The Annunziata Polyptych is a painting cycle started by Filippino Lippi and finished by Pietro Perugino, whose central panel is now divided between the Galleria dell'Accademia and the Basilica dell'Annunziata, both in Florence, Italy. The polyptych had other six panels, which are housed in the Lindenau-Museum of Altenburg, the Metropolitan Museum of New York City, the Galleria Nazionale d'Arte Antica in Rome and in a private collection in South Africa.
Annunziata Polyptych
The Assumption of the Virgin, c. 1506, Pietro Perugino (Florence, SS. Annunziata, Cappella Rabatta)
Saint Lucy from the side panels of the polyptych [1].
Filippino Lippi was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.
Self-portrait – detail from the Brancacci Chapel fresco The Dispute with Simon Magus (1481–1482), Santa Maria del Carmine, Florence, Italy
Apparition of The Virgin to St. Bernard (1485–1487)
Allegory of Music (c. 1500), tempera on panel, 61 × 51 cm. Gemaldegalerie, Berlin, Germany
Mystic Wedding of St Catherine (1501) Basilica of San Domenico, Bologna, Italy