Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this q
Artist's Shit (Italian: Merda d'artista) is a 1961 artwork by the Italian artist Piero Manzoni, which consists of 90 tin cans, each reportedly filled with 30 grams (1.1 oz) of faeces. One of his friends, Enrico Baj, said that the cans were meant as "an act of defiant mockery of the art world, artists, and art criticism".
Marcel Duchamp, Fountain, 1917. Photograph by Alfred Stieglitz
Illustration of Le rire (1887). First shown 1883 at an "Incohérents" exhibition by Arthur Sapeck (Eugène Bataille).
Dada or Dadaism was an international art movement that developed in the context of World War I, its aftermath, and the Futurist movement. First established in Zürich, Switzerland, it later quickly spr
Anti-art
…general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I around 1914, when he began to use found objects as art. It was…
Grand opening of the first Dada exhibition: International Dada Fair, Berlin, 5 June 1920. The central figure hanging from the ceiling is an effigy of a German officer with a pig's head. From left to right: Raoul Hausmann, Hannah Höch (sitting), Otto Burchard, Johannes Baader, Wieland Herzfelde, Margarete Herzfelde, Dr. Oz (Otto Schmalhausen), George Grosz and John Heartfield.
Cover of the first edition of the publication Dada, Tristan Tzara; Zürich, 1917
Francis Picabia: left, Le saint des saints c'est de moi qu'il s'agit dans ce portrait, 1 July 1915; center, Portrait d'une jeune fille americaine dans l'état de nudité, 5 July 1915; right, J'ai vu et c'est de toi qu'il s'agit, De Zayas! De Zayas! Je suis venu sur les rivages du Pont-Euxin, New York, 1915[clarification needed]
Francis Picabia, Dame! Illustration for the cover of the periodical Dadaphone, n. 7, Paris, March 1920