventually turned into a cicada, eternally living, but begging for death to overcome him. In the Olympian system, the queenly and golden-throned Eos can no longer grant immortality to her lover as Selene had done, Eos bore Tithonus two sons, Memnon and Emathion. In the Epic Cycle that revolved around the Trojan War Memnon, wearing armor made by Hephaestus, came to help the Trojans. According to the Greek historian Diodorus Siculus, Tithonus, who travelled east from Troy into Assyria, Memnon was called son of Dawn by Hesiod. According to Quintus Smyrnaeus, Memnon was not from the east, but said himself he was raised by the Hesperides on the coast of Oceanus. This would make Memnon king of the west and son of the east, as his father Tithonus was a Trojan by birth, from the western Ocean Troy lies towards the Dawn, the true homeland of Memnons father. His mother Eos was also the mother of the west wind Zephyrus, the goddess Dawn and her father Hyperion travel from the east to the west to bring light to the whole earth. One of the poems on Tithonus is the fourth extant complete poem by ancient Greek lyrical poet Sappho, Eos and Tithonus provided a pictorial motif that was inscribed on the backs of Etruscan bronze hand-mirrors, or cast in low relief. Tithonus by Alfred Tennyson was originally written as Tithon in 1833, the poem is a dramatic monologue in blank verse from the point of view of Tithonus. Unlike the original myth, it is Tithonus who asks for immortality, and it is Aurora, not Zeus, as narrator, Tithonus laments his unnatural longevity, which separates him from the mortal world as well as from the immortal but beautiful Aurora. Tithonus by Paul Muldoon was originally published in The New Yorker, johann Gottfried Herder, Tithonus und Aurora Tithonus by A. E. Stallings was published in the book Archaic Smile. Tithon is mentioned in the poem On Imagination by Phillis Wheatley, Tithonus is also mentioned in a poem by Sappho, the Tithonus poem
32.
Aeneid
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The Aeneid is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter, the hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the Iliad. The Aeneid is widely regarded as Virgils masterpiece and one of the greatest works of Latin literature, the Aeneid can be divided into two halves based on the disparate subject matter of Books 1–6 and Books 7–12. These two halves are commonly regarded as reflecting Virgils ambition to rival Homer by treating both the Odysseys wandering theme and the Iliads warfare themes and this is, however, a rough correspondence, the limitations of which should be borne in mind. Virgil begins his poem with a statement of his theme and an invocation to the Muse and he then explains the reason for the principal conflict in the story, the resentment held by the goddess Juno against the Trojan people. This is consistent with her throughout the Homeric epics. Also in the manner of Homer, the story begins in medias res, with the Trojan fleet in the eastern Mediterranean. The fleet, led by Aeneas, is on a voyage to find a second home and it has been foretold that in Italy, he will give rise to a race both noble and courageous, a race which will become known to all nations. Juno is wrathful, because she had not been chosen in the judgment of Paris, also, Ganymede, a Trojan prince, was chosen to be the cup bearer to her husband, Jupiter—replacing Junos daughter, Hebe. Juno proceeds to Aeolus, King of the Winds, and asks that he release the winds to stir up a storm in exchange for a bribe, Aeolus does not accept the bribe, but agrees to carry out Junos orders, the storm then devastates the fleet. The fleet takes shelter on the coast of Africa, where Aeneas rouses the spirits of his men, There, Aeneass mother, Venus, in the form of a hunting woman very similar to the goddess Diana, encourages him and recounts to him the history of Carthage. At a banquet given in honour of the Trojans, Aeneas sadly recounts the events that occasioned the Trojans arrival. He begins the tale shortly after the war described in the Iliad, Cunning Ulysses devised a way for Greek warriors to gain entry into the walled city of Troy by hiding in a large wooden horse. The Greeks pretended to sail away, leaving a warrior, Sinon, to inform the Trojans that the horse was an offering and that if it were taken into the city, the Trojans would be able to conquer Greece. The Trojan priest Laocoön saw through the Greek plot and urged the horses destruction, then, in what would be seen by the Trojans as punishment from the gods, two serpents emerged from the sea and devoured Laocoön, along with his two sons. The Trojans then took the horse inside the walls, and after nightfall the armed Greeks emerged from it. In a dream, Hector, the fallen Trojan prince, advised Aeneas to flee with his family, Aeneas awoke and saw with horror what was happening to his beloved city. At first he tried to fight the enemy, but soon he lost his comrades and was alone to fend off the Greeks
33.
Dido
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Dido was, according to ancient Greek and Roman sources, the founder and first queen of Carthage. She is primarily known from the account given by the Roman poet Virgil in his epic, in some sources she is also known as Elissa. The person of Dido can be traced to references by Roman historians to lost writings of Timaeus of Tauromenium in Sicily, historians gave various dates, both for the foundation of Carthage and the foundation of Rome. Timaeus made Carchedons wife Elissa the sister of King Pygmalion of Tyre, archaeological evidence of settlement on the site of Carthage before the last quarter of the 8th century BC has yet to be found. Paucity of material for this period may be explained by rejection of the Greek Dark Age theory and that the city is named
34.
Creusa
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In Greek mythology, four people had the name Creusa, the name simply means princess. According to Pindars 9th Pythian Ode, Creusa was a Naiad and daughter of Gaia who bore Hypseus, future King of the Lapiths, through Hypseus she was grandmother of Cyrene, one of the best known lovers of Apollo. Creusa - also known by the name Glauce, e. g. in Apollodoruss Bibliotheca 1.9.28. - was the daughter of King Creon of Corinth, Greece, in whose favor Jason abandoned Medea. In the version of the myth commonly followed by ancient tragedians, the curse caused the dress to stick to Creusas body and burn her to death as soon as she put it on. Apollodorus mentions her as the mother of Achaeus and Ion by her husband Xuthus, however, according to Euripides Ion, in which she is a prominent character, Creusa was mother of Ion by Apollo, while Xuthus was infertile so he accepted Ion as his own son. In the play, Creusa was raped by Apollo long before her marriage to Xuthus, in the end of the play, Athena promised that Creusa and Xuthus would have two sons together, Achaeus and Dorus. Creusa is also mentioned as the mother of Ion with Apollo by Stephanus of Byzantium, hyginus calls Creusa mother of Cephalus by Hermes. Creusa, daughter of Priam and Hecuba, was the first wife of Aeneas, Creusas death at the will of the gods is dealt with briefly by Virgil in his Aeneid. As Troy is falling to the Greeks, Aeneas goes to his home to lead his father Anchises, Creusa, and their son Ascanius out of the city and into the countryside. Anchises refuses to leave the house, prompting Aeneas to decide that he stay in Troy so that he may die honourably in battle. Creusa grabs his feet and begs him to think of what would become of Ascanius, Anchises, as she does this, Ascanius catches fire with an un-earthly flame. The flame is quickly doused with water, Anchises believes this to be an omen from Jupiter, who confirms this omen by sending a shooting star. Anchises now agrees to flee Troy, the family leaves the home, Aeneas carrying his father and Ascanius holding his hand, while Creusa is to follow some distance behind them. As they flee through the city, they reach the gates and begin to run, Creusa disappears, unable to keep up with them. After reaching Ceres’ temple outside of the city, Aeneas leaves Anchises, as he searches the city in desperation, he meets the shade, or ghost, of Creusa, who tells him that it was her fate to remain in Troy. She predicts his journey to Hesperia, Italy and future marriage to another and she asks that Aeneas take care of their child and vanishes. Aeneas tries three times to hold her, each failing to grasp her shade. Pausanias relates that Rhea and Aphrodite rescued Creusa from being enslaved by the Greeks on account of her being the wife of Aeneas, Creusa may also refer to, Creusa, wife of the Carian Cassandrus and mother by him of Menes
35.
Carthage
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Carthage was the Phoenician city-state of Carthage and during the 7th to 3rd centuries BC, included its sphere of influence, the Carthaginian Empire. The empire extended over much of the coast of North Africa as well as encompassing substantial parts of coastal Iberia, Carthage was founded in 814 BC. At the height of the prominence it served as a major hub of trade. The city also had to deal with potentially hostile Berbers, the inhabitants of the area where Carthage was built. In 146 BC, after the third and final Punic War, Roman forces destroyed, redesigned, nearly all of the other Phoenician city-states and former Carthaginian dependencies subsequently fell into Roman hands. According to Roman sources, Phoenician colonists from modern-day Lebanon, led by Dido, Queen Elissa was an exiled princess of the ancient Phoenician city of Tyre. At its peak, the metropolis she founded, Carthage, came to be called the city, ruling 300 other cities around the western Mediterranean Sea. Elissas brother, Pygmalion of Tyre, had murdered Elissas husband, Elissa escaped the tyranny of her own country, founding the new city of Carthage and subsequently its later dominions. Details of her life are sketchy and confusing, but the following can be deduced from various sources, according to Justin, Princess Elissa was the daughter of King Belus II of Tyre. When he died, the throne was jointly bequeathed to her brother, Pygmalion and she married her uncle Acerbas, also known as Sychaeus, the High Priest of Melqart, a man with both authority and wealth comparable to the king. This led to increased rivalry between the elite and the monarchy. Pygmalion was a tyrant, lover of both gold and intrigue, who desired the authority and fortune enjoyed by Acerbas, Pygmalion assassinated Acerbas in the temple and kept the misdeed concealed from his sister for a long time, deceiving her with lies about her husbands death. At the same time, the people of Tyre called for a single sovereign, in the Roman epic of Virgil, the Aeneid, Queen Dido, the Greek name for Elissa, is first introduced as a highly esteemed character. In just seven years, since their exodus from Tyre, the Carthaginians have rebuilt a successful kingdom under her rule and her subjects adore her and present her with a festival of praise. Her character is perceived by Virgil as even more noble when she offers asylum to Aeneas and his men, who have recently escaped from Troy. A spirit in the form of the god, Mercury, sent by Jupiter, reminds Aeneas that his mission is not to stay in Carthage with his new-found love, Dido. Virgil ends his legend of Dido with the story that, when Aeneas tells Dido, her heart broken, as she lay dying, she predicted eternal strife between Aeneas people and her own, rise up from my bones, avenging spirit she says, an invocation of Hannibal. The settlements at Crete and Sicily were in conflict with the Greeks
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Thrace
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It comprises southeastern Bulgaria, northeastern Greece, and the European part of Turkey. In antiquity, it was referred to as Europe, prior to the extension of the term to describe the whole continent. The name Thrace comes from the Thracians, an ancient Indo-European people inhabiting Southeastern Europe, the word itself was established by the Greeks for referring to the Thracian tribes, from Ancient Greek Thrake, descending from Thrāix. The name of the continent Europe first referred to Thrace proper, the region obviously took the name of the principal river there, Hebros, probably from the Indo-European arg white river, according to an alternative theory, Hebros means goat in Thracian. In Turkey, it is referred to as Rumeli, Land of the Romans. The name appears to derive from an ancient heroine and sorceress Thrace, who was the daughter of Oceanus and Parthenope, the historical boundaries of Thrace have varied. In one ancient Greek source, the very Earth is divided into Asia, Libya, Europa and this largely coincided with the Thracian Odrysian kingdom, whose borders varied over time. After the Macedonian conquest, this regions former border with Macedonia was shifted from the Struma River to the Mesta River and this usage lasted until the Roman conquest. Henceforth, Thrace referred only to the tract of land covering the same extent of space as the modern geographical region. The medieval Byzantine theme of Thrace contained only what today is Eastern Thrace, the largest cities of Thrace are, İstanbul, Plovdiv, Burgas, Stara Zagora, Haskovo, Yambol, Komotini, Alexandroupoli, Xanthi, Edirne, Çorlu and Tekirdağ. Most of the Bulgarian and Greek population are Christians, while most of the Turkish inhabitants of Thrace are Muslims, Ancient Greek mythology provides them with a mythical ancestor, named Thrax, son of the war-god Ares, who was said to reside in Thrace. The Thracians appear in Homers Iliad as Trojan allies, led by Acamas, later in the Iliad, Rhesus, another Thracian king, makes an appearance. Cisseus, father-in-law to the Trojan elder Antenor, is given as a Thracian king. Homeric Thrace was vaguely defined, and stretched from the River Axios in the west to the Hellespont, Greek mythology is replete with Thracian kings, including Diomedes, Tereus, Lycurgus, Phineus, Tegyrius, Eumolpus, Polymnestor, Poltys, and Oeagrus. In addition to the tribe that Homer calls Thracians, ancient Thrace was home to other tribes, such as the Edones, Bisaltae, Cicones. Thrace is also mentioned in Ovids Metamorphoses in the episode of Philomela, Procne, Tereus, the King of Thrace, lusts after his sister-in-law, Philomela. He kidnaps her, holds her captive, rapes her, Philomela manages to get free, however. She and her sister, Procne, plot to get revenge, by killing Itys, at the end of the myth, all three turn into birds – Procne, a swallow, Philomela, a nightingale, and Tereus, a hoopoe
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Delos
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The island of Delos, near Mykonos, near the centre of the Cyclades archipelago, is one of the most important mythological, historical and archaeological sites in Greece. Delos had a position as a sanctuary for a millennium before Olympian Greek mythology made it the birthplace of Apollo. Established as a center, Delos had an importance that its natural resources could never have offered. Investigation of ancient stone huts found on the island indicate that it has been inhabited since the 3rd millennium BCE, thucydides identifies the original inhabitants as piratical Carians who were eventually expelled by King Minos of Crete. By the time of the Odyssey the island was famous as the birthplace of the twin gods Apollo. Indeed, between 900 BCE and 100 CE, sacred Delos was a cult centre, where Dionysus is also in evidence as well as the Titaness Leto. Eventually acquiring Panhellenic religious significance, Delos was initially a religious pilgrimage for the Ionians, a number of purifications were executed by the city-state of Athens in an attempt to render the island fit for the proper worship of the gods. The first took place in the 6th century BC, directed by the tyrant Pisistratus who ordered that all graves within sight of the temple be dug up and the bodies moved to another nearby island. In the 5th century, during the 6th year of the Peloponnesian war and under instruction from the Delphic Oracle, immediately after this purification, the first quinquennial festival of the Delian games were celebrated there. The island had no capacity for food, fiber, or timber. Limited water was exploited with a cistern and aqueduct system, wells. Strabo states that in 166 BCE the Romans converted Delos into a free port, Roman traders came to purchase tens of thousands of slaves captured by the Cilician pirates or captured in the wars following the disintegration of the Seleucid Empire. It became the center of the trade, with the largest slave market in the larger region being maintained here. The island was attacked in 88 BCE by the troops of Mithridates VI of Pontus, an enemy of Rome. Another devastating attack was by pirates in 69 BCE, before the end of the 1st century BCE, trade routes had changed, Delos was replaced by Puteoli as the chief focus of Italian trade with the East, and as a cult-centre too it entered a sharp decline. Due to the history, Delos - unlike other Greek islands - did not have an indigenous. As a result, in times it became uninhabited. Since 1872 the École française dAthènes has been excavating the island, in 1990, UNESCO inscribed Delos on the World Heritage List, citing it as the exceptionally extensive and rich archaeological site which conveys the image of a great cosmopolitan Mediterranean port
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Apollo
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Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros, Apollo has been recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry. Apollo is the son of Zeus and Leto, and has a twin sister, Apollo is known in Greek-influenced Etruscan mythology as Apulu. As the patron of Delphi, Apollo was an oracular god—the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the gods custodial charges, Apollo became associated with dominion over colonists, as the leader of the Muses and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became an attribute of Apollo. Hymns sung to Apollo were called paeans, Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 3rd century CE. The name Apollo—unlike the related older name Paean—is generally not found in the Linear B texts, the etymology of the name is uncertain. The spelling Ἀπόλλων had almost superseded all other forms by the beginning of the common era and it probably is a cognate to the Doric month Apellaios, and the offerings apellaia at the initiation of the young men during the family-festival apellai. According to some scholars the words are derived from the Doric word apella, apella is the name of the popular assembly in Sparta, corresponding to the ecclesia. R. S. P. Beekes rejected the connection of the theonym with the noun apellai, several instances of popular etymology are attested from ancient authors. Thus, the Greeks most often associated Apollos name with the Greek verb ἀπόλλυμι, in the ancient Macedonian language πέλλα means stone, and some toponyms may be derived from this word, Πέλλα and Πελλήνη. The role of Apollo as god of plague is evident in the invocation of Apollo Smintheus by Chryses, the Hittite testimony reflects an early form *Apeljōn, which may also be surmised from comparison of Cypriot Ἀπείλων with Doric Ἀπέλλων. A Luwian etymology suggested for Apaliunas makes Apollo The One of Entrapment, Apollos chief epithet was Phoebus, literally bright. It was very commonly used by both the Greeks and Romans for Apollos role as the god of light, like other Greek deities, he had a number of others applied to him, reflecting the variety of roles, duties, and aspects ascribed to the god. However, while Apollo has a number of appellations in Greek myth. Aegletes, from αἴγλη, light of the sun Helius, literally sun Lyceus light, the meaning of the epithet Lyceus later became associated with Apollos mother Leto, who was the patron goddess of Lycia and who was identified with the wolf
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