1.
Egypt
–
Egypt, officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia by a land bridge formed by the Sinai Peninsula. Egypt is a Mediterranean country bordered by the Gaza Strip and Israel to the northeast, the Gulf of Aqaba to the east, the Red Sea to the east and south, Sudan to the south, and Libya to the west. Across the Gulf of Aqaba lies Jordan, and across from the Sinai Peninsula lies Saudi Arabia, although Jordan and it is the worlds only contiguous Afrasian nation. Egypt has among the longest histories of any country, emerging as one of the worlds first nation states in the tenth millennium BC. Considered a cradle of civilisation, Ancient Egypt experienced some of the earliest developments of writing, agriculture, urbanisation, organised religion and central government. One of the earliest centres of Christianity, Egypt was Islamised in the century and remains a predominantly Muslim country. With over 92 million inhabitants, Egypt is the most populous country in North Africa and the Arab world, the third-most populous in Africa, and the fifteenth-most populous in the world. The great majority of its people live near the banks of the Nile River, an area of about 40,000 square kilometres, the large regions of the Sahara desert, which constitute most of Egypts territory, are sparsely inhabited. About half of Egypts residents live in areas, with most spread across the densely populated centres of greater Cairo, Alexandria. Modern Egypt is considered to be a regional and middle power, with significant cultural, political, and military influence in North Africa, the Middle East and the Muslim world. Egypts economy is one of the largest and most diversified in the Middle East, Egypt is a member of the United Nations, Non-Aligned Movement, Arab League, African Union, and Organisation of Islamic Cooperation. Miṣr is the Classical Quranic Arabic and modern name of Egypt. The name is of Semitic origin, directly cognate with other Semitic words for Egypt such as the Hebrew מִצְרַיִם, the oldest attestation of this name for Egypt is the Akkadian
Egypt
–
The
Giza Necropolis is the oldest of the
ancient Wonders and the only one still in existence.
Egypt
–
Flag
Egypt
–
The Greek Ptolemaic queen
Cleopatra VII and her son by Julius Caesar,
Caesarion at the
Temple of Dendera.
Egypt
–
The 1803
Cedid Atlas, showing
Ottoman Egypt.
2.
Pharaoh
–
The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
Pharaoh
–
Den
Pharaoh
–
Narmer Palette
Pharaoh
–
Nomen and prenomen of
Ramesses III
Pharaoh
–
Royal titulary
3.
Ancient Egypt
–
Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
Ancient Egypt
–
The
Great Sphinx and the
pyramids of Giza are among the most recognizable symbols of the civilization of ancient Egypt.
Ancient Egypt
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A typical Naqada II jar decorated with gazelles. (Predynastic Period)
Ancient Egypt
–
The
Narmer Palette depicts the unification of the Two Lands.
4.
Mission statement
–
A mission statement, a type of statement of purpose, is a statement which is used to communicate the purpose of an organization. Mission statements are normally short and simple statements which outline what the purpose is and are related to the specific sector an organization operates in. Other designations of the concept may include company mission, corporate mission. The mission statement should guide the actions of an organization, spell out its goal, provide a path. It provides the framework or context within which the companys strategies are formulated and it is like a goal for what a company wants to do for the world. According to Chris Bart, a mission statement consists of three essential components, Key market, Who is your target client or customer. Contribution, What product or service do you provide to that client, distinction, What makes your product or service unique, so that the client would choose you. A personal mission statement is developed in much the way that an organizational mission statement is created. A personal mission statement is a description of what an individual wants to focus on, wants to accomplish. It is a way to energy, actions, behaviors. Moreover, it can be a part of a personal statement that an individual makes when applying for a university or a job. The sole purpose of a statement is to serve as your companys goal/agenda. Some generic examples of mission statements would be, To provide the best service possible within the sector for our customers. Or To provide the best experience for all of our customers and it is important that a mission statement is not confused with a vision statement. The reason why it is important that a statement and vision statement are not confused is because they both serve different purposes. Vision statements tend to be related to strategic planning and lean more towards discussing where a company aims to be in the future. Provides direction, Mission statements are a way to direct a business into the right path, clear purpose, Having a clear purpose can remove any potential ambiguities that can surround the existence of a business. The benefit of having a simple and clear mission statement is that it can be beneficial in different ways
Mission statement
–
FEMA's Mission Statement Poster
5.
Middle Kingdom of Egypt
–
Some scholars also include the Thirteenth Dynasty of Egypt wholly into this period as well, in which case the Middle Kingdom would finish c. 1650, while others only include it until Merneferre Ay c.1700 BC, during the Middle Kingdom period, Osiris became the most important deity in popular religion. The period comprises two phases, the 11th Dynasty, which ruled from Thebes and the 12th Dynasty onwards which was centered on el-Lisht, after the collapse of the Old Kingdom, Egypt entered a period of weak Pharaonic power and decentralization called the First Intermediate Period. Towards the end of period, two rival dynasties, known in Egyptology as the Tenth and Eleventh, fought for power over the entire country. The Theban 11th Dynasty only ruled southern Egypt from the first cataract to the Tenth Nome of Upper Egypt, to the north, Lower Egypt was ruled by the rival 10th Dynasty from Herakleopolis. The struggle was to be concluded by Mentuhotep II, who ascended the Theban throne in 2055 B. C, during Mentuhotep IIs fourteenth regnal year, he took advantage of a revolt in the Thinite Nome to launch an attack on Herakleopolis, which met little resistance. After toppling the last rulers of the 10th Dynasty, Mentuhotep began consolidating his power over all Egypt, for this reason, Mentuhotep II is regarded as the founder of the Middle Kingdom. Mentuhotep II commanded military campaigns south as far as the Second Cataract in Nubia and he also restored Egyptian hegemony over the Sinai region, which had been lost to Egypt since the end of the Old Kingdom. He also sent the first expedition to Punt during the Middle Kingdom, by means of ships constructed at the end of Wadi Hammamat, Mentuhotep III was succeeded by Mentuhotep IV, whose name significantly is omitted from all ancient Egyptian king lists. The Turin Papyrus claims that after Mentuhotep III came seven kingless years, despite this absence, his reign is attested from a few inscriptions in Wadi Hammamat that record expeditions to the Red Sea coast and to quarry stone for the royal monuments. The leader of expedition was his vizier Amenemhat, who is widely assumed to be the future pharaoh Amenemhet I. Mentuhotep IVs absence from the king lists has prompted the theory that Amenemhet I usurped his throne, while there are no contemporary accounts of this struggle, certain circumstantial evidence may point to the existence of a civil war at the end of the 11th dynasty. Inscriptions left by one Nehry, the Haty-a of Hermopolis, suggest that he was attacked at a place called Shedyet-sha by the forces of the reigning king, but his forces prevailed. Khnumhotep I, an official under Amenemhet I, claims to have participated in a flotilla of 20 ships to pacify Upper Egypt, donald Redford has suggested these events should be interpreted as evidence of open war between two dynastic claimants. What is certain is that, however he came to power, from the 12th dynasty onwards, pharaohs often kept well-trained standing armies, which included Nubian contingents. These formed the basis of larger forces which were raised for defence against invasion, however, the Middle Kingdom was basically defensive in its military strategy, with fortifications built at the First Cataract of the Nile, in the Delta and across the Sinai Isthmus. Early in his reign, Amenemhet I was compelled to campaign in the Delta region, in addition, he strengthened defenses between Egypt and Asia, building the Walls of the Ruler in the East Delta region. Perhaps in response to this perpetual unrest, Amenemhat I built a new capital for Egypt in the north, known as Amenemhet Itj Tawy, or Amenemhet, the location of this capital is unknown, but is presumably near the citys necropolis, the present-day el-Lisht
Middle Kingdom of Egypt
–
An
Osiride statue of the first pharaoh of the Middle Kingdom, Mentuhotep II
Middle Kingdom of Egypt
–
The head of a statue of Senusret I.
Middle Kingdom of Egypt
–
Statue head of Senusret III
6.
Aegyptus (Roman province)
–
The province encompassed most of modern-day Egypt except for the Sinai Peninsula. Aegyptus was bordered by the provinces of Creta et Cyrenaica to the West, the province came to serve as a major producer of grain for the empire and had a highly developed urban economy. Aegyptus was by far the wealthiest Eastern Roman province, in Alexandria, its capital, it possessed the largest port, and the second largest city, of the Roman Empire. As a province, Egypt was ruled by a uniquely styled Augustal prefect, the prefect was a man of equestrian rank and was appointed by the Emperor. The second prefect, Aelius Gallus, made an expedition to conquer Arabia Petraea. The Red Sea coast of Aegyptus was not brought under Roman control until the reign of Claudius, the third prefect, Gaius Petronius, cleared the neglected canals for irrigation, stimulating a revival of agriculture. Petronius even led a campaign into present-day central Sudan against the Kingdom of Kush at Meroe, failing to acquire permanent gains, in 22 BC he razed the city of Napata to the ground and retreated to the north. From the reign of Nero onward, Aegyptus enjoyed an era of prosperity which lasted a century, under Trajan a Jewish revolt occurred, resulting in the suppression of the Jews of Alexandria and the loss of all their privileges, although they soon returned. Hadrian, who twice visited Aegyptus, founded Antinoöpolis in memory of his drowned lover Antinous, from his reign onward buildings in the Greco-Roman style were erected throughout the country. Under Antoninus Pius oppressive taxation led to a revolt in 139, of the native Egyptians and this Bucolic War, led by one Isidorus, caused great damage to the economy and marked the beginning of Egypts economic decline. Avidius Cassius, who led the Roman forces in the war, declared emperor in 175. On the approach of Marcus Aurelius, Cassius was deposed and killed, a similar revolt broke out in 193, when Pescennius Niger was proclaimed emperor on the death of Pertinax. The Emperor Septimius Severus gave a constitution to Alexandria and the capitals in 202. There was a series of revolts, both military and civilian, through the 3rd century, under Decius, in 250, the Christians again suffered from persecution, but their religion continued to spread. This warrior queen claimed that Egypt was a home of hers through a familial tie to Cleopatra VII. She was well educated and familiar with the culture of Egypt, its religion, two generals based in Aegyptus, Probus and Domitius Domitianus, led successful revolts and made themselves emperors. Diocletian captured Alexandria from Domitius in 298 and reorganised the whole province and his edict of 303 against the Christians began a new era of persecution. This was the last serious attempt to stem the growth of Christianity in Egypt
Aegyptus (Roman province)
–
Northern Africa under Roman rule
Aegyptus (Roman province)
–
Province of Aegyptus in 117 AD.
Aegyptus (Roman province)
–
Bust of Roman Nobleman, ca. 30 B.C.E.– 50 C.E., 54.51,
Brooklyn Museum
Aegyptus (Roman province)
–
Possible depiction of the province of Egypt from the Hadrianeum in Rome
7.
Horus name
–
The Horus name is the oldest known and used crest of Ancient Egyptian rulers. It belongs to the Great five names of an Egyptian pharaoh, however, modern Egyptologists and linguists are starting to prefer the more neutral term, the serekh name. This is because not every pharaoh had placed the falcon, which symbolizes the deity Horus, the rectangular vignette is called serekh, after the Egyptian word for facade. There are countless variations of the decor in the serekh. The complexity and detail of the facade decor varied remarkably depending on the object on which it was present and it seems that no strict artistic rules for the design of the serekh itself existed. The name of the pharaoh was written inside the space that represents the royal courtyard. The symbolic meaning of the Horus name is still disputed and it seems obvious, at least, that the name of a king was addressed straight to the deity on top of the serekh. In most cases it was the falcon of the god Horus and this is based on the Egyptian tradition and belief that a living king was commonly the herald and earthly representative of Horus. A good example is the name of 2nd Dynasty king Raneb and his name was written with the sign of the sun and the sign of a basket. Altogether, the name reads Lord of the sun of Horus, thus integrating Horus as the royal patron into the kings name, as already mentioned, most Egyptian kings favored Horus as their dynastic name patron. In a few cases, especially during the midst of the 2nd Dynasty, the most prominent example is king Seth-Peribsen. He first replaced the figure of his serekh by the walking animal of the god Seth. Then, his name was written in a form, thus being addressed to Seth as well as to Horus. The serekh names of his followers Sekhemib and Khasekhemwy were similarly built, Khasekhemwy went even further and placed both divine figures of Horus and Seth above his serekh, in an attempt to accentuate the dualism of a serekh name. The remarkable behaviour of the 2nd Dynasty kings can possibly be explained by the Egyptian belief that a king represented Horus, maybe said kings simply wished to express this dualism by willingly changing the appearance of the serekh and replacing divine figures on its top. As already mentioned, the Horus name is the oldest known and its introduction reaches back to the time of the Naqada II period at 3400 BC, and its development can be observed on objects from Naqada II to the 1st Dynasty. However, at the time of introduction, the serekhs of kings were yet anonymous, later the name of the king was written beside the serekh or omitted completely. In many cases the serekh lacks the Horus falcon, and in cases, such as the serekh of king Ka
Horus name
–
Serekh of king
Djet with the Horus falcon above
Horus name
–
Royal titulary
8.
Djet
–
Djet, also known as Wadj, Zet, and Uadji, was the fourth pharaoh of the First Dynasty. Djets Horus name means Horus Cobra or Serpent of Horus, Djets queen was his sister Merneith, who may have ruled as a pharaoh in her own right after his death. There is a possibility that a lady called Ahaneith was also one of his wives, Djet and Merneiths son was Den, and their grandson was Anedjib. How long Djet ruled is unknown, only one Sekar festival is attested by ivory labels dating to his reign, whose duration is estimated to be anywhere between six and ten years. According to Wolfgang Helck he reigned 10 years, from a calendar entry, Djer is known to have died on a 7 Peret III while Djet began his reign on 22 Peret IV. The reason for the 45 days of interregnum is unknown, details of Djets reign are lost in the lacunas of the Palermo Stone. However, finds of vessel fragments and seal impressions prove that there were intense trading activities with Syria, graves at Tarkhan and Saqqara dating to his reign yielded pottery from Palestine. Other activities can be inferred from the two known years tablets of the ruler, one of which is preserved in two copies. The reading of the events described on the tablets is highly problematic, Helck translated, Year of the planning of the underground/basement of the dual plant, birth of lotus buds, standing in the crown shrine of the two Ladies. The other year tablet mentions a victory, the production of a statue, finally, in Masra Alam in Nubia, the short inscription Hemka below Djet was discovered. Clay seals prove that official Amka begun his career under king Djer, under Djet, Amka became royal steward. In the early years of the kings successor Amka died after he was appointed to regional responsibilities in the western Nile Delta, other senior officials under the Djet were Sekhemkasedj and Setka. Djets tomb is located at Abydos in Petries Tomb Z and it is located west of his father, King Djers tomb. Surrounding Djets tomb are 174 subsidiary burials most of them being retainers that were sacrificed upon Djets death to him in the afterlife. Found within Djets tomb was a stele and this stele was a snake surmounted by a falcon and could be interpreted to mean Horus the snake. Also found within the tomb was a comb with the name of Djet on it. Copper tools and pottery were found in the tomb, a common find in Egyptian tombs. There is evidence that Djets tomb was intentionally burned, along with other tombs at Abydos from this time period, the tombs were later renovated because of the association with the cult of Osiris
Djet
–
The famous stela of king Djet which once stood next to his tomb in the
Umm el-Qa'ab.
Djet
–
Ita, cartouche name of Djet in the
Abydos king list.
Djet
–
Fragment of an object bearing the serekh of Djet and the name of a court official Sekhemkasedj,
Egyptian Museum.
9.
Wadjet
–
Wadjet, known to the Greek world as Uto among other names, was originally the ancient local goddess of the city of Dep. She was said to be the patron and protector of Lower Egypt and upon unification with Upper Egypt, the image of Wadjet with the sun disk is called the uraeus, and it was the emblem on the crown of the rulers of Lower Egypt. She was also the protector of kings and of women in childbirth and her oracle was in the renowned temple in Per-Wadjet that was dedicated to her worship and gave the city its name. This oracle may have been the source for the tradition that spread to Greece from Egypt. The Going Forth of Wadjet was celebrated on December 25 with chants, an annual festival held in the city celebrated Wadjet on April 21. Other important dates for special worship of her were June 21, the Summer Solstice and she also was assigned the fifth hour of the fifth day of the moon. Wadjet was closely associated in the Egyptian pantheon with the Eye of Ra, the hieroglyph for her eye is shown below, sometimes two are shown in the sky of religious images. Per-Wadjet also contained a sanctuary of Horus, the child of the sun deity who would be interpreted to represent the pharaoh, much later, Wadjet became associated with Isis as well as with many other deities. The name Wadjet is derived from the term for the symbol of her domain, Lower Egypt and her name means papyrus-colored one, as wadj is the Ancient Egyptian word for the color green and the et is an indication of her gender. Eventually, Wadjet was claimed as the goddess and protector of the whole of Lower Egypt and became associated with Nekhbet, depicted as a white vulture. After the unification the image of Nekhbet joined Wadjet on the crown, the Ancient Egyptian word Wadj signifies blue and green. It is also the name for the well-known Eye of the Moon, indeed, in later times, she was often depicted simply as a woman with a snakes head, or as a woman wearing the uraeus. The uraeus originally had been her body alone, which wrapped around or was coiled upon the head of the pharaoh or another deity, Wadjet was depicted as a cobra. As patron and protector, later Wadjet often was shown coiled upon the head of Ra, in order to act as his protection, this image of her became the uraeus symbol used on the royal crowns as well. This is an image that appeared repeatedly in the later images and myths of cultures surrounding the Mediterranean Sea, called the caduceus. Her image also rears up from the staff of the poles that are used to indicate deities, as seen in the hieroglyph for uraeus above. An interpretation of the Milky Way was that it was the snake, Wadjet. In this interpretation she was associated with Hathor and other early deities among the various aspects of the great mother goddess, including Mut
Wadjet
–
Two images of Wadjet appear on this carved wall in the
Hatshepsut Temple at
Luxor
Wadjet
–
Blue-glazed Wadjet amulet
Wadjet
–
Wadjet as Wadjet-Bast, depicted as the body of a woman with a lioness head, wearing the uraeus
10.
Louvre
–
The Louvre or the Louvre Museum is the worlds largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the citys 1st arrondissement, approximately 38,000 objects from prehistory to the 21st century are exhibited over an area of 72,735 square metres. The Louvre is the second most visited museum after the Palace Museum in China. The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II, remnants of the fortress are visible in the basement of the museum. Due to the expansion of the city, the fortress eventually lost its defensive function and. The building was extended many times to form the present Louvre Palace, in 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years, during the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nations masterpieces. The museum opened on 10 August 1793 with an exhibition of 537 paintings, because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed Musée Napoléon, the collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic, whether this was the first building on that spot is not known, it is possible that Philip modified an existing tower. According to the authoritative Grand Larousse encyclopédique, the name derives from an association with wolf hunting den, in the 7th century, St. Fare, an abbess in Meaux, left part of her Villa called Luvra situated in the region of Paris to a monastery. This territory probably did not correspond exactly to the modern site, the Louvre Palace was altered frequently throughout the Middle Ages. In the 14th century, Charles V converted the building into a residence and in 1546, Francis acquired what would become the nucleus of the Louvres holdings, his acquisitions including Leonardo da Vincis Mona Lisa. After Louis XIV chose Versailles as his residence in 1682, constructions slowed, however, on 14 October 1750, Louis XV agreed and sanctioned a display of 96 pieces from the royal collection, mounted in the Galerie royale de peinture of the Luxembourg Palace. Under Louis XVI, the museum idea became policy. The comte dAngiviller broadened the collection and in 1776 proposed conversion of the Grande Galerie of the Louvre – which contained maps – into the French Museum, many proposals were offered for the Louvres renovation into a museum, however, none was agreed on. Hence the museum remained incomplete until the French Revolution, during the French Revolution the Louvre was transformed into a public museum. In May 1791, the Assembly declared that the Louvre would be a place for bringing together monuments of all the sciences, on 10 August 1792, Louis XVI was imprisoned and the royal collection in the Louvre became national property
Louvre
–
the Richelieu wing (2005)
Louvre
–
The only portion of the medieval Louvre still visible
Louvre
–
Antonio Canova 's
Psyche Revived by Cupid's Kiss was commissioned in 1787, donated in 1824.
Louvre
–
The
Venus de Milo was added to the Louvre's collection during the reign of
Louis XVIII.
11.
Predynastic Period of Egypt
–
This Predynastic era is traditionally equivalent to the final part of the Neolithic period beginning c.6000 BC and corresponds to the Naqada III period. The Predynastic period is divided into cultural periods, each named after the place where a certain type of Egyptian settlement was first discovered. The Late Paleolithic in Egypt started around 30,000 BC, the Nazlet Khater skeleton was found in 1980 and dated in 1982 from nine samples ranging between 35,100 and 30,360 years. This specimen is the only complete human skeleton from the earliest Late Stone Age in Africa. Excavation of the Nile has exposed early stone tools, the earliest of these lithic industries were located within the 100-foot terrace, and were Chellean, primitive Acheulean and an Egyptian form of the Clactonian. Within the 50-foot terrace was developed Acheulean, originally reported as Early Mousterian but since changed to Levalloisean, other implements were located in the 30-foot terrace. The 15- and 10-foot terraces saw a more developed version of the Levalloisean, finally, tools of the Egyptian Sebilian technology and an Egyptian version of the Aterian technology were also located. Some of the oldest known buildings were discovered in Egypt by archaeologist Waldemar Chmielewski along the border near Wadi Halfa. They were mobile structures—easily disassembled, moved, and reassembled—providing hunter-gatherers with semi-permanent habitation, Aterian tool-making reached Egypt c.40,000 BC. The Khormusan industry in Egypt began between 40,000 and 30,000 BC, khormusans developed advanced tools not only from stone but also from animal bones and hematite. They also developed small arrow heads resembling those of Native Americans, the end of the Khormusan industry came around 16,000 B. C. with the appearance of other cultures in the region, including the Gemaian. The Halfan culture flourished along the Nile Valley of Egypt and Nubia between 18,000 and 15,000 BC, though one Halfan site dates to before 24,000 BC, people survived on a diet of large herd animals and the Khormusan tradition of fishing. Greater concentrations of artifacts indicate that they were not bound to seasonal wandering and they are viewed as the parent culture of the Ibero-Maurusian industry, which spread across the Sahara and into Spain. The Halfan culture was derived in turn from the Khormusan, which depended on specialized hunting, fishing, the primary material remains of this culture are stone tools, flakes, and a multitude of rock paintings. Qadan peoples developed sickles and grinding stones to aid in the collecting and processing of plant foods prior to consumption. However, there are no indications of the use of these tools after around 10,000 BC, in Egypt, analyses of pollen found at archaeological sites indicate that the Sebilian culture were gathering wheat and barley. It has been hypothesized that the sedentary lifestyle used by farmers led to increased warfare, continued expansion of the desert forced the early ancestors of the Egyptians to settle around the Nile more permanently and adopt a more sedentary lifestyle. The period from 9000 to 6000 BC has left little in the way of archaeological evidence
Predynastic Period of Egypt
–
Predynastic artifacts: clockwise from top left: a
Bat figurine, a Naqada jar, an ivory figurine, cosmetic palette, a
flint knife, and a
diorite vase.
Predynastic Period of Egypt
–
Female Figure, ca. 3500-3400 B.C.E. Terracotta, painted, 11 1/2 x 5 1/2 x 2 1/4 in. (29.2 x 14 x 5.7 cm).
Brooklyn Museum
Predynastic Period of Egypt
–
A typical Naqada II pot with ship theme
12.
Serekh
–
A serekh was a specific important type of heraldic crest used in ancient Egypt. Like the later cartouche, it contained a royal name, a serekh was an ornamental vignette combining a view of a palace facade and a plan of the royal courtyard. The word serekh derives from the Egyptian word for facade, different serekhs on different types of object display countless variations of the facade decor in its complexity and detail. It seems that no strict rules for the design of the serekh itself existed. A serekh was normally used as a royal crest, accentuating and honouring the name of the pharaoh and its use can be dated back as early as the Gerzeh culture. The hieroglyphs forming the name were placed inside a rectangular extension atop the serekh. Additionally, the falcon of the god Horus, or in a few cases the Set animal, topped the serekh, if the word serekh was written in full letters, sometimes accompanied by a miniature of the serekh, it could also be used in text. As already mentioned, the serekh first appears as an ornamental miniature during the late Gerzeh culture, from the Old Kingdom period onward, the first uses of the full written word appear in old papyri
Serekh
–
Serekh of king
Djet with the Horus falcon above
13.
Egyptian hieroglyphs
–
Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
Egyptian hieroglyphs
–
A section of the
Papyrus of Ani showing cursive hieroglyphs.
Egyptian hieroglyphs
–
Hieroglyphs on a funerary stela in
Manchester Museum
Egyptian hieroglyphs
–
The
Rosetta Stone in the
British Museum
Egyptian hieroglyphs
–
Hieroglyphs typical of the Graeco-Roman period
14.
Horus
–
Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
Horus
–
Horus,
(Louvre Museum),
Shen rings in his grasp
Horus
Horus
–
Figure of a Horus Falcon, between circa 300 and circa 250 BC (Greco-Roman). The Walters Art Museum.
Horus
–
Horus, patron deity of Hierakonpolis (near
Edfu), the predynastic capital of Upper Egypt. Its head was executed by means of beating the gold then connecting it with the copper body. A uraeus is fixed to the diadem which supports two tall openwork feathers. The eyes are inlaid with obsidian. (6th dynasty).
15.
Second Dynasty of Egypt
–
The Second Dynasty of ancient Egypt is the latter of the two dynasties of the Egyptian Archaic Period, when the seat of government was centred at Thinis. Save for the time of its last ruler Khasekhemwy, it one of the most obscure periods in ancient Egyptian history. Though archaeological evidence of the time is very scant, contrasting data from the First and Third Dynasties indicates important institutional, the names of the actual rulers of the Second Dynasty are in dispute. For the first five pharaohs, the sources are fairly close in agreement, known rulers, in the History of Egypt, for this dynasty are as follows, However, the identity of the next two or three rulers is unclear. We may have the Horus name or Nebty name and their names for these rulers, yet they may be entirely different individuals or they may be legendary names. Beyond this, little can be said about the events during this period as the records on the Palermo stone only survive to the end of the reign of Nebra. One important event possibly happened during the reign of Khasekhemwy, many Egyptologists read his name, Khasekhemwy, as the Two Powers arise, possibly commemorating the union of the Upper and Lower Egypts
Second Dynasty of Egypt
–
Dynasties of Ancient Egypt
16.
Seth-Peribsen
–
Seth-Peribsen is the serekh name of an early Egyptian monarch, who ruled during the Second Dynasty of Egypt. His chronological position within this dynasty is unknown and it is disputed who ruled both before and after him, the duration of his reign is also unknown. Peribsens royal name is a subject of curiosity for Egyptologists because it is connected to the deity Seth rather than Horus, the debate continues over why Peribsen chose this name. However, newer evidence and evaluations tend to show that the Egyptian kingdom was unified, seal impressions from tombs of this era reveal great changes in the titles held by high officials, pointing to a reduction of their power. Thus, Peribsens reign was in fact a time of cultural, existing negative views about Peribsens existence are based on Ramesside king lists, such as the Abydos King List, the Saqqara King List and the Royal Canon of Turin, which all omit Peribsens name. These, however, are known to have been redacted nearly 1500 years after his death and these tombs report Peribsens name correctly and their existence demonstrate that Peribsen was seen as a legitimate pharaoh, not subject to damnatio memoriae as Akhenaten later would be. Historians and Egyptologists therefore consider the possibility that Peribsens name was forgotten in time or that his name was preserved in a distorted, misspelled form. Peribsens Tomb was discovered in 1898 at Abydos and it was well preserved and showed traces of restoration undertaken during later dynastic periods. The serekh for Peribsen was found pressed in earthen jar seals made of clay and mud and in inscriptions on alabaster, sandstone, porphyry and these seals and vessels were excavated from Peribsens tomb and at an excavation site in Elephantine. One clay seal with Peribsens name was found inside the mastaba tomb K1 at Beit Khallaf, two large tomb stelae made of granite were found at his burial site. Their shape is unusual and they appear unfinished and rough, Egyptologists suspect that this was done deliberately, but the reasons are unknown. A cylinder seal of unknown provenance shows Peribsens name inside a cartouche, another seal of the same material shows Peribsens name without a cartouche, but with the royal title Nisut-Bity instead. Peribsens name is unusual, in that Seth, not Horus, was his patron deity and this goes against the Egyptian tradition of a king choosing the falcon-shaped deity Horus as his royal patron. Traditionally, the Horus name of the king was written within a serekh, instead, Peribsen chose to have the Set animal, representing Seth, on his serekh. Like Horus, Seth was a popular deity during the dynastic period. He became the god of darkness and chaos afterward, during the much later Late Period of Ancient Egypt, although Peribsen is the only known pharaoh to have the Set animal preside alone over his serekh, he is not the only king to associate himself with Seth. Examples include the 13th dynasty pharaoh Seth Meribre, the 19th dynasty rulers Seti I and Seti II, the following sections discuss some of the theories that they put forth. Peribsens actions were thought to be similar to those of the much later 18th dynasty pharaoh Akhenaten, Newberry proposed that the priests of Horus and Seth fought each other in the Manner of a war of the roses during the second half of the Second dynasty
Seth-Peribsen
–
Stone vase of Seth-Peribsen with the inscription "tribute of the people of Sethroë",
National Archaeological Museum (France).
Seth-Peribsen
–
Granodiorite tomb stela of Peribsen, now on display at the
British Museum
Seth-Peribsen
–
Vessel from the tomb of king Peribsen,
Ashmolean Museum.
Seth-Peribsen
–
Seal impression of king Sekhemib from Abydos
17.
Set (mythology)
–
Set /sɛt/ or Seth is a god of the desert, storms, disorder, violence, and foreigners in ancient Egyptian religion. In Ancient Greek, the name is given as Sēth. Set is not, however, a god to be ignored or avoided, he has a role where he is employed by Ra on his solar boat to repel Apep. Set had a role as a reconciled combatant. He was lord of the red land where he was the balance to Horus role as lord of the black land, in Egyptian mythology, Set is portrayed as the usurper who killed and mutilated his own brother Osiris. Osiris wife Isis reassembled Osiris corpse and resurrected him long enough to conceive his son, Horus sought revenge upon Set, and the myths describe their conflicts. This Osiris myth is a prominent theme in Egyptian mythology, Sets siblings are Osiris, Isis, and Nephthys. He married Nephthys and fathered Anubis, and in some accounts he had relationships with the foreign goddesses Anat, some early Egyptologists proposed that it was a stylised representation of the giraffe, owing to the large flat-topped horns which correspond to a giraffes ossicones. The Egyptians themselves, however, made a distinction between the giraffe and the Set animal, during the Late Period, Set is depicted as a donkey or as having a donkeys head. The earliest representations of what might be the Set animal comes from a dating to the Naqada I phase of the Predynastic Period. If these are ruled out, then the earliest Set animal appears on a head of the King Scorpion. The head and the tail of the Set animal are clearly present. In the mythology of Heliopolis, Set was born of the sky goddess Nut, Sets sister and wife was Nephthys. Nut and Geb also produced two children who became husband and wife, the divine Osiris and Isis, whose son was Horus. The Chester Beatty Papyrus No.1 contains the known as The Contendings of Horus. Classical authors also recorded the story, notably Plutarchs De Iside et Osiride and these myths generally portray Osiris as a wise lord, king, and bringer of civilization, happily married to his sister, Isis. Set was envious of his brother, and he killed and dismembered Osiris, Isis reassembled Osiris corpse and embalmed him. As the archetypal mummy, Osiris reigned over the afterworld as a king among deserving spirits of the dead, Osiris son Horus was conceived by Isis with Osiris corpse
Set (mythology)
–
Set spearing Apep
Set (mythology)
–
Set
Set (mythology)
–
Set and Horus adoring Ramesses in the small temple at Abu Simbel
18.
Khasekhemwy
–
Khasekhemwy was the final king of the Second dynasty of Egypt. Little is known of Khasekhemwy, other than that he led several significant military campaigns and built monuments, still extant. His name means The Two Powerful Ones Appear, according to Toby Wilkinsons study of the Palermo Stone in Royal Annals of Ancient Egypt, this near contemporary 5th dynasty document assigns Khasekhemwy a reign of 17.5 or nearly 18 full years. Since the cattle count is shown to be regularly biennial during the dynasty from the Palermo Stone. Khasekhemwy is normally placed as the successor of Seth-Peribsen, though some Egyptologists believe that another Pharaoh, Khasekhem, most scholars, however, believe Khasekhem and Khasekhemwy are, in fact, the same person. Khasekhem may have changed his name to Khasekhemwy after he reunited Upper and Lower Egypt after a war between the followers of the gods Horus and Set. Others believe he defeated the king, Seth-Peribsen, after returning to Egypt from putting down a revolt in Nubia. Either way he ended the infighting of the Second dynasty and reunited Egypt, Khasekhemwy is unique in Egyptian history as having both the symbols of Horus and Set on his serekh. Some Egyptologists believe that this was an attempt to unify the two factions, but after his death, Set was dropped from the serekh permanently and he was the earliest Egyptian king known to have built statues of himself. Khasekhemwy apparently undertook considerable building projects upon the reunification of Egypt and he built in stone at el-Kab, Hierakonpolis, and Abydos. He apparently built a unique, as well as huge, tomb at Abydos, the trapezoidal tomb measures some 70 meters in length and is 17 meters wide at its northern end, and 10 meters wide at its southern end. This area was divided into 58 rooms, prior to some recent discoveries from the 1st dynasty, its central burial chamber was considered the oldest masonry structure in the world, being built of quarried limestone. Here, the excavators discovered the kings scepter of gold and sard, as well as beautifully made small stone pots with gold leaf lid coverings. In fact, Petrie detailed a number of items removed during the excavations of Amélineau, other items included flint tools, as well as a variety of copper tools and vessels, stone vessels and pottery vessels filled with grain and fruit. There were also small, glazed objects, carnelian beads, model tools, basketwork, Khasekhemwy built a fort at Nekhen, and at Abydos and was buried there in the necropolis at Umm el-Qaab. He may also have built the Gisr el-Mudir at Saqqara, Khasekhemwys wife was Queen Nimaethap, mother of the Kings Children. They were the parents of Djoser and Djosers wife Hetephernebti and its also possible that Khasekhemwys son was Sanakhte. Toby Wilkinson, Royal Annals of Ancient Egypt, The Palermo Stone, Egypt, Khasekhem/Khasekhemwy of Egypts 2nd dynasty
Khasekhemwy
–
Statue of Khasekhemwy,
Ashmolean Museum
Khasekhemwy
–
Limestone vessel with gold cover from Khasekhemwy's tomb
Khasekhemwy
Khasekhemwy
–
The surviving remains of Khasekhemwy's tomb at
Umm el-Qa'ab
19.
New Kingdom
–
Radiocarbon dating places the exact beginning of the New Kingdom between 1570–1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period and it was Egypt’s most prosperous time and marked the peak of its power. The later part of period, under the Nineteenth and Twentieth Dynasties is also known as the Ramesside period. It is named after the pharaohs that took the name of Ramesses I. Egyptian armies fought Hittite armies for control of modern-day Syria, the Eighteenth Dynasty contained some of Egypts most famous Pharaohs, including Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. Queen Hatshepsut concentrated on expanding Egypts external trade by sending an expedition to the land of Punt. Thutmose III expanded Egypts army and wielded it with success to consolidate the empire created by his predecessors. This resulted in a peak in Egypts power and wealth during the reign of Amenhotep III, during the reign of Thutmose III, Pharaoh, originally referring to the kings palace, became a form of address for the person who was king. Akhenatens religious fervor is cited as the reason why he was written out of Egyptian history. Under his reign, in the 14th century BC, Egyptian art flourished and attained a level of realism. Towards the end of the 18th Dynasty, the situation had changed radically, Ramesses II sought to recover territories in the Levant that had been held by the 18th Dynasty. His campaigns of reconquest culminated in the Battle of Kadesh, where he led Egyptian armies against those of the Hittite king Muwatalli II. Ramesses was caught in historys first recorded military ambush, although he was able to rally his troops, the outcome of the battle was undecided with both sides claiming victory at their home front, ultimately resulting in a peace treaty between the two nations. The last great pharaoh from the New Kingdom is widely considered to be Ramesses III, in the eighth year of his reign the Sea Peoples invaded Egypt by land and sea. Ramesses III defeated them in two great land and sea battles and he incorporated them as subject peoples and settled them in Southern Canaan although there is evidence that they forced their way into Canaan. Their presence in Canaan may have contributed to the formation of new states, such as Philistia and he was also compelled to fight invading Libyan tribesmen in two major campaigns in Egypts Western Delta in his sixth year and eleventh year respectively. The heavy cost of this warfare slowly drained Egypts treasury and contributed to the decline of the Egyptian Empire in Asia. Something in the air prevented much sunlight from reaching the ground, one proposed cause is the Hekla 3 eruption of the Hekla volcano in Iceland but the dating of this remains disputed
New Kingdom
–
New Kingdom at its maximum territorial extent in the 15th century BC.
New Kingdom
–
Relief of a Nobleman, ca. 1295-1070 B.C.E.
Brooklyn Museum
New Kingdom
–
Queen Ahmose-Nefertari
20.
Nebty name
–
The Nebty name was one of the great five names used by Egyptian pharaohs. It was also one of the eldest royal titles, the modern term Two-Ladies-name is a simple derivation from the translation of the Egyptian word nebty. The terms Nebty name and Two-Ladies-name derive from the Egyptian word nbtj, as a mere noun it is a religious euphemism paraphrasing the goddesses Nekhbet and Wadjet as a deified pair. As a royal crest it was thought to represent a unified Egypt, the Nebty name, similarly to the later Niswt-Bity name, was constructed with two sign groups. The first one shows a griffon vulture sitting on a basket, the second group shows an erect cobra, also sitting on a basket. The eldest versions of the Nebty name showed instead of the cobra the red crown above the second basket, interestingly, the sign groups forming the Nebty name were never used separately. The Nebty name was linked to the two most important goddesses of Ancient Egyptian kingship, Nekhbet and Wadjet. Whilst Nekhbet was the mistress of Upper Egypt, her pendant Wadjet was the mistress of Lower Egypt, Nekhbet was worshipped as the celestial mother of a king, which is expressed in the Ancient Egyptian queen title Mwt-niswt. The cobra of Wadjet was worshipped as the celestial diadem snake on the kings forehead and this protective behaviour made Wadjet become very popular and already in early dynastic times several deities were depicted as wearing a uraeus on their foreheads. With the Nebty name each pharaoh wished to present himself as the one under the guidance, after the Horus name, the Nebty name is the second eldest royal name of Ancient Egyptian history and also known as Two-Ladies name. In the case of Hor-Aha the Nebty crest is of special interest, the first and infinite use of the final form of the Nebty crest appear during the reign of king Semerkhet, who called himself Iry-Nebty. After him, every future king used a Nebty name, though not every king of Early Dynasty, a further problem is a fashion which arose during the reign of king Peribsen. He was the first ruler who used the Nebty crest as a name or title. After him, it seems that other rulers used separate Nebty names, background of that view by Egyptologists is the case of king Qaa. Ivory tag inscriptions reveal that Qaa obviously used two different Nebty names, Qaa-Nebty and Sen-Nebty, and king Hotepsekhemwy called himself Sehotep-Nebty, thus using as good as the same name as he used for his serekh name. Another problem is that during the Old Kingdom Egyptian queens also used the Nebty crest as a part of their birth names, prominent examples are the queens Hetephernebti and Djefatnebti. This caused a problem concerning a Nebty name appearing on a stencil from Saqqara. It is disputed whether it was the name of a queen or just the Nebty name of king Sekhemkhet
Nebty name
–
Nebty name of king
Semerkhet
21.
Two Ladies
–
When the two parts of Egypt were joined together, there was no merger of these deities as often occurred with similar deities from various regions and cities. Both goddesses were retained because of the importance of their roles, after the unification, the image of Nekhbet joined Wadjet on the uraeus, thereafter, they were shown together as part of the crowns of Egypt. An example of one is shown in the photograph to the right, the two ladies were responsible for establishing the laws, protecting the rulers and the Egyptian country, and promoting peace. An example of the use of term in text references may be found in the following commemoration of a military campaign under pharaoh Amenhotep III recorded on three stelas carved from rock. In the text he is referred to as Nebmaatra and they are from his fifth year and were found near Aswan and Sai Island in Nubia. Regnal Year 5, third month of Inundation, day 2. appearing in truth, Two Ladies, Who laws and the Two Lands. King of Upper and Lower Egypt, Nebmaatra, heir of Ra, Son of Ra. came to tell, led on to victory, he completed it in his first campaign of victory. Reached them like the wing stroke of a falcon, ikheny, the boaster in the midst of the army, did not know the lion that was before him. She was depicted as a lioness and the pharaoh-as-warrior was said to be her son, therefore, Bast was her counterpart in one of the two lands, but after unification, Sekhmet remained as the fierce warrior and Bast was assigned other duties in the Egyptian pantheon. These three deities were the strongest patrons of Ancient Egypt, the use of the image of the patron goddesses on the uraeus was retained even during the rule of Akhenaten, who suppressed the worship of all deities except his own personally chosen favorite, Aten. In this way he differed from no other pharaoh and the importance of traditional deities persisted subtly throughout his reign. As soon as his reign ended, the ancient religious traditions were restored fully and even, on the central portion of the Menat necklace displayed above, the two ladies flank a statue of Sekhmet, who is being propitiated by the pharaoh in a temple ceremony. The placement of them alongside her in the temple of the goddess, demonstrates the authority with which she always was associated. The nebty name, literally meaning, two ladies, is one of the titles of an Egyptian pharaoh, following the naming convention used by the Ancient Egyptians. Typically, this name is not framed by a cartouche or serekh, but always begins with the hieroglyphs of a vulture and a cobra, each resting upon a basket, symbolizing the dual noun nebty. The rest of the title varies with each pharaoh, and would have read, he/she of the Two Ladies. Translation of the nebty name for a pharaoh often is abbreviated, omitting the phrase above that begins each nebty name, in the relief to the right the two goddesses are shown crowning a Ptolemaic pharaoh with the double crown derived from the combination of their separate crowns. The Two Ladies are represented as women, in the way as some other Ancient Egyptian goddesses
Two Ladies
–
Alabaster vase inscribed with the Nebty -name of Semerkhet, earliest known pharaoh to use this name.
Two Ladies
–
Image from a ritual
Menat necklace, depicting a ritual being performed before a statue of
Sekhmet on her throne where she is flanked by the goddess
Wadjet as the
cobra and the goddess
Nekhbet as the
griffon vulture, symbols of lower and upper Egypt respectively; the supplicant holds a complete
menat and a
sistrum for the ritual, circa 870 B.C. (Berlin, Altes Museum, catalogue number 23733)
Two Ladies
–
Royal titulary
22.
Heraldry
–
The beauty and pageantry of heraldic designs allowed them to survive the gradual abandonment of armour on the battlefield during the seventeenth century. Heraldry has been described poetically as the handmaid of history, the shorthand of history, in modern times, heraldry is used by individuals, public and private organizations, corporations, cities, towns, and regions to symbolize their heritage, achievements, and aspirations. Various symbols have been used to represent individuals or groups for thousands of years, similar emblems and devices are found in ancient Mesopotamian art of the same period, and the precursors of heraldic beasts such as the griffin can also be found. In the Bible, the Book of Numbers refers to the standards and ensigns of the children of Israel, the Greek and Latin writers frequently describe the shields and symbols of various heroes, and units of the Roman army were sometimes identified by distinctive markings on their shields. The Book of Saint Albans, compiled in 1486, declares that Christ himself was a gentleman of coat armour, the medieval heralds also devised arms for various knights and lords from history and literature. Notable examples include the toads attributed to Pharamond, the cross and martlets of Edward the Confessor, and the arms attributed to the Nine Worthies. These too are now regarded as an invention, rather than evidence of the antiquity of heraldry. The development of the modern heraldic language cannot be attributed to an individual, time. Yet no individual is depicted twice bearing the arms, nor are any of the descendants of the various persons depicted known to have borne devices resembling those in the tapestry. A Spanish manuscript from 1109 describes both plain and decorated shields, none of which appears to have been heraldic, in England, from the time of the Norman conquest, official documents had to be sealed. A notable example of an armorial seal is attached to a charter granted by Philip I, Count of Flanders. Seals from the part of the eleventh and early twelfth centuries show no evidence of heraldic symbolism. One of the earliest known examples of armory as it came to be practiced can be seen on the tomb of Geoffrey Plantagenet, Count of Anjou. An enamel, probably commissioned by Geoffreys widow between 1155 and 1160, depicts him carrying a shield decorated with six golden lions rampant. He wears a helmet adorned with another lion, and his cloak is lined in vair. A medieval chronicle states that Geoffrey was given a shield of this description when he was knighted by his father-in-law, Henry I, in 1128, but this account probably dates to about 1175. Since Henry was the son of Geoffrey Plantagenet, it seems reasonable to suppose that the adoption of lions as an emblem by Henry or his sons might have been inspired by Geoffreys shield. Richard is also credited with having originated the English crest of a lion statant and it is from this garment that the phrase coat of arms is derived
Heraldry
–
The German
Hyghalmen Roll was made in the late 15th century and illustrates the German practice of repeating themes from the arms in the crest. (See
Roll of arms).
Heraldry
–
Shields of Magister Militum Praesentalis II. Page from the
Notitia Dignitatum, a medieval copy of a Late Roman register of military commands
Heraldry
–
An extravagant example of marshalling: the 719 quarterings of the
Grenville Armorial at
Stowe.
Heraldry
–
The
Zechariah Seal coat of arms.
23.
Upper and Lower Egypt
–
Upper and Lower Egypt also referred to as The Two Lands is a name used for Ancient Egypt. The concept appears in titles of Egyptian Kings and Queens and appears in scenes in temple, tombs, the concept also refers to an innate sense of duality in the Ancient Egyptian culture. The Egyptian expression sema-tawy is usually translated as The Uniter of the Two Lands and was depicted as a human trachea entwined with the papyrus, the trachea stood for unification, while the papyrus and lily plant represent Lower and Upper Egypt. Standard titles of a King of Egypt was King of Upper and Lower Egypt, similarly a Queen might use titles such as Lady of The Two Lands, Mistress of the Entire Two Lands, and Mistress of the Two Lands. Ancient Egypt was divided into two regions, namely Upper Egypt and Lower Egypt, to the north was Lower Egypt, where the Nile stretched out with its several branches to form the Nile Delta. To the south was Upper Egypt, stretching to Syene, Lower Egypt mostly consists of the Nile Delta. The two kingdoms of Upper and Lower Egypt were united c.3000 BC, but each maintained its own regalia, the hedjet or White Crown for Upper Egypt and the deshret or Red Crown for Lower Egypt. Thus, the pharaohs were known as the rulers of the Two Lands, and wore the pschent, Ancient Egyptian tradition credited Menes, now believed to be the same as Narmer, as the king who united Upper and Lower Egypt. On the Narmer Palette the king is depicted wearing the Red Crown in one scene and the White crown in another, the union of Upper and Lower Egypt is depicted by knotted papyrus and reed plants. The binding motif represents both harmony through linkage and domination through containment, the duality is an important part of royal iconography. Sometimes the duality is further extended by having the knotted plants extend and bind foreign foes as well, during the first dynasty dualistic royal titles emerge, including the King of Upper and Lower Egypt title which combines the plant representing Upper Egypt and a bee representing Lower Egypt. The other dualistic title is the Two Ladies name or Nebty name, the two ladies as Nekhbet, the vulture goddess associated with Hierakonpolis in Upper Egypt, and Wadjet, the cobra goddess associated with Buto in Lower Egypt. There are many depictions of the ritual unifications of the Two Lands and it is not known if this was perhaps a rite that would have been enacted at the beginning of a reign, or merely a symbolic representation. Many of the depictions of the show two gods binding the plants. Often the gods are Horus and Set, or on occasion Horus, there are several examples of Barque stands from the reigns of Amenhotep III, Taharqa, and Atlanersa that show two river gods performing the rite. This matches a scene from the Temple at Abu Simbel from the time of Ramesses II, there are only a handful of scenes that show the King himself performing the ritual. All of these are from barque stands and date to the reigns of Amenhotep III, Sety I, the latter two may be copies of the first one. Upper Egypt Lower Egypt Narmer History of ancient Egypt
Upper and Lower Egypt
–
Hapi tying the papyrus and reed plants in the sema tawy symbol for the unification of Upper and Lower Egypt
Upper and Lower Egypt
–
The river gods
Hapy uniting Upper and Lower Egypt.
Colossi of Memnon. Reign of
Amenhotep III.
Upper and Lower Egypt
–
Temple scene at
Luxor, Thebes
Upper and Lower Egypt
–
Alabaster Jar depicting the sema tawy symbol with Hapy. From the tomb of
Tutankhamen.
24.
Nekhbet
–
Nekhbet was an early predynastic local goddess in Egyptian mythology, who was the patron of the city of Nekheb. Ultimately, she became the patron of Upper Egypt and one of the two patron deities for all of Ancient Egypt when it was unified, egypt’s oldest oracle was the shrine of Nekhbet at Nekheb, the original necropolis or city of the dead. It was the city to Nekhen, the religious and political capital of Upper Egypt at the end of the Predynastic period and probably. The original settlement on the Nekhen site dates from Naqada I or the late Badarian cultures, at its height, from about 3400 BC, Nekhen had at least 5,000 and possibly as many as 10,000 inhabitants. The priestesses of Nekhbet were called muu and wore robes of Egyptian vulture feathers, Nekhbet was the tutelary deity of Upper Egypt. Nekhbet and her Lower Egyptian counterpart Wadjet often appeared together as the Two Ladies, one of the titles of each ruler was the Nebty name, which began with the hieroglyphs for of the Two Ladies. In art, Nekhbet was depicted as a vulture, alan Gardiner identified the species that was used in divine iconography as a griffon vulture. Arielle P. Kozloff, however, argues that the vultures in New Kingdom art, with their beaks and loose skin. In New Kingdom times, the vulture appeared alongside the uraeus on the headdresses with which kings were buried, Nekhbet usually was depicted hovering, with her wings spread above the royal image, clutching a shen symbol, frequently in her claws. As patron of the pharaoh, she was seen to be the mother of the divine aspect of the pharaoh, and it was in this capacity that she was Mother of Mothers. In some late texts of the Book of the Dead, Nekhbet is referred to as Father of Fathers, Mother of Mothers, who existed from the Beginning. Nekhbet is a monster in Final Fantasy 12. Nekhbet appears in Rick Riordans The Throne of Fire as a minor antagonist, Nekhbet is the name of a pet vulture in the anime Tenshi ni Narumon. Nikol, Hamburg 2000, ISBN 3-937872-08-6, S. 507f, harrassowitz, Wiesbaden 1999, ISBN 3-447-04027-0, S.199. Alexandra von Lieven, Grundriss des Laufes der Sterne – Das sogenannte Nutbuch, the Carsten Niebuhr Institute of Ancient Eastern Studies, Kopenhagen 2007, ISBN 978-87-635-0406-5. Alexandra von Lieven, Der Himmel über Esna – Eine Fallstudie zur religiösen Astronomie in Ägypten am Beispiel der kosmologischen Decken- und Architravinschriften im Tempel von Esna, marcelle Werbrouck, Fouilles de El Kab II
Nekhbet
–
Nekhbet with staff and
shen ring.
25.
Upper Egypt
–
Upper Egypt is the strip of land on both sides of the Nile that extends between Nubia and downriver to Lower Egypt. Upper Egypt is between the Cataracts of the Nile above modern-day Aswan, downriver to the area between Dahshur and El-Ayait, which is south of modern-day Cairo, the northern part of Upper Egypt, between Sohag and El-Ayait, is also known as Middle Egypt. In Arabic, inhabitants of Upper Egypt are known as Saidis, in ancient Egypt, Upper Egypt was known as tꜣ šmꜣw, literally the Land of Reeds or the Sedgeland It was divided into twenty-two districts called nomes. The first nome was roughly where modern-day Aswan is and the twenty-second was at modern Atfih just to the south of Cairo, the main city of prehistoric Upper Egypt was Nekhen, whose patron deity was the vulture goddess Nekhbet. By about 3600 BC, Neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC, Egyptian society began to grow and increase in complexity. A new and distinctive pottery, which was related to the Levantine ceramics, extensive use of copper became common during this time. The Mesopotamian process of sun-drying adobe and architectural principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, for most of pharaonic Egypts history, Thebes was the administrative center of Upper Egypt. After its devastation by the Assyrians, its importance declined, under the Ptolemies, Ptolemais Hermiou took over the role of Upper Egypts capital city. Upper Egypt was represented by the tall White Crown Hedjet, and its symbols were the flowering lotus, in the 11th century, large numbers of pastoralists, known as Hilalians, fled Upper Egypt and moved westward into Libya and as far as Tunis. It is believed that degraded grazing conditions in Upper Egypt, associated with the beginning of the Medieval Warm Period, were the cause of the migration. In the 20th-century Egypt, the title Prince of the Said was used by the apparent to the Egyptian throne. Although the Kingdom of Egypt was abolished after the Egyptian revolution of 1952, media related to Upper Egypt at Wikimedia Commons
Upper Egypt
–
Iry-Hor
Upper Egypt
–
Ka
Upper Egypt
–
King Scorpion
26.
Vulture
–
Some traditional Old World vultures are not closely related to the others, which is why the vultures are to be subdivided into three taxa rather than two. A particular characteristic of many vultures is a head, devoid of normal feathers. Although it has been believed to help keep the head clean when feeding. Vultures have been observed to hunch their bodies and tuck in their heads in the cold, a group of vultures is called a wake, committee, kettle, venue, or volt. The term kettle refers to vultures in flight, while committee refers to vultures resting in trees, wake is reserved for a group of vultures that are feeding. The word Geier does not have a meaning in ornithology, it is occasionally used to refer to a vulture in English. The Old World vultures found in Africa, Asia, and Europe belong to the family Accipitridae, which includes eagles, kites, buzzards. Old World vultures find carcasses exclusively by sight, however, recent DNA evidence suggests that they should be included among the Accipitriformes, along with other birds of prey. However, they are not closely related to the other vultures. Several species have a sense of smell, unusual for raptors. When a carcass has too thick a hide for its beak to open, vast numbers have been seen upon battlefields. They gorge themselves when prey is abundant, until their crops bulge and these birds do not carry food to their young in their claws, but disgorge it from their crops. Vultures are of value as scavengers, especially in hot regions. New World vultures often vomit when threatened or approached, new World vultures also urinate straight down their legs, the uric acid kills bacteria accumulated from walking through carcasses, and also acts as evaporative cooling. Vultures in south Asia, mainly in India and Nepal, have declined dramatically since the early 1990s and it has been found that this decline was caused by residues of the veterinary drug Diclofenac in animal carcasses. The government of India has taken very late cognizance of this fact and has banned the drug for animals, the same problem is also seen in Nepal where government has taken some late steps to conserve remaining vultures. A recent study in 2016, reported that of the 22 vulture species, nine are critically endangered, three are endangered, four are near threatened, and six are least concern
Vulture
–
Vulture
Vulture
–
Griffon vulture soaring
Vulture
–
African hooded vulture (Necrosyrtes monachus),
Kruger National Park
Vulture
–
Head of a vulture,
Mellat Park,
Tehran
27.
Semerkhet
–
Semerkhet is the Horus name of an early Egyptian king who ruled during the 1st dynasty. This ruler became known through a legend handed down by ancient Greek historian Manetho. Manetho named Semerkhet Semêmpsés and credited him with a reign of 18 years, Egyptologists and historians now consider both statements as exaggerations and credit Semerkhet with a reign of 8½ years. This evaluation is based on the Cairo Stone inscription, where the complete reign of Semerkhet has been recorded, additionally, they point to the archaeological records, which strengthen the view that Semerkhet had a relatively short reign. Semerkhet is well attested in archaeological records and his name appears in inscriptions on vessels made of schist, alabaster, breccia and marble. His name is preserved on ivory tags and earthen jar seals. Objects bearing Semerkhets name and titles come from Abydos and Sakkara, Semerkhets serekh name is commonly translated as companion of the divine community or thoughtful friend. The latter translation is questioned by scholars, since the hieroglyph khet normally was the symbol for body or divine community. Semerkhets birth name is more problematic, the reading and meaning of this special sign is disputed, since it doesnt appear in this form before king Semerkhet. Indeed, the hieroglyph of the man is extremely rare. It appears only twice in relief inscriptions depicting ceremonial processions of priests, Egyptologists such as Toby Wilkinson, Bernhard Grdseloff and Jochem Kahl read Iry-Netjer, meaning divine guardian. During the Old Kingdom period, this word is written with uniliteral signs of a netjer flag, some contemporary ivory tags show the Nebty name written with the single eye symbol only. Thus, the scholars also read Semerkhets throne name as Iry and this reconstruction is strengthened by the observation that Semerkhet was the first king using the Nebty title in its ultimate form. For unknown reason Semerkhet did not use the Nebuy title of his predecessor and it seems that he felt connected with the Two Ladies, a title referring to the goddesses Nekhbet and Wadjet, both the female equivalents of Horus and Seth. The Nebty title in turn was thought to function as an addition to the Nisut-Bity title. Scribes and priests of the Ramesside era were also confused, because the archaic ideogram that was used during Semerkhets lifetime was very similar to the sign of an old man with a walking stick and this had been read as Semsu or Sem and means the eldest. It was used as a title identifying someone as the head of the house, the Royal Table of Sakkara omits Semerkhets throne name. The reason for that is unknown, but all kings from Narmer up to king Den are also missing their throne names, virtually nothing is known about Semerkhets family
Semerkhet
–
Alabaster vase of Semerkhet, the inscription reads King Iry-Nebty visits the house-of-the-pleased-king, oil jars for it,
National Archaeological Museum (France).
Semerkhet
–
Semsu, cartouche name of Semerkhet in the
Abydos king list.
Semerkhet
–
Pottery sherd inscribed with Semerkhet's serekh name, originally from his tomb, now in the
Petrie Museum, UC 36756.
Semerkhet
28.
Cartouche
–
In Egyptian hieroglyphs, a cartouche /kɑːrˈtuːʃ/ is an oval with a horizontal line at one end, indicating that the text enclosed is a royal name. They came into use during the beginning of the Fourth Dynasty under Pharaoh Sneferu, while the cartouche is usually vertical with a horizontal line, it is sometimes horizontal if it makes the name fit better, with a vertical line on the left. The Ancient Egyptian word for it was shenu, and it was essentially an expanded shen ring, in Demotic, the cartouche was reduced to a pair of brackets and a vertical line. Of the five royal titularies it was the prenomen, the name, and the Son of Ra titulary, the so-called nomen name given at birth. At times amulets were given the form of a cartouche displaying the name of a king, such items are often important to archaeologists for dating the tomb and its contents. Cartouches were formerly worn by Pharaohs. The oval surrounding their name was meant to them from evil spirits in life. The cartouche has become a symbol representing good luck and protection from evil, egyptians believed that one who had their name recorded somewhere would not disappear after death. A cartouche attached to a coffin satisfied this requirement, there were periods in Egyptian history when people refrained from inscribing these amulets with a name, for fear they might fall into somebodys hands conferring power over the bearer of the name. In the Rosetta Stone, the hieroglyph is used for the word name. For the cartouche cut in half, the half-cartouche hieroglyph, Gardiners sign listed no, v11, is used in the Egyptian language for words meaning, to cut, to divide, to separate. It was the use of cartouches on the Rosetta Stone that was the biggest clue allowing Jean-François Champollion to decipher hieroglyphics, cartouche Serekh, a predecessor to the cartouche Shen ring General Budge. The Rosetta Stone, E. A. Wallis Budge, c, archived from the original on June 15,2011
Cartouche
–
Ancient Egyptian cartouche of
Thutmose III,
Karnak, Egypt.
29.
Basket (hieroglyph)
–
The pharaoh is often shown in reliefs or in cartouche-related statements as Lord of the Two Lands. The basket hieroglyph is used as lord, or king, queens, or goddesses use the lordess form, the feminine implied from the t hieroglyph but not needed for the basket. The basket is used for either, gardiners Sign List#V. Rope, Fiber, Baskets, Bags, etc. Reading Egyptian Art, A Hieroglyphic Guide to Ancient Egyptian Painting and Sculpture, Richard H. Wilkinson, c 1992,1994, Section, Seth Animal, thames and Hudson, abbreviated Index,224 pp. Budge. The Rosetta Stone, E. A. Wallace Budge, c 1929, Dover edition,1989
Basket (hieroglyph)
–
Butterfly braces-(w/pharaonic names). (Lord of Coronations)
Basket (hieroglyph)
–
Lunette iconography, 3 uses of basket: center two columns, as Lord of
Heaven, left for god
Amun, Lord of the Two Lands, and 3rd use on right.
Basket (hieroglyph)
–
'Lord of the Two Lands'
Basket (hieroglyph)
–
Gold ring: Pharaoh-'Wonderful', Lord of the Two Lands, etc. (from right-to-center column)
30.
Gold (hieroglyph)
–
The ancient Egyptian Gold hieroglyph is a member of the crowns, dress, staves hieroglyphs. Its major importance is as one of the Fivefold Titulary names of the Egyptian pharaoh, the Horus of Gold name. The gold hieroglyph is used as a determinative in the names of metals, and as an ideogram in the Egyptian word nbw gold, likely pronounced *nábu. The hieroglyph is an Egyptian language biliteral with the value of nb, the hieroglyph is a large gold and pearl necklace. Old Kingdom scenes show dwarfs metalworking the gold, and stringing the pearls of gold, the meaning of this particular title has been disputed. One belief is that it represents the triumph of Horus over his uncle Seth, Gold also was strongly associated in the ancient Egyptian mind with eternity, so this may have been intended to convey the pharaohs eternal Horus name. In the 2392 BC Palermo Stone, one use of the hieroglyph is for the first counting of gold. The sign is used for more than one year-event record, also, a referenced naming using the collar of gold is found on the stone. The stone exists with the remains of 7 pieces, the common large often-pictured piece is the Palermo piece. The Palermo piece shows 6 rows of year-events, above some specific surviving sections, is the name/title designation of the King discussed below it, in the row. King Nynetjer is referenced above Row IV, using the following hieroglyphs, one of the few coins minted for ancient Egypt is the gold stater, issued during the 30th Dynasty. The reverse of the gold stater shows a horse reared up on its hind legs, the obverse has the two hieroglyphs for nfr and nb, Perfect gold, or a common-era term, Fine-gold. The reverse, horse iconography is referenced because of the beauty, three variants of the gold hieroglyph are ligatured with another hieroglyph, Fivefold Titulary Gardiners Sign List#S. Crowns, Dress, Staves, etc Betrò, Maria Carmela. Hieroglyphics, The Writings of Ancient Egypt, c,1995, 1996-, Abbeville Press Publishers, New York, London, Paris Budge, The Rosetta Stone, E. A. Wallace Budge, c 1929, Dover edition,1989. Illustrated Hieroglyphics Handbook, Ruth Schumann-Antelme, and Stéphane Rossini
Gold (hieroglyph)
–
The Palermo piece of the 7—piece
Palermo Stone.
Gold (hieroglyph)
–
Gold stater of
Nectanebo II; Perfect Gold, or Fine Gold.
Gold (hieroglyph)
–
Goddess
Nephthys upon the Gold hieroglyph, sarcophagus of
Ramesses III
Gold (hieroglyph)
–
Book of the Dead detail, goddesses on gold, with
djed pillar,
ankh,
Ra, and baboons
31.
Prenomen (Ancient Egypt)
–
The prenomen of Ancient Egyptian pharaohs was one of the great five names of Egyptian rulers. Other terms for this name are Nswt-bity name and throne name. It is thought by some Egyptologists and historians to be the name of the rulers. Other Egyptologists believe that the prenomen was an independent name exclusively invented for the nswt-bity crest, the prenomen is composed of four hieroglyphic signs arranged into two fixed groups, the first sign group comprises the picture of a four-leafed sedge over a bread loaf. It was read in Egyptian as Niswt and symbolised Upper Egypt, the second group is written with the sign for a honey bee over a bread loaf. It was read as Bity and symbolised Lower Egypt, the etymology and origin of each crest reading is still unknown. During the first three dynasties, the prenomen was depicted either alone or in pair with the Nebty name and he was the first king who devoted his prenomen to the Two Ladies that clearly, although not every king after him followed that custom. From king Huni, the probably last king of third dynasty, onward, the prenomen was encircled by the so-called cartouche, the Niswt-Bity name is considered to be the least understood and most complex title of all five names that Egyptian pharaohs could adopt. Today it is translated by King of Upper and Lower Egypt but in Ancient Egyptian times it was surely read as he of the sedge. This is based on the traditional and religious beliefs of the Ancient Egyptians, in particular that a king, the king was therefore the ruler over things with contradicting yet complementary meanings, such as good - evil, light - darkness and harmony - chaos. Niswt, the seal of the reed, reveals a rather maternal and protecting function as shown by early titles such as Mery-nesw. The Bity crest was in ways the complementing contrast to the Niswt crest. While Niswt expresses an executive symbology and function, the Bity crest expresses a legislative symbology, Bity, the seal of the defensive bee reveals instead a rather power and strength seeking character, which is thought to be some kind of pun to the real honey bee. The earliest instances of the use of Bity date back to the period corresponding to queen Merneiths possible rule. This might have inspired the Ancient Egyptian to compare beehives with their own structures, hierarchies. The pharaoh was simply the head and leader of the states hierarchy, additional, the bee sign might have had the meaning of wealth/affluence, since bees are known for their collecting behaviour. This might explain as to why the Bity crest is used when describing offices that were responsible for duties such as the Khetemty-bity for seal bearer of the Bity king. Another meaning for the bee can be found in its sting, the bee sign may carry a military message, the strongest evidence supporting this conclusion comes from the pyramid texts of king Unas and Teti of the late Fifth and early Sixth Dynasty
Prenomen (Ancient Egypt)
–
Nswt-bitiy crest combined with the nbty crest (top row; here: king
Semerkhet of 1st dynasty).
Prenomen (Ancient Egypt)
–
Early example of the nswt-bity crest (here: king
Nubnefer from 2nd dynasty).
Prenomen (Ancient Egypt)
–
Later example of the nswt-bity crest, here introducing a cartouche name (queen
Hatshepsut).
32.
Thutmose II
–
Thutmose II was the fourth Pharaoh of the Eighteenth dynasty of Egypt. He built some minor monuments and initiated at least two minor campaigns but did little else during his rule and was strongly influenced by his wife. His reign is dated from 1493 to 1479 BC. Thutmose IIs body was found in the Deir el-Bahri Cache above the Mortuary Temple of Hatshepsut, Thutmose II was the son of Thutmose I and a minor wife, Mutnofret. He was, therefore, a son of Thutmose I and chose to marry his fully royal half-sister, Hatshepsut. This is often interpreted as evidence that Thutmose II was still a minor at his accession, Thutmose II fathered Neferure with Hatshepsut, but also managed to father a male heir, the famous Thutmose III, by a lesser wife named Iset before his death. She is depicted in several raised relief scenes from a Karnak gateway dating to Thutmose IIs reign both together with her husband and alone, manethos Epitome refers to Thutmose II as Chebron and gives him a reign of 13 years, but this figure is highly disputed among scholars. Some Egyptologists prefer to shorten his reign by a decade to only 3 years because his highest Year Date is only a Year 1 II Akhet day 8 stela. Nonetheless, scholars generally assign him a reign from 1493 or 1492 to 1479, ineni, who was already aged by the start of Thutmose IIs reign, lived through this rulers entire reign into that of Hatshepsut. In addition, Thutmose II is poorly attested in the monumental record, even this monument was not completed in Thutmose IIs reign but in the reign of his son Thutmose III, which hints at the nearly ephemeral nature of Thutmose IIs reign. The gateway was later dismantled and its building blocks incorporated into the foundation of the Third Pylon by Amenhotep III, in 1987, Luc Gabolde published an important study that statistically compared the number of surviving scarabs found under Thutmose I, Thutmose II and Hatshepsut. Hatshepsuts reign is believed to have lasted for 21 years and 9 months, hence, unless there was an abnormally low number of scarabs produced under Thutmose II, this would indicate that the kings reign was rather short-lived. On this basis, Gabolde estimated Thutmose I and IIs reigns to be approximately 11 and 3 full years, consequently, the reign length of Thutmose II has been a much debated subject among Egyptologists with little consensus given the small number of surviving documents for his reign. Thutmoses reign is traditionally given as 13 or 14 years. Since he lived long enough to father two children—Neferure and Thutmose III—this suggests that he may have had a reign of 13 years in order to reach adulthood. The German Egyptologist, J. Von Beckerath, uses this line of argument to support the case of a 13-year reign for Thutmose II. Alan Gardiner noted that at one point, a monument had been identified by Georges Daressy in 1900 that was dated to Thutmoses 18th year and this inscription is now usually attributed to Hatshepsut, who certainly did have an 18th year. This would create a gap of 13 to 14 years where Thutmose IIs reign would fit in between Hatshepsut and Thutmose Is rule
Thutmose II
–
Relief of Thutmose II in Karnak Temple complex.
Thutmose II
–
Aakheperenre, the
praenomen of Thutmose II, temple of
Hatshepsut,
Luxor.
33.
Hatshepsut
–
Hatshepsut was the fifth pharaoh of the Eighteenth Dynasty of Egypt. She was the second historically confirmed female pharaoh, the first being Sobekneferu, Hatshepsut came to the throne of Egypt in 1478 BC. Officially, she ruled jointly with Thutmose III, who had ascended to the throne the year as a child of about two years old. Hatshepsut was the wife of Thutmose II, Thutmose III’s father. She is generally regarded by Egyptologists as one of the most successful pharaohs, according to Egyptologist James Henry Breasted she is also known as the first great woman in history of whom we are informed. Hatshepsut was the daughter and only child of Thutmose I and his primary wife Ahmose and her husband Thutmose II was the son of Thutmose I and a secondary wife named Mutnofret, who carried the title Kings daughter and was probably a child of Ahmose I. Hatshepsut and Thutmose II had a daughter named Neferure, Thutmose II fathered Thutmose III with Iset, a secondary wife. Today Egyptologists generally agree that Hatshepsut assumed the position of pharaoh, Hatshepsut was described as having a reign of about 22 years by ancient authors. Josephus and Julius Africanus both quote Manethos king list, mentioning a woman called Amessis or Amensis who has identified as Hatshepsut. In Josephus work, her reign is described as lasting 21 years and nine months, dating the beginning of her reign is more difficult, however. Her fathers reign began in either 1526 or 1506 BC according to the high and low estimates of her reign, the length of the reigns of Tuthmosis I and Tuthmosis II, however, cannot be determined with absolute certainty. With short reigns, Hatshepsut would have ascended the throne 14 years after the coronation of Tuthmosis I, longer reigns would put her ascension 25 years after Tuthmosis Is coronation. Thus, Hatshepsut could have assumed power as early as 1512 BC, or, Hatshepsut established the trade networks that had been disrupted during the Hyksos occupation of Egypt during the Second Intermediate Period, thereby building the wealth of the eighteenth dynasty. She oversaw the preparations and funding for a mission to the Land of Punt and this trading expedition to Punt was roughly during Hatshepsuts ninth year of reign. It set out in her name with five ships, each measuring 70 feet long bearing several sails, many trade goods were bought in Punt, notably frankincense and myrrh. Hatshepsuts delegation returned from Punt bearing 31 live myrrh trees, the roots of which were kept in baskets for the duration of the voyage. This was the first recorded attempt to transplant foreign trees and it is reported that Hatshepsut had these trees planted in the courts of her mortuary temple complex. Egyptians also returned with a number of gifts from Punt
Hatshepsut
–
Statue of Hatshepsut on display at the
Metropolitan Museum of Art
Hatshepsut
–
A tree in front of
Hatshepsut's temple, claimed to have been brought from
Punt by Hatshepsut's Expedition which is depicted on the Temple walls
Hatshepsut
–
Djeser-Djeseru is the main building of
Hatshepsut's mortuary temple complex at
Deir el-Bahri. Designed by Senemut, her
vizier, the building is an example of perfect
symmetry that predates the
Parthenon, and it was the first complex built on the site she chose, which would become the
Valley of the Kings
Hatshepsut
–
Colonnaded design of Hatshepsut temple
34.
Luxor
–
Luxor is a city in Upper Egypt and the capital of Luxor Governorate. The population numbers 487,896, with an area of approximately 416 square kilometres, immediately opposite, across the River Nile, lie the monuments, temples and tombs of the West Bank Necropolis, which includes the Valley of the Kings and Valley of the Queens. Thousands of tourists from all around the world arrive annually to visit these monuments, the name Luxor comes from the Arabic al-ʾuqṣur, lit. the palaces, from the collective pl. of qaṣr, which may be a loanword from the Latin castrum fortified camp. Luxor was the ancient city of Thebes, the capital of Egypt during the New Kingdom. Montuhotep II who united Egypt after the troubles of the first intermediate period brought stability to the lands as the city grew in stature. The city attracted peoples such as the Babylonians, the Mitanni, the Hittites of Anatolia, the Canaanites of Ugarit, the Phoenicians of Byblos and Tyre, a Hittite prince from Anatolia even came to marry with the widow of Tutankhamun, Ankhesenamun. However, as the city of the god Amon-Ra, Thebes remained the capital of Egypt until the Greek period. The main god of the city was Amon, who was worshipped together with his wife, the Goddess Mut, and their son Khonsu, the God of the moon. With the rise of Thebes as the foremost city of Egypt and his great temple, at Karnak just north of Thebes, was the most important temple of Egypt right until the end of antiquity. Later, the city was attacked by Assyrian emperor Assurbanipal who installed the Libyan prince on the throne, the city of Thebes was in ruins and fell in significance. However, Alexander the Great did arrive at the temple of Amun, where the statue of the god was transferred from Karnak during the Opet Festival, Aswan and Luxor have the hottest summer days of any other city in Egypt. Aswan and Luxor have nearly the same climate, Luxor is one of the hottest, sunniest and driest cities in the world. Average high temperatures are above 40 °C during summer while average low temperatures remain above 22 °C, during the coldest month of the year, average high temperatures remain above 22.0 °C while average low temperatures remain above 5 °C. The climate of Luxor has precipitation levels lower than even most other places in the Sahara, the desert city is one of the driest ones in the world, and rainfall does not occur every year. The air is dry in Luxor but much more humid than in Aswan. There is a relative humidity of 39. 9%, with a maximum mean of 57% during winter. In addition, Luxor, Minya, Sohag, Qena and Asyut have the widest difference of temperatures between days and nights of any city in Egypt, with almost 16 °C difference. The hottest temperature recorded was on May 15,1991 which was 50 °C, the Coptic Catholic minority established on November 26,1895 an Eparchy of Luqsor alias Thebes, on territory split off from the Apostolic Vicariate of Egypt
Luxor
–
Top: First pylon in Precinct of Amun-Re, 2nd left: Night view in Luxor Temple, 2nd right: Colossi of Memnon Statue, Middle left: Pillars of Great Hypostyle Hall ancient site, Middle right: Hatshepsut Temple in Deir el-Bchari, 4th left: Statue of Ramses Ⅱ in Karnak Temple, 4th right: Needle Monument in Karnak Temple, Bottom: View of Pillars of Great Hypostyle Hall ancient site
Luxor
–
Luxor Temple
Luxor
–
Streets of Luxor in 2004
Luxor
–
Luxor
souq
35.
Cyperaceae
–
The Cyperaceae are a family of monocotyledonous graminoid flowering plants known as sedges, which superficially resemble grasses and rushes. The family is large, with some 5,500 known species described in about 90 genera and these species are widely distributed, with the centers of diversity for the group occurring in tropical Asia and tropical South America. While sedges may be growing in almost all environments, many are associated with wetlands. Ecological communities dominated by sedges are known as sedgelands, features distinguishing members of the sedge family from grasses or rushes are stems with triangular cross-sections and leaves that are spirally arranged in three ranks. Some well-known sedges include the chestnut and the papyrus sedge. This family also includes cotton-grass, spike-rush, sawgrass, nutsedge or nutgrass, and white star sedge
Cyperaceae
–
Cyperaceae
Cyperaceae
–
Cyperus rotundus,
Kerala
Cyperaceae
–
Broad-leaved cotton-grass (Eriophorum latifolium)
Cyperaceae
–
Carex Serotina
36.
Bee
–
Bees are flying insects closely related to wasps and ants, known for their role in pollination and, in the case of the best-known bee species, the European honey bee, for producing honey and beeswax. Bees are a lineage within the superfamily Apoidea, presently considered as a clade Anthophila. There are nearly 20,000 known species of bees in seven to nine recognized families, though many are undescribed and they are found on every continent except Antarctica, in every habitat on the planet that contains insect-pollinated flowering plants. Some species including honey bees, bumblebees, and stingless bees live socially in colonies, Bees are adapted for feeding on nectar and pollen, the former primarily as an energy source and the latter primarily for protein and other nutrients. Most pollen is used as food for larvae, Bee pollination is important both ecologically and commercially, the decline in wild bees has increased the value of pollination by commercially managed hives of honey bees. The most common bees in the Northern Hemisphere are the Halictidae, or sweat bees, vertebrate predators of bees include birds such as bee-eaters, insect predators include beewolves and dragonflies. Human beekeeping or apiculture has been practised for millennia, since at least the times of Ancient Egypt, apart from honey and pollination, honey bees produce beeswax, royal jelly and propolis. Bees have appeared in mythology and folklore, again since ancient times, and they feature in works of literature as varied as Virgils Georgics, Beatrix Potters The Tale of Mrs Tittlemouse, yeatss poem The Lake Isle of Innisfree. Bee larvae are included in the Javanese dish botok tawon, where they are steamed with shredded coconut. The ancestors of bees were wasps in the family Crabronidae, which were predators of other insects. The switch from insect prey to pollen may have resulted from the consumption of insects which were flower visitors and were partially covered with pollen when they were fed to the wasp larvae. This same evolutionary scenario may have occurred within the vespoid wasps, until recently, the oldest non-compression bee fossil had been found in New Jersey amber, Cretotrigona prisca of Cretaceous age, a corbiculate bee. A bee fossil from the early Cretaceous, Melittosphex burmensis, is considered an extinct lineage of pollen-collecting Apoidea sister to the modern bees. Derived features of its place it clearly within the bees. By the Eocene there was considerable diversity among eusocial bee lineages. The highly eusocial corbiculate Apidae appeared roughly 87 Mya, and the Allodapini around 53 Mya, the Colletidae appear as fossils only from the late Oligocene to early Miocene. The Melittidae are known from Palaeomacropis eocenicus in the Early Eocene, the Megachilidae are known from trace fossils from the Middle Eocene. The Andrenidae are known from the Eocene-Oligocene boundary, around 34 Mya, the Halictidae first appear in the Early Eocene with species found in amber
Bee
Bee
Bee
–
Melittosphex burmensis, a fossil bee preserved in
amber from the
Early Cretaceous of
Myanmar
Bee
–
Long-tongued bees and long-tubed flowers
coevolved, like this
Amegilla cingulata on
Acanthus ilicifolius.
37.
Berber languages
–
Berber or the Berber languages or the Amazigh language are a family of similar and closely related languages and dialects indigenous to North Africa. Large Berber-speaking migrant communities, numbering today about 4 million, have been living in Western Europe, about half of this population was born in Europe. Berber constitutes a branch of the Afroasiatic language family, and has been attested since ancient times, the number of Berbers is much higher than the number of Berber speakers. The bulk of the populations of the Maghreb countries are considered to have Berber ancestors, in Algeria, for example, a majority of the population consists of Arabized Berbers. There is a cultural and political movement among speakers of the closely related varieties of Northern Berber to promote and unify them under a standard language, called. The name Tamaziɣt is the current native name of the Berber language in the Moroccan Middle-Atlas region, the Rif regions, in other Berber-speaking area this name was lost. There is historical evidence, from medieval Berber manusctipts, that all native North Africans from Libya to Morocco have called their language, Tamaziɣt. The name Tamaziɣt is currently being used by educated Berbers to refer to the written Berber language. Around 90 percent of the Berber-speaking population speak one of six major varieties of Berber and they are, in the order of demographic weight, Tashelhit, Kabyle, Atlas Tamazight, Riffian, Shawi and Tuareg. The Berber languages and dialects have had a tradition, on and off, for about 2,500 years, although the tradition has been frequently disrupted by cultural shifts. They were first written in the Libyco-Berber and Tifinagh abjad, still used by the Tuareg, the oldest dated inscription is from about 200 BCE. The Berber Latin alphabet was used by most European and Berber linguists during the 19th and 20th centuries. In the 19th and 20th century European and native Berber linguists, a modernized form of the Tifinagh alphabet, called Neo-Tifinagh, was adopted in Morocco in 2003 for writing Berber, but many Moroccan Berber publications still use the Berber Latin alphabet. Algerians mostly use the Berber Latin alphabet in Berber language education at public schools, Mali and Niger recognize a Tuareg-Berber Latin alphabet customized to the Tuareg phonological system. However, traditional Tifinagh is still used in those countries, the term Berber has been used in Europe since at least the 17th century, and is still used today. It was borrowed from Latin Barbari, the Latin word is also found in the Arabic designation for these populations, البربر, al-Barbar, see names of the Berber people. Etymologically, the Berber root Mazigh means free man, noble man, the feminine Tamazight traditionally referred specifically to the Riffian and Central Atlas Tamazight languages. European languages distinguish between the words Berber and barbaric, while Arabic has the same word al-barbari for both meanings, some other Berber writers, especially in Morocco, prefer to refer to Berber with Amazigh when writing about it in French or English
Berber languages
–
Berber language poetry in Arabic script with its translation in French
Berber languages
–
Tarifit (Riffian)
Berber languages
–
Kabylian manuscript on the 18th century
38.
Nomen (Ancient Egypt)
–
The Nomen of Ancient Egyptian pharaohs was one of the Great five names. It was introduced by king Radjedef, third pharaoh of the 4th Dynasty, the nomen was later separated from the prenomen to become an independent royal name. The title Sa-Rê, literally meaning Son of Ra, was written with the sign of a sun-disc, at the beginning, the sun and goose signs were placed at the end of the cartouche containing the name of the king. This was read as, King of Lower- and Upper Egypt, king XXX, later it was placed before the cartouche, introducing the nomen of the king and now read as, Son of Râ, king XXX. The hieroglyphs forming the nomen itself were placed inside the cartouche, under the reign of the Fourth Dynasty king Radjedef, the cult of the sun-god Ra reached a new peak. Egyptian pharaohs now believed that they were the sons of Ra. This would later change and Ra merged symbolically with the god Amun, the earliest known use of the Sa-Rê title occurs during the reign of king Radjedef, third ruler of 4th Dynasty and successor of Khufu. The earliest traces of a sun-cult in Ancient Egypt, then concentrating on the sun as an object, appear during the 2nd Dynasty, possibly under its second ruler. In particular Raned was the first pharaoh to use the symbol of the sun as a part of his Horus name. The rise in importance of the cult of the sun god is first manifested during the reign of Peribsen in the mid 2nd Dynasty, who placed the sun-disc above the figure of the god Seth. Later, under king Djoser, the founder of the 3rd Dynasty, we find the first personal names of princes and this evolution reached a new high when King Radjedef placed the god Ra above all other gods, viewing himself as the son of Râ in persona. At this time however, the title of Son of Ra, Sa-Rê, was only a mere emendation of the nswt-bity crest, thus, at these early times in Egyptian history, nomen and prenomen were most likely one and the same name. It is only from the later Middle Kingdom period onwards that the mention Sa-Rê was placed, together with the niswt-bity title, the title Sa-Rê was used to introduce this new name of the king and thus became a new Great name. After the Middle Kingdom pharaohs often used both their prenomen and nomen in separate cartouches, which led to confusion amongst Egyptologists. Whilst Manetho gives Hellenized versions of the nomen of the kings and it is therefore difficult to discern which nomen belongs with which prenomen. In addition, many ruler of later periods used the cartouche-versions of their nomen and prenomen separately in inscriptions, thus, it is only in inscriptions that give both names side by side that these can be securely associated with any given king
Nomen (Ancient Egypt)
–
Cartouche name of king Khafra with the Niswt-Bity name and the Sa-Rê title inside
39.
Homonym
–
In linguistics, a homonym is one of a group of words that share the same pronunciation but have different meanings, whether spelled the same or not. A more restrictive definition sees homonyms as words that are simultaneously homographs and homophones – that is to say they have same pronunciation and spelling, the relationship between a set of homonyms is called homonymy. Examples of homonyms are the pair stalk and stalk and the left and left. In non-technical contexts, the term homonym may be used to refer to words that are either homographs or homophones. The words row and row and row are considered homographs, while the read and reed would be considered homophones, under this looser definition. The adjective homonymous can additionally be used wherever two items share the name, independent of how close they are or arent related in terms of their meaning or etymology. The word homonym comes from the Greek ὁμώνυμος, meaning having the same name, thus, it refers to two or more distinct concepts sharing the same name or signifier. Note, for the h sound, see rough breathing and smooth breathing, several similar linguistic concepts are related to homonymy. These include, Homographs are usually defined as words that share the same spelling, if they are pronounced the same then they are also homophones – for example, bark and bark. If they are pronounced differently then they are also heteronyms – for example, homophones are usually defined as words that share the same pronunciation, regardless of how they are spelled. If they are spelled the same then they are also homographs, homographic examples include rose and rose. Heterographic examples include to, too, two, and there, their, they’re, due to their similar yet non-identical pronunciation in American English, ladder and latter do not qualify as homophones, but rather synophones. Heteronyms are the subset of homographs that have different pronunciations, such words include desert and desert, tear and tear, row and row. Heteronyms are also sometimes called heterophones, polysemes are words with the same spelling and distinct but related meanings. The distinction between polysemy and homonymy is often subtle and subjective, and not all sources consider polysemous words to be homonyms. Words such as mouth, meaning either the orifice on ones face, or the opening of a cave or river, are polysemous, capitonyms are words that share the same spelling but have different meanings when capitalized. Such words include polish and Polish, march and March, however, both polish and march at the beginning of sentences still need to be capitalized. A further example of a homonym, which is both a homophone and a homograph, is fluke, fluke can mean, A fish, and a flatworm
Homonym
–
Venn diagram showing the relationships between homonyms (between blue and green) and related linguistic concepts.
40.
Fourth dynasty of Egypt
–
The Fourth Dynasty of ancient Egypt is characterized as a golden age of the Old Kingdom. Dynasty IV lasted from c. 2613 to 2494 BC and it was a time of peace and prosperity as well as one during which trade with other countries is documented. Dynasties III, IV, V and VI are often combined under the title the Old Kingdom. The capital at time was Memphis. The Fourth Dynasty heralded the height of the pyramid-building age, the relative peace of the Third Dynasty allowed the Dynasty IV rulers the leisure to explore more artistic and cultural pursuits. Sneferu’s building experiments led to the evolution from the mastaba styled step pyramids to the smooth sided “true” pyramids, no other period in Egypt’s history equaled Dynasty IV’s architectural accomplishments. Each of the rulers of this dynasty commissioned at least one pyramid to serve as a tomb or cenotaph, the pharaohs of the Fourth Dynasty ruled for approximately 120 years, from c. 2613 to 2494 BC. The names in the table are taken from Dodson and Hilton and he also constructed a number of smaller step pyramids, making him the most prolific pyramid builder of the era. It is said that Sneferu had more stone and brick moved than any other pharaoh, sneferus chief wife was Hetepheres I, his half-sister and the mother of his son Khufu. His other two wives bore him more children, a well-liked ruler, Sneferu bolstered the power of the ruling family line by giving official titles and positions to relatives. He maintained control over the nobility by keeping a tight rein on lands and he conducted military excursions into Sinai, Nubia, Libya, and began trade arrangements with Lebanon for the acquisition of cedar. Surviving from this era are the records of Egyptian contact with her neighbors. They are recorded on the Palermo stone, information carved on the stone pre-dates and antedates this dynasty. Objects dating to the reign of Khafre have been found farther away, at Ebla. Khufu is the ruler who is known in Greek as Χέοψ = Cheops and his son is Khafre and his grandson is Menkaure. All of these rulers achieved lasting fame in the construction of their pyramids at Giza. In fact, recent excavations outside the Wall of the Crow by Dr. Mark Lehner have uncovered a city which seems to have housed, fed. Some records indicate that each household was responsible for providing a worker for civic projects, civic duties were not necessarily building projects, there were duties for the temples, libraries, and festivals as well, and both men and women filled some of the positions
Fourth dynasty of Egypt
–
Statue of
Menkaura, flanked by
Hathor and
Bat to lend authority to the rule of the pharaoh
Fourth dynasty of Egypt
–
Fragment of the
Palermo Stone which documents the arrival of ships during the reign of Sneferu - Petrie Museum, London
41.
Senusret I
–
Senusret I, also anglicized as Sesostris I and Senwosret I, was the second pharaoh of the Twelfth Dynasty of Egypt. He ruled from 1971 BC to 1926 BC, and was one of the most powerful kings of this Dynasty and he was the son of Amenemhat I and his wife Nefertitanen. His wife and sister was Neferu and she was also the mother of the successor Amenemhat II. Senusret I was known by his prenomen, Kheperkare, which means the Ka of Re is created and he also organized an expedition to a Western Desert oasis. Senusret I established diplomatic relations with rulers of towns in Syria. He also tried to centralize the countrys political structure by supporting nomarchs who were loyal to him and his pyramid was constructed at el-Lisht. Senusret I dispatched several quarrying expeditions to the Sinai and Wadi Hammamat and built numerous shrines and temples throughout Egypt and he rebuilt the important temple of Re-Atum in Heliopolis which was the centre of the sun cult. He erected 2 red granite obelisks there to celebrate his Year 30 Heb Sed Jubilee, one of the obelisks still remains and is the oldest standing obelisk in Egypt. It is now in the Al-Masalla area of Al-Matariyyah district near the Ain Shams district and it is 67 feet tall and weighs 120 tons or 240,000 pounds. A shrine with fine, high quality reliefs of Senusret I, was built at Karnak to commemorate his Year 30 jubilee and it has subsequently been successfully reconstructed from various stone blocks discovered by Henri Chevrier in 1926. Finally, Senusret remodelled the Temple of Khenti-Amentiu Osiris at Abydos, some of the key members of the court of Senusret I are known. The vizier at the beginning of his reign was Intefiqer, who is known from many inscriptions and he seems to have held this office for a long period of time and was followed by a vizier named Senusret. Two treasurers are known from the reign of the king, Sobekhotep and Mentuhotep, the latter had a huge tomb next to the pyramid of the king and he seems to have been the main architect of the Amun temple at Karnak. Hor is known from several stelae and from an inscription in the Wadi el-Hudi where he was evidently the leader of an expedition for amethyst, one of the stelae is dated to year nine of the king. A certain Nakhr followed in office attested around year 12 of the king, a certain Antef, son of a woman called Zatamun is known again from several stelae, one dates to year 24 another one to year 25 of Senusret I. Another Antef was the son a woman called Zatuser and was most likely also high steward in the kings reign, Senusret was crowned coregent with his father, Amenemhat I, in his fathers 20th regnal year. Towards the end of his own life, he appointed his son Amenemhat II as his coregent, the stele of Wepwawetō is dated to the 44th year of Senusret and to the 2nd year of Amenemhet, thus he would have appointed him some time in his 43rd year. Senusret is thought to have died during his 46th year on the throne since the Turin Canon ascribes him a reign of 45 Years, loyalist Teaching Senusret Kheperkare Sesostris I
Senusret I
–
Heliopolis obelisk (Senusret I)
Senusret I
–
Bust of Senusret I in the Neues Museum, Berlin
Senusret I
–
Osiride statue (Senusret I)
Senusret I
–
Stone weight with Senusret I's cartouche
42.
Beni Hasan
–
Beni Hasan is an Ancient Egyptian cemetery site. It is located approximately 20 kilometers to the south of modern-day Minya in the known as Middle Egypt. While there are some Old Kingdom burials at the site, it was used during the Middle Kingdom. To the south of the cemetery is a temple constructed by Hatshepsut and Thutmose III and it is known as the Cave of Artemis, because the Greeks identified Pakhet with Artemis, and the temple is subterranean. Provincial governors in the Middle Kingdom continued to be buried in decorated rock-cut tombs in their cemeteries, carried over from the First Intermediate Period. There is evidence of a re-organization of the system of government during the 12th Dynasty, in the 12th Dynasty the power of the Nomarchs began to be curtailed, and provincial governors were appointed or at least confirmed by the king. There are 39 ancient tombs here of Middle Kingdom nomarchs of the Oryx nome, due to the quality of, and distance to the cliffs in the west, these tombs were constructed on the east bank. There is a distribution in this cemetery associated with the different levels of resources available to the deceased. At this site, the provincial high elite were buried in large and elaborately decorated tombs carved into the cliffs near the provincial capital. These tombs lie in a row on a north-south axis, there is a slight break in the natural rock terrace, on to which they open, that divides the thirty-nine high status tombs into two groups. The basic design of these tombs was an outer court. Some of the tombs have biographical inscriptions and were painted with scenes of daily life. They are famous for the quality of their paintings, nowadays, many of these scenes are in poor condition, though in the 19th century copies were made of several of them. Four out of the 39 tombs are accessible to the public, notable tombs are, Tomb 2 – Amenemhat, known as Ameny, nomarch under Senusret I. Tomb 3 – Khnumhotep II, notable for the depiction of caravans of Semitic traders, Tomb 4 – Khnumhotep IV, nomarch during the late 12th Dynasty. Tomb 13 – Khnumhotep, royal scribe during the 12th Dynasty, Tomb 14 – Khnumhotep I, nomarch under Amenemhat I. Tomb 15 – Baqet III, notable for the depiction of wrestling techniques, Tomb 17 – Khety, nomarch during the 11th Dynasty, son of Baqet, notable for depiction of what may be ball games. Tomb 21 – Nakht, nomarch during the 12th Dynasty, Tomb 23 – Netjernakht, overseer of the Eastern Desert during the 12th dynasty
Beni Hasan
–
The tombs of Khety and
Baqet III.
Beni Hasan
–
Detail of the wrestling scenes in tomb 15.
43.
Eighteenth Dynasty
–
The eighteenth dynasty of ancient Egypt is the best known ancient Egyptian dynasty. It boasts several of Egypts most famous pharaohs, including Tutankhamun, the dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmosis. Famous pharaohs of Dynasty XVIII include Hatshepsut, longest-reigning woman-pharaoh of a dynasty, and Akhenaten. Dynasty XVIII is the first of the three dynasties of the Egyptian New Kingdom, the period in which ancient Egypt reached the peak of its power, radiocarbon dating suggests that Dynasty XVIII may have started a few years earlier than the conventional date of 1550 BC. The radiocarbon date range for its beginning is 1570–1544 BC, the point of which is 1557 BC. The pharaohs of Dynasty XVIII ruled for two hundred and fifty years. The dates and names in the table are taken from Dodson and Hilton, many of the pharaohs were buried in the Valley of the Kings in Thebes. More information can be found on the Theban Mapping Project website, several diplomatic marriages are known for the New Kingdom. These daughters of kings are often only mentioned in cuneiform texts and are not known from other sources. The marriages were likely a way to confirm good relations between these states, Dynasty XVIII was founded by Ahmose I, the brother or son of Kamose, the last ruler of the Dynasty XVII. Ahmose finished the campaign to expel the Hyksos rulers and his reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful, Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign the borders of Egypts empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates, Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut. Thutmose III who later became known as the greatest military pharaoh ever and he had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, the reign of Amenhotep III is seen as a high point in this dynasty. Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV, there is much debate about this proposed co-regency. Some experts believe there was a lengthy co-regency, while others prefer to see a short one, there are also many experts who believe no such co-regency existed at all
Eighteenth Dynasty
–
Head of an Early Eighteenth Dynasty King, ca. 1539-1493 B.C.,37.38E,
Brooklyn Museum
Eighteenth Dynasty
–
Block Statue of Ay, ca. 1336-1327 B.C.E. 66.174.1,
Brooklyn Museum
Eighteenth Dynasty
–
Ahmose-Nefertari.
Ahmose-Nefertari was the daughter of
Seqenenre Tao II, a 17th dynasty king who rose up against the
Hyksos. Her brother Ahmose, expelled the Hyksos, and she became queen of a united Egypt. She was deified after she died.
Eighteenth Dynasty
–
Amenhotep I gained the throne after his two elder brothers had died. He was the son of Ahmose and Ahmose-Nefertari. He was succeeded by Thutmose I who married his daughter, Ahmose.
44.
Thutmose III
–
Thutmose III was the sixth Pharaoh of the Eighteenth Dynasty. During the first 22 years of Thutmoses reign he was co-regent with his stepmother and aunt, Hatshepsut, while he was shown first on surviving monuments, both were assigned the usual royal names and insignia and neither is given any obvious seniority over the other. He served as the head of her armies, during the final 2 years of his reign, he appointed his son and successor, Amenhotep II, as his junior co-regent. His firstborn son and heir to the throne, Amenemhat, predeceased Thutmose III, when Thutmose III died, he was buried in the Valley of the Kings as were the rest of the kings from this period in Egypt. Thutmose III was the son of Thutmose II by a secondary wife and his fathers great royal wife was Queen Hatshepsut. Her daughter Neferure was Thutmoses half-sister, Thutmosis III had little power over the empire while Hatshepsut exercised the formal titulary of kingship. Her rule was quite prosperous and marked by great advancements, when he reached a suitable age and demonstrated the capability, she appointed him to head her armies. Thutmosis III had several wives, Satiah, She may have been the mother of his firstborn son, an alternative theory is that the boy was the son of Neferure. Thutmoses successor, the prince and future king Amenhotep II, was the son of Merytre-Hatshepsut. Additional children include Menkheperre and daughters named Nebetiunet, Meryetamun, Meryetamun, Merytre-Hatshepsut was the daughter of the divine adoratrice Huy. Nebtu, she is depicted on a pillar in Thutmose IIIs tomb, menwi, Merti, Menhet three foreign wives. Neferure, Thutmose III may have married his half-sister, but there is no evidence for this marriage. It has been suggested that Neferure, instead of Satiah, may have been the mother of Amenemhat, Thutmose III reigned from 1479 BC to 1425 BC according to the Low Chronology of Ancient Egypt. This has been the conventional Egyptian chronology in academic circles since the 1960s and this document has no note of the place of observation, but it can safely be assumed that it was taken in either a Delta city such as Memphis or Heliopolis, or in Thebes. These two latitudes give dates 20 years apart, the High and Low chronologies, respectively, the length of Thutmose IIIs reign is known to the day thanks to information found in the tomb of the military commander Amenemheb-Mahu. Amenemheb-Mahu records Thutmose IIIs death to his masters 54th regnal year, widely considered a military genius by historians, Thutmose III made 16 raids in 20 years. He was an active expansionist ruler, sometimes called Egypts greatest conqueror or the Napoleon of Egypt and he is recorded to have captured 350 cities during his rule and conquered much of the Near East from the Euphrates to Nubia during seventeen known military campaigns. He was the first Pharaoh after Thutmose I to cross the Euphrates and his campaign records were transcribed onto the walls of the temple of Amun at Karnak, and are now transcribed into Urkunden IV
Thutmose III
–
Thutmosis III statue in
Luxor Museum
Thutmose III
–
Obelisk of Thutmosis III, at the base showing
Theodosius the Great (Roman Emperor, 379-395). The obelisk is now located in Istanbul, Turkey
Hippodrome of Constantinople. In 390, Theodosius had the obelisk cut into three pieces and brought to Constantinople. Only the top part survives, and it stands today where he placed it, on a marble pedestal.
Thutmose III
–
Thutmose III smiting his enemies. Relief on the seventh pylon in
Karnak.
Thutmose III
–
Thutmose's tekhen waty, today standing in Rome as the
Lateran obelisk. The move from Egypt to Rome was initiated by
Constantine the Great (Roman Emperor, 324-337) in 326, though he died before it could be shipped out of Alexandria. His son, the Emperor
Constantius II completed the transfer in 357. An account of the shipment was written by contemporary historian
Ammianus Marcellinus.
45.
Thebes, Egypt
–
Thebes, known to the ancient Egyptians as Waset, was an ancient Egyptian city located east of the Nile about 800 kilometers south of the Mediterranean. Its ruins lie within the modern Egyptian city of Luxor, Thebes was the main city of the fourth Upper Egyptian nome. It was close to Nubia and the desert, with their valuable mineral resources. It was a center and the wealthiest city of ancient Egypt at its heyday. The Ancient Egyptians originally knew Thebes as Wose or Wase A was was the scepter of the pharaohs, a staff with an animals head. Thebes is the Latinized form of the Greek Thebai, the form of the Demotic Egyptian Ta-pe. This was the name not for the city itself but for the Karnak temple complex on the northern east bank of the city. As early as Homers Iliad, the Greeks distinguished the Egyptian Thebes as Thebes of the Hundred Gates, as opposed to the Thebes of the Seven Gates in Boeotia, from the end of the New Kingdom, Thebes was known in Egyptian as Niwt-Imn, the City of Amun. Amun was the chief of the Theban Triad of gods whose other members were Mut and this name appears in the Bible as the Nōʼ ʼĀmôn of the Book of Nahum and probably also as the No mentioned in Ezekiel and Jeremiah. In the interpretatio graeca, Amun was seen as a form of Zeus, the name was therefore translated into Greek as Diospolis, the City of Zeus. To distinguish it from the other cities by this name. The Greek names came into use after the conquest of Egypt by Alexander the Great. Thebes was located along the banks of the Nile River in the part of Upper Egypt about 800 km from the Delta. It was built largely on the plains of the Nile Valley which follows a great bend of the Nile. As a natural consequence, the city was laid in a northeast-southwest axis parallel to the river channel. Thebes had an area of 93 km2 which included parts of the Theban Hills in the west that culminates at the sacred 420-meter al-Qurn, in the east lies the mountainous Eastern Desert with its wadis draining into the valley. Significant of these wadis is Wadi Hammamat near Thebes and it was used as an overland trade route going to the Red Sea coast. In the fourth Upper Egyptian nome, Thebes was found to have neighboring towns such as Per-Hathor, Madu, Djerty, Iuny, Sumenu, according to George Modelski, Thebes had about 40,000 inhabitants in 2000 BC
Thebes, Egypt
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Egypt - Temple of Seti, east entrance, Thebes. Brooklyn Museum Archives, Goodyear Archival Collection
Thebes, Egypt
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Luxor Temple
Thebes, Egypt
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The Theban Necropolis
46.
Cyperus papyrus
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Cyperus papyrus is a species of aquatic flowering plant belonging to the sedge family Cyperaceae. It is a herbaceous perennial, native to Africa. Papyrus sedge has a long history of use by humans, notably by the Ancient Egyptians—it is the source of papyrus paper. Parts of the plant can be eaten, and the highly buoyant stems can be made into boats and it is now often cultivated as an ornamental plant. In nature, it grows in sun, in flooded swamps, and on lake margins throughout Africa, Madagascar. C. papyrus and the dwarf cultivar C. papyrus Nanus have gained the Royal Horticultural Societys Award of Garden Merit and this tall, robust, leafless aquatic plant can grow 4 to 5 m high. It forms a clump of triangular green stems that rise up from thick. Each stem is topped by a cluster of thin, bright green, thread-like stems around 10 to 30 cm in length. Greenish-brown flower clusters eventually appear at the ends of the rays, giving way to brown, the younger parts of the rhizome are covered by red-brown, papery, triangular scales, which also cover the base of the culms. Botanically, these represent reduced leaves, so strictly it is not quite correct to call this plant fully leafless, Egyptians used the plant for many purposes, most famously for making papyrus. Its name in Greek and in English is widely believed to have come from Egyptian, Cyperus papyrus is now used mainly for decoration, as it is nearly extinct in its native habitat in the Nile Delta, where in ancient times it was widely cultivated. Theophrastus History of Plants states that it grew in Syria, and according to Plinys Natural History, it was also a plant of the Niger River. Aside from papyrus, several members of the genus Cyperus may also have been involved in the multiple uses Egyptians found for the plant. Its flowering heads were linked to make garlands for the gods in gratitude, the pith of young shoots was eaten both cooked and raw. Its woody root made bowls and other utensils and was burned for fuel, from the stems were made reed boats, sails, mats, cloth, cordage, and sandals. The rush or reed basket in which the Biblical figure Moses was abandoned may have made from papyrus. The adventurer Thor Heyerdahl built two boats from papyrus, Ra and Ra II, in an attempt to demonstrate that ancient African or Mediterranean people could have reached America and he succeeded in sailing Ra II from Morocco to Barbados. Fishermen in the Okavango Delta use small sections of the stem as floats for their nets, papyrus can be found in tropical rain forests, tolerating annual temperatures of 20 to 30 °C and a pH of 6.0 to 8.5
Cyperus papyrus
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Cyperus papyrus
Cyperus papyrus
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Papyrus plant (Cyperus papyrus) at Kew Gardens, London
Cyperus papyrus
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Papyrus paper
Cyperus papyrus
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Papyrus growing wild on the banks of the Nile in
Uganda
47.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
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A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
48.
Ancient Egyptian architecture
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The core of the pyramids consisted of locally quarried stone, mudbricks, sand or gravel. For the casing stones were used that had to be transported from farther away, predominantly white limestone from Tura, Ancient Egyptian houses were made out of mud collected from the Nile river. It was placed in molds and left to dry in the hot sun to harden for use in construction, others are inaccessible, new buildings having been erected on ancient ones. Fortunately, the dry, hot climate of Egypt preserved some mud brick structures, examples include the village Deir al-Madinah, the Middle Kingdom town at Kahun, and the fortresses at Buhen and Mirgissa. Also, many temples and tombs have survived because they were built on high ground unaffected by the Nile flood and were constructed of stone, in a similar manner, the incised and flatly modeled surface adornment of the stone buildings may have derived from mud wall ornamentation. Exterior and interior walls, as well as the columns and piers, were covered with hieroglyphic and pictorial frescoes, many motifs of Egyptian ornamentation are symbolic, such as the scarab, or sacred beetle, the solar disk, and the vulture. Other common motifs include leaves, the papyrus plant. Hieroglyphs were inscribed for decorative purposes as well as to record historic events or spells, in addition, these pictorial frescoes and carvings allow us to understand how the Ancient Egyptians lived, statuses, wars that were fought and their beliefs. This was especially true when exploring the tombs of Ancient Egyptian officials in recent years, Ancient Egyptian temples were aligned with astronomically significant events, such as solstices and equinoxes, requiring precise measurements at the moment of the particular event. Measurements at the most significant temples may have been undertaken by the Pharaoh himself. The Giza Necropolis stands on the Giza Plateau, on the outskirts of Cairo and this complex of ancient monuments is located some 8 kilometers inland into the desert from the old town of Giza on the Nile, some 20 kilometers southwest of Cairo city center. The pyramids, which were built in the Fourth Dynasty, testify to the power of the pharaonic religion and they were built to serve both as grave sites and also as a way to make their names last forever. The size and simple design show the skill level of Egyptian design. The pyramid of Khafre is believed to have been completed around 2532 BC, Khafre ambitiously placed his pyramid next to his fathers. It is not as tall as his fathers pyramid but he was able to give it the impression of appearing taller by building it on a site with a foundation 33 feet higher than his fathers. Along with building his pyramid, Chefren commissioned the building of the giant Sphinx as guardian over his tomb, the face of a human, possibly a depiction of the pharaoh, on a lions body was seen as a symbol of divinity among the Greeks fifteen hundred years later. The Great Sphinx is carved out the bedrock and stands about 65 feet tall. Menkaures pyramid dates to circa 2490 BC and stands 213 feet high making it the smallest of the Great Pyramids, popular culture leads people to believe that Pyramids are highly confusing, with many tunnels within the pyramid to create confusion for grave robbers
Ancient Egyptian architecture
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The well preserved
Temple of Horus at Edfu is an example of Egyptian architecture and
architectural sculpture.
Ancient Egyptian architecture
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Drawings of the types of the architectural capitals specific for the Ancient Egyptian civilization.
Ancient Egyptian architecture
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The Pyramids of Giza
Ancient Egyptian architecture
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The hypostyle hall of Karnak Temple
49.
Egyptian Revival architecture
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Egyptian revival is an architectural style that uses the motifs and imagery of ancient Egypt. It is attributed generally to the awareness of ancient Egyptian monuments generated by Napoleons conquest of Egypt. Napoleon took an expedition with him to Egypt. Publication of the work, the Description de lÉgypte, began in 1809 and was published as a series through 1826. However, works of art and architecture in the Egyptian style had made or built occasionally on the European continent. The most important example is probably Gian Lorenzo Berninis obelisk in the Piazza Navona in Rome, others may be found at Belan, County Kildare, and Dangan, County Meath. The Casteltown Folly in County Kildare is probably the best known, Egyptian buildings had also been built as garden follies. The most elaborate was probably the one built by Frederick I and it included an Egyptian bridge across which guests walked to reach an island with an elaborate Egyptian-influenced bath house. Designed by the court architect, Jean Baptiste Kleber, the building had a billiards room. New after the Napoleonic invasion was a increase of the number of works of art. In France and Britain this was at least partially inspired by successful war campaigns undertaken by each country while in Egypt, according to David Brownlee, the 1798 Karlsruhe Synagogue, an early building by the influential Friedrich Weinbrenner was the first large Egyptian building to be erected since antiquity. According to Diana Muir Appelbaum, it was the first public building in the Egyptian revival style, a street or passage named the Place du Caire or Foire du Caire was built in Paris in 1798 on the former site of the convent of the Filles de la Charité. In 1828 a building with Egyptianizing detail including large Hathor heads, among the earliest monuments of the Egyptian revival in Paris is the Fontaine du Fellah in Paris, built in 1806. It was designed by François-Jean Bralle, a well-documented example, destroyed after Napoleon was deposed, was the monument to General Louis Desaix in the Place des Victoires was built in 1810. It featured a statue of the general and an obelisk. Another example of a still standing site of Egyptian Revival is the Egyptian Gate of Tsarskoe Selo, one of the first British buildings to show an Egyptian revival interior was the newspaper office of the Courier on the Strand in London. It was built in 1804 and featured a cavetto cornice and Egyptian-influenced columns with palmiform capitals, Egyptian revival architecture enjoyed considerable popularity in other countries as well. The most notable Egyptian structure in the United States was the Washington Monument, begun in 1848, the South African College in the then-British Cape Colony features an Egyptian building constructed in 1841, the Egyptian revival building of the Cape Town Hebrew Congregation is also still standing
Egyptian Revival architecture
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Egyptian Hall (1812) in London
Egyptian Revival architecture
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Foire du Caire building (1828) in Paris
Egyptian Revival architecture
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The Egyptian Gates (1827–30) in Tsarskoe Selo, St. Petersburg
Egyptian Revival architecture
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4th Precinct Police Station (1836) in New Orleans
50.
Art of ancient Egypt
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Ancient Egyptian art is the painting, sculpture, architecture and other arts produced by the civilization of ancient Egypt in the lower Nile Valley from about 3000 BC to 30 AD. Ancient Egyptian art reached a level in painting and sculpture. It was famously conservative, and Egyptian styles changed remarkably little over more than three thousand years, much of the surviving art comes from tombs and monuments and thus there is an emphasis on life after death and the preservation of knowledge of the past. Ancient Egyptian art included paintings, sculpture in wood, stone and ceramics, drawings on papyrus, faience, jewelry, ivories and it displays an extraordinarily vivid representation of the ancient Egyptians socioeconomic status and belief systems. This appears as early as the Narmer Palette from Dynasty I, other conventions make statues of males darker than females ones. Egyptian art uses hierarchical proportion, where the size of figures indicates their relative importance, symbolism can be observed throughout Egyptian art and played an important role in establishing a sense of order. The pharaohs regalia, for example, represented his power to maintain order, animals were also highly symbolic figures in Egyptian art. Not all Egyptian reliefs were painted, and less prestigious works in tombs, Stone surfaces were prepared by whitewash, or if rough, a layer of coarse mud plaster, with a smoother gesso layer above, some finer limestones could take paint directly. Pigments were mostly mineral, chosen to withstand sunlight without fading. The binding medium used in painting remains unclear, egg tempera and various gums and it is clear that true fresco, painted into a thin layer of wet plaster, was not used. Instead the paint was applied to dried plaster, in what is called fresco a secco in Italian, small objects including wooden statuettes were often painted using similar techniques. Many ancient Egyptian paintings have survived in tombs, and sometimes temples, the paintings were often made with the intent of making a pleasant afterlife for the deceased. The themes included journey through the afterworld or protective deities introducing the deceased to the gods of the underworld, some tomb paintings show activities that the deceased were involved in when they were alive and wished to carry on doing for eternity. In the New Kingdom and later, the Book of the Dead was buried with the entombed person and it was considered important for an introduction to the afterlife. Egyptian paintings are painted in such a way to show a profile view, for example, the painting to the right shows the head from a profile view and the body from a frontal view. Their main colors were red, blue, green, gold, black, the monumental sculpture of ancient Egypts temples and tombs is world-famous, but refined and delicate small works exist in much greater numbers. The Egyptians used the technique of sunk relief, which is well suited to very bright sunlight. The distinctive pose of standing statues facing forward with one foot in front of the other was helpful for the balance and it was adopted very early and remained unchanged until the arrival of the Greeks
Art of ancient Egypt
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Thutmose,
Bust of Nefertiti, 1345 BC,
Egyptian Museum of Berlin
Art of ancient Egypt
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Sunk relief of the crocodile god
Sobek
Art of ancient Egypt
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Tomb of Sarenput II.
Art of ancient Egypt
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Wall painting of
Nefertari
