1.
Kingdom of Bohemia
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The Kingdom of Bohemia, sometimes in English literature referred to as the Czech Kingdom, was a medieval and early modern monarchy in Central Europe, the predecessor of the modern Czech Republic. It was an Imperial State in the Holy Roman Empire, the kings of Bohemia, besides Bohemia ruled also the Lands of the Bohemian Crown, which at various times included Moravia, Silesia and parts of Saxony, Brandenburg and Bavaria. Numerous kings of Bohemia were also elected Holy Roman Emperors and the capital Prague was the seat in the late 14th century. After the dissolution of the Holy Roman Empire in 1806, the became part of the Habsburg Austrian Empire. The Czech language was the language of the Diet and the nobility until 1627. German was then formally made equal with Czech and eventually prevailed as the language of the Diet until the Czech national revival in the 19th century. German was also used as the language of administration in many towns after Germans immigrated and populated some areas of the country in the 13th century. The royal court used the Czech, Latin, and German languages, depending on the ruler, following the defeat of the Central Powers in World War I, both the Kingdom and Empire were dissolved. Bohemia became the part of the newly formed Czechoslovak Republic. In 1204 Ottokars royal status was accepted by Otto IV as well as by Pope Innocent III and it was officially recognized in 1212 by the Golden Bull of Sicily issued by Emperor Frederick II, elevating the Duchy of Bohemia to Kingdom status. Under these terms, the Czech king was to be exempt from all obligations to the Holy Roman Empire except for participation in the imperial councils. The imperial prerogative to ratify each Bohemian ruler and to appoint the bishop of Prague was revoked, the kings successor was his son Wenceslaus I, from his second marriage. Corresponding with the Pope, she established the Knights of the Cross with the Red Star in 1233, four other military orders were present in Bohemia, the Order of St. John of Jerusalem from c. 1160, the Order of Saint Lazarus from the late 12th century, 1200–1421, and the Knights Templar from 1232–1312. The 13th century was the most dynamic period of the Přemyslid reign over Bohemia, at the same time, the Mongol invasions absorbed the attention of Bohemias eastern neighbors, Hungary and Poland. Přemysl Ottokar II married a German princess, Margaret of Babenberg and he thereby acquired Upper Austria, Lower Austria, and part of Styria. He conquered the rest of Styria, most of Carinthia, and he was called the king of iron and gold. He campaigned as far as Prussia, where he defeated the natives and in 1256, founded a city he named Královec in Czech
2.
Rome
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Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
3.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
4.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
5.
Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
6.
Sudeten Germans
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German Bohemians, later known as the Sudeten Germans, were ethnic Germans living in the lands of the Bohemian Crown, which later became an integral part of the state of Czechoslovakia. Ethnic Germans migrated into Bohemia, a part of the Holy Roman Empire, since the 11th century, mostly in the regions of the Sudetenland. They became known as the Sudeten Germans after the fall of the Austro-Hungarian monarchy, after 1945, most ethnic Germans were expelled from Czechoslovakia to Germany and Austria. The area that became known as the Sudetenland possessed chemical works and lignite mines, as well as textile, china, the Bohemian border with Bavaria was inhabited primarily by Germans. The Upper Palatine Forest, which extends along the Bavarian frontier, Moravia contained patches of locked German territory to the north and south. More characteristic were the German language islands, towns inhabited by German minorities and this form of separation continued until the end of the Second World War, when the Germans were expelled. In the English language, ethnic Germans that originated in the Kingdom of Bohemia were traditionally referred to as ″German Bohemians″ and this appellation utilizes the broad definition of Bohemia, which includes all of the three Bohemian crown lands, Bohemia, Moravia and Czech Silesia. In the German language, it is common to distinguish between the three lands, hence the prominent terms Deutschböhmen, Deutschmährer and Deutschschlesier. Even in German, however, the use of ″Bohemian″ is also found. The term ″Sudeten Germans″ came about during rising ethnic nationalism in the early 20th century and it coincided with the rise of another new term, ″the Sudetenland″, which referred only to the parts of the former Kingdom of Bohemia that were inhabited predominantly by ethnic Germans. These names were derived from the Sudeten Mountains, which form the border of the Czech lands. As these terms were used by the Nazi German regime to push forward the creation of a Greater Germanic Reich. There have been ethnic Germans living in the Bohemian crown lands since the Middle Ages, Czechs made up about 20 percent of the student body at the time of its founding, while the rest was primarily German. For centuries, German Bohemians played important roles in the economy, for example, forest glass production was a common industry among German Bohemians. Though they were living beyond the medieval Kingdom of Germany, an independent German Bohemian awareness, however, was not widespread, individuals were usually seen as Bohemians, Moravians, Silesians. With the rise of the Habsburgs in Bohemia after the 1620 Battle of White Mountain, increasingly, the Bohemian crown lands were ruled from the Austrian capital Vienna, which favored the dominance of both the German language and German culture. As the 19th century arrived, resistance to the German domination began to develop among the Czech population, each ethnicity, in regions in which they were the majority, tried to retain sovereignty over their own affairs. Czechs and Germans generally maintained separate schools, churches, and public institutions, nevertheless, despite this separation, it was not uncommon for Germans to understand some Czech, or for Czechs to speak some German
7.
German language
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German is a West Germanic language that is mainly spoken in Central Europe. It is the most widely spoken and official language in Germany, Austria, Switzerland, South Tyrol, the German-speaking Community of Belgium and it is also one of the three official languages of Luxembourg. Major languages which are most similar to German include other members of the West Germanic language branch, such as Afrikaans, Dutch, English, Luxembourgish and it is the second most widely spoken Germanic language, after English. One of the languages of the world, German is the first language of about 95 million people worldwide. The German speaking countries are ranked fifth in terms of publication of new books. German derives most of its vocabulary from the Germanic branch of the Indo-European language family, a portion of German words are derived from Latin and Greek, and fewer are borrowed from French and English. With slightly different standardized variants, German is a pluricentric language, like English, German is also notable for its broad spectrum of dialects, with many unique varieties existing in Europe and also other parts of the world. The history of the German language begins with the High German consonant shift during the migration period, when Martin Luther translated the Bible, he based his translation primarily on the standard bureaucratic language used in Saxony, also known as Meißner Deutsch. Copies of Luthers Bible featured a long list of glosses for each region that translated words which were unknown in the region into the regional dialect. Roman Catholics initially rejected Luthers translation, and tried to create their own Catholic standard of the German language – the difference in relation to Protestant German was minimal. It was not until the middle of the 18th century that a widely accepted standard was created, until about 1800, standard German was mainly a written language, in urban northern Germany, the local Low German dialects were spoken. Standard German, which was different, was often learned as a foreign language with uncertain pronunciation. Northern German pronunciation was considered the standard in prescriptive pronunciation guides though, however, German was the language of commerce and government in the Habsburg Empire, which encompassed a large area of Central and Eastern Europe. Until the mid-19th century, it was essentially the language of townspeople throughout most of the Empire and its use indicated that the speaker was a merchant or someone from an urban area, regardless of nationality. Some cities, such as Prague and Budapest, were gradually Germanized in the years after their incorporation into the Habsburg domain, others, such as Pozsony, were originally settled during the Habsburg period, and were primarily German at that time. Prague, Budapest and Bratislava as well as cities like Zagreb, the most comprehensive guide to the vocabulary of the German language is found within the Deutsches Wörterbuch. This dictionary was created by the Brothers Grimm and is composed of 16 parts which were issued between 1852 and 1860, in 1872, grammatical and orthographic rules first appeared in the Duden Handbook. In 1901, the 2nd Orthographical Conference ended with a standardization of the German language in its written form
8.
Denmark
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The term Danish Realm refers to the relationship between Denmark proper, the Faroe Islands and Greenland—three countries constituting the Kingdom of Denmark. The legal nature of the Kingdom of Denmark is fundamentally one of a sovereign state. The Faroe Islands and Greenland have been part of the Crown of Denmark since 1397 when the Kalmar Union was ratified, legal matters in The Danish Realm are subject to the Danish Constitution. Beginning in 1953, state law issues within The Danish Realm has been governed by The Unity of the Realm, a less formal name for The Unity of the Realm is the Commonwealth of the Realm. In 1978, The Unity of The Realm was for the first time referred to as rigsfællesskabet. The name caught on and since the 1990s, both The Unity of The Realm and The Danish Realm itself has increasingly been referred to as simply rigsfællesskabet in daily parlance. The Danish Constitution stipulates that the foreign and security interests for all parts of the Danish Realm are the responsibility of the Danish government, the Faroes received home rule in 1948 and Greenland did so in 1979. In 2005, the Faroes received a self-government arrangement, and in 2009 Greenland received self rule, the Danish Realms unique state of internal affairs is acted out in the principle of The Unity of the Realm. This principle is derived from Article 1 of the Danish Constitution which specifies that constitutional law applies equally to all areas of the Danish Realm, the Constitutional Act specifies that sovereignty is to continue to be exclusively with the authorities of the Realm. The language of Denmark is Danish, and the Danish state authorities are based in Denmark, the Kingdom of Denmarks parliament, with its 179 members, is located in the capital, Copenhagen. Two of the members are elected in each of Greenland and the Faroe Islands. The Government ministries are located in Copenhagen, as is the highest court, in principle, the Danish Realm constitutes a unified sovereign state, with equal status between its constituent parts. Devolution differs from federalism in that the powers of the subnational authority ultimately reside in central government. The Self-Government Arrangements devolves political competence and responsibility from the Danish political authorities to the Faroese, the Faroese and Greenlandic authorities administer the tasks taken over from the state, enact legislation in these specific fields and have the economic responsibility for solving these tasks. The Danish government provides a grant to the Faroese and the Greenlandic authorities to cover the costs of these devolved areas. The 1948 Home Rule Act of the Faroe Islands sets out the terms of Faroese home rule, the Act states. the Faroe Islands shall constitute a self-governing community within the State of Denmark. It establishes the government of the Faroe Islands and the Faroese parliament. The Faroe Islands were previously administered as a Danish county, the Home Rule Act abolished the post of Amtmand and these powers were expanded in a 2005 Act, which named the Faroese home government as an equal partner with the Danish government
9.
Dresden
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Dresden is the capital city and, after Leipzig, the second-largest city of the Free State of Saxony in Germany. It is situated in a valley on the River Elbe, near the border with the Czech Republic, Dresden has a long history as the capital and royal residence for the Electors and Kings of Saxony, who for centuries furnished the city with cultural and artistic splendour. The city was known as the Jewel Box, because of its baroque, the controversial American and British bombing of Dresden in World War II towards the end of the war killed approximately 25,000, many of whom were civilians, and destroyed the entire city centre. After the war restoration work has helped to reconstruct parts of the inner city, including the Katholische Hofkirche, the Zwinger. Since German reunification in 1990 Dresden is again a cultural, educational and political centre of Germany, the Dresden University of Technology is one of the 10 largest universities in Germany and part of the German Universities Excellence Initiative. The economy of Dresden and its agglomeration is one of the most dynamic in Germany and it is dominated by high-tech branches, often called as “Silicon Saxony”. The city is one of the most visited in Germany with 4,3 million overnight stays per year. The royal buildings are among the most impressive buildings in Europe, main sights are also the nearby National Park of Saxon Switzerland, the Ore Mountains and the countryside around Elbe Valley and Moritzburg Castle. The most prominent building in the city of Dresden is the Frauenkirche, built in the 18th century, the church was destroyed during World War II. The remaining ruins were left for 50 years as a war memorial, the church was rebuilt from 1994 to 2005. Although Dresden is a relatively recent city of Germanic origin followed by settlement of Slavic people, Dresdens founding and early growth is associated with the eastward expansion of Germanic peoples, mining in the nearby Ore Mountains, and the establishment of the Margraviate of Meissen. Its name etymologically derives from Old Sorbian Drežďany, meaning people of the forest, Dresden later evolved into the capital of Saxony. Around the late 12th century, a Slavic settlement called Drežďany had developed on the southern bank, another settlement existed on the northern bank, but its Slavic name is unknown. It was known as Antiqua Dresdin by 1350, and later as Altendresden, dietrich, Margrave of Meissen, chose Dresden as his interim residence in 1206, as documented in a record calling the place Civitas Dresdene. After 1270, Dresden became the capital of the margraviate and it was given to Friedrich Clem after death of Henry the Illustrious in 1288. It was taken by the Margraviate of Brandenburg in 1316 and was restored to the Wettin dynasty after the death of Valdemar the Great in 1319, from 1485, it was the seat of the dukes of Saxony, and from 1547 the electors as well. The Elector and ruler of Saxony Frederick Augustus I became King Augustus II the Strong of Poland in personal union and he gathered many of the best musicians, architects and painters from all over Europe to the newly named Royal-Polish Residential City of Dresden. His reign marked the beginning of Dresdens emergence as a leading European city for technology, during the reign of Kings Augustus II the Strong and Augustus III of Poland the Zwinger Royal Palace, the Hofkirche and the Frauenkirche were built
10.
Augustus III of Poland
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The only legitimate son of Augustus II of Poland, he followed his father’s example by joining the Roman Catholic Church in 1712. In 1719 he married Maria Josepha, daughter of the Holy Roman emperor Joseph I, chosen king by a small minority of electors on 5 October 1733, he drove his rival, the former Polish king Stanisław I, into exile. He was crowned in Kraków on 17 January 1734, and was recognised as king in Warsaw in June 1736. Augustus gave Saxon support to Austria against Prussia in the War of the Austrian Succession and his last years were marked by the increasing influence of the Czartoryski and Poniatowski families, and by the intervention of Catherine the Great in Polish affairs. His rule deepened the anarchy in Poland and increased the dependence on its neighbours. The reign of Augustus witnessed one of the greatest periods of disorder in Polish history, Augustus was the only legitimate son of Augustus II the Strong, Prince-Elector of Saxony and king of the Polish-Lithuanian Commonwealth who belonged to the Albertine line of the House of Wettin. His mother was Christiane Eberhardine of Brandenburg-Bayreuth, groomed to succeed his father as king of Poland, Augustus converted to Catholicism in 1712, when publicly announced, this caused discontent among the Protestant Saxon aristocracy. Upon the death of Augustus II in 1733, Augustus inherited the Saxon electorate and was elected to the Polish throne, with the support of the Russian Empire and the Holy Roman Empire. He was opposed by the forces of Stanisław I Leszczyński, who had usurped the throne with Swedish support during the Great Northern War, reigning from 1706 until 1709, Stanisław was overthrown after the Swedish defeat at Poltava. As King, Augustus was uninterested in the affairs of his Polish–Lithuanian dominion, focusing instead on hunting, the opera, Augustus delegated most of his powers and responsibilities in the Commonwealth to Heinrich von Brühl, who served in effect as the viceroy of Poland. Augustuss eldest surviving son, Frederick Christian of Saxony, succeeded his father as Elector, a Russian-supported coup détat in Poland, instigated by the Czartoryskis, resulted in the election of Stanisław August Poniatowski as king of Poland and Grand Duke of Lithuania on 7 September 1764. August was portrayed by Ernst Dernburg in the 1941 film Friedemann Bach, in Dresden on 20 August 1719, Augustus married Archduchess Maria Josepha of Austria, the eldest child of Joseph I, the Holy Roman Emperor. Bachs title of Koeniglicher Pohlnischer Hoff Compositeur is engraved on the page of Bachs famous Goldberg Variations. History of Saxony History of Poland Rulers of Saxony List of Lithuanian rulers Dresden Castle – Residence of Augustus III Bach, Johann Sebastian, Mass in B Minor, Cue points, Oregon Bach festival
11.
Roman Catholicism
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The Catholic Church, also known as the Roman Catholic Church or the Universal Church, is the largest Christian church, with more than 1.28 billion members worldwide. As one of the oldest religious institutions in the world, it has played a prominent role in the history, headed by the Bishop of Rome, known as the Pope, the churchs doctrines are summarised in the Nicene Creed and the Apostles Creed. Its central administration is located in Vatican City, enclaved within Rome, the Catholic Church is notable within Western Christianity for its sacred tradition and seven sacraments. It teaches that it is the one church founded by Jesus Christ, that its bishops are the successors of Christs apostles. The Catholic Church maintains that the doctrine on faith and morals that it declares as definitive is infallible. The Latin Church, the Eastern Catholic Churches, as well as such as mendicant orders and enclosed monastic orders. Among the sacraments, the one is the Eucharist, celebrated liturgically in the Mass. The church teaches that through consecration by a priest the sacrificial bread and wine become the body, the Catholic Church practises closed communion, with only baptised members in a state of grace ordinarily permitted to receive the Eucharist. The Virgin Mary is venerated in the Catholic Church as Queen of Heaven and is honoured in numerous Marian devotions. The Catholic Church has influenced Western philosophy, science, art and culture, Catholic spiritual teaching includes spreading the Gospel while Catholic social teaching emphasises support for the sick, the poor and the afflicted through the corporal and spiritual works of mercy. The Catholic Church is the largest non-government provider of education and medical services in the world, from the late 20th century, the Catholic Church has been criticised for its doctrines on sexuality, its refusal to ordain women and its handling of sexual abuse cases. Catholic was first used to describe the church in the early 2nd century, the first known use of the phrase the catholic church occurred in the letter from Saint Ignatius of Antioch to the Smyrnaeans, written about 110 AD. In the Catechetical Discourses of Saint Cyril of Jerusalem, the name Catholic Church was used to distinguish it from other groups that call themselves the church. The use of the adjective Roman to describe the Church as governed especially by the Bishop of Rome became more widespread after the Fall of the Western Roman Empire and into the Early Middle Ages. Catholic Church is the name used in the Catechism of the Catholic Church. The Catholic Church follows an episcopal polity, led by bishops who have received the sacrament of Holy Orders who are given formal jurisdictions of governance within the church. Ultimately leading the entire Catholic Church is the Bishop of Rome, commonly called the pope, in parallel to the diocesan structure are a variety of religious institutes that function autonomously, often subject only to the authority of the pope, though sometimes subject to the local bishop. Most religious institutes only have male or female members but some have both, additionally, lay members aid many liturgical functions during worship services
12.
Vatican City
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Vatican City, officially Vatican City State or the State of Vatican City, is a walled enclave within the city of Rome. With an area of approximately 44 hectares, and a population of 842, however, formally it is not sovereign, with sovereignty being held by the Holy See, the only entity of public international law that has diplomatic relations with almost every country in the world. It is an ecclesiastical or sacerdotal-monarchical state ruled by the Bishop of Rome – the Pope, the highest state functionaries are all Catholic clergy of various national origins. Vatican City is distinct from the Holy See, which dates back to early Christianity and is the episcopal see of 1.2 billion Latin. According to the terms of the treaty, the Holy See has full ownership, exclusive dominion, within Vatican City are religious and cultural sites such as St. Peters Basilica, the Sistine Chapel and the Vatican Museums. They feature some of the worlds most famous paintings and sculptures, the unique economy of Vatican City is supported financially by the sale of postage stamps and tourist mementos, fees for admission to museums, and the sale of publications. The name Vatican City was first used in the Lateran Treaty, signed on 11 February 1929, the name is taken from Vatican Hill, the geographic location of the state. Vatican is derived from the name of an Etruscan settlement, Vatica or Vaticum meaning garden, located in the area the Romans called vaticanus ager. The official Italian name of the city is Città del Vaticano or, more formally, Stato della Città del Vaticano, although the Holy See and the Catholic Church use Ecclesiastical Latin in official documents, the Vatican City officially uses Italian. The Latin name is Status Civitatis Vaticanæ, this is used in documents by not just the Holy See. The name Vatican was already in use in the time of the Roman Republic for an area on the west bank of the Tiber across from the city of Rome. Under the Roman Empire, many villas were constructed there, after Agrippina the Elder drained the area and laid out her gardens in the early 1st century AD. In AD40, her son, Emperor Caligula built in her gardens a circus for charioteers that was completed by Nero, the Circus Gaii et Neronis, usually called, simply. Even before the arrival of Christianity, it is supposed that this originally uninhabited part of Rome had long considered sacred. A shrine dedicated to the Phrygian goddess Cybele and her consort Attis remained active long after the Constantinian Basilica of St. Peter was built nearby, the particularly low quality of Vatican water, even after the reclamation of the area, was commented on by the poet Martial. The Vatican Obelisk was originally taken by Caligula from Heliopolis in Egypt to decorate the spina of his circus and is thus its last visible remnant and this area became the site of martyrdom of many Christians after the Great Fire of Rome in AD64. Ancient tradition holds that it was in this circus that Saint Peter was crucified upside-down, opposite the circus was a cemetery separated by the Via Cornelia. Peters in the first half of the 4th century, the Constantinian basilica was built in 326 over what was believed to be the tomb of Saint Peter, buried in that cemetery
13.
Villa Albani
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The Villa Albani in Rome was built at the Via Salaria for Cardinal Alessandro Albani, nephew of Pope Clement XI, between 1747 and 1767 by the architect Carlo Marchionni. Albanis lifelong friend Carlo Marchionni was the architect in charge, at the Villa, after the Napoleonic upheavals the Albani heirs sold the villa to the Chigi, who eventually sold it to the Torlonia, the Roman bankers, to whom the villa still belongs. Cardinal Albanis coins and medals went to the Vatican Library, over which he had presided from 1761, the sarcophagi, columns and sculptures have been dispersed, but the famous bas-relief of Antinous remains in the villa. Cardinal Alessandro Albani had another villa and park at Porto dAnzio, that was finished in February 1732, perhaps the villa, and certainly a casina in the park were by Marchionni. Excavations in the park brought to many ancient Roman sculptures. Here J. J. Winckelmann was housed
14.
Hugh Percy, 1st Duke of Northumberland
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Hugh Percy, 1st Duke of Northumberland KG, PC was an English peer, landowner, and art patron. He was born Hugh Smithson, the son of Langdale Smithson of Langdale, Yorkshire and he changed his surname to Percy when he married Lady Elizabeth Seymour, daughter of Algernon Seymour, 7th Duke of Somerset, on 16 July 1740, through a private Act of Parliament. The title Earl of Northumberland passed by special remainder to Hugh Percy, as Elizabeths husband, when her father died, who had been created 1st Earl of Northumberland in 1749. In 1766, the earl was created 1st Duke of Northumberland and was created Baron Lovaine on 28 June 1784, the Louvain family of Brabant, which married the Percy heiress, was the origin of the Percy family of England. He was created a Knight of the Order of the Garter in 1756, Sir Hugh and Lord Brooke were the most important patrons of Canaletto in England. Smithson made a Grand Tour and was in Venice in 1733, in 1736 he became one of the two vice presidents of the Society for the Encouragement of Learning. 1739–1740, mostly to his own designs and he was one of the 175 commissioners for the building of Westminster Bridge, a structure he had Canaletto paint two more large canvases, c. He built an observatory, designed by Robert Adam, on Ratcheugh Crag, thomas Chippendale dedicated his Gentleman & Cabinet makers director to him. He became 2nd Earl of Northumberland on the death of his father-in-law, 1870–1871, in connection with the creation of Trafalgar Square. Remnants of the Northumberland House Glass Drawing-Room are preserved at the Victoria, the greater Adam interiors for the Duke are at Syon House, executed in the 1760s. At Alnwick Castle, Northumberland, the Duke employed James Wyatt, one or other Adam designed Brizlee Tower for the duke. Alnwick Castle, Northumberland Syon House, Middlesex Northumberland House, Strand, London Stanwick Hall, Stanwick St John, Yorkshire, Kielder Castle, in the Kielder Forest, Northumberland, a shooting box built in 1775 by the 1st Duke to his own design by William Newton. Hugh died in 1786 and was buried in the Northumberland Vault, the dukes illegitimate son, James Smithson, is famed for having made the founding bequest and provided the name for the Smithsonian Institution in Washington, D. C. Cruickshanks, Eveline, biography of Smithson, Sir Hugh, 4th Bt. of Stanwick, Yorks. and Tottenham, published in The History of Parliament, the House of Commons 1715-1754, ed. R. Sedgwick,1970
15.
Victoria and Albert Museum
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The Victoria and Albert Museum, London, is the worlds largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert and these include the Natural History Museum, the Science Museum and the Royal Albert Hall. The museum is a public body sponsored by the Department for Culture, Media. Like other national British museums, entrance to the museum has been free since 2001, the V&A covers 12.5 acres and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. The museum owns the worlds largest collection of sculpture, with the holdings of Italian Renaissance items being the largest outside Italy. The departments of Asia include art from South Asia, China, Japan, Korea, the East Asian collections are among the best in Europe, with particular strengths in ceramics and metalwork, while the Islamic collection is amongst the largest in the Western world. Overall, it is one of the largest museums in the world, New 17th- and 18th-century European galleries were opened on 9 December 2015. These restored the original Aston Webb interiors and host the European collections 1600–1815, at this stage the collections covered both applied art and science. Several of the exhibits from the Exhibition were purchased to form the nucleus of the collection, by February 1854 discussions were underway to transfer the museum to the current site and it was renamed South Kensington Museum. In 1855 the German architect Gottfried Semper, at the request of Cole, produced a design for the museum, but it was rejected by the Board of Trade as too expensive. The site was occupied by Brompton Park House, this was extended including the first refreshment rooms opened in 1857, the official opening by Queen Victoria was on 22 June 1857. In the following year, late night openings were introduced, made possible by the use of gas lighting, in these early years the practical use of the collection was very much emphasised as opposed to that of High Art at the National Gallery and scholarship at the British Museum. George Wallis, the first Keeper of Fine Art Collection, passionately promoted the idea of art education through the museum collections. From the 1860s to the 1880s the scientific collections had been moved from the museum site to various improvised galleries to the west of Exhibition Road. In 1893 the Science Museum had effectively come into existence when a director was appointed. The laying of the stone of the Aston Webb building on 17 May 1899 was the last official public appearance by Queen Victoria. It was during this ceremony that the change of name from the South Kensington Museum to the Victoria, the exhibition which the museum organised to celebrate the centennial of the 1899 renaming, A Grand Design, first toured in North America from 1997, returning to London in 1999
16.
Santi Michele e Magno, Rome
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The Church of Saints Michael and Magnus is a Roman Catholic church in Rome, Italy, dedicated to Saint Michael the Archangel and the Bishop Saint Magnus of Anagni. It lies in Rione Borgo, and is the church dedicated to the Netherlands. It is also known as the Church of the Frisians, in 1989, the church was granted to the Dutch community in Rome. The Frisians were converted to Christianity in the 8th century by Saint Willibrord, the Northumbrian missionary crossed the North Sea with eleven companions to bring the Gospel. From that time on, Frisian pilgrims regularly visited Rome, the old name for the people from the Low Countries who came to Rome has remained in use ever since. A colony of Frisians was living in Rome as early as the 8th century, the Schola of the Frisians is mentioned at the time of Pope Leo IIIs return to Rome in 799, at Charlemagnes visit in 800 and by Louis II of Italy in 844. In 845, the Frisians and the inhabitants of the other scholae defended Old St. Peters Basilica, shortly after, the neighborhood was surrounded by a wall, remains of which can still be seen. Any pilgrim from the Frisian territory who came to Rome would stay in the Frisian hospice, no remains of the small settlements original church survive. Its patron saint was St Michael the Archangel, who liberated Rome from the plague, later, a second patron saint was added to the church, Saint Magnus of Anagni, whose remains ended up in the church five hundred years after his death. Enthusiastic Frisians tried to bring the back to Frisia, but that initiative was stopped by Pope Leo IV, and since then. In 1446, Pope Eugene IV deprived the Frisians of the right to the church. In 1141 the new and bigger church was built and it was a Romanesque building, with old columns, and a beautiful bell tower. This bell tower is still admirable, but the church looks very different from when it was built, in the eighteenth and nineteenth century, the interior was transformed to the extent that only small Romanesque details remain visible. The church is built against the slope of the Gianicolo hill, thanks to its location it was preserved in the 16th century when all the buildings at the bottom of the hill were demolished for the construction of St. Peters basilica. The Church of the Frisians is the existing building that reminds us directly of the scholae. There are two fragments of a tombstone of a Frisian knight called Hebus, who died in 1004 in Rome at the age of 90, the church has hosted two important relics since the 1990s. These are the stone where Jesus was presented to King Solomon in his temple, and these stones were previously kept in the nearby church of San Giacomo Scossacavalli, destroyed in 1937. The former stone is now used as the altar of the church
17.
Charles III of Spain
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Charles III was the King of Spain and the Spanish Indies from 1759 to 1788. While he was the son of Philip V of Spain, he was the eldest son of Philips second wife. In 1731, the 15-year-old Charles became the Duke of Parma and Piacenza, as Charles I, following the death of his childless granduncle Antonio Farnese. In 1734, as Duke of Parma, he conquered the kingdoms of Naples and of Sicily, and was crowned king on 3 July 1735, reigning as Charles VII of Naples and Charles V of Sicily until 1759. In 1738 he married Princess Maria Amalia of Saxony, daughter of Polish king Augustus III, Charles and Maria Amalia resided in Naples for 19 years. Charles succeeded to the Spanish throne on 10 August 1759, after the death of his half-brother King Ferdinand VI of Spain who left no heirs. As King of Spain Charles III made far-reaching reforms such as promoting science and university research, facilitating trade and commerce and he also tried to reduce the influence of the Church and avoided costly wars. His previous experience as King of Naples and Sicily proved valuable as King of Spain and he did not achieve complete control over the States finances, and was sometimes obliged to borrow to meet expenses. Most of his reforms proved to be successful and his important legacy lives on to this day, historian Stanley Payne wrote that Charles III was probably the most successful European ruler of his generation. He had provided firm, consistent, intelligent leadership, personal life had won the respect of the people. In 1713, the Treaty of Utrecht concluded the War of the Spanish Succession and reduced the political and military power of Spain, which the House of Bourbon had ruled since 1700. Moreover, the House of Savoy gained the Kingdom of Sicily, and the Kingdom of Great Britain gained the island of Minorca, in 1700, Charles father, originally a French prince, became King of Spain as Philip V. For the remainder of his reign, he attempted to regain the ceded territories. Elisabeth and Philip married on 24 December 1714, she proved a domineering consort. On 20 January 1716, Elisabeth gave birth to the Infante Charles of Spain at the Real Alcázar of Madrid and he was fourth in line to the Spanish throne, after three elder half-brothers, the Infante Luis, Prince of Asturias, the Infante Felipe, and Ferdinand. Because the Duke Francesco of Parma and his heir were childless, Elisabeth sought the duchies of Parma and she also sought for him the Grand Duchy of Tuscany, because Gian Gastone de Medici, Grand Duke of Tuscany was also childless. He was a distant cousin of hers, related via her great-grandmother Margherita de Medici, the birth of Charles encouraged the Prime Minister Alberoni to start laying out grand plans for Europe. In 1717 he ordered the Spanish invasion of Sardinia, in 1718, Alberoni also ordered the invasion of Sicily, which was also ruled by the House of Savoy
18.
Madrid
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Madrid is the capital city of the Kingdom of Spain and the largest municipality in both the Community of Madrid and Spain as a whole. The city has a population of almost 3.2 million with an area population of approximately 6.5 million. It is the third-largest city in the European Union after London and Berlin, the municipality itself covers an area of 604.3 km2. Madrid lies on the River Manzanares in the centre of both the country and the Community of Madrid, this community is bordered by the communities of Castile and León. As the capital city of Spain, seat of government, and residence of the Spanish monarch, Madrid is also the political, economic, the current mayor is Manuela Carmena from Ahora Madrid. Madrid is home to two football clubs, Real Madrid and Atlético de Madrid. Madrid is the 17th most liveable city in the according to Monocle magazine. Madrid organises fairs such as FITUR, ARCO, SIMO TCI, while Madrid possesses modern infrastructure, it has preserved the look and feel of many of its historic neighbourhoods and streets. Cibeles Palace and Fountain have become one of the monument symbols of the city, the first documented reference of the city originates in Andalusan times as the Arabic مجريط Majrīṭ, which was retained in Medieval Spanish as Magerit. A wider number of theories have been formulated on possible earlier origins, according to legend, Madrid was founded by Ocno Bianor and was named Metragirta or Mantua Carpetana. The most ancient recorded name of the city Magerit comes from the name of a built on the Manzanares River in the 9th century AD. Nevertheless, it is speculated that the origin of the current name of the city comes from the 2nd century BC. The Roman Empire established a settlement on the banks of the Manzanares river, the name of this first village was Matrice. In the 8th century, the Islamic conquest of the Iberian Peninsula saw the changed to Mayrit, from the Arabic term ميرا Mayra. The modern Madrid evolved from the Mozarabic Matrit, which is still in the Madrilenian gentilic, after the disintegration of the Caliphate of Córdoba, Madrid was integrated in the Taifa of Toledo. With the surrender of Toledo to Alfonso VI of León and Castile, the city was conquered by Christians in 1085, Christians replaced Muslims in the occupation of the centre of the city, while Muslims and Jews settled in the suburbs. The city was thriving and was given the title of Villa, since 1188, Madrid won the right to be a city with representation in the courts of Castile. In 1202, King Alfonso VIII of Castile gave Madrid its first charter to regulate the municipal council, which was expanded in 1222 by Ferdinand III of Castile
19.
Royal Palace of Madrid
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The Royal Palace of Madrid is the official residence of the Spanish Royal Family at the city of Madrid, but it is only used for state ceremonies. King Felipe VI and the Royal Family do not reside in the palace, the palace is owned by the Spanish State and administered by the Patrimonio Nacional, a public agency of the Ministry of the Presidency. The palace is located on Calle de Bailén in the part of downtown Madrid, east of the Manzanares River. Several rooms in the palace are open to the public except during state functions. An admission fee of €11 is required, after Madrid fell to Alfonso VI of Castile in 1083, the edifice was only rarely used by the kings of Castile. In 1329, King Alfonso XI of Castile convened the cortes of Madrid for the first time, Philip II moved his court to Madrid in 1561. The old Alcázar was built on the location in the 16th century, after it burned 24 December 1734, King Philip V ordered a new palace built on the same site. Charles III first occupied the new palace in 1764, the last monarch who lived continuously in the palace was Alfonso XIII, although Manuel Azaña, president of the Second Republic, also inhabited it, making him the last head of state to do so. During that period the palace was known as Palacio Nacional, there is still a room next to the Real Capilla, which is known by the name Office of Azaña. The palace has 135,000 square metres of floor space and it is the largest royal palace in Europe by floor area. The interior of the palace is notable for its wealth of art and the use of types of fine materials in the construction. These include paintings by such as Caravaggio, Francisco de Goya, and Velázquez, and frescoes by Giovanni Battista Tiepolo, Juan de Flandes, Corrado Giaquinto. Muhammad I, Umayyad Emir of Cordoba, between 860 and 880, after the Moors were driven out of Toledo in the 11th century, the castle retained its defensive function. Henry III of Castile added several towers and his son John II used it as a royal residence. However, during the War of the Castilian Succession the troops of Joanna la Beltraneja were besieged in the Alcázar, the only drawing of the castle from the Middle Ages is one made in 1534 by Cornelius Vermeyen. Habsburg Emperor Charles V extended and renovated the castle in 1537, using the architects Alonso de Covarrubias, Philip II made Madrid his capital in 1561 and added a continued the renovations. Philip III added a southern facade between 1610 and 1636. Philip V of Bourbon renovated the apartments in 1700
20.
Trajan
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Trajan was Roman emperor from 98 to 117 AD. Born in the city of Italica in the province of Hispania Baetica, Trajans non-patrician family was of Italian, Trajan rose to prominence during the reign of emperor Domitian. Serving as a legatus legionis in Hispania Tarraconensis, in 89 Trajan supported Domitian against a revolt on the Rhine led by Antonius Saturninus, in September 96, Domitian was succeeded by Marcus Cocceius Nerva, an old and childless senator who proved to be unpopular with the army. After a brief and tumultuous year in power, culminating in a revolt by members of the Praetorian Guard, Nerva was compelled to adopt the more popular Trajan as his heir and he died on 27 January 98 and was succeeded by his adopted son without incident. Early in his reign, he annexed the Nabataean Kingdom, creating the province of Arabia Petraea and his conquest of Dacia enriched the empire greatly, as the new province possessed many valuable gold mines. However, its position north of the Danube made it susceptible to attack on three sides, and it was later abandoned by Emperor Aurelian. Trajans war against the Parthian Empire ended with the sack of the capital Ctesiphon and his campaigns expanded the Roman Empire to its greatest territorial extent. In late 117, while sailing back to Rome, Trajan fell ill and he was deified by the Senate and his ashes were laid to rest under Trajans Column. He was succeeded by his adopted son Hadrian, as an emperor, Trajans reputation has endured – he is one of the few rulers whose reputation has survived nineteen centuries. Every new emperor after him was honoured by the Senate with the wish felicior Augusto, among medieval Christian theologians, Trajan was considered a virtuous pagan. As far as ancient literary sources are concerned, an extant continuous account of Trajans reign does not exist, only fragments remain of the Getiká, a book by Trajans personal physician Titos Statilios Kriton. The Parthiká, a 17-volume account of the Parthian Wars written by Arrian, has met a similar fate, book 68 in Cassius Dios Roman History, which survives mostly as Byzantine abridgments and epitomes, is the main source for the political history of Trajans rule. Besides this, Pliny the Youngers Panegyricus and Dio of Prusas orations are the best surviving contemporary sources and it is certain that much of text of the letters that appear in this collection over Trajans signature was written and/or edited by Trajans Imperial secretary, his ab epistulis. Therefore, discussion of Trajan and his rule in modern historiography cannot avoid speculation, as well as recourse to sources such as archaeology. Marcus Ulpius Traianus was born on 18 September 53 AD in the Roman province of Hispania Baetica, Trajans birthplace of Italica was founded as a Roman military colony in 206 BC, though it is unknown when the Ulpii arrived there. Trajan was the son of Marcia, a Roman noblewoman and sister-in-law of the second Flavian Emperor Titus, and Marcus Ulpius Traianus, Marcus Ulpius Traianus the elder served Vespasian in the First Jewish-Roman War, commanding the Legio X Fretensis. Trajan himself was just one of many well-known Ulpii in a line that continued long after his own death and his elder sister was Ulpia Marciana, and his niece was Salonina Matidia. The patria of the Ulpii was Italica, in Spanish Baetica, as a young man, he rose through the ranks of the Roman army, serving in some of the most contested parts of the Empires frontier
21.
Johann Joachim Winckelmann
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Johann Joachim Winckelmann was a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the difference between Greek, Greco-Roman and Roman art, many consider him the father of the discipline of art history. His would be the influence on the rise of the neoclassical movement during the late 18th century. His writings influenced not only a new science of archaeology and art history but Western painting, sculpture, literature, Winckelmanns History of Ancient Art was one of the first books written in German to become a classic of European literature. His subsequent influence on Lessing, Herder, Goethe, Hölderlin, Heine, Nietzsche, George, today, Humboldt University of Berlins Winckelmann Institute is dedicated to the study of classical archaeology. Winckelmann was homosexual, and open homoeroticism informed his writings on aesthetics and this was recognized by his contemporaries, such as Goethe. Winckelmann was born in poverty in Stendal in the Margraviate of Brandenburg and his father, Martin Winckelmann, worked as a cobbler, while his mother, Anna Maria Meyer, was the daughter of a weaver. Winckelmanns early years were full of hardship, but his academic interests pushed him forward, later in Rome, when he had become a famous scholar, he wrote, One gets spoiled here, but God owed me this, in my youth I suffered too much. Winckelmann attended the Köllnisches Gymnasium in Berlin and the Altstädtisches Gymnasium at Salzwedel and he nonetheless devoted himself privately to Greek art and literature and followed the lectures of Alexander Gottlieb Baumgarten, who coined the term aesthetics. With the intention of becoming a physician, in 1740 Winckelmann attended medical classes at Jena, from 1743 to 1748, he was the deputy headmaster of the gymnasium of Seehausen in the Altmark but Winckelmann felt that work with children was not his true calling. Moreover, his means were insufficient, his salary was so low that he had to rely on his students parents for free meals and he was thus obliged to accept a tutorship near Magdeburg. While tutor for the powerful Lamprecht family, he fell into unrequited love with the handsome Lamprecht son and this was one of a series of such loves throughout his life. His enthusiasm for the male form excited Winckelmanns budding admiration of ancient Greek, in 1748, Winckelmann wrote to Count Heinrich von Bünau. Little value is set on Greek literature, to which I have devoted myself so far as I could penetrate, in the same year, Winckelmann was appointed secretary of von Bünaus library at Nöthnitz, near Dresden. The library contained some 40,000 volumes, Winckelmann had read Homer, Herodotus, Sophocles, Xenophon, and Plato, but he found at Nöthnitz the works of such famous Enlightenment writers as Voltaire and Montesquieu. To leave behind the spartan atmosphere of Prussia came as a relief for him. Winckelmanns major duty involved assisting von Bünau in writing a book on the Holy Roman Empire, during this period he made several visits to the collection of antiquities at Dresden, but his description of its best paintings remained unfinished. The work won warm admiration not only for the ideas it contained and it made Winckelmann famous, and was reprinted several times and soon translated into French
22.
Rudolf Wittkower
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Rudolf Wittkower was a German-American art historian specializing in Italian Renaissance and Baroque art and architecture. He was born in Berlin to Henry Wittkower and Gertrude Ansbach and he moved to London in 1933 with his wife Margot Holzmann because they were both Jewish and were fleeing Nazi Germany. Wittkowers Architectural Principles in the Age of Humanism introduced an in depth analysis of Venetian architect Andrea Palladio, part Four specifically deals with how and why Palladio adapted harmonic musical ratios and incorporated them into the physical proportions of his buildings. Although this theory of Palladian proportions was universally accepted after the books release, Wittkower had encountered this notion that musical harmony may act in a manner analogous to visual harmony in Pythagoras, where it was also noted by Alberti. He was awarded the Alice Davis Hitchcock Award posthumously in 1975 for his book Gothic vs. Classic, Architectural Principles in the Age of Humanism Bernini, The Sculptor of the Roman Baroque The Arts in Western Europe, Italy in New Cambridge Modern History, vol. Making Art History at Columbia, Meyer Schapiro and Rudolf Wittkower, Four Centuries of Literature on Palladio, The Journal of the Society of Architectural Historians, Vol.39, No
23.
Johann Wolfgang von Goethe
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Johann Wolfgang von Goethe was a German writer and statesman. In addition, numerous literary and scientific fragments, more than 10,000 letters and he was an early participant in the Sturm und Drang literary movement. He also contributed to the planning of Weimars botanical park and the rebuilding of its Ducal Palace and his first major scientific work, the Metamorphosis of Plants, was published after he returned from a 1788 tour of Italy. During this period, Goethe published his novel, Wilhelm Meisters Apprenticeship, the verse epic Hermann and Dorothea, and, in 1808. Goethes comments and observations form the basis of several biographical works, Goethes father, Johann Caspar Goethe, lived with his family in a large house in Frankfurt, then an Imperial Free City of the Holy Roman Empire. Though he had studied law in Leipzig and had been appointed Imperial Councillor, Johann Caspar married Goethes mother, Catharina Elizabeth Textor at Frankfurt on 20 August 1748, when he was 38 and she was 17. All their children, with the exception of Johann Wolfgang and his sister, Cornelia Friederica Christiana and his father and private tutors gave Goethe lessons in all the common subjects of their time, especially languages. Goethe also received lessons in dancing, riding and fencing, Johann Caspar, feeling frustrated in his own ambitions, was determined that his children should have all those advantages that he had not. Although Goethes great passion was drawing, he became interested in literature, Friedrich Gottlieb Klopstock. He also took pleasure in reading works on history and religion. He writes about this period, Goethe became also acquainted with Frankfurt actors, among early literary attempts, he was infatuated with Gretchen, who would later reappear in his Faust and the adventures with whom he would concisely describe in Dichtung und Wahrheit. He adored Caritas Meixner, a wealthy Worms traders daughter and friend of his sister, Goethe studied law at Leipzig University from 1765 to 1768. He detested learning age-old judicial rules by heart, preferring instead to attend the lessons of Christian Fürchtegott Gellert. In Leipzig, Goethe fell in love with Anna Katharina Schönkopf, in 1770, he anonymously released Annette, his first collection of poems. His uncritical admiration for many contemporary poets vanished as he became interested in Gotthold Ephraim Lessing, already at this time, Goethe wrote a good deal, but he threw away nearly all of these works, except for the comedy Die Mitschuldigen. The restaurant Auerbachs Keller and its legend of Fausts 1525 barrel ride impressed him so much that Auerbachs Keller became the real place in his closet drama Faust Part One. As his studies did not progress, Goethe was forced to return to Frankfurt at the close of August 1768, Goethe became severely ill in Frankfurt. During the year and a half that followed, because of several relapses, during convalescence, Goethe was nursed by his mother and sister
24.
Pompeo Batoni
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Pompeo Girolamo Batoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of visitors travelling throughout Italy and reaching Rome during their Grand Tour. Batoni won international fame largely thanks to his customers, mostly British of noble origin, such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genres popularity in the United Kingdom. One generation later, Sir Joshua Reynolds would take up this tradition, although Batoni was considered the best Italian painter of his time, contemporary chronicles mention of his rivalry with Anton Raphael Mengs. He also received orders for altarpieces for churches in Italy. As such Pompeo Batoni is considered a precursor of Neoclassicism, Pompeo Batoni was born in Lucca, the son of a goldsmith, Paolino Batoni. He moved to Rome in 1727, and apprenticed with Agostino Masucci, Batoni owed his first independent commission to the rains that struck Rome in April 1732. Seeking shelter from a storm, Forte Gabrielli di Gubbio. Here the nobleman met the young artist who was drawing the ancient bas-reliefs, the Gabrielli Madonna obtained general admiration and by the early 1740s Batoni started to receive other independent commissions. His celebrated painting, The Ecstasy of Saint Catherine of Siena illustrates his academic refinement of the late-Baroque style, another masterpiece, his Fall of Simon Magus was painted initially for the St Peters Basilica. In 1741, he was inducted into the Accademia di San Luca, there are records of over 200 portraits by Batoni of visiting British patrons. In 1760 the painter Benjamin West, while visiting Rome would complain that Italian artists talked of nothing, looked at nothing, in 1769, the double portrait of the emperor Joseph II and his brother Pietro Leopoldo I, won an Austrian nobility for Batoni. He also portrayed Pope Clement XIII and Pope Pius VI and it is believed he painted the staffage for some of the landscape paintings of Hendrik Frans van Lint. His late years were affected by declining health, he died in Rome in 1787 at the age of 79, and was buried at his parish church of San Lorenzo in Lucina. From 1759 Batoni lived in a house at 25, Via Bocca di Leone in Rome, which included a studio as well as exhibition rooms. He was married twice, in 1729 to Caterina Setti, and then in 1747 to Lucia Fattori, vincenzo Camuccini is said to have frequented his studio. Pompeo Batoni was among the most celebrated Italian painters in his day and his patrons and collectors included royals and his fame and reputation decreased over the 19th century until 20th-century scholars dedicated their critical attention to him and again revived his fame among the general public. The first exhibition devoted to Pompeo Batoni was held in his hometown Lucca in 1967 and he was again the subject of a major exhibition at the Museum of Fine Arts in Houston, the National Gallery in London, and the Ducal Palace in Lucca in 2007-2008
25.
Giacomo Casanova
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Giacomo Girolamo Casanova was an Italian adventurer and author from the Republic of Venice. His autobiography, Histoire de ma vie, is regarded as one of the most authentic sources of the customs and norms of European social life during the 18th century. As was not uncommon at the time, Casanova, depending on circumstances, used more or less fictitious names and he often signed his works Jacques Casanova de Seingalt after he began writing in French following his second exile from Venice. He has become so famous for his complicated and elaborate affairs with women that his name is now synonymous with womanizer. He associated with European royalty, popes, and cardinals, along with such as Voltaire, Goethe. He spent his last years in Bohemia as a librarian in Count Waldsteins household, Giacomo Girolamo Casanova was born in Venice in 1725 to actress Zanetta Farussi, wife of actor and dancer Gaetano Casanova. Giacomo was the first of six children, being followed by Francesco Giuseppe, Giovanni Battista, Faustina Maddalena, Maria Maddalena Antonia Stella, and Gaetano Alvise. At the time of Casanovas birth, the city of Venice thrived as the capital of Europe, ruled by political and religious conservatives who tolerated social vices. It was a stop on the Grand Tour, traveled by young men coming of age. The famed Carnival, gambling houses, and beautiful courtesans were powerful drawing cards and this was the milieu that bred Casanova and made him its most famous and representative citizen. Casanova was cared for by his grandmother Marzia Baldissera while his mother toured about Europe in the theater and his father died when he was eight. Though the unguent applied was ineffective, Casanova was fascinated by the incantation, Perhaps to remedy the nosebleeds, Casanova, on his ninth birthday, was sent to a boarding house on the mainland in Padua. For Casanova, the neglect by his parents was a bitter memory, so they got rid of me, he proclaimed. Conditions at the house were appalling, so he appealed to be placed under the care of Abbé Gozzi, his primary instructor. Casanova moved in with the priest and his family and lived there through most of his teenage years and it was also in the Gozzi household that Casanova first came into contact with the opposite sex, when Gozzis younger sister Bettina fondled him at the age of eleven. Bettina was pretty, lighthearted, and a reader of romances. The girl pleased me at once, though I had no idea why and it was she who little by little kindled in my heart the first sparks of a feeling which later became my ruling passion. Although she subsequently married, Casanova maintained an attachment to Bettina
26.
Histoire de Ma Vie
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Histoire de ma vie is both the memoir and autobiography of Giacomo Casanova, a famous 18th-century Italian adventurer. A previous, bowdlerized version was known in English as The Memoirs of Jacques Casanova until the original version was published in 1960. From 1838 to 1960, all the editions of the memoirs were derived from the bowdlerized editions produced in German, Arthur Machen used one of these inaccurate versions for his English translation published in 1894 which remained the standard English edition for many years. Although Casanova was Venetian, the book is written in French, the book covers Casanovas life only through 1774, although the full title of the book is Histoire de ma vie jusquà lan 1797. On February 18,2010, the National Library of France purchased the 3,700 page manuscript of Histoire de ma vie for approximately €7 million, the manuscript is believed to have been given to Casanovas nephew, Carlo Angiolini, in 1798. The manuscript is believed to contain pages not previously read or published, Casanova allegedly wrote the first chapters of the book in 1789, during a profound illness. In 1794, Casanova met Charles Joseph, Prince de Ligne, the two of them established a mutual friendship. The Prince expressed a desire to read Casanovas memoirs, and Casanova decided to polish the manuscript before sending it to the Prince. After reading at least the first three tomes of the manuscript, Charles Joseph suggested that the memoir be shown to an editor in Dresden to publish in exchange for an annuity, Casanova was convinced to publish the manuscript, but chose another route. In 1797, he asked Marcolini Di Fano, minister at the Cabinet of the Saxon Court, in May 1798, Casanova was alone in Dux. He foresaw his death and asked for members of his family currently residing in Dresden to come, Carlo Angiolini, the husband of Casanovas niece, traveled without delay from Dresden to Dux. After Casanovas death, he returned to Dresden with the manuscript, Carlo himself died in 1808 and the manuscript passed to his daughter Camilla. Because of the Napoleonic Wars, the climate was not favorable for publishing the memoirs of a character belonging to a past age, after the Battle of Leipzig, Marcolini remembered the manuscript and offered 2500 Thalers to Camillas tutor, who judged the offer too modest and refused. After some years, the recession compromised the wealth of Camillas family and she asked her brother Carlo to quickly sell the manuscript. In 1821, it was sold to the publisher Friedrich Arnold Brockhaus, Brockhaus asked Wilhelm von Schütz to translate the book into German. Some extracts of the translation and the first volume were published as early as 1822, the collaboration between Brockhaus and Schütz stopped in 1824, after the publication of the fifth volume. The other volumes were translated by another unknown translator. Due to the success of the German edition, the French editor Victor Tournachon decided to publish the book in France, Tournachon had no access to the original manuscript, and so the French text of his edition was translated from the German translation
27.
Anton von Maron
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Anton von Maron was an Austrian painter, active in Rome. Von Maron was born in Vienna, but moved at an age to Rome. There, he studied under Anton Raphael Mengs, and became a portrait painter. He married a sister of Mengs, Therese Maron, who was a painter in her own right and he lived the rest of his life in Rome, and died there in 1808. Der deutsche Cicerone, Vol. III, Malerei deutsche Schulen
28.
Saint Petersburg
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Saint Petersburg is Russias second-largest city after Moscow, with five million inhabitants in 2012, and an important Russian port on the Baltic Sea. It is politically incorporated as a federal subject, situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, it was founded by Tsar Peter the Great on May 271703. In 1914, the name was changed from Saint Petersburg to Petrograd, in 1924 to Leningrad, between 1713 and 1728 and 1732–1918, Saint Petersburg was the capital of imperial Russia. In 1918, the government bodies moved to Moscow. Saint Petersburg is one of the cities of Russia, as well as its cultural capital. The Historic Centre of Saint Petersburg and Related Groups of Monuments constitute a UNESCO World Heritage Site, Saint Petersburg is home to The Hermitage, one of the largest art museums in the world. A large number of consulates, international corporations, banks. Swedish colonists built Nyenskans, a fortress, at the mouth of the Neva River in 1611, in a then called Ingermanland. A small town called Nyen grew up around it, Peter the Great was interested in seafaring and maritime affairs, and he intended to have Russia gain a seaport in order to be able to trade with other maritime nations. He needed a better seaport than Arkhangelsk, which was on the White Sea to the north, on May 1703121703, during the Great Northern War, Peter the Great captured Nyenskans, and soon replaced the fortress. On May 271703, closer to the estuary 5 km inland from the gulf), on Zayachy Island, he laid down the Peter and Paul Fortress, which became the first brick and stone building of the new city. The city was built by conscripted peasants from all over Russia, tens of thousands of serfs died building the city. Later, the city became the centre of the Saint Petersburg Governorate, Peter moved the capital from Moscow to Saint Petersburg in 1712,9 years before the Treaty of Nystad of 1721 ended the war, he referred to Saint Petersburg as the capital as early as 1704. During its first few years, the city developed around Trinity Square on the bank of the Neva, near the Peter. However, Saint Petersburg soon started to be built out according to a plan, by 1716 the Swiss Italian Domenico Trezzini had elaborated a project whereby the city centre would be located on Vasilyevsky Island and shaped by a rectangular grid of canals. The project was not completed, but is evident in the layout of the streets, in 1716, Peter the Great appointed French Jean-Baptiste Alexandre Le Blond as the chief architect of Saint Petersburg. In 1724 the Academy of Sciences, University and Academic Gymnasium were established in Saint Petersburg by Peter the Great, in 1725, Peter died at the age of fifty-two. His endeavours to modernize Russia had met opposition from the Russian nobility—resulting in several attempts on his life
29.
All Souls College, Oxford
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All Souls College is a constituent college of the University of Oxford in England. Unique to All Souls, all of its members automatically become Fellows, All Souls is one of the wealthiest colleges in Oxford, with a financial endowment of £286. 4m. However, since the Colleges principal source of revenue is its endowment, All Souls is a registered charity under English law. The college is located on the side of the High Street adjoining Radcliffe Square to the west. To the east is The Queens College with Hertford College to the North, the current Warden is Sir John Vickers, a graduate of Oriel College, Oxford. The College was founded by Henry VI of England and Henry Chichele, the Statutes provided for the Warden and forty fellows – all to take Holy Orders, twenty-four to study arts, philosophy and theology, and sixteen to study civil or canon law. Today the College is primarily a research institution. The College now has no undergraduate members, All Souls did once have them, especially in the early 17th century on the instigation of Robert Hovenden, in order to provide the fellows with servientes. The admission of undergraduates for this purpose was abandoned in the 19th century, the All Souls Library was founded through a bequest from Christopher Codrington, a Fellow of the College. Christopher Codrington bequeathed books worth £6,000, in addition to £10,000 in currency and this bequest allowed the library to be built and endowed. Christopher Codrington was born in Barbados, and amassed his fortune from his sugar planation in the West Indies, the library was completed in 1751, and has been in continuous use since then. The modern library comprises some 185,000 items, about a third of which were published before 1800, the collections are particularly strong in Law and History. Built between 1438 and 1442, the chapel remained largely unchanged until the Commonwealth, Oxford, having been a largely Royalist stronghold, suffered under the Puritans wrath. The 42 misericords date from the Chapels building, and show a resemblance to the misericords at Higham Ferrers, both may have been carved by Richard Tyllock. Christopher Wren was a Fellow from 1653, and in 1658 produced a sundial for the College and this was originally placed on the South wall of the Chapel, until it was moved to the quadrangle in 1877. During the 1660s a screen was installed in the Chapel, which was based on a design by Wren, however, this screen needed to be rebuilt by 1713. By the mid-19th century the Chapel was in great need of renovation, each year several dozen typically do so. Two examination fellows are elected each year, although the college has awarded a single place in previous years
30.
National Gallery
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The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London. Founded in 1824, it houses a collection of over 2,300 paintings dating from the century to 1900. The Gallery is a charity, and a non-departmental public body of the Department for Culture, Media. Its collection belongs to the public of the United Kingdom and entry to the collection is free of charge. It is among the most visited art museums in the world, after the Musée du Louvre, the British Museum, unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein, after that initial purchase the Gallery was shaped mainly by its early directors, notably Sir Charles Lock Eastlake, and by private donations, which comprise two-thirds of the collection. It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, the present building, the third to house the National Gallery, was designed by William Wilkins from 1832 to 1838. Only the façade onto Trafalgar Square remains essentially unchanged from this time, wilkinss building was often criticised for the perceived weaknesses of its design and for its lack of space, the latter problem led to the establishment of the Tate Gallery for British art in 1897. The Sainsbury Wing, an extension to the west by Robert Venturi, the current Director of the National Gallery is Gabriele Finaldi. The late 18th century saw the nationalisation of royal or princely art collections across mainland Europe, great Britain, however, did not emulate the continental model, and the British Royal Collection remains in the sovereigns possession today. In 1777 the British government had the opportunity to buy an art collection of international stature, the MP John Wilkes argued for the government to buy this invaluable treasure and suggested that it be housed in a noble gallery. The twenty-five paintings from that now in the Gallery, including NG1, have arrived by a variety of routes. This offer was declined and Bourgeois bequeathed the collection to his old school, Dulwich College, the collection opened in Britains first purpose-built public gallery, the Dulwich Picture Gallery, in 1814. The British Institution, founded in 1805 by a group of aristocratic connoisseurs, the members lent works to exhibitions that changed annually, while an art school was held in the summer months. However, as the paintings that were lent were often mediocre, some resented the Institution. One of the Institutions founding members, Sir George Beaumont, Bt, in 1823 another major art collection came on the market, which had been assembled by the recently deceased John Julius Angerstein. Angerstein was a Russian-born émigré banker based in London, his collection numbered 38 paintings, including works by Raphael, on 1 July 1823 George Agar Ellis, a Whig politician, proposed to the House of Commons that it purchase the collection. The appeal was given added impetus by Beaumonts offer, which came with two conditions, that the government buy Angersteins collection, and that a building was to be found
31.
Magdalen College, Oxford
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Magdalen College is one of the constituent colleges of the University of Oxford. As of 2014, the college had a financial endowment of £180.8 million. Magdalen stands next to the River Cherwell and has within its grounds a deer park and Addisons Walk. The large, square Magdalen Tower is an Oxford landmark, and it is a tradition, dating to the days of Henry VII, Magdalen College was founded in 1458 by William of Waynflete, Bishop of Winchester and Lord Chancellor. The founders statutes included provision for a foundation of men and boys. The college received another substantial endowment from the estate of Sir John Fastolf of Caister Castle in Norfolk, another unrelated college named Magdalen Hall adjacent to Magdalen College eventually became part of Hertford College. Magdalens prominence since the mid-20th century owes much to such famous fellows as C. S. Lewis and A. J. P. Taylor, women were first admitted to the college in 1979. In 2015, Magdalen topped Oxfords Norrington Table of college undergraduate examination results, the college has large grounds, close to the city centre. They stretch north and east from the college, and are most of the bounded by Longwall Street, the High Street. This large meadow occupies most of the north west of the grounds, from the New Buildings. During the winter and spring, it is the home of a herd of Fallow Deer and it is possible to view the meadow from the path between New Buildings and Grove Quad, and also from the archway in New Buildings. In the 16th century, long before the introduction of the deer, the grove consisted of gardens, orchards, during the Civil War, it was used to house a regiment of soldiers. At one point in the 19th century it was home to three traction engines belonging to the department of the college. By the 20th century it had become well-wooded with many large trees and this triangular meadow lies to the east of the college, bounded on all sides by the River Cherwell. In the spring, it is filled with the flower Fritillaria meleagris and these flowers grow in very few places, and have been recorded growing in the meadow since around 1785. Once the flowering has finished, the deer are moved in for the summer, in wet winters, some or all of the meadow may flood, as the meadow is lower lying than the surrounding path. All around the edge of the meadow is a tree-lined path and it is a beautiful and tranquil walk, favoured by students, dons, and visitors alike. It also links the college with Holywell Ford, and the Fellows Garden, located to the north east of the Meadow, directly behind the new building of the Oxford Centre for Islamic Studies
32.
Italian language
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By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
33.
Raphael
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Raffaello Sanzio da Urbino, known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running a large workshop and, despite his death at 37. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, the best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings and he was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region and his poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Under them, the court continued as a centre for literary culture, growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a humanistic education however, it is unclear how easily he read Latin. His mother Màgia died in 1491 when Raphael was eight, followed on August 1,1494 by his father, Raphael was thus orphaned at eleven, his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master and he had already shown talent, according to Vasari, who says that Raphael had been a great help to his father. A self-portrait drawing from his teenage years shows his precocity and his fathers workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter, and Luca Signorelli, according to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice despite the tears of his mother. The evidence of an apprenticeship comes only from Vasari and another source, an alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters, the Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a master, that is to say fully trained and his first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was named in the commission
34.
Chiaroscuro
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Chiaroscuro is an oil painting technique, developed during the Renaissance, that uses strong tonal contrasts between light and dark to model three-dimensional forms, often to dramatic effect. The underlying principle is that solidity of form is best achieved by the light falling against it, artists known for developing the technique include Leonardo da Vinci, Caravaggio, and Rembrandt. It is a mainstay of black and white photography and these in turn drew on traditions in illuminated manuscripts going back to late Roman Imperial manuscripts on purple-dyed vellum. Such works used to be called chiaroscuro drawings, but are often described in modern museum terminology by such formulae as pen on prepared paper. Chiaroscuro woodcuts began as imitations of this technique, when discussing Italian art, the term sometimes is used to mean painted images in monochrome or two colours, more generally known in English by the French equivalent, grisaille. The term broadened in meaning early on to cover all strong contrasts in illumination between light and dark areas in art, which is now the primary meaning. The invention of these effects in the West, skiagraphia or shadow-painting to the Ancient Greeks, traditionally was ascribed to the famous Athenian painter of the fifth century BC, Apollodoros. Chose her place to sit for that purpose in the alley of a goodly garden. In drawings and prints, modelling chiaroscuro often is achieved by the use of hatching, washes, stipple or dotting effects, and surface tone in printmaking are other techniques. Chiaroscuro woodcuts are old master prints in woodcut using two or more blocks printed in different colours, they do not necessarily feature strong contrasts of light and they were first produced to achieve similar effects to chiaroscuro drawings. Other printmakers to use the technique include Hans Wechtlin, Hans Baldung Grien, in Germany the technique achieved its greatest popularity around 1520, but it was used in Italy throughout the sixteenth century. Later artists such as Goltzius sometimes made use of it, in most German two-block prints, the keyblock was printed in black and the tone block or blocks had flat areas of colour. In Italy, chiaroscuro woodcuts were produced without keyblocks to achieve a different effect. Manuscript illumination was, as in areas, especially experimental in attempting ambitious lighting effects since the results were not for public display. The development of compositional chiaroscuro received an impetus in northern Europe from the vision of the Nativity of Jesus of Saint Bridget of Sweden. Hugo van der Goes and his followers painted many scenes lit only by candle or the light from the infant Christ. As with some later painters, in their hands the effect was of stillness, strong chiaroscuro became a popular effect during the sixteenth century in Mannerism and Baroque art. Divine light continued to illuminate, often rather inadequately, the compositions of Tintoretto, Veronese, tenebrism was especially practiced in Spain and the Spanish-ruled Kingdom of Naples, by Jusepe de Ribera and his followers
35.
Antonio da Correggio
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In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Rococo art of the 18th century. He is considered a master of chiaroscuro, antonio Allegri was born in Correggio, Italy, a small town near Reggio Emilia. His date of birth is uncertain, otherwise little is known about Correggios early life or training. It is, however, often assumed that he had his first artistic education from his fathers brother, after a trip to Mantua in 1506, he returned to Correggio, where he stayed until 1510. To this period is assigned the Adoration of the Child with St. Elizabeth and John, by 1516, Correggio was in Parma, where he spent most of the remainder of his career. Here, he befriended Michelangelo Anselmi, a prominent Mannerist painter, in 1519 he married Girolama Francesca di Braghetis, also of Correggio, who died in 1529. One of his sons, Pomponio Allegri, became an undistinguished painter, from this period are the Madonna and Child with the Young Saint John, Christ Leaving His Mother and the lost Madonna of Albinea. Correggios first major commission was the decoration of the private dining salon of the mother-superior of the convent of St Paul called the Camera di San Paolo at Parma. Here he painted an arbor pierced by oculi opening to glimpses of playful cherubs, below the oculi are lunettes with images of feigned monochromic marble. The fireplace is frescoed with an image of Diana, the iconography of the scheme is complex, combining images of classical marbles with whimsical colorful bambini. While it recalls the secular frescoes of the palace of the Villa Farnesina in Rome. He then painted the illusionistic Vision of St. John on Patmos for the dome of the church of San Giovanni Evangelista. Three years later he decorated the dome of the Cathedral of Parma with a startling Assumption of the Virgin, the recession and movement implied by the figures presage the dynamism that would characterize Baroque painting. Other masterpieces include The Lamentation and The Martyrdom of Four Saints, the Lamentation is haunted by a lambence rarely seen in Italian painting prior to this time. The Martyrdom is also remarkable for resembling later Baroque compositions such as Berninis Truth and Ercole Ferratas Death of Saint Agnes, aside from his religious output, Correggio conceived a now-famous set of paintings depicting the Loves of Jupiter as described in Ovids Metamorphoses. The voluptuous series was commissioned by Federico II Gonzaga of Mantua, however, they were given to the visiting Holy Roman Emperor Charles V and thus left Italy within years of their completion. Danaë, now in Romes Borghese Gallery, depicts the maiden as she is impregnated by a curtain of gilded divine rain. Her lower torso semi-obscured by sheets, Danae appears more demure and gleeful than Titians 1545 version of the same topic, the picture once called Antiope and the Satyr is now correctly identified as Venus and Cupid with a Satyr
36.
Titian
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Tiziano Vecelli or Tiziano Vecellio, known in English as Titian /ˈtɪʃən/, was an Italian painter, the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno, during his lifetime he was often called da Cadore, taken from the place of his birth. His painting methods, particularly in the application and use of color, would exercise a profound influence not only on painters of the Italian Renaissance, during the course of his long life, Titians artistic manner changed drastically, but he retained a lifelong interest in color. Although his mature works may not contain the vivid, luminous tints of his pieces, their loose brushwork. The exact date of Titians birth is uncertain, when he was an old man he claimed in a letter to Philip II, King of Spain, to have been born in 1474, but this seems most unlikely. Other writers contemporary to his old age give figures that would equate to birthdates between 1473 and after 1482 and he was the son of Gregorio Vecelli and his wife Lucia. His father was superintendent of the castle of Pieve di Cadore, Gregorio was also a distinguished councilor and soldier. Many relatives, including Titians grandfather, were notaries, and the family of four were well-established in the area, at the age of about ten to twelve he and his brother Francesco were sent to an uncle in Venice to find an apprenticeship with a painter. At that time the Bellinis, especially Giovanni, were the artists in the city. There Titian found a group of men about his own age, among them Giovanni Palma da Serinalta, Lorenzo Lotto, Sebastiano Luciani. Francesco Vecellio, his brother, later became a painter of some note in Venice. A fresco of Hercules on the Morosini Palace is said to have one of Titians earliest works. Others were the Bellini-esque so-called Gypsy Madonna in Vienna, and the Visitation of Mary and Elizabeth, now in the Accademia, a Man with a Quilted Sleeve is an early portrait, painted around 1509 and described by Giorgio Vasari in 1568. Scholars long believed it depicted Ludovico Ariosto, but now think it is of Gerolamo Barbarigo, Rembrandt borrowed the composition for his self-portraits. Titian joined Giorgione as an assistant, but many contemporary critics found his work more impressive—for example in exterior frescoes that they did for the Fondaco dei Tedeschi. Their relationship evidently contained a significant element of rivalry, distinguishing between their work at this period remains a subject of scholarly controversy. A substantial number of attributions have moved from Giorgione to Titian in the 20th century, one of the earliest known Titian works, Christ Carrying the Cross in the Scuola Grande di San Rocco, depicting the Ecce Homo scene, was long regarded as by Giorgione. In 1507–1508 Giorgione was commissioned by the state to create frescoes on the re-erected Fondaco dei Tedeschi, Titian and Morto da Feltre worked along with him, and some fragments of paintings remain, probably by Giorgione
37.
Modello
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A modello, from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in Tuscany in the fourteenth century, modern definitions in reference works vary somewhat. Alternative and overlapping terms are oil sketch and cartoon for paintings or stained glass, maquette, plastico or bozzetto for sculpture or architecture, the less frequently found term ricordo means a similar piece produced as a small copy after completion of the work as a record for the workshop. The National Gallery still describe it as probably a modello, presumably produced after work had already begun, the diminutive term modeletto will always be used of small-scale versions. As an Italian word, modello may be printed in italics, the French version of the word, modèle, may be used of French works, and is normally italicised. Earlier stages of the process may be recorded in preparatory drawings or studies, either for the whole composition, or a part of it. Famous examples are the designs produced for the competition in 1401 to design the North doors of the Florence Baptistry. Lorenzo Ghiberti won, beating six other artists, including Filippo Brunelleschi, Donatello and Jacopo della Quercia, the modelli survive, for a single panel, of the first two named
38.
National Gallery of Canada
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The National Gallery of Canada, located in the capital city of Ottawa, Ontario, is one of Canadas premier art galleries. The Gallery is now housed in a glass and granite building on Sussex Drive with a view of the Canadian Parliament buildings on Parliament Hill. The building was designed by Moshe Safdie and opened in 1988, the Gallerys former director Jean Sutherland Boggs was chosen especially by Prime Minister Pierre Trudeau to oversee construction of the national gallery and museums. Marc Mayer was named the director, succeeding Pierre Théberge. In 1911, the Gallery moved to the Victoria Memorial Museum, in 1913, the first National Gallery Act was passed outlining the Gallerys mandate and resources. In 1962, the Gallery moved to the Lorne Building site, adjacent to the British High Commission, the building has since been demolished for a 17 storey office building that is to house the Federal Finance Department. The museum moved into its current building on Sussex Drive in 1988, in 1985, the newly created Canadian Museum of Contemporary Photography, formerly the Stills Photography Division of the National Film Board of Canada, was affiliated to the National Gallery. The CMCPs mandate, collection and staff moved to its new location in 1992, at 1 Rideau Canal, in 1998, the CMCPs administration was amalgamated to that of the National Gallerys. In 2000, the Royal Architectural Institute of Canada chose the National Gallery as one of the top 500 buildings produced in Canada during the last millennium, although its focus is on Canadian art, it holds works by many noted American and European artists. It has a contemporary art collection with some of Andy Warhols most famous works. In 1990 the Gallery bought Barnett Newmans Voice of Fire for $1.8 million, since that time its value has appreciated sharply. In 2005, the Gallery acquired a painting by Italian Renaissance painter Francesco Salviati for $4.5 million and its most famous painting is likely The Death of General Wolfe by Anglo-American artist Benjamin West. In 2005, a sculpture of a giant spider, Louise Bourgeoiss Maman, was installed in the plaza in front of the Gallery. The Canadian collection, the most comprehensive in Canada, holds works by Louis-Philippe Hébert, Tom Thomson, the Gallery organizes its own exhibits which travel across Canada and beyond, and hosts shows from around the world, often co-sponsored with other national art galleries and museums. The Gallerys collection has been built up through purchase and donations, much of the collection was donated, notably the British paintings donated by former Governor General Vincent Massey and that of the Southam family. The museum features Canadian, Native and Inuit art, American and European painting, sculpture, prints and drawings, modern and contemporary art and photographs. After the convent was demolished in 1972, the chapel was dismantled, stored and reconstructed within the gallery as a work of art in 1988. Francis Bacon, Study for Portrait No.1 Hans Baldung, Eve, the Serpent and Death Pompeo Batoni, Vulcan at his forge
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Museo del Prado
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The Prado Museum is the main Spanish national art museum, located in central Madrid. Founded as a museum of paintings and sculpture in 1819, it contains important collections of other types of works. El Prado is one of the most visited sites in the world, and it is considered one of the greatest art museums in the world. The collection currently comprises around 8,200 drawings,7,600 paintings,4,800 prints, and 1,000 sculptures, in addition to a large number of other works of art and historic documents. As of 2012, the museum displayed about 1,300 works in the buildings, while around 3,100 works were on temporary loan to various museums. The museum received 2.8 million visitors in 2012 and it is one of the largest museums in Spain. The best-known work on display at the museum is Las Meninas by Velázquez, Velázquez and his keen eye and sensibility were also responsible for bringing much of the museums fine collection of Italian masters to Spain, now the largest outside of Italy. The museum is planning a 16% extension in the nearby Salón de Reinos and their efforts and determination led to the Royal Collection being enriched by some of the masterpieces now to be seen in the Prado. In addition to works from the Spanish royal collection, other holdings increased and enriched the Museum with further masterpieces, such as the two Majas by Goya. Among the now closed museums whose collections have been added to that of the Prado were the Museo del la Trinidad in 1872, in addition, numerous legacies, donations and purchases have been of crucial importance for the growth of the collection. Upon the deposition of Isabella II in 1868, the museum was nationalized and acquired the new name of Museo del Prado, the building housed the royal collection of arts, and it rapidly proved too small. The first enlargement to the museum took place in 1918, particularly important donations include Barón Emile dErlangers gift of Goyas Black Paintings in 1881. Between 1873 and 1900, the Prado helped decorate city halls, new universities, during the Second Spanish Republic from 1931 to 1936, the focus was on building up provincial museums. The art had to be returned across French territory in night trains to the museum upon the commencement of World War II, during the early years of the dictatorship of Francisco Franco, many paintings were sent to embassies. The main building was enlarged with short pavilions in the rear between 1900 and 1960, in 1993, an extension proposed by the Prados director at the time, Felipe Garin, was quickly abandoned after a wave of criticism. In the late 1990s, a $14 million roof work forced the Velázquez masterpiece Las Meninas to change galleries twice, in 1998, the Prado annex in the nearby Casón del Buen Retiro closed for a $10 million two-year overhaul that included three new underground levels. In 2007, the finally executed Rafael Moneos project to expand its exposition room to 16,000 square meters. A glass-roofed and wedge-shaped foyer now contains the shops and cafeteria
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Cleveland Museum of Art
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The Cleveland Museum of Art is an art museum located in the Wade Park District, in the University Circle neighborhood on Clevelands east side. Internationally renowned for its holdings of Asian and Egyptian art. The museum has remained true to the vision of its founders, keeping general admission free to the public. With about 598,000 visitors annually, it is one of the most visited art museums in the world, for the benefit of all people, forever. The Cleveland Museum of Art was founded as a trust in 1913 with an endowment from prominent Cleveland industrialists Hinman Hurlbut, John Huntington and Horace Kelley. The neoclassical, white Georgian Marble, Beaux-Arts building was constructed on the edge of Wade Park. Wade Park and the museum were designed by the architectural firm, Hubbell & Benes. The 75-acre green space takes its name from philanthropist Jeptha H. Wade, the museum opened its doors to the public on June 6,1916, with Wades grandson, Jeptha H. Wade II, proclaiming it, for the benefit of all people, forever. Wade, like his grandfather, had a great interest in art and served as the museums first vice-president, today, the park, with the museum still as its centerpiece, is on the National Register of Historic Places. In March 1958, the first addition to the building opened and this addition, which was on the north side of the original building, was designed by the Cleveland architectural firm of Hayes and Ruth and consisted of new gallery space and a new art library. The museum again expanded in 1971 with the opening of the North Wing, the museums main entrance now shifted to the North Wing. The auditorium, classrooms, and lecture halls shifted into the North Wing, allowing this space in the Original Building to be turned into gallery space. In 1983, a West Wing, designed by the Cleveland architectural firm of Dalton, van Dijk, Johnson and this provided larger library space, as well as nine new galleries. Between 2001 and 2012, the 1958 and 1983 additions were demolished, designed by Rafael Viñoly, this $350 million project doubled the museums size to 592,000 square feet. Viñoly covered the space created by the demolition of the 1958 and 1983 structures with a glass-roofed atrium, the east wing opened in 2009, and the north wing and atrium in 2012. The West Wing opened on January 2,2014, the museums building and renovation project, Building for the Future, began in 2005 and was originally targeted for completion in 2012 at projected costs of $258 million. The $350 million project—two-thirds of which was earmarked for the renovation of the original 1916 structure—added two new wings, and was the largest cultural project in Ohios history. The new east and west wings, as well as the enclosing of the courtyard under a soaring glass canopy, have brought the museums total floor space to 592,000 square feet
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Charles IV of Spain
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Charles IV was King of Spain from 14 December 1788, until his abdication on 19 March 1808. Charles was the son of Charles III and his wife. He was born in Naples, while his father was King of Naples and his elder brother, Don Felipe, was passed over for both thrones, due to his learning disabilities and epilepsy. In Naples and Sicily, Charles was referred to as the Prince of Taranto and he was called El Cazador, due to his preference for sport and hunting, rather than dealing with affairs of the state. Charles was considered by many to have been amiable, but simple-minded, in 1788, Charles III died and Charles IV succeeded to the throne. He intended to maintain the policies of his father, and retained his prime minister, the Count of Floridablanca, in office. Even though he had a belief in the sanctity of his office. The affairs of government were left to his wife, Maria Luisa, in 1792, political and personal enemies ousted Floridablanca from office, replacing him with Pedro Pablo Abarca de Bolea, Count of Aranda. Humboldts Political Essay on the Kingdom of New Spain was a key publication from his five-year travels, Godoy continued Arandas policy of neutrality towards France, but after Spain protested the execution of Louis XVI of France, the deposed king, in 1793, France declared war on Spain. After the declaration, Portugal and Spain signed a treaty of protection against France. In 1795 France forced Godoy to enter into an alliance, Spain remained an ally of France and supported the Continental Blockade until the British naval victory at Trafalgar, when Spain became allied with Britain. However, after Napoleons victory over Prussia in 1807, Godoy again steered Spain back onto the French side and this switching of alliances devalued Charles position as a trustworthy ally, increasing Godoys unpopularity, and strengthening the fernandistas, who favoured an alliance with the United Kingdom. Economic troubles, rumours about a relationship between the Queen and Godoy, and the Kings ineptitude, caused the monarchy to decline in prestige among the population. Anxious to take over from his father, and jealous of the prime minister, riots, and a popular revolt at the winter palace Aranjuez, in 1808 forced the king to abdicate on 19 March, in favor of his son. Ferdinand took the throne as Ferdinand VII, but was mistrusted by Napoleon, the ousted King, having appealed to Napoleon for help in regaining his throne, was summoned before Napoleon in Bayonne, along with his son, in April 1808. Napoleon forced both Charles and his son to abdicate, declared the Bourbon dynasty of Spain deposed, and installed his brother, Joseph Bonaparte, as King Joseph I of Spain. Following Napoleons deposing of the Bourbon dynasty, the ex-King, his wife, after the collapse of the regime installed by Napoleon, Ferdinand VII was restored to the throne. The former Charles IV drifted about Europe until 1812, when he settled in Rome
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Maria Luisa of Spain
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Infanta Maria Luisa of Spain was Holy Roman Empress, German Queen, Queen of Hungary and Bohemia, Grand Duchess of Tuscany as the spouse of Leopold II, Holy Roman Emperor. Maria Luisa was born a Princess of Naples and Sicily and her father, the future Charles III of Spain, had become King of Naples and Sicily in 1735 after its occupation by the Spanish in the War of Polish Succession. After her father became King of Spain at the death of her half-uncle, Ferdinand VI of Spain, in 1759 and she still had the use of the style of Royal Highness. Maria Luisa was born in Portici, in Campania, the site of the palace of her parents, King Charles, King of Naples and Sicily. She was the daughter, and second surviving child, of her parents. Her father became King of Spain as Charles III in 1759 and her first cousins included Louis XVI, Maria I of Portugal and Charles Emmanuel IV of Sardinia. Before her marriage, she was made to renounce her rights to the throne of Spain upon the wish of her father, after her wedding by proxy, she traveled to Austria by way of Barcelona, Genova and Bolzano. The next year, on 5 August, she married him in person at Innsbruck, the couple arrived to Florence 13 September 1765. They were settled in the Palazzo Pitti, by her strict Catholic upbringing, Maria Luisa was raised to endure any hardship of pregnancy and marriage without complaint, a role she also fulfilled during her marriage. The relationship between Maria Luisa and Leopold has been described as happy, and Maria Luisa as a supporting and she was never crowned as Grand Duchess, though she was present at the coronation of Leopold in July 1768. She accompanied her consort and her sister-in-law, Maria Carolina of Austria, at the marriage to her brother, the King of Naples. In 1770, she accompanied Leopold on his visit to Vienna, Maria Luisa and her spouse gave their children a very free upbringing, away from any formal court life, and occasionally took them on trips to the country side and the coast. She remained mostly unknown in the aristocracy, and restricted her private social life to a very small circle of friends. In 1790, on the death of Peter Leopolds childless brother, Joseph II, Maria Luisas husband inherited the Habsburg lands in Central Europe, and was shortly thereafter elected Holy Roman Emperor. Taking the name of Leopold II, the new Emperor moved his family to Vienna, Leopold died scarcely two years later, on 1 March 1792. Maria Luisa followed her husband to the grave in less than three months, not living long enough to see her eldest son Francis elected as the last Holy Roman Emperor, Maria Theresa of Austria married Anton of Saxony and had issue. Ferdinand III, Grand Duke of Tuscany married Luisa of Naples and Sicily and had issue, Maria Anna of Austria died unmarried. Charles of Austria married Henrietta of Nassau-Weilburg and had issue, alexander Leopold of Austria died unmarried
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Helios
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Helios was the personification of the Sun in Greek mythology. He is the son of the Titan Hyperion and the Titaness Theia, also known as Euryphaessa and brother of the goddesses Selene, the moon, and Eos, the dawn. In the Homeric hymn to Helios, Helios is said to drive a chariot drawn by steeds. Still later, the horses were given related names, Pyrois, Aeos, Aethon. As time passed, Helios was increasingly identified with the god of light, however, in spite of their syncretism, they were also often viewed as two distinct gods/titan. The equivalent of Helios in Roman mythology was Sol, specifically Sol Invictus, the Greek ἥλιος is the inherited word for the Sun, from Proto-Indo-European *sóh₂wl̥, cognate with Latin sol, Sanskrit surya, Old English swegl, Old Norse sól, Welsh haul, etc. The female offspring of Helios were called Heliades, the Greek sun god had various bynames or epithets, which over time in some cases came to be considered separate deities associated with the Sun. Most notably, Helios is closely associated with, and sometimes identified with. Diodorus Siculus of Sicily reported that the Chaldeans called Cronus by the name Helios, or the sun, among these is Hyperion, Elektor, Phaëton the radiant, Hekatos. The best known story involving Helios is that of his son Phaethon, Helios was sometimes characterized with the epithet Panoptes. In the Odyssey, Odysseus and his crew land on Thrinacia, an island sacred to the sun god. There, the red cattle of the Sun were kept, You will now come to the Thrinacian island. There will be seven herds of cattle and seven flocks of sheep and they do not breed, nor do they become fewer in number, and they are tended by the goddesses Phaethusa and Lampetia, who are children of the sun-god Hyperion by Neaera. Their mother when she had them and had done suckling them sent them to the Thrinacian island. Though Odysseus warns his men, when supplies run short they impiously kill, the guardians of the island, Helios daughters, tell their father about this. Helios appeals to Zeus telling them to dispose of Odysseus men or he will take the Sun, Zeus destroys the ship with his lightning bolt, killing all the men except for Odysseus. In one Greek vase painting, Helios appears riding across the sea in the cup of the Delphic tripod which appears to be a solar reference. While Heracles traveled to Erytheia to retrieve the cattle of Geryon, he crossed the Libyan desert and was so frustrated at the heat that he shot an arrow at Helios, Heracles used this golden cup to reach Erytheia
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John the Baptist
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John the Baptist, also known as John the Baptizer, was a Jewish itinerant preacher in the early first century AD. John is revered as a religious figure in Christianity, Islam, the Baháí Faith. He is called a prophet by all of these traditions, and is honoured as a saint in many Christian traditions, John used baptism as the central symbol or sacrament of his messianic movement. Most scholars agree that John baptized Jesus, scholars generally believe Jesus was a follower or disciple of John and several New Testament accounts report that some of Jesus early followers had previously been followers of John. John the Baptist is also mentioned by the Jewish historian Josephus, according to the New Testament, John anticipated a messianic figure greater than himself. Christians commonly refer to John as the precursor or forerunner of Jesus, John is also identified with the prophet Elijah. John the Baptist is mentioned in all four canonical Gospels and the non-canonical Gospel of the Nazarenes, the Synoptic Gospels describe John baptising Jesus, in the Gospel of John it is implied in John 1, 32-34. The Gospel of Mark introduces John as a fulfilment of a prophecy from the Book of Isaiah about a messenger being sent ahead, John is described as wearing clothes of camels hair, living on locusts and wild honey. John proclaims baptism of repentance for the forgiveness of sin, and says another will come after him who will not baptize with water, Jesus comes to John, and is baptized by him in the river Jordan. The account describes how, as he emerges from the water, the heavens open, a voice from heaven then says, You are my Son, the Beloved, with you I am well pleased. Later in the gospel there is an account of Johns death and it is introduced by an incident where the Tetrarch Herod Antipas, hearing stories about Jesus, imagines that this is John the Baptist raised from the dead. It then explains that John had rebuked Herod for marrying Herodias, Herodias demands his execution, but Herod, who liked to listen to John, is reluctant to do so because he fears him, knowing he is a righteous and holy man. The account then describes how Herods daughter Herodias dances before Herod, when the girl asks her mother what she should request, she is told to demand the head of John the Baptist. Reluctantly, Herod orders the beheading of John, and his head is delivered to her, at her request, Johns disciples take the body away and bury it in a tomb. There are a number of difficulties with this passage, the Gospel wrongly identifies Antipas as King and the ex-husband of Herodias is named as Philip, but he is known to have been called Herod. Although the wording clearly implies the girl was the daughter of Herodias, many texts describe her as Herods daughter, Herodias. Since these texts are early and significant and the reading is difficult, many see this as the original version, corrected in later versions and in Matthew. Josephus says that Herodias had a daughter by the name of Salome, scholars have speculated about the origins of the story
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Diana (mythology)
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In Roman mythology, Diana was the goddess of the hunt, the moon, and nature being associated with wild animals and woodland, and having the power to talk to and control animals. She was eventually equated with the Greek goddess Artemis, though she had an independent origin in Italy, Diana was worshipped in ancient Roman religion and is revered in Roman Neopaganism and Stregheria. Diana was known to be the goddess of childbirth and women. She was one of the three goddesses, along with Minerva and Vesta, who swore never to marry. Oak groves were especially sacred to her as were deer, according to mythology, Diana was born with her twin brother, Apollo, on the island of Delos, daughter of Jupiter and Latona. She made up a triad with two other Roman deities, Egeria the water nymph, her servant and assistant midwife, and Virbius, the woodland god. Diana is a form developed from an ancient *divios, corresponding to later divus, dius, as in Dius Fidius, Dea Dia. It is rooted in Indoeuropean *dyw, meaning sky or daylight, from which also derived the name of Vedic god Dyaus and the Latin deus, dies. On the Tablets of Pylos a theonym διϝια is supposed as referring to a deity precursor of Artemis, Modern scholars mostly accept the identification. The ancient Latin writers Varro and Cicero considered the etymology of Dīāna as allied to that of dies, the persona of Diana is complex and contains a number of archaic features. According to Georges Dumézil it falls into a subset of celestial gods. Such gods, while keeping the original features of celestial divinities, the celestial character of Diana is reflected in her connection with light, inaccessibility, virginity, and her preference for dwelling on high mountains and in sacred woods. Diana therefore reflects the world in its sovereignty, supremacy, impassibility. At the same time, however, she is seen as active in ensuring the succession of kings and these functions are apparent in the traditional institutions and cults related to the goddess. This ever open succession reveals the character and mission of the goddess as a guarantor of kingly status through successive generations. Her function as bestower of authority to rule is also attested in the story related by Livy in which a Sabine man who sacrifices a heifer to Diana wins for his country the seat of the Roman empire. Diana was also worshipped by women who wanted to be pregnant or who, once pregnant and this form of worship is attested in archeological finds of votive statuettes in her sanctuary in the nemus Aricinum as well as in ancient sources, e. g. Ovid. According to Dumezil the forerunner of all gods is an Indian epic hero who was the image of the Vedic god Dyaus
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Mary, mother of Jesus
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Mary, also known by various titles, styles and honorifics, was a 1st-century Galilean Jewish woman of Nazareth and the mother of Jesus, according to the New Testament and the Quran. The gospels of Matthew and Luke in the New Testament and the Quran describe Mary as a virgin, the miraculous birth took place when she was already betrothed to Joseph and was awaiting the concluding rite of marriage, the formal home-taking ceremony. She married Joseph and accompanied him to Bethlehem, where Jesus was born, the Gospel of Luke begins its account of Marys life with the Annunciation, when the angel Gabriel appeared to her and announced her divine selection to be the mother of Jesus. According to canonical gospel accounts, Mary was present at the crucifixion and is depicted as a member of the early Christian community in Jerusalem. According to the Catholic and Orthodox teaching, at the end of her life her body was assumed directly into Heaven. Mary has been venerated since Early Christianity, and is considered by millions to be the most meritorious saint of the religion and she is claimed to have miraculously appeared to believers many times over the centuries. The Eastern and Oriental Orthodox, Roman Catholic, Anglican, and Lutheran churches believe that Mary, there is significant diversity in the Marian beliefs and devotional practices of major Christian traditions. The Roman Catholic Church holds distinctive Marian dogmas, namely her status as the Mother of God, her Immaculate Conception, her perpetual virginity, many Protestants minimize Marys role within Christianity, based on the argued brevity of biblical references. Mary also has a position in Islam, where one of the longer chapters of the Quran is devoted to her. Marys name in the manuscripts of the New Testament was based on her original Aramaic name ܡܪܝܡ. The English name Mary comes from the Greek Μαρία, which is a form of Μαριάμ. Both Μαρία and Μαριάμ appear in the New Testament, in Christianity, Mary is commonly referred to as the Virgin Mary, in accordance with the belief that she conceived Jesus miraculously through the Holy Spirit without her husbands involvement. The three main titles for Mary used by the Orthodox are Theotokos, Aeiparthenos as confirmed in the Second Council of Constantinople in 553, Catholics use a wide variety of titles for Mary, and these titles have in turn given rise to many artistic depictions. For example, the title Our Lady of Sorrows has inspired such masterpieces as Michelangelos Pietà, the title Theotokos was recognized at the Council of Ephesus in 431. However, this phrase in Greek, in the abbreviated form ΜΡ ΘΥ, is an indication commonly attached to her image in Byzantine icons. The Council stated that the Church Fathers did not hesitate to speak of the holy Virgin as the Mother of God, some Marian titles have a direct scriptural basis. For instance, the title Queen Mother has been given to Mary since she was the mother of Jesus, the scriptural basis for the term Queen can be seen in Luke 1,32 and the Isaiah 9,6. Queen Mother can be found in 1 Kings 2, 19-20 and Jeremiah 13, other titles have arisen from reported miracles, special appeals or occasions for calling on Mary
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One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Mengs, Antony Raphael". Encyclopædia Britannica. 18 (11th ed.). Cambridge University Press. p. 129.
One or more of the preceding sentences incorporates text from a publication now in the 
